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twobluejeans · 1 year ago

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HEARTBREAK ON TOUR!

charles leclerc x famous!reader

summary: in which the lavender haze has been lifted. or in which america’s it couple splits.

part 8: you’re losing me, part 7: revenge dress, series masterlist

faceclaim: madison beer

ally’s radio 📻: PART 8! taylor swift deserves jail time for creating you’re losing me. taylor swift also deserves jail time for not officially releasing it. def recommend listening to it reading the chapter! (might have to stream illegally bc mother is being stingy 🙄.)

INSTAGRAM, july 17 (midnight)

liked by paulwesley, ninadobrev, and 13,333,112 others

yourinstagram and just like that, the final chapter of Midnights, is out now. this is my most personal body of work that i'm putting out into the universe, and i'm so scared yet excited to share her with u. thank u to my team, my producer jackantonoff turned dearest friend of almost 7 years (woah!!!) we spent many noons & midnights on this album and i'm forever in debt n grateful. thank u to all my other friends who i didn't mention, yk who u are. to everyone else, thank u for your persistent patience and support. it does not go unnoticed. from my heart to yours, midnights (till dawn edition), is available on all streaming platforms. i love u. thank u 💗.

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leclerccharl ain’t that the teddy bear charles won for her at the fair forever ago??!

y/nsfeverdreamhigh leclerccharl o em gee yeah..

fernandoalonso_offical Proud of you cariño

barbie 🥹🥹💗💗

landonoriss screaming crying shaking throwing up

danielricciardo gagging choking ascending to god

authur_leclerc Love you always, Proud of you always ❤️

INSTAGRAM STORIES, july 17

zendaya 30m

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badgalriri 2h

viewed by harrystyles, bellahadid, and 3,262,128 others

sabrinacarpenter 5h

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TWITTER, july 17

The song’s big question: “Do I throw out everything we built or keep it?”

BY: ALLY PUBLISHED: JULY 17, 2023

Y/n L/n’s lyrical candidness is what has always made her standout as a songwriter. Whether she was writing about young love, relationships, or breakups, her songs never flinched from trying to paint a full picture, even if it was one that was hard to look at.

It’s been a while since the super star has released a breakup song, but it was only a matter of time; since the singer split with Charles Leclerc, fans have already began anticipating the inevitable breakup album. But it turns out they didn’t have to wait long. At Midnight (July 17), L/n released a second deluxe edition of her 2022 album Midnights, which included four new songs, among them the release of “You’re Losing Me,” a song fans have deciphered as ostensibly about her split with Leclerc.

via @yourinstagram on instagram

The nearly 5-minute track is a devastating relationship ender if we’ve ever heard one, as it details the hopeless and tragic dissolution of a relationship. Though L/n doesn’t include any names or details, it’s not hard to see why fans are interpreting it as being about her and Leclerc.

When Entertainment Weekly first broke the news of their split in April, sources for both parties diplomatically described the breakup as amicable, and that “it was not dramatic.” “The relationship had just run its course,” one source told ET. However, that story was debunked as L/n herself, stated Leclerc had an affair with Australian Youtuber Lola Ransdell, in one of her Eras Tour Shows. With the release of “You’re Losing Me,” L/n seems to offer a window into her perspective of how things ended while also releasing one of the most devastating songs she’s ever written.

Its lyrics don’t waste any time getting into the tragic heart of the matter. “You say, ‘I don't understand,’ and I say, ‘I know you don’t’/ We thought a cure would come through in time, now, I fear it won’t/ Remember looking at this room, we loved it ‘cause of the light/ Now I just sit in the dark and wonder if it's time,” she sings in the first verse, painting a portrait of two people who are unaligned and have seemingly grown apart in their relationship.

The pre-chorus lays out the song’s big question: “Do I throw out everything we built or keep it?” But waiting for resolution feels like something L/n doesn’t want to do anymore: “I'm getting tired, even for a phoenix/ Always rising from the ashes/ Mending all her gashes/ You might just have dealt the final blow,” she sings.

The most heart-wrenching part of the song comes in on the chorus, as she warns her other half, “Stop, you're losing me/ Stop, you’re losing me/ Stop, you’re losing me I can't find a pulse/ My heart won't start anymore/ For you/ ‘Cause you're losing me.” The lyrics mirror the song’s production which sounds like a quietly pulsing heartbeat, driving the knife’s blade of the song in even deeper.

Perhaps L/n’s biggest skill on this song is being able to convey all the heartbreak and roiling emotion without actually providing any specifics into the breakup.

“You’re Losing Me” is rife with frank, confessional lyrics, but still keeps many of the exact contours of the split obscure. There are no accusations or fingers pointed at who’s at fault. There are no mic drop moments or explosive gossip; The closest L/n gets to revealing any details is on the second verse, when she seems to suggest that the relationship hadn’t been OK for a while now.

“Every morning, I glared at you with storms in my eyes/ How can you say that you love someone you can't tell is dying?/ I sent you signals and bit my nails down to the quick/ My face was gray, but you wouldn't admit that we were sick,” she sings.

On the bridge, L/n reveals that she “wouldn’t marry me either,” perhaps offering the tiniest, sliver of hints into one of the other reasons why they ultimately fell apart: “And I wouldn't marry me either/ A pathological people pleaser/ Who only wanted you to see her/ And I'm fading, thinking/ Do something, babe, say something (say something)/ Lose something, babe, risk something (risk something)/ Choose something, babe, I got nothing (I got nothing)/ To believe, unless you’re choosing me.”

It’s the lack of details, the palpable restraint despite L/n’s clear heartbreak behind its lyrics, that makes “You’re Losing Me” perhaps the most devastating song in her catalog (yes, even more so than “All Too Well.”) Amid the grief and sadness of the song, there’s also a feeling of inevitability, of sorrow that nothing more could be done, of pointlessly waiting for action when you know nothing is coming.

In some regards, it’s one of L/n’s most mature breakup songs in her catalog, regardless of whoever it’s about. And if this is just a “from the vault” track, it makes one wonder what an albums-worth of these songs would sound like.

SEE MORE RELATED POSTS:

• Lola Ransdell Cancelled over resurfaced racism tweets

• Lola Ransdell loses brand deals over Y/n L/n drama

• Charles Leclerc finally breaks his silence over Y/n L/n Breakup

ally’s radio 📻:a filler chapter im sorry😞 but anyways, the related stories r a sneak peak of the next chapter🤫 if u asked me to tag u and i didn’t, pls send me a message or inbox me bc it might’ve gotten lost 😭 i try to stay up-to-date but sometimes i miss people so pls lmk!!!

taglist 🦢🪩: @incoherenciass@dakotali@405rry@topaz125@sassyheroneckgiant@hevburn@itsmytimetoodream@ivegotparticulartaste@crowdedimagines @asterianax @haydee5010@scenesofobx@christinabae@magical-spit@dessxoxsworld@myareadsbooks@honethatty12@hopefulinlove@diasnohibng@gentlemonsterjennie1@hummusxx@eugene-emt-roe@taestrwbrry @perjarma @cxcewg@chimchimjiminie16@glow-ish@allywthsr @millyswife @mrsmaybank13 @black-swan-blog27 @stargaryenx @lilsiz @ohthemisssery @leclerclvr @slytherinjimin3nthusiast @shessthunderstoms @cool-ultra-nerd @ncentic @playboykenz @canvashearts @tinyhrry @xeliaaaa @ifionlywould @gaviypedrisbride @callsignwindow @dhhdhsiavdhaj @chasing-liberosis @laneyspaulding19 @a-daydreamers-day @saikikusouswife @motorsp0rt @lifesuckslife @shessthunderstoms @drewsandsebastianswife @sainzluvrr @ietss

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dev-solovey · 1 year ago

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Reading up on the history of American Idiot (album) and realizing exactly how revolutionary it was and I just have to yell about it for a hot second

So, before they started working on American Idiot, the band was having problems and they were thinking they were going to break up. But for a couple of reasons, they switched directions, most notably because they all felt strongly about the Iraq War and how it was manufactured by greed and warmongering from the Bush administration, which was amplified by the news media. I read a quote from Billie Joe Armstrong where he talked about how the news media was becoming "more of a reality show" than it was news, and he couldn't have been more right. In fact, that problem got worse, and now we're living in an era of rampant misinformation where everything is politicized to a point where just supporting human rights for marginalized people is considered controversial. The song American Idiot came out in 2004, and when Donald Trump first visited the UK at the beginning of his presidency, it was the top played song on every UK radio station, 12 years after it was released. Most things would be culturally irrelevant at that point.

When creating the album American Idiot, a lot of thought went into it - they had a very specific message in mind, and their goal was to send that message to youth. This is because they realized at some point that their fanbase was a bunch of teenagers, and even though they hadn't necessarily intended it that way, they suddenly had a platform with the youth of America and they decided they ought to do something good with it. The drummer, Tré Cool, said something along the lines of "I've never really liked the idea of preaching to kids, but I realized we don't really have a choice at this point." And I love that so much because like, so many people who get rich and famous just become completely out of touch, and when they get a platform, it's very easy to exploit that platform, influence them with terrible ideas, or encourage them to act in terrible ways for self-serving reasons (ex: JK Rowling, Andrew Tate, Dream, Logan Paul, Onision, etc etc). Green Day refused to allow themselves to get to that point. They know the platform they had gave them power and they made an active choice early on to be responsible with it. And a lot of that moral code comes from the fact that they came up in the DIY punk scene in Oakland, which held its members to a very high standard of ethics, a code that they still follow even after they were disowned by that scene when they signed on with a major record label in 1994.

The song American Idiot has a message of "this mass media hysteria is manufactured bullshit, don't fall for it," and it is not subtle about that message. It punches you right in the face. I remember being 12 years old and listening to it and thinking, "yeah, I don't want to be an American idiot." And now, at the age of 28, I am a staunch leftist who is firmly against the atrocities the US government commits, and I feel strongly about stopping misinformation. So I can say with absolute certainty that they succeeded.

I also get like, really upset when people say that American Idiot is the album where they sold out, because that's objectively not true, both for the reasons I've provided above, and also because of the song Wake Me Up When September Ends. Not a lot of people know the story behind this song, but it's actually a song that Billie Joe wrote about the experience of his dad dying of cancer when he was 10 years old. The story, as he tells it, is that when he came home from school, his mom gave him the news, and being (understandably!) upset, started crying, ran to his room and slammed the door. When she knocked on the door to try and talk to him, he shouted "wake me up when September ends!!" in response. It took him decades to be able to write this song, and it shows because it's the perfect grief song, having been played at benefits for 9/11, hurricane Katrina, and so on. The first time I heard that song it reduced me to tears, because you can hear the intense sadness in it. A "sellout" would never write a song like that!! (Side note: maybe stop tweeting at Green Day to wake up every October 1st, it's super tone deaf given the subject matter,,,)

Anyway, I think I'm done being autistic about Green Day (that's a lie, they'll forever be my special interest), so TL;DR:

Thank you, Green Day, for creating a generation of leftists who aren't about the bullshit

#green day #American idiot #wake me up when september ends #billy joe armstrong #tre cool #mike dirnt #iraq war #bush administration #misinformation #i will die on this fucking hill

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bcacstuff · 10 days ago

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Don't you think Sam should defend her

Well, I can imagine people would think as a first reaction he should, or should say something about it. But then again, if he does, I'm sure the fans who do these stupid things, would immediately see it as him confirming some sort of relationship or something. You know how this fandom, or better said the deranged ones in it are.

He can't do right in this case, he's between a rock and a hard place. We're talking about 2 women, should he address the entire fandom for this? And with that give it perhaps unwanted and more attention then it deserves? What will be the result of that, you might ask yourself. Of course we know there's much more going on in this fandom, but it isn't reserved solely for this fandom:

I've received a link a while back, and still have this article open on one of my tabs in the browser. I had the intention to answer the Anon that sent it to me a few weeks ago, but as there were so many things going on, I didn't want it to get buried by the many other posts.

It's this article:

There are some really good parts in it that can be translated one on one for this fandom, even though the artists in this article are musicians. Already in the first paragraphs you can read:

This summer, norms of pop flipped when musicians started telling off their fans. Leading the pack was Chappell Roan, the 26-year-old breakout star of 2024. In a statement on Instagram, she outlined the “too many nonconsensual physical and social interactions” she had had with fans, including people hassling her family and friends.

An expert view on it:

“The relationship between fans and artists is a power balance,” says Dr Lucy Bennett, a lecturer in journalism, media and culture at Cardiff University. “Sometimes the power can tip back and forth.” Fandom, she explains, is a deeply emotional thing where people can feel a sense of home and belonging. It can lead to an intense connection to the music, something only heightened by the access to artists provided by social media. “But the problem that we have is how fans can forge a direct connection when they’re one among potentially millions that follow the artist. Those artists can’t reach out to every fan online. But to those who aren’t noticed, how does this make them feel? And what lengths may some fans go to get noticed?”

A former deranged fan's experience

Someone who has grappled with this themselves is Emily, a 26-year-old Taylor Swift fan from Idaho. Emily, who asked to be referred to under a pseudonym for fear of being doxed, was once a dedicated Swiftie, spending thousands of dollars on merchandise and concert tickets. During the Lover era of 2019, however, she began to see contradictions in Swift’s image and found her sudden embrace of politics inauthentic and calculated. “I was upset because it seemed the person I thought she was wasn’t real,” she says. She was also put off by the growing toxicity among a fandom that no longer felt like a community. Prior to Swift’s hit album 1989, “Taylor had said that she wasn’t going to interact with fans on social media because one fan might feel more important than the other,” she says. But Swift began doing secret live sessions for fans, found via fan accounts online. “It did exactly what she thought that might,” Emily says. “Fans were suddenly fighting with each other saying, ‘You’re not good enough because you don’t obsess with her on the level I do, or ‘You don’t have as much merch as I do and you don’t know every song like I do.’ It was kind of gross.” Emily became so distraught that she would vent to her friends about her disappointment. “When I look back it now,” she says, “it’s like, wow. I was really deranged. Taylor Swift doesn’t know who the hell I am. She doesn’t care what I think. This is actually a me problem. I needed to step back and realise that.” She cites social media and the 24/7 access to information about Swift as one reason why she became so obsessed with the singer’s life. “I had to get some hobbies outside of discussing Taylor Alison Swift.”

And again the expert's view as an end conclusion

To realign the relationship between fans and artists, Bennett believes that musicians may need to step away from sharing so much of their lives on social media. “But it’s really important that they speak up if they feel that they’re experiencing unacceptable behaviour from the fans,” she adds.

It's a really good read, so if you're interested and have a bit of time, I'd recommend reading the whole article. There is no easy answer to this phenomena or to your question Anon.

PS. To Anon sending me the link a few weeks ago, thank you 🧡. You were right, I found this interesting. I'm sorry it took so long to post it, but it deserves all the attention.

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solarwynd · 3 months ago

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https://x.com/BTSBILLIONSCLUB/status/1818072379118981300?t=cjUGN08NX7ARww0YG_YorA&s=19

To all the people saying "Armys don't care about hyung line, they just care about maknae line", you know what? You're right, that's absolutely true. But the real question is: What are you gonna do about it? That has been the case for 11 years now, are you gonna keep crying for another decade? Maybe it's time for people to accept that armys are and have always been a heavily biased fandom, and if that pisses you off so bad then leave, cause we all know is not gonna change. Years of complaining have never fixed the issue, in fact, it's only gotten worse. Most of the group's golden years are behind them, and the tendency is for solo work to take up more and more space as time goes on. There's no fixing the problem at this point, so either accept it or leave. 'Real army' this, 'fake army' that, have you considered that if the vast majority of your fandom is and has been a certain way since the very beginning, then maybe that's what the 'real' version of your fandom is? Have you considered that maybe the 'real army' is a fandom that doesn't care about the members equally? Cause the real version can't be the minority, and maybe that minority are the ones who are in the wrong place here. All groups have this problem, so I don't know why some people thought armys were gonna be the magical exception where fans somehow managed to equally like 7 different people. If anything, they should consider themselves lucky that there are multiple members fans care about, cause it could've been just one like it happens to a lot of other groups.

And if I wanna be real controversial here, what if I say that BTS themselves are partially to blame for this? You get the fandom you get based on what you offer, and if you offer an unbalanced group, you're gonna get an unbalanced fandom. Cause let's be honest here, BTS is a vocalist group with rappers in it. Like when a singer has a rapper as a feature in their song, sure, the song has a rapper in it, but you wouldn't call it a rap song. That's what BTS's music has been like since they changed their sound way back in 2015, and it has only gotten more pronounced over the years. Especially when you consider a lot of fandom is from 2020 and after. You really think you're gonna get rap fans with songs like Dynamite and Butter? If BTS wants a rap fandom maybe they should start making rap music. And no, one rap line song every album is not gonna cut it. And as armys love to say, rap line is in charge of their music, so who's to blame for this if not them? They knew they were not gonna get big if they continued with their inicial plan of trying to be a hip-hop idol group, so they changed it. That's the choice they made. If they made their bed, then they can lie in it. Rap line will get no sympathy from me. And as for Jin? You give nothing, you get nothing.

Maknae line is the reason the group has as many fans as they do, so they're gonna have all the popularity. If we wanna get specific, then this is how it goes. Jungkook being given way more lines, screentime and dance center that everybody else was inevitably gonna result in him being popular, let's not act clueless. Taehyung realized he was in a k-pop group which means you just need fans to like looking at you to be popular, so he stoped acting silly, got all serious and mysterious, double down on the fanservice, and got more popular because of it. Jimin worked his ass off with whatever little he was given and it payed off for him. Especially now in the solo era with him being the only maknae line member actually putting in effort to make good music. So if people listen to his music more than other's, then good, he deserves it.

The point is, armys are the fandom they are and the fandom they were made to be. There's nothing unexpected going on here, some people just can't accept reality and prefer to instead subject all of us to their whining and I'm way past being over it.

.🎯

#cause damn 😭

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hl-obsessed · 3 months ago

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✨ FIC REC ✨ | 10-30k

•°•°•°•°•°•

Snowed In by @germericangirl

(E, 15k) Harry wants to fly back home to London after visiting his family for the holidays but a snow storm causes his flight to get cancelled. What happens if the hotel only has one room left for him and the beautiful blue eyed stranger?

✨ Running Home To You by sincewewereeighteen

(E, 18k) Harry can’t help but look at his iTunes library. What he did not expect was to see his name there: Harry Styles, and a half-played album. He has to ask.

“What’s that you were listening to?”

“Oh, it’s this guy, uh- Harry Styles?”

“Hm. Is he any good? I’ve heard a lot about him.”

“He’s proper famous, isn’t he?” Louis smirks. “He’s good, believe it or not. Many people don’t give credit to teenage girls, but I don’t regret listening to him.”

“D’you have a favorite?”

“You’ve probably heard Sign of the Times, because everyone’s heard this song…” Louis checks his screen. “Don’t know. This is the best one musically speaking. But there’s something about this one,” he points at his screen, “From the Dining Table. It’s just so sad. Makes one wonder what this guy went through.”

“That tough?”

“Sad.” Louis replies. “Anyways. Don’t be prejudiced and give the pop star a listen. He’s really talented.”

OR: the one in which Harry and Louis take the same plane, and even though they're both sort of nomads, they end up finding a home in each other.

give you my fever by @thelovejandles

(E, 10k) x-factor era. harry's never had an orgasm before, louis gives him his first

If Tomorrow Never Comes (We Had Last Night) by @fallinglikethis @all-these-larrythings

(M, 15k) Louis accepts the call without bothering to look at the caller ID. Only Zayn would be a big enough asshole to call him at two in the morning. This fucking better be important.

“This fucking better be important,” Louis greets.

On the other end of the line comes a soft giggle. “Li, you don’t usually curse. I don’t know what’s gotten into you, but I like it.”

Yeah, that’s not Zayn. Louis sighs, his anger melting into resignation when he realizes that it’s some poor bastard probably drunk dialing his ex or something. “Sorry, mate. Think you’ve got the wrong number."

Based on this Tumblr prompt: "Accidentally called your number while drunk asking for a ride and you actually came au"

sweet, where you lay by @infinitelymint

(E, 27k) Louis Tomlinson is a twenty-eight year old succesful actor living in New York. Harry Styles is a twenty year old up and coming model and coincidentally also the one who turns Louis’ world completely upside down.

or, Louis is Zachary Quinto and Harry is Miles McMillan. Falling in love was always in the cards for them.

stop the world ('cause i wanna get off with you) by @thedevilinmybrain

(E, 12k) Five times Louis and Harry get walked in on at the worst time, and one time Louis makes sure they don't.

✨ i'm a captain on a jealous sea by @thedevilinmybrain

(E, 15k) It’s not that Louis doesn’t like Nick. He is, if he’s being honest, kind of indifferent. Louis gets that Nick is just doing his job most of the time, being loud and prying, not having boundaries. But it’s just a little too much for Louis’ taste. Louis, who has learned over the years, when to be loud and when to know that coy is the game. But, it doesn’t matter really. He’s not required to like everyone, doesn’t have to make nice with them outside of having a camera shoved in his face. He can let Nick be Nick and it shouldn’t affect Louis at all.

Except.

What Louis actually has a problem with is the way Nick Grimshaw looks at Harry.

✨ some things fade (some never do) by @so-why-let-your-voice-be-tamed

(T, 25k) Matching tattoos. He’d never thought he’d be the type for tattoos to begin with, let alone matching or magical ones, but once Harry had put the idea in his mind it had never quite managed to disappear. And it had made sense. With their relationship a long distance one, this was simply another way of feeling close to one another. Of knowing where the other was, how they felt. It had made so much sense.

Back then.

Three years after their break up, Harry calls.

In a sky full of stars, be my Northern lights by @so-why-let-your-voice-be-tamed

(T, 13k) It's one of those nights there's nothing on the telly that Louis absently scrolls through Tinder. After swiping left on a bunch of profiles he comes face to face with a picture that stops him in his tracks. The picture is..almost sweet. It’s a boy with brown curly hair, wearing a very low cut yellow blouse, paired with a black jacket. He’s got a smile on his face and his tongue sticking out, but it’s not in any way lewd or suggestive. He just looks like he’s having a good time, and something about the innocence of it has him swiping right rather than left.

He’s barely checked the other pictures on the boy's profile before Tinder confirms that he’s got a match. The shots are so different from the pictures Louis is used to on Tinder - half naked boys who are smoldering at the camera - that he can’t help but smile.

It quickly turns into a frown when he opens up the message he’s just received.

Harry: Hello!

Harry: Thank you for swiping right

Harry: I have a proposition for you

Treat You Like A Gentleman by @justanothershadeofblue

(E, 12k) 5 times that Harry Styles was unsatisfied by his dates, and one time Louis Tomlinson helped him find what he had been missing.

Sweet as Honey by TeamLouis

(E, 21k) Louis has always been shit at cooking. When he discovers Sweet as Honey on Instagram, owned by chef Harry Styles, he intends to mock him by recreating his recipes with his awful skills, posting photos on his own Instagram account, Nailed It. It's all fun until Harry asks to meet him.

✨💎 To Have Touched the Sun by @ireallysawanangel

(E, 12k) Louis has been taking suppressants ever since he first presented as an omega, and because of that, he has his heats dwindled down to just once a year. When he suddenly goes into heat in the middle of a supermarket only two months after just having one, he immediately knows something is wrong. It takes the act of a very kind stranger in that supermarket to change Louis' life forever.

Losing Focus Every Time You Speak by @causticsunshine

(E, 19k) “Harry,” he starts, his tone cautious, “what’s this I’m seeing?”

A roll of Harry’s shoulder and the thing catches the light again. “Hm? I dunno what you’re talking about, Lou,” he replies, voice suddenly strained.

Oh. So that’s how it’s going to be.

“This,” Louis reiterates as clearly as he can—by abruptly spreading Harry’s cheeks as much as he can through the confines of his knickers, in turn causing Harry to grunt and Louis to reveal a, fuck, a small bubblegum-pink gem in the shape of a heart, rimmed by a sliver of silver, “you remember now?”

“Oh.” All faux innocence. Louis removes his hands as Harry slowly pulls himself back up, a little red-faced and with a chunky throw in hand. “That? It’s nothing.”

“Nothing?” Louis repeats, trying for gentle surprise.

Louis returns from an impromptu work trip and enjoys some long-awaited alone time with his favorite person. Lace knickers and a princess plug might have a role to play in things.

✨💎 Eyes on the Horizon by @uhoh-but-yeah-alright

(E, 12k) Freshly dumped, recently fired, and about to turn 40, Harry's friends insist on taking him skydiving to cheer him up. His younger and extremely fit instructor Louis makes him even more nervous than the idea of jumping out of a plane, but both may be exactly what he needs to turn his life around.

Waste the Night by @wicked-archer

(E, 12k) Harry is excited to finally see his favourite band in concert and his favourite person, the guitarist of the band, Louis Tomlinson. Little does he know what the night has in store for him.

✨ Prelude to Forever by @always-aqua

(M, 13k) @StylinHarry: So I kinda fell for a boy yesterday at #ChiPride. Kissed & fireworks went off. Literally. He’s a drama teacher. Goes by “Louis” but I prefer Sunshine. Very pretty. The prettiest. Got separated & I’m a fucking idiot who forgot to get his number. Anyone know him? #helpfindsunshine

Or, Louis and Harry meet at Pride in Chicago and spend the day falling for each other before getting accidentally separated.

Be Mine? by @softfonds

(E, 11k) Getting dumped the week before Valentine's Day wasn't in Harry's plans, and neither was being dragged to a concert to forget about it. But a sign Zayn brings manages to turn his night around in more ways than he hoped for.

Blinded by the Colors by @fallinglikethis

(M, 20k) After a heated fight with Harry, a maudlin, inebriated Louis Tomlinson questions his presence in his boyfriend's life. In fact, maybe all of One Direction would be better off if Louis had never been put in the band to begin with.

He never expected to wake up in a world where that's exactly what happened.

Or an It's A Wonderful Life Au where Louis Tomlinson realizes just how important he really is.

✨ Keep Me Closer by @zanniscaramouche

(T, 18k) Louis expects Harry to react poorly, maybe even file a formal complaint and that’s gonna suck ass but Louis won’t say shit cause he knows he deserves it, so he prepares an apology before Harry’s even turned around.

What he doesn’t expect is Harry to fucking drop.

Moonlight Minx by @jacaranda-bloom

(E, 15k) The one where an unexpected storm strands Harry on an island, Louis gets an unexpected house guest for the night, and love might just be the most unexpected thing of all.

Love On Air by @jacaranda-bloom

(E, 19k) The one where Louis doesn't have a type, no matter what Niall says, but if he did, it'd probably be the guy currently trapped in his radio studio and grinning back at him from across the desk.

✨ Every heart but mine by @rainblou

(E, 17k) In the years leading up to his presentation, Harry hoped that his soulmark would appear, that his soulmate would present first and Harry would have irrevocable proof that his other half was out there, waiting for him.

Years later, he's given up on waiting and with a heat coming up, his eyes are set on Louis Tomlinson to help him through it.

redamancy by @yu-taeil

(G, 10k) dystopian au.

Harry lives in a world where, at the age of 18, everyone gets paired up with a life mate, a perfectly compatible partner. When Harry gets Liam Payne as his soul mate, he thinks nothing of it. It must be true love, right?

But then he meets Louis Tomlinson, a 19 year old who is already partnered up. Harry starts to fall for Louis, and it is not unrequited, but it is against the law.

Harry had always known he’d end up breaking some rules, he just hadn’t quite imagined the magnitude of them.

Sooner or Later by orphan_account

(T, 12k) Louis suspected he might have a little crush. It was harmless enough. It wasn't as if he were any sort of threat to his sister's relationship with Harry, was it?

✨💎 I Just Wanna Give You Love by @lululawrence

(NR, 18k) Graham Norton appeared on the screen introducing his guests and out of nowhere, everything in Louis’ world was turned upside down.

Louis gasped as he intently took in the man on the screen, smiling and waving from his seat beside Sir Ian McKellen.

“Oh my God,” Louis said before it all sank in as to what it meant. “Holy fucking shit!”

“Louis William, you watch your mouth,” Jay said. “What has got into you?”

Feeling like a madman, his palms to his cheeks, Louis couldn’t help the tears of surprise, relief, and fear as he turned to his mum. “What colour are his eyes? What do you call that colour?”

“Louis, are you telling me that the man on the screen, Harry Styles, is your soulmate?”

Or the one where the world is in black and white until you meet your soulmate, but Harry is world famous and Louis is...well...not.

Where Life Changed Us by ExiledQueenCatalog

(E, 22k) Omega Harry has a rare genetic disorder where he has no sense of smell. This has lots of odd effects such as him not being able to smell his own scent but most brutally, not being able to scent the way his inner omega desires. It also leaves him as a sort of odd-ball to the community, leaving him becoming touch starved as no one wants the omega who can’t scent. Until finally, he meets the right alpha.

Hint: I want to be yours by @greenblueish

(M, 11k) or, the one where Harry unconsciously starts acting like Louis' alpha after they spend his rut together and Louis finds ways to make sure Harry's affection doesn't end.

'cause I want you (for the worse and for the better) by @absoloutenonsense

(NR, 26k) When Louis gets invited along to Anne's wedding, Harry is prepared to let people think whatever they want about their relationship. That's what Louis said -- let people think whatever they want. That changes when Louis sees his ex, who turns out to be Anne's future husband's son. Now, Louis wants to prove that he's an omega that an alpha could want, and Harry wants to get through this weekend without letting his best friend figure out he's in love with him.

We Don't Need No Piece of Paper (From the City Clerk) by @2tiedships2

(M, 26k) Harry sat on his bed and stared at the pile of luggage by the door. This was really happening. He was being shipped off to America to get married.

In a matter of months, he would be bonded to an alpha his father had chosen for him. Someone that Harry knew nothing about. Not even his name.

Party Lines by @absoloutenonsense

(E, 25k) Louis works for a phone-sex operating company, collecting credit card information and transferring calls to different operators. On a particularly busy night, everyone is booked up, and one caller has been patiently waiting for more than a few minutes. In a split second decision –one he’s probably going to regret– Louis picks up the call himself.

Or Louis accidentally becomes a phone sex operator.

Losing That Reactive Spark by @crazyupsetter

(E, 11k) Prompt 73: ABO fic where Louis is cursed. He can’t touch anyone without a spark of electricity going through his body, causing him to blackout. He meets Harry, the only one the curse doesn’t work on for some reason.

(Gimme a Solution and) Watch Me Run With It by @lululawrence

(NR, 21k) This second, this minute, this hour, this day... hell, this week the trend was for Harry to feel overwhelmed. He was having a hard time not drowning in all of the responsibilities he had heaped upon himself and it had exhausted him. Beyond that, really. He had gotten to the point where he didn't even remember why he used to be so focused on getting back on stage every night.

Fine. Maybe this trend had been going on for even longer than a week. It might have even been months.

Harry is getting dangerously close to his breaking point, and that is when things start to change, starting with a favorite childhood sweet a member of the touring crew leaves for him in his dressing room.

Catching a Partner by berzerkshires

(M, 25k) This documentary follows the story of two people who fell in love in the last place you'd expect. Louis is a detective at the Boston Police Department investigating a trail of recent murders. Harry is the latest victim who survived an attempted murder and is sent to live at a safe house with Detective Tomlinson as the killer is still at large.

This is their story.

No Place I'd Rather Be by @iamasphodelknox

(E, 29k) Harry's had a crush on his stepfather's friend for six years. A small crush. A tiny crush.

Honestly, if you don't look at Harry's dozens of poems about Louis Tomlinson, the crush is practically infinitesimal. They haven't even had a conversation.

But then a car wreck prompts them to finally have a conversation.

Christmas works its magic, Harry pines, Louis fonds, and they just might make it.

baby shut your mouth and turn me inside out by ballsdeepinjesus

(E, 10k) Harry and Louis meet in a mcdonalds. louis is everything harry needs.

The Joke's Always On The Joker, Baby by @greenfeelings

(M, 16k) It’s all about an anonymous one-night stand that turns Harry and Louis’ lives into a rom-com cliché, provides Liam with the perfect opportunity to finally approach the man of his dreams, and confirms Niall that he’s always right.

Hold You With My Hands Tied by @letthemusicmoveyou28

(E, 12k) "There’s a club in town called Habit, and they’re looking for a bartender to cover evenings and weekends. No previous experience required."

Harry furrows his brows. He’s never been to Habit, but he certainly knows what type of club it is. BDSM.

It’s not the ideal position for an Omega surely, but beggars can’t be choosers he supposes. He tilts his head to the side. “And they would be ok with an Omega filling that role?”

Janet scans her eyes over the job description before nodding. “Yes, actually it says here Omegas are preferred but not required.”

Harry sighs.

“When do I start?”

(Or the one where Omega Harry loses his bakery job and is forced to take a temporary position bartending at a local BDSM club. It turns out to be not so bad. Especially when he catches the eye of the owner Louis, who also happens to be a gorgeous Alpha).

if you show up there then you know I will too by @harrybirthdaytoya

(M, 11k) Everyone in Louis' life keeps getting married, but he's almost 30 and single. (He's also grumpy about it). Harry sings in a wedding band, and Louis may have a bit of a crush.

I've Always Liked the Fireworks by QuickedWeen

(T, 12k) When alphas and omegas reach the age of twenty-one they are required to attend a Proving Day ceremony. Omegas watch as alphas do their best to compete in events, show off their skills, and prove how good a mate they can really be.

The whole thing is a bit ridiculous, but Louis Tomlinson has always dreamed of finding his mate. He's got two unsuccessful Sheffield Proving Days under his belt and decides to go for the much more competitive one in Manchester. His goal is to play his best, leave it all out on the pitch, and hope that one of the omegas watching just happens to be his mate.

Hold My Heart by Awriterwrites, phdmama

(E, 14k) Or, the one where famous Louis Tomlinson offers his hand and a lot more to his seat mate on a transatlantic flight.

Torn On The Platform by conscious-ramblings

AU where harry and louis are strangers but they always get the same train to work in the morning and one day harry falls asleep on louis’ shoulder. louis wants to be annoyed because harry just broke a least seven rules of tube conduct but he looks so soft and peaceful that he just lets him sleep and wakes him ever so carefully when it’s his stop. it happens again and again until it becomes a regular thing where louis will let harry snooze and then gently nudge him awake, hand him the cup of coffee he took from him so it wouldn’t slip and spill everywhere and send him off with a “have fun at work, love” and after the tenth time harry isn’t even embarrassed anymore.

Cue changing work schedules, missing each other for the first time in weeks, panicking because “i don’t even know his name, why didn’t i ask for his name”, dramatic waiting on platforms and finally bumping into each other again when they least expect it

✨💎 Tell Me Your Secrets, Teach Me Your Ways by @insightfulinsomniac

(E, 23k) The day after turning eighteen, Omega Prince Harry is expected to meet with eligible Alpha suitors. It's a day he's been looking forward to all his life, desperate for romance and yearning to find his mate.

What he doesn't expect to find, however, is that he's one half of a historic soul-tied union: a phenomenon last seen over a century ago. Luckily, his future mate is everything he ever dreamed of finding.

But... that's just the problem. Louis makes Harry feel things he's never felt before and has no way to describe. He knows that once they're married, he and Louis are meant to mate, but what that actually entails is a mystery…

Who better to ask about these feelings than his mate-to-be?

AKA: A regency-ish royalty AU featuring overeager soulmates who maybe give into temptation a little too much on their secret journey of sexual discovery.

The way you move for me baby (lights me up like nobody else) by @thechavier

(M, 12k) Those green eyes found him again and he struggled thinking of what to say.

"You look beautiful in that dress" It's what he landed on. (...) "You know I wrote a song back in the day called little black dress?"

He didn't imagine the little spark in his eyes, nor the pleased smirk on his lips, nor the tongue peeking out to wet them.

"Why do you think I chose it for tonight?"

or the rolling stones awards au

Talk Dirty To Me by BriaMaria

(E, 13k) Or the one where Harry is absolutely terrible at dirty talk so he asks his best friend to teach him. And the one where Louis knows it's a catastrophically bad idea but agrees anyway.

Because Sparrows Mate For Life by @builtyouahousefromabrokenhome

(E, 24k) Harry’s tattoo gets done all wrong, and he needs someone to fix it.

Bend Like a Hairpin by @letthemusicmoveyou28

(M, 26k) Or the one where FBI agent Harry Styles screws up in a mission and he has one more chance to save his career. He’s going undercover as a stripper to investigate a strip club suspected of money laundering. There’s just 2 problems: 1) Harry can’t dance, and 2) he might be falling for the club’s owner Louis, who just happens to be the prime suspect.

Celebrity Discount by @loaded-gunn

(T, 27k) Louis fell for Prince Harry when he was ten and Harry was eight and peeked behind the Queen’s elegant gown for his first public appearance—a shy smile and a mess of curls. He fell for him when he caught Lottie putting up a magazine cover of Harry on her wall and all she had to say for herself was, “He’s such a good person, yeah?” and, yeah. He fell for him when Harry gracefully accepted his demotion. He fell for him when Harry came out and stayed out.

tonight's not over (come over and stay) by @adoredontour

(E, 17k) Zayn doesn’t say anything for a moment, pausing and worrying at his bottom lip. Finally, he asks, “Have you heard that Cox guy is coming out with a new song?”

Louis freezes, fingers hovering over his keyboard where they had been typing his password.

“No, I hadn’t,” Louis says truthfully. “Where did you hear that?”

“Tell anyone this and I’ll kill you, but I’d consider myself a big fan,” Zayn says. His face doesn’t change in expression, completely serious as he admits this to Louis.

“Big fan? Like run a blog and everything?”

or, harry is a famous singer and louis is a student who just wants to write his novel

where sirens fear to tread by @stylinsoncity

(M, 28k) in the royal line, there are only a select few sirens with the ability to transform into humans once a month. harry is one of those sirens. he mostly sticks to the rules. when he's on land, he reads his books. he buys copious amounts of ice cream. he keeps to himself. that is until he meets a lifeguard named louis working at one of the luxury resorts on St Barts. and unfortunately, harry doesn't know the rules about falling in love at all.

✨💎 When The Stars Come Out by @briannamarguerite

(E, 30k) Louis was about to reassure Harry further when Gemma bounded back over to him, slipping a hand around Louis' waist. Harry’s eyes followed the movement. And then that lip gnaw again. Christ. How was he supposed to survive this weekend?

He turned his attention to Gemma as her palm came to rest right above his heart. Laying it on a bit thick, dear. Or at least that’s what he hoped he’d conveyed with the simple tilt of an eyebrow.

In response, she went up on tiptoes and laid a noisy kiss on the hollow beneath his cheekbone. Louis didn’t take his eyes off Harry, who watched the scene play out with a blank expression. Once Gemma dropped back to the ground, Harry shifted away from them, his gaze dropping to his feet.

[Or the one where Louis pretends to be Gemma's boyfriend for her horrid cousin's wedding but fate is a nasty jerk and throws Harry in his way.]

•°•°•°•°•°•

part 1 (+50k) | part 2 (30-50k)

#my fic recs #28th appreciation #larry fic rec #I AM LATE IN MY TIME ZONE #who would have thought 🤣#i am sorry this is a long one!#i didn't know there was so many good fics in my bookmarks honestly

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hustlerose · 4 months ago

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metric fan.... what are your thoughts on art of doubt ? i'm trying to get into metric and that's the one album that's clicking with me big time... it's so good

i have strongly mixed feelings about art of doubt, and broadly about this newer era the band is in

i hated pagans in vegas. that album was a major slump. i thought they were going the way of bloc party or lcd soundsystem or any number of weirdo indie rock bands from the 00's, where they'd keep on truckin but never reach their glorious highs again...

well, it didn't turn out that way. art of doubt is a triumph, a return to form, and proof they can still write a great rock album. emily's voice is in top form. i've always loved how delicate and sincere she sounds on mic, and middle age has only made those qualities stronger. listen to her gliding across that slippery groove in "anticipate," fluttering breathlessly over the chorus of "underline the black," or balancing between warmth and sarcasm on "seven rules." performances like these make a metric album worth it

i think art of doubt contains some of the best metric songs EVER. "now or never now" is genuinely a top 10 indie rock song imo. when it's on, i never want it to end. "dressed to suppress" is a really knockout track, the kind no one else seems to make anymore. and the last 3 songs are gorgeous. they're naked and unpretentious in a way that just melts my heart

and can i just say the production is killer. metric albums are usually super crisp and detailed, but this one blows em all out of the water. every drum hit BANGS. the guitars on this whole album sound phenomenal

all that said, i think the album has problems. emily pushes her voice outside her comfort zone a few times and... sometimes that works, like on those high notes in "no lights on the horizon." sometimes it DOES NOT WORK, like when she tries to scream some lines on the title track. her voice refuses to get loud and she just yelps awkwardly. the production tries to help her out by adding some distortion, but that only makes it worse. moments like this draw attention to how one-dimensional this album is outside of some key moments.

but here's my real beef with art of doubt, as well as formentera 1 and 2. these songs have a terrible case of "bad verse, great chorus" disease. "die happy," "holding out," and "dark saturday" are the worst offenders here. the choruses sound like they're totally disconnected from the verses around them. the transitions are janky and abrupt, and when the chorus ends my only thought is "damn, i have to slog thru 30 more seconds of sludge before i can get back to the song i was enjoying." so many of the deep cuts have this problem, and it makes the whole album feel choppy and stilted

overall, i like the record. i like it a lot. but on repeated listens, i end up skipping more and more songs until i'm left with the handful i truly love. not my fav metric album, but i'll admit it's grown on me since it dropped

if you like art of doubt, do yourself a huge favor and listen to synthetica. the whole album, front to back. it's one of the greatest alt rock albums ever written. when you're done, listen to fantasies. it's their most popular, and it's equally great.

somewhere in there, find some time for this playlist i just made: metric essential deep cuts. emily doesn't get enough credit as a master lyricist and songwriter. together, the haines-shaw songwriting duo are truly special, the kind of thing you're lucky to get once in a generation. i hope this playlist makes a case for that <3

#metric #music writing tag #I WILL TAKE ANY OPPORTUNITY TO RAMBLE ABOUT MUSIC #ESPECIALLY THIS BAND I LOVE <3 <3 <3

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melien · 3 months ago

Text

CORNELIA ARCHER’S BC (attempt 2.0...)

I announced this BC almost three years ago but overestimated myself with the ambition and just wasn't in a good place mentally in the following months (to put it mildly), but now I feel like I've missed projects like this a lot and am still vibing with the idea of this BC. Also my ts3 is running so much better now, which was one of the initial reasons for cancellation, but now it's a lot easier for me, woo!

Before it got cancelled, I've got a few contestants. I think some of them were given for public download since, but it's really not a problem for me, I can still use them. Right now I'm thinking of still using the same contestants and maybe accepting a few more. I also asked a few people on discord who said it's fine to use the same sims.

In case someone would like to join and make a contestant, let me know under this post or in an ask! The catch of the BC is that the contestant should be based on a song/album (of any artist), as Cornelia herself is very Taylor Swift inspired and is a Lover girlie, actually made on the singer's 30th birthday in 2019 as a tribute sim (she and the winner may even appear in the Lover gen of my swiftacy if I get there hehe) (yes I'm an absolutely hopeless swiftie, all of my saves have some inspo from her) (and what about it).

I don't know how many sims I would accept (11 would be perfect... I'd dress her as one of the eras for every episode). But it would be fine for me if I got less than that, realistically the simblr climate isn't the same as back when BCs were more popular, I guess.

Contestants:

@vintageplumbobs - Lucy Starr

@poisonfireleafs - Laura Oak

@dragonplumbobs - Carson Lake

@cloudberry-sims - Aella Wonders

@tosimornottosim - Ivalace Goldchild

@arogaba - Sara Nix

@berriespunches - Lara Mooney

@blurrypxls

@bellakenobi - Lilian Pendragon

@kithlien - Laken Dahl

Rules:

Your sim must be YA vanilla or banilla.

All genders are welcome. Cornelia is pansexual.

Occults allowed (except ghosts)

No Irresistible trait, please.

CC is allowed, though don’t go overboard with it. I mostly use Chazy/Poisonfireleafs hair retextures, and I may change makeup and eyebrows to similar ones because I like keeping everything in my style, unless it’s something that makes the sim unique and is a part of them.

No custom sliders, please.

I have all the packs. You may set all outfits for your sim so they can match their color scheme, but it’s fine if you can’t.

Private download, but it's okay if you decide to make it public (to those who already made it public, don't stress).

Please write a bio for your sim. It doesn’t have to be long, just basics of their personality.

The most important aspect of this BC: it’s not a regular one, it’s a music-inspired BC. Therefore, your sim must be inspired by a certain song, music video, artist, or music album - it could be whatever you wish! (absolutely no pressure if you can't think of anything and would just want to make a regular sim, but I just thought it would be a fun prompt)

The deadline for making a sim is September 30 (flexible). The faster I get all the sims, the better, but no pressure!

#sims #ts3 #sims 3 #cornelia archer's BC

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9w1ft · 8 months ago

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I'm a gaylor myself so this isn't coming from a place of hate but I really don't think karlie and taylor are still together, I think taylor still references her in her art and probably will for quite some time because that relationship -- whatever the nature of it was -- left such a deep impact on her. but I really can't see them still being together, I think she's forced herself to move on from karlie and has since dated a lot of other women. that doesn't mean her feelings for karlie have faded, just that they will probably always be there but they broke up for sure before 2019, I think. folklore and evermore, midnights even, are all breakup albums, I just can't see how they could still be together. especially all her anger and sadness in those songs that are thought of to be for karlie (like my tears ricochet or exile or mad woman) also the cover art being shoot in bedfords, new york, the exact same place where karlie got married feels more like taylor revisiting this place to really say goodbye and mourn her for one last final time so she can move on

sorry, this got a bit long, I just don't understand the appeal or the reasoning for lsk's because taylor has indicated so many times that they are over, she's been mourning her relationship with karlie quite publicly since 2019 (wearing all black during the lover era) so yeah

hi! i don’t usually respond to these but i’m not sensing any ill will so i’ve decided to give a reply a go.

first off, for me, i kinda just interpret her wearing black in the back end of lover era because her masters had gotten bought by scooter. and maybe the fact that she decided to not come out. there can be other reasons, but i really do not think that her breaking up with karlie has to be one of them.

another thing i can’t shake is the fact that it was a very notorious troll/manipulative person on tumblr who spread the first rumor that they broke up in 2019, a fact that is well understood by a lot of OG’s, and this troll got in the head of a few popular kaylor and gaylor swift accounts at the time and in doing so she got a lot of people to fold. she then went on to write all this progressively unhinged fanfiction about taylor and karlie trying to make one another jealous and sleeping with all these women, presented with the same level of seriousness with which she pushed the breakup agenda. even to this day, i see present day gaylors talk about stuff that stems from narratives this account and a few other power hungry accounts spread around many years ago and it honestly just goes to show how a lot of well known gaylors may be platformmed up but that don’t really know what they’re talking about.. i only write this because the troll deactivated about a year ago (maybe they’re lurking on platforms with more malleable minds—once a troll always a troll—but at least they’ve left here), they were a really dangerous person.. and several have wild receipts to prove it.

anyways sorry i recognize that’s a tangent, i guess what i mean to say by it is, a lot of the sentiment surrounding the idea of a 2019 breakup and the reinforcement of the narrative by a gaylor community none the wiser stems from the work of someone with disingenuous intentions. a lot of “masterposts” or “realistic timelines” draw from what this person made up and it’s gone through enough filters for it to seem like credible sentiment but like, if you were there and you read all of what she wrote you know how silly it all sounded and how incoherently it was all written.

okay so to circle back to more of a content-centric angle, in my interpretation of the events that gave us folklore, evermore, and midnights, taylor had so much to be sad about. her mom had been very sick, the pandemic arrived and she had to cancel lover fest, she had to come to terms with scott b having sold her work to her sworn enemy… songs on midnights and folklore, and on her lover era apple music playlist allude to certain other things that may have had her in a mournful mood. things were bad! and i don’t doubt that her and karlie have been through a lot. but for me, when you’ve got a ride or die love, you don’t just break up. this has been something frustrating for me and others, i think, to see so many people treat a relationship as either being all systems go or broken up, as if long term partners can’t experience sadness together, difficulty together, even heartbreak together.

i don’t like getting in to touchy subjects so much but there’s just been too much pointing towards what i consider to be a rather simple narrative that is a natural progression for people committed and in love. how did the lover music video begin and end? whats a randomly specific word in a song she performed at the grammys minutes after someone was announced to the world? what about taylor’s envisioned future stands out about the anti hero music video? i think i’ll stop here but idk man 😆 poke around my archive if you feel like wasting a few days of your life… there’s just been a consistent flow of the same kind of hijinks that we’ve seen from them for years, and i’d say that there are many songs that back up everything i’d want in order to stay invested in seeing if what i believe is true.

now, i know i just wrote what reads like a bunch of mumbo jumbo to people not following kaylor. but im okay with that. i’ve accepted that. and i know that the whole patterns and koincidences and twinning and symbolism beat isn’t for everyone and so i respect people’s decisions to believe they aren’t together, but in closing i’ll just say im sometimes at a loss to see time and time again people suggest that kaylors believe in kaylor because they find it appealing or because they want to ship it. when it’s literally not that— it just makes the most sense to a lot of us!

also, does this look like the face of someone mourning?

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badnewswhatsleft · 9 months ago

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2023 september - rock sound #300 (fall out boy cover) scans

transcript below cut!

WHAT A TIME TO BE ALIVE

With the triumphant ‘So Much (For) Stardust’ capturing a whole new generation of fans, Fall Out Boy are riding high, celebrating their past while looking towards a bright future. Pete Wentz and Patrick Stump reflect on recent successes and the lessons learned from two decades of writing and performing together.

WORDS: James Wilson-Taylor PHOTOS: Elliot Ingham

You have just completed a US summer tour that included stadium shows and some of your most ambitious production to date. What were your aims going into this particular show?

PETE: Playing stadiums is a funny thing. I pushed pretty hard to do a couple this time because I think that the record Patrick came up with musically lends itself to that feeling of being part of something larger than yourself. When we were designing the cover to the album, it was meant to be all tangible, which was a reaction to tokens and skins that you can buy and avatars. The title is made out of clay, and the painting is an actual painting. We wanted to approach the show in that way as well. We’ve been playing in front of a gigantic video wall for the past eight years. Now, we wanted a stage show where you could actually walk inside it.

Did adding the new songs from ‘So Much (For) Stardust’ into the setlist change the way you felt about them?

PATRICK: One of the things that was interesting about the record was that we took a lot of time figuring out what it was going to be, what it was going to sound like. We experimented with so many different things. I was instantly really proud. I felt really good about this record but it wasn’t until we got on stage and you’re playing the songs in between our catalogue that I really felt that. It was really noticeable from the first day on this tour - we felt like a different band. There’s a new energy to it. There was something that I could hear live that I couldn’t hear before.

You also revisited a lot of older tracks and b-sides on this tour, including many from the ‘Folie à Deux’-era. What prompted those choices?

PETE: There were some lean years where there weren’t a lot of rock bands being played on pop radio or playing award shows so we tried to play the biggest songs, the biggest versions of them. We tried to make our thing really airtight, bulletproof so that when we played next to whoever the top artist was, people were like, ‘oh yeah, they should be here.’ The culture shift in the world is so interesting because now, maybe rather than going wider, it makes more sense to go deeper with people. We thought about that in the way that we listen to music and the way we watch films. Playing a song that is a b-side or barely made a record but is someone’s favourite song makes a lot of sense in this era. PATRICK: I think there also was a period there where, to Pete’s point, it was a weird time to be a rock band. We had this very strange thing that happened to us, and not a lot of our friends for some reason, where we had a bunch of hits, right? And it didn’t make any sense to me. It still doesn’t make sense to me. But there was a kind of novelty, where we could play a whole set of songs that a lot of people know. It was fun and rewarding for us to do that. But then you run the risk of playing the same set forever. I want to love the songs that we play. I want to care about it and put passion into what we do. And there’s no sustainable way to just do the same thing every night and not get jaded. We weren’t getting there but I really wanted to make sure that we don’t ever get there. PETE: In the origin of Fall Out Boy, what happened at our concerts was we knew how to play five songs really fast and jumped off walls and the fire marshal would shut it down. It was what made the show memorable, but we wanted to be able to last and so we tried to perfect our show and the songs and the stage show and make it flawless. Then you don’t really know how much spontaneity you want to include, because something could go wrong. When we started this tour, and we did a couple of spontaneous things, it opened us up to more. Because things did go wrong and that’s what made the show special. We’re doing what is the most punk rock version of what we could be doing right now.

You seem generally a lot more comfortable celebrating your past success at this point in your career.

PETE: I think it’s actually not a change from our past. I love those records, but I never want to treat them in a cynical way. I never want there to be a wink and a smile where we’re just doing this because it’s the anniversary. This was us celebrating these random songs and we hope people celebrate them with us. There was a purity to it that felt in line with how we’ve always felt about it. I love ‘Folie à Deux’ - out of any Fall Out Boy record that’s probably the one I would listen to. But I just never want it to be done in a cynical way, where we feel like we have to. But celebrating it in a way where there’s the purity of how we felt when we wrote the song originally, I think that’s fucking awesome. PATRICK: Music is a weird art form. Because when you’re an actor and you play a character, that is a specific thing. James Bond always wears a suit and has a gun and is a secret agent. If you change one thing, that’s fine, but you can’t really change all of it. But bands are just people. You are yourself. People get attached to it like it’s a story but it’s not. That was always something that I found difficult. For the story, it’s always good to say, ‘it’s the 20th anniversary, let’s go do the 20th anniversary tour’, that’s a good story thing. But it’s not always honest. We never stopped playing a lot of the songs from ‘Take This To Your Grave’, right? So why would I need to do a 20-year anniversary and perform all the songs back to back? The only reason would be because it would probably sell a lot of tickets and I don’t really ever want to be motivated by that, frankly. One of the things that’s been amazing is that now as the band has been around for a while, we have different layers of audience. I love ‘Folie à Deux’, I do. I love that record. But I had a really personally negative experience of touring on it. So that’s what I think of when I think of that record initially. It had to be brought back to me for me to appreciate it, for me to go, ‘oh, this record is really great. I should be happy with this. I should want to play this.’ So that’s why we got into a lot of the b-sides because we realised that our perspectives on a lot of these songs were based in our feelings and experiences from when we were making them. But you can find new experiences if you play those songs. You can make new memories with them.

You alluded there to the 20th anniversary of ‘Take This To Your Grave’. Obviously you have changed and developed as a band hugely since then. But is there anything you can point to about making that debut record that has remained a part of your process since then?

PETE: We have a language, the band, and it’s definitely a language of cinema and film. That’s maintained through time. We had very disparate music tastes and influences but I think film was a place we really aligned. You could have a deep discussion because none of us were filmmakers. You could say which part was good and which part sucked and not hurt anybody’s feelings, because you weren’t going out to make a film the next day. Whereas with music, I think if we’d only had that to talk about, we would have turned out a different band. PATRICK: ‘Take This To Your Grave’, even though it’s absolutely our first record, there’s an element of it that’s still a work in progress. It is still a band figuring itself out. Andy wasn’t even officially in the band for half of the recording, right? I wasn’t even officially the guitar player for half of the recording. We were still bumbling through it. There was something that popped up a couple times throughout that record where you got these little inklings of who the band really was. We really explored that on ‘From Under The Cork Tree’. So when we talk about what has remained the same… I didn’t want to be a singer, I didn’t know anything about singing, I wasn’t planning on that. I didn’t even plan to really be in this band for that long because Pete had a real band that really toured so I thought this was gonna be a side project. So there’s always been this element within the band where I don’t put too many expectations on things and then Pete has this really big ambition, creatively. There’s this great interplay between the two of us where I’m kind of oblivious, and I don’t know when I’m putting out a big idea and Pete has this amazing vision to find what goes where. There’s something really magical about that because I never could have done a band like this without it. We needed everybody, we needed all four of us. And I think that’s the thing that hasn’t changed - the four of us just being ourselves and trying to figure things out. Listening back to ‘Folie’ or ‘Infinity On High’ or ‘American Beauty’, I’m always amazed at how much better they are than I remember. I listened to ‘MANIA’ the other day, and I have a lot of misgivings about that record, a lot of things I’m frustrated about. But then I’m listening to it and I’m like ‘this is pretty good.’ There’s a lot of good things in there. I don’t know why, it’s kind of like you can’t see those things. It’s kind of amazing to have Pete be able to see those things. And likewise, sometimes Pete has no idea when he writes something brilliant, as a lyricist, and I have to go, ‘No, I’m gonna keep that one, I’m gonna use that.’

On ‘So Much (For) Stardust’, you teamed up with producer Neal Avron again for the first time since 2008. Given how much time has passed, did it take a minute to reestablish that connection or did you pick up where you left off?

PATRICK: It really didn’t feel like any time had passed between us and Neal. It was pretty seamless in terms of working with him. But then there was also the weird aspect where the last time we worked with him was kind of contentious. Interpersonally, the four of us were kind of fighting with each other… as much as we do anyway. We say that and then that myth gets built bigger than it was. We were always pretty cool with each other. It’s just that the least cool was making ‘Folie’. So then getting into it again for this record, it was like no time has passed as people but the four of us got on better so we had more to bring to Neal. PETE: It’s a little bit like when you return to your parents’ house for a holiday break when you’re in college. It’s the same house but now I can drink with my parents. We’d grown up and the first times we worked with Neal, he had to do so much more boy scout leadership, ‘you guys are all gonna be okay, we’re gonna do this activity to earn this badge so you guys don’t fucking murder each other.’ This time, we probably got a different version of Neal that was even more creative, because he had to do less psychotherapy. He went deep too. Sometimes when you’re in a session with somebody, and they’re like, ‘what are we singing about?’, I’ll just be like, ‘stuff’. He was not cool with ‘stuff’. I would get up and go into the bathroom outside the studio and look in the mirror, and think ‘what is it about? How deep are we gonna go?’ That’s a little but scarier to ask yourself. If last time Neal was like a boy scout leader, this time, it was more like a Sherpa. He was helping us get to the summit.

The title track of the album also finds you in a very reflective mood, even bringing back lyrics from ‘Love From The Other Side’. How would you describe the meaning behind that title and the song itself?

PETE: The record title has a couple of different meanings, I guess. The biggest one to me is that we basically all are former stars. That’s what we’re made of, those pieces of carbon. It still feels like the world’s gonna blow and it’s all moving too fast and the wrong things are moving too slow. That track in particular looks back at where you sometimes wish things had gone differently. But this is more from the perspective of when you’re watching a space movie, and they’re too far away and they can’t quite make it back. It doesn’t matter what they do and at some point, the astronaut accepts that. But they’re close enough that you can see the look on their face. I feel like there’s moments like that in the title track. I wish some things were different. But, as an adult going through this, you are too far away from the tether, and you’re just floating into space. It is sad and lonely but in some ways, it’s kind of freeing, because there’s other aspects of our world and my life that I love and that I want to keep shaping and changing. PATRICK: I’ll open up Pete’s lyrics and I just start hearing things. It almost feels effortless in a lot of ways. I just read his lyrics and something starts happening in my head. The first line, ‘I’m in a winter mood, dreaming of spring now’, instantly the piano started to form to me. That was a song that I came close to not sending to the band. When I make demos, I’ll usually wait until I have five or six to send to everybody. I didn’t know if anyone was gonna like this. It’s too moody or it’s not very us. But it was pretty unanimous. Everyone liked that one. I knew this had to end the record. It took on a different life in the context of the whole album. Then on the bridge section, I knew it was going to be the lyrics from ‘Love From The Other Side’. It’s got to come back here. It’s the bookends, but I also love lyrically what it does, you know, ‘in another life, you were my babe’, going back to that kind of regret, which feels different in ‘Love From The Other Side’ than it does here. When the whole song came together, it was the statement of the record.

Aside from the album, you have released a few more recent tracks that have opened you up to a whole new audience, most notably the collaboration with Taylor Swift on ‘Electric Touch’.

PETE: Taylor is the only artist that I’ve met or interacted with in recent times who creates exactly the art of who she is, but does it on such a mass level. So that’s breathtaking to watch from the sidelines. The way fans traded friendship bracelets, I don’t know what the beginning of it was, but you felt that everywhere. We felt that, I saw that in the crowd on our tour. I don’t know Taylor well, but I think she’s doing exactly what she wants and creating exactly the art that she wants to create. And doing that, on such a level, is really awe-inspiring to watch. It makes you want to make the biggest, weirdest version of our thing and put that out there.

Then there was the cover of Billy Joel’s ‘We Didn’t Start The Fire’, which has had some big chart success for you. That must have taken you slightly by surprise.

PATRICK: It’s pretty unexpected. Pete and I were going back and forth about songs we should cover and that was an idea that I had. This is so silly but there was a song a bunch of years ago I had written called ‘Dark Horse’ and then there was a Katy Perry song called ‘Dark Horse’ and I was like, ‘damn it’, you know, I missed the boat on that one. So I thought if we don’t do this cover, somebody else is gonna do it. Let’s just get in the studio and just do it. We spent way more time on those lyrics than you would think because we really wanted to get a specific feel. It was really fun and kind of loose, we just came together in Neal’s house and recorded it in a day. PETE: There’s irreverence to it. I thought the coolest thing was when Billy Joel got asked about it, and he was like, ‘I’m not updating it, that’s fine, go for it.’ I hope if somebody ever chose to update one of ours, we’d be like that. Let them do their thing, they’ll have that version. I thought that was so fucking cool.

It’s also no secret that the sound you became most known for in the mid-2000s is having something of a commercial revival right now. But what is interesting is seeing how bands are building on that sound and changing it.

PATRICK: I love when anybody does anything that feels honest to them. Touring with Bring Me The Horizon, it was really cool seeing what’s natural to them. It makes sense. We changed our sound over time but we were always going to do that. It wasn’t a premeditated thing but for the four of us, it would have been impossible to maintain making the same kind of music forever. Whereas you’ll play with some other bands and they live that one sound. You meet up with them for dinner or something and they’re wearing the shirt of the band that sounds just like their band. You go to their house and they’re playing other bands that sound like them because they live in that thing. Whereas with the four of us and bands like Bring Me The Horizon, we change our sounds over time. And there’s nothing wrong with either. The only thing that’s wrong is if it’s unnatural to you. If you’re AC/DC and all of a sudden power ballads are in and you’re like, ‘Okay, we’ve got to do a power ballad’, that’s when it sucks. But if you’re a thrash metal guy who likes Celine Dion then yeah, do a power ballad. Emo as a word doesn’t mean anything anymore. But if people want to call it that, if the emo thing is back or having another life again, if that’s what’s natural to an artist, I think the world needs more earnest art. If that’s who you are, then do it. PETE: It would be super egotistical to think that the wave that started with us and My Chemical Romance and Panic! At The Disco has just been circling and cycling back. I remember seeing Nikki Sixx at the airport and he was like, ‘Oh, you’re doing a flaming bass? Mine came from a backpack.’ It keeps coming back but it looks different. Talking to Lil Uzi Vert and Juice WRLD when he was around, it’s so interesting, because it’s so much bigger than just emo or whatever. It’s this whole big pop music thing that’s spinning and churning, and then it moves on, and then it comes back with different aspects and some of the other stuff combined. When you’re a fan of music and art and film, you take different stuff, you add different ingredients, because that’s your taste. Seeing the bands that are up and coming to me, it’s so exciting, because the rules are just different, right? It’s really cool to see artists that lean into the weirdness and lean into a left turn when everyone’s telling you to make a right. That’s so refreshing. PATRICK: It’s really important as an artist gets older to not put too much stock in your own influence. The moment right now that we’re in is bigger than emo and bigger than whatever was happening in 2005. There’s a great line in ‘Downton Abbey’ where someone was asking the Lord about owning this manor and he’s like, ‘well, you don’t really own it, there have been hundreds of owners and you are the custodian of it for a brief time.’ That’s what pop music is like. You just have the ball for a minute and you’re gonna pass it on to somebody else.

We will soon see you in the UK for your arena tour. How do you reflect on your relationship with the fans over here?

PETE: I remember the first time we went to the UK, I wasn’t prepared for how culturally different it was. When we played Reading & Leeds and the summer festivals, it was so different, and so much deeper within the culture. It was a little bit of a shock. The first couple of times we played, I was like, ‘Oh, my God, are we gonna die?’ because the crowd was so crazy, and there was bottles. Then when we came back, we thought maybe this is a beast to be tamed. Finally, you realise it’s a trading of energy. That made the last couple of festivals we played so fucking awesome. When you really realise that the fans over there are real fans of music. It’s really awesome and pretty beautiful. PATRICK: We’ve played the UK now more than a lot of regions of the states. Pretty early on, I just clicked with it. There were differences, cultural things and things that you didn’t expect. But it never felt that different or foreign to me, just a different flavour… PETE: This is why me and Patrick work so well together (laughs). PATRICK: Well, listen; I’m a rainy weather guy. There is just things that I get there. I don’t really drink anymore all that much. But I totally will have a beer in the UK, there’s something different about every aspect of it, about the ordering of it, about the flavour of it, everything, it’s like a different vibe. The UK audience seemed to click with us too. There have been plenty of times where we felt almost more like a UK band than an American one. There have been years where you go there and almost get a more familial reaction than you would at home. Rock Sound has always been a part of that for us. It was one of the first magazines to care about us and the first magazine to do real interviews. That’s the thing, you would do all these interviews and a lot of them would be like ‘so where did the band’s name come from?’ But Rock Sound took us seriously as artists, maybe before some of us did. That actually made us think about who we are and that was a really cool experience. I think in a lot of ways, we wouldn’t be the band we are without the UK, because I think it taught us a lot about what it is to be yourself.

Fall Out Boy’s ‘So Much (For) Stardust’ is out now via Fueled By Ramen.

#the cover is so funny. like theyre cute but that is genuinely bug angle. that is bugs under a rock angle. THEYRE ALREADY SHORT KINGS #fall out boy #pete wentz #patrick stump #andy hurley #joe trohman #time capsule #read the charts #ANYWAY GO HERE. GO READ HERE. BECAUSE I SPENT A LONG TIME TRANSCRIBING EVEN THO TRNASNCRIBING SUCKKSSS #i looped the spell soundtrack like 5 times and got jusmpscared by track9 every time. and then i put on smfs<3 #patrick's comments about the mythologising of fob lore is so interesting #listen baby i know ur fed up and it's not ur fault but u have to understand. the story of ur band is on some genuine fanfic ass other level #the way they talk about neal avron is sooo funny #imagine being producer for this young band. and theyre brilliant but theyre also twentysomethings(derogatory)#also the way pete talks abt swift. lol. also why does he answer the q when patrick was the one in the studio lol???#ALSO also. pete being afraid of british ppl (valid and true)#and patrick pretty much taking to the uk like a duck to water (also valid and tru) is sooo funny #i rlly liked this interview i wiiiiish i got the bundle w the photobook and whatever but i was way too late :(((((((((

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hotvintagepoll · 7 months ago

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Propaganda

Machiko Kyō (Rashomon, Floating Weeds, Older Brother Younger Sister)— Considered an early sex symbol in Japanese cinema. Also just an ethereal beauty who can also go feral/unhinged in a glorious way.

Judy Garland (Meet Me In St. Louis, A Star is Born, Summer Stock)— Judy is the GOAT when it comes to classic movie musicals. The voice of an angel who deserved so much better than she got. She can sing she can dance she can act she's a triple threat. Though she had a turbulent personal life (her treatment as a child star by the studio system makes me mad as hell like Louis b Mayer fight me ((she was made to believe that she was physically unattractive by the constant criticism of film executives who made her feel ugly and who manipulated her onscreen appearance by capping her teeth and using discs in her nose to change its shape and Mayer called her "my little hunchback" like imagine hearing that as a child and not having damage)) she always goddamn delivered on screen and in any performance she gave. She began in vaudeville performing with her sisters and was signed to MGM at 13. Starting out in supporting parts especially paired with mickey Rooney in a bunch of films (she's the best part tbh) she eventually transferred to the lead role. She is best known for her starring role in movie musicals like the iconic Wizard of Oz (somewhere over the rainbow still hits hard and is ranked the top film song of all time), meet me in St. Louis (Judy singing have your self a merry little Christmas brings tears to the eyes she is that powerful), the Harvey girls (she looks like a technicolor dream and sings a catchy af song about trains), Easter parade ( dancing and singing with Fred Astaire), for me and my gal, the pirate, and summer stock ( with pal Gene Kelly who she helped when he was starting out and he helped her when she was struggling). But she also does non- singing just as well like the clock ( her first movie where she sings no songs and is an underrated ww2 era romance), her Oscar nominated a star is born ( like the man that got away she put her whole soul in that and I have beef with the fact she lost to grace kelly ((whom I love but like still not even her best work)), and judgement at Nuremberg (a courtroom drama about the nazi war criminal trials). Outside of film she made concert appearances to record-breaking audiences, released 8 studio albums, and had her own Emmy-nominated tv series. She was the youngest (39) and first female recipient of the Cecil B DeMille award for lifetime achievement in the film industry. Girl was a lifelong democrat and was a financial and moral supporter of many causes including the civil rights movement (she was at the March on Washington and held a press conference to protest the 16th street Baptist church bombings). She was a friend of the Kennedy family and would call jfk weekly often ending the calls by singing the first few lines of somewhere over the rainbow (she thought of them as Gemini twins).She was a member of the committee for the first amendment which was formed in response to the HUAC investigations. Though she died far too young and tragically she remains an icon for her work and her life. As a girl who didn't feel like i was as pretty as everyone else I have always felt a connection to Judy and I just really love her.

This is round 3 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Machiko Kyō:

Judy:

Judy's voice alone qualifies her for at least top ten hottest HOT VINTAGE MOVIE WOMEN. She was a truly incredible swing singer, with a stunning voice on top of her technique. Her short dark hair looked incredible in just about any style. Have I mentioned her swagger? I can’t do it justice with words. She had swagger. She was funny as hell, and clever too. Incredibly charming and cool. I adore her.

Her eyes, her voice have bewitched me

I mean how can you beat the one and only Judy? She's beautiful, her smile is contagious, the way she sings with her whole body. You can't help but love her.

youtube

Beautiful woman, love her singing voice. And she can do everything between happy or silly and angry or heartbroken

#judy garland #machiko kyō #hotvintagepoll #fuck that old woman #ladies 3

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candypalace · 4 months ago

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Translation: Heterodoxy Pamphlet. Music Writers Reflect on 20 Years of the GazettE, Part 1/6 (2002-2004)

Hello friends! As promised long long ago, I'm starting the Heterodoxy series where music writers reflect on their work with the band in the last 20 years. This might take some time since not all the texts are ready just yet, but I will do my best to finish them as quickly as I can. This is Part 1/6, hope you enjoy it!

scan credit: @rad-is-more

Text by Hiroko Yamamoto [1]

the GazettE was born in March 2002. The band was formed by Uruha and Reita, who were dear friends from elementary school, Ruki, who they crossed in the previous band (back when he was a drummer) and who later changed to vocals, and their first drummer, Yune, who also invited his buddy from a previous band, Aoi. Two months later, they played their first show at Meguro Rokumeikan, a live venue that can be described as a gateway to success for visual kei bands. Their first maxi single "Wakaremichi" has a melancholic, catchy melody and an impressive fast-paced sound. During the encore of their 20th anniversary live at Yoyogi National Gymnasium in March this year, Ruki looked back on the beginning of the band: "We are the GazettE, and 20 years ago we got together thinking this would be the last band of our lifetimes”. It was during those young days when the band was standing on the stage with recklessness and foolhardiness when such strong headbanging songs as “Kantou Dogeza Kumiai” and “Waifu” were created, yet they continue to stay popular to this day. The band's forward momentum is best represented by the time when they had to play “Kantou Dogeza Kumiai” over and over again because they didn’t have many original songs yet. While they were firing the audience up with their so-called "violent songs", they also had an amazing ability to write emotionally rich compositions with Showa-inspired melodies, such as "Juunanasai" (later included in the pamphlet with CD for their first Nippon Budokan concert). Everything in the GazettE of those early days, up to their make-up and costumes, was elusive and funny in a good way, as conveyed by "Sentimental na Onigokko", a song about bullying, which presents the listeners with a droll world view of a locked room.

The band’s first turning point came the following year. In 2003, when their first drummer left the band, Kai, with whom they had played together in session shows, quickly took his place. This made the current five members, and the band moved to a new office. It was Ruki who made a last-minute call to Kai, and the drummer had to join in right from the next day's show. From this point on the band’s rapid progress officially began. the GazettE of those times actively participated in organized taiban [2] events. They were even nicknamed “taiban killers”, as their heat-packed shows helped them steal away fans who had come to see other bands. In the next three months they released three consecutive four-track mini-albums, "COCKAYNE SOUP", "Akuyuukai" and "Spermargarita", which increased the number of their fans in geometrical progression. Incidentally, at the time they called themselves "Dai Nippon Itan Geisha Gazetto" [3]. The name derived from the thought of what the word “Visual Kei” would sound like if it was a Japanese word [4]. On their 15th anniversary in 2017, the band held a concept show at the Yoyogi National Stadium. On that stage today's the GazettE performed songs from the Dainippon Itan Geisha era, so hopefully fans who didn’t know their early days got to know them. The sense of unity between band and fans that rose steam from the live house, the "Jump to us!" screams, and the band's stage presence all developed during that exact period. Back in September of 2003, the band sold out a two-day one-man show at Takadanobaba AREA, and only four months later, in January 2004, their one-man show "JUDGMENT DAY" at SHIBUYA-AX was sold out. On the day of the show, the venue was overflowing with fans, and the venue’s doors were barely closing. The band was not informed that the tickets had been sold out until the day of the show, and how they were surprised by the scenery in front of them and the crowd’s enthusiasm almost seems funny today.

Particular about every aspect of their performances, videos, sets, playing their music live, even coming up with their own ideas for photoshoots and never stopping the work until they are satisfied – this is the GazettE. When I was covering them in a magazine for the first time, I felt that a band of an entirely new generation that took over from the royalty of Visual Kei (although there was no such term back in the day) had entered the scene. I remembered their down-to-earth attitude, in which the live show and the fans who attend it are the most important thing. I also remembered that young the GazettE had a simple goal of keeping the band going, rather than becoming a band that was listened to by a certain number of people. Come to think of it, that hasn’t changed a bit. Truly an ironclad band.

[1] Hiroko Yamamoto / Born in Tokyo. Impacted by glam and punk rock as well as blues in her college days, she started a band and spent her life immersed in music. After working for an entertainment editorial production, she became a freelance writer. She covered the GazettE for the free papers and visual-kei specific magazines like Neo Genesis. She was particularly impressed by the band’s stance with its emphasis on live performances and believing in their music and their fans without being influenced by trends or critical opinions. Currently writes columns on music, as well as films and doramas. (From the pamphlet’s credits)

[2] 対バン (taiban) - A live with several bands performing. Usually those are beginner bands that split the venue and equipment rent as well as other costs.

[3] 大日本異端芸者 (Dai Nippon Itan Geisha) can be translated as “Heretic people of art (professional performers) of the Great Japan”. We know Ruki never chooses names for anything without putting a lot of meaning into it, and I’d say there are many layers to this title as well.

大日本 (Dai Nippon) initially referrs to the Japanese Empire (大日本帝國 Dai Nippon Teikoku, 1868–1947), which embraced the Meiji, Taishō and Shōwa eras in Japanese history, though nowadays it is considered a nationalistic way of referring to Japan. Dai Nippon expressed the overall aesthetics that the GazettE (then - Gazetto) was working with at the time: Japanese flags on the Wakaremichi cover, the silhouettes of children wearing Imperial Japan school uniforms on the COCKAYNE SOUP cover, lyrics (Oni no men) and the use of traditional melodies (Back Drop Junkie [Nancy]), their iconic indie photoshoots with lots of elements clearly inspired by Japanese culture and so on.

異端 (itan) means heresy. This word is also clearly important for the GazettE’s vision and positioning since we see it literally everywhere: in the fanclub name, 20th anniversary live name, merch etc. If we look up the meaning of the word “heresy”, we’ll see the following: “an opinion profoundly at odds with what is generally accepted”. Not only “being profoundly different” is a key principle of Visual Kei, it is also one of the grounds the GazettE exists and continues to work on.

Finally, 芸者 (geisha, “a person of art”) is a pretty well-known word internationally. While most people associate geisha with professional female performers, the Japanese word itself doesn’t have any gender markers, and the first geisha, which appeared around the first half of the 18th century, were actually male. At the same time, it might refer to the androgynous nature of Visual Kei.

[4] “Visual Kei”‎ is partially a gairaigo — a word that came from a foreign language. The question they asked themselves was “if the concept of v-kei had to be translated through the prism of Japanese culture and values, what would a Japanese word describing it sound like?” And the answer is, apparently, “heretic people of art”.

#the gazette #heterodoxy

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prettyoddfever · 8 months ago

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This off-white t-shirt that was for sale at some shows during the 2008 Honda Civic Tour was really popular and was usually the one you'd see people asking other fans to grab for them in late spring because their show sold out in their size. This is the shirt that was sewn into a vest for Ryan that season btw:

FBR added this shirt to their webstore in August 2008 and some sizes sold out quickly but then got restocked. I remember some people complaining that FBR's shirt was a slightly different color than the one on tour, but others said it was the same. Idk, it looked like the same general off-white color to me. The band's name was still on the back of the right sleeve:

I liked this design because it was SO different from most t-shirt designs in this era (like in general, not just PATD) and was way more minimalist. A fan created some pngs that we could print out to iron on our own shirts, so I'll add them here if anyone wants them. They used the "Big Noodle Tilting" font and created their own heart:

That fall Hot Topic also came out with an off-white tote that had the same large "reinvent love" design on one side. Then the design of the band name (from the t-shirt's sleeve) got a heart added and was enlarged to be the graphic on the other side of the tote. The inside of the bag was a floral pattern that reminded me of the striped hoodie's lining:

FBR clearly loved how successful this whole design was. The webstore included a bonus sticker in the order packages for P!ATD fans in fall 2008:

The Rock Band Live Tour shows in fall 2008 used the same type of graphic:

And the shows on that tour had a black tote & shirt for sale:

Spencer did an interview with Out.com this season that had this question:

The most popular items at your merch booth seem to be a t-shirt and bag that say “Reinvent Love,” which is such a strong, inclusive message. Tell me about how that became the band slogan. It started out as a lyric in “Mad as Rabbits.” It was the last song we were recording for the album, and as we figured out how to fit it into the end of the song, it took on some more anthem-style cheer. As we went on tour, me and Ryan [Ross, Panic’s guitarist] talked about making a “Reinvent Love” shirt. At first it was just going to be on the Fueled By Ramen web store, just a limited edition thing because it didn’t have our band name on the front, and we didn’t know how many people would want to wear that. It ended up being a lot more popular than we thought it would. We were ending all of the concerts with that song, so that was the last thing that people were hearing. We wouldn’t want to be a part of anything that wasn’t that kind of that message. If there’s going to be some saying associated with our band, that’s a pretty good one. It goes along with everything we want to represent and the way that we feel.

This bracelet was added to FBR's webstore in December 2008 (after the Pretty. Odd. era had basically ended & around the time that Live in Chicago was released):

By the time this necklace got added to FBR's webstore in January 2009, a lot of fans were tired of this theme:

The necklace spawned more fan jokes about what was coming next at that point... my favorite was still the musical toaster:

So in March 2009 FBR just added the black shirt & tote to their webstore (the ones that were sold at shows in fall 2008) and then let the phrase rest so they could soon move onto overusing the return of the exclamation mark. lol jk.

#merch #rbl2

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i-am-baechu · 2 years ago

Text

♡ Summary: Y/N loved her members with all her heart, they were her brothers. They raised her since she was fourteen and now she is twenty-five, she was old enough to make adult decisions. Well, not in their eyes.

♡ Rating: Pg - 14

♡ Genre: 8th member au, comedy, romance, fluff, and little angst

Authors note: Surprise idol boyfriend lol

L/N Y/N was the eighth member of Bts. She was younger than Jungkook by one year and everyone always compared them too. It was annoying but what else did she expect, she was the only girl in a primarily boy group. She was on the quiet side when she was younger, she would only talk to Seokjin and Yoongi. They made her think of her older brother back at home and it was comforting to be around something so familiar. She didn’t really shine until the DNA era because she was finally an adult and felt more comfortable in her skin. Her relationship with the members grew and Army saw the true her.

Now she was twenty-five, she was a beloved idol in the industry. She had a sweet angelic voice that sounded like snow falling during winter and many said she had a siren’s voice. While all her members did their solo albums, Y/N took this time to truly relax and focus on her life more. Seokjin and Hoseok already went to the military, something that saddened her but she knew they would be back.

Y/N looked around before entering the tall building. She smiled at the receptionist who recognized her immediately (then again who wouldn’t), “Ah, Y/N. Back again.”

“Yeah, I am. Unnie, do you know where he is?”

She smiled at this and nodded her head, “He’s in the dance room on the fourth floor. Room 2B.”

“Thank you, unnie.”

Y/N bowed at the older woman and made her through the building. She made sure her hat covered her eyes the best she could, she didn’t want attention on her. She listened to his voice through the elevator and a smile appeared on her lips. She always loved his voice and how he could easily carry the song with his high note, it was just beautiful. She knocked on the dance room door and she opened it to see him standing there already looking at the door with a smile.

“Jagiya~.” She ran towards him as his face heated up from the name but he ignored it and wrapped his arms over her waist. She nuzzled her face into his chest as he kissed the top of her head, “I missed you so much, Doyoung.”

“I missed you too.”

Y/N and Kim Dong-Young from NCT have been dating for almost two years now. All the members of NCT knew about the couple but her members had no idea that she was even seeing someone. She never really talked about people she was interested in, she kept it to herself. She met Doyoung during the end of the Golden Disk Award backstage.

She accidentally went into the wrong dressing room and that’s how she met him. She always thought he was cute and she would be lying if she said she didn’t have a crush on him. She would always listen to NCT in secret in the dorms and whenever she saw him appear on her screen, she felt her heartbeat get faster. Doyoung was the first one to speak to her and the rest was history. He was shy and more introverted than her, she would make him talk and take him out whenever they had free time.

Doyoung wanted Y/N to move in with him but she had to figure out how to tell her members. This was a sensitive subject for the two. Doyoung understood why she was hiding but that didn’t mean it didn’t hurt. She felt so guilty about hiding their relationship but she knew how her members get when the opposite sex looks at her.

When they let go, she leaned up, placing a kiss on his cheek, “Did you get my flowers?”

“Yes, I did. Thank you, I loved them.”

“It’s not every day that your partner releases a sub-unit album.”

He rolled his eyes and kissed the top of her head, “When are you going to release your album?”

She wrapped her arms around his waist and leaned her head against his chest, “I’m not in a rush for it. When I do though, it will be a love song for you.”

“Aish, jagiya. You love to embarrass me.”

“I do, where’s the others?”

He pushed some hair behind her ear and smiled down at her, “I was practicing on my own today.”

“Did you eat yet, jagiya?”

“I ate this morning.”

Y/N’s head snapped at him and she glared at him, “It’s four in the afternoon and you haven’t eaten. Doyoung, that’s bad.”

“I’m sorry, do you want to go eat right now?”

She pouted her lips and nodded her head, “You can’t do that to yourself. It’s not good for your body.”

“I’m sorry, let’s go to your favorite restaurant.”

“No, let’s go to your favorite restaurant.”

Doyoung let out a small laugh and rolled his eyes, “Fine. I know your stubborn heart will make things difficult, let’s go.”

She smiled at this and leaned forward placing a quick kiss on his lips, “I always win.”

He gathered his things and grabbed her hand. His thumb creased the top of her knuckles as they headed out. They walked out of the building towards the back and headed towards his car with smiles on their faces. He opened her door, helped her into the car, and placed a kiss on her forehead before closing the door. She felt her face get hot but she shook her head. He entered the car and started playing classical music. He turned towards her and saw that she was already looking at him with love in her eyes. He smiled and leaned forward placing a longing kiss on her lips, “I love you, Y/N.”

“I love you more, Doyoung.”

“Where did she go?” Jungkook was looking through her apartment and turned towards his hyungs with a confused look. Namjoon sighed to himself and rubbed the back of his neck roughly, “Jungkook, she might have gone out with her friends.”

Taehyung entered her bedroom and his eyebrow raised when he saw an album on her bed. He walked towards it and gently picked it up. Jimin entered the room and tilted his head, “What’s that?”

Taehyung looked up at him with a frown, “It looks like our maknae has been hiding something from us.”

“Oh like what?”

Taehyung flipped the album and Jimin’s eyes squinted to read the message. His eyes quickly went wide and looked at Taehyung, “No, way!”

“What are you guys yelling about?”

They both turned towards the door frame to see Yoongi standing there. They both glanced at each other and then back at Yoongi. Yoongi is the last person that should find out her little secret, it would cause trouble for her. Taehyung shrugged his shoulders and looked down at the floor, “I saw a spider.”

“Then why did Jimin say no way? What are you holding?”

“Hyung-”

Yoongi snatched the album out of their hand to take a look. Normally he wouldn’t look at their stuff but with Jimin’s reaction, it made him worry. He glared at the album and then back at Jimin, “Do you think this is true?”

“Hyung, I-I don’t know.”

“Namjoon! Jungkook! Get in here!”

In the living room, Namjoon and Jungkook looked at each other with raised eyebrows. Jungkook shrugged his shoulders and they went inside her bedroom. Namjoon wrapped his arm over Yoongi’s shoulder, “What’s going on?”

“Y/N is dating Doyoung.”

“What?”

Yoongi handed the album to Jungkook and Jungkook glared at the album, “To my favorite person in the world. My love, thank you for the support on this album, it means the world to me. Whenever you listen to this song I hope you picture me with you on the beach. I love you, Doyoung. That little shit.”

Jimin let out a small laugh and rolled his eyes, “That little shit is older than you, kook.”

Namjoon let out a small cough and took the album out of his hands, “It's sweet that he wrote her a message. I think it's cute that she's dating someone.”

Yoongi rolled his eyes and crossed his arms over her chest, “He’s too old for her.”

“Hyung, he's only two years older than her.”

Yoongi glared at Taehyung and shook his head, “That doesn’t matter to me. He’s too old for her. Wait until I tell Jin and Hoseok this.”

“We will have that dinner this weekend with them. Should we tell her that we know this...”

Namjoon let out a sigh and shook his head, “It’s not our business.”

“It is because she's our little sister, hyung.”

“Jungkook, it’s her life and it sounds like she's happy with him.”

Yoongi tossed the album back to the bed and looked at all the members, “We’ll tell Jin and Hoseok before the dinner and we can figure it out from there. Let’s leave before she comes back. I bet she's on a date with him right now.”

Doyoung placed some rice cake on her plate and she smiled at him, “Thank you, oppa.”

His face turned red and looked away from her eyes, “D-Don’t call me that in public.”

She let out a laugh and took a bite of her tofu stew, “Why is it because of your oppa kink?”

“Jagiya! Stop it!”

She placed more rice into his bowl and gave him a smirk, “You know it's true. Speaking of oppa, we’re having dinner with Jin-oppa and Hoseok-oppa this Friday.”

“Oh, that’s good. I know how much you miss them.”

“I do miss them...I was thinking that you could come with me?”

Doyoung choked on his rice and looked at her with wide eyes, “You want me to come!?”

“I was thinking about it but I don’t want you to be uncomfortable.”

“Should I be around people that know how to handle guns especially when I’m dating their little sister?”

“Good point. I'll tell them I’m dating someone then.”

Doyoung reached over and placed his hand on top of hers, “Baby, are you ready for that?”

“I want them to know I have someone in my life. I want them to see how happy you make me.”

“If you're ready then I’m ready.”

•┈••✦ ❤ ✦••┈•

“Oppa, can you hand me my brush?”

Jimin looked up from his phone and nodded his head. Y/N was in her bedroom with Jimin and Taehyung getting ready for dinner. Well, they broke into her apartment and didn’t want to leave so here they are now. Y/N fixed her baby blue shirt and took the brush out of his hand, “Thank you~.”

“Of course, anything for you.”

She brushed her hair and Taehyung glanced at Jimin. Jimin shrugged his shoulders and Taehyung sighed, “Hey, Y/N.”

“Mmm?”

“You wouldn’t hide anything from us right?”

She glanced at him through the mirror and then back at her reflection, “No, why would I?”

“Just asking?”

Taehyung looked at Jimin and Jimin sighs, “We were just curious, hun. We’ll be in the living room waiting for you.”

She watched them leave and she frowned to herself. They were acting weird, weirder than normal. She shook her head and let out a small laugh, “I’m just tripping.”

They had never had an awkward dinner but tonight was the night to change that. She sat next to Jungkook and when she came in, he wouldn’t even look at her. He kept staring at his plate or he would be talking to the other members, leaving her hanging. Yoongi was more quiet than usual and Seokjin had this tight smile when she hugged him. Everyone else was acting like they were walking on eggshells. She sighed at this and slammed her chopsticks, “What’s going on?”

Namjoon smiled at her and took a sip of his water, “What do you mean?”

“You guys are acting weird...I don’t like it.”

“You know what I don’t like, liars.”

Y/N looked at Yoongi with a confused look and furrowed her eyebrows, “What do you mean?”

Jungkook looked at her and shook his head, “Why didn’t you tell us?”

“Tell you what? What-”

“Y/N.” She looked at Jin and saw that he had a serious look. She wanted to disappear because she hated this look on him. Jin put down his chopsticks and looked at her, “How long have you been dating Doyoung?”

Oh, she hated this so much. Her mouth fell open and ignored everyone in the room but Jin, “What-How do you know?”

“Answer the question.”

“Fo-For almost two years…Oppa-”

“Why didn’t you tell me?”

She glanced down at the table and then back at Jin, “I didn’t tell any of you because I knew how you would react...”

Hoseok gave her a small smile and shook his head, “Y/N we wouldn’t-”

“Yes, you guys would. Look how you were treating me just now. I’m not fourteen anymore, I’m twenty-five. I thought you guys would be happy for me.”

Jungkook scoffed next to her and shook his head, “You hid this from us and you think you have the right to get mad at us?”

“Stop treating me like I’m a little kid. You guys got mad that I was talking to Changkyun and even threatened Shownu to keep him away from me. We were just talking about a video game. So yeah, I’m sorry that I hid this from you guys but you made things hard for me.”

Yoongi slammed his hand on the table causing her to jump. She glanced at Yoongi feeling small under his eyes, “Everything we do is to protect you, Y/N.”

“Oppa, I know that but-”

“It hurts that you hid this from us. We could’ve celebrated together but now were hurt because of you hiding the truth. Have you ever thought about that?”

She frowned at this and looked down at the table. She shook her head and then looked back at Yoongi, “Oppa, you guys don’t-”

“Y/N you should’ve just told us.”

She looked at Namjoon and shook her head at this. She stood up from the table and looked at them with a sad look, “You guys always treated me like a kid. I know I’m the youngest but I’m an adult now. Every time I tried talking to a guy you guys pushed them away from me. I’m sorry I kept this away from you guys but you guys need to understand why I did it. Oppa, I’ll call you when you are free at the camp. Bye.”

She ran out of the restaurant and took her phone out. She dialed Doyoung’s number as she let the tear escape from her eye. She sniffled and roughly wiped her eyes, “Jagiya, can you-can you pick me up?”

“Are you okay? You sound like you're crying.”

“Please pick me up...I’m at the restaurant that you took me to last week.”

“I’m five minutes away. I’ll be there soon. I love you.”

“I love you more.”

He came by fast and it even shocked her how fast he got there. He got out of his car and wrapped his arms around her waist. He kissed the top of her head, “What happened?”

“How did you get here so fast?”

“Ignore that, what happened?”

She sighed and wrapped her arms around his waist, “They were being difficult...can I stay at your place tonight?”

“Of course, you can. Let’s go.”

Seokjin watched from the window and let out a deep sigh. He turned towards the guy and shook his head, “You guys didn’t handle that right.”

“Hyung-”

“No Jungkook. I was going to tell her I’m disappointed in her but I would love to meet him. You guys took it too far and treated her like she was small when she’s not. She’s at the same level as us.”

Yoongi shook his head at this, “She’s our little sister-”

“Who’s twenty-five, hyung.”

Yoongi turned his head towards Hoseok who gave him a look making him sigh, “I know she’s twenty-five...I just want to protect her still.”

Hoseok sighed at this and took a sip of his water, “You can’t always protect her, hyung. She has to go through life and we just have to support her.”

“Fuck, I know. We need to apologize.”

•┈••✦ ❤ ✦••┈•

It’s been three days since the dinner and Y/N hasn’t really talked to anyone. Jin and Hoseok already apologize for their attitude at the dinner. She of course accepted because she loves them with her whole heart and she misses them. The others haven’t even tried to say anything to her and it was honestly making her upset. She came home from a late meeting and her eyes widened when she saw Doyoung waiting in the lobby with roses in his hands.

She smiled at this and slowly walked up to him, “You got me flowers?”

He jumped at the sudden voice and gave her a small glare, “What did I say about scaring me?”

“But it's so fun.”

She took the flowers out of his hand as he rolled his eyes, “I don’t think it's fun. I thought you deserved roses after the couple of days you had.”

“Thank you, it made me feel better. You want some dinner?”

“Oh, what are you cooking?”

“I had leftover tofu and I was just gonna fry them.”

The couple made their way to her suite, talking about random things. When she unlocked the door she was met with the smell of chicken and freshly made rice. She glanced at Doyoung and he got in front of her just in case. They slowly made their way down the hallway and she pushed past Doyoung with an annoyed look, “What the hell are you guys doing?”

Her members looked at her with wide eyes and Namjoon gave her a small smile, “An apology dinner?”

“Is that a question?”

Yoongi rolled his eyes and glanced at Doyoung. He swallowed some spit and bowed at him, making Doyoung stand there with wide eyes, “I’m Min Yoongi. It’s a pleasure to meet my sister's boyfriend.”

Doyoung glanced at Y/N who just shrugged her shoulders. He turned towards Yoongi and bowed back, “I-I’m Kim Dong-Young, Y/N’s boyfriend…”

Jungkook smiled at him and clapped his hands, “We wanted to make dinner for Y/N but you can sit with us, only if you want to.”

Doyoung rubbed his neck and nodded his head, “I-I would love to stay and eat.”

She glanced at Jimin and Namjoon and whispered, “This doesn’t mean you guys are forgiven.”

Taehyung overheard her and let out a small laugh, “We know but this is a start. We made your favorite.”

She rolled her eyes and nodded her head, “Thank you oppa…”

Jimin smiled and kissed her forehead, “Let’s eat, we have to interrogate your boyfriend.”

“Oppa please don’t.”

#bts reactions #bts scenarios #bts imagines #bts jungkook #bts namjoon #bts seokjin #bts taehyung #bts jimin #bts yoongi #bts x reader #bts hosoek #Bts #bts 8th member #bts fanfction #bts fanfic

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bitethehnd · 8 months ago

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I loved loved love the "miss americana and the heartbreak prince !" thing you wrote, could you do one for Naomi too?

*₊˚ ♫ 𖦹 lavender haze !

pairing : naomi mcpherson x popstar!reader

cw : basically just taylor swift!reader (obvs no physical appearance description), all fluff!

julien’s version 💜

i think reader and naomi met in a different way than the julien x popstar!reader did (that fic linked before the cut <3)

you and naomi met when you asked muna to open for you at the eras tour. you were planning to release midnights very soon, so you and your team were setting up your next tour. since the tour was going to be super long, you had to have many openers, but muna was your top pick

you had been a secret fan of muna for so long. when you had first come to terms with your queerness all those years ago, their songs were the ones to help you accept yourself while also dealing with the spotlight of being a famous singer

right after the release of one of your biggest albums, 1989, it had been leaked to the public that you were dating your best friend secret girlfriend. the media went into a frenzy, being constantly bombarded with homophobic rhetoric of the world. you disappeared for a whole year, to which no one even saw your face, but then clapped back with reputation. your career boomed after that, and you were adored by so many people yet again

naomi, and the rest of muna, had also been a big fan of yours for years. they loved how you so freely accepted yourself, even when the media tried to take you down, and you didn’t care what anyone thought. you were the biggest queer artist in the world and it showed

as you were contacting your pick of openers for the eras tour, muna was the first your team emailed. the band replied back within the day, saying they would be honored to perform for you, and the deal was set

you definitely wanted to meet them before the tour started, so you sneakily got their numbers and asked if they would want to come over and have lunch. you said it was in the premise of getting to know them, but you really just wanted to meet your favorite band

they of course agreed to lunch and the next day they came over. you considered asked phoebe to join you, since she was also another opener and a close friend of yours, but decided against it

the lunch went amazing, to your surprise. they were lovely people. all of you had more in common than you previously thought. you gushed about their music and vice versa

there was some underlying tension between you and naomi from the beginning. as soon as they walked through your door, they greeted you with a tight hug. you could feel the outline of their muscles through their shirt, and they could feel your chest pressing up against their abdominal. it drove you crazy from the start but neither of you said anything. you didn’t want to complicate things for the tour by flirting with them while they thought you were just being friendly

and just like that, you guys all became great friends. there was a groupchat made that you all texted in daily. you gave them updates on midnights and the eras tour while they gave you updates on their own tour

when you were at the studio finishing the final touches on your song ‘vigilante shit,’ you just couldn’t get the guitar right. every single combination of chords you tried didn’t sound right. you complained to them about it in your groupchat and naomi offered to come in and help you. you obviously said yes, and they made their way to your recording studio

when naomi got to your studio, you two immediately got to work. you sang the lyrics to give them an idea of the vibe of the song. as you sang, you both held eye contact with each other the whole time. the song had undertones of sexual references and it made the tension in the room amplify. as soon as you were done, naomi played a riff on their guitar for a starting point. your eyes immediately widened and you loved it. you both worked until the song was perfected, even getting naomi to sing some backing vocals for you

when midnights was released the next week, fans went crazy when they found out naomi was the one playing the guitar in the background of your vocals. rumors immediately started circling but neither of you mentioned it, too scared to make the other uncomfortable in anyway

flash forward to when the eras tour was announced. naomi reposted so many pictures of the announcement and raved about you nonstop. it made you laugh but also a bit flustered. you and all your openers were just so excited to get started

muna and paramore opened for the first night of your tour in arizona (okay i know muna didn’t open that show but let a girl be delusional). paramore was obviously fucking amazing i’m a slut for haley williams and then muna went on after. you watched from right behind the stage and danced the whole time. you couldn’t keep your eyes off of naomi’s fingers. the way they plucked the guitar made you hot in the face

you pushed your thoughts away as you went on next and sang your heart out. you started crying on stage from all the cheering and love you felt

as the tour progressed and the more time you spent with naomi, it kept getting more difficult to contain yourself. you had never felt this much yearning in your life. from the way they made your cheeks hurt from laughing so much to how they looked while they gazed down at you with soft eyes, you were whipped. it kept getting harder and harder to be professional

it was a couple shows into the tour and you started to feel the exhaust creeping up. you had to keep a certain persona one while on stage, but when you were no longer in front of a stadium full of people, you collapsed. at that moment, you were sprawled on the couch in your dressing room, trying to take your platform boots off. as if they knew you needed them, naomi knocked on the door and walked into the room

you gave them an exhausted smile, still struggling with the shoes. “need some help there, sweetheart?” they laughed out in amusement. you gave them a deadpan look and they chuckled again, kneeling in front of you to tug your boots off. after the horrendous things were off your feet, you leaned back on the couch with a satisfied sigh. naomi stayed kneeling in front of you, massaging your tired legs

“what’re you doing?” you whispered out. “just helping you relax. you put too much stress on yourself, princess.” you felt your ears heat up at all the pet names. they had always called you those sweet things, but in your tired state, it was affecting you more

“mmh, come here,” you groaned and held your arms out. they laughed and obeyed your request, sitting down next to you on the couch and pulling you into their chest. you let out a hum and snuggled into them. they gazed down at you with affection that you couldn’t see

eventually, you opened your eyes and looked up at them. you were surprised to see them already looking at you. “what?” “nothing. you just look pretty, is all,” they said and tucked a piece of hair behind your ear. you scoffed, “shut up. i’m all sweaty and gross.” “still pretty.”

you didn’t know what to say next, so you just looked up at them. you both just stared at each other for a moment. you leaned in and naomi leaned in, neither taking action. but naomi made the decision for both of you, pressing their soft lips against yours. you had no time to contemplate the consequences, giving in and kissing them back fiercely. they smirked into your mouth at your desperation and deepened the kiss, pushing their tongue into your mouth

you suddenly pulled away. “wait, wait, wait.” “what? did i do something wrong?” you wanted to coo at naomi’s thoughtfulness. “no, nom, it’s not that. i just… don’t what this to affect the tour, y’know?” they nodded in understanding. “yeah, i get it. but i like you, sweetheart. i really, really like you. and if you don’t feel the same, we can forget this ever happened and—” you cut naomi’s rambling off with a kiss on their lips, effectively shutting them up. “i like you too.”

and with that, you two started to try to work things out. it was a slow start, since you two were in the midst of a tour, but it was nice. you had never felt this kind of connection before. with naomi's dirty jokes that always made you giggle a bit before smacking their shoulder, or the way they snuck into your tour bus almost every night

by the middle of the tour, you two were in full blown honeymoon stage. sure, it was quick, but you two spent almost every waking moment together. okay maybe you guys were u-haul lesbians

no one knew you two were a couple except for a handful of people. it was nice for a while, getting your privacy from the watchful eyes, but you both wanted to show each other off. maybe you two would post subtle pictures on your stories or hold hands while getting coffee at a rest stop. i can so see naomi posting a photo of just your hands, their fingers interlaced with yours with a little heart next to them. fans definitely notice your eras tour colored nails and instantly know it’s you. twitter goes WILDDD

singing directly to them while they sit in the vip section during love songs ('lover,' 'lavender haze,' 'cruel summer,' 'enchanted,' 'new romantics') <333 naomi knows the songs are about your exes but it doesn't matter, because now they have a new meaning. and also making side eyes at them during horny songs ('i can see you,' 'false god,' 'so it goes...'). they lose their shit every time you perform 'vigilante shit.' like they see you do the chair dance every show, but it still gets them. jo definitely takes pictures of naomi's face every time 😭

sometimes you bring muna on for certain songs. like if you feature them in some of your vault tracks (they give 1989 vibes but maybe that's just me). like dancing up against naomi during the song being horny on the mainnn and people eat it up. the internet exclusively refers to you guys as mother and father

you definitely let them pick your surprise songs. like they make a subtle suggestion and it's immediately being on the list for the night

phoebe and jo being disgusted by you guys but katie, lucy and julien think it's absolutely adorable. like maybe you two are cuddling up on the couch while the others are also there, giggling to yourselves quietly. phoebe literally saying "at this point just fuck" and jo starts laughing hysterically. katie and lucy slapping them on the shoulders while julien tries to hide her quiet giggles. naomi smirks and wiggles their eyebrows at the suggestion, to which you shove their face playfully

there are so many photos of you posing in your glittery bodysuits, naomi's hand always on your ass. they can't help it; the tights make your legs look amazing

you were known to be quite the schemer. you dropped easter eggs for your next project in almost everything. soon enough, naomi joins in on the shenanigans since you obviously tell them all your next moves. in every gayotic episode they say something sneaky with a giddy smile on their face. most of the time jo and katie aren't even in on it and they just end up as confused as everyone else

once the u.s. leg of your tour is over, you take a much needed break for about a year. during this time, you attend so many of muna's solo concerts. fans always spot you in the vip dancing and singing along to their songs. you two are so cute fr

#bitethehnd #did anyone get the kaylor references pls say yes #naomi mcpherson x reader #naomi mcpherson x you #naomi mcpherson au #naomi mcpherson fanfic #naomi mcpherson fluff #muna x reader #muna fanfic #popstar!reader #taylor swift!reader

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