#I have never seen a character so well liked but not liked at all in my life LOL

[hasufin]

I would say, it's not unique for someone to consider data privacy, and it's not even unique for organizations to want to protect their donors and volunteers.

However...

Well, have you ever noticed how fucking hard it is to just buy a shirt? Just... a shirt. If you're in the woman's section, everything is tissue paper and a scoop neck or a crop top. If you're in the men's section, everything has a licensed character, a logo, or some saying that some boardroom thinks can be memeified.

It's not that they don't know people want to buy simple shirts. It's that they don't want to sell those. They don't want to simply give you the thing you want, because there's no hook in there to keep getting money out of you. They sold you what you wanted, you bought it, you're content with it, and maybe later you'll buy another.

It's like that with business software too, I think. You know there are still plenty of companies using Point-of-Sale systems coded in the 70s? Yeah, they kinda-ish suck by modern standards, but they work. And those companies have never seen the reason to get a new one, because what, did the basic concept of selling goods change somehow?

So the companies who make business software, they're absolutely gonna tell you they can't/don't do the simple, straightforward thing you want. They're gonna merge databases. They're gonna do AI. They're going to do analytics and metrics and automated email campaigns. Because then they gave you more, but you're still not exactly content, and you keep wanting it to be better. But you're never gonna be happy with tweaking the features you never wanted, because what you wanted was to not have those features at all.

The midjourney stuff just reminds of when we were trying to find a new platform to host the ao3 donation form, and companies kept trying to tell me about all their "ai" features that would track donor engagement, and figure out the optimal pattern to email individual donors asking for follow up donations, and all the ways they suggest we manipulate people into staying on our websites. It was a great way to filter out who either wasn't listening to us when we described our ethics and donor base, or just didn't believe us.

Now granted ao3 is a unique case based on a) the amount of page views we get in any given time period and b) the fact that most donors absolutely do Not want to be identified as such anywhere, (the default "list of recent donors" module got nuked Immediately) but it surprised me some that the concept of "donors who value their privacy and would be furious at even the whiff of AI" is unique. Some of us really are just existing in different worlds.

[toptenpeeps]

Something I find really interesting about the mouthwashing (game) fandom is how much unfiltered love Daisuke receives from the fandom.

I don’t think I’ve even seen a character so universally loved by everyone that I haven’t seen a single negative thing about them, like at all. It’s so fascinating to me because Daisuke’s fatal flaw was that he was a people pleaser, one that was so desperate to please it quite literally killed him. He so desperately wanted to be liked by the people around him that he was willing to sacrifice his comfort, morals, and safety in order to get the approval of someone that didn’t even seem to care that deeply about him overall.

And to have that character not only be the most well liked, but to be considered one of the most loved is such an ironic twist. Because that fact is if anyone who had played the game was in the ship, Daisuke most likely would have gotten what he wanted. He would have had someone that cared for him deeply, someone who was willing to tell him that he was someone they were proud of, someone willing to be honest and kind to him.

While Swansea and Anya most definitely cared for Daisuke, neither of them had the time or methods to give Daisuke the care he truly wanted. I don’t blame them, the situation at hand made it so they were dealing with bigger issues, and Jackass definitely didn’t make anything better. Anya couldn’t give Daisuke the care and support he wanted because she was to stressed and afraid to focus on him, Swansea was too depressed and hopeless to be able to tell Daisuke in those moments that he was honestly proud of him. If they had gotten off the ship and were given enough time to heal, they probably would have been able to give out that care and affection to each other easily.

That’s just it though. Daisuke was never able to get the care he wanted, because he tried to get it from someone that was using that desperation to save himself from danger. Had Daisuke put his foot down, refused to listen, decided he wouldn’t please someone in this moment, he most likely would have survived. That’s where the tragedy really strikes, the fact that Daisuke died purely because he was an unlucky kid that wanted to please the people around him really twists the knife. With the icing on the top of this horrific cake being that the care he blatantly sacrificed himself for was only given to him in his very last moments, when there was no possible way for him to recover.

Then to have that character, one that only got a glimpse of that care they craved, be the overall most loved. It feels like the fandom itself is trying to make up for the lost care, to unabashedly drown Daisuke in love as a way to make up for how little he got in the end. Daisuke is called “a useless ray of goddamn sunshine” by Swansea, with many fans repeating this idea, minus the useless part. That idea, the idea that people could care so deeply about someone, to compare them to a piece of the sun and desperately try to keep their light going after they’ve been snuffed out, that was ultimately the very thing Daisuke died for.

Sorry if this wasn’t accurate, it was already way to long for my taste, I just wanted to rant about Daisuke from the hit game Mouthwashing :P

TL;DR - Daisuke Mouthwashing was fighting for his life for some care that he only got when he was fucking dying, interesting that the fandom’s reaction to such a character was to immediately care about them a lot.

[bringthekaos]

I'm excited for your thoughts on the new season if/when you share them

It has legit taken me 3 days to come to terms with Act 1. Enough to be able to speak about it. Gunna apologize in advance for the wall of text, and I’m hiding it under a break for spoiler reasons. Also prefacing with these are all just my opinions. All are free to disagree with me and RB with discussions/theories etc. just don’t be a dick about it, I’m not engaging in any discourse.

Ok. So. I have mixed feelings, and I’m aware that this is because I don’t have the whole story yet. So this is all contingent on how the rest of the season plays out.

First and foremost, I’m… wildly swinging back and forth between love and disappointment for Viktor’s arc. So first the negative, and I’ll try to keep it brief because a lot of people have already expressed this and I don’t need to be beating that particular dead horse.

Viktor has had his agency, his bodily autonomy, his original ideas and nearly everything that made him Viktor stripped away. Nothing so far has been his choice. And while this could have worked just fine for an original character, he wasn’t. So there is a massive disconnect between what this character was/should have been. In League, it was all his choice (albeit with a healthy dose of mental illness thrown in, but still). AND it was very heavily suggested that many of the augmentations he performed weren’t as extensive as he lead everyone to believe (namely the controlling/dousing of his emotions). But it appears that whatever the Hexcore did to him, it’s real. He is clearly having a difficult time accessing his emotions, and if he can feel anything, it is limited to the point of him being completely stoic. And the thing with stoic characters is that you obliterate any emotional payoff for the audience. It’s very hard to make an audience feel an emotional connection to a character’s story arc when they themselves don’t feel anything (I have a theory about this though, but I’ll address it a little later in this post). And then there is the issue of Blitzcrank. Blitz was Viktor’s whole world, after his exile. How are they going to swing that? Like, I’m not even asking for Blitz to be in Arcane (that would be great, but I really don’t think they have time). But I stg if they take Blitz away from Viktor, make them someone else’s invention (my suspicion is Heimer or he finds the idea in Sky’s journal)… I’m sorry but no. This was Viktor’s idea, Viktor’s genius. I will genuinely be extremely upset if they take that from him too.

Then there is the whole situation with Sky. First, this girl was fridged. She was nothing but a plot device and continues to be just that. It feels hollow and forced, especially now that he’s hallucinating her as some sort of penance for what he did. (I have seen the prevalent theory that it’s the Hexcore using her image and his guilt to manipulate him, given that it “ate” her, and we have seen it “manipulate” him before when it punished him for trying to destroy it). But back to Sky—he barely acknowledged that poor girl. The reason for that can be argued, whether it’s because he’s gay or because he was just so wrapped up in his one-track minded research. But regardless, there just wasn’t enough setup between those two for this whole thing to have as much weight and meaning as I think it’s supposed to. Honestly to me (TO ME) it reeks of comphet. It feels like that random woman they threw at Poe Dameron to No Homo him. I’m not even asking for Jayvik canon. But the creators were well aware of this ship, after all it’s the second most popular ship in this show and it’s been around since 2012 when Jayce was literally created for Viktor. I’m asking for the bare minimum here—that it’s left open-ended as it was in League, open for interpretation.

Last negative I have is the whole Viktor Jesus thing. The first problem is I am pretty violently agnostic, and messiah narratives have never spoken to me. I don’t enjoy them, they feel weak. The whole “ordained by a higher power” thing is just… stale. Especially when this character originally had no higher power, he gave it to himself through his own hard work and ingenuity. Honestly, Viktor’s original arc is about as far from a Jesus allegory as you can possibly get. And I am absolutely terrified that they’re going to end said Jesus arc the way you’d expect—with him dying for it. Which leaves the moral of his story “disabled man should have just accepted that he was going to die despite the fact that it was the oppression and xenophobia of Piltover that left him out to dry, without proper health care, accessibility, equality, or equity that lead to his terminal diagnosis to begin with.” Which is a very oppressor-centric narrative and we do not need another one of those.

Sorry, I know I said I’d keep the negatives brief, and that was… not. My bad. But moving on!

I’m not saying I didn’t enjoy it, I did. I am working to embrace this new Viktor narrative and work it into my brain in a way that doesn’t ruin the ship for me. So without further ado, the positives.

Jayce.

Jayce.

Jayce.

I’d have to go back and time it, but it feels like he got more screen time in this first act than the entirety of the first season combined, and his character shined for it. It humanized him in ways season one never did. He’s caring, he’s devoted, and he loved Viktor! No matter what kind of love you think it is, it proves he loved Viktor without a doubt. He carried Viktor several city blocks to the lab to save him, and then YES, he broke his promise about the Hexcore because he couldn’t stand the thought of losing him!

And he’s funny! (The scene where he picks up the regular sized hammer in the fight against Renni and made that “this is ironic” face?? And then basically the entire interaction with Ekko? The hand me a tome thing, and then when he basically pulled this when Ekko suggested “so this is all your fault cuz you pissed off the Arcane”:

GOD that shit was great. Jayce’s personality just shined, and maybe it’s too much to hope, but maybe this will douse a little of the hate. Because instead of being a subtle hint at all of those things being true about him, it’s now overt. And when people lack media literacy, the hints have to be overt.

And th-the. The h. The HUG SCENE. I don’t think I will ever emotionally recover from that scene. Starting with Viktor who, despite being clearly emotionally—I dunno, vacant I guess—sounded so lost and scared when he said “what am I?” For me, it was whispers of that scene from The Last Unicorn: “what have you done to me?” And my poor sweet Jayce, who clearly hasn’t left this damn lab except to go to Cassandra’s memorial. Sleeping on the desk and bleeding through his bandages because he doesn’t want to spend a moment away from Viktor while he “recovers.” And his euphoric response when he finds Viktor alive, when he realizes he hasn’t lost him. And I OWE HIM AN APOLOGY, goddamn. I said in a post that “Jayce will not understand.” I thought that was how Arcane was gunna start the divorce. But Jayce genuinely did not care, as long as his lover friend was alive. And just… Jayce being so affectionate through this entire scene. The hug obviously, but also blurting things he thought he’d never get to say to Viktor—“I’m resigning from the council, my place was always here in the lab with you.”

And… the hug itself. I know we’re all analyzing it frame by goddamn frame, but I see exactly what everyone else sees—there is a moment where Viktor very subtly smiles. But it’s gone in an instant, and it turns bittersweet. LOOK AT HIM.

There is something there, it’s just buried. Deep beneath the surface. It seems to say “I want this, I have wanted this for so long.” But then he realizes something, something I don’t think we’re meant to understand yet. Maybe that he doesn’t feel anything about it anymore, and he recognizes that this should upset him and it doesn’t. Or perhaps it’s something more along the lines of “it’s too late.” Whatever it is, I think this is the exact moment he knows he has to walk away. Because he knows he’ll cave to the affection, he said it himself. (Which is another thing entirely. His voice changes when he says that. Something in him is reacting to that word. Maybe he’s fighting against it, or maybe he’s fighting to get it back. But something made him almost growl that word.)

Which leads me to my final thought (for this post anyway, cuz it’s turning into a novel); Viktor is still in there. He can still feel things, I just think they’re extremely muted by whatever the Hexcore did/continues to do to him, or he has to fight to express them. Because he also smiled at the hallucination of Sky after he “cured” Huck. And if he feels nothing, he wouldn’t have been “joyous” at the thought of her being proud of him, approving of the good things he’s trying to do in her memory. He wouldn’t crave that validation, that vindication from her. So I’m hopeful that we start to see this shell crack a little, especially if those visions of Sky are the Hexcore manipulating him through guilt. It will start to erode him, no matter how stoic he has become. And literally the only thing I’m clinging to is that Jayce will see this and try to pull him out. “He’s still in there and I have to save him.” And that maybe it’ll start to work.

[infiniteaugends]

Okay! I need to get this out of my head. I’ve seen some posts that are upset that people are upset about the BuckTommy break up. The core gripe of these posts is that the show still has HenKaren and so we shouldn’t be upset about the handling of the other main queer couple. Which makes no sense because BuckTommy and HenKaren fulfill different niches. One is a bisexual man exploring a new relationship and the other is two gay women who are settled with multiple kids.

However, this post is to talk about HenKaren. Yes I love them! They were the main thing that drew me to the show long before bi Buck became a thing. They are two black women in a relationship. Neither is ‘conventionally’ attractive. Hen is pretty visually queer. I love them. I want more of them in the show. However I don’t relate to them. Almost all of their storylines revolve around motherhood. There is very limited exploration of them as queer women outside of motherhood. Karen is a literal rocket scientist and that has never even been used as any sort of plot point. Like the amount of physics she knows and understands could be used to great effect. Micheal got to help break into a bank vault with Bobby, but Karen has never been used in a similar way. Like the amount of STEM knowledge stored in her brain 100% could have solved at least a few rescues. Can we explore these amazing woman as queer women instead of mothers just sometimes pls.

I read a fanfic that explored how Don’t ask, Don’t tell could have affected Karen. That she couldn’t become an astronaut because of it. I would love more of that energy in the show.

So yes you are right I am bemoaning the way Buck and Tommy’s break up was handled. I am bemoaning the lack of care given to exploring Buck’s bisexuality within monogamy. I am allowed to be upset. I am allowed to not relate to the storylines given to Hen and Karen. What happened to Hen being kinda witchy and blaming the moon cycle for her cheating? What happened to Hen and Karen and Athena’s wine mom nights? Where is our exploration of Karen as partner to a woman in a dangerous field of work? Where is our exploration of their relationship outside of kids?

You want me to appreciate the crumbs of queer representation being tossed my way? Well won’t you’re right we should be angry that Hen and Karen are treated as second class citizens in the narrative. We should be upset that their importance has been reduced to only motherhood. We should be upset that this show is mishandling all of its queer characters and letting Eddie Diaz have freedom and joy while our queer representation suffers.

BuckTommy was the straw that broke the camels trust in 911 ability to craft realistic queer lives and continue to care about them more than a diversity check mark. I will continue to watch HenKaren clips on YouTube and read fan-fiction. I will continue to engage with Bi Buck fan-fiction that heals the parts of me that Glee and this show have bruised. I will not thank them for the stale crumbs they brush from the table. Do I love Hen and Karen? Yes! Is it enough? Not anymore!

Anyway, I got a little heated and upset, but all this discourse is really just rubbing me the wrong way. Let people be upset and hurt. Their feelings are valid whether you agree.

[hunter470]

My 9-1-1 RANT

Ok, I don’t normally do these types of posts, but I can’t move on until I get some things out. These are just my thoughts about the latest episodes of 9-1-1 as well as overall comments on the Buck/Tommy relationship. These opinions are mine and are based on the countless hours of TV I’ve watched in my 54 years on this planet, as well as my knowledge of writing and how Hollywood operates. I’m not confirming that any of this is true or are the real intentions of anyone involved with the show. Just my opinions. So, you can agree with me or not. I’m not trying to persuade anyone in any way. Also, I’m not going to get into endless arguments about my opinions but feel free to comment if you want, I just don’t promise I’ll reply. 

Ok, here we go. Sorry it’s so long. Like I said earlier, I just needed to get it out. So many wasted opportunities.

If you think TM cares what the fans want, you’re seriously kidding yourself. If he did, Buddie would have been canon a long time ago. The only thing he cares about is ratings and his vision for the show, which can change at a moment’s notice with no rhyme or reason as we’ve seen. 

Although I loved Buck and Tommy together, I knew the show wouldn’t do their story justice. So, no matter what TM or OS have said, the bi story was only to garner publicity, draw in new viewers, and increase ratings especially with the show moving to a new network. There was no altruistic reason behind it so don’t kid yourself. They knew there was an audience for the story because of all the Buddie shippers. Just remember, it’s called show business, not show friends for a reason.

Do you think OS really cares about bi representation? Based on his latest comments and non-apology it’s obvious he only cares about getting the stories that garner him the most screen time and press. Seriously, read his latest interviews. He’s excited to get to have fun now. So, congrats OS, Buck gets to F around. Just shows how most, if not all, actors are ego driven no matter what they say. Sorry not sorry.

TM has commented that he doesn’t owe anyone anything. In fact, I recall him saying to Buddie fans if they don’t like it, read fanfiction. If that didn’t clue you in, then you weren’t reading the room. Kinda reminds me of another show runner…for those who watched H50 you know who I’m talking about. That’s why I don’t get heavily invested in these shows. I’ll watch but I never expect anything I like to last…especially if it has to do with gay relationships.

It says a lot that the show remained completely silent about the bullying and death threats Lou received just for playing a role he was happy to play. Again, they really didn’t care because they knew he wasn’t going to be there after episode six. What a great message for all the bullies…just keep bullying and you’ll get what you want. 

Again, reread OS’s interviews. He was doing the Hollywood double speak. Says just enough to keep you hooked with hope to get you to watch even when he knew all along it wasn’t lasting. It really was as clear as day if you go back and read what he said. 

Also, if you thought Buck was going to get into a meaningful long-term relationship, then you didn’t watch the video from the You Tuber “Call Me Chato” that TM posted on his Facebook. The video was all about characters and how they should always stay fundamentally the same with minimal development - I’m paraphrasing. However, Buck is the golden retriever, heart so big it gets broken, character who will remain on a hamster wheel and unlucky in love because that’s who he is. If he changes too much it shifts the dynamic, which only happens if the show was ending. 

If you thought the writers would do justice to a bisexual story, then you haven’t been watching the show closely. There’s been minimal Buck/Tommy relationship development on screen. Taylor got more. Viewers were lucky to get crumbs in the limited screen time Buck and Tommy got. Then, a breakup out of left field? One minute Buck is saying Tommy is it for him and he wants him to move in, and then it’s over? If he truly felt deeply for Tommy, why not fight to keep him? Why give up so easily and let him walk away? What’s the point? Also, to end it on a terrible stereotype is yet another clue. Horrible writing and another sign that TM and OS had zero investment in the relationship. The whole break up was rushed and made no sense. Essentially, it was just used to draw people in and to get Buck single and sleeping around again because that’s who he is. I for one won’t care for any of Buck’s future relationships. I mean, why would I when they never last. 

Also, writers that give you a 66-year-old police sergeant and a 10 y/o boy landing a heavily damaged plane on an active freeway in LA with no prior training, and sorry playing video game flight simulators is not training, is some Sharknado level writing, which is not a compliment. Oh, and that whole story was truly the shows “jumping the shark” moment. If you don’t know what the term “jumping the shark” means, look it up and try to tell me I’m wrong. 

Not having Tommy involved in the three part premier episodes, other than a few minutes at a birthday party, was so obvious as to the show’s intent. I mean, the fake captain from Hotshots got more screen time. 

They claim they wanted someone for Buck that was connected to him and the 118 and then you don’t use the character at all. You wanted Buck off the hamster wheel? What a crock! Such a wasted opportunity.

Since it’s been confirmed episode 6 was filmed before 5, Tim’s just playing god with peoples’ feelings and crushing their hearts at this point. I mean, how do you have such a great episode (5) and a wonderful speech by Josh (6) just to break them up? Plus, having Tommy break up after six months? That man was all in, which was obvious in episode 5.

Guess it shouldn’t be a surprise that’s how TM would handle things after that horrible Tarlos breakup. At least on Lone Star we knew Rafa (Carlos) was a main cast member so there was hope. Lou was a guest star so it seems kinda final based on his interviews. Again, what was the point? They could have had Buck's bi revelation be with a random character. So, building up the Buck/Tommy relationship just to take it away was to inflict the most pain. Good job. 

Do I think the show will make Buddie canon? Who knows…one thing I do know is I wouldn’t trust them if they did. Also, even if Tommy somehow returns, I don’t trust TM with anything related to this story. Sure, hope he’s happy with ruining the show for so many people. Again, like another show runner I mentioned in item 4 above. Honestly, I can’t believe the Buddie fans have stayed for so long. That’s commitment, I guess. 

Do I think Lou should go back to 9-1-1? Hell no! He was screwed over by both TM and OS. Prove it to me otherwise. However, it’s up to him and of course, he loves acting so I wouldn’t blame him.

Finally, even though I’ve watched the show since the beginning, it no longer brings me joy. There are too many other TV shows to stick with one I no longer enjoy. So yes, I’m announcing my departure, and I don’t give an F what OS, you, or anyone else thinks about it. Not that any of this matters any way…

[alpaca-clouds]

Let's Talk About "Marvelfication"

Okay, let me try to get this out of my system, because I do have some thoughts on this one.

See, as you know, I finished Dragon Age: Veilguard last week. And I did enjoy the game. I never was that attached to the franchise. I really enjoyed Inquisition back in the day when it came out, but after doing two runs with it never have really returned to it. I also did play one of the older games, though I am not fully sure which one, because it was a long while ago. But I just never got that attached to the franchise. (Which mostly has to do with my own personal issues with High Fantasy.)

But that is not what I wanted to talk about. What I wanted to talk about is more the thing I have seen now multiple people call out: "The Marvelfication" as some have called it. And mind you, I absolutely do agree with this: There were several scenes in this game where I thought to myself: "This feels kinda MCU."

However, what I kinda want to talk about is the specific wording here: "Marvelfication." Because it is super understandable that the first thing that comes to mind (for me as well) is the MCU. But I think the issue is way deeper than "MCU is popular, so let's do something like the MCU".

A lot of folks on Youtube and other platforms have talked about how a lot of "tropes" that people blame on the MCU are actually older than the MCU. The reason people associate it with the MCU is moreso that the MCU is just fucking everywhere since it became this big thing. It is what defines the media landscape.

The big issue actually is another one, though: Those tropes are everywhere because in a more and more conservative media landscape they are considered safe. These types of jokes are not risky in any way. These types of characters are not risky. These types of stories are not risky.

It is stories that are set in societies that are messed up, and then there is a big conflict that only tangentally relates to the ways the societies are messed up in, and then that conflict is resolved but the status quo does not change.

And that more than anything is what I would criticize about the game. Outside of very prominently centering some trans issues, the game has taken very little risks.

I wrote about that a bit last week in comparison to BG3, how safe the companions in Veilguard feel. This shows so harshly in direct comparison to BG3, because really, Larian sat down with player and told you: "Those assholes are your companions. Take it or leave it." Those people I know who never finished BG3 mostly never did because they could not stand the companions. Meanwhile those who, like me, got obsessed with the game, mostly did it because it feels so fucking satisfying when you start to get through to the companions after they started out as those assholes. This satisfaction is something Veilguard never really offers you - because... Well, I can assume that some of these characters had some edges at some point. But whatever edges there had been, those have gotten smoothed down, so now everyone is perfectly sweet. Sure, they might argue a bit here or there, and if you make decisions they do not agree with, they are gonna be pissy with Rook for a bit, but that's the most of it.

Same with a lot of other stuff. There is basically no sexual content in this game. You get one sex scene that is super tame and you see nothing - and one to two kisses per romance. No risk.

Any no matter what kinda choice the characters make, they are all gonna be nice, you know?

There is one thing in the finale of the game that is kinda risky, I will admit. But I will not talk about that yet, because I knwo a lot of people have not finished the game.

But for the most part the game does not risk anything.

And really, that is the core of what folks call "Marvelfication". Because pretty much this is also the issue with Marvel and Star Wars and pretty much all American made media: Outside of some smaller productions, some of which do well with the tumblr crowd but barely get any attention from mainstream audience (*coughs* Interview with the Vampire *coughs*) there is little risk taken. The humor is the same everywhere because this humor is considered safe. The characters feel kinda samey everywhere, because those characters are safe.

It is why I have stopped going to the cinema, because these days there are barely any movies I consider worth watching. It is ironically also why I have recently watched a whole lot more Japanese stuff, because it is easier to find stuff there that does not play it that safe.

It is also why I do these days mostly consume western stuff that has a 18+ rating on it - because at least with that stuff I know that it probably is not gonna play it "safe".

I just wish some media took more risks. I want those medium budget projects back, that cost like 30-50 million, so can make a profit with 100 million at the box office, without doing billions. I want some stuff in there that is not a big IP. I just want... stuff.

Right now I am looking at the soon end of What We Do In The Shadows, mostly because it is one of the few things on right now that does some risky stuff. And I miss those SyFy low budget originals, because some of it was kinda risky. Ugh.

The issue is not Marvel. It is not even Disney. It is that the creative industries in the US right now mainly put out big budget stuff that because of that big budget needs to be loved by everyone.

And look, I am trans. Hence I absolutely do see some value in the fact that Bioware clearly took position and said: "Okay, we get to do one risky thing, so that thing is gonna be to incluse a variety of trans characters." Which I love and respect. But I kinda wish the game had not been quite that pretty and instead also included a bit more edges on the characters.

... But I guess in the end there is still fanfiction, where I can still make the characters messy. lol

[girlwithadragonheart]

I need to yap desperately about one single gripe I have with this game. MAJOR MAJOR MAJOR SPOILERS AHEAD read at your own discretion

The first half is me ranting about how much certain things mean to me and how impacted I was, and the actual gripe comes closer to the end.

I'll preface this by saying this post is about Varric's death and my rage and despair regarding it, but more so about my Rook's.

I've seen people who said they picked up on the hints about whatnot, who knew before the Fade Prison. I was not one of those people. I was so relieved when I saw him after the Prologue that I didn't think twice, because I knew that it would destroy me the second shit started going wrong.

I was already not having a good time when I started the game simply because Varric was getting older. I don't handle aging well or death, and his design showing his age, and the comments he would make about "getting too old for this" just made my heart break.

And then shit got worse. I sobbed disgustingly when that knife went into Varric's chest.

After Rook woke up from talking to Solas and she heard Varric, I was so gods damned relieved. And my Rook was better taken care of by Varric in that year she spent with him than she was in the rest of her entire life.

I cried from the end of Ghilan'nain's fight until the romance scene and on and off after that. I got so used to visiting Varric just to be comforted by his presence. Inquisition was the biggest part of my life for a year and a half when I was just a kid.

I did really bad middle school age writing for it but regardless of the quality, those characters were built up in my head becoming even more than they were in the game. Varric was my biggest support character through everything I was going through at the time.

I don't talk about it much, but I didn't have a great childhood, and I know a lot of people didn't, but I coped with it through writing and video games. Varric was the one supporting me through the abuse I suffered and writing was the way I processed how bad things really were.

When Rook was in the prison she said "What am I going to find here?" And Varric said "I think you already know, kid." I DIDN'T until he said that. The second he said that my entire chest tightened and I just said "No" out loud as I watched Rook find his body.

Now for my real complaint!!!

Rook never gets the chance to grieve Varric. They go from talking to him every day to finding out he's dead and it was all a lie. I have personally never been more fucking pissed at Solas than I am now. But Rook comes back and they have that kind of "closing off" scene with Varric's empty bed (which was so hard to go through btw). And then they fuck their pookie LIKE I CANNOT BE THE ONLY ONE UPSET ABT THAT

FYM I gotta find out my dad is dead and then Rook is up for boning like there's no fucking way unless it's to cope. And at least pertaining to the Lucanis romance, Rook is processing everything that happened and they can say "So much has happened, I just don't know how to feel."

And rather than getting to process that in some kind of way, the devs said nah this scene serves one singular purpose, and Lucanis says "I do" and then dicks them down.

Personally, I felt very dismissed despite being overjoyed about finally having the romance scene, I couldn't even enjoy it with everything that happened prior.

Rook deserved the chance to completely break down after everything they went through. Tbh i don't know how they kept it together. Varric said "don't get all misty eyed" and i thought to myself that's way too delicate a term for what's happening here, I was fully ugly crying.

Fuck your "I had a good run" I still need you bitch.

All this to say I'm very upset, and I'm running my second playthrough and every time I look at, hear, or talk to Varric I tear up again. Wtf Bioware.

Rook should've gotten the chance to actually talk about what Solas did to them, especially in the sense that he made them believe Varric was still there. Or at least get to properly grieve the person who was their closest friend for a long time.

I have very strong feelings about this obviously

[taliesin-the-bored]

It was a musical, but...I am not beating the allegations.

I shall take this as an opportunity to ramble about Rómeó és Júlia, the subject of said allegations by @unstark, who may have created a monster (/j; thank you for doing so).

The first thing to know is that I haven't read Romeo and Juliet since middle school and liked it well enough then but wasn't really enthused because I liked the poetic elements but found the romance somewhat grating. However, I am a theater kid/opera nerd at heart, and looking at different versions of things and analyzing the connections, sometimes to an obsessive degree, is one of the things I live for (that's part of the lure of Arthuriana).

The second is that Rómeó és Júlia (ResJ) is fantastic, in large part because the cast is incredibly talented. I've seen all or a good portion of several different language versions of the musical, which originated in France as Roméo et Juliette (RetJ), and they all have good or decent but reasonably similar Juliets and mostly fine to mediocre Romeos. In addition to having a good Juliet, this Romeo, played by Dolhai Attila, was quite charming as an actor as well as a great singer so the rest have been mostly downhill. I am afraid, though, that like most of the people on ResJ/RetJ Tumblr, the characters I found most interesting were Mercutio and Tybalt, who both vary wildly from production to production. In ResJ, Mercutio (who fans call Zolicutio because he's played by Zoltán Bereczki) is a force of nature, and I did not properly appreciate that the first time I watched it. He sings, dances almost constantly, acts well, and raps in Magyar, and he never seems to stop or slack in energy until he dies. Tybalt, on the other hand, is a deeply tortured soul who's occasionally comedic in his melodrama (he does the Mr. Bean walk once) but has genuine pathos. I originally watched the first half without subtitles and did not realize the...ahem...concerning nature of his thoughts about Juliet, but that's in almost every version of the musical, and it is not as big a trigger warning as the obvious one, which is that Romeo and Juliet includes onstage suicide and murder, as well as references to sexual content. This is probably the first thing anyone learns about Romeo and Juliet, but I thought I should put that out there to be safe. Anyway, Szilveszter Szabó was vastly different than how I pictured Tybalt while reading the play, but he was excellent and brought a new perspective to the character. You love to see it. Also, ResJ Benvolio is a punk with the heart of a golden retriever, another far-from-the-play take which works in its context.

Now, the 2010 French version. I followed ResJ with the RetJ revival because John Eyzen's Mercutio is the second most popular Mercutio on Tumblr, after the inimitable Zolicutio, and I wanted to see what the hype was about. He is vastly, vastly different, both from how I imagined Mercutio and how Mercutio is in any other production. Eycutio alternates between stillness and over-the-top energy. He may or may not be bad mental illness rep. He may or may not be beholden to the madness-inducing entities of Chaos. Eyzen fully embraced the vibes of "La Follie" and the Queen Mab speech Mercutio has in Shakespeare to create a very unstable dude who revels in unpredictability and danger to a greater degree than Zolicutio and has probably won Best-Haired Veronese Man three years in a row. He has a love/hate relationship with Tybalt and flirts with him while fighting. (Zolicutio also flirts with Tybalt, but less in a I've-secretly-liked-you-since-we-were-twelve-but-also-hate-you-and-we-kissed-at-a-party-once-but-you-pretend-you-don't-remember-and-I'm-going-to-make-that-hard-for-you way than an I-bet-you're-into-me-and-also-that-you'll-hate-this-and-I-could-be-into-you-but-it's-not-clear-and-I-canonically-kissed-Romeo-but-didn't-seem-serious-about-it-and-I-rap-about-not-liking-romance-and-it-might-be-to-hide/drown/prevent-the-pain-or-I-might-be-aroallo-and-thriving way). Tim Ross's 2nd Tybalt looks and acts like the unlikely and maltreated test-tube child of George Michael and Cruella de Vil, and I'm going to leave it about that, because I have rambled too long without mentioning that Romeo's costume is exceptionally terrible in this one, that I really did not like Escalus, and that the Nurse was fantastic. All in all, what this one has to recommend it is the excellent Nurse, plus Tybalt and Mercutio's unevenly acted but ultimately interesting dynamic, which is the stuff of Fanlore pages.

I have not watched all of the 2001 French original, even though many people say Cécilia Cara is the best Juliet, because the other Juliets are also good and apparently a bald Mercutio is one thing I cannot take. (I could under certain conditions. If he were a young cancer patient, then that would add an urgency to his fervor for living life to the fullest, and a suspicion that he's going to die painfully soon whatever he does could influence his recklessness, but him being considerably older and more sophisticated than Romeo is weird). I might watch more of it, but it's low priority.

Apart from those, I've watched large parts of the Italian and Israeli ones, which I prefer to the French ones in acting but not in singing. The Italian one is a lot more dramatic than the Israeli one, which is maybe the least dramatic RetJ variant ever but pulls it off really well. The characters seem like normal people you would meet who try their best but get caught up in a tragedy bigger than they can understand. Of special note, as usual, is that ever-shifting scene, the duel between Mercutio and Tybalt, and this is the most original take on it I've seen. What sets it apart is that THEY DON'T EVEN DISLIKE EACH OTHER. You get the sense that they've had a lighthearted rivalry since they were kids but they're sort of friends and it's all a game to them. It's also the only version I've seen where those two actually have fencing swords, so the fight looks more realistic, emphasizing that they're playing with fire. When he realizes Mercutio is dying, Tybalt is visibly devastated and seems to lose the will to live. I don't usually cry at movies or shows, but that is the version which brought me the closest to crying.

I would like to watch the 2019 Toho version, since it comes highly recommended, but am not sure where to and might have to wait a while on that one. After I'm done with the Italian one, I intend to watch the Russian one, the German one, and the alternate cast recording of the Hungarian one. As for the English one...well, I've listened to a bit of it, and it was awful.

If you want to watch multiple versions at once or see which ones you might like, there is a great playlist on YouTube where someone edited together parts of the videos of different versions. If you want an incoherent-without-watching-the-full-thing but possibly still entertaining look into it, watch this compilation someone made, which is extremely funny if you've actually seen the full musical.

If you've read this entire semi-coherent ramble, you're a trooper. I hope it was vaguely interesting. Have a wonderful day!

it’s really easy to become obsessed with a shakespeare play you just have to watch one version of it and then read the play and then go mad trying to watch every possible version of it you can find and then study several centuries worth of performance history and controversy

[buckysfaveplum]

doomsday

summary: missions don't always go according to plan, sometimes you lose people- that's the job. bucky told you that himself.

pairing: bucky barnes x female reader

word count: 3k

warnings: violence, character death, um yea this one's sad. OH and Steve is dead in this (I mean he was like 90 something in endgame...)

a/n: GUYS omg i missed youuu i hope you remember me. its been like almost two years? i moved to ireland and started grad school! things are different. buttt here’s a new fic cause i’m back!!! ANGST omg im sorryyyy.... idk I wanted to right something that hurt okay okay bye (:

masterlist | send requests

You hated funerals. 

The suffocating smell of formaldehyde and roses wafted through the wake hall. The sounds of distant friends and relatives feigning grief, playing up small interactions with the deceased as more than just pleasantries while siblings and best friends' voices seem to be gone with a lack of words to express their suffering. The stale cookies and donuts in the hall, as if someone’s lover isn’t lying in a casket 50 feet away. All wrapped up in black dresses, suits, and handkerchiefs.

You hated funerals.

Today was no exception. An agent lost on a routine mission in Guam, taking out an arms dealer terrorizing a village. There were loose connections to Hydra, but just petty violence and shootouts for nothing. It shouldn’t have resulted in the loss of an agent. But sometimes things go wrong. A gun barrel stalls, someone trips, a civilian happens to be in the way. Sometimes people die. That’s how you ended up here.

Sarah was a good agent, a great one. She was top of her class at Westpoint, went straight to the FBI, and was recruited into SHIELD- all before 30. She was good- too good for a slip-up like this.

As speeches wrapped up, family and friends began to say their goodbyes. A line formed at the casket as people poured their hearts out for the redhead you once called a friend. You waited patiently at the back, making sure you were one of the last. You always did. Maybe out of respect, perhaps guilt? Who knows. You always felt guilt, even if there was nothing to be done. There was guilt.

Finally, as the small crowd left the room, flooding into the hall outside, you made your way to the front. Laid out before you, Sarah’s curly and wild hair was in two thick braids on each side of her head, a blue dress covering her as well as a soft cream cardigan. She looked beautiful and peaceful. But she was dead. Your friend was dead. No makeup or pretty clothes would lessen that blow. The plush velvet of the casket seemed to soften the prison that her body would rest in. At every funeral, you were reminded of how you wished to be cremated.

“I’ve never seen her hair so flat,” you turned to see Bucky standing beside you.

“You know, even wet her hair always seemed to spring up. Had a mind of its own,” you said, your gaze resting on him.

He was clad in a simple black suit, an older set you’d gotten him at a vintage shop. Something familiar. A simple cream button-down, no tie. It was simple, but that was him. What was most striking though was his serene demeanor. It never seemed to settle with you how unaffected by death he was. How easily he was able to gather himself and keep going. You couldn’t blame him though, 90 years of pain, death, torture, and violence will do that to you. You’d only seen him torn up once. And it was beyond devastating. Steve. “You okay, kid?” he asked, wrapping an arm around your shoulders. 

He was your partner, in every sense of the word. In the field, as a friend, in life. He was everything. Your taut shoulders melted under the firm comfort of his vibranium arm. You could rest in its embrace a thousand times and never cease to crave its solace when away. He was your rock through every debriefing, call to family, black dress, and smeared mascara. Who knows what you would be without him?

You rested your head on his chest, breathing in the potent smell of his old cologne and something that was distinctly Bucky. 

“I hate funerals.”

——

“Do you ever think about dying?”

Bucky’s grip on you tightened slightly at your words. Wrapped in the soft linen of your duvet and the sunlight streaming in through your windows, his body lay around yours. His short choppy locks were tousled fresh from his slumber. The previous night’s sleep had yet to let go of his consciousness fully, still cozy and relaxed in your shared bed. His vibranium fingers continued to play with your hair as he considered your question.

“Not anymore,” he said.

Your face scrunched in confusion at his words. Your fingers traced gently over the thick scars on his left shoulder. They mangled and twisted, sprouting in angry red from the line where his skin met vibranium. Shuri had done her best to soften the tissue when replacing his arm, but only so much could be done.

“I did a lot when I was first drafted. I was scared of it then. And in those early days under Hydra. It was all-consuming. But at some point, I wasn’t scared of it, I embraced it- prayed for it,” your fingers froze at his words. It was nothing new to you, you had spent countless late nights and early mornings recounting the abuse of his days as the Winter Soldier. But hearing him say flat out how he wished to die. That was jarring. “After the Blip, I’ve just become a bit numb to it. I don’t really think about it if that makes sense. It could always happen.”

His hands danced down your spine as if his words were simple.

“You expect it?” You asked, propping yourself up on your elbow.

“It’s the job, Y/N. It comes with the territory. Sometimes you lose people. And it could always be you,” he said, giving you a soft look. “You know that, doll”.

“I just, I don’t expect it in the field you know?” you relaxed a bit, regretting the subject you forced upon him.

“Hey, maybe that wasn’t the best way to put it,” he said, giving you a ginger smile as he leaned close and cupped your cheeks in his hands. “Death has just followed me for a long time, doll. I mean I’m a 106. I’m just not scared of it anymore.”

You tucked yourself into his chest, his words soothing the fears swirling in your mind. You knew the job was dangerous. That any mission could be the last. You just hoped it would never be him.

“Why do you always pick the heaviest topics of discussion early in the morning?” he asked, his voice still groggy from sleep. He smiled as you chuckled against his chest. 

“Probably cause I’m hungry, Plum,” you said, turning to lay on your back as you smiled up at him. 

“Yea? What could we do about that, huh?” that devilish smirk of his could stop your heart anytime and you’d be grateful. “Pancakes? Clinton St?” 

You nodded eagerly at his suggestion before taking his hand and slipping from the bed.

——

The rumbling of the quinjet shot up your spine. Sam and Bucky’s relentless bickering filled the steel jet as you came closer to your destination. Your gloved hands worked at strapping your knives to your thighs as they quarreled over how best to stain wooden beams in Sam’s living room during your and Bucky’s next trip down to Louisiana.

“No! NO! Buck, that stain doesn’t go with the accent wood in the kitchen! I already told you,” Sam said as he fixed his shield to his back. You chuckled as you walked over to them. Your backup squad, full of agents fresh from SWORD’s training academy, snickered at the two men as Bucky rolled his eyes.

“The beams are in your living room, what does it matter?” He said. 

“I wouldn’t take any interior design advice from him, he wanted a purple couch in our living room,” you said, wrapping your arms around Bucky’s waist. Sam laughed as he turned to grab the mission report. The jet was drawing close, entering stealth mode and preparing for landing.

“It was a plum color,” Bucky grumbled, nuzzling his face into your hair. 

“Okay team, huddle up!” Sam said. “This is just a simple in and out. We gotta get these hostages out safely so no risky moves- I’m lookin’ at you, Buck.”

Bucky threw his hand up in defeat, scoffing jokingly under his breath. 

“I’ll swoop through and scout entrances, Squad Two you’ll be with me for direct combat. We’re clearing out the building. Squad One, you’ll be with Y/N and Bucky, you’re getting those hostages out. You bring them straight back here, got it? There’s four so it shouldn’t be too strenuous,” he said, closing up his report before slipping on his cowl. “Alright team, let’s show ‘em what we got.”

——

Fluorescent red light filtered across your face as you slipped through the hallways. Half the squad led ahead of you, banging on doors in search of the hostages. Bucky hung close behind you, the rest of your squad keeping your entrance open for your escape. His hand rested on the gun strapped to his hip as he kept an eye on your blind spots.

Watching your back on the field was second nature to him. Protecting you, be it on the subway or in an active battle zone, was something he felt born to do. A reason to survive all those years under Hydra.

After several doors, your team stopped; having heard the pleas for help on the other end of the steel doors, they backed up to allow room for an agent to blast the lock. You stumbled back into Bucky, tripping on your own feet. His arms caught you before you could even glance at the floor. You felt his fingers gripping your hips and fidgeting with the straps on your thighs as you straighten.

“Some reflexes you got,” you whispered to him.

“Can’t let my babydoll fall,” he said, kissing the back of your head before his focus shifted back to the lock, now falling to the floor.

The agents flooded into the room, pulling hostages out and bringing them back into the hall. As they streamed out, you realized something was wrong. You only counted 3.

“Where’s the fourth hostage?” you asked. 

Bucky commed Sam, hoping he’d scanned the place and found a lead. As he spoke, you gathered the agents, giving them an order. Lead them through the building, get out to the other half of the squad, and get them into the jet. You’d meet them on the other side. You and Bucky would find the last hostage. The agents fled, leaving you and Bucky alone in the dark hallway. 

“Where are they?” you asked. Bucky sighed, as he grabbed a knife from his hip.

“In the lab in the basement, must’ve been the first to get taken,” he said.

The hostages weren’t nobodies. Prisoners were taken from SWORD on a mission to squash a newly established radical group. A group that seemed to resonate with the ideas of Hydra. This mission was all too familiar to Bucky, and all the more upsetting. You gave his free hand a firm squeeze before you turned and bolted to the lab.

You could feel the heaviness of the lab as soon as you entered the basement. The looming presence of the sterile room filled the hallways as you stalked toward it. Bucky was unusually quiet as he covered you from behind. You knew this was triggering, it had to be. He would always tell you he was beyond triggered episodes, having gotten a firm grasp on his PTSD. But you knew better. The subtle tremor in his brow told you so.

As you reached the eerie room, you stilled. Bucky came up behind you, resting a hand on your waist as you assessed the space. Metal shelves lined the walls full of jars, syringes, and test tubes. Sleek steel tables with rags soaked in blood, white grimy cabinets full of scalpels and needles, and an operating table at the center. The floors were coated in grot, each crack in the tile stained brown. Your mind couldn’t help but wonder if this condition was what Bucky was used to for all those decades.

Realizing the area was clear, you entered. Quickly, you spotted the hostage. Strapped to a chair in the corner with an IV jabbed into his arm. Bucky squeezed your arm as he headed over, slipping his knife back on his hip. 

You felt a pit growing in your stomach. You pulled your gun gently. This hostage didn’t look familiar, you thought Sam said he was a brunette, not blonde.

Bucky began to break the straps holding the man down. Slipping the IV gently from his arms, Bucky eased him up into a sitting position. He spoke to the man calmly, explaining to him who you were and that he was here to get him out. He seemed off, but Bucky just assumed it was the experimentation. He was wrong.

“Do you know who we are?” Bucky asked, helping the man up.

“I know who you are, Soldat,” the man said.

A chill ran through your legs, almost toppling you over. You reached for your gun, but the man was quicker. He was able to log four bullets into Bucky’s chest before you could get one in his skull. 

Shots rang out in the room, flooding your ears. As soon as you pulled the trigger, the man fell to the ground. Your bullet nestled into the side of his head. Your hands were shaky as the gun fell from your grasp, clattering across the floor and sending echoes through the rotting room. Of course it was a trap. The rubber of your boots squeaked as you sprinted your way over to your lover. He stumbled back against the filthy wall, his hands pressing firmly on the holes scattered across his chest.

As soon as you reached him, his legs seemed to give out. Everything in you tried to keep him up, your hands gripping the straps of his suit to keep him from surrendering to the floor. But he was too heavy. You followed him down, gathering him in your arms and holding him close. His breathing was labored and rough. Squeaks and coughs escaping from his punctured lungs haunted your ears, taunting you as you desperately tried to get him to stand.

“Baby, baby come on… you gotta get up, love,” you said, pulling him as you tried to get his attention.

His eyes were fixed on the mess in his chest. Blood bloomed across the fabric of his blue suit like a watercolor painting. His hands slipped from their place over the wounds and grasped yours. 

“Y/N…” he said. You froze at his voice. It was weak and unsteady. His grip on your hand was tight, too tight. He was always so gentle with you. As if you were glass under his hands and he was afraid you cracked. Now, he gripped you so hard you were afraid your bones would fracture.

“Bucky, you gotta get up. You’re gonna be okay,” you said as you tried to stay calm, but your voice failed you. You commed Sam, “Sam, Sam! Bucky’s down, I need help please!” 

You tried your best to stop the bleeding, tearing fabric from your pants to stuff the wound and slow the blood. But it didn’t seem to help. Bucky’s vibranium hand rose to your cheek, holding you steady. You mumbled to yourself, beginning to panic as blood spilled onto your hand; it stained the groves in your knuckles and cakes in your fingertips. Bucky’s coughing finally brought you out of your spiral. Blood began to trickle from his mouth.

“Doll…I can’t- I can’t breathe,” he said, his voice hoarse from the blood filling his throat.

“Bucky, hang on for me okay, please,” you said, your hands grasping his face and pulling yourself closer. You pressed a firm kiss to his forehead. When you pulled back, you could see it in his eyes.

“Y/N, I’m scared…” you felt bile rise in your throat at his words. The reality of the situation began to set in. Sam’s glitchy voice rang through your coms but you barely registered it.

“You’re okay, plum. It’s okay, I’m here. You’re gonna be okay,” you said. Your voice was frantic and distraught. The need to reassure him he would make it was overwhelming. But was it for him or you? Perhaps if you kept repeating it, doomsday would stay at bay.

His hands returned to yours, grabbing them and pulling you close as another cough racked his body. Blood speckled across your hands. You were white in the face, all the color drained.

“I…I love you, kid,” he said, his grip loosening. 

“No, baby, you’re gonna be okay. Sam’s on the way, it’s-”

“Y/N, I love you,” your hands gripped his tighter, wishing the firm hold he had minutes ago would return as his hands became limp in yours.

“… I love you, Buck,” you said softly, resting your forehead on his.

You pulled him close, kissing his lips one last time. You felt his breathing slow, his lips still. You didn’t pull back, you couldn’t. You knew what would await. A thick sob slipped through your chest. 

You tucked yourself further into his body, pulling him close and wrapping your arms around him. His head rested tucked into the crook of your neck, your hand tangled into his hair. You closed your eyes as you pressed your face into his hair, your free hand stroking his back and you rocked his now limp body. And you waited for Sam.

——

The smell of formaldehyde was the same, but no roses- Bucky preferred lilacs. You didn’t want the standard service, but SWORD insisted. No speeches, except for the pastor leading the service. You didn’t want any speeches, you knew Bucky would agree. 

You sat in the back, behind the small crowd of agents, friends, and the team you had come to consider family. Sam kept looking over his shoulder, keeping an arm behind him and resting on your knee. Perhaps he was trying to stop its shaking through the service or just to bring you comfort.

The service was simple, it was quiet. It was small. But it didn’t change anything. 

You hated funerals.

**taglist has been reset! let me know if you'd like to be added**

[utilitycaster]

this may seem needlessly finicky but I do actually believe it's important: calling Verin a himbo is just one of many examples where like, one of the cast says something off the cuff and it's not exactly the right word or it is highly contextual, and that is fine because no one is perfect especially in improv, but then it gets repeated ad infinitum within the fandom when it never really fit in the first place. We have Verin's stats and he's decently more intelligent than average with a 13 (smarter than most of Bells Hells for one; as smart as Pike); it's just he's the guy with a bachelor's degree with good grades followed by military service in a family where everyone has two PhDs - Matt said "himbo of the family" the way in a family where most people are exceptionally tall you'd call the 5'11" child the short one. In Call of the Netherdeep he appears as thoughtful and competent and promoted to a difficult position at a very young age, and in the campaign his appearance is simultaneously as a leader of troops in a dangerous mission, and someone who cares enough about poetry from a completely foreign and distant culture to have tried to learn more about it. I'm sorry, but if you're using the word "himbo" I don't think you're processing a thing about the character yourself; you're just the latest repetition in a game of telephone that's been going on since mid-2021.

And that's not deeply bad on the surface, and I'm using Verin not because he is the character most wronged by this sort of thing but because he's recent and it's really clear where the word came from and that it's not a good assessment, but something I happen to have a decent knack for is pattern recognition in language. I usually find it really easy to pick up on when someone's plagiarized because of the language and pattern shifts. I tend to remember urls and out of place words well. So I do tend to notice when everyone suddenly starts using a single turn of phrase and I tend to flag it. Sometimes that's not bad; sometimes it means everyone came to a similar conclusion and that's the best way to express that conclusion. But like, when Taliesin called the Yios episode a gas-leak episode and the entire fandom started parroting it? The line "bone-dry takes"? The fact that a lot of ship defenses I see were phrased precisely as "I have eyes"? without actually talking about the ship itself? the fact that I've seen a spike in the use of the term "ontologically evil" including in myself and not all uses are actually correct? And extending this beyond strictly language but consider any headcanon with minimal textual support that catches like wildfire (sidebar: remember how we make, or made fun of the SPREAD THIS LIKE WILDFIRE tendency on Tumblr a decade ago? same concept of repetition of a specific turn of phrase without internalizing) all sort of ping this.

And it's fine, truly, to come to fandom and turn off your brain. I know this will sound sarcastic from me, and that's because I don't personally agree, but I do strongly agree that you can do what you want in fandom and you don't have to listen to my opinions so in the end, yeah, it's fine because I am not the arbiter of "fine". But I think critical thought is a vital exercise and I think precision with language is part of it and so if you find yourself using the same exact words and thoughts as everyone else, that should, ideally, trigger a process of "but are these the right words? what do I see when I see this character and how would I describe them? do I agree with this assessment?" Fandom is an interesting and easier microcosm than reality in which to start doing that.

[comicaurora]

spoiler thoughts in no particular order:

The theme of this season seems to be "replacement." Characters are constantly taking on other character's roles. Heimerdinger highlights that Jayce is his former pupil and Ekko is his new pupil. Jinx acquires a Powder-esque kid sidekick and finds herself in Vi's role, while Vi finds herself hurt and abandoned by someone she loves most in a very Powder-y position. Caitlyn struggles to replace her mother, and Ambessa very tactically places herself in that authoritative role to give Caitlyn the motherly guidance she no longer has - essentially replacing Mel in the process. Everyone is being shuffled around, and very few of them are taking it well.

It's interesting to me that, amidst all this replacing, two roles are conspicuously not being filled: Silko and Vander. Silko's death has left a gaping wound in Jinx and Sevika's operation, and neither of them are attempting to replace him - instead, they're trying to figure out their dynamic without him between them. In a strange way, it feels like Jinx is maturing. She's beginning to recognize that she doesn't actually destroy everything she touches; there are things in this world she CAN fix. This is extremely un-Silko of her. If anything, it's a genuinely healthy extrapolation of her dreams as Powder - to be useful, to help. If she's reaching the point where she thinks she really CAN make things instead of just breaking them, that's a legitimately good sign.

Vi is the obvious candidate to become the new Vander, and I think she will eventually. The first three episodes have taken her some of the way along a very complicated journey. A lot of people have pointed out that she sacrificed every part of her identity to try and help Caitlyn in her grief - she put on the uniform of the people who killed her parents and sold out Vander, the people who tortured her in prison. She compartmentalized her love for Powder and convinced herself she could kill her for Caitlyn, even though she demonstrably couldn't. She packed away everything except her moral code, and then Caitlyn nearly shot a child to get to Jinx, so Vi stopped her. And so she learns that Caitlyn didn't appreciate anything of what she was asking of her. She didn't understand the weight of the sacrifice Vi was making for her. She didn't see Vi as a partner, only as a tool for getting her shot at Jinx, and when Vi broke from that purpose, Caitlyn police brutality'd her and abandoned her at the bottom of a hole. We've never seen Vi at this kind of rock bottom before, because she always had her identity, her stubbornness, her anger. She gave them up for love, and when her guard was down, she was punished for it. Vi is the character most reluctant to change. She voices it overtly; she sees everyone else changing, she begs it to stop. Everyone is preserved in her memory from before the night everything went wrong. Powder's not Jinx now, Powder is dead and Jinx is a new problem. Ekko is still "Little Man." I think Vi can't start becoming whoever she's meant to be until she gets past that terror of change, and it looks like she can't do that until she loses absolutely everything.

I'm less clear on what to expect from Caitlyn, but I think it's going to be fascinating. She's really at her worst in this part of the show, and it's incredibly interesting. Her unchallenged worldview is on full display: the undercity is disgusting and evil, the enforcers are the pinnacle of goodness now that the one bad apple has been excised. She was doing Vi a favor giving her the badge, obviously; Vi deserves the badge so she'll kick up whatever fuss she needs to in order to make it happen. Vi's one of the good ones, so Vi can't be like the other Zaunites, those animals. Her mother sealed up The Gray to keep them from asphyxiating from the pollution? Well, they killed her mother, so they don't deserve to breathe that free air anymore. Vi defies her one time and Caitlyn snaps into the only alternative she can currently understand: you're just like them, you're my enemy, you're beneath me. She never really made an effort to understand Vi's world because she clearly thought she was saving her from it. You don't deserve to be down there in the dirt, you deserve to be up here where it's nice. The dichotomy of Piltover Good, Zaun Bad is so deeply ingrained in her that her raw grief has left it completely exposed. If Vi won't help her, she deserves to be left down there. I want to see where they go with this, because Caitlyn's at her own kind of rock bottom right now - a sniper's fixation on her target causing her to hurt and cast away every other priority. Ambessa's correctly identified her as a weapon and is precisely aiming her wherever she needs her to destroy, and Caitlyn is so fixated on Jinx she can't even tell. I expect "what are you shooting for?" to come back in a big way.

I don't know WHAT the hell is going on with Jayce and I am so excited to figure it out. They really sold the whole "whoops you've been meddling with forces far beyond your comprehension just like Heinmerdinger said" thing and the implications are fascinating.

In the same way that Jinx seems to be sort of building a role all her own instead of taking someone's place, Viktor seems to be doing the same thing. He's not taking anyone's place; what he's up to is totally new. He's doing exactly what he wanted to back in season one - using hextech to help the people in most desperate need. He can heal the poisoning of Shimmer and the toxins in Zaun. He has what nobody else in this show has - a form of power that is curative and presently unchallenged. It isn't a fight for him, not like everything else has been. All he's ever cared about was alleviating suffering, and as far as we can tell, now he can. Nobody else was doing anything to help. I am very intrigued to see where this goes and how the magic system gets fleshed out around him.

I have a hunch that wild magic situation might be yeeting Ekko out of the timeline for a bit. The act 2 preview had him on the Remembrance Wall, so I assume the firelights are gonna presume him dead for a minute - bit of a bummer, but if he comes back with his canonical time powers I'll take it.

Minor note, I liked how they highlighted that the council hall was aggressively non-wheelchair-accessible. A very elegant way to underline how Piltover has never actually been a beacon of progress and opportunity.

Have you watched the new Arcane episodes?

my first "oh FUCK yeah" happened during the opening credits when I noticed Ekko's two shadows were moving like the hands on a clock and that momentum carried for basically the whole rest of the viewing experience

[skania]

Final Akane + AquaKane Thoughts

There are so many things to say that I don't even know how to start organizing my thoughts lol I'll also be including my final thoughts about the "love triangle" while I'm at it, so this is probably going to get long!

I've written quite a bit about Aqua/Akane this past year, so I won't be going into detail into any of the things I've already discussed up to now. Instead, I'll just focus on my thoughts on this final set of chapters, as well as my overall thoughts now that the manga is over.

I'll start with the (few) things I liked:

The Good

I mentioned before that I'm a sucker for parallels, and that Aqua/Akane having so many is one of the reasons why I couldn't help but ship them. We somehow got some very good ones in these last few chapters. We even got a scene at the Aqua/Akane bridge, the one where Akane's relationship with Aqua began and ended.

Aqua saved her life at that bridge, without any ulterior motives. And it's that very bridge that is pictured as Akane says that she has decided to live on. The imagery is poignant and pays its respects to not only Akane's arc as a character, but also to the Aqua/Akane relationship.

More than that, the parallels we got confirm things that Akane and Aqua/Akane fans like me have been saying all along:

Through it all, Akane saw him as he is and embraced the broken him. Each time, she willingly chose to get closer to him. When Aqua tells Akane that he has been saved ever since he met her, I get it. I have no doubt that for Aqua, who has been desperately fighting alone for so long, being seen and understood and loved despite all his self-perceived flaws and the darkness in him must have felt like salvation.

Akane is the one who knows Aqua the best, the one who knows him the most, the one who sees him exactly as he is and who loves all of him. Akane doesn't romanticize Aqua's flaws and his self-sacrificial nature, and neither does she idealize his virtues. She just accepts him and does her best to support and understand him through it all.

Akane being the only one who can see through Aqua's plan is enough to prove this, but it's actually not the most meaningful way in which Aka confirmed it. The most meaningful way was actually this:

Usually, whenever Akane thinks about Aqua, she calls him Aqua-kun. However, throughout her entire monologue in the last three chapters, Akane never addresses him by name. She just calls him "You". The same "You" (君) that Aka emphasized in Chapter 63.

The "You" that encapsulates everything Aqua Hoshino was: both the Goro and the Aqua.

This was a very, very deliberate narrative choice that tells you that throughout the manga, Akane was the one who loved Aqua Hoshino exactly as he was.

Aka also uses another parallel to confirm that Akane was indeed lying to Kana when she claimed that she was over Aqua.

When she finally breaks down, Aka allows Akane to be honest about her feelings, and the parallel to the Aqua/Akane break-up tells us everything we need to know.

Akane never stopped loving Aqua. She has been in love with him all along.

Ever since they broke up, Akane has been sacrificing her feelings for Aqua in order to do what she thinks is best for him. Akane's priority has always been to see Aqua happy. She is willing to do whatever it takes to accomplish that. Back when she thought that Aqua needed to kill Kamiki, Akane was willing to shoulder that sin with him just so he wouldn't have to carry it on his own. When she realized that what Aqua truly wanted was to be free from his revenge, Akane was ready to deal with Kamiki on her own just so that Aqua wouldn't get his hands dirty. Then, when Aqua pushes Akane away, Akane becomes determined to stop him from killing Kamiki because she knows revenge is not what Aqua truly wants or needs.

But that's not all there is to it. Akane wants to be with Aqua, because she loves him. And it's precisely because she loves him, and because she thinks her love failed to save him, that she keeps her feelings to herself and is even willing to help another girl get close to him in her place.

So this chapter confirmed that the one who has been making the sacrificial play, the one who truly loved Aqua, was Akane. It is, essentially, the counterpart to Chapters 148 and 149.

It's no wonder, then, that Akane's feelings and her grief are the ones we follow immediately after Aqua's death. She goes to mourn him in the place he actually died, and when she's around his family, she keeps her pain to herself in order to not worsen their burden. We see her piece together what happened, we see her break, and then we see Akane put herself together and find some solace in knowing that Aqua kept her away to protect her.

Aqua is gone, and Akane is the only one to know Aqua's truth.

A lot of people spent the entire manga trying to downplay Aqua's relationship with Akane; claiming that it was a lie, a manipulation, or what-have-you. Now that the manga is over, we can say those claims were never proven.

At the contrary, until the very end, Aqua's thoughts & actions in regard to Akane were shown to back-up everything he said about her during their relationship.

Aqua could've lived if he had asked Akane for help in killing Kamiki, but he didn't want Akane to get her hands dirty for him. He broke up with her to not bring her down to hell with him, and when the options were to either die alone or make Akane bear the weight of a sin with him, the choice was quickly made.

At the end, he's even shown wanting the same thing Akane wanted: an equal relationship with her.

Unlike his thoughts about Kana (more on that later), which are just a 'might', this is something Aqua is purposeful about. It's something he is sure he wants. It's even the last thing he thinks of before wanting to see Ruby at the dome, which we all know was his dearest wish.

This also fits the panels chosen to be shown in the "romance" part of Aqua's montage: the moment he doesn't catch Kana's ball (symbolizing that their feelings don't connect) vs the moment where he chooses to kiss and date Akane for real.

Which brings us back to the moment they broke up. That chapter was titled "Going Astray" and we now saw where that wrong turn led Aqua: to his death.

So chapter 98, the Aqua/Akane break-up, is pretty much officially the chapter that leads us to the ending we got.

Which means that what I said back in this post still applies. If Aqua and Akane had been honest with each other during that phone-call in Chapter 97, things could've been different. But truth is, it's nearly pointless to think about it, because what this all comes down to is that Aka wanted this ending and he wanted it at all costs.

So nothing could have happened any other way, because Aka didn't want Aqua to be saved. He wanted Aqua to die so he could have his forced "bittersweet" ending.

This is why Aqua and Akane had to break up, it's why Akane is practically not allowed to interact with Aqua again after their break-up, and it's also why Akane never found out about Aqua being Goro's reincarnation.

Aqua was never meant to be saved, and Akane more than anyone could have saved him. So, of course, Aka couldn't allow her to do so. It's forced writing at its finest.

This is also why Akane isn't involved in Aqua's fatidic confrontation with Kamiki. While there is Aka's typical contrived writing involved in Akane leaving Aqua to his own devices at the most crucial moment, I do think it makes sense.

I've mentioned before that from the very beginning, Aqua and Akane's relationship has been based on trust and on choices.

Aqua once gave Akane a choice, trusting that she'd be able to choose what was best for herself. After Akane made her choice, Aqua did everything in his power to help her accomplish her goal.

Ever since, Akane has been trying to do the same for Aqua.

Akane wants Aqua to choose what's right for himself. She will always respect whatever it is that he chooses, as long as it is a true reflection of what he wants and needs. This is why Akane was eager to stop his plan to kill Kamiki, she could tell that Aqua was ready to sacrifice his own future to accomplish it.

That's why, once Aqua chooses to let Kamiki live, Akane is reassured.

Something has changed in Aqua. Akane notices this and believes that Aqua has, finally, chosen to not throw his life away just to deal with Kamiki. She trusts that he has.

Personally, I'd like to believe that Akane was right. Problem was that once Aqua knew for sure that Kamiki couldn't be saved, he switched back to his original plan. Something Akane couldn't have foreseen without knowing that Aqua was the reincarnation of a dude whose issues made him suicidal... which is yet another reason why Aka could have never let Akane find out about the whole reincarnation business.

So all in all, Aqua/Akane-wise, this is all well and good. On paper.

When it comes to the execution however, it leaves a lot to be desired, because Aqua/Akane is sadly majorly brought down by the spectacular way in which Aqua's character was (mis)handled during the second half of the manga.

The Bad

Goro has always been someone who thinks his life has no worth, and this belief is deeply ingrained into Aqua. That's why I could tell that his revenge plan likely involved killing himself and making it look like Kamiki did it.

I just didn't think that he would actually succeed, because it kind of goes without saying that the suicidal character getting to kill himself is far from being a satisfying ending. Even less so when said character has shown time and time again that he actually wants to live, he is just too broken by his guilt complex to believe he has that right.

For a while there, it even looks like Aqua will make it. That he has once again started to embrace that this is a life that he wants to live.

Sadly, once Aqua realizes that Kamiki can't be saved and that he poses a danger to Ruby, all of that flies off the window and "Goro" takes over. And by "Goro" I don't mean Goro the character, I mean all the bad habits that Aqua has due to his guilt-complex and survivor's guilt.

So Aqua goes and executes his original plan, killing himself instead of looking for a better solution. Which means he started off like this:

Only to end the manga pretty much the same way, except you can switch "If Ai's gone, this world isn't-" for "As long as Ruby can live on in this world."

Though, actually, it's even worse than that, because Aqua realizes that he was wrong — dying would bother him — only when it's too late.

It leaves a bad taste in my mouth because it's like Aqua had no development through the entire manga. Cut everything after his break-up with Akane and nearly nothing changes, except the motive behind Aqua throwing his life away: protecting Ruby (Sarina) instead of revenge.

It all feels even more pointless because Aqua's death rings hollow due to how badly his character was mishandled in the second half of the manga. After the break-up, Aqua becomes a "..." bot. His character isn't allowed to grow and neither is he allowed to explore his feelings in any meaningful way, to the point that he dies confused and not knowing who he was.

Pardon my bluntness, but how pathetic is this? 160+ chapters and literally none of this guy's issues were ever solved. His character goes nowhere, only so he can be sacrificed to make the ending bittersweet for Ruby. Though for me it wasn't even bittersweet; the ending fell flat on its face precisely because Aqua's character never goes anywhere, so it's hard to feel anything other than vague frustration and disbelief at how forced the writing is.

Even the Kami/Ai - Aqua/Akane parallels were wasted because both ships ended up in the exact same way: Akane and Ai both unable to save Aqua and Kamiki. I wouldn't even be surprised if those parallels are something Aka came up with on the spot while writing the Ai DVD.

I'm sure some Aqua/Akane truthers will say "all Aqua and Kamiki needed to be saved was to be with Akane and Ai, and Akane and Ai didn't realize that" and leaving aside my issues with that kind of co-dependency, once again, that's all well and good — on paper.

Sure, those of us who ship Aqua and Akane could see it that way if we wanted to, but... did Aka make a point of clearly stating this? No, he left it to the reader's imagination, which means it's just another blank to be filled with headcanon.

Personally, I'm pretty tired of doing that, because everything there is to like about the manga may as well just be the headcanons we have filled all those blanks with.

I always say that I prefer showing and not telling, but there's a limit to everything. Truth of the matter is, if this was supposed to be the case — and especially if it was supposed to be important — then showing isn't enough. Because the majority of readers aren't going to spend hours breaking down every single Aqua/Akane interaction to draw those parallels and reach that conclusion.

Aqua dying soothed by a song by his favorite idol (Ruby/Sarina) doesn't really do it any favors either, because fact of the matter is that people who were never invested in the Aqua/Akane relationship will just assume Aqua never loved Akane back. They'll be more distracted by Kana's tropey, shallow shoujo romance, and this is something Aka allowed in his manga right up to the very end.

Aqua and Akane were the only relationship in the entire manga that got mutual, gradual, organic, continuous development. But this all came to a halt when they broke up, so at the end of the day, they're mostly left up to interpretation.

It's underwhelming.

Most of all, if you ask me, it was a terrible move, because Aqua and Akane could've been the heart of this manga. If their feelings had been properly explored after their break up, if Aqua had been allowed to think of Akane in his last moments, if all this blank-filling had been actual text, they'd have been a tragic love-story for the ages.

But Aka didn't want it to be the heart of the manga, because he had already decided from the beginning that role should go to Aqua and Ruby. Alas, he completely failed at developing that, too, because to the very end there's only Goro and Sarina. That is the entire basis of the Aqua/Ruby relationship and dynamic, and it gets one single chapter where it's explored beyond that, only to immediately focus back on Goro and Sarina as Aqua lies dying.

Goro couldn't save Sarina in his first life, so he wastes his second to do it. He jumped at the chance to free himself of the burden of that guilt without even bothering to think of how much his death would hurt the very person he wanted to protect.

Which takes me to...

The Ugly

Turns out Kana was pretty much just a mixture between Fujiwara and Maki, after all. Except that unlike Maki, she never grows (Aqua literally has to die for her to do so) and unlike Fujiwara, she's overused instead of underused.

Aqua and Kana are portrayed as shallow to the end, and I'd even go as far as saying that the narrative pokes fun at Kana for it. Even during the funeral, she puts on a hat that's reserved for family members and it literally falls off her head when Miyako slaps her lmao

Since this is a manga and not real life, the way Kana's outburst was handled in that chapter is likely meant to be contrasted with the way Akane's own grief was handled, because it pretty much embodies all the differences between both of their relationships with Aqua through the manga.

Kana is focused on herself and on her pain. She thinks Aqua was murdered, but she still irrationally blames him for it, too blinded by her own pain. Aqua was murdered, but not being able to confess to him properly is still at the top of her list of grievances. She is also shown overplaying that one conversation she had with Aqua about Aqua having a death-wish, as if Aqua somehow agreeing to not say that he wants to die was some vital promise that he broke.

Meanwhile, Akane focuses on Aqua. On what Aqua felt, on why he did what he did, and on what he would have wanted. Even her wish to be by Aqua's side is expressed through Akane saying that she'd have been willing to shoulder his burdens with him, no matter where that led them. It is also Akane's understanding of Aqua that helps her to find some solace and to overcome his death.

Kana always looked at Aqua from the outside-in, idealizing and romanticizing him, while Akane was Aqua's partner in every sense of the word. That's why Akane gets all the insightful narration about Aqua while Kana just gets to make a fool of herself at his funeral.

So to the very end, the dichotomy between "Ai" and "Koi" does perfectly illustrates the contrast between the two sides of the Aqua love triangle.

Kana was infatuated with the Aqua that she built up in her head, and focused on what she wanted Aqua to do for her (support her unconditionally), and what she wanted to be for him (his only idol), rather than on Aqua himself as a person.

As for Aqua, during his last moments, most Aqua can say about Kana is that it might be good to respond to her feelings. Might. He spends the entire story knowing Kana is at his beck and call, he even makes fun of her for it (you're so easy to manipulate, yadda yadda), yet when the opportunity to date her presents itself, most he can say is essentially "it could be cool I guess." He even pictures her pulling on his arm to get his attention, while with Akane, he pictures himself facing her and looking straight at her.

So to Aqua, Kana was at most a teenage crush. His feelings for her weren't deep or relevant enough to have any sort of impact on his character, while he outright called the year he spent dating Akane his happy days. An entire year that he spent without Kana even being in his life, mind you. Meanwhile Kana was out there living an entire shoujo where she's the heroine and Aqua is the male lead 😂

That said, I still think Aqua, who I'm sure must've broken a record at being bad at understanding his own feelings, was likely mistaking admiration for romantic attraction, and that he would've realized this pretty early into dating Kana.

The anime is even clearer about this because Aqua's reactions to Kana are paralleled to Akane's who is, quite literally, a fan of Kana.

But even if he wasn't, it doesn't really matter, because it's shown very clearly that Aqua deeply values being understood (to him, it feels like salvation) and that Kana doesn't really understand him. So had they dated, Aqua would've had fun at first, sure, but his emotional needs wouldn't have been met; instead his job would've been to meet Kana's. It just would've never worked in the long term.

Now that the dust has settled, I can say for certain that if Aqua had been allowed to have a happy ending, it'd have been with Akane.

So once more, this is all fine on paper. The problem is that Aka takes it too far. The whole Kana business takes too much panel time for no discernible reason other than to... bait readers? I've even seen some say that Aka intended to mock them.

But even if that were the case, considering that those same readers are likely going to walk out of the story thinking Aqua and Kana are a tragic ship that loved each other because of all the bait, who's really the butt of the joke? Them or Aka himself?

Conclusion

I've always been pretty clear about being an Akane fan first and foremost. Despite all my Aqua/Akane meta, I had no emotional investment in whether she ended up with Aqua or not, as long as she got a satisfying ending. That said, by principle, I most definitely didn't want Aqua to end up with Kana, because that'd be like rewarding Kana for all her crying and whining when she never even tried to understand who Aqua was as a person and I've already gone through that in Naruto, thank you very much.

So the two silver-linings about this ending are that Akane stayed amazing to the end, and that Kana didn't have Aqua handed to her on a silver platter. But considering just how much panel time Kana's meaningless crush takes up in the narrative and how side-lined Akane got after the break-up, it feels like a pyrrhic victory lol

Akane is still the best thing about the manga, and I'd say that she got by far the best ending of the bunch. I'm not sure if I'd call it satisfying, because Akane's one goal was always to save Aqua and she didn't get to accomplish that. But at the very least, she got a good ending, all things considered. She got to protect what Aqua entrusted to her, and she got to show just how emotionally strong she is.

As for Aqua and Akane, AquaKane could've been incredible if only Aka had done them justice, but he didn't. I joked before that the Aqua/Akane development was so good that it's like it wrote itself, and I actually think that's exactly what happened. Aka made things up as he went along, and he allowed Aqua and Akane to develop together in ways he didn't necessarily plan nor foresee. But as soon as he started heading towards the ending he envisioned, he dropped the ship, likely because he had already established everything that would be relevant about them by then, and then proceed to leave a lot of it to the discretion of the readers.

While I'm sure that'll be enough for some, I'm afraid it's not really enough for me. If you were to ask me if I'm satisfied with the way they were handled, my answer would be: not really, but it certainly could've been worse lol

In my opinion, they're the biggest wasted potential in the manga (which is saying something, because the entire manga is wasted potential), and their potential was wasted simply because they're the ones who could've actually led us to a happy ending.

Aka didn't want that ending, though. He cared for his vision more than about his characters, and his vision was literally just an ending where poor Ruby would be a star that shines brighter "the darkest things get". Nothing else mattered. LMAO. As if Ruby hadn't already gone through enough!

Oh well, at least we're finally free!

[beevean]

I finished watching a playthrough of Mouthwashing

Beautiful experience I'm never going to touch again. I tip my hat at the sound design which in some parts made me nauseous (cutting Curly's leg most of all)

And the writing is commendable for so many aspects. The characterization of the crew, the out-of-order timeline that keeps the mysteries and build tension, the subtext of every line... but I want to praise most of all how realistic Jimmy's misogyny is.

In most stories I've experienced, the "sexist" character is nothing more than a caricature who walks around with a flashing neon "I FUCKING HATE WOMEN/MEN" sign. They exist to be a strawmen to be made a lesson of (or to be "cool", in some misandrists' cases), but they're not really characters.

Jimmy's sexism against Anya is realistic. He never outright says that she's lesser for being a woman. But every interaction with her shows how little he values her. He makes a jab at her never being admitted to medical school, but doesn't quite finish his sentence. He hijacks her role as Curly's nurse because she's too "sensitive" (that and perhaps his deep-seated desire of having power combined with his guilt). She never features in his guilt-induced delusions: Daisuke, who was mercy killed by Swansea after Jimmy endangered him, does, but Anya, who obviously killed herself out of trauma? Nah. But, what features is a womb-like thing with a "baby" in it, and the baby's cries can be heard even before, in the cemetery. The baby itself is seen as the real issue when Jimmy and Curly talk before the crash - even Curly doesn't seem to give a single shit about Anya's trauma, but simply wants to help Jimmy with the mess he made. I bet that, had he never impregnated her, no one would have cared.

Anya is not on the same levels at the others. Not intellectually, and not in dignity. Jimmy doesn't need to spell it out. Hell, while we don't see the rape happening, and it's not even outright confirmed but kept hush-hush as it often happens, it does fit Jimmy's craving for power. That is his fatal flaw. He loves to control others and have power over their lives, he just doesn't like dealing with the consequences of his actions. Plus, we see the way he speaks to the young, impressionable Daisuke, manipulating him into doing what he wants: who says he didn't employ the same tactics with Anya, who might as well be a child to him? (this is assuming he didn't just spike a drink, since he seemed to be very ready to go through that route when it came to Swansea...)

Beautiful writing. I shall now proceed to have nightmares about the red sea :)

[runraerun]

darling, dearest, dead

written for the @steddiemicrofic challenge for November | prompt: guard | wc: 532 | rated: G | cw: major character death (but not really?) | tags: angst with a hopeful ending, Ghost!Steve Harrington, GhostHunter!Eddie Munson

There’s a legend that the first person who gets buried in a cemetery becomes the guardian of all the other souls buried there after. They become a reaper of sorts, ferrying the newly dead from this world to the next—a place they can never go.

This is what happens to Steve Harrington, aged just eighteen when he tragically dies in the Starcourt tragedy in ‘85.

Steve, who dies but doesn’t move on. Doesn’t go peacefully into that good night, or however the hell the saying goes. He can’t.

Steve, who attends his own burial, but despite how loud he screams into the faces of his loved ones, goes entirely unheard.

He eventually gets it, of course. Despite what everyone thinks (thought? Do they still think of him?) Steve isn’t stupid. He catches on quickly when the first few souls come wandering up to him, lost and alone. Steve can see the path they’re supposed to follow, even when they can’t. So, Steve takes the time to explain to them what he knows, tries to comfort them, before guiding them towards the afterlife.

It’s a curse, really. Eternal isolation. Decades pass but Steve remains. The few souls he speaks to are always so eager to leave him. In the end, Steve’s left alone.

And then one day, Eddie Munson comes stomping through his cemetery.

—🛡️—

“What’s with the get up?” A dark haired stranger asks, startling Steve, “there an anime convention going on or something?”

Steve’s eyes trail up and down the newcomer. He wants to make a comment about the strange attire he died in, but upsetting the newly departed usually isn’t a good idea.

“It’s my work uniform. I didn’t have time to change.” Steve explains, a well-rehearsed response. The Scoops uniform that he can never shed was always a point of interest for people. “Sorry, I didn’t see you come in.”

This is the first time Steve’s missed a burial. Strange.

The guy snorts, “don’t apologize. I’m the one intruding. You visiting someone? I can wait to do my shit.”

Steve frowns, brows creasing where they come together. “No. I’m just… waiting.” He answers.

“For the ghost?” The stranger asks, his interest clearly piqued.

Steve blinks. “The ghost?”

“Yeah, y’know. The ghost that supposedly haunts this graveyard. Legend has it it’s some guy who died way back in the 80’s—there've been sightings for like, thirty years, but no one’s been able to actually record anything decent. All the pictures are super blurry. But I intend to change that. I’m Eddie, by the way. Ghost hunter and semi-professional psychic.” Eddie grins, giving a strange little bow in his introduction.

Wait…

“1985?” Steve asks.

“Yep,” Eddie pop’s the ‘p’, “The year Starcourt burned down and old Steven Harrington bit the dust. You know the story?”

Steve didn’t need to breathe—not anymore. And yet, he still felt short of breath. Lightheaded.

“It’s just Steve.” He clarifies.

“Yeah?” Eddie snorts, “how would you—”

A light seems to go off in Eddie’s head. He pales, eyes widening.

“You can really see me?” Steve can’t help but laugh, tears stinging his eyes.

“Yeah, I can see you, Steve.” Eddie mumbles, stunned, looking like he’d seen a ghost.

—

tagging: @sleepy-steve because they let me rant about reaper Steve to them<3 check out her reaper!eddie fic: here!💘

[italianpersonwithashippersheart]

Hey bestie, dropping by with a mea culpa. When Peaceful Property started, you expressed concern that GMMTV was inching toward a model of using bl pairs in shows that would avoid being explicitly gay but still draw on shipping fandom to be successful. Coming off The Trainee, which was not a bl but did have expIicitly queer characters and romance subplots, I wasn't sure the intentions were quite that dark for PP, but having now finished it and seen the way some in the production have interacted with shipper fans, I have to call it: you were right to be concerned. At no point was this show ever a bl and none of its principal characters are canonically queer, but they successfully leveraged the TayNew ship to have fans interacting with it as if it was in fact a gay love story, that idea and fan commentary was explicitly encouraged by the creators, and the show has been quite successful despite never actually delivering on all the TayNew bait. I'm definitely concerned that we might have somehow swung back around to queerbaiting being seen as acceptable and good, as long as it features popular branded pairs. I don't have any bigger thoughts to offer about how this should be addressed, but just wanted to come back and say you were valid for naming that!

Thank you. I didn't want to be correct. And I am still hoping to wrong about what this says about where GMMTV is going.

But I am not gonna lie, seeing the posts about the finale did regnite the massive fury I had at this project when it was first called a bromance. So I am going to use your ask as an opportunity to vent.

FOR THE RECORD: I am not mad at you, or at the people and mutual on my dash that have enjoyed the show and are claiming as gay out of spite. My anger is at GMMTV and at GMMTV alone.

THEY DID THIS SHIT TWICE ALREADY!!! Back to fucking back.

I know High Schoool Frenemy is being watched by like 5 people on tumblr. But it's doing well outside of tumblr. They are using bl style fanservice with the 2 main boys of that show. I have seen the shippy content and compilations along with the other bl couples. Not to mention people like Jojo saying those characters are the his new favorite ship on twitter.

AND I AM SO PISSED!!!!

I am glad you brought up TayNew because there is no doubt in my mind that they used TayNew for Peaceful Property as a test. They knew there could be backlash. They knew the bl fandom could have rioted. But they also knew that if it that rage would have been directed at TayNew not at the director, not the company but TAYNEW.

And I think TayNew knew this. Because they spend weeks on social media doing preintive damage control, I have seen the posts of them (or at least New) saying it wasn't going to be romantic. I don't think the two of them forgot how they were left to eat the shit alone over the bullshit backlash during the TayGun kiss situation with GMMTV doing fuck all for them.

And what pisses me off is that BL audience didn't even give a backlash. They eat that shit up like it was fucking icecream.

The BL audience is literally doing their job for them. They are taking a show with some gay subtext and running with it.

They are showing up for the fanservice (again broder audience outside of tumblr), and gleefully closing their eyes and ears and saying well I Think It's Gay.

What do you think Mega Corporation GMMTV is going to take from the success and no backlash? If the answear is anything but: We can produce half of the BLs as usual and make the rest Bromances, you have more faith in corporations then I do.

Because Bromances can be watched by non BL audiences as well. The BL niche is a big one, but it is still a niche.

And now they won't even have to bother inserting arguable quality gay commentary or struggles or homophobia. Or any gay kissing, no more workshops. No more worries about how effective these potential straight boys are going to be at playing gay. All they have to do is making them do fanservice, and they are great at training people for that. Or better yet, actually use one or two ships that have kissed before and done actual BLs.

Will they stop doing BL at all, obviously not, you gotta give the BL audience something to remind them they can still show boys kissing, and we have the Ex Morning and Jojo that will never actually stop making BLs and some gay shit. But if in the next line up we will more bromances, and eventually we get half BL and half bromances I wouldn't be surprised.

Of course maybe I am just pessimistic and cynical. Maybe the proto bdsm in the heart killers is enough to persuade people that I am totally wrong. I guess we will see about that.

Thanks again for the ask and the oppurtunity to vent a little. Again I don't fault anyone for enjoying this, it was design to get the BL audience watching.

I will personally be keeping with my own resolution and never watch another gmmtv show live ever again, maybe binge the few that sound interesting and that's it.

At least I can find comfort in the idea that that other companies do not have the same level of BIG cast of boys and big budget to do the same thing and follow in the bromance trend.

[welcometothejianghu]

Welcome to another round of W2 Tells You What You Should See, where W2 (me) tries to sell you (you) on something you should be watching reading. Today's choice: 死亡万花筒 / Kaleidoscope of Death.

Kaleidoscope of Death is a 2018 Chinese webnovel about two young men who fall in love while basically playing a whole bunch of horror-themed escape rooms that can for-real kill you.

This novel was gripping. I could not put it down. It started out fun and ended up ripping out my heart several times. It does a good job getting the ball rolling with a series of adventures in weird worlds, then turns into a meditation about grief and loss and what it means to have something to lose in the first place.

This is the first time I've ever done a book rec! I'm doing it in conjunction with a rec post for the Spirealm, and originally I was just going to do this as a bonus section for that post. However, I felt they both deserve whole different posts, because they both have very different things to recommend them. I also think Kaleidoscope of Death a 100% necessary read if you've seen the show, because it provides some context that the show simply cannot include -- but it's not a necessary read before you see the show.

Therefore, I'm going to give you five reasons I think you should sit down with this one, and not a single one of these reasons is going to assume you've watched the Spirealm! The book is great and deserves to be read on its own merits, and then if you then start watching the drama afterwards, so much the better.

1. All the Cross-Dressing

(Yeah, I'm going to punctuate this one with screencaps from the Spirealm, because otherwise it's just a wall of text.)

I'm not going to tell you why the male characters frequently dress and pass as women, since the book explains the practicality of it better than I could. You just need to know that they often do, and it's never not kinda hot when it happens.

When you first meet Ruan Nanzhu, it is as Ruan Baijie, a stunningly beautiful and noticeably tall woman. Lin Qiushi, our POV character who is extremely confused for a number of reasons, spends the first whole arc talking and thinking about Baijie like she's a girl. In fact, one of the cutest things about sweet, earnest Qiushi is that he clocks Baijie several times, and every time he's just like, oh, she's so flat-chested, how unusual for a girl, anyway...

And this isn't even just dressing up! Stepping into the door worlds changes you physically based on your clothing and cosmetics. Nobody inside looks the same as they do outside, and nobody looks the same inside as they did last time they were inside. The rules that govern these transformations aren't even clear to the characters themselves! So, you know, have fun with that.

I'm going to say it's not an out-and-out trans thing, in that we're not dealing with an AMAB egg who will crack someday. Ruan Nanzhu is a very male-identified, penis-having man! He's just also pretty entertainingly comfortable with performing whatever gender makes him the most fuckable person in any given room. Lin Qiushi is not so inherently genderfluid, however, which means that when his gremlin sort-of-boyfriend makes him pretend to be a girl, it's a completely different kink.

Therefore: If you like it in any way when boys dress up like girls, you owe it to yourself to pick up this one. And if you like a fandom that likes it when boys dress up like girls, baby, welcome to the world inside the doors.

2. Those boys GAY

This is a textual romance. Lin Qiushi and Ruan Nanzhu are in love. This is a danmei novel about how they fall in love. There is kissing and there are fade-to-black scenes that explicitly acknowledge that the two of them have sex with one another. We even know that Ruan Nanzhu (usually) tops. This s not just me pointing at them and saying gaaaaaaaaaay. This is actual gay.

And it is gay that takes its fucking time. They do not actually hook up until well over halfway through the book, but they are physically affectionate from almost the get-go. Ruan Nanzhu is such a trickster and a liar that Lin Quishi finds it hard to believe that anything he does is sincere, which leads to nearly lesbian levels of wondering if it means anything when a guy demands you kiss him on the mouth when he's pretending to be your girlfriend. Meanwhile, Ruan Nanzhu is over here being the Kate Beaton comic about sitting here consumed with lust all evening.

Even once they both acknowledge what they're feeling for one another, they don't get together right away. After all, they're playing a game of life and death where they lose friends left and right. Every time someone goes inside the door, there's a real chance they won't come out again. Is giving your heart to someone worth how much it will destroy your entire life when you lose them?

(Yes, says the book. Yes, it is worth it.)

The slow burn of their relationship is delicious, in part because the physical (though not sexual) aspects of it predate the romantic ones. It also has the fun hot-and-cold aspect where Ruan Nanzhu is incredibly affectionate inside the doors, then icy outside of them. Poor completely inexperienced, never-been-kissed Lin Qiushi does not know what to make of any of this. He can barely manage parenting a cat. He does not know how to handle a boyfriend who is also a girlfriend who is also (spiritually) a cat.

I also find it charming how much the gay part of it both is and isn't an issue. It's not that Lin Qiushi has a problem being in love with a man; however, the fact that Ruan Nanzhu is a man does mean the heteronormally indoctrinated and relationship-inexperienced Lin Qiushi takes much longer to realize what exactly those feelings he's having are. The book's world is one where heterosexuality is the assumed default, while queerness is unexpected but everybody's still pretty cool with it. Besides, no one's going to judge Lin Qiushi's gay yearnings, because who doesn't want to fuck Ruan Nanzhu?

3. HAKO ONNA HAKO ONNA HAKO ONNA

So as I was reading through @zintranslations' earlier chapters, I kept seeing translators' notes down at the bottom about being so excited to finally get to the Hako Onna arc. Okay, I thought, this is a lot of hype; I hope it doesn't disappoint.

Friends, it does not. This is the arc I was reading while screaming into a pillow. It's thirteen chapters long, tied for the longest arc in the book with the first door. It is a fucking nail-biter. It does the clever thing of taking all the things you've learned about what can happen inside the doors and combining them for a worst-case scenario.

The setup is pretty simple: There's a bunch of boxes. One has the exit. Most are empty. Some have things that help you. Some have things that hurt you. The more things you find that hurt you, the more things there are to hurt you. And you have to open the boxes.

All the door arcs are pretty well-written, so that you can more or less play along with their various adventures. Hako Onna, however, is exceptional. It's so complicated, but you can actually follow it. And you need to be able to follow it, because the multiple emotional gut-punches that happen in this arc all depend on understanding how the rules of the game have just been leveraged to fuck someone over.

Now I really want to play the board game -- which I was pleased to discover is a real board game! And speaking of board games...

sidebar: Betrayal at House on the Hill

I know this isn't technically related to the novel at all, but if you like board games, horror, and being incredibly dramatic, you owe it to yourself to try out Betrayal at House on the Hill.

It goes like this: You and several other horror-movie archetypes wander through a mansion, "building" it as you explore it, so the game layout is different every time. At some point (and it's based on so many random factors that you never know when it'll be) someone triggers a condition, and the haunting begins. All the players then get the rules of haunting explained to them -- except for one player, the one picked to do the titular betrayal, who gets a different set of instructions and becomes the antagonist. From that point on, the game is about either surviving or completing the haunting, depending on which side you're on.

I have played this game before with normal board game people, and they were like, eh, this is fine. I have also played this game before with theatre kids who RP and LARP, and we all had a fucking blast. So I'm going to warn you that you have to choose your crowd carefully. This is a game for people who do improv and voices.

4. The art of losing isn't hard to master

The book has a high body count -- higher than the show's, in fact, though that's related to how the book also has more characters than the show does. When you meet someone who can go into the doors, be careful how much money you'd lay on their survival.

Death after the doors comes so quickly, too. There's barely any time to say goodbye, if there's even any time at all. Often there's just a phone call telling our main characters that one of their friends or allies or enemies is gone.

Everyone who gets the chance to go through the door worlds is only able to do so because they're dying already. The more doors they pass, the more they get to kick that death further down the road -- but the more doors they enter, the more chances they take that they might die inside one. So really, none of the players can be that resentful of being forced to play a game that can kill them, since they're already playing it on borrowed time.

I will say, somewhat cryptically, that the book has a positive ending that leaves open the possibility for other positive things. The path to that positive ending, though, leads through some pretty wrenching takes on living through grief. It's not even all rah-rah and it-gets-better, either -- the text acknowledges many times over what it means to have someone that life isn't worth living without.

And that's maybe not what you expected from a BL horror adventure webnovel, but it's what you're gonna get! Ha ha!

5. What He Is

Which is the title of the first extra chapter, which is not extra at all, but is in fact a necessary explanatory piece that whacks you upside the head like a two-by-four and recontextualizes the entire story.

...Yeah, that's all you're going to get from me about that. You'll understand when you get there.

Have you put it on your reading list yet?

The way you have to read it is a little convoluted: @zintranslations has chapters 1-17 and 63-end + extras. Taida Translations has chapters 1-62. So no matter where you start reading, you're going to have to switch sites at least once.

There are also apparently Portuguese, Indonesian, Russian, and Spanish translations too? And the original Chinese webnovel, of course. And some audio dramas and subs linked to from this Carrd, which helpfully has other information, like content warnings for specific chapters, in case the horror aspect of the story gives you pause.

Anyway, once you're done reading it -- or even before you're done! -- you should absolutely go watch the Spirealm. I think it's clear from both rec posts that I definitely like the book better, but I appreciate having the drama to bring so many scenes to life, and I think the casting is great. Also, I don't think reading the book makes you like the drama less! Rather, I think reading the book gives you insight into the awkward and sometimes terrible choices the drama had to make to survive -- which in turn gives you the ability to see through those choices, on to what the show always wanted in its heart to be.

I do find it funny how "Kaleidoscope of Death" and "Death's Kaleidoscope" technically mean the same thing, but they sure read different, don't they?