#I have my own Generation Kill world going on

[fangdokja]

How to Turn ‘Till Death Do Us Part’ Into a Very Literal Situation.

♡ Book. Whispers in the Dark (WITD): Subtle Devotion, Lingering Shadows.

♡ Word Count. 1,262

♡ TW. dom + top + older yandere, general non-con + manipulation, suggestive themes, fear play, hints at rough play and sex, forced relationship, BDSM

♡ Yandere! Love Interests who have officially driven you past your limit. Who have ignored every rational warning, every insult, every attempt at reason. Who have pushed you, the most romance-averse, horror-obsessed, emotionally-detached woman alive, into an ultimatum.

♡ Yandere! Love Interests who thought they'd won when you finally turned your attention to them. Who were ready to celebrate, maybe even reward your "acceptance" with something sickly sweet—chains, marriage contracts, a night in their bed. Only to realize that the only thing you've accepted... is that they need to die.

♡ Yandere! Crown Prince who wakes up to find his wine poisoned—a neurotoxin meant to paralyze his lungs while keeping his mind perfectly aware. The slow suffocation, the dawning horror, the perfect revenge you planned so meticulously. And yet—

“Mm, bold of you.” His voice is unshaken, amusement dripping from every syllable as he sits up effortlessly. He lifts the goblet, swirling the poisoned liquid with appreciation. “You really thought I’d fall for this?” He leans close, fingers gripping your jaw. “How adorable.”

Before you can recoil, he crushes his lips to yours. A searing, bruising kiss, his tongue forcing its way into your mouth���

And then he exhales.

Your lungs seize. Your limbs go weak. The world spins as the very poison you crafted seeps into you from his breath alone. He pulls away, watching with satisfaction as you collapse, muscles useless, body unresponsive.

“Poison immunity is a wonderful thing, isn’t it?” he muses, stripping off his gloves. “Now, my dear, let’s make the most of your current state.” He shoves your body onto the bed, languidly unbuckling his belt. “You wanted me helpless. Instead, you’ll be the one at my mercy.” He drags your legs apart, his fingers pressing into the soft flesh of your thighs. “Don’t worry, you’ll feel everything.” His breath fans over your ear, a cruel chuckle following. “You just won’t be able to move.”

———

♡ Yandere! Archduke who wakes up in the middle of the night to the sensation of something cold pressing against his throat. A wire—thin, near-invisible, designed to slice through arteries with just the right amount of tension. You’re behind him, grip steady, eyes glinting with exhaustion and hatred.

He smirks. “Creative. Most would simply try a dagger.” His voice is too steady. Too calm. And that’s when you notice the way his muscles flex, a second too late to react as he twists in place, wrapping the garrote around his own wrist to yank you forward.

He pins you against the bed, hands pressing you down by your wrists. He’s laughing. Actually laughing. “You must really want my attention. Trying to murder me in my sleep? That’s intimacy, my dear.” His fingers brush your pulse, lingering.

“Tell me, did you enjoy the thought of killing me? Did it make you feel powerful?” He leans down, pressing a kiss to your pulse point. “I think it’s adorable.”

“How thrilling,” he purrs, tightening the wire around his own neck for show. “Did you enjoy the thought of watching me choke? How precious.”

“Let me return the favor.” His hands encircle your throat, squeezing—just enough to send panic flooding your veins.

“Feel that?” His lips trail over your jaw, his thumbs pressing, teasing the line between breath and suffocation. “Now imagine if I were inside you while doing this.” He grins as you tremble. “Actually, why imagine? Let’s make it reality.”

———

♡ Yandere! Supreme Mage who wakes up buried alive. A perfect plan���you drugged him, dragged his body to the outskirts of the city, buried him six feet under, and reinforced the soil with spells to block his magic. A masterpiece of calculated death.

Which is why, when he knocks on your window that evening, dirt still clinging to his robes, you want to scream.

"You are fascinating," he muses, stepping into your room as if he owns it. "Not even my enemies have gone to such lengths. Did you calculate the oxygen levels? Did you wait for my heartbeat to slow?"

Your hand twitches.

He catches it before you can throw another spell. His grip is loose, barely restraining you.

“Violent little thing,” he murmurs. His voice is low, smooth, like silk drenched in something lethal. “You should know better than anyone—magic is far more effective when cast with intent.”

His other hand raises. Magic surges through the air, thick with power. Your body locks up. Heat pools in your gut, the aftershock of an aphrodisiac spell pressing against your nerves.

Your glare sharpens to something lethal. “Undo it.”

His gaze darkens, and a small, knowing smile plays on his lips.

“Make me.”

Before you can run, your body locks up—his magic binding you in invisible shackles. He steps behind you, fingers tilting your chin up. “Burying me alive was such an intimate thing to do,” he whispers, his breath hot against your ear. “It’s only fair I return the favor.”

The world shifts. Darkness presses in. You realize, too late, he’s woven a new spell—one where you are trapped, suffocating in soil that isn’t there, feeling the weight of it press against your chest.

“You’ll only be freed when I’m satisfied,” he muses, hands slipping beneath your clothes. “And I do hope you struggle. I’d love to see how deep your desperation runs.”

———

♡ Yandere! Demon King who doesn’t flinch when you drive a dagger straight through his chest. You used everything—enchanted silver, a sacred blade, the heart-piercing technique you read in a forbidden grimoire. It should have worked.

He smiles. "Pet. You wound me."

"That was the point."

His fingers wrap around the hilt, yanking it free without hesitation.

The wound heals instantly.

Blood drips from the blade as he turns it toward you.

“You’re trembling.” His voice is mockingly gentle. “Was this your best attempt?”

You don’t move. He watches you, fascinated, his dark eyes gleaming in the dim candlelight.

Then, slowly, he reaches for you.

You step back. He doesn’t let you. His fingers curl around your wrist, his touch unyielding.

“You’d make a lovely queen,” he whispers. “Such a shame you refuse to kneel.”

He steps closer, his sheer presence making the air thin, his eyes gleaming with something ancient, something terrifyingly patient.

“Let me show you what demons do to naughty little mortals who try to kill them.”

The blade clatters to the ground as he yanks you into his grasp, tearing fabric, exposing flesh. “You wanted me dead?” His voice is a purr against your throat. “Then scream like you’re dying.”

And then he devours you whole.

────────────

If you want to be added or removed from the tag list, just comment on the MASTERLIST of Whispers in the Dark (WITD): Subtle Devotion, Lingering Shadows. Thank you.

General TAG LIST of “Whispers In The Dark”: @keisocool , @elvabeth , @elloredef , @mjsjshhd , @lem-hhn , @yuki-istired , @lilyalone

❤︎ Fang Dokja's Books.

♡ Book 1. A Heart Devoured (AHD): A Dark Yandere Anthology ♡ Book 2. Forbidden Fruits (FF): Intimate Obsessions, Unhinged Desires. ♡ Book 3. World Ablaze (WA) : For You, I'd Burn the World. ♡ Book 4 [you are here]. Whispers in the Dark (WITD): Subtle Devotion, Lingering Shadows. ♡ Book 5. Ink & Insight (I&I): From Dead Dove to Daydreams.

[areyoudreaminof]

Beyond the Plains of Scythia

I was so honored and lucky to win this commission for @jassaweek! it was such a privilege to get to work with xo.hkka to create this masterpiece. She is such a kind and wonderful person and an incredible artist.

Jurian and Vassa have defeated Koschei, broken the curse, and now have the whole world ahead of them.

For my own fics, I took a lot of inspiration from the golden age of Mongolia, which you can see here in Vassa's outfit and the vast plains of Scythia. Thank you to Hikka and @jassaweek!

Please make sure to check out xo.hikka on instagram! And enjoy the little piece I wrote to go with this masterpiece!

Vassa felt the last vestiges of sunlight hit her face, relishing in the warmth and the stillness of her body. Never again would she take for granted the golden hour of sunset. With the horses far behind her, she looked out into the sea of grass. Hills rolled softly as sea waves and the fire in the sky stretched on forever. That fire reflected upon her hair, but it no longer burned her alive, no longer shredded her body. The trek from the lake and the surrounding forests took too long. Vassa felt suffocated by the trees as they crossed through mountains and gorges, past the fallen wall. But she held her head high as she led her army back across the border and into Scythia. 

Her mother had told her of the ancestors defeating the Fae armies as a child. How they raised the capital from a slave pit. Vassa’s ancestors rode wild horses to freedom on these hills, and Vassa swore she could hear the horde of nomads in the wind as she rode. She was free again, free from her curse, and the chains of the death god. She spoke her own language again, her Scythian tunic felt like armor against her chest, and Vassa felt like she could breathe again. 

Calloused fingers threaded through hers, tugging her close with the wind. 

“When you told me you called it seagrass, you really meant it,” Jurian said, “What was the word again? In Scythian.”

“Tanaap,” Vassa replied, “It’s the word for steppe, not sea.” She smiled as she watched the light dance along the angles of his face. He stood as tall as a king, but he refused that title. They had been arguing about it for days, and Jurian had convinced her army that he would only be her consort. No doubt he’d convince the entire capital and court within days of their arrival. 

He had not left her side the entire journey. He held her through her night terrors, helped her breathe when she felt like the forest would suffocate her, and he cried with her as they crossed the border. Jurian gasped the first time he saw the steppe, and Vassa could not bring herself to think of the walls he had suffered behind for so long.

“I can see why the humans settled here.” he murmured, his face softening, “Possibility without the fear of eternity. No wall could ever stand here.” 

“And no wall ever will,” Vassa promised, pulling him close. 

Jurian was quiet for a moment as the sun slunk behind the hills, and the sky began to bleed purple. Behind them, the stirrings of camp and the whinny of horses broke the silence. 

“If-” Jurian began, taking a deep breath, “Will your people accept me? After everything I’ve done?” He turned toward her then, his brown eyes filled with worry. 

“You mean, after saving me and leading my army to free me? After killing a death god and stopping Beron Vanserra and the queens?” Vassa cupped his face gently, “They will, they have. After everything you’ve done, you can come home and rest. With me.” She pulled him down, capturing his lips with a sigh. Vassa kissed her General as the sun set, feeling only his lips and his arms wrapped around her. She felt her heart flutter against her chest, but she could not feel her bones breaking with transformation, could not feel the lashing of flames on her back. Vassa only felt the future, now stretched before them like the sea of grass they stood on. 

“Take me home, my queen.”

[bwat5-blog]

A Sister's Love: Jinx & Vi

**Spoilers For Arcane**

A while back I had a short but pleasant discussion with someone on one of their posts about Jinx's treatment of Vi, and how it can feel like Jinx doesn't seem to care about Vi in many instances. In hopes of further discussion, I posted in the community where many of you wonderful folks shared your thoughts on the subject and I got a lot of really good insight into this as well. I was thinking about that this morning and it got me thinking about Jinx in general, and more specifically the times when even if it's not as clear, her love for Vi shines through.

I've said this many times but it bears repeating. I am aware that I have been quite harsh on Jinx. The unfortunate reason for most of that is that a significant amount of Jinx fans have an obsession with comparing her to Caitlyn or Vi that borders on the fanatical. But my issue has never been, and will never be with the character herself. I think she is absolutely amazing as a character and loved watching her story unfold.

*I do this every-time but I think it's important. Especially because some of you have shared with me that your own mental health is what has made you connect with Jinx so strongly. I understand and recognize that her mental health plays an immensely important role in her character's journey. I am in no way, shape or form a qualified mental healthcare professional. So any disrespect or lack of sensitivity is not my intention*

Jinx & Vi:

The journey of these sisters is heartbreaking and inspiring in equal measure. It is many people's favorite part of the story and for good reason. They are so close when the show begins and ripped apart by the darkness in their world. Only to fight their way back to one another through love and sacrifice.

But their story is not without conflict. In fact at their lowest point they almost kill one another. There is much that can be said about Vi's love for Jinx, the times she fails her, and those important moments, but I want to focus on Jinx right now.

I don’t have exact quotes on hand, but someone in the community made an excellent point during our discussion. Even when Vi and Jinx are at odds, and Jinx’s hallucinations try to convince her that Vi no longer loves her—that she’s been replaced by Caitlyn—Jinx fights back. She defends who she knows her sister to be, even if she can’t always silence those voices. It’s only pain, fear, or manipulation that pushes her too far, making her lose her grip on what she knows to be true.

During the horrifying sequence when Jinx is being saved by Singed, she hallucinates. And who does she hallucinate in that terrifying moment when she is in terrible pain and in such need of comfort? Vi. Even though she just tried to kill Vi on that bridge. The vision is only corrupted when Caitlyn appears, which all stems from Silco and Sevika feeding Jinx's paranoia.

Okay. I know what some of you are thinking seeing me post ANYTHING about the dinner party on a Jinx positive post. Hear me out. There is no question that Jinx does ALL sorts of fucked up shit here. But we are talking about her love for Vi. What does she want here? She wants things to be like they used to be. She wants her sister. She is in such a dark and twisted state that she cannot see how terrible her actions are, but at her core, she wants her older sister to love her like she used to. She doesn't hurt Vi (I mean aside from the bonk). Additionally, and again- I AM NOT SAYING SHE DIDN"T DO TERRIBLE THINGS HERE- Even with all she did to Caitlyn, she knows Vi cares for Caitlyn, she views Caitlyn as the one who was taking Vi from her, and yet she doesn't kill Caitlyn and she easily could have. This is not about justifying anything she does. It's about looking for what lies beneath the darkness in her to see the person she has the potential to be again.

Here at their lowest moment, when Vi and Jinx have almost killed each-other, and Jinx is glad Vi is the one who is going to finish her, Jinx screams "NO!" when Isha does this. She doesn't want Vi to die.

Vi is at her worst during her pitfighter arc. I'm not going super in-depth on this because this post is about Jinx but Vi is in a self-destructive spiral and totally alone. It's quite clear in one moment that Jinx is there in the crowd but if you slow down the whole sequence you actually see her there a few times. This was primarily what I was discussing with some other people and I believe Jinx was watching over Vi in the best way she could process. I'm sure there was some degree of pleasure in seeing Vi cast out by Caitlyn at first, but with all other signs pointing to Jinx caring for Vi I don't think Jinx was here laughing at her sisters pain. More trying to be there and watch over Vi but with no idea how to approach her with all that happened.

*I fully recognize there is a degree of speculation on my part for this point but I think it's reasonable, feel free to let me know if you disagree!*

With everything that has happened between them, the fact that Jinx comes to collect Vi when she finds out about Vander speaks volumes. There is still much to be worked out between them but she wants their family to together again including Vi. And although I couldn't find the GIF for it, when jinx is in the dark with her lighter after Vi and Vander fight is such a heart wrenching moment. She is clearly so afraid that she has caused the death of her sister, her dad, or both. She cares so much for those that she has left.

Jinx and Caitlyn's history is the furthest thing from simple. But in this moment, Caitlyn cast Vi out, hit her, became the commander and placed Zaun under martial law all because she wanted Jinx (this is not a who is right and who is wrong I'm just making a point), Jinx would HATE Caitlyn. But she knows what she means to Vi. And she just saw Caitlyn save Vander. Jinx easily could have let Rictus finish Caitlyn then jumped in if it was just about saving Vander but she still jumps headfirst into the fight.

In the aftermath of Isha and Vander's death, Jinx could easily have escaped Caitlyn. But Caitlyn tells Vi that all Jinx wanted was to make sure Vi was safe after Vi sacrificed herself to protect her.

Jinx's mindset in this moment is a complicated topic. But I want to focus her feelings about Vi. Vi has come and broken her out of jail, risked everything for her again. And Jinx realizes Vi will never give up on her. Even at great cost to herself. So Jinx punches her and leaves her, and almost begs her to start living for herself. Because she knows Vi cannot give herself that permission. She wants Vi to choose her own life, and to choose love.

Free and clear, obviously Jinx was going to do something horrible but thankfully Ekko talked her down. Even still, she could have done anything. But what does she choose to do? She chooses to ride to war with her people, honoring Vi's faith in her.

And of course, the absolutely devastating final sacrifice (I know she's alive but you get it) of Jinx saving Vi's life when the pain and grief finally overwhelm the fearsome brawler. I have mentioned it many times, but Jinx's core belief is that everyone who gets close to her dies. She thinks she is a curse on all who love her. But in her last action, she saves the life of the older sister she knows will always love her, and who never gave up on her.

I have touched on most of this before but it was just on my mind this morning. I hope I didn't bore anyone. I know there are LOTS of strong feelings about Jinx and like I have said over and over nothing here is about justifying the wrong she did. It's just about looking at those moments that showed her true colors even when she herself couldn't see them. Hope you enjoyed, take care!

[thegildedbee]

{S1/S2} & {S3/S4} Fics: [Questions] .......................................................................

[well, instead of a few thoughts about the "whys" for the Parentlock fic recs that were the point of starting this post, and then a list of and comments about the recs, this turned into a longer meta -- which, we don't really do meta any more, do we, except in passing? fwiw, then, a throwback post, I guess?]

........................................................................................................... I've been thinking some about differences in Sherlockian fic treatments, when comparing the S1/S2 period to the S3/S4 period - in general, this means 2014 as a dividing line, although that's not a hard-and-fast cut-off point: for example, there were fics that were conceptualized or well-along-the-wip-road prior to S3 that carried on from within the earlier canon-space even if they were completed a year or so later; and there were fic authors who were publishing circa 2015 who had shrugged off S3 when it was being aired, and couldn't have cared less about post-S3 [often disputatious] meta discussions/ speculations.* So, by my figuring, 2014-2015 is a transitional phase, with my guess being that it would be late in 2015 when fics written by authors engaging with S3 canon began merging into a critical mass, creating a second, S1/2/3-transformed foundational reference point for many fics going forward -- and, the later in time one ventures, the reference point for most fics.

It's not that I've been wondering/pondering about the differences because I think pre- or post-S3 fics are better or worse -- to say the least :-) I feel positively about fic from both time periods! It's partly curiosity about the writing of fic in the two different creative contexts: in the "before time" or the "after time" of BBCS' post-Reichenbach canon decisions. And it's also partly curiosity about the differences in length that now exist for the two periods: about 4 years for pre-S3 fic -- which will always remain so, along with the amount of fic it contains [minus deletions and disappearances of specific fic] -- and going on 11 years now (and always stretching further, with increasing content) for post-S3 fic.

I think that one impulse prompting my curiosity is the fact that, realistically, at this point in time [the start of 2025] new canon is unlikely to appear. When BBCS was still in motion as an evolving source for its own canon (in actuality and in potentia), fics were brought to life within a contingent canonical landscape (whether authors were adapting to it or subverting it or anticipating it or transforming it or appropriating it or moving at tangents to it). Of course, the canonical landscape was rendered static when BBCS pulled over to the side of the motorway and killed the engine.

What I'm not saying is that fic is in stasis -- it can't ever be, for lots of reasons! One reason is that, as time passes, the world changes, and we change, and what we see when we look at traditional canon changes . . . and so the fandom dynamic of fic evolution continues :-) A second reason is that new people come along to write fic and to comment on fic, and to meta about fic, and their contributions augment and reshape the cumulative corpus . . . and so the fandom dynamic of fic evolution continues :-) A third reason is that, through our encounters with other imaginative realms, old and new (novels and films and series and other enthusiasms) and then with each other, there's a continuous glamouring that shimmers the atmosphere . . . and so (say it again :-) the fandom dynamic of fic evolution continues :-) Even so, I've been a bit wistful these days about experiencing Sherlockian canon-in-the-making . . . which is maybe what's prompted me (?) to return to the ur-source, which, because it's been so long since I've visited there, can conjure up that kind of magic :-) And so I've been doing some weekly mini-wanderings through ACD canon, and reading between the lines in a kind of what's-old-is-new-again-familiar-unfamiliarity that's been rewarding :-) But more on point for this post (ha! if you've read this far you've been wondering, is there a point? . . . ) is a sense I have that re-visiting S1/S2 fic is another way of accessing a bit of a present-day sense of canon-in-the-making, because it is far enough in the past now, and because of the post-S3's-interpolated-foundation-for-fic has itself extended outward so far, that pre-S3 fic can be visited in a what's-old-is-new-again kind of way (S1/S2 has familiar beats to it, but when visiting I somehow feel whisperings of a mrs. hudson-like smile of "but we see things somewhat differently here, dear" :-)

Okay, enough with all the preliminaries! All that being said: So, what's an example? Here's one I've come back to many times: One major shift is in fics where Sherlock is a parent, or is interacting with a child of John's, because pre-S3 means pre-Mary [at least the "Mary the (former?) assassin" of BBC Sherlock] and pre-"Rosie." [It is the case that some pre-S3 authors have a "Mary," but it's a version that's drawn from ACD canon, and, as such, is usually a much more understated presence; re kids from ACD canon, that's a null consideration.]

There are an overwhelming number of post-S3 fics where Sherlock-with-a-child means Sherlock&John-and-Mary's-Rosie under various scenarios. And while there are lots of different Rosie personalities, Rosie plots, and Sherlockian encounters with Rosie, a majority (or very nearly all?) post-S3 Parentlock fics share in this background rationale (more or less, to be sure) even as they play out from there in a gazillion different inventive ways. Pre-S3 Parentlock fics don't have that raison d'etre, of course, and the child characters and plottings that feature in the S1/S2 period have a generally wilder set of imaginings, and their S1/S2 fic Sherlocks have a balance of characteristics that have some subtle differences that I've always found intriguing, and keep coming back to (this can hold for Johns as well, although the emphasis is more pronounced with Sherlocks). Being pulled back into pre-S3 fic and re-visiting it through categories like Parentlock has been another way that I've re-experienced a kind of anticipatory canon-in-the-making . . . ambience? aesthetic? aura? which I've found to be intriguing. I'm not sure that looking backwards has much appeal for others -- maybe (?) In any case, I guess I thought I'd try and puzzle it out for myself by writing it down and not just having it float about in wisps in my mind palace :-)

Well, hey now, as this is an epic amount of wandering about, I think it's time to come to a rather inelegant galumphing of an endpoint! Writing up the fic recs will have to maybe happen somewhere down the road...

(For anyone who has wandered along this far as well: if you have any thoughts you'd like to share about S1/S2 and S3/S4 fic partitioning, or [the futility of?] attempts to re-surface a canon-in-the-making-vibe -- feel free to add them in! If so, borrowing these would allow this post a much more inspiriting way to finish :-)

........................................................................................

*(. . . and of course there were a significant number of authors who left the fandom after S3 -- but that's a fic trend reflection for another day :-)

.......................................................................................

@calaisreno  @totallysilvergirl  @friday411  @peanitbear  @original-welovethebeekeeper

@helloliriels  @a-victorian-girl  @keirgreeneyes  @starrla89  @naefelldaurk

@topsyturvy-turtely  @lisbeth-kk  @raina-at  @jobooksncoffee  @meetinginsamarra

@solarmama-plantsareneat  @bluebellofbakerstreet  @dragonnan  @safedistancefrombeingsmart  @jolieblack

@msladysmith  @ninasnakie  @riversong912  @dapetty .............................................................................................

[hai7ani]

yves!! the kpop anon here :p i dont know if you already got an ask about this, but what do you actually think about bonten trio? a lot of people say they wouldnt get along, but i like to think that they would😭 what do you think?

Bonten trio

Ngl realistically they don't get along well at all. Especially Ran and Sanzu who has had some kind of vendetta against each other going on since Kantou Manji, so I think it'd be hard for them to be in the same room long hours without some stuff breaking out. I do think that Sanzu in general is a very difficult person to handle as well, hence why. There's of course more stuff between him and the brothers that has made them so hostile with each other.

I think this also applies to all of Bonten in general like they're not bosozoku kids who rev bikes and fight idiots who badmouthed about them anymore. They're wanted criminals who kills and trade drugs/weapons/prostitutes for a living, drive million-dollar cars and stay in penthouses all over the world. They live looking over their shoulders all the time.

Extras

Lore accurate Bonten trio?

Bonten trio only came to be because they're the most popular characters in Bonten, but I think realistically the Bonten trio should be Kakucho, Kokonoi and Takeomi. These three are the real pillars of Bonten. One's in charge of money, one's an advisor who Mikey listens to a lot and plans most things since he does have ample knowledge of the underworld, and one's his left hand who oversees most things in the organisation. Think of Mikey and Kakucho as K-Drama My Name's Choi Mujin and Jung Taeju. Sanzu.... he's always off doing his own thing if not serving Mikey, so I don't think he fits into the list, or he even wants to fit in at all. He doesn't like anybody, doesn't get along with anyone.

Kakucho and Ran

Kakucho and Ran have a decent relationship since last time. They're able to sit together and have a drink from time to time, talk about life, but both are smart and clever enough to respect boundaries and not overstep. They are good with words. But one time Kakucho tried advising Ran on something that he thinks Ran is doing wrong/going off track and Ran got pissed. But they don't argue/go back and forth like Rindou and Kokonoi would, like in Helheim where they quarrelled in front of everyone because of a girl. Instead, a lot of passive aggressiveness and stern tones are used between the two. Sharp mouths and clever minds at work.

Rindou

Rindou doesn't care about anything. I've thought of this before and I really can't see Rindou being involved in the organisation as much. I do think that he tried leaving Bonten after witnessing Mikey kill someone (during the shift from Kantou Manji to Bonten after their win in the Three Deities) and realising the weight of all this, but couldn't, so he stayed, but he doesn't like it. He has the mentality of "I didn't ask to be here, so why should I care?" Something like that. He was only dragged into Kantou Manji/Bonten because South lost.

Kokonoi and Kakucho

Kokonoi and Kakucho have a strict business-only relationship. Other than organisation stuff, do not fucking talk to me. But they're cool with each other to say the least. Nothing wrong with each other.

Takeomi (and Kakucho)

Takeomi has that relationship with everyone but he and Kakucho are the closest/have the most interactions because of their positions (even though it's also pretty clear that they don't fancy each other, Kakucho only entertains Takeomi because he knows how to separate work and personal, Takeomi can't). But even so, Takeomi picks fights the most, probably because of his age multiplied by his position that he thinks it's no problem to order the executives around.

I love this specific panel in chapter 212, I really liked the way Kakucho talked to Takeomi here, like damn Kaku you're quick with it 😮‍💨😮‍💨😮‍💨

Rindou and Takeomi

Rindou thinks the guy has a special vendetta against him because he keeps biting on Rindou at any chance he gets.

Rindou and Kokonoi

The two have nothing to say to each other. The two might be tied together by some stuff that requires Kokonoi's help since he's in charge of finance, but Rindou thinks other than that he has nothing to talk to with the guy. All of them in general have had interactions with Kokonoi because of this reason. He's a cool guy, but it's strictly business-only (no money no talk) with him.

Mochi

As for Mochi...... I don't know honestly. I don't know much about him because his aura in Tenjiku and his aura in Bonten are completely different. No backstory given either like ZERO. All we know is that he used to fight with the Kawata Twins before Tenjiku and he's a fucking beast. At least for the Haitanis they have delusional-enough fans to make things up. But for Mochi???? Can someone share us some thoughts... I'm not in that radar 😭🙏🏻

Mikey

I don't have anything to say about Mikey because I still don't understand his mind even after rereading the manga. Like. I don't know if it's accurate to say that he doesn't care? He lets them handle things their own way, which to him is considered very lenient (he can be more fearful if he wants, but he doesn't need to, because the others already know better than to get cocky around him) and only gives out approvals. Maybe if he wants something or a certain territory he'll give out orders. But he still has his own methods for handling certain stuff. I like to think that all of them are constantly trying to live under his radar so that nothing troublesome happens. For example, they're handling some stuff, and the one thing they always say as a reminder (either to each other or to underlings) is to "make sure Mikey doesn't know about this" or "make sure you're doing it right. You don't wanna piss Mikey of." Just something along those lines. They won't involve Mikey for petty stuff

Lol i know anon only asked about bonten trio but i wanted to take the chance and talk about the others too. Lmk if yall have any other thoughts lets chatttt

[m-to-z-andbackto-m]

No you don't understand, it's not just a hyperfixation, IT'S LITERALLY THE REASON I'M FUNCTIONING 😭

I don't like staying hungry or eating when I'm not sure if I'm hungry or bored because Horror exists, he's been through a famine, tf am I doing???

I get upset about my hypersomnia and I try really hard to not to let it happen because many skeles are associated with narcolepsy

I'm pretty sure consuming skeleton content cured my depression over a few years???

God, I'm literally so dependent on them, I LOVE THEM SO MUCH THO!!!

I try to avoid toxic behaviors when I can identify them, and it's easier to because Nightmare is a toxic guy canonically, I've consumed enough content to know what's right and wrong in the long run

On the other end, seeing content where one or more of them gets comfort helps me navigate some situations because generally I'm not amazing at giving comfort

They also have me think about my philosophy and general beliefs, a lot of them have been done wrong so they do wrong, therefore I believe we should always try to understand each other because communication can avoid huge issues (DreamTale), and I think it's okay for people to take revenge, even to the extent of killing an abuser if the circumstance just happens to be that way (I'm not gonna specify what irl situation I'm thinking of but I do not advocate for murdering people in general guys, but it's only fair to see the motive, people aren't born criminals and sometimes the extreme feels like the only way out one way or another. Essentially, see people for more than their crimes. Of course some people are just disgusting assholes, but you get the idea.)

Having to memorize the lore and world building, along with creators, characters, interpretations, AND variations, doing all this helps me practice organizing thoughts and articulating difficult information

They actually boost my creativity and keep me happy, when I'm stressed, opening Tumblr to my favorite sillies literally takes my mind off whatever was bothering me, like I actually need them to lower any anxiety levels and keep me regulated

However on the downside they can make me very hyper, sometimes so emotionally so that I shut down for a bit because I physically cannot express my adoration for them and it's overwhelming but I never shut down for too long, I love them, they keep me going y'know!

They help me explore diversity and character writing, putting depth and thought into a being, helps me with my own creations <3

Actually, I'm too shy to look at × reader/self insert/(Y/N) content most of the time unless it's platonic (Might just be me being aromantic honestly) BUT I Have seen stuff where they affirm body types and "Flaws" and stuff like that and I think if I was less of a prude I could look at that stuff and it'd make me feel better about my insecurities, but for now my partners are doing a good job at keeping me normal

Essentially I just need all my sillies to work properly!!! 💕 (I'm so sane, and normal, and not senile about them :3)

(CW For Next Bit: Mental Health, Paranoia, Panic Attack Discussed)

Actually about that, my obsession with the skeletons used to be SO bad that I felt like they were always watching me and my brain would involuntarily make me feel paranoid and bad about myself (Possible ODC symptom where you're afraid of being judged for your thoughts/actions?) and I can't tell if it was a panic attack I had a couple years ago where I couldn't keep caring what they "Think" and I just had to scream and sob because you literally can't hold it in during one (If it was this, I guess I sorta pushed them away D:), OR my partners replaced my brain sillies so I feel them to a lesser extent

(Insecurity, Self Care Issues, And Gay Talk 😭 Oh and also mention of paranoia again but not so bad)

Like it used to be so bad I couldn't get up because I felt yucky, but I couldn't take a shower because they were "There", but now it's like, if my partners are my brain sillies, they like me, we'd probably take showers together when we live together and shit like that, it's okay if they're "Watching" me, actually, they're actual people somewhere else, doing something else, they don't just exist because I think of them the way the silly skeles do, they're actually defined and aren't actually around, it's just me thinking about them, it's okay, I don't have to feel so bad or weird about it, of course I still do a bit because insecurity is hard to scrape off, but I think I'm getting a little better and that's all that matters

Anyways point is, I need my wives, both skeletons and real, to function properly or I'm literally DOOMED

[ropebunnykant]

There's one line from ep 10 that I don't think we, collectively, spent enough time on, and that's Kant saying he used to get scared working for the cops cos he was on his own and nobody had his back, because isn't that utterly devastating if you really think about it?? We still don't know how old he was when he started being a 'narc', but he looks quite a bit younger in the flashback, and we know he was being put on cases involving significantly more dangerous criminals than some chancer car thief, so now I can't stop thinking about a college-aged Kant, with the weight of the world already on his shoulders, thrown in at the deep end, all alone, having to fend for himself amongst hardened felons who'd kill him in a heartbeat if he got rumbled, with no training or back-up or anything but his wits to protect him and nobody looking out for him...it breaks my heart! Also, him admitting to Bison he was scared is a big step for him and another show of trust - it's such a brief but sweet and vulnerable moment. I so badly want a prequel that explores both the brothers' upbringing and training and, mirroring that, Kant's first encounter with the Captain and the subsequent development of their fucked up relationship (and then throw in Kant and Style meeting and becoming friends for some light relief amidst all the trauma and grooming!). I know that's what fic's for, but it's just not quite the same!

I'm one of those ppl who are 100% convinced a) the preview is being upfront and b) they're going to jail, but on a reduced sentence after Kant makes some sort of deal which includes giving them a last day together. Which means I think the actual assassin plot will be wrapped up in ep 11 and then ep 12 will be a time skip and them getting out of jail and basically just a bunch of relationship/couple stuff (weddings!), and I'm not sure how I feel about that, because while it is a romcom and has always been more relationship than plot/hitman-driven, it would seem rather a rushed and anticlimactic way to end it, and would make the stakes going into the finale incredibly low. But equally I can understand them wanting to spend a fair chunk of time on happy lovey dovey shit, so I'm torn. I actually think this is the rare show that could have benefited from being a couple of eps longer - that way more time could've been spent fleshing out some of the side characters/plots, e.g. more time spent on Keen, on Babe, on the general hitman shenanigans but especially them finding out about Lilly and the fallout from that, on dealing with the Captain in a satisfactory manner (aka him getting his ass whooped!), maybe even on the Fadel/Kant dynamic and them realising they're basically the same person! As it is, I don't think there's been much in the way of filler so it's not that there's really anything they could have sacrificed... I just think that if something as light on plot as We Are could get 16 eps (absolutely not a dig! just a statement of fact! and I guess their eps are shorter), then surely a show with as much going on as THK could have been afforded the same! But oh well, it is what it is, and at least each ep is nice and long! Basically I'm just being greedy cos it's starting to sink in that it's almost over and I really really really don't want it to end! I want to spend another three months with these characters in this world! Nay, not three months - three years!

anon i am literally kissing you on the mouth for bringing this up because i've watched the episode twice and both times i clocked that line and thought "oh i've GOT to make a post about that" and then proceeded to totally forget by the end of the ep because there's literally so many fucking things going on in ep10 that are juicy and delicious and make my brain itch, ESPECIALLY related to kant, but GOD does that line deserve to be talked about

like god, everything you said. i definitely figure kant had to have been really young when he got caught. the age i've used in both my fics that mention it is 24 and i do think it's exceptionally poetic if that IS the age he was caught, given that's how old bison is now (tho that wasn't even my initial intention with that but now i'm hooked on that thought sdkjdf). however, i do remember in the early eps i also theorized that the reason we all saw that flashback and though "yok!" was purposeful because yok in not me was college aged. not to mention we can't see any of his tattoos or where they would be, and while that could be because he was purposefully covering them to avoid identification, it's also entirely possible that we're again meant to register that this is a much younger version of kant. and given that we now know that kant was quite literally a child when their parents died, i again think that adds as evidence to him having been very young when he got caught.

and it's just. god it makes sense he was scared. he was just a kid, he was trying to take care of his brother, and he had no other options. he stole cars, he sold them to take care of babe, and then to keep himself out of jail he had to continue dealing with dangerous people. people that could hurt him, people that could take him away from babe anyways. it's no wonder he was scared! and god it's the subtle admittance that the captain never gave him any fucking help, either. he sent kant out on these dangerous missions with no resources, no help. he got a fucking college-aged civilian to do his dirty work and didn't even bother to make sure he felt safe. like i think about all those times the captain assured kant halfheartedly that he would never let bison or fadel kill him, and yeah we knew he was lying then, but now we know kant never believed that, even before he was dealing with assassins. and god it's just so heartbreaking. thinking about young, terrified kant, doing these missions because he has no other fucking choice and not even being able to have the surety that someone was looking out for him.

kant has been looking out for babe since he was a kid, but he hasn't had anyone looking out for him since he lost his parents. and i'm so glad he got to hear bison say that he has his back now because god he deserves that. someone that's gonna have his back, someone that cares about his agency and safety more than anything else. and bison is doing that tenfold.

as for the other stuff, i've already said a few places that i think the preview is misleading. i'm more than fine with being wrong, since i do think the "being happy today" thing could apply to either before an attempt at killing lilly or before whatever shady deal they make with the captain follows through. but i am still thinking it'll come first in the episode. however, i do not think for a second that they're gonna be able to kill lilly or that they're getting jail time. especially cause it doesn't make sense to me that kant would look so panicked and frantic in the promo if they had actually managed to succeed in their mission. i absolutely think something is gonna go wrong and lilly is gonna walk free that day, which is what kant is gonna leverage for the shady deal because christ always wanted lilly above fadel and bison. he could have gotten them in prison at any point, but he wanted kant to find out their boss and i feel like that was emphasized on purpose. so i think if they're gonna help him take down lilly, i can absolutely see him agreeing to let them go. and if kant's the one making the deal, i can't imagine him walking away from the deal with anything less than the brothers getting off scottfree. like tbh? i think kant would offer to go to prison himself first before allowing fadel and bison to serve jail time. he promised he was gonna get them that life they want and we know kant's main love language is sacrifice! like do i actually think kant is gonna serve any jail time? no, but i can absolutely see him offering it, and again, i don't think he'll settle for anything less than them being let go

i'm not 100% on if the assassin plot will be wrapped up in ep11 or not - my guess is that it'll be more a mid ep12 wrap up just cause there's clearly so much going on next ep, but i can also see it wrapping up next week and then ep12 being more of an epilogue. and i do absolutely agree i think this show would have benefited from a couple more episodes!! like i think there were a lot of things that could have been fleshed out better if they were given the chance. it's not a complaint for the most part, since there are very few things i feel like NEEDED more, but i do think certain things could have been better for it if they did have extra time. i would spend forever watching these characters tbh if they let us skjdfhskjdf

[the-library-of-forgotten-endings]

do you have a favorite mirror world/id of yours? a least favorite? (or if you want to just talk about your favorite, as the muse, feel free.)

Ans: My favourite would be my tingtang id. Sinclair and I dance together, apparently, ahaha~!

any id you'd think would be fun to have personally?

Ans: I *really* wanted a Cinq id to match with sinclair, but Dante couldn't extract it... hmph, I wanted to duel alongside with him in battle...

what your favorite/least favorite abnormality that you've either seen or faced in battle?

Ans: Well, they all kill you the same, don't they? But if I had to pick, maybe Pink Shoes, because it's the cutest~ oh, and blubbering toad as my least favourite, it got water all over my hair

would you say you're particularly close to anyone in your branch? is there anyone you'd like to get closer to?

Ans: I'm closest to Sinclair, but I'd like to get closer, teehee~

on the contrary, anyone you particularly don't get along with? anyone you can't really stand?

Ans: ...Heathcliff. I still haven't forgiven him for what he did to Sinclair. Better watch your back, heath~ ❤

why did you join the company? if you don't mind disclosing.

Ans: Well, I didn't have anywhere else to go.

what experiences do you believe make you a good fit for the company? or, do you even believe you are a good fit for the company?

Ans: I don't know, I'm not used to this sort of grunt work... I guess determination~? You'd have to ask faust or something.

do you think you've changed from the person you were when you first got hired? in what ways?

Ans: Well, I met Sinclair, so I've definitely changed! <3

if you could resign from the company, would you? (not that you can, just curious what you'd answer if you had a choice in the matter.)

Ans: I wouldn't resign and leave sinclair alone, but if he resigned...? Hm...

in general, what do you think of your job here? do you like it?

Ans: It's fun~ Kinda violent, and it's really gross getting blood and guts on myself all the time, but I got to meet sinclair, so it's not all bad

anything you particularly dislike about the company?

Ans: Why is everything so obtuse? Surely there's no need to be so secretive. Faust, if you're reading this, do try and open up

what would you consider to be your own "weaknesses"?

Ans: Well... I guess I'm the type to not see what's coming until it's too late.

which do you find more appealing: working on your own, or working with others?

Ans: That's a toughie~ Both solo and group performances can be equally captivating. But... I think a stage is less lonely when there's other people with you, no matter who they are

how would you describe yourself in a single sentence?

Ans: The best, most talented idol~★!

what do you think about your home district? anything you liked there?

Ans: ...Don't ask me that question again.

favorite dinner place? what's your favorite thing on the menu there?

Ans: My favourite is naan and lamb curry... hahh, i could go for a plate right now.

would you rather fight 1 horse-sized duck or 100 duck-sized horses?

Ans: A horse sized duck can't be any more dangerous than an abnormality, right...? I'll pick that, then.

heard we're having a company potluck soon. what are you planning on bringing? (if… you're bringing anything. you can admit you don't have anything. it's alright.)

Ans: Samosas, because they're tasty and I don't think anybody else would have trouble eating them.

i give you the classic trolley problem. what's your answer?

Ans: Which trolley is sinclair on?

what do you do in your free time? (whenever you have it, that is.)

Ans: Mostly practicing my dance and vocal routines. Talent takes work!

OC - Rambha, Sinner number 13 (Weapon: गाना)

LCB interview(esque) questions

[ note: these questions were made with Limbus Company OCs in mind, but technically these could be for any OCs ]

[ meant to be answered in character, as if answering questions from an interview. you can twist the questions to be 3rd person if you wish, however ]

do you have a favorite mirror world/id of yours? a least favorite? (or if you want to just talk about your favorite, as the muse, feel free.)

any id you'd think would be fun to have personally?

what your favorite/least favorite abnormality that you've either seen or faced in battle?

would you say you're particularly close to anyone in your branch? is there anyone you'd like to get closer to?

on the contrary, anyone you particularly don't get along with? anyone you can't really stand?

why did you join the company? if you don't mind disclosing.

what experiences do you believe make you a good fit for the company? or, do you even believe you are a good fit for the company?

do you think you've changed from the person you were when you first got hired? in what ways?

if you could resign from the company, would you? (not that you can, just curious what you'd answer if you had a choice in the matter.)

in general, what do you think of your job here? do you like it?

anything you particularly dislike about the company?

what would you consider to be your own "weaknesses"?

which do you find more appealing: working on your own, or working with others?

how would you describe yourself in a single sentence?

what do you think about your home district? anything you liked there?

favorite dinner place? what's your favorite thing on the menu there?

would you rather fight 1 horse-sized duck or 100 duck-sized horses?

heard we're having a company potluck soon. what are you planning on bringing? (if… you're bringing anything. you can admit you don't have anything. it's alright.)

i give you the classic trolley problem. what's your answer?

what do you do in your free time? (whenever you have it, that is.)

[ divider credit ]

[doueverwonder]

Indiana became a state in 1816 aka the Year Without Summer; and while it didn't become a state until December of that year I will be using this for 2 wttt Indiana hc;

A. Indy is always cold, main reason he's the premier hoodie thief in the statehouse.

B. because it was such a horrid year for crops Indiana, who I think was about ten physically when he *popped* into existence, spent their first while on the planet rationing food & regularly going to bed hungry. This developed his lovely habit of hoarding food, and being the worst offender when it comes to the "you're not leaving the table til you've cleaned your plate". None of these habits were helped by the fact that (according to me) he was raised by Virginia who is the same way because of the Starving Time.

[sskk-manifesto]

Osamu Dazai and the Depressing Era

[royalcommunistthor]

#i think it works better this way but my point is that it's left the fandom fighting over this topic for the rest of our lives.#i've seen 'they thought he must be the traitor!' as evidence of the bullying but he was. he literally was. that was the plot of the movie.#i mean yes it shows distrust but i for one distrust that fire isn't going to burn me if i stick my hand in it again. u know??#and as a fan of problematic little shits who cause problems (affectionate (mostly)) i prefer it this way anyway.#also yes (re: tags) it's like everyone just forgot loki's second in line for the throne and a flu epidemic away from being king.#you'd have to be fucking stupid to pick on him in such a way that he's aware of it. he *is* going to be able to kill people at some point.#he's at the very least going to be the king's most trusted advisor & friend everyone knows this and wiill be buttering him up already.#in what mad world will sif ever be powerful enough to bring down loki before he just has her executed for some made up reason?#oh thorrrrrrr i hate to tell you this but your friends are doing a treason. yes i have evidence. shall i torture them till they confess? @nostalgia-tblr

to be fair i think the split between w4 & heimdall being suspicious of loki and implying that he's done shit like this before vs thor & the parents being oblivious kinda works because idk i think it's fair to assume that loki hasn't been outrightly cruel to his actual family - thor also doesn't really think he's been manipulated even after the fact (he's blond, pls forgive him). i think the initial w4 conversation after thor gets banished in thor1 is quite interesting because it's clear that sif and hogun are far more suspicious of loki than volstagg & fandral - who kinda think he's a trickster and a prankster but that he'd never go as far as ALL THAT. and again, people suspecting you of things YOU VERY MUCH DID DO is not you being a scapegoat.

literally loki:

now i'm not saying mcu movies aren't poorly construed in general because they are and the characters are criminally underwritten. it's all incredibly tropey and they very much rely on character archetypes. character a (sif and the gang) knowing loki is a sketchy asshole while character b (thor) doesn't/thinks it's not that serious. this fandom jerks off to kenneth branagh a lot (which is a sack of shit i'm not even gonna touch in itself) but somehow doesn't seem to realise this is the set up for othello - some characters think iago's a lying snake while othello trusts him deeply and othello's own insecurity (& 'otherness'which obviously isn't the case with thor) opens him up to iago's manipulation. branagh himself said that loki is based on iago. this is like as character archetype™ as it gets.

the thing is that 'the second son' is also an archetype - with several ways of utilising it; we got second sons that are favoured over the actual heirs, we have sorta overlooked spares (2nd post important person in the country....tragic) that want papa's approval (ding ding ding that's mcu loki) and we have wronged, ostracised second sons - these are often othered in some way either by birth (illegitimate, son of a 2nd less important wife etc etc ) or body (disabled, injured or just fuckugly i've seen it all etc) -> this is comic loki in a lot of the comicbook series (in some he's more like a ward/hostage prince than an official adopted son even). mcu fandom just projects the latter onto the former, which is hilarious because so much of it is like....directly disproven in those movies, like don't get me wrong, they're overall not great movies a lot of the time but...i mean, COME ON.

I have noticed one thing. Loki has beef with everyone who is remotely close to Thor. To name a few - with Sif, with Warriors three, with Heimdall, with Jane Foster, with Earth, with Alligator Loki. I can't wait to see the dynamics between Loki and Love.

LOKI DOESN'T SHARE!!!

when thor and loki first got introduced to other children as little kids it activated a rabies virus in loki and he's just not been OK since.

SAME kids are so fucking funny AND THEY ALWAYS GO FOR THE JUGULAR so I personally would love for us to be treated to gems like "if you're Thor's younger brother how come you're almost bald?" and "green is NOT your colour"

[marypsue]

Yanno what, I like high fantasy just fine, but the older I get and the more I read, the more I'm starting to think I like high fantasy better when it's in-universe fantasy fiction for a different story instead of like. Me, directly reading/watching/etc it.

[theood]

Sorry to beat the dead horse I live in lately but I'm so tired. A break from social media probably could help. If I figure out how else to occupy my time doing absolutely nothing. It's what I say every fucking day. Just wish I had friends. People my age around here to talk too. Even younger. Anything. I'm so fucking lonely. I love everyone I talk to online, I have meaningful connections with so many of you but I also haven't had meaningful conversation IRL in idk. Years probably. I haven't seen any of my old friends because we moved and I had to isolate myself because no one really wanted to hang out with me or could get here. And I really don't do anything, I can't be stressed. I can't be depressed I can't. I can't. I can't. Just like every adult in my life says. I don't know. I just wish I could actually see it's going to get better. Be better for me

[omegapheromone]

I would do anything to get Star Railed by the fine men of this stupid money scam game

[alexanderwales]

This is a water-seal stoneware crock. The design is ancient.

It is, essentially, a large ceramic vessel that you put vegetables and sometimes brine into. To prevent spoilage, you place those ceramic weights on top of whatever food is in the crock, and that keeps them weighted down, below the level of the water. Because fermentation creates gases, most crocks have a "water groove" in them. The lid sits in the groove, which allows air to escape but not come in. Because fermentation creates gas, the interior of the crock is positive-pressure, and because the gas created is almost entirely carbon dioxide, it's a low-oxygen environment that additionally helps prevent spoilage.

And all this would be pointless without lactobacillus, the bacteria that chomp down on the vegetables you put into the crock. They're anaerobic, which means totally fine without oxygen, and they produce an environment that's inhospitable to most other organisms. The main things they produce are CO2, which means no oxygen for other bacteria, and lactic acid, which makes the fermented thing sour and also decreases the pH low enough that many other bacteria cannot survive. They tolerate high levels of salt, which kill yet more competitor bacteria. It ends up being a really really good way to keep food from going off.

Our ancestors figured this out thousands of years ago without knowing what bacteria were. This general ceramic design has been in use around the world in virtually every place that had ceramics, salt, and too much cabbage or cucumbers that was going to rot if they didn't do something about it. It's thousands of years old, so old that it gets hard to interpret the evidence of the ceramics.

And I have crocks like this in my kitchen, where I make my own ferments, and I always think about how beautiful and elegant it all is, and how this was probably invented hundreds of times as people converged on something that Just Works.

(I do have pH testing strips though.)

[moe-broey]

Oh. Huh.