#I have more thoughts but these are the only coherent ones

[astrologysaysno]

I keep giggling at 1 am in the morning about the idea of an A/B/O SVSSS Au where Shang Qinghua is an omega but absolutely sucks at it.

So imagine that he's presents as an omega, but to Shang Qinghua, he can't seem to feel it. Everyone else seems to feel his 'omega-ness' when he presented, so it's probably just him that can't feel the change. The system himself said that he was an omega (A/B/O was never canon, so Airplane wouldn't have thought about what secondary gender SQH was) so he just has to roll with it.

The rest of his story is just him flubbing and epicly failing at this whole Omega thing. Even his system has given up.

His Non-A/B/O first life as Airplane has left his brain incompatible with his body, the motor skills and instincts that you're supposed to have going with your secondary gender are out of the picture, it is not built into his mainframe, so he's basically a de-facto beta with extra no second gender psychologically speaking.

His superiors are keeping a wary eye on him, his fellow peers a wash of mixed reactions to his overall behaviour, worried about who he is and his complete disregard for norms or basic instincts.

He appears completely scent blind to pheromones, nor does he seem to be able to control his own. His master remembers a time where he was the unfortunate victim of two aggressive alphas fighting in the dorms, causing so much havoc they ended up breaking his inkbrush.

The scent from him when it broke was so acrid and sharp they immediately ceased, though he seems to be none the wiser, acting in his usual cowardly manner while shakily asking them to stop.

His martial brothers have never seen him nest in all of the years he's been on the peak. Not a single piece of clothing, not anything comfortable. He simply had a single pillow and a blanket for cold nights as he dozed off. It doesn't help that he avoids everyone like the plague, so even if he tried, he didn't even have anything to build one with

(The system tried to give him the task of making a nest, and he completely misunderstood, building an actual bird nest on his mattress. The system decided not to give nor take points, simply choosing to shame their host for this stupidity. Shang Qinghua keeps it by the windowsill, a memento for unintentionally spiting fate and living.)

In comparison to the rest of his fellow An Ding Disciples, he's antisocialism incarnate, zero bonds that connect him to anyone. (Shang Qinghua can't afford that, not unless he wants the weight of people on his conscience when he betrays his sect.)

It's kind of like that one classmate everyone is familiar with, but no one actually knows them. They just see him in class and forget the rest. He's scarily competent in group works and is capable of working with people, but he's never gonna respond to your text to hangout after the project is submitted and graded.

His master sees this as a detriment. How is he going to be able to have healthy relations with his future pack as a peak lord if he can't seem to get the initiative to actually communicate and bond with them.

So he coordinates a trial run with the Bai Zhan and Qing Jing Peak to help their own head disciples get a grip. A mission to be given to them to get them to open up and become closer as friends.

It backfires tremendously, only ending with the three of them becoming more prickly or antisocial. Only the most formal of greetings will ever seem to come out of Shen Jiu's mouth now, barely hiding his sharp demeanour. Liu Qingge seems to be at least willing to talk to others now, but his relation ship to the future leader of Qing Jing has now soured.

And Shang Qinghua is now more apathetic to the idea of bonding to his future pack, rathering to become completely detached from them.

(Shang Qinghua is destined to be a traitor, so why should he allow himself to experience the cruelty of betraying someone he cares about. It would be kinder this way)

[Love the fact that I just went absolutely everywhere with no coherent thoughts. Enjoy the word vomit I guess.]

[gassymasky]

The Gladiator: Part 2 (18+) Warnings: Rough sex, gay, power dynamic, alluding to punishment, angry sex

I sighed as Maximinus tried, once again, to tempt me into sleeping with him. The prince, noticing my lack of reaction, smirked and decided to step it up a notch.

"Fine," Maximinus says as he undresses. "I hope you don't mind if I join you. It's oh so hot outside." He slips into the bath and he obviously sat next to me. Brushing his pristine, smooth skin against my tan and scarred body.

I could already see he was hard through my Murmillo helmet. The prince, noticing my wondering eye, licked his lips as he went to pour the wine. Making sure to bend over wiggle his hips to show off his plump ass for good measure. He felt that if he just kept teasing he'd soon have me in his grasp.

"I do hope your thirsty," he says as he sit back down and hands me a goblet of wine. "It's from my personal collection. Now why don't you take off that stuffy helmet?"

As he reached for my helmet I gripped his wrist. Maximinus grinned at my reaction. He always knew how to push my buttons.

"Aw come one?" He teased in a sultry voice. "If you continue wearing this I might never see that pretty face." A wrestling match insues as he tries to wrestle my helmet from my head. If it were anyone else I would've killed him but this was the prince. Doing that would only serve to have ME killed.

Maximinus took the chance to rub against my body to distract me before getting a good grip on my helmet.

"Let go," I growl from under my helmet. "You first," the prince teases.

Eventually he manged to pry my helmet off and sending him falling into the water. As he stood back up and wipes the water from his face he sees it. My face.

From my shoulder length black hair to my shimmering blue eyes. My sharp features and stubble gives me a rugged beauty. A scar runs from my right cheekbone down to my chin. All this, combined with my tan muscle, made Maximinus lick his lips.

"Well," his voice low and sultry. "I hoped you be handsome but you've exceeded any standard I had. Now," with that he bends over the edge of the bath and wiggles his hips. "How about you please your prince, wouldn't wanna punish you now would we?"

In the anger and frustration of having my helemt ripped off I decide to give him what he wants. Grabbing his hips roughly before thrusting into him.

"Fuck!" Maximinus cries in pain and pleasure but I don't give him time to adjust. My thrusts snap forward roughly and slam against his prostate as I spank him.

"You like that?" My voice rough with anger and lust. "You like having my dick reshaping your slutty boypussy don't you?"

Maximinus couldn't respond as moans and whines stop him from speaking. The pleasure making it impossible to form a coherent thought let along string together a sentence. I chuckle at this as I rain spanks down on him. One of my hand shoot up and entangle in his hair to pull him back roughly.

This snaps him from his haze and he begins begging. "More, more," his breathy moans fueling me on. "Ruin me my champion! Claim me as your prize!"

My thrusts grow more erratic as my shaft throbs. The prince, noticing I'm about to cum, pushes his ass further into my thrust. With a final, hard thrust I flood his ass with my semen. I growl deeply as he whines.

After a bit I pull out of him and sit back in the tub. I watch as Maximinus reaches down and scoops some cum from his gaping hole and licked it up.

"Not bad," his voice hoarse and breathy from the pleasure. "We'll be doing this a lot more often."

[literary-illuminati]

2024 Book Review #63 – Saga, Book 1 by Brian K. Vaughan and Fiona Staples

I first starting reading Saga a literal decade ago (I think literally because Rachel Maddow recommended it on a podcast? Which, god, what a 2010s sort of sentence). I absolutely loved it at the time, and read intermittently until it went on an extended hiatus. So extended, in fact, that I’d kind of assumed the series was dead and only learned it had restarted a couple years ago quite recently. So, seeing as I am now in need of a new comic, I figured I’d restart from scratch and work up to the new stuff. It holds up! (and the letters to the editor are a fascinating cultural time capsule).

The series follows Alana and Marko – star-crossed lovers who eloped together from opposite sides of a brutal and galaxy-spanning race-war – and their newborn daughter Hazel as they evade the numerous forces trying to see them all murdered before than can become an embarrassment. The first arcs of this are most one long blind panic finding transport off-world and only afterwards deciding upon a destination, it’s only in the last volume (with the pointed assistance of Marko’s parents) that there’s any thought of finding stability or a status quo. Along the way, both the family and the series collect a wider and wider circle of colourful hangers-on – and the narrative begins switching focus to give real narrative focus and character arcs to three different groups that find themselves tracking down the family. None of them are particularly happy lives, but they all make for very compelling drama.

The best way to describe this is I suppose a ‘science-fantasy dramedy’. Which sounds viscerally and violently wrong, but the comedy and the drama are both absolutely vital motors keeping it running. And this is the incredibly rare work that actually makes them work together seamlessly. It’s an incredibly vulgar book in a dozen different ways, but the characters are all plausible and compelling, and once you have granted the slightly contrived explanation for why both governments care so immensely about Marko and Alana the plot coheres enough to never take you out of the story. Which is helped by the pacing being fast and tight in a way that always kept me (at least) engaged. I do deduct points for the wise author character basically looking directly at the fourth wall and saying ‘and the profound message of my work is-’ (moreso because said message is truly eye-roll-inducingly vapid and dumb, granted), but that’s easily forgiven.

The comedy was...more hit-or-miss. There is a lot of clever wordplay and funny, high-context character beats. There are also a bunch of just absurd or striking visual gags or background details that really work. And then there is the giant with balls so big and hideous that they almost crush someone to death.

It’s been said (by people with far more knowledge of and investment in the medium than I) that mainstream American comics are these incredible wells of repressed sexuality – full of physically implausible women dressed for a burlesque and with panels framed by a particularly sleazy tabloid photographer, but oddly coy about actually talking about or including sex itself. Which tracks with my limited experiences, but might just be bullshit I don’t know – what I do know is that Saga is basically the exact opposite of that.

Which is to say, this is an intensely sexual comic, but an atypically non-sexualized one. Which is a bit of an odd distinction, but compare how Saga shows an uncensored orgy and how any given artist at a con draws prints of Power Girl and you’ll get the idea. This is on balance a very good thing, occasional junior-high-level visual gags and gross-out humour aside. Sex is a part of life, of varying importance to different people but something present and shaping the world regardless (and Marko and Alana very much do believably seem like a couple that’d have a kid together without a huge excess of planning beforehand).

Aside from Alana, Marko and Hazel (and hangers-on including a phantom babysitter and Marko’s somewhat-approving parents), the various groups hunting them get a really surprising amount of page-count – The Will, Lying Cat and Prince Robot are all basically main characters in their own right, and Gwendolyn, Sophie, Upsher and Doff aren’t fair off. It’s an immense accomplishment that a series of 28-30 page comics manages to bounce between so many characters and always keep them all moving, both physically and emotionally. (The character work and character design of this is worth at least the price of admission on its own, really).

The thing that most makes me love the comic is, I think, how it will introduce characters and tell you explicitly they are murderers and monsters – and then show them struggling and risking their life out of guilt or altruism or love, show them falling for people and being part of rich social worlds, show the trauma and baggage and shitty relationships that made them who they are. Make you care about them and root for them, want them to accomplish what they need to to get a happy ending – and then have them destroy something or kill someone else you’ve grown to care about. Aside from the really obvious stuff about intolerance and war, it’s one of the most consistent themes of the series that monsters have lives and loves too, which is frankly something I wish more stories (and just, people) took to heart.

The setting is glorious, in a ‘mural on the side of a stoner van’ sort of way. Laser guns and spaceships that are giant flying trees, a kingdom of robots with TVs for heads and the planet-sized egg of what’s basically a living black hole – nothing that’s designed to bear scrutiny, but endlessly inventive and evocative and clearly very fun for the artist.

The most striking thing is that – even for now, let alone fucking 2012 – the comic is just incredibly diverse. Even leaving aside the really weird or cartoonishy exaggerated species there’s more diversity in body type and silhouette in one crowd scene of Saga than in most Hollywood movies I’ve seen recently. Same with race and sexuality—the whole setting seeming functionally queernorm except for the one couple whose character arc requires that they come from Planet Homophobia is slightly eyeroll inducing but again, compared to the early 2010s norm it’s soaring so high above the bar you can’t even see the ground.

So yeah, have fallen entirely back in love with it. Can’t wait to start in on Book Two.

[mtvjedi]

can i complain about gladiator 2. i’m gonna!!!! here is your official spoiler warning!!!!!

i knew frankly nothing of the plot before i went to see it i ONLY saw it because of pedro pascal and paul mescal (and denzel) so in that sense it was a good movie. in all other senses it was…………. well……….. a movie. why was lucius beat for beat maximus from the original movie but written worse. birthright stolen from him, wife murdered by the roman army, forced into being a gladiator due to the whims of powerful men, eventually becomes Thee leader of the gladiators, overthrows the current emperors/government/etc. except we have the added “plot twist” of him being maximus’ son AND marcus aurelius’ grandson. double nepo baby. i say plot twist because it was obvious to probably literally everyone who knows even a tiny bit about the original movie.

it is very obvious that they cut basically everything important from the plot because nothing connects. the ONLY plot line that has any kind of follow through is denzel’s so no shock he was the best part of the movie. side note i knew once they cast him that he wasn’t going to be playing some silly goofy mentor character so him turning out to be more important wasn’t surprising but his true motivations were and, again, the only coherent plot line in the movie. he was a slave, he bought his freedom, he got rich, and he did what he had to do to get his revenge. his and paul mescal’s relationship was the most interesting one because you were a slave but now you’re buying slaves and potentially sending them to their gruesome bloody deaths in the hopes that someday one might be powerful enough to help you overthrow the emperors??? did you KNOW paul mescal was lucius when you found him or was that simply pure dumb luck???? “the dream of rome is dead” ???? great continuation of the first movie because truly like what was supposed to happen post russell crowe killing joaquin phoenix and then immediately dying. who was in charge after that. side note: why were there like. full scenes from gladiator in there as flashbacks.

pedro pascal was like. kind of exactly the character i expected him to be. but again it feels like there’s MORE that they could have done with him. i understand why he had to die and it WAS interesting to pit him against paul mescal in the arena and then have the praetorian guard actually kill him to show how the emperors were losing control of the people, enter denzel, but. idk it felt like there was something missing from his character. i was actually convinced that the guy who put young lucius on the horse and sent him away would turn around and be pedro pascal and that would’ve been like an interesting little i saved your life please show me mercy here’s how i connect to the story besides being your stepdad type thing but here we are i guess.

poor paul mescal, truly. i thought he was as good as he could be with what he was given. his whole character just felt disjointed. like, it makes sense up until he’s revealed to be lucius. captured from his home, forced to watch his wife and eventually his friend/mentor die in front of him as a direct result of the roman empire, forced into slavery, doesn’t want to kill other slaves but eventually has to because he, like denzel, has an axe to grind with rome. but then he actually gets to rome and appears to not remember anything about who he really is, his mom figures it out in 0.2 seconds, and he suddenly remembers everything? had he ever even forgotten it? if he hadn’t forgotten, what was his plan back in his city? did he really love his wife? if he had forgotten, how does he remember everything so quickly? why does he hate his mom if he was 12 when she sent him away, aka old enough to understand what was happening? like, him in the first half and him in the second half are completely different characters and there’s not much of a bridge to connect them. there’s no explanation. honestly i kinda thought the real plot twist was gonna be that he actually was just some random kid and not actually lucius. like he just Becomes this character at the end without any real growth!!! he forgets about his wife and his friend! he has the chance to kill pedro pascal but he just……… doesn’t, for whatever reason. i kinda thought he was gonna die at the end because there had been so many little flashback moments to his wife crossing into the afterlife like russell crowe walking in the field to his wife and kid but i was gonna be really pissed if he died because then it’s just like exactly the same as the first movie where like who’s gonna lead??? you’re gonna be in the exact same spot in 20 years again!!!!!

idk it was just so long but nothing like. happened. it’s like a half baked gladiator remake but there’s so much CONTENT missing. overall, cheesy, the “dream of rome is dead, but we can rebuild it for all of us” or whatever thing was a little heavy handed, 10/10 for denzel washington, fun to watch if you don’t wanna think about the plot, pedro pascal and paul mescal as beautiful as expected.

[minzart]

You know what? I'm gonna complain it is good to put it out with a semi(hopefuly)understandable way see if anyone else had the same thoughts or something

So yeah arcane season 2 ramblings bellow

I knew it would be a hard task to deliver after such a good season 1, like it had everything ending with a perfect cicle, the first step was the last

We got themes and coherent actions with it, the characters are Charaters as much as embodiments of the narrative and it's mensage

And it was all a tragedy in the making

I though they could keep the loop, at the end I never expected we to get close to see Zaun and Piltover being split. Never, they are sisters cities one hurting the other more and more as progress comes and their bridge burns and grows bigger and bigger but never splitting, a never ending cicle(to a never ending game)

It works in the first season and I wished they kept it running in the second,but nooo let's pick up an already solved tread and force it to work again.

What the fuck am I talking about? well, many things, one specifically is

The sisters arc.

I can't be the only who thought what season 1 was trying to say with the tea scene was that she IS Powder AND Jinx, and what she actually needed was for both sides(Vi and Silco) to shut the fuck up and let her BE HERSELF. At that time I though if we ever get a season two she would realize what happened that night, not as choosing a side as she puts but as a birth of something new, while VI could also realize her sister has changed and she is not dead but become worse, or spiral into a worse state of mind ignoring who her sister is and insisting she is dead and wtv that thing Jinx is is not her sister anymore(and that's only bc at that time i discovered her lol conterpart is an enforcer so i though hey Vi's gonna have a villain arc and people are gonna acknowledge she also has insues to work with right :D )

But what season 2 did was forget continuity they are trying to GO BACK and this time the narrative will repeat itself beat by beat but worse.

In season 2 they revived Vander(and that IS vander with a warwick skin), only to beat the man to death 3 times over and over, and worse, don't revive his fucking theme with it making him a plot device more than the character he is, and let's pull Silco right along with him and change all that mattered before with these 2 too why not.

And don't come telling me "but they foreshadowed warwick in season 1" I KNOW AND I WANTED TO SEE WOLFMAN AS DID EVERYBODY. But what I did not want was it to be Vander AGAIN. I wanted them to lean into the amnesiac aspect of his story, Warwick WAS a man before, he was someone ELSE, but now He is OTHER, he is not Vander and would never be, and THAT would be the link to conclude the sisters arc.

The direction I though they would go was to cherish the past, learn from it, and see that you did changed and yet not, you are you in all your gloric and flaws, the child you once were is still in you as is the adult you have become with. It. there.

You can not run from your past, you can not break off of it, else you are not yourself anymore.

In a way VI would trace Vander's footsteps but worse, I though she would lean in the protecting the status quo without thinking about it, yes she is from the undercuts but she has been 7 years in jail and the city changed without her in it, she wants to go back so bad, that she can't see she can't. There is no way she could go back, she is not Vander, and yes his ideas are alive but the time they worked not, a new twist has to be given to it, adapt it to the new present, a thing she can't do alone

And as paralels Jinx, would have traced Silco and not liked it one bit, I never got the vibe that she would by the end fight for a cause, she is no leader, and she is no dog either, she is chaos itself right? She works for herself at the end of the day, I hoped we would see she try and abandon that path altogether without noticing she would be the reverse.

Silco was a dictator in the making with the speech of freedom as his weapon, Vander was a keeper of the status quo in the name of "peace", read stability. Jinx would be an arsonist that accidentally spiked the dream of revolution, of freedom, in the people around her while VI would want to go back to "status quo" by the means of violence.

You see how that's an interesting talk? Yes the past was safety, and yet it wasn't perfect, and yes freedom is beautiful but to get there it will be gory. There will be loss to both mentalities.

It would what? Exactly, keep the goddamn theme of season 1. Maybe not perfectly, I'm no professional, but I can dream.

"But jinx did become a simble of revolution!" NO she did not, it was cute that Isha transformed her image in a simble of hope and that itself works someway for the theme they tried to do for her as just Poweder 2.0, bc that's all she is, the child self, nothing more. But that is not what I'd call satisfying for Jinx character from season 1. Added to that, what revolution? if by the end both sides made up by the power of third party enemy?

The Warwick variable would come to contrast both as a new character, maybe a victim of the status quo Vi is adhering and a psicological contrast to Jinx change.

As a side not LET SILCO DIE. LET HIM FUCKING DIE AND STAY DEAD LIKE VANDER IS. I don't want a backstory,nor flashback, nor memory trip, the past of these two was excellent as ambiguous, they are the mentors, the fathers, the side characters, ambiguity WORKS IN THEIR FAVOR, legends of their own making

What i asked of this arc was a paralel scene with Jinx and Silco to VI and Vander back in season 1, y'know? The one VI is knocked down and Vander's ghost basically comes back to give her a BRIEF pep talk that MATCHES HER OWN MINDSET AND HIS, BC THEY EMBODY THE SAME PARALEL? YEAH. AND I WAS HAPPY that Silco got his ghost moment, but... he would not... forgive, season 1 would not and Jinx in that mind state,nor before, would too, these two have one thing in comum and is SPITE, they are cocrooch that refuses to die despite being repeatedly beaten out of your home, wish that was the focus of these two in that paralel scene, but well... with the theme they choose he had to be changed

Mel Medarda what did they do to you my girl you did not deserve this

Now, to be fair her arc could be fixed with more episodes or just one more season just establish something that wasn't there is season 1, her magic powers. But in my rant I'm trying to see if there is just another way for her to go that could tecnicaly and not need another season

Arcane was fast peaced but at least it had a focus.

Season 1 focused on the sisters more than up top, everyone there, including Mel were more world building devices than characters to me, and season 2 changed the focus characters to Viktor and Jayce but forgot to bring with them their support characters wich explains to me why I feel so lost to half the casts motives and place in the story.

In the beggining I loved that we focused on her opposing her mother in every decision, and gave a paralel to her own path in season 1, when Ambesa says let's use hextech I wanted the show to scream the same scens as Mel had when she convinced the council to use it too.

I wanted the show to pick these people who says "wow Mel is so evillll she manipulates peopleeeee my poor babyyyy jayce noooo my himbo sonnn" by the throat and say "you want to see manipulation? I'l fucking show you it" and presents Ambesa as the foil.

Focus on a political intrigue to these two, buy time for wtv is happening with Viktor, Caitlyn, Vi and Jinx to cook, Ambesa wants an invasion, Mel doesn't.

Maybe the seeds for magical powers were there in season 1, Mels paintings(magic and art thend to be used interchangeably in some medias i think), Ambesa's music video, "why did you come here mother?", but it would need more time to flourish in a satisfactory way, or at least better presented.

"Oh your powers are growing faster bc the arcane is awaken" BULLSHIT I TELL YOU.

Mel is strong in her words, love a woman who can kick ass but love one that can make myself bend to her will with one word even more.

Actualy on second though you know what would made her arc suck less? IF THEY DIDN'T FRIDGED HER FOR HALF OF IT. If the black rose was not meant to be the big bad at the end then what the fuck was the point of taking her out of the picture(would it be too hard to make her magical powers manifest in the scene she was kidnapped insted of... kidnaping. Girl was playing detective already)? The only way I can think it was a good idea is bc they didn't want to make her and Caitlyn fight for the sake of a final show down with Ambesa, bc there is no way these two would be in speaking terms if they interacted during Caits dictatorship

Speaking of dictatorship, for more that I love it I also loath it bc they just didn't show the during reing enough and I blame they taking Mel down way too early(I love the path of anger and grief Caitlyn went). Imagine a world were down there it's an emotional conflict leaded by Vi-Warwick-Jinx and up there a political intrigue of Mel-Caitlyn-Ambesa. That ends with peace below and an explosion(fascist reing start) up there? A, say it with me, INVERSION OF SEASON 1 ENDING :) wouldn't that be NEAT?!

Maybe even end it right there and let it ambiguous. There is no need for season 3 if they don't can't do it, the open ending is the strong forte of this series for me especificaly.

But what about the rest? What about

Jayce, Viktor and Ekko

Gonna be honest, they arc is so over the place with who they were in season 1 that they fell completely unrelated to anything in there anymore.

Season 2 changed focus from the sisters to Jayce and Viktor, everything plot related was through them, the problem is, their choices and... themes? Were not previously established by season 1 and season 2 took both out of the picture and put doppelganger in their places.

For more that I love Jesus viktor... now that I saw the fans that know him as The Machine Herald complain about his arc I know what was bugging me with it too.

He didn't choose any of what happened to him, something that is and was, a big thing to him back in season 1 and his lol conterpart. You know, Sky was never a character, she was a warning to Viktor remember? She died, consumed by the hexcore because of his medling, and he still continued to use it, wasn't that supposed to be the warning sigh to us that Viktor was going to spiral? And yet...

By the end Jayce and Viktor are foils, even if the season presents literaly 3 versions of them in one season bc they didn't transitioned their chance as smoothly as I'd like. Bc for more gay and amazing that ending was... Jayce is not the same character he was when he shot Viktor, absolutely not, you are telling me, that he was given a mission to show Viktor the future, and his response was to kill him instead of try to allude to the end? That the Jayce that shot Viktor in the chest was the same Jayce that understood he had to hug the divine manifestation lf his partner in the Astral plane to show the future and esencialy die with him by the end?

Love how Ekko swinged by the end and bough enough time for that finale he literaly lived up to his expectations as the boy savior, but lord I wanted him to be so much more coherent, the narrative yanked him out of the leadership role he had in season 1 and made him a by stander and last minute deus ex maquina. HE SHOULD BE THE ONE TO ANSWER VI/Vander AND Silco/Jinx THEMES, HE HAS WAS THE THRID FACTION THE BETTER FUTURE, THE SIDE WE AS THE AUDIENCE SHOULD CHEER THE MOST AS THE NEW FUTURE FOR ZAUN. NOT THE LETS GET TOGHETER AS ONE TO DEFEND OUR CITY FROM THE BIG BAD NATION OVER SEAS- FUCK THAT.

Him and Sevika should join forces, their arc should have been bring down town togheter and focus on a better future, heal the now, even if both have diferent visions of a future they should agree to clean Zaun even if in diferent direction. I love him with Heimendinher, bc it could be amazing to see a founder of Zaun learn with the next generation of leadership, let's bring the spark of empathy back to the old man, lets show what community is again for him, a tall about how disconnected he had become from what were supposed to be his people,let him give propositions and Ekko oppose them but with compromises, a paralel to Jayce in that way too.

How Jayce was the pupil that went into politics and become corrupt, Ekko is the one who is a community leader and won't be corrupt, how Heimendinher was too cautious and practical for both parties he will be opposed but know to better compromise, learn again why humanity moves fast, we do not have eternity. Where Jayce failed Ekko will thrive, and it was to make that old man learn emphaty again.

So maybe the focus of these 3 should be the future isn't?

Viktor, by his own hands, would want a evolution were no weakness are present, and by weakness I mean emotion bc... the focus of his path in season 1 was to live, he wanted to be alive to make a name for himself, to be remembered, so maybe with his close dance with death with that missile it pushes him to realize humanity never changes and even when everything could end up right and peaceful, our personal vendetta would detriment any chance of progress, hence he starts a way to fix it.

Instead of... internalized ableism, is it a interesting talk? Absolutely but you can't deny it was poorly set up, he was dieing and he wanted to not be... I'm sorry but "your imperfection is beautiful" was done better with Entrapta and Hordak from reboot Shera

Bc by lol lore that was the conflict between him and Jayce right? Viktor wanted a hive mind Jayce didn't, it was a conscious choice from both parties, so there we have a divorce arc, and sexual tension with the enemie.

So yeah

These are my thoughts mixed with what I wish it was and complains... I have no idea if I make sense or not

But hey if you got to this end thanks for reading, and hope it resonated a bit with you, if not, well shit bro I did say I was complaining.

[thenexusofsouls]

Nuada wasn't much better in the coherence and focus department right now. He'd had way too much to drink and his thoughts were fuzzy, his mind was swimming, and he likely wouldn't remember half of what he said when he sobered up tomorrow. Honestly, he was probably in for a complete bear of a hangover from all of this, since not only had he drank to excess, he was also not used to doing so. Nevertheless, he was being vulnerable with Mantis, even if he was rambling and she wasn't really getting what he was saying anyway.

"No, that is not... that isn't the point," he said when she said it was okay that he lost his purpose and his way. "My purpose was not... lost because I wanted revenge, it was lost because... because there's no more use... there's... no one needs... warriors anymore. They're safe now. My people, they're... they're all safe. So what need have they for... for a... for warriors now? That's why I haven't a purpose," he tried to explain, although he wasn't really sure if, in all his rambling, he'd actually made his point. Oh well. Good enough, probably.

"Y-you think... there is good in me?" he suddenly keyed in on, his eyes going wide, almost innocently so, as he turned to look at her. "Thank you, Mantis," he said with such deep sincerity as though she had just paid him the world's greatest compliment. "There are not many... who feel... who think that way... about me," he said through the thick haze of inebriation.

He looked down at her hand on his knee and then lifted his gaze to hers, finding her staring at him. Gods, she had such beautiful eyes. And a beautiful smile. She was beautiful. He stared back, a warm smile coming to his lips. "You are... very pleasant to be around, Mantis," he said. "And pleasant to speak with, and to look at, and to sit beside." Were he sobered, he might have said all of that more eloquently, but then again, had he been sober, he might have elected not to say anything at all on the subject.

The way she was saying he had something to offer, and that he could find a new purpose, that it wasn't too late... Nuada was much too drunk to let his usual defensiveness or pessimism ruin the positive sentiments flowing from her words. Instead, he simply felt happy in that moment, and that was something he hadn't felt in a long time. "Perhaps I shall..." he said, "...knowing that you believe in me that I can." With that, he moved to lay his head on her shoulder, something he never did with anyone, really, but again... he was rather drunk. A soft sigh escaped him and he reached to lay his hand over hers on his knee.

She'd said he had so much to offer. He wished he had something to offer her specifically.

Going Knowhere || closed with thenexusofsouls

She was home. Mantis was finally home again. Not because Knowhere was her home as a place, but because home was where the Guardians were.

It had been two years since Mantis chose to bid farewell to the Guardians, leaving to find her own purpose while Quill left to return to Earth. The Celestial siblings had stopped running from their past, and it was freeing, as scary as the choice had been. Mantis had taken the three Abilisks with her… and the green seed Nuada gave her, of course.

Moments after landing, Mantis was greeted by some of the residents that lived on Knowhere. She rarely wanted to draw attention to herself, but she knew the three giant Abilisks would attract a few looks. Drax was all over her. He had picked her up at least three times to hug her, tightly squeezing Mantis until her eyes bulged from her skull. Part of the reason why Mantis had been at peace leaving his side was because now there were other children, children who needed him, after he spent years protecting Mantis since she reminded him of his daughter.

“Okay, Drax, enough! I want to say hello to everyone else,” she exclaimed, patting his back until he finally put her down.

Nebula, Kraglin and Adam hugged her affectionately, but soon enough Groot pushed them aside so he could hug Mantis, as well as Rocket. Cosmo licked Mantis’ face and Mantis giggled, patting the dog’s head. Cosmo was still the best girl in the galaxy.

When Mantis asked where Quill was, Drax told her he was still on Earth, but he wrote to the Guardians regularly to let them know he was okay. They were family, all of them, and they would always be.

“I say we throw a party tonight,” Rocket suggested. “You’re back, bug. We've gotta celebrate. What do ya think?”

“That sounds good! Thank you, Rocket,” Mantis said.

“Abilisks!” someone cried nearby, and collective screaming followed.

After reassuring everyone that the Abilisks were with her, lest panic took over all of Knowhere, Mantis asked the Guardians if they knew where Prince Nuada was. She had left without saying goodbye to anyone but the Guardians, and she wondered if Nuada would be angry with her. Rocket and Groot offered to look after her Abilisks while Mantis looked for the Elven Prince.

Mantis walked with more self-assurance than before. She no longer held her hands in front of her body, letting her arms swing at her sides instead. She was more poised now, secure in herself yet more mellow. Confident – but not unfriendly. As if her two years of complete independence had allowed her to grow more than her several centuries with Ego. She wandered over to the spot where Nuada was, following the direction Rocket had told her, and a few bark children appeared to say hello. Mantis smiled and waved at them. She remembered taking them to Knowhere shortly after bringing Nuada's people, as well as Mr. Wink. She never wanted Nuada to choose either his people or his friends; he could have both. She tilted her head when she spotted Nuada, and offered a polite smile.

"Hello," she said, trying not to make things awkward. "Good to see you," she added. "Okay, I know I left without saying goodbye, but... I already said goodbye to my friends, and I realized if I stayed a little longer to say goodbye to everyone, I would not leave. I would just think about how much I would miss everyone and stay. The seed is fine, by the way! I have been speaking to it regularly and making sure it knew it was a good seed. My Abilisks would keep it safe when I couldn't, so... yeah."

@thenexusofsouls

[heyclickadee]

Some Tipping Point Thoughts about Crosshair (mostly):

1. There is a small part of me that is a little suspicious that Crosshair was allowed to partially escape on purpose, buuuuuut Emerie wasn’t the one who put that blaster within Crosshair’s reach, and she looked genuinely frightened when she realized that Crosshair really was going to stun her. It was one of the stormtroopers who put that blaster there, and, yes, it was a stupid move, but no one ever accused stormtroopers of being smart.

2. “Pushed to the limits of his extreme in the most heartbreaking way,” didn’t just apply to “The Outpost,” I see.

3. Speaking of blasters, these early stormtrooper blasters are the cheapest looking blasters I’ve ever seen in a star war—and I mean that as a compliment to the show. Those things look and feel like something that would be mass produced without much concern for quality or durability, which is exactly the Empire’s approach to the stormtroopers themselves.

4. Sooooo…this might sound counterintuitive, but this episode really put the final kibosh in any lingering worries I had that they’re killing Crosshair this season. You don’t do something like this (gestures broadly at Crosshair’s whole thing) and then kill them off. Especially not in some kind of redemptive self-sacrificial death. Especially when what we watched him do in this episode is so pointedly self-sacrificial. Crosshair might try to die for his family in the next two episodes, but there’s no way the narrative is going to let that happen. There’s no way to kill him off right now that isn’t empty, no way to have him die for anyone that doesn’t make the other person look careless by comparison (if only because viewers react to stories emotionally as much as they do otherwise), and no way to end his story in a way that isn’t just an ocean of untouched possibilities. The writers are sitting on a narrative gold mine with this character and I think they know that, otherwise they could have just let him die on that platform. And I’m stoked, because this means that we’re going to get to watch these characters deal with the difficult mess that’s going to be rebuilding their relationships.

5. Crosshair loves his family SO DAMN MUCH.

6. Evil thought: What if the batch gets to him, and he doesn’t realize they’re really there at first? I mean…he’s going to live, and he’s not getting brainwashed, but he is almost definitely going to be in a lot of pain and potentially pretty disoriented. I could see him taking a few minutes to realize that they’re really there and they finally came for him (but OH NO they weren’t supposed to come for him this time WHAT ARE THEY DOING THEY WERE SUPPOSED TO HIDE).

7. Eviler thought: Man, I really hope Dr. Hemlock doesn’t clock the fact that Crosshair will take any and all abuse that’s thrown at him without complaint but will absolutely lose his shit if that same abuse is thrown at another clone.

8. The look on Crosshair’s face when Omega says, “You’re still their brother, Crosshair. You’re my brother too,” back in Kamino Lost is going to kill me ten times over after this episode.

9. I’m looking forward to the absolute murder we’ll get to see in Echo’s eyes once he sees what Hemlock’s been doing.

10. You know…I’m not sure Crosshair couldn’t have made it outside if he hadn’t stopped to send that warning—if sending the warning wasn’t his only goal in the first place. He could barely stand up straight and he still went through about eight people like they were tissue paper.

11. I don’t know what is up with Emerie besides definitely something, but I sort of like the idea that Crosshair stunned her instead of killing her because he maybe got the sense that she’s a prisoner, too.

12. You know, there sure are a lot of clones in Mount Tantiss. In the cells, being commandos. Sure would be a shame for Hemlock if they all revolted at the same time somehow (I feel like this is wishful thinking, but I can dream).

[saints-who-never-existed]

Never over Collins in that first scene aboard Erebus. He's just an entirely different person - cool and calm, issuing orders in that lovely warm tone, voice clear as a bell, striding the length of the ship with confidence and ease and purpose.

LOOK WHAT THEY TOOK FROM US!

[shakingparadigm]

It's a bit silly that found it unlikely for Luka and Till to be the final match back then. The more that I thought about it, the more it made sense. Sure, Luka and Ivan are incredibly similar in terms of personality and image, but in terms of circumstance Luka and Till are opposite sides of the same coin. I really couldn't envision a better matchup.

[timesnewreader]

Huh, huh okay. Bro my brain is so fuzzy after reading that that I am struggling to come up with a coherent thought. And that is one of the highest compliments I could ever give🙏 That was so FUCKING HOT MINT!!! Shouta PUSSY EATER Aizawa I SWEAR TO GOD!!!!!!! What a munch what a mench got damn.

There’s so much to be said about how beautiful your prose are and the bit at the beginning about reader’s mother and childhood give so much context to her life. It adds a layer to the melancholy that surrounds her and helps us understand her relationship with Touya even more. I also think it’s genuinely beautiful to see her start to get comfortable with the idea of letting herself be happy. Like she doesn’t have to feel guilty for just enjoying life and enjoying this new found connection. I’m glad that she’s giving in to her desires!! And that she’s with someone who will help her to do so with care and attention!! And pussy eating!! God she deserves it so much. IT’S SO TELLING AND SO EVIL THAT SHE’S NEVER BEEN EATEN OUT BEFORE WTF TOUYA YPU BITCH!?!! I’m manifesting for her, let that man go down for hours, he would fucking love it😭😭😩😫😭

And then I must say, as per usual, your smut is so FUCKING INCREDIBLE. As I said previously, I was in a daze as I started writing this, and I want to ravish that man so bad but I can only assume he’s not gonna allow that for quite some time!!! YOUR HONOR I WANT HIM SO FUCKING BAD AAAAAAAAAAAHHHHHHHH!!!!!!!! He makes me insane, you make me insane for writing him so well, and this whole series makes me insane because it’s so fucking good.👏👏

Thank you so much for the excellent chapter, and for sharing your writing with us!! This series has me so fucking invested!!🙇‍♂️🙇‍♂️💜💜

Inevitable Things : chapter eleven

aizawa x reader fic

cw: aizawa x reader, cisfem reader, office AU, no quirks. CONSULT AO3 FOR FULL TAGGED CONTENT WARNINGS

previous chapter | masterlist | next chapter

Your mom used to tell you that love was a choice that she made every day. She woke up and chose to love your father, chose to put in the effort that a relationship needed, chose to stay by his side through the good and the bad. It was a point of pride to endure at all, a smile slapped on her face. She told you that until he left one night, bags in hand and another woman’s name on his lips. 

After that, love was no longer a choice. It was nights of tears and screaming matches, begging and pleading, obligatory phone calls and visitations out of state. Love was no longer a choice, but a shackle, something that you say at the end of a conversation because you must. Love is a pain you bear because you are human, and someone must hold these feelings you have.

Your mother still wants your father to call her. 

You wait for Touya to come home.

It haunts you all morning, as you twiddle away time before the convention floor opens again. You end up calling your boss with an update, only to chat with him over coffee. His niece is over again - she screams hi into the receiver- and his sister says hello as well. You try to end the call there, but he stays on, asking questions about who you’ve seen and how they've been. The conversation drags, but neither of you seem to mind.

“You aren’t watching Shouta.” It’s an observation, posed as a question. He’s speaking better today- you aren’t sure why. Death ebbs and flows.

“He asked me not to.” The truth feels right at this moment. It doesn’t betray anything changing between you two; Toshinori is probably aware of the tense air between you too. Now, it’s just tense in a different way, a way that makes your toes curl to think about.

“Don’t take it personally,” he says, “Shouta is a very private man.”

More so than you know, Yagi, you think. Aizawa is very different behind closed doors, behind that wall he’s so carefully crafted. You fear you’ve only cracked one layer of him only to uncover a different veneer.

At the end of the call with Toshinori, you let slip a little “Love you.” and he laughs, surprisingly boisterous for his frail lungs. 

“I didn’t mean it,” you try to say.

“It’s okay,” he says once he catches his breath. “I understand.”

 You don’t.

The rest of the morning is spent in your room, pouring over your emails. Technically, the company is on crunch time; your newer model hits the market within two months and panic has set across the office. Everything is ready, technically, but also nothing is; every day is a new little fire, begging to be put out. Being away on a friday was actually a gift, you realize now that you’re scrolling through what you’ve missed. Your inbox is filled with random issues and scheduled meetings for the upcoming weeks. Your DMs are alight with notifications too-- these, less urgent. 

Izuku Midoriya -> are you alive? or did Mr. Aizawa murder you?

Oh, if only he knew how quickly things change.

we're both alive and well somehow <-

Another message comes through, this one in a different tab.

Hizashi Yamada -> I see you online!

Trying to sneak some work in before I get out of bed. <-

Hizashi Yamada -> Send me your room number.

He arrives in less than five minutes. As usual, Hizashi is put together in a respectfully ostentatious way. His all black outfit might be velvet because of how it eats the light, equally matte and shiny all at once. It’s the type of clothing you wish you could pull off-- or afford --but he wears it so easily, with a confidence you could never have. No, you could never so gracefully enter a room and throw off a jacket like some supermodel.

“How was the presentation?” he asks as he flops into bed beside you. It's a different feeling than being next to Aizawa; he’s perched like a girl gossiping during a slumber party, hair tosselled on your silk pillow. You close your laptop and carefully place it aside. There’s no way you’ll be working with Hizashi around.  That was probably his plan all along.

“I didn’t go-- you didn’t go either?” You playfully shove him.  “You're a bad friend!”

“I woke up late.” He shrugs, feigning sympathy with a content smirk. “And had other things to do this morning, if you catch my drift.”

He throws in an unnecessary wink. Your cringe is a reflex- you don’t really mind hearing about Hizashi’s conquests, but it does make you think about last night again. All you did was kiss, but your skin prickles as if you did more, as if you want more. 

And maybe you do. You’ve been tossing the idea around all morning, trying to figure out exactly what you want, not only from the man, but from yourself, but every time you think about it too hard, the image of Touya flashes in your mind, and your thoughts are tumbling once again.

You think of your mother. It used to be your worst fear to become her, but each day that passes, you see more of her in your eyes, in the thinness in  your skin.

“You okay, babygirl?”

He points directly at the space between your eyes, where you’ll one day have the same worried creases your mother has.. “You’ve got a face on your face.”

You try to wipe away whatever he’s seeing, but it clearly doesn’t work. Hizashi looks at you harder, expression especially soft. 

“Oh, yeah, I’m just-” you shrug. Is there a word for what you're feeling? Ennui? Horror? Somewhere in between? “Shaking off a weird feeling.”

“Weird feeling-” Hizashi throws you a wink. “I think we call it a hangover.”

“I’m not hungover--”

Before you can protest, your friend gasps, so violently that you nearly jump out of your skin. He backs up, hand over his heart and jaw dropped to the floor. “Oh my god. Oh my goooooooodddd.”

“What? What? Am I dying?”

“Your neck!” Now he points to you with a fully straight arm, like he’s accusing you of being a witch. You slap a hand over the spot instinctively. “Hello, that’s a hickey!”

Oh. Oh no. You had been too distracted this morning to notice, but apparently Aizawa’s lips have left a mark on you. Heat flushes across your face; a hickey? Who do you think you are? Kaminari? You’ve had a secret for less than 24 hours and it’s already threatening to come out.

“You got laid last night? With who? Where? When? Tell me everything!” Hizashi pushes down in the mattress to bounce himself, jimmying you up and down in the process.

“Well, uh--” You can’t even begin to make something up. The irrational fears start to take over- what if he figures out exactly who’s mouth left that mark? Hizashi’s a whore-- he might know some sort of mouth forensics or something! Or, you don’t know, maybe you still smell like Aizawa, even 

“You dirty dog, is that why you didn’t see Aizawa’s thing?” Your stomach somehow sinks lower. “Because you and Tensei fucked?”

Tensei?

“Tensei?”

“Oh my god, you totally did. You’re all flustered!”

You had completely forgotten the man even existed. Beautiful Tensei Iida, the ‘sexy’ doctor Hizashi wanted you to have… it’s funny how things never work out the way you think they will.

“It wasn’t Tensei!” You scooch away. “And it’s not a hickey!” 

Hizashi sees through that lie. He crawls on his hands and knees after you. “You gotta tell me, please-”

Crap. He’s not going to let this go. Sex and all that comes with it is Hizashi’s catnip; once he’s gotten a taste of it, he’s deranged. 

Telling the truth certainly isn’t an option. You and Aizawa? The absolute nuclear fallout that would hit the office if that came out would be catastrophic. Hizashi can’t keep his mouth shut, so even hinting at what happened last night could be the end of whatever weird thing you and Shouta have, killing it before you can even name what it is. 

And being so close to launch? It could potentially hinder Aizawa’s image--

And your and Touya’s relationship.

“It was someone I met at the restaurant after you left-” Not completely a lie. “We just-- kissed, I guess. I didn’t want to, you know, do more.”

Hizashi kicks his feet in excitement. His shoes are on your bed- gross.

“Good for you, setting boundaries!” he says. “That’s growth!”

He goofs around for just a moment longer before settling.

“Why do you look so sad about it?” He’s quick to say.  “Did they do something?”

“No! No, it was nice, but-” you start. The truth feels heavy, yet silly at the same time. You know the reaction you’re about it get, and yet you say it anyway-  “I don't know, I started to think about Touya this morning and-”

Hizashi’s face falls so hard that you swear you can hear it. His hatred of Touya has never been a secret, but before Touya made his disappearing act, he at least kept his comments to a minimum. With no Touya, there’s no limit to Hizashi’s public loathing.

“I love you. So much.” He takes your hand in his. He’s still on his knees, hunched over you awkwardly, those damn shoes still on the bed. “But thought you were over this shitbag.”

You want to protest. He’s not a shitbag, he’s just having a hard time. He’s not a bad guy, the drugs just make him that way. He’s a good boy underneath all of the troubles, you know it’s true.

But you’ve run out of excuses years ago. All you can say is the truth: “I think I still love him.” 

Compassion contorts your friend’s face. “Oh, girl. Girl. You don’t.”

“Hizashi-” You try to slide away, but he doesn’t let you. 

“He treated you like garbage for years. Years!” The blonde squeezes your hand. “And he wasn’t loyal, he wasn’t safe, he wasn’t kind or sober or-” 

“It's not like he abused me or something.” You say it so quickly that it feels tinny on your lips. Both of you go quiet for a second and Hizashi throws his hands up in surrender. He ducks his head low, not in defeat, but in a humble act, like a dog that’s pushed it’s boundaries a bit too far.  With a sigh, he sits back on his knees, allowing there to be space between you.

“I didn't say that,” he says carefully.  “It doesn't have to be abuse, that doesn't mean it's healthy.”  

There’s a hesitation, then he reaches out his hand again. You don’t take it, but he keeps it there, in the air, waiting for you.

“I just care about you. I know ‘muri and I get a bit too pushy and wild sometimes, but it’s because we want you to have fun for once. We-- we want you to be with someone that makes you feel good-- who thinks you’re the best thing in the world,” Hizashi says. “We want you to get what you deserve and Touya isn’t that.”

A different type of warm runs over you- a watery one, one that stings at your eyes. You aren’t sure where the well of emotion has come from, but it’s there, bubbling just under the surface. You try to sniffle without giving yourself away. 

“Would it be so bad to let yourself move on and try something new?” Hizashi smiles.  “Let yourself have a little fun for once?”

Reluctantly, you take his hand. He squeezes and coos, pulling your hand into an awkward faux-hug, right about his heart.

 “Let yourself have fun, let yourself live.”

“I’m gonna try to try.”

--

The convention itself goes smoothly. More people ask about Yagi, but the word seems to be spreading: he’s not here. He’ll never be here. The air is bittersweet, but Hizashi always recovers it for you. He keeps the conversation flowing back to work and the bed, with much more ease than you’ll ever have.

The only time you see Aizawa  is when he’s in your periphery. He’s in the corner, caught in some conversation with people whose names you’ve already forgotten. Tensei’s by his side, basking in the probable praise, while Aizawa just nods along. The presentation must have gone well, you gather from the attention they’re both getting. That’s both good and bad; the work deserves credit, but Aizawa…

What a heavy secret to carry. What a prominent shame. He didn’t want you to see, but he was okay with all of these strangers ogling him like a science experiment. 

Does that make you more important than those strangers? Or less?

You try to look for an opening to leave, but one never seems to come.

Only once do you catch him staring back at you, his expression too far away to be read. The thump of your heart steps out of rhythm for a moment before you get yourself together.

“I see you eyeing up Tensei,” Hizashi teases. “Are you sure he isn’t your mystery man?”

You deny it, but Hizashi is unconvinced.

----

The three of you finally reunite over dinner. This time, Hizashi swears he will stay the whole time.

This time, you don’t want him to.

You’ve settled into a different booth than you were in last night. Again, the chip basket is empty before Aizawa can arrive. He’s always running late for these things, either through lack of effort or lack or lack of time management. If he didn’t have a presentation tomorrow, you’d be annoyed, but you decide to give the man a break.

Though, you do wonder if you’ll be allowed to see this one. You’ll have to go, right? It’s about your company.

“I still can’t believe you managed to pick up Tensei with Aizawa right there.”  Hizashi leans back into the booth.

“It wasn’t Tensei,” you insist. “And he was distracted.”

“By what?”

You aren’t a quick liar. 

“Some girl.” Or a good one. “They went off together.”

You know you’ve fucked up by the look on Hizashi’s face. He sits up, staring at you from over his glasses with a slack jawed amazement.

“You're lying.” He sits up even more. “You're lying straight to my face right now.”

Fear thrums you so hard that your stomach almost revolts on impact. 

“I’ve never seen Shouta pick up a stranger, ever.” Hizashi throws his hands up in the air for effect. “Never, ever. Not even in college! ”

Looking back, you should have said he was struck by lightning. That would have been more believable. From what you remember, Aizawa doesn’t date very often - or at all. You can’t remember if he’s ever brought someone to a work event or even mentioned a partner.  (Which makes you feel equally bad and… special. Are you an exception to his rule? Are you different? 

…Or, more likely, he’s just a private guy. But you can pretend.)

“Well, uh, I dunno what to say.” You still haven’t come up with a better lie. “Ask him yourself.”

“I will!”

Good. That gives you time to text Shouta and warn him about that shit storm he’s about to enter. The two of you can come up with a lie that makes sense and won’t send Hizashi screaming. Suddenly, you’re grateful that Aizawa can’t show up on time for-

“Again with the chips?”

Fuck!!

As if summoned, Aizawa is behind you, shrugging off his jacket. He’s in the same suit as he was earlier, but a lot more disheveled after making it through the day. The social interaction really took it out of him; no wonder he’s so quiet at the office. You pat the seat next to you and he practically slumps into it.

“Please tell me you aren’t escaping again tonight,” he says to Hizashi.

“Oh, no, I’m not going anywhere, trust me.” That smile sets the whole table on guard. “I have too many questions.”

“If you had questions, you should have shown up to the talk,” Aizawa says. “Which went well, by the way. Thank you for asking.”

“You didn’t give me a chance to ask, asshole.”

“Should have been the first words out of your mouth.”

“Well, sorry, Mr. Sensitive. I didn’t think I needed to stroke your ego today! Should I start singing your praises now, or after we verbally jack you off for a bit?”

“We are in public, Mic, stop talking about jacking off.”

“How was your presentation, oh smart one?”

“It was--”  Aizawa stops himself mid sentence, brow furrowed as he turns directly towards you. “You’re being quiet.”

“Me?” you point to yourself as if you don’t know the answer. The accusation makes your heart race- or maybe it’s those sharp eyes, boring down into you. 

“Why are you being quiet?” he says with an accusatory glare. “What did you do?”

Hizashi erupts into a giggle and the attention is finally turned away from you. 

“I heard that you went home with someone-”

Aizawa’s gaze snaps to you.  It takes effort to press your lips down and keep a neutral expression; anxiety is trilling inside you, high and frail and wild, like a little flute in a marching band finale. The man tilts his head just a bit, eyes sharp and questioning, clearly trying to interrogate you while completely silent.

“Where did you hear that, Yamada?” Aizawa’s tone isn’t flat now. No, it’s pressed, stressed; he thinks you’ve told him everything. You try to gesture with just your eyes -- three normal blinks and wide eyes, like a makeshift morse code. This obviously fails.

“Little miss girl here-” Hizashi waggles his eyebrows and Aizawa’s pupils dilate with fear-  “told you you went home with a stranger from the restaurant.” 

Realization hits Aizawa’s expression, then, relaxation. His whole body turns to you with a belabored sigh. “You little snitch.”  

The smile you’ve been trying to fight erupts across your face.  You burst into a nervous giggle, one that you have to silence with your own hand. This is a dangerous line you’re walking; Hizashi isn’t a stupid guy- he’s going to figure out something’s wrong if either of you slip up.

“It’s true?” Hizashi gasps. “What? You? You?”

“Is it really so weird that I had sex with someone?” Aizawa says.  “You do it all the time.”

“You aren’t a hook up guy!” Hizashi peers from over his glasses.  “You’re a ‘third date and a bottle of wine’ guy!”

“When have I ever had a bottle of wine?”

“Okay, ‘third date and an air of desperation.’ How's that?”

Aizawa  wrinkles his nose and bares his teeth, barking out a canned laugh. “Ha. Ha. Ha. Fuck off.” 

The shorter man sits back in his seat and uses his drink to gesture to you. “Why don’t you harass Miss Hickey over there instead?”

The attention shifts to you for only a moment before Hizashi waves you away with the back of his hand. He shifts forward on to his elbows, directly towards his friend..“She just made out with a guy, I don’t care about that-”

“-Hey!” you object. As if Aizawa isn’t the reason you’re bruised in the first place! The dark haired man is purposefully looking down his nose at you, expression taut. 

“Sorry, but I need every nitty gritty detail of Shouta’s night ASAP. “ Hizashi grinds you back on track.

The two of them have been friends since college, you remember. You’d never really been able to see the connection before; they’re both so different that they almost seem like they’d never mesh, but today they are huddled together like boys, mirroring each other’s movements. You wonder if there were lots of nights like these, gossiping over girls and wild nights.

Did Hizashi know him before the car accident?

“I’ll tell you later, Mic,” Aizawa says.  “After she’s gone.”

It’d be best to stay quiet, but you can’t bring yourself to be purposefully excluded.

“You don’t want to get dirty in front of me, huh?” you tease. Besides, you’d like to see what he comes up with. “I can handle it.”

He doesn’t take the bait. “I’m not a sharer.”

You turn away with a little shrug. “Hm.”

Aizawa almost doesn’t respond. The gears turn behind his eyes, slowly grinding away at his patience until he grits out a little: “What?” 

His knee bumps into yours under the table. It’s fleeting, but there. 

“I was just thinking-” you start. “Maybe you’re a bit of a coward.”

“Coward?” he replies.

“Afraid to gossip-” 

It’s Aizawa’s turn to huff. “Gentlemen don’t gossip.”

“Since when are you a gentleman?” Hizashi barks out a laugh.

With another exhale, Aizawa closes his eyes. A moment, then another passes, before he opens them again, one brow raised. It’s the same expression a teacher would give to the class after too much clownery. No wonder the interns are terrified of the man, you’d be scared too if you weren’t so excited to see where this is going. 

“You really want me to tell you what I did last night?” He’s deadpan. “Really?”

Both of you nod. 

“Fine.” He throws his hands up in defeat.  “I met this woman at the bar. Bought her a cocktail-”

“What kind of cocktail?” you interject.

“What?” Aizawa stares at you, lip curled in frustration. You’re making lying harder and you know that, but excitement is driving you forward. The risk doesn’t outweigh the reward quite yet. “I don’t know- something sweet.”

“Hm.”

“Margarita. The spicy kind. She tasted like it all night.”

Aizawa is alarmingly good at lying. He does it with a straight face, minus the telltale curl of his lip, but Hizashi doesn’t seem to notice. He’s too busy sitting on the edge of his seat. You’re still trying to reconcile all of the versions of him inside your head: the work version, the ‘lover’ you met, and this lackadaisical liar. 

“Keep going.” Hizashi urges.

“Then we went back to her room. Didn’t even make it to the bed.”

The way he lays down each word is slow, meticulous, purposeful; the narrative he builds is crafted especially for you, but you aren’t quite sure of his goal. 

“ Is that enough detail?”

“Boo-” Hizashi’s fanning the flame now too. “Not the fade to black storytelling!”

Aizawa ducks in close, resting on his forearms as he talks. His gaze flicks between you and Hizashi, but lingers much longer on you, flickering down to your lips every now and again. His timbre drops lower, gritty, rolling as he whispers. 

“We went back to her room-”

You’re watching his mouth a bit too intensely. 

“- I got on my hands and knees-”

He enunciates it slowly, so neither of you miss a moment. A shiver goes up your spine. There’s a weight to his breath, a genuine enjoyment. Would he get on his knees for you?

“And I  begged to eat her out.” 

He’s proud of it. Oh, he would get down for you. He’d plead for the privilege. His leg brushes against yours again, this time with pressure and purpose, and your skin crawls with excitement. It’s just a story. You know it’s not true. 

But the glint in his eye says that he wishes it wasn’t.

“And?” your voice shakes a bit. That’s his goal, isn’t it? To get you riled up? To make you regret forcing him into this situation?

Aizawa rubs the spot where his jaw connects with a slow, purposeful circle, like he’s trying to rub out a kinked muscle. It’s borderline boastful. “And that’s how I spent the night.”

Hizashi tips his head back and laughs so loudly that the table next to you stares. “Good for you!”

“Good for her,” Aizawa replies.

Hizashi rolls his eyes. “I almost forgot you’re a munch. It’s been so long since you’ve gotten any, so-”

“Watch it, Hizashi.”

You regret the question before you ask it. “Uh, what’s a munch?”

Both of them look at you.

“Well, it’s clearly not Touya,” Hizashi mumbles, and you shoot him a glare. 

“It’s a slang term for someone who really enjoys…” Aizawa trails off, cocking his head expectantly. 

“Eating pussy,” Hizashi finishes for him. 

Another thrill of excitement goes up your spine. Enjoys it? Is that even possible? The idea has you woozy. 

“Yeah, that’s totally not Touya,” you manage to say.

Hizashi makes another comment, but you can’t force yourself to focus on that. No, not when your heart is beating like this. It’s just words, a fake story, but there’s a silent promise to it as well. You wonder what would have happened last night if you said yes. Would he have spent the night between your legs, eating simply for your pleasure?

Want trembles in your hands as you pretend to check your phone. Is it pathetic? To be worked up over a silly little story, made up to cover your tracks? The waiter comes, you all order. Aizawa’s knee pumps against yours- once accidentally, once on purpose. You hope he doesn’t notice how you’re squirming in your seat, trying to ignore the way your body is craving pressure and attention. You think, maybe, if you move right, you could get the seam of your pants to hit just right-

What are you doing? This is pathetic. 

“I’m going to go to the bathroom.” You don’t wait for a response. Pushing up from the table, you turn down the back of the restaurant. The signs lead you into a little back hallway, tucked by the kitchen, where the lighting is respectfully dim. You have to wait a moment because the door is locked, but you don’t mind. It gives you time to mull over everything.

Maybe Hizashi is right; maybe it’s okay to try something new. It’s been years since you’ve felt this alive with someone, this excited to get something more. With Touya, sex became more of an obligation. Maybe it could be different with someone else. Maybe it could be something fun, something-

A hand catches you by the back of your shirt, not hard enough to yank you backwards, but firm enough to stop you in your tracks.  A gasp squeaks out of you as you stagger back into the chest of the man behind you. You crank around to see- only to relax when you realize it’s just Aizawa.

“You scared me,” you mumble out a lament. 

“You little sneak.” With a thumb, he tilts your chin up, so far that you’re looking back at him. His other fingers press ever so nicely into the length of your neck, drawing you back into his chest. There’s nothing constricting your breath, but suddenly your lungs are empty, breathless, and your parted lips pull nothing in. Aizawa’s dark eyes are narrowed, boring straight down into yours.

Oh, he’s pissed. 

And, for the first time, that excites you.

“You like making me sweat, don’t you?” His free hand is looped around your waist, holding you much tighter than the other. “Almost getting us caught-- You make me so mad sometimes.” 

The kitchen is full of mumbled orders and the clang of dishware. It echoes through the dark hall you’ve trapped yourselves in, you aren’t alone, no matter how badly you wish it to be true.  

“Thought you liked me,” you whisper.

You swear there’s a subtle dilation to his eyes, involuntary. Real. “I do.”

He leans over and dots a simple kiss on to your forehead, right where your hair meets skin. It’s simple, soft, but, god, it sets everything inside you into this wet, wobbly, needy heat, something soft and harsh all at once.

“Even when you piss me off.” The hand around your neck twitches playfully, with no real constriction. 

It’s cliche, you think, how you just sort of watch each other, breathless, patient. Neither of you tries to make a move, locked together. He smells good. Not like anything you can name, just… good.  It’s the same good you feel in your chest and an equal good to how your hands feel when you reach backwards and grab his hips. 

“I’m starting to think you like making me mad.”

“Shouta-” you say his name because he likes it, because it makes him lean in closer to you-

The bathroom door flies open and you both pull away like you’ve touched a hot stove. The woman who exists definitely knows something’s up; she rolls her eyes and sends a text on her phone as she passes. The two of you share a look; you, relieved, Aizawa amused. It’s as if you're sixteen again, with this fluttering feeling in your stomach you can’t quite swallow down. It’s too bright to be anxiety.

Aizawa steps back a bit with a nod. Oh, right, the bathroom. You don’t actually have to go, but it would be silly to not go in now. Maybe you can just try to go-

You look back at your Aizawa.

Or maybe.

Or maybe you can have some fun.

With uncharacteristic confidence, you hook a finger under a button of his shirt and tug. Aizawa’s face goes bright with realization. He falls into following as you guide him forward into the bathroom, step by awkward step, backwards until the door opens against your weight. Aizawa glances around before the door closes after him, making sure to remain unspotted, then turns to you with a wicked, narrowed, glowering look. 

The bathroom is simple, but nice. The lighting is sharp and bright, the floor is white and clean. A decorative table is wedged into the corner, topped with extra towels and real flowers in water. Your brain can’t process more than that- not with a dark haired man wrapped around your finger. He has the forethought to lock the door behind him.

“What are you doing-?” he grumbles wickedly, ducking down to catch you in a kiss, but you don’t let him make contact. You dip away, drawing him further and further in, until you’re backed against the little decorative table. With his weight, he shifts you back until your ass is seated properly on that wiggly table, one hand back to brace yourself. Finally, he traps you, stubble rough against your cheek, lips soft against yours.

“I thought we were going slow,” he says into your lips. You don’t respond-- you can’t. Your breath is stolen from your lungs, the need to breathe replaced with the need for him, the need for touch-

You hook a leg over his waist and his hand flies to it, folding it higher, pulling it tighter. 

“Oh, you can’t help it, can you?” he mumbles. “One little story about eating pussy has you desperate for it, huh?”

“Y-you-” You hate that you can’t dirty talk smoothly like he can.

“Yeah?” He’s almost condescending. “Yeah? What does my girl want?”

Embarrassment floods your cheeks with heat. Aizawa waits for it, hovering above you. Oh, he won’t give it to you until you really ask, will he? You have to physically brace yourself to say it.

“Will you kiss it?” you ask, much meeker than intended. 

“Kiss ‘it’?” You expect him to keep picking at you, but instead his hands are busy unbuttoning your pants, guiding them down. “Do you mean-”

His lips find your hickey and the spot aches under the connection. “Here?”

Creeping lower, he hunches over your chest. This time, he pecks at the hem of your shirt. “Here?”

Down he goes, on to his knees. This kiss lands in your stomach, right where the tightness of want sits-

“Here?”

“Shouta-” You’re mad and annoyed and you’d frankly settle for him kissing you anywhere at this point-

Hands slip your pants down past your knees. When the air hits your skin, you suddenly realize just how wet you are, how it’s bled through your panties and smeared across your thigh. Before you can process anything, his mouth is over your clothed cunt, wide mouthed and kissing. The drag of his tongue is a lot, even though the fabric; the contact has your spine flexing all on its own.

“Here?”

“There, there,” You’re clinging on to handfuls of his hair already. “Right there.”

But Aizawa doesn’t kiss you again. 

“In a public bathroom?” He’s watching you from the floor. Your leg is looped over his back. He’s surprisingly wide and thick under you; your legs have to spread so far to fit him. God, your body is plaint enough that it just gives to his pushing hands and demands.

 “You like it nasty.”

You can’t bring yourself to respond. Your brain is fried with a deadly combination of horny and embarrassed. Is this really what you want? 

“No, you don’t like it dirty, do you?” It feels like he’s reading your mind, hands kneading your thighs with a growing hunger. He plants a kiss where your legs meets your underwear and your cunt pulses in response. “My girl just needs it so bad, doesn’t she?”

Teeth sink into your inner thigh and you kick in response: another fucking hickey. The thing that got you into this mess-

“That’s right, my girl.” He’s talking to himself now, mumbling just under his breath. A finger loops under your panties, the same way your finger looped under his button, and there’s no time to feel shame before he exposes your pussy.  “You went home with me.” 

You expect him to go straight for your clit, to devour you with the fucking need that’s been building between you all goddamn night-

But, instead, he touches his lips to the crest of your mons and breathes. It’s hot, molten, pours down you like molten lava. It’s the faintest, tickling touch, but it’s enough, it’s more than enough. A moan rips out of you, so unexpected that you jump at your own voice. 

Usually, when you have sex, you’re worried about the small things. Whether or not you’ve shaved, whether you look thin enough or pretty enough, but now, the only thing you can think about is being touched, needing touch, desiring touch.

And the time.

“We-” He hasn’t even started and you’re quivering for it. “We gotta hurry before Mic-”

“I promised you-” Aizawa says, firmly. “That we’d go slow.”

Finally, gloriously, you feel the hot press of his tongue, dragging up through your excitement. Every inch he takes is painstakingly slow until he hits the nub of your clit. That contact is fast, fleeting, but it still sends you keening and gasping. Every important muscle inside you is bunched and coiled, filled with enough potential energy to set the whole fucking restaurant on fire. You’re going to cum. You’re going to cum from practically nothing.

The vase of flowers on the table is overturned. You don’t even remember knocking it over. Water pools under your ass and everything is wet, from you, to the mess, to his drool across your inner thigh. His mouth closed over you the same way someone would eat a peach, sucking with this absurdly lewd sound as if he’s afraid to let any of your excitement escape. His jaw moves slow - just like he fucking promised- and doesn’t miss an inch of skin as he closes his mouth, lips coming closed around your clit. The pressure feels heavenly against the already puffy parts of your pussy and your hands clasp his dark locks tighter. You aren’t sure if you’re trying to pull him away or pull him closer; your body is just reacting, like neurons are firing all on their own.

Fingers clamp around your thighs. Aizawa is groaning, voice so low it vibrates against you, as if he’s the one receiving it, not you. Enjoys eating pussy… the memory rings through your skull. Fuck, what an understatement; he eats pussy like he needs it to live. His eyes are lidded heavy with pleasure. Every lick and suck and touch along the tapestry of your cunt is wet and wild, but aggravatingly skilled. The heat of his mouth against your clit - firm, but not hard- is enough to steal your breath away.

Then, he pulls away, and your pleasure begins to unravel-- unfairly fast. You hadn’t realized how close to the precipice you had been until you started falling away. The feeling is disastrous. 

He speaks with a heady exhale, warm and not nearly enough. “You taste-”

“Shut up,” Now you’re definitely pulling his face back towards you this time. “Shut up, shut up, shut up-”

He silences himself with your cunt. 

This time, there’s no savoring. His lips and tongue are on your clit, sucking in mouthfuls of your folds, bouncing against the involuntary roll of your hips. Everything inside you is hot and sticky, thick like honey. You’re saying something, maybe, but it’s all high pitched and garbled. The rub from Aizawa's stubble sends a chill up your spine and the hot and cold inside you melts into something smooth-

You can feel your orgasm coming long before it hits, everything inside you pulling high and tight, like the ocean rolling before a wave. The crest hasn't hit, but it's going to come, you're going to cum-

And then you look down, and Aizawa's staring back at you, with those dark, hooded eyes, and you unravel. It’s not my other orgasms you've had: a full body feeling, like the flush to warmth you get when alcohol hits your stomach. It rolls, through you, away from you, against you- in every fucking direction until every ounce of tension is smoothed from your muscles. Boneless had always sounded silly, but now you understand exactly what it means; you slump back and try to catch your breath.

Aizawa’s movements slow, but never stop. He runs the flat face of his tongue against you until you gather the energy you shove him back. For a split second, a string of your cum ties between you and his mouth.

“Shit,” you breathe. Your surroundings feel more tangible suddenly. The sink drips, the walls echo the restaurant’s soft muzak, Aizawa’s cheeks glimmer with your wetness: it’s all suddenly real.

“I cannot believe-” He wipes his face on his sleeve.

“Shit,” you repeat. That was insane. You were insane! Your friend is waiting at the table, probably wondering what happened to you two-

“-that you let me do that. You came so--”

“Shit.” This is exactly what you needed. “I’ve never-”

Aizawa sits back on his knees with a stiff grunt. “Don’t tell me you’ve never orgasmed before.”

“No! I’ve totally-” You awkwardly shimmy up your pants and instantly regret it. It’s wet. It’s cold. “No one’s ever gone down on me before.”

Aizawa gives you the slowest, longest blink you’ve ever seen. Then, he shakes his head and stands up, brushing his pants off. You debate asking if his leg hurts, but decide against it. “How do you continuously say things that make me want to go insane?” 

He huffs about it, but you’re starting to unravel the strings of affection he weaves into his sentences. You shrug, biting back your smile.

“I’m just special, I guess.”

Eyes closed, he gives you a nod, tempering himself.

“Go back to the table before we’re caught.”

Fuck-- that’s right. You two have been gone for long enough that it's starting to get suspicious. Besides, there’s going to be a line outside the door if you don’t get moving soon- if there isn’t a line already. You quickly check your outfit and adjust your hair in the mirror; your skin looks brighter than usual. The power of an orgasm, you guess.

“Don’t  you want me to…?” You give a little jerk off motion and Aizawa rolls his eyes at the behavior-- as if he didn’t just eat your pussy in a fucking bathroom.

“I don’t want you to do anything to me,” he insists. He helps you off of the table with a hand, then ushers you towards the locked door. “I want to lay you down and eat you out until your brain factory resets like a cheap Macbook.”

He’s already done that, but okay, you could be down for more-

“But we are in a bathroom.” He gestures around him.  “In a restaurant.”

You add: “With Hizashi waiting.”

“With Mic waiting. He’s smart- he’ll figure us out if we aren’t careful,” he agrees. “Now, get out there and cover me.”

Suddenly, Aizawa leans over and kisses you. It’s not deep, but you can taste your musk on his lips and that makes your spine thrill with excitement.  It’s illicit in a way that makes you feel young and happy and, and, and-

And all those weird, indescribable highs you get when your brain is drowned in dopamine and oxytocin. For a fleeting moment, you reach out and grab his hands, holding on for only a squeeze.

“Your room tonight?” you ask when he pulls away. Your head is still racing, head still swimming-

He grimaces. “Yours has better pillows.”

“I brought them from home.” He was in your bed last night, in your pussy moments ago, but the fact he knows your pillow feels so strangely intimate. “I like silk pillowcases.”

The expression in his face softens, just at the crowed corner of his eyes. “Of course you do.” He jerks his chin towards the door.  “Get going.”

“Sho-”

“Get.”

And you walk out with wobbly knees.

[bidisaster-peanut-romano]

soo hi everyone!! i'm back on my bully essay/meta/something writing!! sort of. i did this.

anyways anyone who's been on this page for some time know how from time to time i have insistently mentioned the parallels between lola and peanut, right?

welp! that was a joke but the time has finally come!! a super-pretentious essay just for the fun of it!! (and also bc i haven't been writing actually argumentative texts in like months perhaps a year, so. yikes, i really need to practice again)

word count: 2.2k WOAH. IM SORRY

i, in my corner, with my monstrous needs. — susan sontag, as consciousness is harnessed to flesh

take this quote both as a title and an anticipation of what is to come. the essay will be distributed analyzing first the dependence of each of them on johnny, to then draw comparisons. i'll make sure to steer as away from headcanons as possible, sticking closely to the source text. obviously, some things' interpretation might be ambiguous, but, you know. your usual occupation hazard.

also, a disclaimer before we start: while they are psychologically complex and there is always a mimetic intention in developing them, these are fictional characters, and, as such, their primary function is to be vessels for different themes, questions and so forth. therefore, i will prioritize meaning and themes over moral implications and similar elements.

i. peanut

for how much i can adore talking about him, the way peanut depends on johnny is very much on the nose; worn on his sleeve, even. in 11:11 minutes of voice lines, he mentions johnny 30 times.

many interpret this as the caricature of a boy crush, but i have reasons to believe it is much less cute than that.

the problem is that, really, more than trying to identify specific situations... peanut seems to rely on johnny for a significant part of what he does. when he does good at dodgeball:

Look at me, Johnny, look at me!

almost like a child calling for his parent's attention to be praised. he calls johnny's name when he's going through hardships, when he's scared or when he's sad.

more than someone he just loves, johnny is a point of reference. whenever there's something going on, whenever he does or has to do something, his first thought goes to johnny; vice versa, what johnny asks of him is his priority.

I gotta tell Johnny! No time. I gotta see Johnny now. Gotta help Johnny. What can I do next to please Johnny? I mean Lola! I mean…

(this also goes in a "negative" direction, envy being the other side of the medal to adoration. especially because, in some way, this reliance on johnny might be felt by him as emasculating, and, being johnny his model of masculinity, adding it to the napoleon complex thing, it's not hard to guess why it can be so unpleasant. we can see this manifest through some of the things he expresses in regards to lola- not as much an interest he has towards her, but the interest he wishes to have from her- which are a bit more different than it might seem at a first glance. but this is a mouseketool we'll need later. still:

Last time I saw her, Lola made eyes at me, not Johnny!

do we really need this part? heh. i'm not sure, but it's always good to point out)

(also, just because, for the purpose of this analysis, it might be useful to specify: while these sentiments are very much implied in peanut's canon quotes, we have no evidence in canon in what measure they are reciprocated by johnny. the fandom has universally agreed that johnny also views peanut as his Best Friend In The World; while in some measure, they must be at least a bit close, i think it is even safe to say, given the caricaturist nature of bully's characterizations, that johnny holds peanut in less consideration that peanut deludes himself into believing. quoting another post of mine, the kids who show some level of obsession towards their leader mention him on average ten or less times (gord mentions derby eight times, parker six times, kirby mentions ted five times). the leaders don't usually make names at all, that much is true; however, peanut mentions johnny 30 times, and, even in front of this proportion, johnny mentions peanut 0 times. just to make that clear)

overall, what undeniably shines through his voice lines is a feeling of general inadequacy, whether about his height, or his strength in front of a bigger adversary. the audios in which he tries to show off range from being disingenuous, to straight up improbable.

crossing what we have until now said, it is not hard to come to the conclusion that he really tries to make up, to fill this empty feeling of inadequacy by taking pride in his role as johnny's second in command.

while i am a big fan of bully's characteristic of having left much content out of the main game, leaving the gamers to dig it up for themselves, i do believe that scrapping some of the stuff that was prepared for peanut is a loss. we have a number of voice lines coming from chapter 3, in which it was heavily implied how important peanut's role as johnny's right hand man was.

for example, much like... all other seconds in command, really, he was to be followed and then fought in the rumble, before you could get to johnny, with the specific duty to cover his back. even his very first scene, the opening cutscene of chapter 3, i believe, is not to be underestimated. most of the other people, as far as i recall, call you when they need it in person; johnny, however, sends peanut. making him, de facto, an extension of himself, almost.

again, you choose the motivation. what is important, from a narrative point of view, is that peanut clings to johnny through these acts of service, almost making it the foundation of his personhood.

basically, he makes it so that, if he can't be of help to johnny, his whole self is fundamentally annihilated, giving himself completely to johnny.

ii. lola

with lola, reading between the lines gets a bit more difficult; first of all, because lola is much less transparent than peanut, her insincerity being a supporting beam of the whole chapter 3. secondly, whether she was done dirty by the creators or not, it is undoubted that being the perspective that of a teenage boy (namely, jimmy, but we certainly, as viewers, are brought to sympathize more with johnny than with lola) with all the prejudices it can bring with itself.

however, it doesn't mean that there isn't anything to work with- quite the contrary, actually. the issue with lola is that there is a certain amount of layers to get through before gaining a satisfying perception of her as a character. still, we're here to try our best, aren't we!

even behind the muddiness of her intentions and the manipulation she shows herself a master at, it is clear from the second we first meet her that what she does is in function of johnny.

to get through this mess with order, we'll start from an easy, measurable numeric information: lola mentions johnny in her audio files 19 times. which, we're assessed, IS a considerable amount.

we have extensively talked about the way her cheating patterns are a strategy not to succumb to the passive role of the girl in the heteronormative, patriarchal prototypical couple (there's a post here breaking down a lot of this stuff, if any of you is interested!!), so, instead of this, i want to focus on what lies beneath that behavior.

ultimately, the whole point is that lola expects and wants johnny to fight for her. whether is it because she feels taken for granted, or just because he can't perceive it if not through grandiose gestures like the rumble- your interpretation will work; she wants to see johnny fighting nail and teeth not to lose her, she wants him to show her that he wants her.

she's all about that attention, and she knows exactly what and how to do to get it. and i think this is especially clear when you compare the moments in which she knows there's no advantage she could go for; when she has understood that jimmy won't fall for her manipulation, when algie and chad leave her unsatisfied, when norton openly accuses her and antagonizes her - she loses her temper, lets go of that sweetened and/or flirtatious voice tone, abandons that specific kind of gesturing. she doesn't care anymore about obtaining something. she was actually angry, and she was actually upset that johnny had disappeared.

in some of her audios, she references johnny with some amount of fondness, as well:

Johnny and I were on the best date ever.

(there is also a voice line in which she says "He told me he likes me because of my personality. Isn't that sweet?"; due to it being a general chatter and not exclusive to one chapter, i assume it is relatively safe to assume she is quoting johnny. however, as i said at the beginning, we're trying to stay as close to canon material as possible, so, do your thing- and i'm open to arguments!!)

a considerable amount of audio files, however (which will lead us to our final point) is about her... calling for help for johnny, or stating, confidently, that he will come save her, or avenge her later.

Someone get Johnny! Johnny's gonna get you for this. Johnny is gonna kill you!

but wait... i have some sense of déjà vu...

You're gonna be sorry when Johnny finds out!

iii. two faces of the same medal

if i had to pick an effective image for a metaphor, i'd say that the thing about lola and peanut is that they are both dogs looking for someone to take their leash; we’re talking here about an exclusive relationship with someone they can rely totally on, someone we’ll call the Other (with a capital o, distinguished from just other. yes it is unnecessarily complicated i’m sorry).

for what my professor would call accidents of history, it happened that both of them found that Other in johnny.

each of them attempts at creating an exclusive relationship with the Other, one foolproof and fundamentally… perfect. perfect in the way that everything works like oiled gears, in the way that every next move is predictable, in the way that any accident will not break the created equilibrium. (even if, in the general sense of the term, lola and johnny's relationship is everything but perfect, it is in the connotation that we have established here. lola is aware that, no matter what she does, johnny will come back around. hell, the very thing that she does is aimed at keeping that balance; specifically, keeping him a bit on the edge, pushing him into a corner where he has to actively make an effort to keep her close.)

they both hide something they are ashamed of, regulating not only their actions and reactions but their very way of existing in the world, in order to keep that gear working, in order to remain in johnny's hand. lola hides that craving for a genuine and stable affection, dissimulating it with the cheating and the fatuous physical demonstrations of closeness; peanut hides his sense of inadequacy and complex of inferiority, by being the tough and reliable second in command.

basically, what they mean to achieve is a sense of security, the safety of not really being the one to lead but, at the same time, finding a purpose, other than a shield from the outside world that they are not willing to concede themselves to. like a... symbiotic relationship?? i was going to say parasitic, but, yknow. the Other does get some advantages, which are, respectively, peanut's acts of service and lola's capacity to boost johnny's pride.

now, of course, johnny is not aware of either of their play. which makes it even better, since, as we already said, both of their approach to the relationship needs some degree of insincerity.

like, i don't deny that johnny might be a good friend, or a loyal one. but he is an oblivious, prideful fuck who can't see past his own nose; he's got a tendency to make it all about himself - which of course goes perfectly with what we said about both peanut and lola making the Other their center, taking up, in a certain way, a passive role in the relationship.

this way, both of them aim at creating with johnny a relationship that is, in a way, codependant and conditional, in which the do ut des (their respective "service" ↔ johnny's guarantee of stability) creates the foundation of the very relationship.

this, of course, brings up the problem of exclusivity; on which, however, i prefer not to delve into too much, as this would bring us to the topic of their antagonism which... isn't really what i wanted to go for, at least not here. (it would risk bringing us a bit too close to my subjective interpretation and too far away from the canon, which i PROMISED i wouldn't do. however, someday i might elaborate on that??? idk , please do lmk if someone's interested around here)

i will, however, show you a diagram (it looks like a triangle- i guess it is, but it is VERY important that it is a pyramid, with a top and a larger foundation) and a quote, to wrap this up bc i think it is already WAY too long and ramble-y lmao. let me know what you think anyway, my ask box is always open <3

it almost feels like a joke to play out a part when you are not the starring role in someone else's heart you know i'd rather walk alone (i'd rather walk alone) than play a supporting role if i can't get the starring role -- starring role, marina and the diamonds

[moongothic]

You know we all meme about how Luffy doesn't give a shit about his parents/Dragon, how he seemingly has no interest in learning about the man or meeting him at all, and like yeah that is a Luffyism

And for a long time I figured Baby Luffy would be the same too; that Luffy in his naïvete just accepted he must've spawned from the ocean itself into Garp's care or something, not realizing he should in fact have parents, thus Luffy's seeming disinterest in them

But you know what

Luffy did spend most of his early childhood alone

Sure, he had Garp, but it seems like Garp wasn't always there to look after him every day, he had his duties as a Marine too. Had Garp been there 24/7 all year then Garp would never have allowed Luffy to interact with Shanks (a filthy pirate) to begin with. So yes, Luffy had his grandpa, but not all the time. And sure, Luffy also had Shanks, but Shanks didn't spend all his time in Fuusha Village either, he came and went whenever he pleased too until his final departure when Luffy was just six years old. And yes, there was everyone else in the village too, people who cared about Luffy and were helping look after him. But Luffy's early childhood was one without a stable family.

It wasn't until Garp yeeted the child into Dadan's care that Luffy actually gained a proper family, where after months and months of trying Luffy managed to win Ace's trust and gained Sabo as a brother too. But as we know, by that point Luffy already hated being alone

All of this to say; Luffy growing up essentially orphaned would explain why he's so afraid to be alone, the way he clings onto people

In some ways Luffy's POV is meant to be the reader's POV, to some degree Luffy's feelings and thoughts are meant to be how we the readers feel and think about whaveter is happening in the story. Not a 100% by any means, but somewhat at the very least.

Perhaps Luffy's lack of interest in Dragon isn't just "Luffy not giving a damn about blood family because chosen families are better" nor "Luffy is too stupid to understand where babies come from". Perhaps Luffy, who may have assumed he didn't have parents at all (as in "might've assumed they were dead or had intentionally abandoned him"), doesn't know what to think about the fact that he does have a father out there, one whom he has never as much as met. Because yeah, Luffy doesn't know why Dragon left him with Garp, why he never got to be with his dad. Should he be angry at Dragon, hate him for being left alone? Or did Dragon have a good reason for it, does Dragon wish things could've been different?

Perhaps Luffy's seeming disinterest in Dragon isn't because he doesn't care about blood family, but because much like us the readers, Luffy doesn't quite know what to make of Dragon, and figuring those feelings out hasn't been relevant to the plot yet.

[a-compass-without-a-needle]

Gotta love when you can tell that a character has absolutely been through/witnessed a form of The Horrors when the metaphorical light leaves their eyes.

[stump-salsa]

Adding onto this because I have a lot of thoughts about this topic. This might come out as a bit scrambled because I’m not thinking too hard as I type I just need to get it all out.

First of all, no, defectiveness is not an allegory for autism.

Not only would this be extremely problematic due to the nature of how defectives are treated (executed via electrocution, being seen as highly unstable and dangerous monsters), but you’re also humanising irkens too much. Irkens and humans… not the same! I’m not saying they CAN’T be autistic, I’m just saying that defectiveness and autism are NOT THE SAME THING. This is something that REALLY irks me. (Pun intended). It genuinely makes me very uncomfortable and I know people are going to disagree with me and tell me things like “but the irken empire is messed up! That’s the point!” Okay, well I’m not finished.

“You’re a monster, Zim! Everything you touch gets destroyed!”

Defectiveness isn’t a problem with the irken itself, with the organic brain. Defectiveness is an issue with the PAK. A lot of issues in Zim’s case. The PAK is broken. It literally says this in The Trial:

“Irken Zim’s ID PAK is damaged, and has led to a corrupt data path. He is… a defective.”

His PAK is so broken that it corrupts the Control Brains! Almost like a computer virus, I guess.

Defectives are unpredictable, unstable, and dangerous because their PAKs are damaged. It’s hard to keep them in line which is why they need to be terminated. Zim is an active threat to the entire empire, which would be impressive if they learned how to utilise him. But they can’t. He’s too unpredictable. He could end up annihilating his own race by accident (which has almost happened before). He could be set off in a way that makes him WANT to destroy the empire. No matter what he does, something gets destroyed. And the empire doesn’t want it to be them because they KNOW he’s an actual threat. He’s proved that multiple times. It’s safer to just banish him to a planet so far away that it’s practically impossible for them to cross paths again, all while he’s under the impression he’s been sent on a top secret mission. He’ll direct all his destructive energy towards that and not mess up things for the empire anymore. And they need to keep up the illusion so they don’t set him off because they can’t keep him under control like they can everyone else. THAT is what defectiveness is.

Zim was doomed from the second his broken PAK was attached.

Also, defectives aren’t common either. That’s why it’s such a big deal when they’re discovered with this huge existence evaluation. They’re a flaw in the empire’s perfect code and need to be scrubbed from existence and everyone needs to pretend it never happened. That such an irken never existed.

“Irken Zim's data is not allowed into the collective. His PAK will be removed, and erased.”

Also, I know I said it in the original post, but no, irkens who show emotion are not defective. Sure, maybe it’s seen as weak to show emotions like sadness, but it’s literally impossible to prevent that. They very clearly show other emotions like anger, happiness, frustration… sadness is just another one. It’s not defective to be sad, it’s just funny.

And no, I don’t think Skoodge and Tak are defective. I don’t really have a coherent explanation for this. I know it’s a popular headcanon, I just don’t see it.

I don’t really care if you disagree with me on that, it’s your headcanon. I’m just saying that I personally don’t see it. You do you. What I’m actually passionate about is everything I said before that.

I don’t really know how to tie this all together, but I want to share my thoughts on this topic because I feel like it’s important - ESPECIALLY the first part. I’ll come back to this if I have any more thoughts about it because I’m very passionate about defectiveness as a concept.

The term ‘defective’ is thrown around way too loosely in this fandom. Having emotions does not make an irken defective.

[problemswithbooks]

BNHA Ch. 429

So, I guess Toga is dead, and people are losing it.

I get why people liked her--she was actually queer, being pan/bisexual. She was representation for them and that's rare in shonen manga. But here's the thing--she was bad representation at best and insulting at worst. Nor do I think she was made queer because Hori really wanted to represent a queer girl. Himiko was always the author's poorly hidden fetish--she just was. She liked girls as much as boys because Hori wanted to draw a girl touching sexually on another girl. You can see this in how he draws her and Ochako in solo pics together.

I mean, people seem to understand this when it comes to Momo and her outfit being overly sexual or that both Himiko and Hagakure's Quirks either leave them naked or they have to be naked to use them. These are excuses to draw girls in a sexual manner. Himiko being into other girls is the same thing and that's the kindest interpretation.

Given how Himiko acts and her Quirk being heavily coded sexual desire, and therefore her use of it against someone unwilling being sexual assault, it could just being playing into harmful stereotypes of predatory gays.

As a queer person myself I just found Toga insulting. She was designed to be overly sexual and give the male author a female character that he could draw being suggestive with his other female characters. When he did flesh out her character, her backstory was eventually the trope/fear of straight people, that gay people will be so overcome with their lust that they end up sexually assaulting them.

In the end Ochako accepts this part of Toga and says she'll giver her blood forever, but as much as a lot of readers took that that as some deep lesbian confession, for me it really fell flat. Hori never really gave any of the main kids time to actually learn about their villain or show how that changed their minds toward them. Shoto only works because Touya is his brother (even though he admits he barely remembers him). But Ochako goes from not thinking of Toga at all pre-first war, to one thought about her during her speech, to suddenly caring about her so much she--given how Toga's quirk is coded, is willing to essentially fulfill Toga's kink for the rest of their lives.

It's weird and it comes out of nowhere. It's made even stranger because Toga doesn't actually change or show remorse for anything she did, which included personally hunting and murdering people before she joined the LOV. None of the death and destruction she is also partially responsible for is brought up either, something that Ochako was rightfully upset about during the first war when less people and property had been destroyed. Ochako just accepts everything about her suddenly and her past serious crimes are forgotten so they can cuddle and cry.

Am I shocked Toga died--a little. I didn't think Hori would have the guts to kill off a young girl character, especially one that he clearly got a lot of joy drawing in sexy poses. But at the same time, once he killed off Shigaraki and ended Touya's story with his slow death, I'm not surprised he went the same route with Toga.

This isn't Naruto--Hori isn't really kind to characters that do something wrong, especially if they don't try and change. Enji, Bakugo, Hawks, and Aoyama all sort of got punished for what they did. Enji is the worst off, being permanently crippled, missing an arm and burned everywhere. Bakugo's hand is damaged, his heart weaker, plus he feels bad that Izuku lost his Quirk so they can't compete the same way he wanted them to. Aoyama, despite doing way less wrong and even helping his class during the forest raid, still leaves school because he doesn't feel he earned being there yet. Hawks lost his Quirk and even though him running the HPSC could be seen as good for him, Hawks always wanted a break, but now he has one of the most time consuming and stressful jobs out there.

So, if this is what characters who actively did good things and even changed and fought to be better get, what would characters who never changed and never did anything positive for anyone but their friends/themselves get?

Before the last Arc started, when so many people said the LoV were 100% going to be redeemed I had doubts and always thought it wouldn't make sense with how the story presented redemption or treated other non-LoV villains in the past. That if the main LoV did get some happy ending where they were bffs with the main cast it would clash with how other characters had been treated.

That doesn't mean that I think how Shigaraki, Toga, and Touya ended up in the manga was well done. I think their endings fit far better then a last minute redemption would have, but at the same time you can feel how rushed everything has been since the end of the first war arc. Hori was done with this story months if not years ago, yet he was contractually obligated to finish it. Because of that I think he left out as much as possible. As much as I think he's written some pretty obsessive stuff, particularly towards women, I can't really fully blame him cutting corners or the story being shit at the end.

We know Manga authors, particularly those that work with Jump are treated like shit. That they suffer incredibly long hours at times not even getting to go home for days. We've gotten messages for Hori saying he's sick quite a few times. On top of that, weekly story telling is not a great way to tell a cohesive narrative. Ideas probably change week to week or at least month to month and you can't go back and change the last chapter no matter how much you need or want to. Then you remember he also gave a lot of ideas to the people who made the movies, which would also change his plans for how he wanted the main story to go.

The story is bad--it has been for a while, but I think a lot of people put their hopes on their favorite characters getting a happy ending, even when there were signs that probably wasn't going to be the case. I know how much it sucks when a character you love gets a shitty ending (Stain was my fav, but he got an absolute dogshit ending) but at least, knowing what I know about the industry I can't really blame Hori the way I see some other people doing. Criticize it, sure, but saying Hori hates his readers or is horrible writer isn't true. BNHA was popular for a reason--he's great with characters and the beginning of the story had some great pacing. We'll never know, but I wouldn't be surprised if BNHA could have been amazing if Hori had been treated better and the story hadn't needed a chapter every week.

If anything BNHA has taught me how much a story suffers when authors/artists are treated like crap and forced to work past burnout.

[rebornofstars]

nobody fucking touch me rn i went to see tf one in the cinema and im shaking. they actually made a good transformers movie. what the fuck