#I have a lot more for these AUs!

[whoneedslovewhenyouhaveknives]

A small masterpost of all my current Genshin Impact AUs

(Please, please, if you have any questions about these, want me to flesh something out/elaborate a little, or just wanna add your own two-cents, ask me! I'd be overjoyed to hear what other people think of these!)

red like roses, red like your hair (red like the blood you swore that we share)

(Papa Diluc & Traveler Tania AU)

During his Fatui-hunting travels, Diluc finds a young girl shivering in the snow, stars in her eyes and tales on her tongue of a kingdom long-dead going up in flames.

At first, Diluc takes her with out of love for the brother he had "lost". Later, he takes her in out of love for the little girl he had found.

Much, much later, when an unknown god appears before them and strikes, casting the daughter through space and the father through time, it's up to starry-eyed Tania to get her Papa back, come what may.

~*~

my heart must be a hurricane (why else am i spitting up cecilias?)

(Venti Has Hanahaki AU)

It is said that Hanahaki bloomed into being during the Archon War, even though the Archons did not know how it was created.

All anyone knew was that the only way to stop the flowers was "a love requited as it was given". Romantic love for romantic, familial for familial, platonic for platonic.

Little does everyone know, however, that one Archon does know the origins for Hanahaki. After all, Barbatos was the first to contract it.

~*~

‘til death do us part

(Suicidal Diluc AU)

When Diluc goes up to Starsnatch Cliff to jump, he's surprised to see someone already there. A teenaged assistant to Flora, by the name of Aster.

Diluc and Aster are both looking to end their lives, but neither want to see the other dead, so Aster suggests a solution: They meet up again, a week later, on the same day. If only one of them shows up, that person gets to jump. If they both show up, they both have to wait another week.

Diluc agrees.

~*~

tempus fugit

(Reincarnated Istaroth AU)

Istaroth never expected to wake up again, much less in the body of a child.

Nevertheless, she's delighted to walk Teyvat once more, and her beloved son Barbatos is overjoyed seeing her again. She even met his dear paramour, Morax.

Even so... why was her body so battered when she first woke? Why does it look ever-so-slightly familiar? ...And who does she keep seeing, out of the corner of her eye?

[letmetellyouaboutmyfeels]

I am incredibly serious right now when I beg you all, please, and if you have Twitter or Tiktok or whatever to please spread the word: click on an author's profile on Ao3.

You want to know if an author has written more? Want to know if they're still writing? Want to see more from them? Want to know if they've written a trope or kink or sex scenario you enjoy?

Click on their name. And look at their profile.

I cannot tell you how many times in the last six months someone has read a new or newer fic of mine and said they (a new reader who has read nothing else I've done) "can't wait to see what you do next!" I've written 50+ fics and over a million words already.

"I don't know if you're still writing..." click on my profile. I am. I literally wrote a 128k+ fic for that ship last month.

"Would you ever do X?" "Please do Y!" I already did. Click on my name and look at my works.

Archive of our Own is a library. It's an archive. Not social media. It is your responsibility to fight back against the laziness that corporate algorithms have trained into you.

Click my author name. Just click it. Just click it.

Before you demand more, or ask if a writer will do XYZ, or wonder if the author still writing, or anything - click on their profile. Click on the author's profile.

I'm not trying to be mean or condescending or anything like that. I'm just exhausted. It's disheartening and frustrating to repeat myself ad nauseam, because someone couldn't take thirty seconds to do the tiniest bit of work to see if I've written lately, if I've written more for their ship, or scan my works to see if I've written what they're asking for. Please. Please. I'm begging.

Click the author's name, and explore before you ask.

[wanologic]

💅💅💅

[bluegiragi]

learning moment (part 1)

early access + nsfw on patreon monster!AU masterpost

more explanation under the cut

I think that so far, Soap has clearly demonstrated himself to be the more emotionally intelligent one of the pair, but it doesn't mean he doesn't still get frustrated at times. He's also just an emotional guy, and is working himself up a bit. This is a difficult topic for him to want to remain calm over, and there's a lot of factors contributing to his reaction.

One big factor is that he is a werewolf and he sees things through the eyes of his human side and wolf side. The shades of grey that Ghost sees in the Mexico operation just isn't there for Soap - to him, Ghost's 'pack' was under attack and he successfully defended it (this 'pack instinct' is something he shares with Price). The fact that his wolf now considers Ghost his in some way also contributes to his upset over having to read about what happened to him in such a clinical way. Werewolves can be kind of irrationally territorial, and although Soap is used to reading reports just like this, the fact that it's concerning Ghost (in probably the most vulnerable state of his life) is raising his hackles.

It's not a fight, because at the end of the day, Soap isn't mad at Ghost, just at his circumstances. But he's basically just asserting some emotional boundaries here with Ghost (who is, for what it's worth, I'd say a bit surprised and mostly bemused here.)

[verflares]

(click for higher quality!) draconified link concept ive been chipping away at this past week ..... here's my funny little compendium concept for him:

"A heroic spirit has taken the form of this bestial dragon. Unlike it's kin, this creature exhibits an extremely aggressive disposition. It appears highly territorial, and will relentlessly chase down those who disturb its skywide patrols - of which it seems to be endlessly searching for either a long-time vassal or foe. Unfortunately, it seems the spirit within has long since forgotten exactly who it was looking for…"

[noodles-and-tea]

For the twins in time AU, I genuinely wonder what kind of people the young twins grow up into because of Stan’s/Ford’s influence. Especially if it takes years for the portal to get fixed.

(Sorry if it seems like I already sent this question, I don’t know if it got sent the first time I asked)

I haven’t fully fleshed out how Ford grows up in the past but I do have thoughts on Stan presently

[mari-lair]

good night Sif

edit: Isa saying 'stars' is important

[aitadjcrazytimes]

[tealgoat]

A scenario in which the island isn't forgotten but ka bue is

[cockroachesunite]

a ghost story

[starsonablackboard]

are you sure?

[angelcake10023]

Samadhi Fire Tang Au- Part 3

A Guilty Conscious

Previous/ Next

[okanra]

Since I grew up in the late 90s, all I can think about teen Trunks and Goten is through the layer of nostalgia, with them wearing the late 90s and early 2000s clothing in something like a US setting, and Trunks using the latest phone technology at the time since he's a tech nepobaby: the legendary flip phone.

I think for Goten who was originally a mountain boy to be so hooked on things like phones and texting and girlfriends and dates when he grows into his adolescence, is because Trunks was his original influence until it wasn't.

Them using the trendiest slangs of 20 years later is pretty on point tho.

[krysmcscience]

It’s finally done, guys – five whole pages of Narilamb AU comic AND MORE be upon you! (If you have trouble reading any of the text, view the full-size! These pages are huge!)

Yeesh, this took forever. <:)

There’s probably a ton of inconsistencies and anatomy/perspective wonkeries, but this was mostly just comic practice, so Oh Hekkin Well, Lol <:D

(Yes, I am aware the Gateway’s door isn’t present in the Afterlife, and the actual way in is just a pentagram portal. Yes, I put the door in there anyway because Artistic License, i.e. it felt more impactful for there to be a prison door of sorts to walk through to freedom, rather than just a bland boring portal on the ground. 😠)

anyway, i hate backgrounds so much lmao

Alternate ending and a buttload of bonus art under the cut, followed by goofy AU rambles and headcanon stuff:

I’m calling it the Revival AU. It’s not all that creative a title, and someone else has probably used it already, but I am too lazy to really care, LOL

Alternate ending page, which you will Definitely need to view the full-size for, Whoopsie Daisy:

The alternate ending was actually the first ending I finished things off with, because I had a brief badbrain moment where I forgot the emotional beat I initially wanted the comic to end on, and I tend to write comedy, anyway. I later remembered and drew out the proper ending, but I preserved and finished this one, too, because it still makes me giggle.

They had to go back for the followers off-screen in the AU’s real ending. And by ‘they’ I mean just the Lamb, because they weren’t about to ask three newly freed cats to go back into what used to be their prison. The Lamb DID spend some time watching Narinder and the bois enjoying the outdoors first, though:

In other news, here’s the Lamb and me making fun of my anatomy-drawing ‘skills’:

Meanwhile, if you’re wondering why the Lamb is just a-okay with how things went down vis a vis Their Murder, this bonus comic should answer at least some of your questions:

Ah, yes, also this is how they get engaged outside of the alternate ending. Forgot to mention that bit. XD (I already refuse to believe that Narinder is capable of flirting normally, so why would his initial marriage proposal be any better???)

Oh, and before any of them get a chance to actually head back to the cult grounds, there is one potential problem:

And by ‘problem’ I mean something Narinder intends to ignore for At Minimum a thousand years. Cuz he’s a petty bitch like that. :D

what do you mean i drew the lamb too tall compared to the background? clearly they’re standing on top of baal and aym lmao, why else would you think those two aren’t in this one??? (aym and baal got way too excited about finally being outside, you see, and their silly modes are nothing to sneeze at)

And, speaking of heading back to the cult grounds, I’m sure y’all would love to know how the Lamb’s followers felt about the brand new change in management:

It all went better than expected. <:D Tiny ramble now, feel free to skip down to the next comic.

Before you ask, no, the Lamb does not have any actual powers anymore, other than the immortality Narinder definitely grants them. The Red Crown just thinks it’s funny to suggest otherwise, and Narinder does nothing to discourage this. Also, the Lamb and Narinder aren’t actually married here yet, but, uh. Pretty safe to say that particular ritual directly follows the events of this comic. XD

Given how quickly he mellows out in canon, Narinder probably chills out a lot in this AU once he’s in charge of the cult, too, if only because 1.) He’s finally free, and 2.) He’s equally smitten with and distracted by the Lamb. He’s definitely in charge at least 95% of the time, though, because the Lamb never actually wanted to be a cult leader and, now that their time as a vessel is done, they just want to be a normal(ish) sheep who’s wholly devoted to their hot new divine husband.

Some followers do still have some valid concerns about these two being together, though, which I’m sure at least a few of you might share…

Unfortunately for any such concerns, the Lamb is a bonafide masochist in this AU. :D

They’re also 100% a sub, obviously

Anyone at all: Your relationship is problematic and potentially toxic

The Lamb: fuck yeah it is, it’s so hot~ OuO

Here’s just the last panel, made transparent for whatever nefarious purposes y’all might have for it:

Additional exchange Narinder and the Lamb have at some point, probably after the Lamb does a fatal whoopsie while out on a mission trip or in response to things getting a little too sadistic in the bedroom, ahaha:

Look, there is a very important distinction between life and death, and if you don’t understand that, then you’re probably not worthy of being the God of Death, anyway. (At least, according to Narinder, and ONLY Narinder.)

Last but not least, have these shittens:

~Such creative naming conventions I have utilized, lololol~ :D Anyway, there's a few deets on them in the rambles down below.

The rest is all ramble, so before I get to that, I’ll just say – likes and especially reblogs are very much appreciated!!! :D If you happen to really really REALLY like my stuff, meanwhile, I do have a link in my bio to my ko-fi page, where I’m accepting commissions and donations if you’re especially generous… ÓuÒ

Now, BE FREE IF YOU AIN’T DOWN FOR READING MY GOOFY RAMBLES

First ramble is re: Baal’s question of ‘Did it really work?’, since I didn’t feel like expanding on it in the comic proper, and it’s arguably pretty vague? He doesn’t ask because he doubts Narinder or his capabilities, exactly, but because neither Baal nor Aym have ever actually seen their god at full power before (he’s still technically not at full power here, either). It’s not expressly stated how soon the brothers were brought to Narinder after his imprisonment, but whether it was early on or after a length of time for Shamura to (somewhat) recover from his attack, he must have already been weakened, since I have no doubts that there was a huge battle that accompanied the Bishops working together to trap him. So, between that fight with all four of his siblings, sharing his power with a variety of vessels over time, and being chained immobile for a thousand years, he must have been severely weakened by the time he lent the Red Crown out to the Lamb, which would have only weakened him further.

I like to think this is how the Lamb is able to defeat him if they refuse to be sacrificed, despite how it took all four Bishops working together to subdue and chain Narinder in the first place.

All that aside, the three cats have been trapped in the Afterlife for so long that Baal also wanted verbal reassurance that they are all, indeed, actually able to leave it now – something that I headcanon isn’t possible without a significant amount of power (i.e. the Red Crown’s cooperation with its bearer/vessel).

(On a semi-related note, I don’t headcanon Aym and Baal as twins. I like sweetheart big bro Baal and snarky little goth bro Aym too much to have them be that close in age.)

Ah, teeny thing: If you noticed I switched up the art style for Narinder on the second page, that was intentional. It's sort of a visual indicator that there has been a Big Change for him - that being, how much power he has after sacrificing the Lamb. As for why I changed up his arms in the grass rollin' pic, I don't really subscribe to the notion that his arms are spooky bones because they're horrifically injured (beyond chain-chafing scars, that is), but rather just because he's the Bishop of Death, so he can change how normal-to-spooky they look at will. At some point I might doodle out how I imagine his appearance to range between least to most eldritch... 🤔

Next ramble, regarding Narinder’s feelings towards the Lamb...he was initially too focused on being freed from his imprisonment to form any real attachment to them. They were a tool for his use, first and foremost, but he did notice their intense devotion towards him. It was impossible not to notice, because the Lamb was always very happy to see him, even if it was because they died during a crusade (yet again). He wasn’t originally planning to revive them once he was freed, either, because he saw no real point to it – after all, they were already dead when they first met him, just as any other mortal would be when meeting him in the Afterlife, so death has very little real consequence in his eyes. But, once the chains were off, and it really sank in that he stood to lose the most devoted follower he’s ever had, he decided…why put their soul to rest for good or leave them stuck in the Afterlife when he could just as easily revive them again? And why not reward them for their hard work, anyway? Not only would it cost him nothing by comparison, but the future devotion that could come of it would surely make up for his (bare minimum) effort in reviving them.

He wasn’t expecting to get a full dose of that devotion and a smiling face so soon after killing them, though~ :3c (because the Lamb is a bonafide freak, and not-so-secretly into the fucked up power dynamics going on here, lol)

I should mention here that I am firmly of the belief that any non-god/vessel who crosses through the Gateway and into the Afterlife just straight up dies. So, Aym and Baal? Also straight up dead, from the second Shamura brought them through. Their souls were just never put to rest so that Narinder could have some company – if only according to Shamura. Narinder kept the two around mostly out of bewilderment, because honestly, who are these kittens, and what is Shamura’s game here, anyway??? They never even explained anything, they just tossed these kittens into the Afterlife and LEFT!!! At any rate, Aym and Baal being dead is how I explain why their souls apparently become lost in the void if they’re killed, along with the added complications required to revive the two because of it.

So, with those deets in mind, and given a bit of time, if Narinder hadn’t chosen to revive the Lamb, and also hadn’t chosen to put their soul to rest, they still would have woken up at some point, despite being as straight up dead as Aym and Baal. Who, don’t worry, were also properly revived while Narinder was waiting for the Lamb to wake up. Because I am also firmly of the belief that, first, the dead cannot leave the Afterlife without the use of a ritual/relic (and can't stay in the living world for long regardless), and second, dead followers’ devotion isn’t anywhere near as potent as that of the living, given how much more the living stand to lose.

Final ramble, regarding the Lamb’s feelings towards Narinder, and why they’re so devoted to him…

Well, you don’t spend most of your life on the run with your steadily-dwindling herd, trying to evade the ongoing genocide of your species, without becoming a little fucked up in the head. Maybe a lot fucked up in the head. Life is suffering, so might as well have fun with it, right? Maybe start finding death and pain to be kind of hilarious, even a little bit hot, once everyone you know and love is dead and gone, leaving you all alone? And maybe after that, there’s something comforting in how, despite the cold, cruel uncertainties of life, at least you can always count on the inevitability of death, patiently waiting for you until your very last breath? Who knows. Either way, as soon as the Lamb was killed, and they learned that the literal God of Death was offering them a second chance at life and vengeance via effective immortality, they were 100% ride-or-die-devoted all at once. Turns out death is kinder than life – go figure. (Of course, it helps that Narinder is 100% their type.)

They weren’t put off by Narinder’s thinly-veiled sadism or manipulations, either – they’re not too different in those regards, albeit opting for vastly different methods. It’s a very ‘two sides of the same coin’ sort of deal. In order to stay alive once they were made the last of their kind, the Lamb had no qualms with using others to their advantage, and that did not change once they were revived and expected to run a cult. They didn’t care for the position of authority, though – being a sheep and all, they’re much more of a follower than a leader, and thus greatly appreciated Narinder’s need for control. With how they had to keep on their toes for so long, the Lamb was also pretty good at reading people by the time they died, so they could recognize that a lot of Narinder’s posturing was just that – posturing. Dude’s 95% bluster and only 5% bite. He could obviously be vicious when he wanted or needed to (the Bishops' injuries were clear proof of that), but underneath his outer layer of cruelty was a generous layer of tsundere, and underneath all THAT was a soft squishy middle sibling velcro cat in desperate need of attention and affection.

(Which, for the record, he Did Not feel comfortable getting from Aym and Baal – Narinder still has no idea why the fuck Shamura sent them to him, beyond acting as keepers at best or trying to sabotage his attempts to escape at worst. Which, he thought HE sabotaged in turn, by guiding the kittens into being his devoted disciples instead. He thought he was very clever for it. ‘I outsmarted Shamura!’ he thought, despite that there was never anything there to outsmart. ‘What do you mean, Shamura sent your kittens to me for company?’ he demands of Forneus later. It may or may not lead him to pull Shamura out of Purgatory just so he can shake them and scream about how they should have Fucking Explained that!!!)

But, getting back on track as to why the Lamb was so willing to be sacrificed, I cannot stress this enough – if you pay even a minimal amount of attention to what he’s saying, Narinder is REALLY NOT SUBTLE about his intentions. ‘Death is of little consequence.’ ‘Followers are for you to use to your advantage.’ ‘Sacrifice a follower to absorb more power.’ So, yeah, the Lamb knew exactly what would be expected of them once the other Bishops were dead. They knew Narinder would expect them to die for him one last time. But, after all, death is of little consequence (not to mention hot), so when the time came, they wanted to see him freed, even if it meant oblivion for them in the end.

He’d given them a second life, and the ability to avenge their kin, and they felt indebted to him for that – so, while they were still pretty glum about the possibility that they might not get to see him free of his chains, nothing beyond their devotion and debt to him mattered. They never wanted all the drama and expectations that came with the Red Crown’s power, anyway, so, better for Narinder to have it back so that he could deal with it. What he did with the Lamb afterward would be up to him, and seeing as he was their god, they’d accept his decision gladly.

Were they in love with him by that point? Oh, obsessively so, but only in the devotional sense – romance was nowhere on their mind nor radar. That is, until he unexpectedly revived them again, told them he still needed them, and then offered down his hand to help them up.

The Lamb fell HARD for him in that moment. :3c

And now, a tiny shitten ramble. Lu and Li are twins, because sheep tend to have those a lot, and are conceived not long after the Lamb and Narinder’s marriage ceremony. Lu is the minutes older one, but Li is much more mature. I have put no further thought into these two, other than that they are utter menaces, birthed by the Lamb, cling hard to both their parents but especially Narinder (who spoils them rotten), and they are both genderfluid, using whichever pronouns/names they feel like at any given time. They are also both intersex, same as the Lamb, who was initially infertile up until Something Something Vague Magic, which I have also put no further thought into ¯\_(シ)_/¯

oh, and before anyone tries to suggest i headcanon this AU’s lamb as trending more female due to them giving birth or whatever, no, no, a thousand times no, they might have a vag, but they've also got a dick, and even if it's not as big as they'd like, they still know how to use it

Finally, the very tentative name for the Lamb in this AU is Yazdi, which is really just another name for the Baluchi breed of sheep XD (Not that the Lamb is this specific breed, I just didn’t like any of the other sheep-related names I found, ahaha...)

THAT’S ALL FOR NOW (collapses into an exhausted pile of goopy limbs)

[wasyago]

Falls in, i would love to hear about this decked out/failed cave exploration au pls pls pls already i am Bewitched

hehehe [in tango's voice] sighh i suppose...

really im very tempted to just let it sit and not tell anything, because it's so fun seeing people theorize and point out details in the notes. but yeah i guess i shouldn't gatekeep it, its a fun au!

i do want to state in the beginning that it was a one-off thing and i have no plans on continuing it or drawing more for it. if you do tho? feel free! (not asking for fanart by any means, but giving the green light if anyone was wondering)

well

-------

Pet crew were a group of cave explorers. They're no experts by any means but they were no amateurs either! (ignore the fact that they're not wearing any PPE, i didn't want to draw it, ok--) And recently they've been excited about mapping out a new cave system they found, completely unexplored according to their research.

Tango, always a big lover of his plans and spreadsheets, presumably decided to go in alone ahead of time to sketch out at least a rough draft for a map, so they had an idea of what they're going to be dealing with.

But see, this cave is not an ordinary cave, no matter how pristine and untouched it looked. It is one gigantic organism of unknown origin, and a hunrgy one at that, the air inside it is filled with little cells or spores that, when inhaled enough, start taking over the body and corroding it to the cave's will. Killing the host in the process.

So, obviously, after spending some time in the cave by himself, Tango did get some cells in him. Not enough to be noticeable, but enough to give him a headstart on the corruption when the group went in for a proper dive some days later.

The first symptoms of undergoing the change are pretty standard: light fever, weakness, dizziness — easy to mistake for a flu.

Which is exactly what Tango did. Of course, going caving with a flu is not a smart thing to do either, but the group has been planning this trip for so long, delaying it even more because someone was slightly under the weather would've been foolish!

The cave started off with a big drop, requiring a rope to be set up, and then sprawled into a system of tunnels. Tango and Pearl were very excited to find an entrance to some ancient tombs a couple of hours into the dive. There were stairs leading even deeper underground, which turned out to be an entrance to a bigger cave system, with a huge frozen lake in the middle and an entrance to abandoned mines.

Further symptoms include skin turning pale, graying hair, eyes starting to shift color to red. Previous symptoms remain and intensify.

Tango had always been pale, he had blond hair too, and in the dark it was hard to notice the white streaks in them. The pink cheeks were easily passed as a result of being in the cold. Pearl did express some concerns about Tango's well-being when he started to fall back a bit, but he dismissed it as just him getting tired. By that point Pearl seemed to also have some "frost" in her hair.

After the hair have fully turned white, the tips start to switch color to an unnatural blue. Skin eventually loses color completely, turning gray. Fever intensifies as body desperately tries to fight the infection.

At that point it was impossible to deny that something was wrong with Tango. There are no mirrors underground though, so to him it was just his flu getting out of hand. Guilty of hiding his illness, yes, but nothing critical. The blue hair however were not normal, and the other two were freaking out a bit more than Tango would've hoped for.

They had an argument.

Etho snapped and hit Tango to beat some sense into his stupid head.

By that point Pearl was clearly looking bad too, and Etho's own hair were apparently turning white. They were all feeling terrible, physically and mentally. They decided to head home.

As previously stated, the cave is in fact alive and can sense when something that belongs to it is trying to escape. In an effort to stop it, the whole cave system comes to life. Old animal carcasses rise and start walking, small screeching creatures begin patrolling the tombs, the ice melts and the cave blooms in dangerous ways.

When the crew exited the mines into the second level of the cave system, it was apparent that the way back would be a lot harder. By that point Tango was struggling to stand and Etho had to drop his equipment to carry him. But the fever and the dizziness were making it hard to move fast, the changed layout of the cave was difficult to navigate even with their map, and the way to the surface was still very and very long. It was obvious they couldn't make it out....

Unless they were willing to make some sacrifices.

Etho isn't proud of his decision, but leaving Tango was their only option! He and Pearl still had a chance to escape if they moved quickly, but Tango was just too far gone, he couldn't-- Etho couldn't carry him to the exit, he was getting too tired, and if they all stuck together it would get all three of them killed! Was it not better for at least two of them to survive instead of-

They had another argument.

Pearl stubbornly insisted on taking Tango, so Etho had to lie to her and say that they will come back once they scout out the way. Etho couldn't force himself to look at Tango though, if he did he would be met with this knowing look and he just couldn't bear it. Tango cried when they were leaving.

After the body succumbs to the fever it stays dead for a short period of time, while the rest of the changes set in.

It took a miracle for both Etho and Pearl to reach the tombs, but the hard part came after. Etho did everything in his power to convince Pearl to leave with him, he said they will come back later when they're better prepared, he said it was too late to help Tango, he said it was Tango's own fault, he said many bad things, none of which were enough to change Pearl's mind. She turned back and Etho didn't follow her.

He ran through the tombs and the caves alone, losing his eye to a monster he saw all too late. It was painful and it was disorienting, Etho doesn't even remember how he got to the initial drop they went down, he was panicking and only moving forward because of adrenaline and instinct. The ascend was a fever dream, Etho doesn't know how he didn't fall to his death then.

Through the rush of blood in his head, Etho heard the faint sound of Tango's voice. Too cheery for his feverish condition, and much, much closer, a lot closer than the place they left him to die in. He did not hear Pearl. The sound stopped when it was right under him, and he felt a light tug on the rope he was hanging of. And nothing else happened...

Etho emerged from the cave into the cold night, stumbling over his own feet, too tired to run. Their van was parked over by the entrance and Gem was already waiting for him. Him — shaking, bloody and alone.

...

The body reanimates again, now obedient to the cave's will. It is no longer alive but it is not dead either, frozen, stalking through the tunnels in a mindless haze.

[damianito]

The holy trinity (close up ↴ )