#I have 10 courses

[theroundbartable]

Arthur: I'm tired

Merlin, who hasn't slept in 72 hours and has his fifteenth coffee intus: maybe you should go to bed

[cy-cyborg]

Just a reminder that unless your amputee character lost their limb less than a month ago, their stumps don't need to be bandaged.

[cubbihue]

“He knows Timmy will come around eventually. It's only a matter of waiting for his clock to run out. And HP is very patient.” Hey uh.. WHAT DOES THAT MEAN HIS CLOCK TO RUN OUT is he waiting for Timmy to become a full fairy (Pixie?) and when that happens Timmy forgets about being a human entirely?

Sometimes Timmy wonders why he has grudges against certain fairies. Some of them, he can understand- like his dislike of Dr. Rip Studwell. But other ones, like with Cupid, it's a bit of a blur.

He must've been a very very vindictive 10 year old! Ah, well! Timmy's learned that he has to pick and choose his own battles wisely.

And uh. Fighting with the man who decides his paycheck and vacation days is not a battle worth choosing. Talk about a hostile work environment!!

Bitties Series: [Start] > [Previous] > [Next]

[delsinsfire]

i've never felt more understood by YouTube comments than by those of the Messmer cutscene

[okartichoke]

ace avian. that’s what we’re calling this 🗣️🗣️🗣️

please let me know if you have any thoughts or suggestions or input or anything! i’m happy to bounce ideas around (i'll post DL-6 someday soon i swear)

link to masterpost || explations below cut

shoutout to the anon who sent in that ask bc i seriously fell in love with blue jay phoenix. SHOUTOUT TO TAKAHE PHOENIX TOO THO takahe phoenix, you will forever be in my heart and im glad you existed <3333,, (maybe in this au he’s got some loving adoptive takahe parents :3) (YKNOW WHAT YEAH that’s canon now)

but yeah, flight-avoidant jay phoenix still lends itself well to the common-man hardworking underdog vibe i want from him. speaking of flight-avoidant...

Phoenix's relationship with flying:

It's a bit complicated. Basically, Phoenix can fly, but he historically chooses not to. From the lack of any practice, he's an INCREDIBLY weak flier. (That hovering is really all he can manage)

For one, he's still afraid of heights. Can't help that. This fear means he was less inclined to practice flying, which made him a weaker flier. And being a weaker flier, in turn, made his fear of heights worse. And so on, in a loop. With flightless parents too (it's canon now it's canon), there's even less of a reason to learn to fly. At some point, not flying might've even become something he stuck with out of stubbornness lol, knowing Phoenix.

(I will soon be making a couple small world building posts, but) flying isn't necessary to get around in their society. Convenient, sure, but Phoenix realized he could make do without, and so he did. Phoenix, you icon. Slay. 💅💅

i know this probably isn't the popular take with wing AUs??, but Phoenix being flightless (or at least semi-flightless) sounded like a really fun take on the idea to me. His name is irony at its peak. I also look forward to exploring how other characters react to him not flying. The prosecutors are going to have so many cheap insult opportunities.

As I mentioned though, he still uses his wings a LOT, though. He's much more emotive with them than most people. His sarcastic inner-dialogue remarks are also betrayed by his wings lmao

I also imagine bird-folk never really invented bikes (riding would just be annoying with their wings, plus bikes aren't fast/efficient enough to outweigh just flying), so instead, Phoenix gets around on a little wing-powered scooter device (like scootaloo lol) (they're usually made for children who can't fly yet, but Phoenix still uses one)

finally, wow, stellar jay’s are quite literally just phoenix wright as a bird lmao? color scheme, hair, it’s uncanny. give it a pink tie and it just is Phoenix Wright, i used a blue jay since they’ve got a bit more striking wings but wow.

(ty again for the support and for reading my essay ! :3)

one more thing, but @kora-kat YES YES YES this. ^^^^ omg THIS. this is still true even though he's a jay now.

[tofixtheshadows]

Hello, op! While I do find your reading of Kabru’s self sacrifice and how little he eats really good, im curious why you consider him the deuteragonist? He is a foil to the protagonist yes, but still a supporting character.

I think its pretty clear Marcille is the second most important character in DM, and her story has much more weight than Kabru’s.

Hello! I've mentioned this on my blog before, but I actually consider Marcille and Kabru to both be deuteragonists to Laios's protagonist. I just wasn't talking about Marcille in that post.

Technically this term is meant to be used in playwriting, and the Greek tradition at that, so I'm playing a little loosey goosey with semantics and my argument would sound different if I were writing an academic paper. But this is tumblr dot edu and I'm trying to get a point across on my little blog, and part of the idea of a deuteragonist is that they support the protagonist. "Secondary main character who has their own importance in the narrative while bolstering the protagonist" works well enough for my purposes.

I think Marcille and Kabru are both playing specific and complementary roles to Laios. Marcille is at his side, facilitating the A plot: namely, "save Falin", which requires Marcille's magic, and then Marcille's method of resurrection ropes Thistle in, so the continuation of "save Falin" necessitates confronting the Dungeon Lord and conquering the dungeon (the B plot).

Kabru only intersects with Laios, but he is tied from the beginning to the B plot- and with dragging basically everyone else into it. Actually, the fact that he brings in this extremely loaded B plot despite only having brief face time with the protagonist should be seen as significant. In a sense, Kabru represents the surface world and all its concerns.

Before I talk about that more, I want to continue with the complementary line of thinking and point out that Kabru and Marcille have very similar background motivations.

Laios wants to save his sister first and foremost, and it's only along the way that he starts to consider what he'd do with the responsibility of Dungeon Lord. Coming to the conclusion that he wants to create a home for disparate peoples to live in harmony has connective tissue to both Kabru and Marcille's desires.

Marcille is the only one in their party who starts out with a greater motivation other than saving Falin (Izutsumi is a special case, but she's ultimately along for the ride), one that she keeps hidden for a long time. Because she is a mage, and because she is driven by a very personal tragedy (my dad died; I am terrified of outliving everyone), she is looking for a miracle to bring the different races closer together.

Kabru comes from a background of personal tragedy as well, but it's also a far greater, more political tragedy than just the death of a parent. It is not a coincidence that Kabru is a brown boy from an exploited region that suffered despite and because of military intervention from a first-world power, nor that he was adopted by a white woman whose coddling/dehumanization of him represents the paternalistic oversight of these world powers.

Thus, Kabru's motivations are both personal and political: if they, the short-lived races, can finally access the secrets of the dungeons, then not only can they have agency in stopping tragedies like Utaya's, but it will also give them a greater power of self-determination.

Marcille and Kabru have both correctly identified and set themselves against a problem that is greater than saving the life of one girl, greater even than sealing this one dungeon.

Despite Marcille's hopes, there is no grand magic solution to this. Only small, slow, backbreaking, ordinary solutions, the kind you labor over in kitchens and bedrooms and throne rooms and meeting houses and hearths and negotiation tables. The kind you run a kingdom with.

There is a reason why Dungeon Meshi ends with Marcille and Kabru on either side of Laios's throne.

Okay: back to Kabru (under the cut).

I've talked about this a little before, but I'll reiterate here: I consider Kabru to be the counterweight to the back half of the story. In a very literal sense too, as he pulls the focus up from the depths to the surface not once, but twice. Dungeon Meshi builds itself on the premise that the traditional "dungeon" must function as an actual ecosystem, and the monsters in it are biological actors in that ecosystem and not merely magical obstacles independent of their environment. The first couple dozen chapters are focused on this. Like regular animals, monsters have needs and instincts and unique behaviors, and they can be killed and consumed as part of a food chain.

And then Kabru comes along and he reminds us that humans are also part of their own special ecosystem, with their own needs and instincts and unique behaviors, and that beyond the biological drive of the literal food chain there are also complex social issues influencing these behaviors (like capitalism). Tansu's visit with the governor introduced us to these ideas, but Kabru is the one who carries them.

The way he and his party break down Laios's party also serves an important function. I think most readers are so busy being shocked that Kabru is "so wrong" about our goofy boy Laios that they don't realize that he isn't actually wrong about anything (he's only missing the context of what drives Laios, which he admits to and is part of the reason why he pursues him). We've gotten only Laios's view of things so far, and Laios is pretty tunnel-visioned. The narrative, through Kabru, is telling the reader this is how our protagonist actually comes across to his community.

We like Laios because we are following his story from his inner circle. We know he's naive and struggles with people but that he has a good heart and is ultimately just a big silly guy who won't harm anybody if he can help it. But we only know that because we're seeing him with his inner circle, in his environment. Outside of the dungeon, Laios is anti-social to the point of rudeness; he misreads situations and misjudges people, he acts in ways that cause friction, and he accidentally aligns himself with people who make his whole enterprise look suspicious: a prominent half-foot community leader, a mysterious foreigner literally surrounded by spies, the disgraced daughter of a criminal who now has to shoulder the burden of her father's reputation, and an elf in a land where there are no elves. And they seem to be very good at what they're doing. Yet this whole time, Laios acts as if he doesn't care about profit or taking the kingdom, the only logical reasons why anyone on the Island would gather up such a party and throw themselves into this death pit day after day.

Yeah of course Kabru finds this suspicious and interesting. Of course people don't know what to make of Laios. This all reiterates the question that Zon the orc already raised: What will you do, Laios, if you defeat the Mad Mage? If you gain control of all of this? Can you be a leader? Laios himself doesn't know yet.

This is all necessary context for our protagonist and the journey he has to go on, and it's fittingly brought up by the most socially adept character, who is so concerned with human ecosystems and the bigger picture of the dungeon. There is a reason why Kabru, as a character, is connected to large webs of people as he moves throughout the narrative: his own party, Toshiro's party, the Canaries, the denizens of the first floor of the dungeon.

Kabru is responsible for bringing Toshiro down to Laios's party. Toshiro is not a big mover and shaker in the story itself, but his confrontation with Laios is a huge part of Laios's character arc. His detour down to the lower levels also allows Izutsumi to escape and join Laios's party later.

We also have this very important moment:

It shows the first inkling- to the audience, to Kabru, and to Laios himself- that Laios is willing to do a painful, necessary thing to protect other people, that he won't just allow them to become collateral for his sister/monsters. That he can listen, and that he can assess a situation beyond his personal feelings. Again, fittingly, big-picture-thinker Kabru is the catalyst for this.

And then, not content to leave him as merely a device for Laios's character growth, the focus slingshots back up to the surface, and we follow Kabru.

The Canaries were going to go into the dungeon soon anyway, and they were always going to stir up the crowd in order to lure Thistle to them. Unless Thistle had given up right then and managed to slip away, the story could have very easily ended here:

Falin, immobilized and surrounded by Canaries, would have certainly been killed, and there would have been no way to ever resurrect her. Thistle would have been neutralized. The dungeon would have been taken by the elves, and anyone they could get their hands on would have been imprisoned at best. And maybe the dungeon would have been managed safely ... or maybe something would have gone wrong, and more lives would have been lost. Remember: the Canaries arrived in Utaya one year before the tragedy.

This is a huge moment that changes Laios's life forever, and he doesn't even know it. Kabru single-handedly keeps the story on course by sabotaging the Canaries, and he does it not just for Laios's sake, but for everyone's sake. For his friends and companions in the dungeon and everyone else outside it. Laios is a part of his motivation, a key player in Kabru's hopes, but Kabru has his own desires, his own agenda. He's trying to change the world. In a way, he succeeds. And while the Canaries might wish it were otherwise, as an entity in the narrative they are always anchored to Kabru's character. The two forces collide because of Kabru. The unsealing of the Winged Lion and Marcille's emergency ascension to Dungeon Lord happen indirectly because of Kabru.

While I have talked so much already that I don't want to give a detailed breakdown of it, I do want to mention Kabru's unique interiority as a character. That is to say: we see the inside of Kabru's head more than anyone else. Every character in the main ensemble gets their own moments of inner monologues or fifteen minutes in the limelight, but for Kabru, it's constant. He's always thinking, talking, narrating. His POV chapters always stand out for how first-person they feel compared to most others.

Notably, the only other character I could compare that to is Marcille, specifically during the dungeon rabbit debacle and her ascension afterward, which is when she really takes center stage as a character.

I hope I've explained my reasoning without becoming too insufferable.

To cap off my thoughts with a nod to my original post, I cannot stress enough how significant it is, thematically, that Kabru's relationship with food is the inverse of Laios's. It isn't just that Laios is the main character in a story about cooking monsters and Kabru happens to be his monster-hating foil. The artistic choice to deny the reader the visual of this character ever enjoying food, and only ever putting it in his mouth in situations where it hurts him, in a manga that gives so much attention to eating and the pleasures of meals, cannot be understated.

[s0fter-sin]

insecure soap whose insecurities don't stem from a place of inadequacy

he knows how talented he is, how hard he’s worked to get where he is; that he didn’t land a spot on an exclusive highly skilled taskforce for no reason. he's confident about his skills; doesn't brag or show off, doesn't need to because he knows he'll always live up to and surpass expectations the second someone doubts him

but he also knows he can always be better

there's records left unbroken, mental walls he can shatter; if he just keeps pushing, keeps training he'll be more. he's always trying to beat himself, not in search of validation or outward assurance but because he knows beyond a shadow of a doubt that his yesterday self was lesser

slower

weaker

every muscle that burns and tears heals stronger so he dedicates himself to ripping them apart. scarred skin doesn't flinch from heat so he welcomes the burns. he’s strict with his diet and stricter with his schedule, he spends hours in the gym and longer at the range and not a minute of rest goes by without him thinking it’s time wasted when he could be improving, always improving

soap knows he's good

because he knows he can be great

and he won't stop until he is, no matter how many times he needs to break himself to get there

[paisley-constellations]

Will Woodtober Day 1: Self-

[lunarharp]

..polly pocket au.. (<- a type of doll.)

[v-poreons]

I haven't drawn Floyd that much take some warmups

[drawnfamiliarfaces]

Do you think that the HoM crew knows about Randy’s fear of chickens?

(I both hope they do and don’t. Do, because it’s overall funny to think about and Don’t, because I’m sure Randy’s really self conscious about his fear and worries about judgment from anyone)

if it comes up, im sure most of them would be understanding (after all, phobias sometimes can't be helped) after some good natured ribbing

but i have a feeling that Randy might try his best to seem tough in front of them and some would probably take the teasing... a bit too far

imagine ghost clowns tho >;)

[cementcornfield]

Do you play Call of Duty?

Noooo I don't play Call of Duty 😡

[confused-beany]

Edwin pulling boys since day 1 and it being about 99% of his entire problem is kinda funny actually

[toadboat]

When they do, I'll be right behind you.

[verdantcreek]

a wandering mind 🖊️

[poorly-drawn-mdzs]

Welcome to Coffin city. What could possibly go wrong here?

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