#I hate this debate so much

[museaway]

Kudos per chapter would reward chopping fics into microchapters to boost stats, which some people would abuse to hell and back, and devalue short fic. A kudos is for the work as a whole. Comments on chapters all the way.

i wish ao3 allowed people to give kudos per each chapter. These 100k word NOVELS need more love than 200 tiny digital hearts ☹️

[magical-bees]

Im so sick of this debate in my English class, what does Tumblr think?

[isabelleadjani]

You know, I'm not surprised he likes to come to me after he sleeps with you...

DIABOLIQUE dir. Jeremiah S. Chechik, 1996

[sammygender]

girlcoded sam readings are like. his arcs are so tied up with control and bodily autonomy and sexual assault and otherness and cleanness and a desire for freedom and rebellion against oppressive masculine forces to the point where an examination of his show-long arcs looks like a thesis on The Female Gothic. he’s never afforded the respect or the power of characters like john and dean and is in fact narratively punished whenever he isn’t subservient to them. both the show itself and the fandom surrounding it treat him like dean’s bitch wife. he is textually compared to female characters multiple times, by the narrative and by dean.

and then meanwhile girlcoded dean readings are like. Eldest daughter core! (his father handed down ultimate control over every aspect of sam’s life once he died like a family heirloom)(he is THE patriarch). Yes he does the cooking yes he does the cleaning (which he doesn’t even…. and even if he solely did all the housework how does that make him Girl Coded unless it’s being delegated exclusively to him like its his role and he’s punished for not conforming to it… which is not happening…).

like girlcoded dean readings rely on stereotypes about women in real life. girlcoded sam readings rely on noticing how much the narrative constructed around sam falls into tropes used in fiction almost always about women. even things like his psychic powers! the way people are always swarming around trying to ‘corrupt’ him! the fixation on his purity and innocence! the two readings are very different things

[bunnieswithknives]

Do you think Dale develops (pun not intended) an aversion to bright colors after the attack?

Don’t mind me just hitting the man with my Trauma Hammer

Oh absolutely. Its a good thing he lives in white room

[poguelandia]

OUTER BANKS 2.03, “Prayers”

[tremendously-crazy]

Modern adaptation of Sherlock Holmes but it's the original ACD Holmes and Watson just. Picked up from 1895 or whatever and. Thrown into 2024. Sherlock Holmes in the 21st century.

[iamonlypartlymajestic]

I watched SFTH’s Green Leaves on a Summer’s Day, got psychic damage by the ending and immediately drew this comic. I’m so sorry, but apparently this is how I process things LMAO!?

SPOILERS FOR GREEN LEAVES ON A SUMMER’S DAY —> COMIC OF ENDING UNDER THE CUT ✌️😅

[piningpercussionist]

Okay. Fellas. Real talk. I've seen some of you do it and I thank you profusely for doing so but can yall PLEASE credit the original artist of that piece yall kinda made into an a dtiys/art meme? That's not official art. I am point blank refusing to engage with any of these pieces that I see not doing such. (Even when it pains me to keep scrolling, because some of them are really good!! And I want them here!!! But I do have some rules for myself I try to stand firm by with this blog.)

Like you can literally see them say right there that it's fine IF YOU CREDIT. I'm fucking begging you.

I'm not mad at anyone who didn't know but I've seen SO MANY versions at this point, and I think I've seen maybe 3 or 4 of them RECENTLY include the credit. (And one with improper credit, I think?) Please. Please just. Tack it on.

[brucie-baby]

“hope” is the thing with feathers - emily dickinson

batman/superman: world's finest #6 // red hood and the outlaws: rebirth // batman v3 #135 // robin v4 #126 // shadow war #3 // nightwing v4 annual 2 // batman v3 #148 // batman v3 #125 // batman v1 #633 // batman incorporated v2 #8 // detective comics #1000

[dykedvonte]

Never seen it really discussed but despite his complaints about Pony Express, Jimmy is the only crew member to somewhat like being on the Tulpar.

Of course, the reason is sort of shallow, he likes being there due to the control he has in the cock pit as co-pilot. The fact that he’s actually in charge for once, even on such a minor scale. Everyone else has this open or held in contempt for physically being there but he likes it on a fundamental level, freaks out and lashes out on such a personal level when he realizes he’s losing the first job he’s probably enjoyed and that stability/control.

It’s not anything specific or I think polarizing about Jimmy but I feel like it adds to how he tells Curly this is home to him. Earth is objectively not a place of ease or comfort for Jimmy, but the Tulpar is. It’s a fucked up perversion of home and that’s so interesting for his character who also hates the corporate culture the most out of all of them.

[silveranchor]

Ok, so I got some personalized press-on nails made. The idea was this:

Ferrari logo on one, then red, then black with the Monaco stripes like Charles's car, then racing flag, then red again.

Well, the girl did a great job and they are beautiful, but I think the picture wasn't very clear, because instead of the Monaco flag stripes, I got this:

The dutch flag...

I cannot make this up

So ...

Lestappen nails, I guess?

[otaku553]

Thinking very hard about an AU idea of mine. Reluctant king Sabo AU!

In which Sabo isn’t saved by Dragon, but survives long enough to drift ashore and be saved by the doctors of Goa Kingdom, who do so only to ransom his medical bills from Sabo’s parents. Sabo’s parents take him back, thinking that his amnesia makes him a clean slate, but Sabo, young and stubborn and unsure of his entire identity, knows that everything is wrong and runs again, and again, and again.

Until at some point, he meets the Revolutionaries, and realizes that he can be useful to them, provide them information, make something good of an inescapable situation. From then on, he starts acting the noble that he was born as, in order to be a more useful informant to the Revolutionaries, until sunk cost fallacy hits and he believes that being a noble is the only way that he can be useful to the Revolutionaries. So at that point, why not take it all the way?

At 17, Sabo becomes one of Princess Sarie’s suitors, and at 17, he has doubts about using the princess for his own goals. Sarie is a romantic, and she wants a dramatic fairy tale of a romance, and she was already charmed, but the moment Sabo opens up to her about not wanting to use her to get to the throne, having lofty ambitions of helping the people (just not the people she thinks he’s talking about), Sabo becomes the one she simply must marry, because surely if she tries hard enough, she can make him love her back.

Soon after, the king and his son die. Sarie’s father and brother die. And while Sabo conveniently ascends to the throne, he also swiftly implicates his father, Outlook, in the assassination of all heirs to the throne, resulting in Outlook’s arrest and subsequent execution. And thus, at 18, Sabo becomes king, and begins to gradually institute great changes to Goa Kingdom.

Design-wise, Sabo wears an eyepatch because his damaged eye is considered a grotesque sight by nobles’ standards. Under the eyepatch, he wears heavy makeup to hide the burn scar. These are both at the behest of his birth parents, who spin a story about Sabo having been born half blind to hide the fact that Sabo had been shot by a Celestial Dragon and save face. To those who have seen his scar, they fabricate a second secret story that he was unfortunately kidnapped as a child. Sabo never does find out, until he regains his memories, where the burn scar is actually from.

[casscainmainly]

An Analysis of Duke Thomas in Wayne Family Adventures

I've been seeing a lot of posts and comments recently concerning Duke Thomas in WFA. I know WFA discourse has been done to death, but these comments were about how they'd only read WFA, felt Duke lacked a personality, his powers weren't distinctive, etc. Out of the main WFA characters, I think Duke has the least-read comics and the least understood canon history. This post is going to dissect WFA!Duke, compare it with canon!Duke, and address whether WFA is a fair representation of Duke or not.

This is not a WFA hate post. A lot of comics readers love WFA and vice versa, and I'm not going to dictate what people should like or dislike. Check out this post I made yesterday about the origins of WFA, which really aren't ill-intentioned. However, judging by the comments/posts I've seen, a lot of people don't know the difference between WFA!Duke and canon!Duke. This post exists to clarify those discrepancies and hopefully encourage more people to read Duke's comics.

The Positives

Let's cover the pros of WFA!Duke first! The sheer fact that he's one of the main characters and present throughout is amazing, allowing more people to learn and get interested in Duke. Since he doesn't have his own ongoing, WFA is about the only place to get consistent Duke content.

Plus look at how cute he is:

His presence also means we get fun interactions with other characters that Duke doesn't get to interact with in canon, such as Steph and Dick. As a diehard Duke-is-Dick's-successor believer, I appreciate any page-time they get together, even if it's not substantial.

Also, WFA season 3 confirmed that Duke can turn invisible without his suit, which is just fun!

Framing

Duke is introduced in the very first episode, and in some ways is the framing device for the entire webtoon. He is "Gotham's Newest Vigilante," learning about the family and the manor.

Many episodes of WFA have Duke asking a question that the others respond to. You can see this in Episode 2 ("The Last Cookie," he asks about their tradition), Episode 7 ("Vigilante Bingo"), Episode 30 ("Driving Lessons"), Episode 39 ("Secret Identity"), all the way to one of the latest minisodes (Mini Episode 3 - Super Friends).

This framing is not completely incorrect, since Duke is the newest addition to the family. The problem with this framing, though, is that Duke's personality and problems are never the focus - in these episodes we learn a lot about the other Batfam, and nothing about Duke.

Take "Vigilante Bingo". We learn so much canon stuff about Dick, Jay, Tim, and Cass, including who's died/come back (Cass and Tim chime in here, which is not very well known in fanon). However, because Duke is the one asking the question, he doesn't get to participate in the answers. This framing makes WFA-only readers learn shockingly little about Duke's prior activities, and they only cover his backstory in episode 76.

Personality

Because of his perpetual outsider status, WFA!Duke's most prominent traits are confusion, timidity, and insecurity.

(I found all these by literally clicking on any thumbnail with Duke in it. He exhibits confusion/timidity/insecurity all the time).

The first two traits - confusion and timidity - is completely antithetical to Duke in canon. Just compare these panels from We Are Robin #6 to a panel from WFA:

Canon!Duke gets shot and thinks to himself: "how baller is that?!". WFA!Duke hears about a booby-trapped lawn and makes that face. This reaction is basically the opposite of the way WAR!Duke would react. I have legitimately no clue how anyone could read We Are Robin or The Cursed Wheel and come away with Duke being timid.

More examples of how canon!Duke acts when confronted with dangerous situations, just for fun:

From We Are Robin #2, we have Duke mouthing off to people he's just met; from Robin War, we have the iconic jumping-out-of-cop-car scene; from Robin War again, we have Duke standing up for one more battle against Damian with absolutely no hesitation.

Duke in canon is headstrong, stubborn to a fault, outspoken, and brave. These qualities just don't come through in WFA.

Insecurity

The third component of WFA!Duke's personality, insecurity, is the only one with some canon basis. Check out this panel from Batman & The Signal #1:

Here, he's struggling with his place in the family, something WFA!Duke also deals with in Episode 75 + 76 ("Worthy"). But I think WFA misconstrued where this insecurity comes from.

Duke's problem is not that he's a meta, it's that he's a meta with "powers no one understands yet". A "walking detective case," so to speak. His insecurity stems from his lack of understanding around his powers, because at this point he doesn't know about Gnomon. WFA somehow turns this into a problem with the powers itself:

This is simply not supported in canon. Duke has no problems using his powers; even in Batman & The Signal, the peak of his canon insecurities, he literally says "go, go ghost vision" (god I love him). Moreover, his powers come from his mom. Saying that Duke feels he needs to prove he's worthy "in spite of" his powers is a complete misreading of Duke's canon feelings. Which leads to my next point:

Family

"Worthy" positions Duke's powers in opposition to Bruce's approval, and though the episode ends with Duke accepting himself, it's clear throughout WFA that his biggest parental figure/source of approval is Bruce.

WFA!Duke talks and thinks about Bruce more than he does his mom and dad, which is genuinely mind-boggling. Canon!Duke talks about his parents basically every single page. It's one of the most consistent aspects of his character!

From We Are Robin #2, Batman & The Signal #1, The Cursed Wheel Part 1, and Batman: Urban Legends #19. Duke's parents are only mentioned in "Worthy" as part of his traumatic backstory, but Duke's parents aren't backstory - they're alive. By neglecting the importance of Duke's parents, WFA is ignoring a fundamental aspect of Duke's character and making him seem like just another orphan.

This panel from Episode 118 is hilarious in the context of canon!Duke waffling on about his parents 24/7. But the erasure of Duke's parents is symptomatic of another problem with WFA.

Supporting Cast

Duke's first multi-parter is Episodes 8/9/10, "Crush". In this episode, Duke asks a girl out, and then she breaks up with him.

First of all, compared to other two-parters (all of Cass', Dick's "Big Brother", Steph's "Belonging", hell even Tim's "Better and Brighter"), this two-parter is incredibly detached from Duke's character. All you learn is that he gets crushes and doesn't like break-ups, which isn't character-specific at all.

Secondly, using an OC as Duke's girlfriend is so bizarre given Duke has 1 canon love interest. Here, I googled it:

Imagine the story we could've gotten with Izzy instead; with them having canon history, this two-parter would've been a lot more impactful, and introduce We Are Robin characters to a WFA audience. I'd also like to point out the difference in how these relationships begin:

Another example of WFA introducing timidity into a scenario where canonically, Duke played it extremely cool (from We Are Robin #9).

WFA uses none of Duke's supporting cast. To be fair, Duke's supporting cast isn't well known, but isn't WFA a perfect low-stakes place to spotlight unknown characters? Harper gets appearances, and she's been neglected by canon for ages. Tim gets to have Bernard, Jason gets literally all of his Outlaws, and there's even a KonCass cameo!

There's a reason why the top comment on every single one of the Crushed eps doesn't even mention Duke.

Shouldn't Duke-centric episodes have comments about Duke? The story is so vague and widely applicable that there's nothing about Duke to comment on, so the spotlight is shifted onto the other Batfam members. If the story had included Duke's supporting cast, think about how much more we could've learned about Duke himself.

Side note: why on Earth is Luke Fox Duke's go-to mentor? They have next to no canon interactions, and while having a Black mentor is something Duke probably needs, he already has one. Batman and The Outsiders sets up the Duke and Black Lightning relationship really nicely. Not to mention in "Worthy," Duke's problem is about having powers, which makes Luke Fox's inclusion (as a non-meta) baffling. Black Lightning would've been perfect!

Conclusion + Wishlist

This is the top comment on Episode 76. I think I've demonstrated how untrue this is, because WFA!Duke doesn't even touch the worst of canon!Duke. WFA!Duke has next to no defining characteristics, which contributes to him being the 'boring' or 'sane' one. To any WFA-only readers, please don't think this is representative of Duke as a whole; reading even just the first issue of We Are Robin shows how interesting and full of personality he really is.

It's disappointing because WFA is a lot of people's only exposure to the Batfam, and portraying Duke like this has only caused them to misinterpret his character. However, there has been improvement - they're beginning to mention his backstory a lot more, which means they've read some of his comics. I still believe they can turn it around!

Here's some improvements they could make, along with some things I want expanded upon:

Stop using Duke as the outsider/newbie character. It's been over 100 eps, he doesn't need that anymore!

Mention his supporting cast, or at the very least mention his parents more

Expand on his canon relationships with Damian, Cass, and Jason, they deserve to be close!

Use his detective abilities/affinity for puzzles

Mention his dislike of heights

Involve him in more shenanigans

I don't have FastPass but please bring Duke back into the fold of S3!!

[danwhobrowses]

I'm not sure how much good this vent will do, I'm not even sure I want to post this vent after my last one, but I'm writing it just so it's out of my head and into words because it seems once again fandom has chosen to send vitriol Ashton Greymoore's way.

What for? They talked to a 'specter' of the primordial titan within them, through their connection to the earth, the natural flow of creation and destruction. They ask what will happen to the world, it responds that it'll endure, they ask what of the people, it responds that the strong will survive and the weak will be remade into something stronger, to which Ashton replies they think they understand. To fandom this means that Ashton is becoming a fascist, that they have a 'Make Exandria Great Again' attitude for wanting the Primordials back, that they need to be beaten up or 'get what's coming to them' in order to change their mind, and I can only sit here and stew and wonder if this hate is really well-founded? Ashton is among my favourite characters in C3, I get frustrated by them at times too but if I think about it a big percentage of my frustrations is more towards people disliking them than me disliking things they do, or Matt setting up scenarios that doesn't do them any favours towards the fandom that hates them. Some of these are knee-jerk reactions of course, but for others it does feel like they have it out for Ashton, and I don't wanna engage with that, which makes it quite lonely when most of the fandom hones in on it.

For the most part I can understand how the whole 'the weak will be remade' bit can be taken badly; it's definitely iffy, but every other plan we have is also very iffy. The Release Predathos option literally involves unleashing an entity that wants to genocide the gods, the Maintain Status Quo option ('option' the status quo imo is impossible, in my mind the Gods can stay but the dynamic will still have to change) maintains a relationship where the gods pick and choose who they feel deserves help, using their power to covet more power, strongarm and demand loyalty, and overall choose fellow gods over mortals when the chips are down and not owning up to it. We should also remember that entities can speak in riddles, 'remade into something stronger' doesn't necessarily mean death; it could mean to adapt and grow, to become strong enough to bear and overcome it as many of the PCs of Critical Role have done with their hardships and trauma. It's worth reminding that the sad truth is that people will die whatever outcome happens - the aim is always to lessen the amount but if the Gods leave it's a power vacuum, if we linger too long it's a Calamity, and if the Gods stay it's a holy war on a more wild and less organized scale - and that Ashton isn't saying they approve of such death, merely that they think they understand. The commune doesn't tell Ashton which way to go; it only tells them that the world will endure, there will be change and it will change people, trees will still grow, the wind will still blow, the waves will still flow along the coasts of the sea, and people will survive. I know the interpretation can differ from people thanks to Matt's patented vague or riddle-mounted choices in phrase, but I also think if it was the Wildmother who told Orym or some other follower that 'nature is a cycle, everything must adapt to change or else it'll die - this world will change, but it will also survive' nobody would be calling Orym a fascist, people would accept it because the Wildmother's domain is nature, and nature is not always kind.

While we're mentioning Orym - and because this is gonna come off as critical I must preface that I like and enjoy All of the Hells, that's not changed - I also gotta call it out here because it does very much feel like the people who hate Ashton hate them for the reasons they love Orym. Both are stubborn, they're diligent in their personal code, they care deeply for their friends and would give their whole being just to keep them safe, they believe in the Hells' power and greatness more than each member does and more than they believe in their own, but Ashton gets the hate mainly because these fans agree more with Orym on the god stuff. What confuses me though is how these same haters can despise Ashton for being consistent but love Braius, the literal Devil Worshipper who secretly is on board with the Chase Away plan only so he can help the Devil rule the world, the compulsive liar. Where's Braius' scrutiny? A world under Asmodeus will be a far worse 'survival of the fittest' scenario, why does Braius get a pass in all this stuff huh? Because he's funny? Seems people ignore the whole morality talk when they're discussing Braius' dedication to Exandrian Satan.

I find it irksome too that even the group seem to criticize Ashton reaching out to Primordials too - as if that wasn't what we wanted them and Fearne to do anyway. They don't dislike the gods simply because they're a 'great entity', it's because they're a great entity that holds power and doesn't use it equally or fairly; they pick and choose who to help, a lot of the time in Ashton's experience for their own self-service, but they won't prioritize mortals over another god no matter who cruel or heinous the god is being, and the following of these gods are so intertwined with politics that most religious motivation also ends up being political. Ashton has no connection to the gods, they reached out and got nothing, an Angel looked at them and made them feel like nothing, but they do have a connection to the Primordials; from the Earth Golem to the Titan Empress they're literally a vessel of, they experienced something significant in their connection to the Earth, so I don't like how that they're almost mocked for having it. In addition, Ashton's behaviour during this commune differs because of that connection, but also because the titans are a natural flow; they don't demand or test or politic or prejudice, and despite being a Great Entity in its own right it never made sure Ashton felt small for their own satisfaction, they asked a question and got an answer, it's the same reason Ashton has disdain for most political leaders but likes and respects Keyleth, Allura, Kima, Pike, and (eventually) Percy despite also being people in power. To call on Orym and the Wildmother as an example again; Orym's an Air Ashari, the Ashari are guardians of the Elemental Planes - made from the Primordials - not tied to a god, but nobody criticizes his connection to the Wildmother despite both not being a follower and his culture being more tethered to Primordials and their descendants. I'm not saying it's all correct for Ashton to want things to go back to how Primordials ruled, but we must remind ourselves also that we only know a story written by victors when it comes to the Schism - a story which could very easily have been altered and edited to make it feel more justified for the Primes and mortals to actively genocide all the Primordials, the native species and creators of this world, and desecrate their remains to make weapons, soul anchors, and cities - the specter didn't say 'fuck em, all mortals should die' after all, if they believe mortals would survive then they must be at the least tolerant of mortal existence. Why is it okay for god followers to say they wanna keep the world with the gods they have a connection to (and I'm not saying they aren't) but Ashton is out of line for wanting to have a world which has something active that they also have a connection to? It seems rather unfair to allow one side to have and the other to have not, picking and choosing because our audience's bias has spent more time with the gods, Ashton wanting something they can connect to doesn't feel all wrong either, the Eidolons still exist with faint worship hiding away so they're not smited by the gods, why can't faith exist so they're not in hiding? I sincerely doubt the Punk Rock that is Ashton is asking for the Primordials to fill the Gods' roles the same way the Gods have been running things either, they want to break the throne remember? There needs to be a balance in ideals and practice of course, and in an ideal world there could even be a more fluid and all-inclusive Exandria where gods and Eidolons live harmoniously with mortals without hierarchy and class systems, I think Ashton could happily live with something like that, they did say the world needs 'a little chaos' to call back to Matt hinting that the current world doesn't have enough.

Which leads us to those wishing violence upon Ashton - and I really don't like that. People who say 'hitting them over the head is the only language they understand' seem to misinterpret Ashton as if everyone around them have been on their hands and knees begging Ashton to reconsider and them ignoring valid points and pulling a Leroy Jenkins. In reality, nobody is actually talking to Ashton about it, a lot of the frustration with Bells Hells right now is that they aren't talking to each other, even about the end goal! Ashton has valid reasons for their thinking, so being violent isn't gonna change their mind; undermining, dehumanizing and trying to effectively bully anyone let alone someone with chronic pain and low self worth will never truly convince them to your way of thinking. All people understand the language of violence, but that language is not used justly, those who truly wish violence upon Ashton don't want it in hopes it'll force Ashton to change their mind, they want it for their own satisfaction of seeing them in pain; so they can further push them away from the rest of the group and go 'that guy's not one of us', make it so the people Ashton calls family after a lifetime of loneliness, confusion and abandonment - the people they promised they won't abandon, and have kept true on that promise even at their lowest - make them feel small and worthless, and force them into box where they can't be themselves, and I hate that people would want to treat them that way. Ashton IS capable of listening; they've stepped back and trusted the other Hells to do their own thing even when it's ridiculous like staging a play where they pretend to be Ludinus to trick Unseelie emissaries into thinking that he attacked them, they listened to the gods even when they didn't have to like they promised they would and despite it being very personal they held themselves back for the benefit of the group, and if the group talked to them calmly where they were all allowed to healthily discuss the pros and cons, the ideals and compromises, and the risk and reward of all plans that have been proposed then they would listen, and they would try - you don't need to slice bread with a broadsword.

Will Ashton 'get what's coming to them'? Maybe, but what is that exactly? We only assume to know the full vision of what Ashton wants to act on. All of Bells Hells are gonna face the consequences of the choice they make on Ruidus - when they finally make one that is - in and out of the world they live in, so won't that apply to everyone? So what for Ashton? do people want Fractures 2.0? Does everything Ashton wants in life have to blow up violently in their face? Family, Closure, their best friend's safety, why does 'what's coming to them' have to be something aggressive and harmful? People change through positive reinforcement and good experiences too! Caduceus Clay would remind you that it's love that makes people. Don't mistake this rant as me wanting Ashton to be exactly as they are now, I too want to see growth from Ashton and we ARE seeing it happen; I see it in small instances where they think twice about rash actions and try not to fly off the handle, when they sit just to listen or understand or to defuse tension, and that when they're going somewhere or doing something they let the group know in advance, those who think Ashton hasn't changed since ep. 1 aren't paying close attention, but that doesn't mean that they don't still have more ground to cover. I believe that Ashton grows the most through kindness; when they're treated like a person and not a blunt instrument or a nuisance, and I hope what's 'coming' for Ashton isn't rejection, bitterness, and isolation, but acceptance, empathy, and for someone - if you know me you'd know who I'd want it to be - to convince them that they are worthy of living, that they're special not because of their powers or blood or because they have died and been put back together again (honestly, it does irk me a little that both Keyleth and Imogen chose that for titles and to brag to the Matron, I know it isn't intended this way but sometimes it feels like saying 'your best defining quality is that you've died a lot') but because while they have every reason to hate everything they still chose to be kind to those who deserve kindness, they have a good heart and they mean well. Are they perfect? No! They're in their 20s very few people irl have their lives together at even twice that age, but I want them to have good things in their life; things that help them feel happy and safe and like they can still feel comfortable in their own skin without having to appear more 'palatable' for people who've already decided that they don't like them. I want them to know that they've always deserved to live and they still deserve it now, I want that not just for Ashton but for all the Hells, and hopefully they'll all live to have it.

And most of all I want the people who hate them to be wrong about Ashton Greymoore, and I want Taliesin to prove them wrong.

[froggychair05]

Every day I think about what could have been…