#I hate the direction they took with his character and it's so disrespectful that I don't even talk about I don't even think *any* Deadpool
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qcomicsy · 6 months ago
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Lately I've only been wishing to grab a comic about my favorite character and just have a genuinely good time reading it.
#I can't remember the last time I took a Deadpool comic and genuinely had a good time about it#I hate the direction they took with his character and it's so disrespectful that I don't even talk about I don't even think *any* Deadpool#fan genuinely talk about it because were so tired of his kids characterization we all just collectively decided to ignore whatever hell#marvel through at him#but rant aside#it's just–#I am not sure if comic books are fun anymore I don't even know who I am making content for half of the people on my notes haven't touched#comic book and aren't pretending to do so#people who read the comics tend to be so mean or bitter about it that even if you follow most will be angry about something#comic or fan related and I don't know if I can blame them but following that is draining#and as much as I was trying to be a good sport about it you make a post about comic book characters and#and the overwhelming response is 'I don't read the comics but'– following up by a take about them that doesn't even recognize any core#aspect of their personality that you can't even grasp you can't even recognize them#you can't recognize them on tue cannon you can't recognize them on the fannon#and no matter how engaging you try to make content about the fandom people just–*refuse* to read it. And then– they *refuse* to tag fannon#content as fannon#and *refuse* to leave either#Yes we are all having fun but how can a character tag be so so filled with people who have no idea of who they are#how can a character can be properly loved and take care of and have content that respect them if no one makes any attempt to *know them*#and it's disheartening because *comics* are supposed to be fun *fannon are supposed to be fun*#but for aome reason it's really *really* hard to have fun here anymore#I created this page to share my love for the characters I care about and see more content of people who care about them too#but I can't even *find* people who care about them any more and when I do they're all so angry and upset– And I *cant even blame them*#I just... I don't know why I am doing this anymore or for who I am doing this anymore#sorry to vent but it's been a while since I haven't been had a genuinely good time™ enjoying comics#I don't think even people who write those comics enjoy those comics or care about those characters#Sometimes feels like everyone is projecting on those characters rather than *writing about them*. And I can't find them anymore#fanfics used to be about love petters to characters who you love#nowadays seems like a competition to see who makes more funny words with tropes pre-written since 2007#vent
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grandline-fics · 5 months ago
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hi! could i request for mihawk and anyone else of your choice reacting to their usually modest s/o wearing something scandalous and getting a lot of attention and they feel jealous or try to hide them away from prying eyes? thanks love you
DESCRIPTION: You’re normally modest and get a lot of attention from others when you wear something scandalous
WARNINGS: a little suggestive but nothing explicit at the end
CHARACTERS: Mihawk
WORDS: 1,285
A/N: Thank you for this request! I had a lot of fun writing it and I hope you enjoy what I came up with for it
*REQUESTS ARE OPEN*
MASTERLIST | PROMPT LIST
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“Another gala, Crocodile?” Mihawk asked dryly looking at the small decorated piece of paper in his hand. “Is my presence truly necessary for this?” His golden eyes looked at the information blankly and held back the glare to see it would be taking place on the island they were at. Any other time these events were held, Mihawk would refuse to travel so far for a measly party or would take up a bounty mission that would take him in the opposite direction so he couldn’t attend. 
“Oh humour me for once, Mihawk.” Crocodile urged, frowning around his cigar. “I can’t keep bringing that liability of a figurehead. If we want to convince those nobles and backers of our legitimacy I need someone who can actually manoeuvre in these circles. If we want to see Cross Guild succeed and be profitable you’re going. You’re not getting out of it this time.” You bit back a smile to see your lover’s eye twitch. He hated going to these kinds of things. Quickly you acted, stepping behind his seat to place a hand on his shoulder and offer him a smile. “Oh come on, might actually be fun. At least this time you’re not going under Marine orders, it’ll be different. I can go with you if that makes things easier?”
At that Crocodile let out a small scoff, making you and Mihawk look at him in annoyance. The gala invitation was an open one so he couldn’t say you weren’t allowed to go but it was clear you going had irked him in some way which was odd seeing as you and the other founder of Cross Guild were on relatively good terms. You would’t say we was a close friend but he wasn’t someone you loathed. You remained silent as Crocodile stubbed out his cigar into the ashtray on the table and slowly looked you over, his scrutinising stare showing his critical assessment. “No offence, but you’d be more out of place than the clown. Like I said, we need to make a positive impression with these people.”
Your fingers flexed against Mihawk’s shoulder in a silent way of telling him not to react to Crocodile’s remarks. You were more than aware that your appearance was vastly different from his rich fabrics and perfectly tailored style. You’d always preferred simplistic and comfortable over anything else you wore. This wasn’t the first time someone pointed out your modest and almost drab fashion and it never bothered you. At least not until you felt you’d be letting Mihawk down. You knew how important Cross Guild was to him. Quickly you placed a kiss against Mihawk’s cheek and smiled at Crocodile as you left the room, if it was a positive impression he wanted, then that’s what he’d get. “I’ll meet you both at the gala.”
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Mihawk hated having to interact with people he thought nothing of, he hated having to practically parade himself around in front of rich people like something to be gawked at in order to fulfil their own boring curiosities. He would much rather be in his own quarters with you, enjoying each others company and peace. Sharply he glared at Crocodile for what felt like the hundredth time today as he stepped into the banquet hall of the mansion the gala was being held in. While you’d shown no hint of annoyance for his earlier disrespect, Mihawk was still pissed and no amount of expensive wine was going to change that. 
As he took the glass of wine offered to him, he cast his gaze across the filled room in search of you. Though it was hard to search each face properly especially with the group that had already congregated near the centre of the room, fawning voices spilling from their mouths in a strange chorus. Mihawk and Crocodile shared a look of confusion, as far as they were both aware Cross Guild were the main attraction. While Mihawk was more than happy for someone else to take the attention, Crocodile was less than impressed. Then a familiar laugh sounded from the middle of the group making both men freeze.  
The pair watched as one person moved slightly and it gave them a window to clearly see you talking to the group, allowing the host of the gala lift your hand to press an adoring kiss against your knuckles. Mihawk remained the outward image of calm but inside he was a mess, looking you over intensely. Gone were your usual clothes of comfortable layers of soft and understated fabrics, in their place was the richest material adorning your form like a second skin coloured a deep wine red. Your outfit highlighted your body’s attributes that were usually hidden and accentuated the allure and attractiveness that previous only he was worthy of seeing. 
“Well…”Crocodile managed out with a firm clearing of his throat, even he was caught by your makeover. “Seems I was very wrong.” Mihawk snapped his head away from your direction to throw the fiercest glare yet at his business partner. Oh how he wished he had Yoru with him to slash all of your admirers in one go. Moving briskly he wove himself through the sea of pests buzzing around you and snaked an arm around your waist smoothly in greeting. Upon seeing who you were attending the gala with and felt the murderous aura rolling from his frame, those that had been desperately vying for your attention in the hopes of getting more, promptly became stuttering messes as they made hurried goodbyes and dispersed, scurrying away like the rats Mihawk knew them to be. 
“Hello, love.” You greeted with a pleasant smile. “Something wrong?”
“I despise seeing lesser beings try to sully works of art.”
“Aww, as sweet as that is just say you’re jealous.” You laughed softly, smiling up at him as you let him direct you smoothly away from the centre of the room and away from the appreciative stares you were still getting. “So, have I made a positive enough impression?”
“You know you have. You could wear anything and would be the most attractive person in the room.” Mihawk told you smoothly and you smirked. 
“Then why are you trying to hide me with the edge of your coat?” You asked, looking down to see the hand around your waist also held his coat around your body in an improvised shield. Mihawk didn’t answer. He lowered his gaze down to you once more, fully taking in just how much more enticing you were to him. He thought suffering this gala would be torture enough but to be here with you, looking so ravishing and drawing so much attention was unbearable, even for his resilient will. 
Acting quickly he pulled you close for a kiss and bit back the satisfied smirk when you flinched at the sudden feeling of the wine in his other hand spilled against your shoulder. You pulled back to throw him an accusatory stare while he merely set the now half-empty glass down on the tray of a server walking by and stared at you blankly, completely unapologetic. “Oh, how clumsy of me. Looks like we’ll have to go back and change.”
“You really are childish sometimes you know that?” You muttered with a slow roll of your eyes, walking with him towards the exit. 
“We’ll have to be careful.” Mihawk continued, ignoring your comment, his hand releasing his coat so he could drop his hand to your hip and give you a quick squeeze. “With material this expensive we’d have to make sure it’s taken care of properly. Could take all night.”
Well who were you to argue with that?
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starcurtain · 3 months ago
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What do you think Aventurine would be like as a boss?
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Aventurine's first character story tells us that people both outside the IPC and internal to the Strategic Investment Department are explicitly racist toward him, so I would say first that I suspect Aventurine's team is much, much smaller than other Stonehearts like Topaz. For example, we constantly see Topaz's dumb "support squad" following her around in most of the events she shows up in, while we've never been introduced to a single "Aventurine support squad" member.
My suspicion is that, between the rampant racism and the undoubtedly common rumors about Aventurine's dangerous behavior, very few people are even willing to be put on his team in the first place. I suspect he's much more likely to be paired up with one or two "strategic partners" (like Ratio) and sent to handle things that way, rather than actually having a large group of underlings he directly supervises.
But just logistically speaking I'm sure he does have a few underlings, and I think... He's probably a very difficult person to work for, for a couple reasons:
He will almost certainly beat assholes to the punch. If a majority of the people who have been assigned to work with him don't want to be there, you can bet he's not going to wait around for new people to prove they are racist garbage. I imagine that, for the most part, he's off-putting and offensive to new people from the get-go. You ask which desk is yours and he just goes "Oh, feel free to set your things anywhere!" then turns around like: "Wowwww. Jim, this rookie is trying to steal the desk you've had for ten years! How inconsiderate our new friend is proving to be~!" New people on his team probably have the worst few weeks of their lives. (Because... If people are going to hate him on principle alone, he might as well give them a reason, right?) However, this has the effect of weeding out most of the people who are incapable of dealing with Aventurine's antics, so I imagine that the few who persevere through the hazing are probably genuinely decent folks. Those that make it past the initial "Let's see how much you hate Sigonians and disrespect me personally" vibe check probably end up on Aventurine's good side, and I think he eventually eases off his newbies after a while. (Not before they've proven their exceedingly high tolerance for shenanigans and even higher ceiling for shock factor, though. If a new employee makes it past the first month of working for Aventurine, literally nothing else will ever phase them. An elephant-sized Warp Trotter could warp them all six galaxies over and they'd just be like "Anyone got a working cell? I need to tell my babysitter I won't be back by 9.")
I think he's just never there. Absentee boss in the extreme. It's not that he ever slacks or doesn't do the work--it's just that he's constantly going off and doing the missions all on his own. It doesn't matter how many times the higher-ups assign him to do a team task, tell him he has to take the full squad... He just scampers off and does the deal entirely on his own, comes back covered in blood, and is like "Hey guys, I took care of the problem; enjoy some comp time on me!" I don't think he drags his average-level underlings into his dangerous gambles; I think he just does all the work with their clients by himself or with a high-caliber partner. You would think this would make him a great boss to work for, but I implore to put yourself in such an employee's shoes: You go into the office every morning only to see your to-do list is empty. Your boss isn't there to give you any new direction. After twiddling your thumbs for four hours, you find out the reason he isn't in the office this morning is that he's recovering from betting he could take an entire pack of Borisin in a fist fight. He's not in the hospital because of the fight (which he won). He's in the hospital because he was then promptly shot in the back by the guy he was betting with. Why is your life like this? Why must you be subjected to the soap opera of your boss's own self-destructive spiral?
Even when he's around, he's probably weirdly awkward. Don't get me wrong, I bet when he's in a good mood he throws all kinds of extravagant parties in the office, and his employees would never lack for bonuses and perks. But I think he has never really bothered to learn--or perhaps simply does not care--about normal managerial behaviors and boundaries. Like, you slip up and tell him your mother-in-law is in the hospital. He comes back five minutes later to tell you he's just bought six bouquets (sent from your address), commissioned a personally embossed card for her with your monogram, and contracted the services of the best-reviewed individualized medical team in Pier Point under your name. He's patting himself on the back for being an incredibly thoughtful boss. You don't know how to tell him that you haven't spoken to your mother-in-law in years, not since her last attempt to poison you. Every six months he buys the whole team new cars. You have no idea what to do with all these cars. It's too many cars. Put some cars back. He calls everyone his "friend," but even after working for him for years, you still have absolutely no idea about his likes, dislikes, or hobbies outside of the IPC. You could not name his favorite food if someone put a gun to your head. Does he exist outside of the workplace? You literally can't imagine him anywhere but on a mission or at a poker table. He's constantly bringing an "I am the party!" vibe to the room, but everyone else is a bored 8-5 worker who doesn't have a drop of enthusiasm left in their veins. It's like when a singer asks the audience to cheer along with a song, but nobody in the audience makes a peep. Absolutely no one in the IPC cubicles can match his particular freak. Aventurine's a smooth-talker and a street-smart cookie for sure, but something about the way his smile looks like it's made out of plastic when anyone tries to engage him in chitchat at the water cooler gives you the vague impression that he's probably never had an actual friend in his life. If "uncanny valley" was a vibe a workplace could have, Aventurine's office would have it.
Long story longer, I think Aventurine has very few people willing to tolerate him as a boss, whether because they are racist or simply because his quirks are just too quirky. However, I like to imagine the few who have hung in there are ride or die. You know they have an "Aventurine Protection Squad" group chat. They probably all wear peacock-teal and gold accessories in solidarity. They have definitely disappeared people for talking shit on their boss before. Aventurine has no idea how much they actually like him.
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suntoru · 2 years ago
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NOT Y/N. (NEVER WAS)
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summary: second lead pains </3 modern au where you’re in love with him, but scara doesn’t reciprocate ur feelings
feat. scaramouche
a/n: genshin version of ‘i wanted it to be you’ basically gryytgghhvrthhguuggyh iykyk, no disrespect to queen lumine tho 
warnings: swearing, self depreciating thoughts, no comfort, basically a vent, angst
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it was stupid, you knew that from the start. having a crush on scaramouche, of all people? but dumb little you didn’t care. you took all the moments where he wasn’t blatantly rude to you, where he let you in for a spilt second, where he showed you a sliver his heart and chalked it up to him maybe, just maybe him liking you back. and just when you thought you were making progress. you chuckle bitterly.
but then comes lumine. all it takes is something as simple as a smile in his direction for him to turn away with a slight blush, something so out of character only she could bring. you couldn’t even do that in the years you’ve spent with him. but you really can’t find it in yourself to hate her. she’s gorgeous, smart, talented, confident… everything you’re not. and it hurts, it really does, to see him fall in love so quickly when it took you ages to even be his friend.
you were just delusional. you’re not the main character who gets a fairytale ending, you’re just the side character who’s just there to get rejected. and maybe it stings, but it’s the truth. you close your eyes, tears pooling out the corners as you sink into your bed.
peeking out, you spot the bandaid box scaramouche gave you sitting on your desk. it has its own mini-shrine, decorated and highly protected. you still remember that day clearly. you tripped and scraped your knee on the ground because he pushed you, and you were on the floor teary-eyed, clutching your leg. he stomped off somewhere, you thought he just left you, but five minutes later, he came back with a box of bandaids, chucking them at your head. you kept it this entire time, thinking it was a sign that he possibly liked you more than friends.
your fingers lightly trace over the box. it hasn’t been damaged in the slightest, and it’s still full to the brim. you linger around for a moment before picking it up, observing it closely before giving it a small glare, and throwing it in the trash.
you stifle your sobs. you hate it. you hate it when he knows you’re sad just by looking at you, you hate how he sends you a ‘goodnight idiot’ when you fall asleep talking to him, you hate how he always treats you a little more differently than the rest of his friends. you wish he would just forget you existed.
but what hurts the most is that all the moments you thought were special, the moments that kept you up at night, the moments that made you want to kick your feet and squeal with happiness meant nothing to him. there was no chemistry, you were just so desperate to have something to cling onto. and you can’t help but think, ‘if i was a little bit more entertaining, if i was a little bit more pretty, if i was a little bit more like her… would things be different?’
you look up wistfully. but time and time again, you are never enough, you will never measure up to her. you can’t help but imagine what things would be like if you were y/n.
maybe he’d look at you with those soft eyes he always gives her. maybe he’d get a little flustered when you wave at him from afar. maybe, just maybe, if you weren’t the second main lead, he’d love you back.
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©kaeffeinee 2023. do not copy, repost, or translate any of my works on any platform.
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winchesterwild78 · 4 months ago
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The Director
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Characters: Jensen Ackles x Reader (wife)
Warnings: None. This is a fluff piece.
A/N: Got inspired by a series of pictures  @jackles010378 posted. Just a quick story about a day on set with Director Jensen. This is a work of fiction and does not depict real life. No disrespect to Jensen or his family. All work is my own, do not take it or copy it without permission. Wrote this fast and edited it fast, please overlook any errors. 
Minors DNI 18+
Jensen loved being an actor, but he also loved directing. He had a great eye that lended to amazing shots and takes. He was thrilled when he was approached to direct some episodes of his latest project. 
“Hey Y/N, how’s things going at home? How are the kids?” You heard your husband’s husky voice ask on the other end of the phone. “Hey babe, we’re good. They are outside playing and I’m fixing some lunch. Is everything okay? You sound off.” 
Jensen let out a long sigh, “Yeah, they asked me to direct the next few episodes.” “Oh Jens, that’s great! Why don’t you sound more excited?” “I don’t know. I guess I’m just nervous. It’s a lot of responsibility and I don’t want to screw it up.” “Jensen, you’re amazing at what you do. You always give all of yourself to anything you do. It doesn’t matter if it’s work, family or friends. You put all of yourself into everything. That’s one of the things I love about you. Jens, honey, you can do this.” 
“Thank you baby, I just needed to hear your voice. I love you.” “I love you too, Jensen, now, go do your thing baby.” You hung up and felt a pang of guilt. Jensen always put too much pressure on himself and you knew being by his side would help calm him. 
You grabbed your phone and called Gen. “Hey Gen, I have a huge favor to ask. Can you watch the kids for me? Jensen has been asked to direct and I’m afraid he’s spiraling.” “Sure, Y/N. Bring them over. We can all hang out and they can have a sleepover.” “Thanks, Gen! You’re the best.” 
You ran upstairs and packed yourself, and the kids. You took the kids to Gen and Jared’s and thanked her again. Then you headed for the shooting location. You were thankful this latest project was local enough so you could drive to set. 
You called Clif so he could meet you at security and get you inside without issue. You arrived and made it through security without any problem. “So, Clif. How is our boy doing? Honestly.” “Well, he’s stressed and of course he’s trying to make sure everything is perfect. You know how he hates to let people down.” “I know, thanks for getting me through security.” Clif hugged you and led you to the set. 
You saw Jensen behind the camera and he called cut as soon as you stepped in. He hadn’t seen you, and he was giving directions to the actors. You could see he was getting frustrated and he was trying to contain it. He called action and you watched as he moved around the set with the camera to get the perfect shot. 
One of the actors tripped and fell, so Jensen called cut again. The actor immediately started apologizing and Jensen put a hand on his shoulder. “It’s okay, it happens. Are you hurt? Do you need a break?” The actor shook his head and told Jensen no. The actor looked no more than 20 so you knew he was new. Jensen was always so kind and understanding with mishaps on the set. Afterall, he and Jared did plenty to drive their directors crazy. 
Jensen saw what time it was and he cut for lunch. He was frustrated. As the room cleared out you saw him sit down, take off his hat and run his fingers up and through his hair. He let out a frustrated sigh. Seeing him like that always broke your heart.
You walked up behind him, his head still down and hands in his hair and you put your arms around him. “Hey there Mr. Director. You look like you could use a break.” You kissed his cheek. Jensen’s head went up and his big green eyes looked at you with excitement and love. “Hey baby, what are you doing here?” He stood and threw his arms around you and softly kissed your lips. “I had Gen watch the kids, and I came to see if I could help with my husband’s stress.” 
He sat back down and pulled you between his legs. Cupping your face he kissed you again, this time it was more passionate. “Come on baby, let’s get you to your trailer so you can eat some lunch and relax. I’ll rub your shoulders.”
The two of you walked back to his trailer, hand in hand and he wore a mischievous smirk. Once in his trailer he plopped down on the sofa and pulled you with him. He peppered kisses all over you and had you giggling. “I love hearing your laugh, darlin’. It’s one of my favorite things to hear.” You smiled at him, “I love when you make me laugh. Now, let’s get you some lunch. What do you want and I’ll make it or go get it.” 
“I’d rather just take you to the bedroom.” He wiggled his eyebrows at you. “Jensen Ross Ackles!” You laughed. He stood up and grabbed you around your waist, “Y/N Y/M/N Ackles. I can’t help it. I'm in love with my wife and can’t wait to please her.” You giggled, “Fine, but you promise you’ll eat after.” “Darlin’ I plan on eating during.” He winked at you and you blushed. 
“Yes, I’ll grab something later.” You took his hand and led him back to the bedroom of his trailer. Clothes were shed and you helped Jensen relax and release all his built up stress. A few times actually.
By the time you two were finished he had about 15 minutes before he had to return to set. “Jens, you need to get dressed and back to set soon.” He pulled you closer to him and groaned, “Do I have to. I’d rather just lay here in your arms for the rest of the day.” “Me too, but you have a job to do. I’ll be here with you tonight. I have a bag packed and Gen is watching the kids.” His smile grew big, “That’s great. I will get you all to myself tonight.” You shook your head, “Now, go finish the shoot for the day.” 
You both got dressed and Jensen grabbed a quick bite from craft services. He pulled a chair up for you to sit next to him while he finished shooting for the day. You loved watching him work, and sitting next to him helped calm him. The rest of the shoot went smoothly. By the time Jensen called cut for the day, everyone was exhausted. 
Jensen took you by the hand and led you out of the set and towards his trailer. Once inside he pulled you close to him, “Thank you for coming to set today. I love you so much.” “You’re welcome baby. I love you too, Mr. Director.” 
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ravenalla · 2 years ago
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Okay I swear this will be my last rant post before the next episode airs but I have to get it off my chest cause I keep seeing the argument made that people disappointed Din gave the darksaber away are forgetting the lack of plot in the previous seasons, which I very heavily disagree.
I can’t speak for everyone, but at least for me when I’m saying I’m disappointed Din did not become Manda’lor I am not saying I hated the adventure of the week side quest format they had. That’s what I liked best about the show! It was great in season 1 feeling like Din was just the random guy off on his own adventure with this baby he found, I would have loved for it to have kept that small space western feel. Season 3 becoming this big interconnected universe with a corrupted New Republic plot connecting to the sequels is what I was most worried about just because I personally don’t like that direction. The more they’ve tried to go the Andor route and make this show about the Galatic politics, the worst it’s become imo (we literally have two white dudes writing a plot point about droids liking being underclass and serving the soft democratic people that is ruled with the help of a former Nazi, but ohh it’s okay it’s Jack Black and he’s funny and the Space Nazi and the Space Nazi doctor are really sorry for what they did, look the New Republic is just as bad as the fascist imperials 🥺🥺)
What some people are not getting is that the darksaber is ALL. DIN. HAD. LEFT. There was no driving force or goal for him after episode 2, they reunited him with his child in a spin-off show, they have him redeem himself fairly easily without any emotional impact, and now they took away the opportunity to do one last interesting thing with him. Din does not have his own actions or thoughts throughout most of the season, and when he does it’s just retracing the character development they already gave him in previous seasons (i.e. the whole droid fiasco). He’s a plot device, meant to further Bo-Katan’s character and help her with her goals or have him in danger so she can save him. It was okay if Din did not become Manda’lor, but they can’t just make him having the darksaber out to be a huge deal, show him trying to learn how to train with it, and give it up so stupidly through a loophole just so Bo-Katan can lead again when she has done nothing to actually earn it or apologize for the way she disrespected Din’s entire culture again and again. She was a terrorist who has done a 180 into suddenly being an honorable character just because of a few action scenes, no introspection or interesting conflict between her and the covert about their differences, nothing about her actually thinking about her past mistakes, just the covert being there to look like dumbasses who settled on a dangerous planet where their children get eaten so Bo can lead missions, look a million times more competent in comparison, and suddenly be the one who deserves to lead.
There doesn’t have to be a big plot each episode, but it’s not being executed well like it was in the first two seasons. The goal was getting Grogu to a Jedi, and we were given the interesting side adventures on that journey. Din needs to find somewhere he can lay low, he goes to Sorgan and becomes tempted by a domestic life. Din needs credits, he takes a job with some old acquaintances and sees what kind of slimy person he could have been. Din needs to find other mandos to help him find a Jedi, he runs into a small town desperate for help with a Krayt Dragon and showcases his pride in being a Mandalorian but his respect for other cultures and his willingness to do the right thing. He travels to a planet ruled by an former Imperialist because the Jedi he was searching for was there and helps her to save a town both for their sake and his need to give his son the best life he can have. See the pattern? They were side adventures, but they weren’t a random hodgepodge of ideas, they fit the story and the tone, giving us interesting side characters and helping to develop our main characters. Din showed his leadership, his growing kindness, his frustrations, his annoyances, his fears, Grogu becomes more adventurous, vocal, and attached to who he’s starting to see as a father figure. They both aren’t talkative characters, but they had feelings and personalities we saw. They had moments between them that wasn’t just exposition for the plot or a push towards an action scene, it showed their lives and values, their relationships. Little moments like Din being happy to hear Grogu’s name, Cobb sharing his story and why he valued the armor, Omera talking with Din about his life and wondering if he could stay, Frog Lady wanting to get her eggs safely to her husband and Din comedically trying to make that happen. The story was driven by these characters decisions and their personalities.
Season 3, on the other hand, has taken away all the life of these side adventures in its goal to tie in a larger Star Wars narrative that connects to other shows. They are not character driven anymore, and instead the characters are being twisted and molded to do and say stuff that’ll get us from point A to point B instead of the other way around. The point of Din breaking his creed is not to see what that would mean for his identity or how he wants to live with Grogu by his side, the point is to take him to Mandalore so that he can ultimately get trapped and fall down a hole so Bo-Katan can see the Mythosaur. The point of Bo-Katan’s crew leaving her and her staying in a random castle for no reason doing nothing all day isn’t for her to recognize her past failings or show us what their relationship was like and what it meant to her, it’s to have an easy offscreen explanation so that she can come to the covert without anything challenging in the way. The point of Din’s coverts staying on a monster-infested planet where Paz’s son is kidnapped isn’t because it makes sense they’d be there or that Paz suddenly even has a son we’ve never seen before, it’s so they can put in CGI monsters they thought were cool and have Bo save the day so they can have a flimsy reason she does need to be leader again. The point of spending time with the covert and having random pirates attacking Nevarro wasn’t to develop the other mandalorians as actual characters, it was to have them accept Bo easily so that she can “walk both worlds” and give Carl Weather’s character more screentime. And so much more.
Things are happening, but it doesn’t matter whether they make sense or fit the characters anymore, because all the side quest are focused on is bending over backwards trying to make you believe this Bo deserves the darksaber narrative. Before that it wasn’t like the Covert was planning to take back Mandalore, Din wasn’t planning to take back Mandalore, Bo didn’t tell anybody what she saw so there was no real stakes for anybody. Nobody in the main plot has had any purpose as more than side characters besides her. Din may have been the main character, but the people he met on his journey didn’t just do stuff to contribute to his own character or finding a Jedi. Omera had her own goals, Cobb had his own goals, Fennec had her own goals, Boba had his own goals, and they all still worked well with the narrative without diminishing each other, Din developed on the way by learning from the other characters and them him. What the fuck does Din want this season? Paz? The Armorer? The answer is whatever will make it easiest for the plot to retake Mandalore and have Bo be the Manda’lor for these writers, despite it being shown previously they have no reason to care or like Bo-Katan.
Like, some character moments are there. Bo is changing. I’m not saying that’s not happening at all. But it’s being done in a way that is sabotaging every other aspect of the show to force this plot that they wanted, the sidequest are feeling duller because they aren’t for these characters to have fun adventures we get emotionally invested in that simultaneously furthers the actual main characters goal, it’s let’s just have a CGI dragon, let’s have Lizzo and Jack Black guest star, let’s have Zeb from Rebels be in there for no reason. Unless again you count Bo as the main character, but like honestly she’s not even having natural character development. She went from being an antagonistic ex-terrorist to suddenly being kind and charitable with hardly any buildup or insight into her feelings. It doesn’t feel organic. I know she lost everything, but they still made it seem like she blamed Din for it only to have her rescue him once and completely abandon that hostility. The best we really have gotten is Grogu remembering his past while with the armorer and setting up his future as a Mandalorian, but even that feels cheapened when the armor he was given isn’t even talked about with the person who he shares the symbol with him that signifies their relationship, making me think it’s just another merchandise decision.
We wanted Din to learn to rule because, even if we did have to say goodbye to the adventure of the week type format, it would have been in service of his character evolving into something he doesn’t think he deserves or is good at. It would have been the next step in his journey, accumulating everything he has learned, the growth he went through using both diplomacy and his skills as a fighter time and time again. Instead, they chose to really quickly ditch any of the conflicts he had so they could have him free to do this instead. If they had waited one more season, this could have possibly been done well imo. Din’s arcs could have been brought to a meaningful and satisfying conclusion, and then you could have made him and Bo-Katan become co-leads. It wouldn’t have mattered as much then if they decided to focus a little more on her. But instead they essentially abandoned Din’s story they’ve spent two seasons creating to go ahead and tell her own.
The side quest aren’t what people are complaining about. It’s that they have no meaning for our characters other than having everybody circling around Bo most of the time or creating some big connection to the sequel triology and setting up the Star Wats MCU, which wasn’t the style of writing this show did. I don’t care how many ways people want to argue against it, Din is not the main character in this season, which is not what they have been selling us all year, and he doesn’t even have any engaging story or arc as a side character either. That is the problem, and that is why these side quest and the lack of an actual plot do not work.
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bubblinelovechild · 1 year ago
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The RWBY fandoms treatment of Adam makes me very uncomfortable
This is very long sorry I was rambling <3
There’s something really odd about the dedication RWBY fans have to hating Adam. So much so that they’ll admit the writing of the WF is racist but refuse to admit that Adam a member of the white fang also suffered from that racist writing.
There’s this weird dedication to pretending there are no problems with the choices made around Adams character and vilifying literally everyone who tries to talk about it, for the sake of continuing to blindly hate him. The fandom seems to struggle with understanding that the show is fictional and everything that happens in it is a direct choice of its writers. Y’all talk about Adam like he is a real person who has personally offended you irl. Just a huge lack of media literacy tbh.
A white man wrote a civil rights group, that he admittedly based off the black panthers, as the generic bad guys of his shitty anime knockoff and made a central theme of the show the idea that fighting against your oppression violently makes you just as bad if not worse than your oppressors. Then he mad the leader of that group a generic abusive meanie bad guy. Who essentially is what white supremacists think civil rights activist are all the way down to being the fictional equivalent of a black supremacist.
When there was backlash to this he made a knockoff Malcom X and then killed her in her only scene and made a character whose ideology is basically sit down and lick the feet of your oppressors and had the audacity to say he was based off of MLK. How the fuck do you base a character off of somebody without doing basic research on them because contrary to what people seem to believe MLK was not a doormat and this is a conversation for a different day but I’m sick and tired of his memory being weaponised against black people.
What’s worse is that Adam is the only character portrayed as actually doing something to fight racism. Ghira’s faction is only ever seen fighting against other groups. I don’t know if y’all know this but that’s not how the civil rights movement worked. Most of the leaders didn’t agree on methods but they coexisted because the main goal was the liberation of black people and they knew they had to coexist. MLK did not go around calling the cops on revolutionaries he disagreed with.
The problems with Adam and the WF are not separate and cannot be. Most of what’s wrong with the Faunus plot line is the way the show handles Adam. The choices made with his writing cannot be separated from those they made with the WF overall. Adams choice to kill his attackers to keep himself and other Faunus safe, from people literally trying to kill them, is treated the way it is because of the stance they took with WFs writing. When Adam kills a human supremacist trying to kill Ghira you’re supposed to see it as an extreme and the beginning of his turn to evil. Adam isn’t a real person every descisiom he makes is informed by the white writers of the show. Why would the bias they displayed writing the WF not apply to him?
Some of you have been abused and relate to Blake in that sense, a lot of you seem to be projecting your abusers onto Adam. I’m sorry you went through that but you are not excused from buying into racist rhetoric. It’s incredibly uncomfortable as a black person to watch people talk about how “healing” it was for them to watch a civil rights leader admittedly inspired by black people slapped around and killed by two white women. It is anger inducing to watch fans celebrate “queer representation” dancing on the corpse of a monumental disrespect to black people and our history.
RWBY doesn’t even handle abuse well tbh and most of the queer rep is not that great, there are many shows that do it so much better, there is actually no excuse for hanging on to the black people are bad for fighting against racism show.
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junimo-plushie · 4 months ago
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I just got my Stardew cookbook and I absolutely love it!
Except for one thing. TW: addiction, suic*de
Let me say first:
We know Pelican Town has two alcoholics- Shane and Pam.
Pam is hot tempered and selfish. We don't really know why she drinks. She clearly has a problem managing personal relationships and funds as a direct result of her addiction. A lot of fans hate Pam and are largely unsympathetic to her, which is a reflection of people's view of alcoholics in real life: lazy, mean, self centered and at sometimes even repulsive to the senses. Even after getting her job back and a big beautiful house, Pam can't let go of her pride or stop drinking. She is so deeply ashamed of herself she would be overwhelmed if she took away the crutch that allows her to numb herself to it. I say all this to demonstrate that Pam is an incredibly well rounded and thoughtful character.
She doesn't get a redemption arc. This is who she is in Pelican Town forever.
Shane is a different story.
As we get to know him, we find another extremely well rounded character. We see him struggle with his addiction to the point it almost kills him. His internal battle with depression is exasperated by his addiction and he expresses that to us in a way similar to Pam. Neither of them want this, they don't like how their alcoholism makes them treat their loved ones, they want to change but don't know how-very common issues alcoholics deal with.
The point im getting to is this:
Stardew has given us two extremely well thought out and realistic characters. While alcoholics ( as is the case with most addicts) are often thought of as "lazy" "too dumb to stop/see addiction is destroying them" "unsalvageable", etc., Stardew very clearly RESPECTS these complex characters. Pam doesn't need a redemption arc to be well written, she's realistic.
Respectful is the main word here.
I'm an alcoholic. A lot of people don't know how bad it was and I'm getting better. It's so normalized to shit all over addicts, it's incredibly refreshing to have two relatable characters that are respected.
Ok let me get to my complaint.
This from the book:
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From the writers credits it seems like CA was not the only one who wrote villager's lines in the book.
It's like they looked at Shane's Stardew wiki page and said, " ah yes alcoholic. His brain just be soup and he must have no practical instincts." In my opinion, nothing about Shane's character would suggest that he wouldn't have the good sense to go to a sink to wash his eyes out.
It just seems disrespectful. Something that media REALLY struggles with is showing addicts that are dynamic and have any shred of dignity. They usually can't even portray them as humans giving them zombie like qualities.In my opinion, Stardew never had that problem, which is why this so deeply upset me.
Id really like to get some other opinions on this. Is there something in Shane's dialogue lines that I over-looked that would make this make sense for his character? Am I being way too sensitive to this because it's an issue that I'm too close to(probably)? Other addicts in particular, how did you feel reading that?
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voidnoidoid · 2 years ago
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Jimmy, aka Tumble Town's Outlaw (+ rambly character progression analysis and stuffs)
my take on Jimmy's villain arc is that instead of trying to reclaim his role as Sheriff, he should instead become the most feared outlaw the empires have ever seen.
old timey sheriffs often toed the line between justice and crime, and Jimmy has made it clear he's not above some corruption: bribery, stealing, manipulation, shady deals, arson etc. He's not the pillar of justice and upholder of the law he makes himself out to be. Hell he doesn't even follow his own laws sometimes and he let Scar break all of them! So why not turn to crime and vengeance?
recently I read an article about Kid Curry, a notorious outlaw of the Wild West, and I thought hey, what if Jimmy's character went in that direction? (PG-13 of course cmon) He could have a cool nickname like Dynamite Jim or something. Another thing I noticed is that Jimmy doesn't use a gun, saying that he is averse to using that kind of weapon, despite most cowboys carrying some form of firearm on them. He prefers to use a bow and arrow and his lasso. Could it be that he's used a gun before? Anyway I think it would a real turning point in his character arc for him to start using a gun, and ironically name it the Peacemaker (after the colt single action army revolver)
I find the Sheriff turned Outlaw story really compelling given what we know of Jim's character so far. Other people have brought this point up but Jimmy's whole character seems to tie in with themes of isolation and loneliness. Tumble Town doesn't have any villagers or custom citizens anywhere. The saloon is empty and devoid of any beverages. It's just Jimmy and his horses around here. Almost as if Tumble Town is completely deserted.
We don't know anything about Jimmy's life before he became the self-proclaimed Sheriff, but I assume his life before that wasn't a happy one. Why else would he crave respect so desperately, unless he wasn't afforded any before? He hates being seen as powerless and lesser than, as being called a toy is very much a soft spot for him. Him shrinking down in size and having his peers literally and metaphorically look down on him isn't helping either. From the beginning, Jimmy was never one to be taken seriously, as he was a goofy, good-natured man who kind of bumbled into being a Sheriff.
He demanded respect by imposing his laws upon every empire, despite not really having any right to do so other than being "The Sheriff". He is the leader of Tumble Town, not the whole 12 empires after all. Jim didn't really do much to show that he deserved the kind of authoritative respect he wanted from everyone, but the other rulers still liked having him around. People he considered allies such as Gem, Sausage and FWhip treated him nicely for a time, but either tolerated his Sheriff playacting and/or made fun of him by playing into the whole Toy Story bit. They were his "friends" but didn't give him respect as Sheriff and as a person.
For the majority of empires Jimmy has been treated as lesser than, as someone who isn't even human. He wasn't given basic respect asa a person. Joel outright mocked Jimmy by calling him a toy to his face, and every single person who has interacted with Jimmy has engaged in the toy bit. Hell, his own deputies, FWhip AND Scar, didn't treat him like an equal.
FWhip became deputy for his own gain and wore the toy story alien uniform to subtly make fun of Jimmy without him knowing. He did get attached to Jimmy though and took it extremely personally when he got fired for disrespecting Jimmy, getting back at him by stealing the hat and badges. I do think c!FWhip took it too far and is basically an embittered ex.
Scar on the other hand, was extremely nice to Jimmy and literally built him an entire train and a bunch of buildings as well as setting up villager trading posts for him. It's a really kind and generous thing to do for Jimmy, but despite that he still doesn't respect him in the way Jim wants him to. He gave Jim a whole pep talk about how "being Woody is a good thing" which, while being very sweet and encouraging, also unconsciously reinforces the fact that Scar DOES see Jimmy as a toy just like the rest of Empires. And when Scar was imprisoned by Jimmy for like 10 seconds, he threatened to call Jimmy a toy to get himself out of jail.
Alright fast forward to present time. Jimmy meets the Old/Past Sheriff and learns more about being a real sheriff. He learns how to get people to respect him more and is really excited to have a mentor figure, especially someone who used to be a real Sheriff running a town. Excitedly, he calls his friends over to the great bridge, riding atop a horse, to share about the cool thing that happened to him. Notice Gem, Sausage and FWhip are all wearing the Dawn Sunglasses, and Jimmy isn't, which creates this feeling that Jimmy is an "other" and not part of the in group. Instead of listening and congratulating him, all three of them crouch and poke fun at him for being small. Jimmy is all too aware of how everybody is treating him. He promises to be a better man, a better Sheriff they can all be proud of. And so he begs them, "so do you guys finally respect me now?"
Do you see me for who I am?
Will you finally see me as your equal?
Your friend?
And he is shot dead.
They've made their point loud and clear, and Jimmy has had enough. No more playing games. If they refuse to respect him, he will make them fear.
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ceruleanwhore · 1 year ago
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As someone who has never liked Jin since I first started ikepri, I recently was convinced to attempt to make my way through his romantic route after reading @randonauticrap’s wonderful and very compelling fanfic about him and now, as I finish his story, I wanted to take a very long minute to talk about it. I’d like to start with a bit of context before really getting into things, though. (Major spoilers for Luke and Jin’s routes below the cut.)
A few months ago, I saw a post somewhere on here that mentioned what, for me at the time, was a massive spoiler, that Jin killed Luke’s sister. At the time, I was in the middle of another route so I immediately took to YouTube to find a playlist of Jin’s route because my thought at the time was that I wanted to read it. However, I very quickly decided that I hated it, and then I kind of just flipped through some of the following chapters, kind of scanning for the stuff with Luke’s sister and not finding it, so then I just ended up skipping to the last 8 chapters and slogging through those. It is also worth mentioning that the only ending on YouTube was his dramatic ending.
Now, that whole experience sucked beyond belief and I came out of it deeply, passionately hating Jin because really all I saw was his awful, disrespectful behavior at the very beginning and that horrid shit he pulls both in ch 19 and then in the actual ending. A while after this whole ordeal, I did get around to reading Luke’s route, which made me hate Jin even more because, in the part where Jin is finally explaining what happened on Bloodstained Rose Day and we get his own flashback, there’s no dialogue, like he pulls this injured little girl from the rubble and then just slices her throat without her ever saying anything. Between that and what sure seemed like sexism from what bits and pieces of Jin’s route I’d seen, it gave me this idea that Leyla was straight up unconscious and he just decided to slice her throat like that because, in truth, he just wanted her out of the way and didn’t want to have to deal with her during the fighting but obviously he’d tell himself that it was for her sake or some shit. There’s still a bunch I’m missing with that but I’m about to get way more into this shit so I’m not concerned, but tldr I fucking hated this guy and I thought he was the worst kind of scum coming out of Luke’s route, especially since so many other people in the fandom have talked about how much he gives them the ick.
So now, at the end of his romantic route, I still don’t like him and I really think I was just bewitched by the beautiful things that @randonauticrap has written about him, but I don’t truly hate him anymore. I think I’m going to just list off my issues with his character as quickly as possible to just really show how much there is that I take issue with here without going on about it for an eternity.
First is the way he talks about women (i.e. comments about how he’s never seen such an impressive “rack” before.) More importantly, there’s how he’s sexualizing women in totally inappropriate contexts where there really aren’t any women present, like when he’s training his troops or when he goes to deal with that issue on the border and is addressing those kids from Obsidian. This particularly is disturbing to me because there’s already a longstanding history of men conflating sexual violence with the violence of war and for Jin to, however unintentionally, draw that direct of a connection between fighting in war and having sex with women is something I cannot abide by.
Also with his lack of respect of women is how he demands and abuses Emma’s time at the start of his route. It’s bad enough to put her in that god-awful position in the first place with Sariel and all that, but to then drag her away from the hard work she has to put in because of him just to make her spend an entire day watching him go around hitting on other women is beyond disrespectful. The other thing that really irks me is how he continues to hit on Emma after she’s made it super clear that, unlike the women he has relations with, she truly believes that such relations exclusively accompany real feelings. He acknowledges that she’s a true romantic and then is out here like “where’s my hug” and it makes me feel violent. I originally wasn’t totally against how he talks to women, since in canon all those faceless nameless side characters he fucks seem to be into it and I thought he was a consent king who stops if the woman clearly isn’t interested and only ever pursues women who are really into what he’s offering but apparently not.
Then there’s everything with Clause 99. First off, him putting in the clause basically reflects that his biggest fear is history repeating itself with his parents’ relationship and Clause 99 puts ALL of that responsibility on the women who will serve as Belle in the future. Secondly, this is backed by his hypocritical behavior throughout the different routes. In Luke’s route, he outright encourages Luke to pursue Emma in spite of making this clause and he easily yields to his other brothers when, in their own routes, they decide they want to revoke the clause, and yet Emma herself gets Clause 99 looming over her head throughout all of the routes. The conclusion which I believe is actually meant to be canon with this is that women are fragile little flowers who need extra special protection from the big, bad men and they need a fucking man to provide that protection. Rather than putting in any amount of effort at all whatsoever to make himself and his brothers and future generations of their family better, he’s putting all this serious, overwhelming pressure on the women. Also, the clause does jack shit to help mitigate the development of such emotions, so it literally just serves to put pressure and responsibility on women about things beyond their control while accomplishing nothing other than turning them into scapegoats.
Okay so then I really need to talk about Luke’s sister. So, as I started to talk about before, I now know that the flashback in Luke’s route was incomplete and that Leyla did actually beg for death, but even with that being the case there are still some major ethical issues here. For example, can a ~8 year old child have the bodily autonomy to actually request assisted suicide and should they? Does said child have enough knowledge of pain and injury to know when they’re actually about to die or not? Should a grown ass man actually heed a child’s request for death without even so much as having a doctor spare said child a glance first? But then after he killed her, he went and stole her body to go bury her in the woods, clearly just deciding that her dead body should go to him to use to try and make himself feel better. Those graves that are hidden where only he can find them do nothing for Leyla or for Luke; they exclusively exist for Jin. They are there solely for him to use to try and alleviate his guilt over time, like props. 
Then, there’s the part in Luke’s route where he discovers the truth about Jin, so Jin takes him on a walk to those graves and tells the story of how he killed Leyla before he then tries to get Luke to kill him. Once again, this has nothing at all to do with trying to give Luke justice or closure and it has everything to do with Jin making everything about himself. There’s even a bit in there where Jin basically phrases it like he’s asking Luke to do him a favor and hear him out, making it clear that this is not at all for Luke’s benefit. Likewise, if he really cared about Luke getting real, meaningful justice and closure, he wouldn’t be trying to get Luke to murder him, putting all that blood directly on his hands, giving him further pain and trauma, and also ensuring that Chevalier would then kill Luke because of course he would.
Another thing I want to add, going off of that, is how very badly Jin sucks at conflict resolution, which we see multiple times between his route and Luke’s, whether it’s his conflict with Luke or how he handles shit so utterly fucking terribly with Emma or even that bullshit at the border with Obsidian at the end of his route. This man isn’t just shit at conflict resolution, he’s thoroughly proven that all attempts he makes at it are just variations of the same shit: self sacrifice fueled by ego dressed up to look like it’s heroic and really meant for the benefit of others that only actually harms those it’s supposedly meant to protect.
So I think my final takeaway with his character is that he is inherently very selfish but he has no self awareness about that selfishness and genuinely believes everything he’s doing is for other people. Another thing I want to talk about is that I saw a video the other day that also has softened my overall feelings about Jin, and that video was talking about the lack of self awareness of male feminists. This video talke about how some of these men who are out here making online content around ‘educating’ other men about feminism and respecting women will sometimes share this sentiment like “women have all been traumatized by the bad men out there so you just need to be patient with them” and how condescending it is. The issue here is that, when men say this, they are refusing to acknowledge that even as a good ol feminist ally, their own behavior can come across as sexist and they themselves can give us the ick or make us feel unsafe. 
I bring this up because, with Jin, I originally thought he was a sexist dick hiding behind a very thin facade of “but I love women,” but now I think it really is just a complete lack of self awareness where, like the men that video talked about, he sees himself as a feminist who loves women, so he doesn’t see how his words and actions can make it seem as though he’s violently sexist. So, to sum everything up, when I first found @randonauticrap’s stuff and then subsequently decided to read Jin’s story, I genuinely hated him because I saw him as dangerously sexist and selfish but now, as I finish his route, I don’t like him but I no longer hate him the way I did. Now I see him as capable of change and I think that like after the end of the story, a good person like the one he’s in a relationship with could successfully help him grow and change into a better person.
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koogl001 · 2 years ago
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hello! I was wondering if you could make an Alastor x fem! reader that has haphephobia. You don’t have to if you don’t want but if you do thank you very much!<3
One-Shots and Headcanons Masterlist
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Ever since you could remember, you absolutely detested being touched
Well, that doesn’t really mean much as your first memory was arriving here at Hell, which was not so long ago
You always suspected that perhaps, your fear of touch was rooted somewhere in your living life, but couldn’t prove this theory due to your amnesia
Whenever someone touched you, you could almost feel the sensation of bugs crawling underneath your skin which sent you into a panic attack most of the times
When Alastor first arrived at the Happy Hotel (where you were currently working as a receptionist), he did not pay you any mind
That is, until he attempted to shake your hand
When you refused to do so, he took a mental note of what he thought was disrespect from you
But as he got to know everyone a bit better, Charlie seeing as invading people’s personal space was kind of his thing thought it best to inform him of your condition
Haphephobia, an intense fear of being touched
He can somehow sort of relate to you, as he hates being touched as well though he don’t have a problem touching others
And because he can imagine how you feel, he becomes your personal bodyguard, shielding you from the others
He’ll be at your side 24/7, especially if Angel is anywhere near as Alastor knows how touchy the spider demon can get
You find his protectiveness extremely cute
He’s like a big bad deer protecting his darling little doe
It won’t be long however till he reaches his limit, yearning to be touched by his darling but at the same time, he doesn’t want to make you uncomfortable so he’ll assemble (or more like kidnap) a team of the best psychiatrists and psychologists in all of Hell in hopes they can help you
There are three main possibilities
Either the root of your problem really lies in the time you were still alive, it’s related to other mental health problems, or it’s just a part of your character
As you slowly start working on your problem, a part of the therapy involves exposure to your fear and trust me, Alastor will be more than happy to help you with that
Of course, he’ll start small, and he’ll be an absolute gentleman about it
He’ll build up a schedule for you to feel more in control where at specific times of after specific events, he’ll administer small touches, always asking permission first
He won’t however allow you to practice on anyone else since you’ll only ever need to touch him and him alone, so there is no need for that
Expect a lot of praise and treats, that might come in the form of actual sweets or small gifts and with each new milestone, he’ll absolutely go out of his way to do something extravagant for you
He’ll be as patient as possible, knowing that one step in the wrong direction can flush all of your progress down the toilet
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rantahead · 11 months ago
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Why I Ship BoruSumi
No hate
In Naruto, it was all about shipping. People love watching Naruto or other characters having romantic relationships with others and ship baits and it was exciting to see what would be end game. It was all about the fun. But a part of the fandom took that fun and made it a nightmare (NaruSaku/Sakura) fandom. They sent death threats to Masashi Kishimoto and the team to make NaruSaku canon and loved hating on any other character that interacted with Naruto, mostly Hinata Hyuga. But after the ending of Naruto, some of the fandom can’t seem to accept that. They moved onto the kids, hoping to live out their delusions through them (Boruto and Sarada). After Boruto the movie came out, most people speculated that they would be canon, and because the next gen wasn’t planned yet, they had no one else to pair Boruto up with, so that’s why there are a lot of blushing scenes.  
Now, BoruSumi is one of Boruto’s most popular ships, along with BoruSara. Here's why I ship BoruSumi:
Opposites:
Ever heard of the saying, “opposites attract”. Yeah, well, that’s true in this case. Most Naruto/Boruto couples are yin and yang. Yin being quiet, emotionless, and shy. Whereas yang is loud, obnoxious, and easily angered. Boruto was quickly ruled out as yang, whereas Sumire was ruled as yin. Boruto often pulled pranks and would shout and have random outbursts. Sumire was shown to be quiet and shy and scared whenever her class was having fall outs, which was easily shown in one episode where the class was having a girl VS boy battle. Even after her arc, she was still shown to be scared about other people and what they think of her and a shy and caring person:
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Now, every Naruto/Boruto character get their personality from either their mother or father and Naruto and Sasuke got theirs from their mothers and married someone like their fathers (Hinata/Minato and Sakura/Fugaku). Even Itachi got Mikoto's personality and Izumi had Fugaku's (it was confirmed that Itachi loved her). It's only fair since Boruto inherited his father's personality that he marries someone like his mother, that being Sumire. Sarada, in contrast to what people think, actually inherited her mother's personality.
2. Treat each other differently:
Sumire is kind so she treats everyone equally, but she has confirmed her feelings towards Boruto twice, but this one's mostly pointed towards Boruto.
Chocho: Shouted at her, angry at her, called her a liar, etc:
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Namida: He's barely had any interaction with her but she is a friend of his. But in this scene, he didn't have a direct conversation with her, but still wanted to help. But judging from his calmness, her wanting to not be a ninja didn't bug him much. He has also seen to tease her and Wasabi:
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Sarada: He didn't see her as a normal girl and hated her guts, vice versa. But as the anime/manga went on, he became comfortable around her and saw her as only a teammate:
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But with Sumire, he listens to her like she's his mom, which Sumire is technically the mom or big sister of the group:
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3. He doesn't call her by her name:
People may think this is a con to the ship, but it's actually a pro. In Japan, calling someone by their title has shown to be respectful and calling people like how Boruto calls Kakashi, Konohamaru and Hanabi is shown to be disrespectful. Now, he probably thinks he's not close or not good enough to call her by her name. But he always respected her, more than I can say for Sarada and his own sensei. He only called her by her name once and that was when he had saved her from darkness, but it was also life-changing for him, meaning her name meant something to him. That was when Sumire started having feelings, too. 4. Jealousy: Sumire has shown jealous (the scene where Boruto was chasing Sarada on the boat in the Kiri arc), but it was barely displayed. Boruto, however was shown jealousy over her two times (probably even more but I haven't watched the whole show, just up to episode 232, but these are the scenes I can remember):
5. Boruto was worried for Sumire when she was in trouble:
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In the last scene, Boruto was upset (and in the novel, he even cried for her) and blamed himself for her getting hurt.
6. Boruto blames himself for Sumire getting hurt:
In the novel (as mentioned earlier), Boruto cried for Sumire in the novel, but in the anime, it showed him as worried. It got so bad that Sarada had to drag him out. He then vowed to stop the guy who hurt her.
7. Those around Boruto seem to know he gets a bit overprotective of Sumire:
Shikadai:
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He was worried about Boruto's reaction when Inojin said that Sumire might be transferring.
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After Inojin opened his big mouth, Boruto instantly became angry and tried getting her back.
Mitsuki:
Mitsuki is a bit different because he doesn't know but he does, if that makes sense. It's obvious that Mitsuki likes Boruto (I'm pretty sure it's confirmed), so that technically makes Sumire his rival. But Mitsuki still seemed to know that whenever Sumire was involved, Boruto would act differently and rush over to her. He knew he acted differently around her. He even went as far to ask her about Boruto when she was in the hospital, all because he took Inojin's words out of context and assumed she liked him.
Naruto:
Boruto's own father seemed to know how much Boruto cared for her. Naruto probably realized this when Boruto asked him to use his Hokage title. You could see the realization on his face and the smile he gave him was a "I will, trust me" one (there is a pic, but I can't find it).
Hinata:
A mother knows her child best, right? Hinata had been in love with Naruto since childhood, so she knew about young love. She didn't know Sumire in person, but she knew that she was important to Boruto since he rarely ever asks anything from his father.
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7. Boruto trusts Sumire:
Now, Boruto trusts all his comrades, but he trusted Sumire even after everything that she did and his trust in her was unbelievable. He put his life in her hands even though she tried to destroy his home and family. He even put faith in her and wanted to protect her and couldn't chose between her and the village.
8. Parallels:
KawaSumi is parallel with SasuHina (purple being mc's rival and lover, but Kawaki's and Sasuke's are leaning towards black, but at one point was purple) and BoruSara is parallel with SasuKari/NaruSaku.
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10. Confessions:
Sumire has confessed her feelings like Hinata has.
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11. Data book:
In Sumire's data book, it was confirmed that she loved Boruto, just like Hinata's and Sakura's confirmed their love to their respective partners.
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But this is all my opinion and why I ship them. But if you ship BoruSara then that's fine. But these are my reasons for shipping this ship and I'm pretty sure it's canon because of the last point. I don't think that Ino or Karin's have confirmed their feelings for Sasuke when the series was going on. And I know Sarada's definitely hasn't. But ship your own ship.
Only time will tell, I guess. and the decisions for Kishi to decide and some rabid fans sending death threats to him to make their ship canon won't change his mind.
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clementine-side-blog · 5 months ago
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Burt Fabelman SFW Headcanons
Summary: My personal SFW headcanons about Burt Fabelman.
(A/N: Keep in mind that I have not watched the movie yet. I just really like the character from what I've seen. Forgive me if I get some things about him wrong. Also, not worrying about the time period. Modern au cuz I'm lazy! <3)
(Read Below For Headcanons)
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Personality:
I feel like he is a very caring and kind man.
He's always thinking about others and putting their needs before his.
Extremely altruistic. He makes LOTS of money from being a computer engineer, so he likes to donate to charities every now and then. He also volunteers at food banks occasionally.
Hates being alone. After divorcing Mitzi, his house felt very empty. Sure he got to see the kids every now and then, but when it was just him it felt terrible.
Very polite, timid, and gentle. Though, when provoked, he can be pretty intimidating. He doesn't tolerate disrespect.
He makes dad jokes a lot. They're terrible. His humor is just cheesy dad jokes and funny pictures of animals. He'd definitely scroll through Facebook and look at all of them.
He's a very patient person, but you don't want to push his buttons too much.
Burt is a fairly smart man. His IQ is maybe around 100? It's slightly above average.
The way he talks is very eloquent and professional, no matter who he's talking to. It's just how he is.
In a relationship with him, he's always spoiling you. He's basically a sugar daddy, but like, you two are actually in love.
He's a little self conscious about dating you, especially since he's not a Spring chicken anymore. Because of this, he tends to get jealous pretty easily. Don't take it personally though, he trusts you. It's just his own insecurities.
Hobbies:
He loves model trains. In his basement he has a few mini models on shelves. If you let him, he could talk for hours about them.
He is a huge cinephile. Originally, he started to watch more movies to be able to talk with Sammy about his passions. But that grew into a hobby, and now he's just as passionate about cinema as Sammy is about directing. Some of his favorite movies are: Fight Club (but he HATES the sex scenes); Brokeback Mountain (he cried during it); American Psycho (he read the book originally, so he watched the movie after. he knows its satire and that's why he loves it.); Castaway (he just rlly likes this movie).
He does not play video games, but in a relationship with him, you do. It might not be a hobby for him, but he enjoys to watch you play.
Baking is a fun hobby of his. He really loves to make brownies and macarons. All of his treats are bomb asf.
Taking care of his front lawn/backyard is something that helps him relieve stress. Plus, he actually enjoys it.
He doesn't listen to music that much, but when he does, it's these bands: Red Hot Chili Peppers; The Beach Boys; The Rolling Stones; The Beatles.
Random:
I can't really explain why, but I headcanon him as being in a relationship with someone who is the exact opposite of him. So like y/n would listen to metal/rock and is very hyper as opposed to Burt's mellow personality.
I think he'd also be in a relationship with an autistic and queer person. Literally fight me on it. Do you know how fucking wholesome it would be for him to go to Pride parades and get all dressed up for them? And always making sure you're not overstimulated in public? UGH SO FUCKING WHOLESOME.
Whenever y/n is driving somewhere with Burt, he lets them control the aux. He always regrets it though, because he swears you make his ears bleed with the music.
Took y/n to a Slipknot concert and felt like he was having a seizure. Bro did NOT take his eyes off of you. He saw one of the members use an empty barrel as a drum and hit it with a lit torch, and he rambled about fire safety. Though, he thought it was pretty cool...
Like I said before, Burt Fabelman LOVES to spoil you. He'll take you on super romantic dates, buy you merch for your favorite bands/shows/movies etc, and takes you to concerts.
He rarely ever cusses. The only time he really does is when he loses his temper (which is rare), or during intimate moments (sometimes).
His favorite color is blue.
You jokingly call him your sugar daddy and he thinks its funny. Though he never says you're wrong...
In the summer, he sees his kids every other week, but during the school year he only sees them on weekends.
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biblade · 2 years ago
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Okay, so now that I’ve had some time to think about it, I’m gonna go ahead and dissect the issues I found regarding s2 pertaining to Mal.
It feels strange to say considering I was expecting the opposite when anticipating the new season, but I didn’t hate the direction that they took his character in. A lot of the other characters were changed to fit the narrative, but I feel like at their core book Mal and show Mal are very much the same with some parts omitted for the sake of the storyline.
But there still was a lot omitted and changed that left much to be desired. Ultimately, show Mal is the “best” version of him. Show Mal was catering to the people who hated him in the books, and for that, he was stripped of all of the struggles he faced and the pain and instead reduced to one thing: the simply happy ending for Alina, the obvious choice, the perfect endgame love interest. Is this what Mal was always meant to be on the surface regardless of portrayal? Yes. Does it work for the direction the show was going? Yeah, sure.
So, I didn't hate it. If anything, it feels like he was one of the least disrespected characters, and Archie gave it his all.
But here's the thing:
If you're going to entirely change a character's ending, you have to have some force driving behind that besides one randomly dropped line late in the game about him thinking "like Sturmhond." Because stripping him of characteristics that don't pertain to his relationship with Alina (like showing that he craves freedom, like letting us see how comfortable he is at sea and around people and him laughing and joking and being free) just doesn't work when you've made a character whose entire personality is Alina. Am I supposed to feel happy for Mal to have gained that freedom when at the same time it feels like he's lost everything, has lost everything? He's grieving that piece of himself that died, and now he's losing Alina too. Why don't I feel like he's getting something back?
And the running gag of "don't touch that" when he's on the ship, subjecting him to playing a character but given no control of the ship, just doesn't work. The humor loses all meaning when you feel like he's not suited for this. One scene of him being explained how being a pirate works, of being trained, of talking to the crew of the Volkvolny would have made a difference.
That's not to say I didn't like the ending! It worked for him, for who he is in this story! He's been given the chance to have agency and find a purpose beyond being the love interest, the promise of having some complexity that was taken from him to rush the narrative along. It just very much feels like, with everything they did in the season, his character went from Point A to Point B without much thought of what happened between those two. Isn't it supposed to be about the journey, the adventure?
I'm not going to discuss the way in which he was brought back. As much as I love the idea of "comes back wrong," if s3 happened did ANYTHING to him they would not be safe from these hands. It's a good concept, and probably makes more sense than the book's resurrection, but right now I don't like it. He has been a puppet to his bloodline and merzost for long enough, don't make it worse. (But also, if merzost brought him back, why did he still lose his amplifier powers? It feels like they just wanted him to lose something.)
Regarding the revelation of him being the Firebird — it worked well, but was a little too in-your-face about it. The entire appeal for me is that you aren't supposed to know, Mal is supposed to be Just Some Guy Who's Really Good At Tracking until he's the key to everything. But from the moment the season started, everyone was questioning why he knew what he did. It lost some of the gut-wrenching realization of what would have to happen to him, to see the pieces fit together so early on.
So, yes. I have problems with it, but I didn't hate Mal. And down the line, I will likely make an au to explore the show's storyline, but I will keep my focus on book based interactions because that's my Mal.
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smokeybrandreviews · 1 year ago
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Upward and Onward
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I finally sat down and watched Indiana Jones and the Dial of Destiny. I took in that entire two and a half hour run time, in one sitting. Now, i like the Indy films. I can't say they're my favorites but they are more than enjoyable. Crusade is, obviously, the best of the bunch, but i have a soft spot for Skull. What i don't have a soft spot for, is the goddamn vitriol Dial has gotten. It's weird to say but thus film didn't suck near as bad as everyone made it out to be. Now, take that with a grain of salt because, and i have to be honest here, Indiana Jones films are not top tier cinema. They are nostalgic love letters to the serial George and Steven watched as children. That's it. They were never supposed to be high brow cinema. Indiana Jones is never going to win any Oscars. It's weird as f*ck to me that, because Fleabag is in this one, every one lost their collective sh*t about it. Dial is a perfectly serviceable Indiana Jones film that is, arguably, the third best of the five. Dial is definitely better than Skull and i think more entertaining than Temple. It hits all the beats an Indy film should and Mangold directed his ass off to get that cohesion. Indiana Jones and the Dial of Destiny does not suck. It is good. It is a decent Indiana Jones film. There is nothing wrong with this perfectly serviceable entry into the franchise. Watching this movie, and having a pretty solid time with it, really put into perspective all of the noise fandom has been making lately.
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I got a hint of this, too, while Ahsoka was airing. Sure, those first few episodes dragged a little more than they should have but, once it started picking up steam, it really went places. I've written essay after essay about episode five and the ramifications it had in terms of the mythos. As a fan of Star Wars, you couldn't help but love that action and yet, so much discourse. So much whining. So much forced vitriol. Ahsoka was good. It was fun. it was the closest thing to Star Wars we've gotten since the first season of Mando. Why all the f*cking hate? Because Kathleen Kennedy has poisoned the well. I can't stand what that dizzy, egotistical, arrogant, fraud has done to my darling Skywalkers either but her reign is at an end. Dave Filoni is now in charge of all things creative at Lucasfilm, as he should have bee in the very beginning. That needs hit me like a ton of bricks I rejoiced because we were about to get a ton of good content, in terms of narrative, going forward. Was the Fandom Menace happy? Of course not. Bro, when we all realized Kennedy was f*cking sh*t up on purpose, Filoni was who we wanted in charge. It was the only option, outside of Lucas, which made sense. Now that he is, y'all still have a problem? Really? See, now, this sh*t just sounds like a grift rather than a proper rebellion.
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In all honesty, Lucas film has mad nothing one would consider great cinema. Star Wars, Willow, and Indiana Jones aren't winning awards outside of technical or costuming. You're not getting Academy Award winning performances out of a galaxy far, far, away. Being upset because there's politics in a franchise called Star Wars or that Fleabag is riding shotgun with Indiana Jones, is f*cking dumb. Being upset because there is mad disrespect to the content which came before, or that the quality of writing has fallen considerably, or that character development went out the window in favor of hamfisted virtue signaling, are things one should get the pitchforks out for. A disillusioned Luke is an interesting take on the character. Not exploring why he was disillusioned in favor of assassinating his character to "develop" Rei, was the critical misstep in that film. From what i heard about Dial's production, something similar was to happen to Indy but Iger nipped that sh*t in the bud. Obviously, sabotage the last of Kennedy's projects on principal but sitting here pretending that Dial was the worst Indiana Jones film when Crystal Skull exists, or that Ahsoka was the best thing out of Disney Star Wares since Rogue One, or that Filoni taking over the reins of Creative at Lucasfilm isn't exactly what everyone wanted, is both damaging to the cause and disingenuous to out intent.
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The problem was never the woke. Marvel was chock full of that sh*t from the very beginning. It was the gender and race bending that ruined our beloved franchises. It was poor writing and Corpo greed. it was Marvel and Star Wars expected to prop up Disney plus. It was Kathleen Kennedy upset she never got undue credit for her contributions to Star Wars. No one cares that Rei is the lead of the sequels. We were upset because none of that sh*t was earned. She was a poorly written character who was increasingly unlikable as her set of films progressed. Lightyear and Strange Worlds failed, not because they were gay, but because they were a boring watch. You can write Woke sh*t and have it be recognized as brilliant. Look at everything Jordan Peele has made. Black Panther. You can have strong female leads with no problem. Promising Young Female comes to mind. Everything Everywhere All at Once. You can even do the Rei thing correctly, which Filoni already did, with Ahsoka. Go back and watch those early appearance in Clone Wars then juxtapose them against that last season. Tell me Ahsoka Tano isn't one of, if not the most developed character in all of canon Star Wars. All of this started with strong writing and purposeful character development, sh*t Corpo Disney and Kathleen Kennedy couldn't be bothered with even attempting. The MCU used to have that, too, but because they were supposed to drop forty TV shows and six movies a year just to prop up Pixar and Lucasfilm's failings, sh*t took a tun with quality anything over there.
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It's wild to me that we, as fans, finally get exactly what we want. Kennedy is banished off to the Shadow Zone. Filoni is in charge of Lucasfilm Creative. Iger has decreed that the MCU is to pull back on TV shows and focus on two or three films a year, with the option for small screen adaption a few years down the line. Budgets are being reined in all over the company and people are being held accountable. These are all things we've wanted since the Mouse House punched out with Endgame. The tide has turned in Hollywood, overall, and sh*t is looking like there will be a return emphasis on creating dope sh*t rather than pandering to shareholders, yet, i still hear cats denigrating our favorite franchises because "muh culture war". Bro, when fans get everything they want, when Corpo Hollywood has to acquiesce to Creative Hollywood, When every issue we had is addressed, cats should, at the very least, take a wait-and-see posture going forward. I am. Ahsoka was a step in the right direction. The talk of Doom taking over as the big bad of Phase Five is the right direction. Kathleen Kennedy and her ridiculous cancer being completely cut out of Lucasfilm is the right direction. Loki si arguably the best thing the MCU has made since Infinity War. A focus on writing quality scripts and turning a eye toward detail rather than stock price, is the right direction. We are trending upward. It's a goddamn shame a very vocal minority keeps trying to shout that progress down.
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smokeybrand · 1 year ago
Text
Upward and Onward
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I finally sat down and watched Indiana Jones and the Dial of Destiny. I took in that entire two and a half hour run time, in one sitting. Now, i like the Indy films. I can't say they're my favorites but they are more than enjoyable. Crusade is, obviously, the best of the bunch, but i have a soft spot for Skull. What i don't have a soft spot for, is the goddamn vitriol Dial has gotten. It's weird to say but thus film didn't suck near as bad as everyone made it out to be. Now, take that with a grain of salt because, and i have to be honest here, Indiana Jones films are not top tier cinema. They are nostalgic love letters to the serial George and Steven watched as children. That's it. They were never supposed to be high brow cinema. Indiana Jones is never going to win any Oscars. It's weird as f*ck to me that, because Fleabag is in this one, every one lost their collective sh*t about it. Dial is a perfectly serviceable Indiana Jones film that is, arguably, the third best of the five. Dial is definitely better than Skull and i think more entertaining than Temple. It hits all the beats an Indy film should and Mangold directed his ass off to get that cohesion. Indiana Jones and the Dial of Destiny does not suck. It is good. It is a decent Indiana Jones film. There is nothing wrong with this perfectly serviceable entry into the franchise. Watching this movie, and having a pretty solid time with it, really put into perspective all of the noise fandom has been making lately.
Tumblr media
I got a hint of this, too, while Ahsoka was airing. Sure, those first few episodes dragged a little more than they should have but, once it started picking up steam, it really went places. I've written essay after essay about episode five and the ramifications it had in terms of the mythos. As a fan of Star Wars, you couldn't help but love that action and yet, so much discourse. So much whining. So much forced vitriol. Ahsoka was good. It was fun. it was the closest thing to Star Wars we've gotten since the first season of Mando. Why all the f*cking hate? Because Kathleen Kennedy has poisoned the well. I can't stand what that dizzy, egotistical, arrogant, fraud has done to my darling Skywalkers either but her reign is at an end. Dave Filoni is now in charge of all things creative at Lucasfilm, as he should have bee in the very beginning. That needs hit me like a ton of bricks I rejoiced because we were about to get a ton of good content, in terms of narrative, going forward. Was the Fandom Menace happy? Of course not. Bro, when we all realized Kennedy was f*cking sh*t up on purpose, Filoni was who we wanted in charge. It was the only option, outside of Lucas, which made sense. Now that he is, y'all still have a problem? Really? See, now, this sh*t just sounds like a grift rather than a proper rebellion.
Tumblr media
In all honesty, Lucas film has mad nothing one would consider great cinema. Star Wars, Willow, and Indiana Jones aren't winning awards outside of technical or costuming. You're not getting Academy Award winning performances out of a galaxy far, far, away. Being upset because there's politics in a franchise called Star Wars or that Fleabag is riding shotgun with Indiana Jones, is f*cking dumb. Being upset because there is mad disrespect to the content which came before, or that the quality of writing has fallen considerably, or that character development went out the window in favor of hamfisted virtue signaling, are things one should get the pitchforks out for. A disillusioned Luke is an interesting take on the character. Not exploring why he was disillusioned in favor of assassinating his character to "develop" Rei, was the critical misstep in that film. From what i heard about Dial's production, something similar was to happen to Indy but Iger nipped that sh*t in the bud. Obviously, sabotage the last of Kennedy's projects on principal but sitting here pretending that Dial was the worst Indiana Jones film when Crystal Skull exists, or that Ahsoka was the best thing out of Disney Star Wares since Rogue One, or that Filoni taking over the reins of Creative at Lucasfilm isn't exactly what everyone wanted, is both damaging to the cause and disingenuous to out intent.
Tumblr media
The problem was never the woke. Marvel was chock full of that sh*t from the very beginning. It was the gender and race bending that ruined our beloved franchises. It was poor writing and Corpo greed. it was Marvel and Star Wars expected to prop up Disney plus. It was Kathleen Kennedy upset she never got undue credit for her contributions to Star Wars. No one cares that Rei is the lead of the sequels. We were upset because none of that sh*t was earned. She was a poorly written character who was increasingly unlikable as her set of films progressed. Lightyear and Strange Worlds failed, not because they were gay, but because they were a boring watch. You can write Woke sh*t and have it be recognized as brilliant. Look at everything Jordan Peele has made. Black Panther. You can have strong female leads with no problem. Promising Young Female comes to mind. Everything Everywhere All at Once. You can even do the Rei thing correctly, which Filoni already did, with Ahsoka. Go back and watch those early appearance in Clone Wars then juxtapose them against that last season. Tell me Ahsoka Tano isn't one of, if not the most developed character in all of canon Star Wars. All of this started with strong writing and purposeful character development, sh*t Corpo Disney and Kathleen Kennedy couldn't be bothered with even attempting. The MCU used to have that, too, but because they were supposed to drop forty TV shows and six movies a year just to prop up Pixar and Lucasfilm's failings, sh*t took a tun with quality anything over there.
Tumblr media
It's wild to me that we, as fans, finally get exactly what we want. Kennedy is banished off to the Shadow Zone. Filoni is in charge of Lucasfilm Creative. Iger has decreed that the MCU is to pull back on TV shows and focus on two or three films a year, with the option for small screen adaption a few years down the line. Budgets are being reined in all over the company and people are being held accountable. These are all things we've wanted since the Mouse House punched out with Endgame. The tide has turned in Hollywood, overall, and sh*t is looking like there will be a return emphasis on creating dope sh*t rather than pandering to shareholders, yet, i still hear cats denigrating our favorite franchises because "muh culture war". Bro, when fans get everything they want, when Corpo Hollywood has to acquiesce to Creative Hollywood, When every issue we had is addressed, cats should, at the very least, take a wait-and-see posture going forward. I am. Ahsoka was a step in the right direction. The talk of Doom taking over as the big bad of Phase Five is the right direction. Kathleen Kennedy and her ridiculous cancer being completely cut out of Lucasfilm is the right direction. Loki si arguably the best thing the MCU has made since Infinity War. A focus on writing quality scripts and turning a eye toward detail rather than stock price, is the right direction. We are trending upward. It's a goddamn shame a very vocal minority keeps trying to shout that progress down.
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