#I guess you could consider this a character poster
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Caitlin And Frost
In season 3 Caitlin had these slight side bangs, so I think I'm going to keep that and I decided that Killer Frost wasn't going to have pupils. Frost's features are also slightly sharper than Caitlin's.
Hey @doverstar, Would you be interested in seeing Savisnow hanging out with ToyBird by any chance?
Toybird is the ship between Red Daughter x Winn Schott from Supergirl, more specifically from a fanfiction that have Red Daughter a second chance at the life she deserved to live.
Idk about you, but these are some similar ship archetypes, the angsty doppelganger of the superhero who is given a second chance after being a villain/threat to team and their intelligent friend who wants to help.
Also, I'm starting to believe that all the ship wars would have been solved if the writers just pulled a Tentoo x Rose. Like come on, there's a multiverse, doppelgangers... It's right there!
#the flash cw#caitlin snow#killer frost#dc fanart#arrowverse#I guess you could consider this a character poster#I'll probably do the same with the others#Characters posing with their counterparts#I'll post some savisnow and ToyBird later#chasing the light#based on doverstar's chasing the light fanfiction#I still have to figure out what I'm going to do about Eddie tho
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it sometimes feels a little fuckered up to be a public figure of various marginalized identities with something to actually lose if i were to get a little too freaky in a way that your average poster is totally allowed to do without consequence. Like i understand that once you hold a certain range of audience demographic as well as just have any sort of potential power imbalance it’s super important to self censor to a certain degree for like actual safety reasons. this is why private accounts are valuable and i do have outlets of course, i absolutely do not have to rely on public posting. that would be dire for me and everyone lmao. But also there are cases where a smaller account could post some freak shit that does zero harm that i would not be permitted to post Ever unless i wanted to become main character of the day in a potentially detrimental fashion. this is why i often like to stress the idea that i really consider one of the most important aspects of parasocial awareness to be “you know me infinitely less than you think you do”, like even as honest as i try to be within the boundaries of keeping me and my audience safe i also still just inevitably have to walk on eggshells and that can be exhausting haha. so i guess all this to say: please forgive me because normalizing C-tier freak posting on my blog is actually a huge step in terms of what i am allowed to do 🙏
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DRDT CH2 PT2: Full Analysis
While CH2 Part 2 was releasing, I chose to make liveblog-reaction posts to the episodes to record my immediate thoughts for posterity, but that meant that actual, coherent analysis was pushed to the side in favor of me freaking out over… everything going on. But goddamn; even accounting for recency bias, this might just be my favorite trial of any DR style killing game I’ve ever seen (though admittedly I'm working with a small sample size). So I felt it merited a bit more… cohesive analysis. That’s what this post is!
WARNING: This post is around 28k words long. Do not click "read more" unless you're ready for lag, and make sure to take breaks while reading if needed.
Spoilers for DRDT CH2. CW: Murder, suicide, hanging, execution, gun violence, self-harm, blood, stabbing (fork).
(Btw you can find my immediate reactions in my post masterlist. Not linking each individually here because I hit Tumblr's 100 link limit. I know, I know)
How do I even structure this? I guess I’ll start with the actual case itself, then go character by character because WOW.
Also, I hope you forgive that I can't put images for every referenced piece of dialogue (Tumblr 30 image limit when I catch you...), so I'll save them for when they're necessary and instead add links to the referenced quote in the episode.
The Case
Although I’ve made many posts talking about this damn thing, I don’t think I’ve ever expressed just how cool the actual mystery is. The evidence is all there from the beginning bar the note and alibis, introduced in a way that doesn’t make the method obvious, but that still allowed the audience to figure out the main aspects without much issue. Everything follows logically, and while there’s a few things that ended up being less important than some expected (that glove will haunt the fandom forever I fear), everything got explained in what I consider to be a pretty satisfactory way. It wasn’t obscenely complex or crazy, but I consider the method to be just right for a chapter 2 case.
Oh and the Nico case was cool too, even if half the shit in that crime scene will haunt me forever. Why were there two weights off to the side-? not important.
If there’s one critique I can give the actual discussion of the case (and this is legitimately the only real critique I have of this entire set of episodes), I’d argue that the way the method is presented is… weird. Like, I get why, DRDT is clearly more focused on character conflict than the murder mystery aspect, but there were still a lot of moments where it felt like Teruko’s thought process wasn’t explored properly, to the point where it sometimes felt like Teruko just… magically got the answers whispered to her by the ghost of Kirigiri.
As an example, take the ball of clothes over the rafters. Ace mentions the issue of getting the rope up there, and Teruko immediately jumps to the right conclusion of the seemingly completely unrelated ball of clothes.
To illustrate why this feels weird, let me tell you what my thought process was when I came up with the theory (because again, the evidence was laid out well enough that I did manage to call this, even if I got a fair bit of other stuff wrong). Obviously it's not the only admissible thought process, but it's a good example to see how I feel the presentation of evidence should have been handled.
We know Arei was hung from high up (Veronika’s account) -> We can confirm something happened on the rafters because the lights are broken -> Brainstorming how that could have happened (screening room connection? Secret ladder?) -> Perhaps something was thrown up there with the rope attached -> Ball of clothes.
In the series, however, we get:
Arei was probably hung from high (Veronika’s account) -> Discussion continues, literally the entirety of Nico's situation gets explained -> Ace brings up the issue for the first time like three years later-> Teruko immediately points to the ball of clothes -> The lights are only mentioned after.
You get what I'm saying? The progression doesn't feel as natural, because we immediately jump to the conclusion without discussing the evidence that leads to it. This also happens with things like the pulley method, where Teruko explains everything before bringing up the tape on the spinny thing, which is the only thing implicating said spinny thing in the method. And I feel like the reason quite a few people felt there should be more to the case is because the evidence wasn't presented properly.
That said, this is an extremely minor point. Again, DRDT is more focused on character drama than murder mystery, so I don’t particularly mind if I can nitpick a few things in the writing surrounding the mystery solving.
And oh boy, was there character drama this trial! Thank the gods I’m only covering Part 2, I think I’d die if I tried to talk about the entire trial as a whole.
Character Analysis
I’ll go in order, starting with the characters I feel had the least prominence, and making my way to the ones who really stole the spotlight this part.
Mai Akasaki
No content lol. Though this is probably a good time to mention that, in this post, I'll mostly ignore theorizing related stuff and focus more on straight up character analysis, even if the two sometimes intersect. Game Theory-like speculation will mostly be saved for dedicated posts :p
Xander Matthews
He got mentioned, but he’ll come up in David’s section so. Skipping him.
Min Jeung
Well, there were a few references. Such as:
Min: I'll fix your mistake! - Teruko: But I'll fix my mistake.
Something something, David-Xander vs Teruko-Min parallels, etc. And also:
I like the visual symbolism that the images are effectively flipped (Teruko on the left-Teruko on the right and hugger on the right-hugger on the left, Teruko facing the camera-Teruko facing away), because the situations are inverted. In Min’s, the culprit hugs Teruko after she dooms them to their fate, and in Eden’s, a non-culprit hugs Teruko as she starts defending them. I did notice on first watch, but didn’t say anything because at the time it was still possible Eden was the culprit. Alas, the symbolism is consistent!
There's only one last thing to mention about Min. One tiny, itsy bitsy detail that probably has no lore relevance whatsoever.
MonoTV [2-16]: Now loading the default XF-Ture Tech personality drivers.
Min [BE1]: But one day, we were visited by the founder of that big company, XF-Ture Tech. He told my parents that he would sponsor me and pay for all of our expenses.
Oh yeah, MonoTV was created by the same company that sponsored Min as the Ultimate Student! Hey, what the fuck?
We'll get into it more later in the (I cannot believe I'm about to say this) MonoTV section (or rather the post linked to in said section), but MonoTV seems to have been created specifically for the killing game. This means there's a very real chance XF-Ture Tech is behind all this. That paints the sponsorship of Min as a strikingly shady thing (well, more than it already was), to the point there's a very real chance Min is straight up connected to the origins of the killing game, if not outright the mastermind. We'll have to see how this plays out later, since right now, we're still lacking a lot of critical context.
But hey! We might get more Min content in the future! I, for one, am very, very excited.
Charles Cuevas
Not too much character insight on this one, but he got a couple of cool moments. As always, funny, bounces well off Whit, very helpful in the trial, weirdly knowledgeable about jockeying (or maybe he just, like, thought about it, it’s not like most of what he says aren’t conclusions anyone could arrive at by simply knowing what horse racing is), and-
Charles [2-15]: I'm the only person reasonable enough to make that sort of judgement call. Everyone else who does so is being biased to the point of idiocy.
-it’s nice to see his pridefulness didn’t just go away after CH1! He’s neat :)
J Rosales/Moreno
Half of her dialogue this part is just her talking about how murder is bad. It’s fine, it’s just odd.
I guess if you want someone to point out murder’s bad, J’s one of the only real options, isn’t she? You need a confrontational character (so no Eden or Rose or Whit), who wouldn’t be a hypocrite (this eliminates Nico, Ace and Levi, arguably Hu since she defends Nico), who is mentally stable enough for their opinion to be held in high regard (this eliminates Arturo, David and Veronika, alongside half the cast), who is willing to derail the trial to talk morality (eliminating Charles and arguably Teruko), and who isn’t dead or missing (like Xander, Arei, Mai or Min).
Wait that’s the whole cast. Holy shit she actually is the only one that makes sense to be murder bashing how is this even possible.
…Regardless, you could still argue that you don’t need someone constantly pointing out murder’s bad, meaning there could very much be a deeper reason J is being so vocal about it. Apart from possibly being setup for her to be primary support moving forward, I personally think all this points to her just having a very strong set of beliefs regarding most things, which we could already kinda infer anyways.
Or maybe Mariabella killed a guy. Yeah, sure. Why not?
Veronika Grebenshchikoba
There were certainly a couple interesting Vero moments here, which is always fun. It was finally confirmed her secret was, as most theorized, the “took on your talent to distract yourself from the need to hurt yourself for fun” one. I mean, I feel like everyone called that one from the moment the curtain fell away from the screen with the motive secrets, but you get the idea.
We also learnt she had a pact with Hu regarding their secrets, which I would love to learn the details of, and definitely makes me interested in where these Recap Foils are going, as well as-
Veronika [2-13]: After all, my own so-called secret isn't even the worst thing I've done. Isn't that so utterly disappointing of this motive?
… whatever the hell that means. Why’s she gotta be so ominous? (I love this about her).
The last notable scenes to point out are all the scenes where she's... Veronika, and I wouldn't have it any other way. Her psychoanalysis of Levi will probably wait for when I talk about him, and her help during the time Teruko was figuring out the murder method is appreciated, but specifically about her:
Veronika [2-15]: Swallow your pride and say that you're too weak, too stupid, and too incompetent to perform this murder. Accept the fact that no one thinks highly of you. Or defend your dignity at the risk of admitting that you're perfectly capable of committing this murder and continue to be our number one suspect.
I just think the voice acting in this line in particular is very auditorily pleasant so I wanted to point it out :D
But Episode 15 actually has a much more insidious Vero moment, which I felt was way more noteworthy. After Ace admits to the crime, he goes on his whole speech, which includes directly calling out Veronika's words as part of the reasoning why he killed, there comes a point when Ace calls himself a "piece of shit", and no one denies it. When that happens, Veronika smiles.
Veronika: Oh my. How tragic.
She is such an awful person, just such a piece of garbage. I adore her.
Anyways, my appreciation of actually horrible women aside, we need to discuss the biggest question she leaves us. And that is "hey, why is her reaction to Ace's execution and Levi's almost death so different from her reaction to Min's death?"
Veronika [about Min, 1-12]: Min died in such a cruel manner...
Veronika [about Levi, 2-16]: If Levi dies because of this... Kehehe... I'm sure I'll miss him, but... This is quite a way to go. I can't say I wasn't entertained.
Veronika [about Ace, 2-16]: Aha... Ahaha... How incredible...
So, after considering it for a little bit, I think we're lacking a little bit too much critical information on Veronika to confidently state why the hell her reaction is so different, but I can come up with a few different possible answers. I'll list them in ascending order of likeliness in my opinion, and we'll see just how wrong I am once we get more insight on her!
+Veronika cares more about Levi than Ace, and more about Min than Levi. This is because she just said Ace's execution was "incredible," while she mentions she'll miss Levi, and obviously looks genuinely distressed over Min. I see no actual reason to believe this, though, because I... don't think Vero and Min ever even interacted beyond the trial? So unless we're pulling some very strange Veromin agenda out of nowhere (or Veronika is Mai Akasaki), this doesn't work imo.
+Veronika was acting in T1, but doesn't care by the start of T2. Possible, and it's true that Vero was more self-conscious about freaking people out in CH1, but I'm not sure if there's enough evidence to truly say she was only pretending to be distressed by Min's death.
+Veronika's reactions are based on the executions (and execution attempt) themselves, not anything else. This is consistent with her specifically reacting to the way Min died ("Min died in such a cruel manner") rather than the death itself. She specifically says she'd be entertained by Levi's death, and is clearly entertained by Ace's. So, I guess she just finds Min's execution particularly cruel/boring? Does she... have wolf related trauma? Test related trauma? I don't know, but I think this fits decently well, so.
+Veronika's slowly getting worse. A logical conclusion from the fact that she reacted one way in T1, and another literally four days later. Certainly possible given her analysis of people shattering in the killing game, so for now this is the interpretation I'm going with.
Whit Young
.... Sigh. You're not even that important to this part, how are you still gonna require so many words of analysis?
Alright, let's start with the pretty infamous scene where he talks about drop hanging. I do want to make one thing clear; just because Whit talks for a pretty long time about drop hanging, it doesn’t mean he actually says anything particularly groundbreaking. Like, everything he says is very logically sound, which means they’re conclusions anyone could have drawn.
Like me. Because even though I don’t think I wrote them down explicitly, I did more or less arrive at the same conclusions as he did, and I don’t have any experience with drop hanging. I’m clarifying this because I’m on enough lists as it is just by firefoxing shit like “can turpentine knock you out” and “how long do people pass out after being strangled” I do not need any more allegations on my person!
That said, I am also not a fictional character who exists within a story which follows narrative conventions (as far as you know, anyways). Whit is. And it’d be silly to instantly dismiss that the dev specifically chose Whit, a character who is otherwise not the most helpful in trials, to be the one to deliver this explanation, and without any interruptions no less. Even Teruko and Charles usually have one character or another finishing their explanations, like Levi when Teruko explained the slingshot or… Levi when Charles talked about jockeying. Huh, Levi kinda goated?
Thus, because the dev specifically chose Whit to give this explanation with no interruptions, we can infer that he may have a special connection to drop hanging. Given what we know, I find it likeliest that his mother committed suicide by hanging. At present, I don’t find much evidence that he would have attempted himself, though…
You know how Whit dyes his hair to look like his mom’s? And how Color Theory in LGI gives him (among other stuff) “degraded copy”, likely in reference to this? If his mother killed herself via hanging, do you think he would try to replicate that, too?
Food for thought. Again, not much reason to believe it yet.
Other than that, there are... the allegations. The part started strong with MonoTV stating it let slide a rule violation because it was funny (especially weird given what we learn in 2-16, but Whit's not the only rulebreaker in the cast so we're chilling). And then, 2-16 happened.
Whit [seven seconds before Teruko's execution, 2-16]: Charles, stop talking and cover your eyes! [...] Whit [post Levi shooting]: Ah, crap. The smell of blood is really strong. Even though I told [Charles] not to look, he still...
And, of course.
Whit: ...
Of course.
Alright, so let me start by the elephant in the room. The hand behind the back. The moment the cast learns the elevator doors won't open, we see Whit with his left hand behind his back. Many have assumed this means, understandably in my opinion, that he may be holding a remote control of some kind to close the elevator. In other words, Whit's the mastermind. But, while I consider him one of if not the best mastermind guess in the market, I don't think this is good evidence of it.
You see, there's no reason to believe such a remote would be required. By all accounts, it should be MonoTV's AI who is keeping the elevator closed with no need for outside interference, regardless of who the MM is. There is simply no reason to believe that any MM would have an "elevator manual stop" or even an universal remote (apart from J!MM for obvious reasons), because it should be MonoTV who is running this stuff.
As an aside, I will point out that, per the CH1 QnA, every character is right-handed apart from Teruko (lefty) and Arei (ambidextrous). You could use this to argue Whit shouldn't be doing anything with his left (the hand behind his back), but that's not good reasoning, as the sprite might just be drawn that way for aesthetic reasons and you're supposed to ignore handedness. Eden also used her left to rip out Xander's eye, apparently. I haven't seen anyone bring it up, but I have made this mistake before with a certain bat swinging Milgram prisoner, so I'm saying this to avoid others making the same mistake.
That clarified, however, the first point is still valid. Although I consider it perfectly possible, at present I do not believe Whit is holding anything behind his back.
Why does he pose like that, then? To answer that, perhaps it'd be better to answer what the deal with his other behavior is.
Because it's weird, right? Whit focuses on Charles even when everyone else, Charles included, are fretting over Teruko and Levi. And then, despite being able to brush off things like Levi's secret confession and Min's execution with nothing but a "that's wack," joking about rewatching said execution, etc., somehow the elevator being closed is what finally gets him to bring out the breakdown sprite?
Well, yes. And this shouldn't be all that surprising, imo. Because everything about Whit's reaction is perfectly in line with his previous behavior. Not to say it isn't weird (it is), just that it's weird in the way Whit's always been weird, and not in any new special way.
This is because every part of this reaction comes from the already established way Whit deals with tragedy; he avoids it, and moves on. You'll immediately think of Whit's mom when I say that, the way he omits her death whenever he speaks of her to the point he genuinely forgets that's a thing until a few seconds after the secret Rose received was brought into the conversation, but there's more examples that are actually closer to this situation. In particular, I want to direct your attention to the investigations in both chapters so far.
For the first trial, Whit spends literal hours hanging out with Charles while the Chemist has a breakdown, to the point he almost didn't investigate at all. This is excusable, of course; he was helping someone in need, and the culprit was thought to be obvious enough that investigation wouldn't be necessary.
The second, though, is perhaps a bit stranger. First, Whit doesn't look closely at Arei's body because he was busy comforting Eden, apparently. Alright, fine. But, hey, how did he try to comfort Eden after everyone started to filter in?
Whit [2-8]: There, there. Pat pat. Do you want to sit down somewhere else?
He immediately wants to leave the room. But, he's still trying to help Eden; maybe he's projecting? Because he'd want to leave the room if a loved one died, so he's asking Eden if she wants to do it?
Except, he does leave the room. He doesn't have any other lines in the playground past this point, and then he starts investigating with Charles, the one dude he knows won't enter the scene of the crime.
And you know when he splits off from Charles?
Whit [2-8]: If you're worried about Rose tampering with evidence, then all you need is another witness to watch over her, right? I can do that, since I'm here. I mean, unless Charles needs me for something.
My guy will genuinely do anything except investigate the playground.
And that's where the pattern starts to be noticeable. Whenever something bad happens, Whit finds any excuse he can to distance himself from the situation. And to be clear, they're usually good excuses; it makes sense for Whit to do all this in a vacuum, it's just odd that he constantly finds them. Other examples include him bringing up alibis when the note first comes up, and then, when he's pressed about it:
Whit [2-9]: Eden has [the note]. Ask her.
He doesn't even... want to have the responsibility of the note? Admittedly that could be for other reasons, but still.
With this pattern of avoidance in mind, the things he says in 2-16 are perfectly explainable. Instead of focusing on Teruko's incoming execution or Levi's injuries, he chooses to focus on Charles, because that's easier for him. He's once again finding an excuse to look away from tragedy.
By the way, I don't want to make it sound like Whit doesn't care about Charles as anything but an excuse to get out of thinking of bad stuff. It's pretty clear a big part of why Whit does the shit he does is that he genuinely cares about Charles as a friend (crush?). Whit probably does want to help Charles just for the sake of helping him, but it does come with the benefit of helping Whit avoid stuff he doesn't want to think about.
This whole avoidance thing is also why Whit is so perturbed by the elevator. When Levi gets shot, Whit probably hopes that they get to leave the trial room quickly to take care of him, at which point Whit can just avoid the situation entirely by just sticking to Charles like usual. But they can't. The elevator is shut. Not only does Whit probably realize that means they have to watch the execution, but it also means Whit is not able to get out of the room where a guy is actively dying, and sticking to Charles only lets him ignore the situation so much.
Why does he have his hand behind his back? Well, this is gonna sound like I'm on anti-Whit!MM copium (I swear I like the theory well enough), but I think he's simply balling up his fist out of stress. It's just that Whit "I don't want to talk about any problems ever and don't want anyone to ever know when I'm suffering" Young is instinctively hiding it so no one sees any sign that he might not be okay.
Does that make sense? Barely? Well, it's not like "emergency elevator shutdown button" is particularly more believable in my eyes, so that's the answer I'm going with for now.
Anyways. Jesus Christ Whit you're barely even relevant to this part how the fuck did you still force me to write so much about you.
Arturo Giles
I have less to write about Arturo than Vero and Whit because he's a bit more straightforward, but I'm still putting him here because he was more directly important this part. Speaking of, what notable things did Arturo do these episodes? Ah, right.
Arturo [2-12]: You shut your whore mouth!
"I thought you were only doing necessary imag-" This one's necessary shut
I'm using this to talk about the big speech about his talent, that he started studying plastic surgery when he was 12 and that it's impressive he's a plastic surgeon this early in his life. Props to dev for addressing this, I know some people are irked when characters are in the medical field from way too early in life without good justification like this. The fact he started so young also adds to the theory that Arturo's home life sucked, because it'd be really odd for a 12 year old to already be planning to leave otherwise.
The way the cast keeps insulting his skill, even though as he's said several times over the course of the series, the shit they expect him to do is way beyond his area of expertise, is a good way to build up to the way the cast also dismisses Ace's intelligence and skills later.
Other than that, there was one more moment when Arturo took part of the spotlight. When Levi gets shot, despite everything that happened earlier, everyone still turns to Arturo to save the Stylist. This leads to one of the most human moments Arturo's given us since 2-10:
Arturo [post Levi shooting, 2-16]: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it--
Apart from the stellar voice acting that cannot be pointed out enough times, Arturo's doubt over Levi's condition is certainly a good setup for CH3, I'm really interested in how he'll handle this. Especially because...
Do you think he'd think of Felicity, looking at Levi like that? Because just like Arturo ignored Felicity's feelings (to an extent) in pursuit of his dream, he also neglected to study the more standard medical knowledge in favor of becoming a plastic surgeon faster, and now he needs that standard medical knowledge to save Levi's life. Food for thought.
Arturo is definitely an interesting character to watch out for moving forward, he's certainly in for a very curious CH3. Final note:
Arturo [to Levi, 2-13]: How could you simply *forget* that you murdered your own family member?
Get it because the death of Felicity haunts him even though he didn't kill her himself- Man I love recap foils.
MonoTV
I cannot fucking believe that this hunk of metal is getting its own section, but it is. 2-16 what an episode you are.
Thankfully, I've already expressed most of my thoughts about this damn thing in this linked post, so I'll just refer you to that one instead of writing it all again. As a summary, there's quite a few lore implications to the fact that we now have a clearly stated purpose for MonoTV, a goal for the killing game, a connection to XF-Ture Tech (because MonoTV seems to have been specifically created for the game), and I'm really wondering why the hell the default XF personality seems to care so much about Teruko and where that could lead to in the future. Also, very curious where the theme of fate will be taken with it, as well as where dev is planning to take the fact that it seems to have feelings of grief and pain and maybe even cares about Teruko??? Or has compassion in general??? What is wrong with this dog-
Rose Lacroix
Btw I greatly appreciate everyone who colors her name rainbow, I see you and you're valid for it. I need to color code my highlighting though, and if I have to do rainbow for every word I highlight I will actually die. Also I would need to put in an epilepsy warning in my posts lol
Rose got a few nice lines, but when it comes to her, there's one big moment that's really on everyone's mind.
Rose [2-14]: Has it really gotten this bad? I think my brain is falling apart. I can't even recall what day it was when that happened. Levi: You can't remember? I was under the impression that your memory was the best out of everyone here. Rose: It's true that I remember everything I see. But that means that most of my memories are meaningless junk. The kind of thing a normal person would forget without a second thought. But I can't forget. My brain won't work the way I want it to. I can't draw associations so easily. Everything reminds me of something meaningless, and I get distracted. And the worst thing is that I remember it all in perfect detail. Xander's body. Min's execution. I can't even look at Teruko without seeing blood. I know I'm supposed to remember everything. I know I'm supposed to be smart. I know I'm supposed to be helpful. Yet I'm not. I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself--
Do I... need to talk about this, beyond pointing out how good the VAing is? Everything about it is heartbreaking, but pretty straightforward. It's an extension of the conversation she and Teruko had in 2-5, where we also throw in Rose's growing self-doubt and self-blame over everything that's going on around her. It adds into the theme of this cast pushing expectations on each other (like wanting Arturo to be a better doctor or Ace being too stupid to do a murder), throws in some parallels to Teruko and Hu and Eden (the self-blame sisters!!! *fire emoji* *fire emoji* *fire emoji*) and Xander (the survivor's guilt boy!!! *fire emoji* *fire emoji* fire emoji*), foils with J (J who rejects what others like Mariabella want from her VS Rose who internalizes the expectations and accepts the whole Spurling situation), there's the "a normal person would forget" wording that kinda connects her to Nico and Levi and David (the "feeling separated from other humans' experience" siblings!!! *fire emoji* *fire emoji* *fire-), obviously memory is connected with Charles and Teruko, etc.
You see why I don't always talk about parallels? I have to bring up every single character up every time because that's the shit that happens when your writing is this *fire emoji* *fire emoji* *fire emoji*.
The other thing is Nico, but maybe it's better to keep that for their section. Overall, just a fantastic feast for enjoyers of Rose angst.
Arei Nageishi
You know this trial went crazy when Arei got a whole ass character arc during it, and she's the dead one.
For this part in particular, the big Arei moment was obviously during 2-13, when we finally got to hear the end of the conversation between her and David. I'm not transcribing it, because I'm sure we all got the gist. Arei figured out one of the main themes of the chapter, that everyone is a flawed person, and that means that no one's ever too far gone. There's always a possibility of becoming a less shitty person, and that's sweet.
But beyond Themes, learning what Arei's mindset about good and bad people was really helps to understand her actions before this point, though I do find it interesting that the whole "sorting people into good and bad" mentality she had is actually pretty similar to the way she talks about people in her FTE, which is some fun consistency!
Arei [CH1 FTE]: Yup, that's right! I organize everyone I meet into categories of how I should bully them.
... Well the context's different but you get the idea.
Arei used this principle of "sorting" people into "good" and "bad" to deny herself the possibility of getting better, because trying to change is scary. Man I wonder why that rings a bell.
Teruko [to Whit, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.
Ah right because Teruko's a well written protagonist. And actually wait, isn't there someone else?
David [2-11]: "People can always change?" What complete bullshit. No one ever changes. People who are born lazy, useless and stupid will stay that way until they die. If you were able to "improve" yourself into a better person, then it only means you were a better person to begin with.
Ah right because David is a well written character. Carry on then.
I do wonder why she waited until night three after the motive handout to talk to David about it, though, instead of doing directly after the playground breakdown. Was it, like, she didn't want to confront it directly after and only got the motivation/courage/whatever after talking to Eden? And then couldn't find David until then? It's odd, but I imagine there's no, like, big reason behind it necessarily.
Eden Tobisa
Hey Eden sorry I suspected you as the killer for a year can we still be friends? :,)
There's two big Eden moments to take into consideration, one in 2-14, one in 2-16.
Eden [2-14]: Why... No one... believes in me... Why? I'm... Arei's killer? No... No way....... Hu: Eden? Please don't cry. Eden: This whole time I've been trying to hold myself together... because Arei died...... I wanted so badly for this all to be a dream, and for Arei to be alive and by my side.... But now, you all think I killer her? Why? I cared about her! Arei is... She could have been my friend! Why would I kill her?? Levi: Eden, please calm down... Eden: Why am I being accused of murdering Arei? I wanted to help her! I just wanted to be friends with her! Why would you say that I killed her? Is it because you think I hated her? That's not true! I didn't hate her! Teruko: Eden.
I'm gonna cut it off there and resume in a bit, partly so I can organize this better and partly to make absolutely sure I don't hit the Tumblr limit on characters in a single text block (because my entire blog is evidently dedicated to testing this hellsite's limits lmao).
There's honestly a surprising amount of nuance in this small breakdown. We start with re-establishing that Eden is someone who constantly tries her hardest to remain strong in the face of adversity, holding herself together as best she can when her newest friend just died and she's more or less blaming herself for it.
Then, while I always praise the voice acting (because it deserves it), I need to bring special attention to the sheer amount of emotion in that "Why? I cared about her!" Hearing Eden genuinely frustrated at the accusations on top of her sadness is heartbreaking, and just a wonderful display of humanity from a character who is at times almost inhumanly patient. Makes me feel bad for suspecting her, and she's fictional in our world!
On top of that, "she could have been my friend" is an interesting choice of words regarding Arei. This is where having hyper-analyzed all Eden lines comes in handy lol. Because taken at face value, it means that Eden recognizes that her relationship with Arei wasn't at a stage where she could genuinely called her a friend, given that as far as we know the last conversation they had was after the Arturo thing. Nice depth!
The rest is pretty standard, though again the phenomenal VAing still makes my heart ache. Continuing:
Eden: Teruko... I didn't kill Arei..... Do you believe me?! Teruko: Listen-- Eden: *sniff* I, I didn't do it! Please.... Believe me... This whole trial has been cruel to me.... Help me, Teruko... I can't stand it... I just wanted to help Arei.... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... I promise I didn't... I didn't kill her.... I'm innocent... Please trust me..... Please.....
AAAAAAAAAAA-
Okay with that basic reaction out of the way, because evidently the reactions didn't have enough "text screaming" for me to fully get it out of my system, this is just a really heart-wrenching scene. Just the combination of VAing, music and visuals, man... ouch. It's especially tragic when taking the following line into account:
Eden [2-3]: Teruko, relationships aren't transactional. It's not that I did something good for you that you should do something good for me.
The Eden hyperfocus comes in clutch again- Is it weird that being an Eden!Culprit believer for so long is making me appreciate her character more now that she's confirmed innocent? :v
Teruko has, up to this point, never outright claimed herself to be Eden's friend, at least not as far as I can recall. Hell, her lines following Eden's plea for help seem to completely disregard the idea.
Teruko [2-14]: So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once.
How much she means that is for the Teruko section. What's important is that this means that when Eden says "you're my friend, aren't you?", she is actively going against her claim that relationships aren't transactional. She expects Teruko to consider herself Eden's friend because Eden has done a lot of stuff to try to make that friendship work.
This. Is. Wonderful. Don't you love it when characters fail to uphold their beliefs when faced with a horribly stressful situation? Well, I love suffering, so I sure do! :D
To be clear, I'm not trying to paint Eden as a hypocrite or anything. She's right in saying that relationships aren't transactional, and is justified in asking Teruko to help her because she considers Teruko her friend, even if it's a slight contradiction. After all, what are humans if not a swirling well of contradictions, desperately arranging themselves like the magnetic moments of a metal to try to make the slightest bit of sense of a reality they hopelessly seek to understand-
Ehem. The point is I like Eden a lot :D
Speaking of wonderfully human moments, time to switch to the other big Eden character moment!
Eden [2-16]: This... This all could have been prevented, couldn't it? [...] Of course I know [we can't blame ourselves for Ace's murder]. Ace planned to kill Arei, and even before that, he was planning to kill me. Rose: Then how can you forgive him? Eden: I never said I forgave him. It's just that... The Ace that I met for the first time wasn't a murderer. I... I can't forgive him. He killed Arei, after all. She was innocent, and he killed her for unfair reasons. But... Those unfair reasons were unfair to him as well.
You know, we joke about how awesome it is that the entirety of the DRDT cast is mentally unstable (because it is), but it's also cool to see the one actually more or less functional member of society in the group being the voice of reason like this. Not to spoil anything, but I find her stance regarding Ace's murder as the most reasonable stance one could have, and it's always cool to see a character who has reasonable opinions every now and then. But having such an opinion is easy when you're outside the show and the characters are all pixels on a screen; the fact that Eden can still find it in herself to be charitable towards Ace's situation while not outright forgiving him for his actions is a really powerful statement about her strength and sense of morality. Eden could not stop catching Ws this part.
Anyways, here's a few more fun Eden moments this part gave us.
Eden [2-15]: Wait, but... Is Ace even capable of doing a feat of strength like that? He's injured, after all.
I just think it's sweet Eden tries to defend Ace even when she's the other prime suspect :)
Levi [2-13]: And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met. Eden: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does?
For all the Eden Ws, she had to take an Eden L. Come on, Eden, Levi doesn't need to actually care to be a good person, he just needs to do good things, you know this :(
It makes sense character-wise, though. Eden has a surprisingly strong belief system, which is heavily shaped by her emotional nature, so it makes sense that Levi's Deal of doing good things with no emotional attachment to them would throw her off.
Still cool of her to accept Levi as a good person even though she just learnt he killed four people, however. It's good characterization; despite her misunderstanding with the lack of empathy thing, she still chooses to judge Levi based on the things she's personally observed, as opposed to making assumptions over things she only has half the story for.
Man, she's just so mature and cool and awesome and not fucked up in any way! Now that the tape thing's been resolved, I can't think of a single thing that would make anyone think that she might be a little-
Ah. Right.
Well, as a first reaction, this is definitely an Eden W in the oh so prevalent... DRDT powerscaling scene? She apparently managed to slash at Xander's eye, twice, with a fork. And with her non-dominant hand no less!
So... what the hell am I even supposed to do with this? Unfortunately, we're currently missing gigantic amounts of critical information regarding this situation, meaning I can't for the life of me come to any conclusions, at least not confidently. I tried to look at the pre-prologue dialogue to see if I could find anything, but...
Ouch... I really wasn't expecting her to attack me like that. I made a massive mistake to trust them. I can't rely on anyone. All by myself... I have to end the killing game. And even if I can't do that... I have to kill Teruko Tawaki. No matter what.
Fuck am I supposed to gather from this.
Uh... someone told Xander that Eden would be down with whatever plan Xander had to end the killing game if he just showed her whatever documents we're seeing in the Bloody Hands scene??? And she got too scared and just stabbed him with a fork??? Who is the "them" who told Xander this, a group of people, or a single person and Xander's playing the pronoun game? Or was it Nico???
Nico [1-9]: Are you really using unclear pronouns for dramatic effect? That's such a cliche.
Fuck it, locking in Nico as the one who told Xander to talk to Eden, just because that's the funniest possible reason Xander could have used "they" there. I doubt it's true, but it's gonna feed my God complex if I get it right, so-
Yeah, in case it isn't obvious, I have very little idea what this scene could even be about. Very excited to see where this could go :D
Nico Hakobyan
Nico stole the show for practically half of 2-14, so it's natural we should start at the main event.
First, the soft confirmation that Nico really did attack Ace with a plan to get away with the murder and escape as the blackened, particularly framing Hu by using her wire. This... vaguely contradicts something they claimed earlier, so we gotta discuss the implications.
Veronika [to Nico, 2-9]: Is this what you were envisioning when you tried to kill Ace? That the trial would happen like this, but with Ace instead of Arei dead? Nico: I didn't... I never thought about it... I... I never should have... done that...
Were they just... lying here? Did they mean something else?
My best guess to explain this apparent contradiction is that Nico thought about the trial in a more... impersonal sense? Like, when planning to kill Ace, they figured they should try to hide that so they didn't go down with him, but sort of... ignored that winning the trial would kill everyone else? It's hard to describe, but that's what I get from that line as well as:
Nico [2-14]: I tried to kill [Ace] because I don't like [him].
When they say they "never thought about the trial," they probably mean that they never thought about the full implications of it, even though they did plan for it. They knew in some level they were supposed to hide the murder if they did it, but things like escaping the killing game and actually getting everyone else killed didn't fully register. This thought process makes sense in my mind, I hope it makes sense in yours because I don't know how to describe it any better :v
Second.
Eden [2-14]: That's- That's so cruel! Nico, why? Aren't we all friends? If something was bothering you, you could have talked it out with someone else you trusted? Nico: ... Someone I trust? What are you talking about? I don't trust anyone here.
Fantastic bit of characterization here. Nico, despite being relatively civil to anyone they're not actively planning to kill, apparently trusts no one. However, I want to explore what exactly that means. Because it's not like Nico is paranoid they're gonna get killed per say:
Hu [2-12]: Nico does have an alibi. I was having breakfast and tea with them in their room early in the morning as well. Drop it, Ace.
I can think of few better opportunities to kill someone than being alone with them, in their room, at around 7:30 AM when it's still officially nighttime. Nico, at least, trusts that Hu won't kill them, though whether that's because they're confident they could survive anything she tries or because they genuinely trust she wouldn't try at all is up in the air.
Point is, Nico is distrustful, but not as paranoid as, say, Ace. Because of that, currently, I believe Nico's claim that they don't trust anyone is an extension of things they've said before; that they prefer animals because people are unpredictable. Really, Nico's lack of trust being interpreted as "not trusting people to react to their concerns properly" is very consistent with the way they've acted in the past, particularly their reaction to getting forced into revealing their secret, so we probably shouldn't be surprised.
Nico [2-6]: I thought you would laugh at me. I was worried you would pick up rocks and start throwing them at me or pick up clumps of mud and start throwing them at me.
Next point:
Nico [2-14]: You all are right. I tried to kill Ace and pin the murder on Hu. What else should I say? Ace: W-- "What else should I say"?? You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?! Nico: ... I tried to kill you because I don't like you. Even now, there's still no use to try and pretend that I like you. If I say "sorry," you're still going to hate me.
... Yeah.
Nico [2-2]: If you're having dinner and want someone to pass the salt, you can say, "Please pass the salt," or you can say, "Give me the salt." One of those things is supposed to be more polite than the other, right? But why? They both mean the same thing. They're just slightly different mixes of words. It's like that. I don't understand why some mixes of words come off as "rude," and some don't, even if they mean the same thing.
I don't even think I need to explain this further. I think it's pretty clear why Nico wouldn't apologize to Ace. Nico's just not to into social conventions.
Except:
Veronika [2-15]: What's wrong, Ace? You seem stressed. [Your neck injuries] are only wounds. What's the issue? Could it be that almost being murdered has traumatized you a little bit~? Ace: You think?! You think that almost being killed could have maybe given me a little trauma!? Nico: ... [Whispered voice clip: "I'm sorry"]
This one's... odd. Nico doesn't say it loud enough for Ace to hear, evidently, so it's just a genuine reaction to the harm they've caused. What could have triggered this change? Uh... maybe a little extra trauma dump will help? Let's pick up after where we left off in 2-14.
Rose [continued]: D-Do you even regret what you did to [Ace]? Do you regret what you were planning to do to everyone else? Nico: O-Of course I regret doing it! I'm not Levi, of course I feel bad about something like that. I'm not heartless! Levi: Heartless? Nico: That was the worst choice I've made in my life. I wish I had never done that. But looking back, I still understand why I did. I... I just can't stand being treated like that. My teachers, my classmates, my father... I don't ever want to relive what they did to me. It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.
Okay cut off there. First, interesting to see Nico calling Levi heartless. I've seen it brought up that it makes sense for Nico, who struggles to relate to other people on a good day, to latch onto any defense of their "normalcy" they can, including "I'm not the weirdest person here" despite how hurtful that can be to say. That's some neurodivergent on neurodivergent hostility right there! Fun to see characters being flawed in new and unique ways /gen.
Apart from that, there's some nice reveals to Nico's backstory, which are always welcome. We already knew Nico was harassed because of their identity, but now we have names (as in, identity of aggressors); teachers, classmates, and Nico's father. That obviously comes with a question; was Nico raised by a single father, or did they have other relatives who were more accepting? For now, we got no clue.
But that final line is important, because I believe it's what explains Nico's whispered apology in 2-15.
Nico [already written]: It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.
Nico's apology comes after Ace explicitly mentions being traumatized over the murder attempt, in particular in regards to his neck wounds. This can be taken as Ace revealing he's not happy with a part of himself (scars) as a result of Nico's actions. When abstracted this way, the comparison to Nico's situation (unhappy with a part of themselves (gender identity) as a result of others' actions) is much clearer. Nico apologizes for accidentally causing Ace a comparable trauma to their own. Which... I think makes sense from their point of view? People apologize when they do something hurtful they didn't mean to; Nico meant to murder Ace, so no apology for that, but they didn't mean the trauma, so they say sorry for it. Not that Ace heard it, but you know.
... That's a weird ass thought process, but I think it makes just enough sense to explain the apology. Let's finish the 2-14 scene.
Nico [continued]: Even so... I'm not a child. I know that murder is wrong. I'm not the victim here. I know that it was dumb to resort to murder. I don't even know what I thought I would have accomplished back then. I mean, I started regretting it as soon as Eden and Teruko saw me. I don't expect you to forgive me. Very few people ever do. So I don't see the point in acting sorry. ... That's the entire truth of my murder attempt. I don't have anything else to say.
So... "I don't even know what I thought I would have accomplished back then" seems to corroborate what I said earlier about Nico not truly grasping the full implications of a trial while they planned the murder, which is nice.
Nico's attitude over this ("I'm not the victim here") is nice to see, and makes me very interested in where their arc is going to go from here. Especially since Nico maturely accepting the blame is already causing friction between them and Hu (even if Hu doesn't seem to notice), and will likely continue to do so in the future.
Hu [2-14]: You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--
... We're gonna have to talk about this in the Hu section.
Finally, "I don't expect you to forgive me. Very few people ever do."
Nico, what the hell does this mean? What have you done in the past that requires so much forgiving? What in the [DR2 CH3 killer]-?
Unfortunately, this is one of those "we're missing critical information" situations when we can't even begin to speculate what, if anything, this is supposed to mean. We'll move on and patiently yet eagerly await elaboration.
There's one more big thing to bring up in respects to Nico, and that's... Rose. For who knows what reason, Nico never gives an explicit answer to whether they actually were interested in learning to paint or not.
Rose [2-14]: Did [Nico] even want to learn to paint? Or to be my friend at all? Or were they only using me as a tool for murder? Nico: ...
Regardless of what the answer is, that's kinda weird. I'm leaning "no, they didn't want to learn to paint," because it sure would be a hell of a coincidence that they just happened to gain an interest in painting just when they're planning a murder that happens to require a painting supply.
That said, Nico does still seem to somewhat care about Rose, and probably would like to be her friend. At least enough to eventually apologize to her out loud.
Rose [2-16]: [Ace]'s right. Only Nico took [the turpentine] from me, and I really doubt they gave it to Ace afterwards. Hu: You're always attacking Nico like this! Nico: It's the truth, though. And Rose is right. I kept it. I still have the turpentine in my room. I'm sorry.
And it's not like anything this chapter erased the FTE:
Nico [FTE]: I was going to thank [Rose] for hanging out with me. I really enjoyed her presence.
So, while I can't know for sure, I hope Nicorose can make a comeback, at least in time for Nico to die so dev can inflict extra psychological pain on Rose! :D
Final highlight:
Nico [to Levi, 2-13]: If you said you killed [your father] because you just didn't like him, I could understand that. But you're saying you forgot about taking a life...
Apart from Nico obviously projecting their own murder motives on other people, do we think Nico ever considered killing their own father? I doubt they actually did, else that would probably be their motive secret (provided it's not a Veronika situation where their secret isn't the worst thing they've done), but I could see them considering it given how they talked about him and Ace in the same breath, and... yeah Nico sure did want to kill Ace alright.
Hu Jing
Hu was quite fascinating this part, wasn't she? For someone that actually ended up having zero relation to the murder, she sure had a lot of important character scenes. Let's start with the confirmation of a particular theory that really helps understand her character better.
Hu [2-13]: I've been quite selfish this whole time, keeping my secret because I didn't want you all to think less of me. Most of all, I wanted to lie to myself and pretend that I had no ties to the person that I used to be. I wanted to believe that the past never happened. But that's just self-centered. I've always been a selfish person, haven't I? I should put those feelings aside and do what is right. No, I should have done this from the start. I will share my secret as long as you all promise to immediately move on. I have Veronika's secret, and she has mine.
Well that's just sad.
I don't think I particularly need to analyze this, it's all pretty explicit. Hu wants to be relied on because she feels useless if she doesn't provide guidance:
Hu [2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore.
And if it comes out that she's attempted suicide, then in her eyes, that makes her less reliable.
(Obvious disclaimer is obvious, the character's views don't reflect my own, there's no shame in having attempted suicide or needing help to keep fighting it, etc.)
As a result, she dislikes the memory of that "hopeless child" who attempted three times, and wishes to avoid talking about it if possible. Metamorphosis (butterfly) and rebirth (water by her name being "still lake") symbolism pulling through.
Also, while there's many reasons someone could attempt suicide, that little "I've always been a selfish person, haven't I?", especially combined with other statements she's made in the past, heavily implies her attempts were a result of self-loathing :( . Thus why she so desperately seeks value in herself by helping others, which is sorta crumbling as everyone she put her faith on (David, Nico especially) starts to reveal themselves as not-that-great-people.
Hence why I'm worried we might see a fourth attempt in the killing game. Her secret quote seems to go against the idea, which combined with some of her statements in the series proper make me doubt it, but y'know... The precedent's there.
Anyways, I'm bringing this up first because, again, it helps understand her other actions this chapter.
Hu [to David, 2-12]: Unacceptable! What on earth [sic] is your problem? I have had it up to here with you! Because this killing game requires us to live, you think you should just reject that notion and kill us all? You lied to me, manipulated everyone, and tried to make us all commit mass suicide! You really are the lowest of human beings. You have no right to decide whether I, whether any of us, live or die, all because *you* feel like you have no chance! If you're so bent on dying here, then die! But don't you dare try and make everyone else die with you. If we decide to continue living, then we will. It is not and never will be your decision as to what happens with our lives. David: ... Rose: Wow. Hu can be scary. Hu: ... I'm sorry to everyone else. But I've lost my patience. I won't apologize to David.
(Obligatory props to VAing ofc)
I mean, yeah, it makes sense for someone who used to be suicidal to be mad at David's bullshit. Especially considering that, in regards to "you lied to me, manipulated everyone here," the line I mentioned before about providing guidance continues like this:
Hu [to David, continued from before, 2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore. You knew how I felt, and yet you... You... You toyed with my heart! All that time you acted like you were encouraging us to reveal our secrets to "prevent conflict." That was all a lie!
Assuming the whole "You toyed with my heart!" thing isn't referring to a conversation we don't have information on (which, to be clear, is 100% possible), it's possible that at this point in the trial Hu felt bad for going along with David's plan, especially since she might have believed it directly led to Arei's death. I think it's worth noting that she's one of the two first person to speak after Ace confesses, and she asks if he did it because of the motive.
Ace [2-15]: I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. Eden: Why? Why did you kill her? Why would you do such a horrible thing? Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your "secret" hidden--
Which could be read as her trying to confirm whether or not going along with David's plan was a good or bad idea, maybe?
Admittedly, "going along with David's plan" in her case literally just means "she told David, Nico and Teruko that people used to call her Julia," which you could argue is too small for her to genuinely feel like she contributed, but keep in mind the "you toyed with my heart" line is directly before a line referencing the "reveal the secrets" plan. At the very least, she didn't go against it, not in a significant way anyways.
If I'm right to be reading these lines the way I'm reading them (which, again to be clear, might be wrong), then David purposefully used Hu's desire to help and be relied on to get her to agree with his plan, or at least not go against it, or at least Hu feels he did. Whether he intentionally targeted her, or if his methods to convince the others to convince the cast of revealing their secrets just happened to strike a cord (zither pun not intended) with Hu, is still unclear, but both are possible.
So she's already incredibly pissed at him for that, then he says he wants everyone dead, yeah my girl's got the right to go off.
Though, speaking of Hu blaming herself for what happened to an extent:
Hu [2-16]: Arei wasn't killed because of an accident. Bad luck or not, Ace had made up his mind to go through with this murder! So we can't possibly blame ourselves for failing to prevent something like that.
This is after Ace confirms that the motive and David's BS had nothing to do with the murder, so Hu can fully deny blame for what happened. Which is relatively fair, it's not like being mean to someone makes you guilty if they then choose to kill someone, but it's also presumably really important for her mental stability.
Did any of that make absolutely any sense? Maybe. Hopefully.
And that's just all the Hu-only stuff. Because a big part of her character this chapter was defending Nico far beyond what anyone could possibly see as reasonable. I'll bring back the example I gave before, because I think it's by far the most extreme.
Nico [2-14]: Someone I trust? What are you talking about? I don't trust anyone here. Hu: Stop! Just stop it! You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--
Like, this goes beyond unreasonable. Nico literally says they don't trust anyone in the killing game, but Hu still thinks they trust her for... some reason. And even though Nico says they never asked her to defend them, Hu continues doing it past this point.
The thing is, though... why? Like, I get the basics here, it's what we talked about earlier. Hu only finds worth in herself by being reliable, and she sees Nico as someone who needs her reliability, so she tries to defend them no matter what. Hell, she even specifically says "I can be reliable for you" in the quote.
But... is there a reason she's so adamant towards them in particular? She doesn't get like this when Eden starts being accused, even though they have a good relationship with each other. Apart from reciting Rule 10 when it first comes up, once that gets thrown into question, the only thing Hu says when Levi and Arturo talk about Eden possibly being the killer is:
Hu [2-14]: Eden? Please don't cry.
She never pushes back against David's claim that he saw the corpse, even though that would practically exonerate Eden via BDA; that's Nico who does that. And Hu never claims Eden is being traumatized by being accused even though she clearly takes the accusations a lot worse than Nico was taking them in 2-14.
So, like, what the hell? Is there a deeper reason she's so defensive towards Nico and not Eden, or am I just going insane?
Well, at this point, if such a deeper reason exists, I have no clue what it could be. I could speculate about Nico reminding her of someone in the past, be it herself or someone else, or maybe Hu just sees Eden as less "in need" because she's generally more stable and happier than Nico, but really, I have no way of knowing.
The thing I can talk about in regards to the Hu-Nico thing is its parallels to Veronika-Arturo and Levi-Ace.
Veronika-Arturo is funny because, well.
Veronika [2-10]: Arturo, you're... You're so... Fascinating. You're really entertaining. So I'll take your side. I don't care about morals. I don't care about whether people get hurt or whether they die. I just need to be entertained. If you become more and more irredeemable, then I'll only love you more~ I want to hear all about those terrible things you did with no justification. Arturo: For someone who's taking my side, you sure are making me look a lot worse!
I really love how a big part of the Vero-Hu recap foil so far can be reduced to the "I can fix them" vs "I can make him worse" meme :p There are their secrets as well, but that analysis will have to wait for further elaboration on them, presumably in CH3.
Meanwhile, Levi-Ace... will have to wait for the Levi section, because this is already getting quite long for Hu, and it requires a bit more context on his character.
Miscellaneous highlights!
Hu [2-14]: Hang on! Eden isn't the killer! Don't accuse her! Charles: Not this again. You can't keep blindly defending the people you hope to be innocent if you don't have evidence, Hu.
Hu: I do have evidence! Why are you writing me off? All because I-- ... *sigh* Rule 10...
Damn she really gets defensive when you question her reliability huh?
Well, moving on. That was a pretty long section, hopefully the next one will be easier to write.
...
Oh. Oh no.
David Chiem
YOU
WHAT THE FUCK IS WRONG WITH YOU?!
Genuinely what is this motherfucker's problem? Everything he does seems to contradict something he did before, for reasons unknown. The only way I can even begin to try to analyze this son of a bitch is to go through everything he does in the series in chronological order, because trying to figure out his thought process in any other way would drive me in circles harder than anything in LGI ever did.
The first thing David truly does that informs us on his later actions is forming a genuine and positive relationship with Xander. In case the LGI MV didn't make it clear that David genuinely cared about the Rebel, we finally got near 100% confirmation of why exactly David liked him so much.
David [2-12]: You, and everyone else listening. I do so kindly request that pretty please stop talking about Xander at all if you don't know what the fuck you're talking about. It pisses me off to no end. After all, it's still unbelievable to me... ...That I'm the only person here who remembered him. Even if you all lost a year of memories for this killing game, there's no reason you shouldn't have recognized who he was.
While we unfortunately don't get much more clarification, it seems David knew what Xander did to earn the title of Ultimate Rebel, and likely admired him as a result. As per Xander's numeral I in LGI, "I have always looked up to you."
This admiration is presumably why David was so adamant in the first trial that there was no way Xander really tried to murder Teruko.
David [Debate Scrum, 1-8]: Are you saying that Xander is a killer? I find that difficult to believe.
You might argue that maybe he was just trying to throw the first trial, the same way he tried to throw the second. But that's not possible.
This is where we get to Weird Point #1. David didn't want to lose the first trial.
Nico [1-11]: Ah, right. Min was going from the laundry room to the kitchen. That path crosses the computer lab. She would have seen Teruko's body if the door was open. Min: ... Ace: And why exactly would the fucking door be open? Nico: U-Um... David: I suppose Min may have arrived near the computer lab's entrance just as Charles left. If she was curious, she would have even gone out of her way to see what was happening in there.
If David was trying to throw, he wouldn't be the first to explain how it would be possible for Min to be involved in the murder. And this is only one example, there's other lines where he specifically suspects Min. Apparently, he simply cannot handle a bad bitch winning (committing murder and trying to sacrifice 14 lives for her own benefit).
However, something in David shifts upon seeing Min's execution.
David [1-12]: I... I've seen enough. There's no point in keeping my hopes up anymore. We are all certainly going to die here.
This line is said pretty somberly.
Which is weird. Because not four days later, David will be trying to throw a class trial, which will kill everyone and him. Interesting detail about that, David doesn't seem to believe that the blackened will escape if they actually voted wrong, based on this line.
David [2-12]: 15 lives. Some of them are very dear to you. And your own life as well. Is there anything at all that could be more important to you than those 16 human lives?
Where he seems to imply a wrongful vote will cause 16 deaths.
But the thing is, it's not just the trial, is it? David also tried to instigate a murder through his "reveal all motive secrets" idea. That's what he does during the majority of CH2, starting in 2-4, just two days after Min's execution. Now, it's fully possible that at this point, he wasn't yet planning to throw the next trial, but rather, he was just doing this to hide his own secret. He certainly considers losing his "speaker persona" a genuine sacrifice, so it isn't unbelievable that he'd hope for a murder even if he was planning to win the trial if it happened.
David [2-12]: Even so... Lying about all that wasn't easy. Even I like to have good relations with others, however fake they might be. And I had to throw that all away. I know that no one will ever trust me, believe in me, or look up to me again after this. But doing "good" things requires sacrifice. Sometimes that sacrifice is being seen as "a good person." That's what I learned from Xander. Even if doing something will make you hated, if that action is for a greater good, then it's an action that you have to take.
(By the way, his views of goodness as martyrdom are quite interesting and I'm curious to see where it will go, but currently we don't have much more than this line for insight on it)
However, I don't quite think that he just wanted to keep the others' goodwill; I think he was already hoping to throw from the moment he started instigating the murder. And this is where we need to ask; what was it that made David switch up? What happened between the first trial and the second that made his goals change from surviving to... whatever he's cooking now? Because in case it wasn't clear from how I'm talking about it, I don't believe David gave the real reason for his throwing to the class. Let's look at the "confession."
David [2-12]: Ugh, fucking fine. You want an answer so badly? Any answer? ... I...
Ah... We're... in a television show, after all. That's... what MonoTV said, right? "Entertainment" is an ongoing show. If Min successfully got away with the very first murder and escaped while we all died, then isn't that way less interesting for a TV show? What's the point of roping 14 other people into one murder, only to kill them all off immediately? The killer is supposed to fail and be executed. We're all supposed to catch the killer, again and again, and participate in trial after trial. You're *supposed* to try to survive. All of you who are trying to solve these class trials to continue living on are playing straight into MonoTV's hands. [Confident] As if I'll accept that. I don't care how low I'll sink, or how despicable I'll have to become. I'll do anything to carry on Xander's ideals by ending this killing game, even if it means that I have to dirty my hands.
Although I wrote it all out, I want you to focus on the start: ".... - I... - Ah... We're... in a television show, after all." Even beyond the meta argument that it's unlikely we'd actually get the answer to why Xander wanted to win the class trial this early in the series (which is a valid argument, but I prefer to theorize without meta reasoning), that hesitation should tell you everything. The way it's written, it makes it seem like David is hesitating because he's making everything up on the spot, up to the "Ah..." potentially being the exact moment David figured out what angle he wanted to take. Given he's already admitted to both being manipulative and wanting to get everyone killed, this is the only reason I can see for why he'd hesitate to give such a relatively simple and "reasonable" (as in, it logically follows even if it's still insane) answer.
So, now we have two questions. What does he actually want to achieve by throwing, and why did he only start pursuing it after the first trial ended?
Well, let me say first that I don't think we're supposed to be able to answer these questions yet. Obviously; we're dealing with shit very closely connected to some pretty large, overarching mysteries of the series, which we probably won't get full answers for until much later than CH2. But we can try to speculate the general direction of what the answer will be. Let's look at another one of his lines to try to do just that.
David [2-13]: Achoo! Ah--Bless me! Also, excuse me! Wow, thank you for your support, everyone!
(I only included that line because it's fucking hilarious and I didn't want that to go unappreciated :p)
I have another interruption~ Hu: ... David: Teruko. Own up your [sic] goddamn secret already. You are the last person to do so. [...] Teruko: ... My family. David: ...
So, just like everyone who is somewhat deep in the DRDT theorizing community, I don't think this is true. I am pretty sure David has Teruko's secret, that secret being "How could I even select what secret to be your motive? Just about everything you've done in your life is worth killing for. The killing game is all your fault." There's many reasons beyond the weird ass David sprite pictured above, which many have already covered, but as a quick overview: the family secret ("you're constantly blaming yourself for the death of your parents and siblings. It doesn't matter that it's not your fault, just that you didn't go with them") fits Xander better (see: Bonus Episode 2, Xander's secret quote being the definition of survivor's guilt), the family secret mentions "siblings" plural when Teruko's only claimed to have one brother, we don't know what happened to Teruko's parents and brother when we know Xander's family is dead, Teruko didn't believe David when he said he got Xander's secret so she probably suspects the killing game one is hers, "this killing game is all your fault" is consistent with the second anniversary art code ("It's all your fault" in a picture which only features Teruko reaching out to presumably-Mai's hands, which disappear), etc.
So now we have four questions, because evidently I'm quite bad at this. Apart from the two mentioned before, we need to ask why David lied about the secret he received, and why he was happy when Teruko answered with the family thing.
But sometimes, one question can answer others. The reason I'm bringing this up is because I believe David's heel turn was likely motivated in some way by receiving Teruko's secret. Take a look at his immediate reaction when the secrets are first handed out.
Pretty frowny, huh? Yeah understandable given the secret he received is "hey the killing game is all the girl that Xander tried to kill's fault." Unfortunately this is the only reaction David has to any of the secrets, as the rest of his dialogue after this is just explaining J's secret. Well, and this:
Eden [2-1]: Then let's end the killing game before [the motive secret reveal]! Nico: Eh?! David: Optimistic as ever, Eden. I'll do my best.
Which is kinda funny in retrospect. Yeah, he sure did do his best to end the killing game before the secret reveals.
Tangent aside, the important thing is that David wasn't necessarily surprised by Teruko's secret, but rather, uh... Well it's hard to read him on expression alone. Frustrated, maybe? Possibly mad that Xander didn't succeed in killing her? It's also worth noting that this is shortly before Teruko goes into her whole "I don't plan on leaving" shtick, which includes the following tidbit (and yes David is in the room to hear this).
Teruko [2-1]: And I'd recommend that you drop that foolish optimism for making it out of here alive. With 100% confidence, I can say that... You will all die down here without ever seeing the outside world again. Ace: This bitch is totally out of her mind. Teruko: I'm not saying this out of ill-will. It's simply how this story works. You all have the misfortune of being "characters" in a story where I'm the "protagonist." Because of that, you're all doomed.
What's so important about this? Because I believe that, in David's mind, this proves Xander right. It proves that there is something off about Teruko, that he probably did have a good reason to attack her, that the note he received wasn't complete bullshit. If there is any single thing that would get David to follow Xander's footsteps, regardless of whether he has the full story or he's just doing what Xander was trying to do even without knowing the reasons the Rebel made the moves he made, it would be getting confirmation that the person he tried to kill specifically has something suspicious going on.
Especially because David does, in fact, seem to have a very weird fixation on Teruko.
David [2-14]: As long as there's a possibility that the evidence is false, as long as there's even the slightest reason to distrust others, then Teruko cannot trust Eden. Isn't that right, Teruko? Teruko: ... David: It's in your nature to distrust people. Everyone you know has already betrayed you. There's no one in this world who won't hurt you. Even the people you love will turn their backs on you in the end. You know that well enough, don't you? So distrust in others. Because that's the only way you know how to live. Teruko: ...
(Obligatory props to VAing ofc)
... Alright so it's five questions. Because how does he know all that?
Let me knock that one out quickly, though. Right now, I don't think this is solid enough reason to suspect that David knows more about Teruko than he's letting on. I could be wrong about that and David could just be aware of her entire backstory, but I currently don't believe that.
Instead, I think this might actually be an extension of his talent, in a way. The joke that he gave Teruko a "demotivational speech" is funny, but I also think it's actually on the right track. David knows the right things to say to someone to inspire them, to push back against their insecurities, as he did with Arei in the playground breakdown. Thus, it logically follows that if he's able to identify emotional weakness to push against it, he would also be able to exploit it.
Or, try, at least. He actually fails pretty spectacularly, since Teruko ends up trusting Eden anyways, and I don't think there were any reverse psychology 5D chess moves on David's part given his immediate reaction to Teruko's 2-14 speech to Eden.
Like, that's the face of a man who tried to be slick and failed miserably.
(And in case it isn't clear, I don't think his lie of seeing the body had anything to do with the trial, he did it just to fuck with Teruko)
In any case, what happened here is that he figured out the (relatively obvious, it doesn't take an Ultimate to see this) trust issues that plague Teruko, and is trying to make them worse in order to... uh... fill in the blank I guess. One option I've considered is that he knows something about how her luck works, that it hurts people she likes, so if she doesn't trust anyone then her luck's effects will be concentrated entirely on Teruko. However, that requires a pretty deep understanding of something he shouldn't have that much info on, so I don't find it that likely. Also I'm not 100% sure if this is how her luck actually works so there's that.
Yeah, unfortunately, at this point I struggle to see exactly what David's angle is here, which is probably intentional given, again, CH2. However, it does somewhat tie back into what we were talking about. Along with everything else I've mentioned, this fixation on Teruko's trust makes me believe that David's heel turn is at least partially motivated by receiving her secret.
And if we once again combine questions 3, 4 and 5, we can actually arrive at a new conclusion. We know David's hiding Teruko's secret, we know he's happy that she's not calling him out on it, and we know that he has a vested interest in getting her to distrust others. With all these combined, I believe that David is trying to look for a way to manipulate Teruko specifically as a backup plan if the cast managed to win the trial, which they did.
By getting her to distrust others, she'd isolate, making her an easier target for manipulation as she wouldn't have anyone to fall back on if David starts getting to her. And the secret is good blackmail, pretty straightforward why he he hasn't revealed it yet. That's also why he's happy she helped him keep it hidden; he can pull it as a card to make her seem less trustworthy and isolate her further. "She lied about her secret, she was trying to hide it." If she had been honest and said that neither the family nor the poison secret fit her and that someone lied about their secret, it would make her look comparatively better once the secret came out. In other words, it makes the blackmail even better, especially because now David knows for a fact that she wants to keep it hidden.
That brings up to question 6: why does David want to manipulate Teruko in the first place? And this is where we finally reach a dead end, because again, CH2, we're not gonna get all the answers yet. I have less than zero idea what David will try to manipulate Teruko into doing, when he will make his move, what his end goal is, or any other question you can imagine. I have my doubts that he'll succeed, obviously, but of course that depends a lot on what his final angle ends up being.
So, let's recap.
David knew of Xander before the killing game, admiring him because of his work as the Ultimate Rebel. As a result, David tried to establish a good relationship with Xander once the killing game started.
David originally rejected the idea of Xander attacking Teruko out of denial and nothing else. He had genuine faith his friend wouldn't do that. David wanted to catch the correct blackened in the first trial.
Upon receiving Teruko's secret and hearing her speech about everyone dying as a result of misfortune, David begins to believe Xander was in the right, and chooses to pursue what he thinks Xander was trying to accomplish. This includes trying to instigate a murder and admitting to killing Arei.
David lied about his motivation to throw the trial. I don't know if he's specifically trying to kill Teruko, or if he thinks everyone in the cast needs to die for some reason, or if he genuinely has no idea what Xander was trying to do and he's just following his actions blindly, or if it's something else entirely; whatever motivation he actually has, it's not what he said.
As a backup plan if the cast manages to win the trial, he hides Teruko's secret and plans to manipulate her via blackmail, for reasons yet unknown. This is why he's happy that she also keeps it hidden, and why he tries to build her distrust in others.
And that's the basics of what I believe regarding his actions... related to throwing the trial and Teruko. We still have one more David Moment TM to deal with.
David [about the Arei conversation, 2-13]: ... Nothing. Absolutely nothing. I didn't say anything to her, and she didn't have much to say to me either. Arei simply got annoyed with me and left without saying anything else. Nothing else happened between us, I promise. Eden: You promise? You absolutely promise, you didn't say anything to her? David: One hundred and one percent, I promise. Ace overheard everything, and what he told you all was the entire truth. Does that satisfy you? Eden: ... That's... a relief. That you didn't make her feel bad, I guess.
So, question 7, why does he hide the truth from Eden? I doubt he suddenly gained an interest in progressing the trial without further interruption. He's also not doing this for Eden's sake; what Eden wanted to hear was that Arei walked out of that conversation still hoping to change for the better, which she did. Hearing that Arei still wanted to "be less shitty together" even after knowing David's a manipulative asshole would have made Eden very happy.
But David doesn't want to hurt Eden, either. If he did, he'd lie and tell Eden that he said something that made Arei run out crying and having lost all hope, or something. I also can't really think of anyone else who would have much of a reaction either way, since as bad as it sounds to say it, Eden's more or less the only person who was genuinely invested in Arei's progress. Maybe "the blackened," but if David doesn't know who the blackened is, there's no way he'd know how they'd react, so it's likely not because of that.
So, if David doesn't hide the truth for the sake of the trial, and he doesn't lie because of Eden, and he doesn't lie because of anyone else, then he's lying for his own sake. I believe that David is trying to hide how much he genuinely cared about Arei, and probably doesn't trust himself to be able to tell the story without giving the game away.
And to be clear, he did genuinely care about Arei. If his immediate reaction to her death doesn't convince you, his breakdown after hearing the Arturo-Eden-Arei story should.
David [2-8]: Of course. Of course this would happen.
David [2-10]: If Eden and Arei really had that conversation, then it explains a lot. I had my doubts. A clearly suspicious note, asking her to meet alone and with no explanation as to why. During a *killing game* of all times. What kind of person would fall for such an obvious trap? You'd have to be shortsighted, naive, foolish, senseless, downright idiotic. ... Unless, of course, you were Arei. That girl wanted desperately to prove herself as a "friend" to Eden. And yet she completely lacked any experience with what "friends" were actually like. Of course it never occurred to her that handing out suspicious notes was not something that normal people did. What could she know about "friendship," after all? Someone like her, who had not once experienced kindness in her entire life up until now? Even if she had her misgivings about something so suspicious, she must have pushed it aside due to her unwavering faith in her blossoming friendship. A friendship that she didn't understand in the slightest. It's... It's so... Ahaha. It's just so foolish. For someone to take advantage of Arei like that. It's absolutely unforgivable. All she wanted was to change. What a reprehensible person this killer is. I look forward to seeing their painful execution.
(Do you think all this talk about "suspicious notes" is making him think of Xander with the suspicious note he received? Don't know, maybe :p)
Between David hiding the end of the conversation and the whole "Arei was a temporary weather spell" line, it seems he's really committing to the role of someone who doesn't care about Arei.
There are many reasons he could be doing this, but I believe he's just pulling a Teruko: Showing no vulnerability, because if he did, then maybe people would actually try to reach out to him. And then they'd get hurt like Xander and Arei; quote one of the Hamlet quotes in LGI (one of the eight lol): "I did love you once. You shouldn't have believed me." And/or David would need to confront how awful he is to try to change and better these new relationships.
Because it's a lot easier to be an irredeemable asshole who will never get better, than to confront the reality that he can, just that it's hard. Cue parallels with Arei and Teruko and Ace and you get the idea.
Final note, completely unrelated.
Whit [2-12]: Hey, hey, you could say those fish were a... red herring? David: Ugh! Goddamn it, Whit, does everything you say have to be made into some shitty dumb joke?! You're actually really fucking annoying! Shut the fuck up!!
Question 8: Why is David so pressed about Whit's jokes? At the moment, my only guess is that Whit's attitude of always remaining positive enough to crack jokes reminds David a bit too much of his "cheery" persona, which also is supposed to always remain optimistic in the face of adversity, and David either hates that because he hates himself, or because he's envious that Whit can hold that optimism without trouble (as far as David can see). I lean on it being a combination, where he does hate his "cheery" persona, but also wishes he could genuinely be like that, but it's very hard to tell atm.
Alright that took way too long. Can't wait for this all to be proven horribly wrong the next time we get any solid info on David!!!
Levi Fontana
Hey Levi sorry for calling you an accomplice for like a year are we still cool? :,D
Although Levi had a lower amount of Big Moments than David, I consider them more impactful to the chapter. And when you're talking Levi, you're talking 2-13 and 2-16. Let's start with the former.
Levi [2-13]: The secret that Arei received, "You're a murderer, and you hold no remorse...." That's my secret. [Cast reactions] If you were wondering, it's not in my legal records. The court struck it from the records. Ace: No shit! There's no way Hope's Peak would have scouted a murderer! Levi: Don't make the mistake of switching cause and effect.
Let's take our time with this one, it's a long speech. First, nice to see we called this secret, it's nice. Also, I'm not the first to point this out, but it's a neat bit of characterization for Levi to first talk about the legal side of his secret instead of anything more related to emotions; he only really cares about the effects things have in the present (that'll become explicit in a bit), so the first concern he thinks of are the legal repercussions.
Then, Hope's Peak... Hope's Peak why are you this shady. Between Rose's situation, the Ultimate Contest for Eminent Students, and now this, it's now three times they've specifically targeted people in vulnerable positions. Four if you count Teruko, but that would imply they rigged the lottery for the Lucky Student, which I would believe but we currently don't have evidence for. No wonder Xander has issues with them, they're cooking something weird.
Rose [1-4]: I'm sure Hope's Peak wants me to become some sort of appraiser or forgery detective with the skills that I have. Taking some offending youth and turning them into a productive member of society would be a pretty good look for them.
Unnamed Classmate [BE1]: Why would Hope's Peak announce [the UCES] 12 years before it would actually take place, when all the would-be contestants are just children? Min: Because they wanted the contest to hang over the heads of kids like me for 12 years, from childhood all the way into high school. They wanted to single out those who were obsessive enough to spend their entire lives preparing for this one test from childhood.
Unnamed Classmate [BE2]: If you set out to do something, then never give up on that, no matter what obstacles may stand in your way. Even if it's risky or against the rules, as long as it's for a good cause... I'll trust that you know to do the right thing. Xander: Yeah. Of course. That's why I've come to Hope's Peak, isn't it?
We currently have no clue where this is going, but I'm noting it for further reference. Let's pick off from where we left.
Charles [continued]: Care to explain yourself? Levi: At the time, I was confronted by three guys who tried to start a fight with me. I believe they were some old enemies. I killed their leader first, which may have been justifiable as self-defense, but then I tracked down his two remaining friends several days later and beat them to death. J: "Old enemies?" "Leader"?? Were you in the freakin' mafia or something? Levi: No. J: ... Levi: ... J: Are you not going to elaborate?? Levi: I don't particularly think I need to elaborate. After all, that happened in the past and has nothing to do with Arei.
One question this speech leaves us with is "why did Levi track down the other two after killing the leader?" We don't have enough info to tell for sure, but I assume it's a matter of safety? Like, Levi thought those two would try to attack him again if he left them alone, so he needed to make sure that didn't happen. I think that makes enough sense for me not to lose sleep at night over it, but of course I'm open to being wrong.
Also, this is the point where Levi's pure pragmatism becomes apparent. "It's not important right now, so why would I elaborate?" A philosophy which is born from his lack of empathy which will be discussed later. This pragmatism is probably why he's the one to argue that Eden was in an advantageous position to kill Arei; the logistics of murder come before emotional aspects in his mind, which is understandable.
Eden [continued]: Who... Who did you even kill? Levi: They were three guys... a few years older than me... Uh... I don't remember their names or who they were.
Do we think Levi knew their names at one point and forgot, or did he somehow track down two people without learning their names? I find the former more likely, just wanted to point that out.
Levi [continued]: I was a bit of a delinquent when I was younger, so they could have held a grudge against me for any reason. Maybe I smashed their windows and robbed them? Or, wait, maybe something to do with that car I blew up once? Rose: That's... kind of a lot to admit all of a sudden.
One thing I always enjoy is when the character who reacts to cut off a monologue has some kind of connection to the thing being discussed. Like, of course Rose is surprised at everything Levi is saying. She's out here being haunted by the crimes she committed, to the point where the debt she put her family in is her motive secret, and then this other guy has broken All the Laws and is just admitting it openly lol.
Levi [continued]: I've forgotten most of the details, as I haven't though much about it since I was cleared of my charges. Sorry, I can't really remember why that happened. Arturo: How could you forget something so important? You can't even be bothered to remember their names? Did you not care that you killed three people?
Speaking of matching reactions to character, Arturo "I feel unending guilt over the death of my sister who I did not even directly kill" Giles cannot conceive how someone else isn't haunted by the lives he took, more recap foiling at eleven.
Veronika [continued]: You say that your backstory and secret aren't relevant to this trial, but they are. That second part of your secret, that you "felt no remorse" for killing people... If you don't care about murder, then you'd have a much easier time killing than anyone else here. You may even be unbothered by the fact that passing the trial would mean everyone else's execution. After all, you seem completely detached while admitting not only to murdering 3 people, but to several other crimes as well. Almost as if you didn't care about any of this. At least not from a moral standpoint, that is. Levi: I won't deny it. That is indeed how I feel. Ace: You are one sick bastard. What could you possibly say in your defense.
This is the first big hint of Levi's low to non-existent empathy, but I'll wait until it's fully elaborated on to discuss it in depth. Also this hints to Ace business that will be discussed in his section. Why am I even writing here.
Levi [continued]: That incident happened when I was in my junior year of high school. My junior year was also the year that Hope's Peak scouted me as the Ultimate Personal Stylist. To my understanding, it would have reflected poorly on Hope's Peak to recruit a murderer, so they pressured the court into not pressing charges.
I do wonder now why Levi even started styling in the first place. By his own admission he's pretty new to it, though he's got at least a year or two of experience if he was scouted in junior year (I think? USA why can't you fucking number your grades like sensible people I don't know what "junior" means without firefoxing that shit). Maybe a job he picked up after disownment? Though that heavily depends on when and why he got disowned in the first place; was it because of his father's murder, the murder of the three dudes and the court case just took a while, or was it something else? Questions to mull over, but can't answer without further info.
Levi [continued]: Err... Hang on. Now that I've thought about it a little more, my motive secret may not be referring to those guys. It could also be referring to the time I murdered my father. J: Wait, you-- YOU WHAT?! Levi: It's quite difficult yo tell what these motive secrets truly mean because they're all phrased so vaguely... It's a bit of a bother. J: No, fuck that noise! Go back! The hell you mean, you fucking killed your dad? Levi: Correct. I simply forgot about it up until now. That would make four people in total that I've killed, not three, I think...? Arturo: How could you simply *forget* that you murdered your own family member? Nico: If you said you killed him because you just didn't like him, I could understand that. But you're saying you forgot about taking a life... Levi: It wasn't that important. Not even the police cared about a man like him, so nothing came out of it. I truly just forgot.
(why is everyone blue you're fucking up my color schemes-)
Back to the whole "appropriate reactors" thing, while I've already mentioned the Nico thing, I think it's cool J (the anti-murder spokesperson with a bad relationship with her mother) specifically says 'dad,' while Arturo generalizes to 'family member.' Someone's being reminded of his past~
I find this admission pretty funny for a few reasons, and very interesting for many others. Funny because my guy is complaining about the vagueness of the motives while admitting he killed his dad and not elaborating in the slightest. Interesting because... why did that happen? Levi doesn't respond to Nico's comment, so it seems like he didn't particularly dislike his father or anything? Especially in the context of the way he's talked about his family in the past.
Levi [responding to Eden, 2-1]: No, not at all. It's for the best that neither I nor my family see each other ever again. Eden: Eh? If you don't mind me asking, why? Levi: Why? My father, my mother, my brothers... We were all bad influences on each other. That's all that needs to be said.
I mean, Levi's father probably wasn't a shining beacon of hope or anything, given the police didn't even investigate his death, but like... lumping him in with the mother and the brothers, and just saying they were "bad influences" instead of, like, genuinely shitty people, it all makes it sound like there's no specific grudge against the father. Which makes sense, right? Even his father would feel like a stranger, as Levi will describe later. I really wish we get some elaboration on this, because I'm pretty curious about what kind of situation would lead Levi to this. I did try to check what's caused Levi to snap before, see if I could figure out what could have prompted it:
Ace [1-9]: What's the damn point of this whole trial if we're going to make choices based on dumb crap like that?? You useless shit-for-brains! Are you even taking any of this seriously?! Whit: Huh? Am I taking this seriously? Nah, not really. Ace: YOU--! Levi: Ace, calm down. You are not helping at all with this argument-- Ace: You shut your damn trap too, Levi!! I'm done with you trying to play the moral high ground by pretending to be some peacemaker! "Oh dear, oh my, calm down, everyone. Let's not fight, alright? Aren't I such a level-minded pacifist?" Stay the hell out of this if you know what's good for you. Levi: ... Ace: That's right. Shut your damn mouth, you coward-- Levi: Fuck. Off. Ace. How far do you want to push it? Do you think that I don't have a limit to my patience? I would gladly strangle you right here and now to shut you up if I were allowed. But if you're the coward I know you to be, then you should back up before you dig your own grave. So shut. Your mouth. Before I shut it for you.
Uh... Personal attacks against Levi? Yeah I have no idea what the hell his father could have done to prompt the murder. As usual, we're missing too much critical information to make a call on it. I'm gonna wager a guess that Levi didn't plan the murder, but rather it was an in the moment decision, but again I have no actual way to be sure.
Levi [continued]: Frankly speaking, I see no reason to remain hung up over some incident that is long past, especially as it ultimately had no impact on my life. Eden: You forgot about all of the things you did simply because you didn't face any consequences? That's incredibly selfish! Shouldn't you feel even a little bit bad? Those were human lives you took! I don't know what happened within your own family, so I can't pretend to understand why you killed. But even then, I'm sure those other people had families and friends who cried over their deaths!
Again the responders; remember how Eden feels guilty over both Min and Arei's death even though she never "faced any consequences" for them (mainly because she didn't actually do anything wrong but you get the idea)? Yeah that.
Levi [continued]: *sigh* I wonder if I should really tell you the truth, or if it's best to keep it to myself. I don't know how you all will see me after this. Teruko: You've already admitted to murdering 4 people. If you insist on not being completely honest with a secret this bad, then you're going to be the next one on the chopping block. Out with it.
Considering the stuff he says later, it's interesting to me that Levi seems to be more worried about revealing his lack of empathy than admitting to murder, especially with the knowledge that he's only doing this because he thinks being honest will make him "a good person."
However, I think it makes sense. Amongst the cast, there's already several people who either killed or tried to: Xander, Min, and Nico. But a lot of the others still speak of them in good terms; David talked about how good of a person Xander was for several minutes, Eden has made it clear she still misses Min, and Hu still defends Nico. Not to mention that Levi himself already threatened to kill Ace, and got called "a good person" by Eden just a few hours later. That means that, although admitting to murder will probably make the others more wary of him, there's precedent that Levi will still have people who stick by him after all's said and done.
Meanwhile, as far as Levi can tell, he's the only one who doesn't understand empathy in the slightest. And that means he has no way of telling how the others will feel about him if he reveals it, which is why he's more nervous about it than the murders. It plays on the themes of feeling disconnected from the rest of humanity that characters like Nico (via gender identity) and David-
Tally 5 Page: "... I wasn't capable of ever becoming human in the first place."
-have going on, which is definitely something that's cool to mull over. I hope these three get some kind of interaction about this in the future.
By the way, as always I'm just kinda guessing why Levi does the things he does and says the things he says, I could always be wrong.
Levi [continued]: It's not really that I don't care about killing people. Rather, it's more accurate to say that I don't care about people at all. No matter how much I hear about such things like empathy or compassion or love, none of those concepts resonate with me. Are those emotions really universal? The idea that people naturally "care" about others is a completely foreign concept to me. Nico: Eh? What are you saying? Levi: Judging by your reaction, I suppose that's a bad thing. But I wouldn't understand why. On the other side of this planet, there's a person who's suffering. Maybe they're even drawing their last breath. But none of you care, do you? Why would you? They're a stranger, after all. You don't know them. Their life holds no consequence for you. For me, everyone I've ever known is that distant stranger. It doesn't matter how long I've known you, how much we've done for each other, or even if you were my own father... You're still a stranger to me. And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met.
So here's the big reveal, bolded text and all. Levi has extremely low empathy. I'm not gonna try to assign any specific disorder because I'd have no idea what I'd be talking about, but the empathy thing is pretty clear. I'm also no authority on whether this would be good representation for that or not, but for what it's worth, I think it's done pretty well. Levi's perspective is presented neutrally, in a way that shows his lack of empathy doesn't inherently make him a bad person, but not shying away from some of the real effects that can come from it (combined with other factors of course), such as the whole 4 murders situation.
I also like the way Levi describes it. It does a good job of getting the audience to understand his feelings, while still holding quite a bit of characterization in there. For example, the reason he gives for why the cast wouldn't care about the stranger on the other side of the world is because "their life holds no consequence to you." Even when trying to speak from the others' perspective, his understanding of why someone would care about someone else is still shaped entirely by what tangible effect that person has in the other's life, in a way sorting people by "holds consequence/holds no consequence."
Eden [continued]: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does? Levi: In all honesty... I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense?
So I'm gonna do a funny here and skip Ace's reaction to this, because that's more for the Ace section than this one. I also already talked about Eden's reaction to this.
Instead, I'll focus on Levi, particularly the question of "does Levi actually care about Ace?" To answer that, it'll be helpful to get the full Veronika Breakdown TM.
Veronika [continued]: Hm hm... I understand now. You're quite the interesting person, Levi. From what I've seen of you so far, your personality has been awfully inconsistent. It's like you don't know how to act. Trying to act like "a good person" without any intuitive sense of what's good or bad is hard, right? For someone like you, who lacks compassion, it must be quite difficult to pretend to be nice. You're always guessing as to what a normal human would do in your situation. You're so awkward in social settings because you can't tell what other people want. You act like a big pushover because if you go the other direction and stand up for yourself, you won't know where to stop. You offer to do things for others because you've observed that "good people" help others, and you parrot noble assurances without understanding why. Such things like that. Not only are you trying to act without a script, but you don't even understand the story. And you slip up constantly. Levi: You explained it better than I could. You really have an intuitive understanding of other people, Veronika. That's a trait I envy. The way I see it, it would be beneficial if I was "a good person." Then other people would trust me and not pick fights with me anymore, and they'd do things for me because they "liked" me. If I was a good person, then I wouldn't have to live a life full of violence anymore. I did everything so that I could have a better life.
Okay hold on there's a bunch to talk about here. Let me do that before circling back to the Ace Question.
Veronika is thankfully good enough at describing the stuff she said that I don't feel the need to elaborate on that. It's basically just a perfect read of Levi's actions so far under this new frame of someone who lacks empathy yet still is a good person. His awkwardness, his outbursts towards Ace, him being sort of a pushover, everything. I also like the little comment of Levi envying Vero's understanding of people, it's neat characterization.
Aside from that, there's also cool contrast between the way Levi sees being a good person as a sort of purely pragmatic social contract (being good leads to a peaceful life and ensures others help you) and Eden, which as referenced earlier sees friendship in a purely emotional and non-transactional way. Not exactly fully comparable, but close enough, and still worth mentioning given the chapter starts with a conversation between the two of them about how they're good people. Both of these have their merit, the point is that, in the end, no matter the reason you have for doing good things, regardless if it's out of sentimentality or just duty, doing good is enough to be a good person. While still of course keeping in mind Arei's message that no one is effortlessly good 100% of the time, and simply trying to be as good as you can be and improve on your flaws is enough.
Also, "I did everything so I could have a better life," huh?
Arturo [referring to Felicity's suicide, 2-10]: How is it possibly my fault that I wanted to live my own life!?
Get paralleled, idiot >:D
Wanting better things for yourself can end up having good effects on others (Levi being good to the cast), or negative (Felicity dying), fun contrast.
But I'm beating around the bush. The question I asked earlier, does Levi actually care about Ace?
Well, there's definitely room for interpretation, but my read is... well, not in the usual way. I mean, Levi explicitly says he doesn't particularly care if Ace lives or dies, so that's kind of a giveaway that he still very much does not feel empathy towards him. To better understand Levi's perspective, it might be helpful to analyze the previously mentioned Hu-Nico and Levi-Ace parallels.
Fandom has long since grouped together Hu and Levi as the "parental figures" of the group, and while I don't particularly enjoy applying familial relations to friendships, there's some basis for the interpretation. They both (to varying effect) commonly act as peacemakers and moderators in the context of the group, but have had this position compromised by emotional outbursts (Hu's defense of Nico and Levi's threats to Ace). Hell, there's even parallels in the way people react to some of these outbursts.
Levi [after the previously linked outburst, 1-9]: I'm terribly sorry for that, everyone. Please continue discussing as you were earlier. Ace: So scary!!
Rose [reacting to Hu's "fuck David" outburst, 2-12]: Wow. Hu can be scary.
To be fair the 2-12 outburst is far more justified than a lot of Hu's others, but you get the point.
They both act this way for similar reasons; to control the cast's perception of them. Hu wishes to be seen as reliable in order to feel useful as a way to counteract her suicidal tendencies and self-loathing, while Levi wishes to be seen as a good person for the reasons he states (to live a peaceful life where others do things for him). And in order to do this, they've both chosen to focus on one person in particular to "protect" or help in some way; Nico for Hu, Ace for Levi. The reasons for this are different mind you, but the effect is similar enough.
However, while it's still unclear why exactly Hu is so adamant about Nico in particular, we kind of know why Levi is focused on Ace. Simply put, before the second trial, Ace was sort of the only person who had legitimate reasons to dislike Levi, at least in Levi's mind. Because of the death threat in trial one of course. Most people haven't really expressed an opinion on Levi either way, but they're civil and at least neutral towards him. Hell, Eden even specifically says Levi's a good person after the death threat, and since she's a pretty rational person, it follows most of the cast would see him that way as well, given how quickly they all moved on from the death threat.
Ace was the exception, however. Ace was very explicitly (and understandably) pissed at Levi for the death threat, so he stood as somewhat of a threat to Levi's goal of being seen as a "good person." Levi trying to fix things with Ace is an extension of this goal, and I don't think there's much else to it. Even to the very end, Levi's frustration at Ace doesn't come from a sense of betrayal or sadness or remorse for not being able to stop the murder, or anything like that. Levi only gets frustrated at his inability to understand Ace, which we already knew from his envy of Veronika's psychoanalysis abilities is a point of insecurity for him.
Ace [2-16]: I just needed a reason to stay mad at you, any reason at all, goddamnit! [sic] Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try.
Levi, under this reading, still doesn't "care" that Ace is about to die, not in the way Eden felt bad about Min's death for example. He's frustrated that he's trying to be a good person towards Ace, and it isn't working for reasons he can't grasp. More on those reasons in the Ace section.
I am very curious as to how he'll react to Ace wanting to speed up his execution to try and save his life, and I predict Levi will probably try his best to honor Ace's memory and his sacrifice, but as always, out of duty and not sentimentality. Sorry Acevi fans, hope you still find a way to make it work :/
Since we're on the topic (and Ace's section is gonna be long enough as is), I'll talk about the other side of the Hu-Nico and Levi-Ace parallels, the way the "protected" act in respects to the "protectors." The main point of contrast is that, originally, Ace specifically sought out Levi for protection, while Nico never asked Hu for it.
Teruko [1-2]: Since when were you two so friendly? I distinctly recall yesterday a certain someone being terrified whenever Levi came near him. Ace: Whaaaat? Me, scared? Are you just making things up? Teruko: ... Ace: Okay, fine. Yeah, Levi's scary as hell! But I realized that MonoTV is even scarier than Levi! At least Levi is sorta safe to be around. And I like to be safe, you know?
Nico [to Hu, 2-14]: I never asked you to defend me--
Then comes the aspect of "betrayal" in both these relationships, where the roles are flipped. It's Levi who originally "betrays" Ace by threatening him, while it's Nico who "betrays" Hu by trying to frame her with the wire. However, Ace takes this betrayal much more personally than Hu, getting mad at Levi while Hu continues to defend Nico. As a result, Ace gets a bit of a victim complex, while Nico fully acknowledges blame for the murder attempt. Etc.
Okay time to continue with 2-13 because no we're not done with it.
Levi [continued]: After listening to David, I concluded that a good person would also be honest, even if the truth makes them look bad. Ace: You're taking advice from David of all people? Look at this asshole! David: Try looking in a mirror before you talk, Ace. Levi: I thought David was a prime example of a good person. Is he not? David: Wow, you really don't understand people at all, do you. Levi: I don't want to distract you all from this case any further. So, I apologize for this tangent.
Another really cool bit of characterization here. Levi struggles so much with understanding most people's sense of morality that he still thinks David "I actively tried to kill everyone here by pretending to be the blackened" Chiem is a good person. There's also the quick implication that David doesn't see himself as a good person, but I feel we're well past the point where that's news.
We also get the reason why Levi even said all this; he thinks being honest will help him be a good person, and presumably only brought it up after the whole David thing got resolved because "good person" David was (eventually) honest with both his motive secret and the reason he tried to get voted out. Or, rather, Levi thinks David was honest on the latter. Fair ig.
Levi has a few other lines in this part, but the next most striking thing to talk about is, fittingly, not a set of words, but an image.
Levi's protective streak has always been a big part of his character, and now he's literally taken a bullet (or 5) for Teruko. Just for the record, I imagine he'll survive, because there'd be no real point to most of the end of 2-16 if he didn't.
The big question around this is, naturally, why did Levi jump in? Obviously, it's not that he particularly cares if Teruko lives or dies, not from an emotional standpoint anyways. It could also just be Teruko's luck somehow manipulating him the way it seems to have influenced Min somewhat, but I can't see that as the only reason this happened. So, like most people, I believe he feels he owes Teruko.
Teruko [1-2]: No... I should be the one apologizing. It's my fault you got hurt. Levi: What do you mean? Without your warning, I could have gotten fatally injured. I should thank you that my wound is not more severe.
Teruko warning him in the prologue is the most obvious case where Teruko saved Levi, especially since it parallels this scene. Teruko saves Levi from execution, so he returns the favor. However, we also need to keep in mind that, without Teruko carrying, these people would not have made it through the trials, so Levi might feel he owes her for that too. And "good people" repay their debts, don't they?
Very interested in seeing where Levi's character goes from here!
Teruko Tawaki
You know a series is doing something right when the protag has so much shit going on in a trial where she didn't even have strong relationships with either the victim or the killer. Now, a big chunk of her screen time was devoted to crime solving, so her section might end up smaller than Levi's even though I consider her more important, but the order of this analysis is kinda all over the place anyways :v
I'll go in the order of Teruko moments as they appeared, though I'll skip the whole "fix my mistake" thing since I already mentioned it in the Min section.
David [2-12]: Xander is a good person. He's the only good person I've ever known. I swear, I'll follow in his footsteps and-- Teruko: And get everyone killed in the class trial? Xander is a good person? Are you hearing yourself right now? What virtuous reason could he possibly have for trying to kill me and everyone else here? David: I'm sure he had a good reason. I believe that he did. Xander is not the kind of person to do anything for frivolous purposes. Teruko: You *believe* that he had a good reason!? Hah! Based on what? The 3 days you spent with a fan who was too infatuated with the ideal of you to treat you like an actual human-- David: SHUT UP!
She says all this like she wasn't play-acting her Xanruko fix-it AU with cacti, like, two days ago lol.
Teruko Cactus [2-3]: That's right. Give up now, and surrender. Then I'll consider letting you live. Xander Plant: Teruko... I've changed my mind. I promise, I will turn my back on whoever made me do this and stay by your side from now on. Do you forgive me?
I don't actually have much to say about this. Teruko's complicated feelings about Xander aren't exactly news; genuinely angry at him for attempting to murder her, also genuinely upset that things didn't go better. No wonder David's uncritical view of the guy ticked her off.
2-13 had a lot of murder solving from Teruko, which is cool but not crucial for character analysis. Meanwhile, 2-14 had quite a bit more going on.
Rose [2-14]: I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself-- Teruko: Rose. Don't blame yourself anymore. You are helpful. It's because of you that I can solve this murder. Besides... I'm as much to blame as you. Maybe more, even. If only I listened to you when you said the tape was missing, then maybe I would have realized the truth of this case much earlier. Once again, I've made a stupid mistake. I simply wanted to believe that I could make it through this killing game without relying on anyone else. That I could be dismissive of everyone around me without consequences. So I refused to listen to anyone other than myself. I thought that if I did that, then I could avoid a repeat of the last trial, where I had made the mistake of trusting people too much. But now I'm making different mistakes instead. Again and again, I keep messing up this class trial with hasty assumptions and overlooked evidence. So... Rose: ... Teruko: ... Thank you, Rose.
Yuri stays winning.
Again, it's hard for me to add any commentary when Teruko's just... explaining all the themes out loud. We go back to the idea of Teruko fixing mistakes that she seems to have taken to heart from Min's CH1 breakdown (YURI STAYS WINNING), which ties into the idea of self-betterment that Arei's scene conveyed; and we basically have Teruko stating a reworded version of her secret quote, "It is an equal failing to trust everybody, and to trust no one at all." It makes me wonder how Teruko will behave moving forward. Will she trust a few select people? Will she continue to keep other's at arm's length, but being slightly more open? Well, based on what she does with Eden, it seems Teruko is willing to trust select people until the situation merits distrust, which is a pretty solid way of looking at things.
Speaking of that.
Eden [2-14]: I just wanted to help Arei... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... [...] Teruko: Eden. Eden: *sniffing* Teruko: Eden. Pick up your head. Look at me. At this point in the trial, since I've narrowed Arei's killer down to just two suspects, I'm going to pursue each suspect individually under the assumption that they're the killer. That way, I can see if any evidence matches up to them only. [...] So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once. Eden: Teruko... T... Thank you, Teruko... Teruko: ... Let go of me.
YURI STAYS WINNING!!!
That's what I was talking about. Choosing to trust Eden over Ace, but being willing to turn suspicion on the Clockmaker if Ace turns out innocent. A very reasonable approach! We love character development in this house.
That said, Teruko is still being a bit of a tsundere, with the whole "repaying a favor" thing. Levi parallels anyone? Well, not exactly, since Teruko does feel empathy towards Eden, but close enough. What's more interesting is that Teruko is using the exact transactional logic that Eden warned her against, which is intriguing setup for the future when it becomes more undeniable that Teruko is definitely not doing this just to repay a favor.
Also, the Trauma remains. Teruko telling Eden to let go fully completes the parallel to the Min scene, where she says the same thing (among others). I imagine our girl won't be too receptive of hugs for a while.
Before we get to the next big moment, real quick, we gotta fulfill our "Teruko's life is miserable" quota.
Teruko [to Ace, 2-15]: And three. You took the tape for first aid. Arturo: That's ridiculous. Who uses non-medical tape for first aid? That's sickening. Teruko: It's not that weird. I do it all the time.
Alright quota fulfilled. Let's move on. In this case, I'll skip to when Teruko gives up on the "show me your injuries Ace" line of reasoning.
Teruko [2-15]: No. It's fine. That's not a very fair line of logic, so forget it. You were almost murdered, after all. I should have understood that.
I don't know why Teruko really thought this line of logic was even worth following in the first place, but it makes sense for her character to ignore Ace's possible emotions in favor of the trial. But it's also cool to see her backing down when she realizes the harm she may be causing, especially as someone who has very notably hid how much her own murder attempt affected her, and in particular the wound that came from it.
Teruko [2-15]: The point of this trial is to determine who the killer is, not to determine every single little detail of what happened. It doesn't matter that you're not convinced. It's not going to help you, nor change your fate. No matter how you feel or what you think, nothing will change. [...] I've been fighting this entire trial to find the truth using real evidence. And when I make mistakes, I own up to them. What have you contributed? Show me some concrete proof of your innocence. Otherwise, shut up and stop wasting everyone's time. Ace: ... Teruko: Are you silent now? What happened to all those things you were shouting earlier? Don't you have anything to say for yourself? Ace: ... Teruko: Any evidence, any deductions to show that you're innocent? Come on, Ace! Don't you want to live?! Defend yourself!
So, a few things. First, regarding that second paragraph. "It's not going to change your fate"? "Nothing will change"? We'll circle back to it, but it seems Teruko is projecting how she feels about her own fate (before the Levi incident at least) on Ace. You could even say-
Literature Girl Insane: Even if we cry make noise shout go mad - this world won't change!
The foils ever.
Anyways, I assume that's why Teruko gets so worked up over Ace remaining silent. She sees a bit of her situation in trial 1 (almost murdered, suspected as the killer) in Ace, so her emotions run high with both the frustration of a long trial and the bad memories this is probably bringing up. At least, that's how I interpret it.
Also another mention of correcting mistakes, which shows up one more time before the episode ends, which I already mentioned as being tied back to Min and Arei; alongside with another "fate" drop. "Fate" is becoming the new "good person" isn't it :p
Teruko [2-15]: Confront the mistakes you've made. Then accept death. That's the fate of everyone who choose [sic] to participate in this killing game.
Also I find it endlessly funny that Teruko's reasoning for the Closing Argument being necessary reads a lot like "this is a DR trial we gotta do this, it's in the contract." Consider me amused.
But I've beaten around the fate bush enough. Let's get all of that over with in one fell swoop.
Teruko [2-16]: It's just... misfortune. That's why Ace killed. That's all.
Teruko [regarding her execution, 2-16]: What's the point [of running]? I should have known this would happen. [...] Even if I shield myself behind others, even if I search for an escape, it always comes down to this. I have to face the consequences of my actions. There's no escaping that. [...] Arturo: What are you talking about?? You're going to be killed!! Teruko: Killed? I doubt it. As if something so kind could happen to me. [...] I won't die, even if MonoTV puts a hundred bullets in my body. I'll only be badly injured. Possibly lose a body part. Maybe I'll even end up in a coma for months. [...] But I won't die. I never will. There's nothing I can do but accept my fate. It's what I deserve, after all. [...] I was perfectly willing to get shot. I thought I didn't have to care about what happened to other people, and especially not about what happened to me. I thought that if I lived alone and died alone, nothing would stain my conscience. Even if that was a selfish way to live. But even so...
Teruko [to MonoTV, 2-16]: Can you really say it's fate's fault for everything you've done, and pretend that you hold no blame in the matter? I have always said that my misfortune, my personality, the choices I make, everything was all a product of a bad luck that I can't control. That I grew up in such terrible circumstances, so I was destined to grow up to be a terrible person. That everyone else abandoned me, so it's not my fault that I'm alone. I want to say it's fate's fault, and that I had no choice in the matter. But, even so... Even so... Everyone. Xander, Min, Arei, Ace. Maybe even Levi. Is it my fault that they died? [...] MonoTV: You have to decide the answer for yourself. Teruko: Whether it was the fault of fate, or my fault... I already knew the answer. I had known what the answer was since a long, long time ago.
Alright I made myself sad, so something's been achieved, I guess. Poor Teruko :(
Just to start somewhere, we get confirmation of Teruko's suicidal tendencies in the present, which was already implied strongly enough, but now she straight up says she considers death something "kind to her." Just sad in general, but I wonder if there will be some discussions of it with the fellow suicidal characters like Hu. In fact, I wonder if that's the reason that Hu was the one to see the scar on Teruko's back during 2-2; so she'd have a vague idea of Teruko's backstory for some interaction in the future.
But the main point of these scenes is Teruko's relationship with the concept of fate. She basically goes through an entire character arc from the moment she says Ace's murder was just misfortune to right after Levi jumps in to save her. Basically, she used to blame fate (or "bad luck") for everything she did and what happened to her, thinking that just accepting this fate would allow her to live more easily. Especially noticeable because part of her "bad luck" is being betrayed, which gives way to her trust issues.
Teruko [2-2]: If I get in a car, it'll crash. If I stand in a construction site, it'll crumble to dust. If I trust others, they'll turn their back on me.
Hence her internal monologue about "living so nothing stains my conscience." If everything that happens to her is fate's fault, then she doesn't have to change, she doesn't have to confront her faults. Even when she talked about accepting the consequences for her actions, it was always in the context of accepting her fate. If she just accepts whatever consequences her actions bring, then she can excuse herself from fighting back against that, which is an easier way to live, but as she says, could be considered selfish. What's easier for Teruko is not always best for others, exemplified perfectly by Levi protecting her; Teruko chose not to fight her fate, and it got Levi hurt. Funnily enough, this somewhat parallels Hu feeling selfish for not sharing her secret, which is fun contrast. Hu is more justified in not sharing her secret, so it shows that feeling selfish for doing things that are good for you can be pretty bad. Meanwhile, Teruko shows that not taking others into account can also end up hurting people.
Of course, the whole "not fighting fate" thing also obviously parallels Mr Literature Boy Insane's feelings on the whole thing, to the point where they have practically the same character flaw. Believing themselves and others unable to change as a result of fate is the way they try living with themselves, because of the whole self-loathing thing, but that means they're resistant to changing their flaws. MonoTV says similar things, but it's a machine so it's not so much a flaw as just the nature of its character. It was a flaw Arei had, though, but she grew out of it through Character Development, similarly to the way it's implied Teruko is growing out of the "all fate's fault" mindset in the last inner monologue. You might also notice that tying fate into self-betterment allows you to draw a connection to the theme of admitting mistakes and fixing them, tying to Min who is also connected to the concept of fate through her entire backstory of being "destined" to be the Ultimate Student from the moment her family accepted XF-Ture's Tech contract, and obviously Min contrasts Xander who is all about fighting fate as the Ultimate Rebel, and that's without mentioning all the other "fate" bullshit going on and-
Yeah you get the idea. Too much peak for me to write it all out.
Very excited to see where Teruko's character goes now that she's not going to blame her bad luck for everything now. I worry she'll swing too hard the other way and end up blaming herself for things she shouldn't, but oh well, that's just more character development to be had.
That was the biggest Teruko thing, but there's still more to cover.
Teruko [to Ace, 2-16]: If you can't [attack MonoTV]... If you can't do that, then tell me, why did Arei have to die?! Ace: ... Teruko: It's because unlike Arei, *you* couldn't make amends with the people you made enemies out of. *You* were too scared to confront the people you hurt, say you're sorry, and promise to be a better person. So instead you took out your own personal problems on other people by murdering someone who had nothing to do with you! Arei died because you're a coward, Ace!
Uh... someone's projecting~
Teruko [already linked, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.
Damn it's almost like she hates herself because she already knows deep down that her mindset is flawed and so when she sees someone else behaving like she does/did she gets upset at them that's crazy :O
(I mean it's not 1:1 because Teruko never did anything as bad as Ace, but the point stands :v)
Final note, as always, voice acting was peak, just that there's too many good examples to point them all out one by one. Same with Levi btw, I think I forgot to mention it in his section.
Teruko continues to be probably my favorite protag of any DR or DR inspired story, though as always I'm working on a small sample size. Really excited to see her development in the future!
Ace Markey
Well if it isn't the man of the hour! It's only natural the blackened gets to close things out. Let's do the same thing as we did with Teruko and go by (mostly) chronological order.
That includes the quick, retrospective observation that a lot of Ace's behavior in the trial and investigation now needs to be re-analyzed with the understanding he's the blackened. It mostly just adds an extra layer to Ace's constant accusations towards Nico, though, since Ace didn't really do much most of the trial. The only other notable thing he did was revealing David's secret, and even then, nothing too big. I know it's a bit silly to go so hard on Nico when David is almost easier to frame, but this is Ace we're talking about. He's emotional and not quite the most strategic, so nothing weird there.
Although, speaking of Ace knowing about David's secret, why did he not hear the end of the Arei-David conversation? I doubt he's hiding it, because he doesn't really have a reason to, so apparently he just, like, left. I guess he just didn't care enough :p
Finally getting to PT 2 itself, we have a 2-13 speech we skipped earlier, don't we?
Levi [2-13]: I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense? Ace: You... Hah. Hahaha. You-- You fucking piece of shit. Levi: ... Ace: I was right all along. That you felt bad for me... That you actually wanted to help me... That even if everyone here treated me like shit, there was at least one person who still cared about me... That shit's too good to be true, isn't it? Yeah, good thing I didn't fall for that in the slightest. Not one bit. I was totally right all along to burn our friendship-- No, I can't even call it "friendship." There's only one person in my whole life who I've ever been able to call my friend. That I ever thought, even for just a short time, that you and I were "friends" is an insult to his memory. I probably sound real pathetic admitting that. But I'm not nearly as pathetic as you. After all, you're a piece of trash who probably has never had a single friend in your life. Levi: ... Ace: Got nothing to say to me now? That's fine. Hey, Levi. I really hope you fucking die.
Okay there is... so much to unpack there. Let's... start by the smaller thing, which is the Taylor Riley drop in "there's only one person in my whole life who I've ever been able to call my friend." This guy's name was revealed in a now deleted CH2 PT1 QnA answer, alongside with the name of a friend of Veronika's who gave her her green triangle earring, Alyssa Belyaeva. We got main series confirmation of the name in one of the graves of Thanatophobia, alongside the names of Elliot Cuevas and Felicity Giles.
We know... zero about Taylor, apart from the fact that he was Ace's friend and is now very evidently dead. Thankfully, we get a bit more context on his death by one of Ace's comments:
Ace [2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands!
Third, huh? Arei, the hypothetical Levi death, and presumably Taylor. Sure, the third could be Ace himself, but I feel the line makes a bit more sense with Taylor.
So, Ace blames himself for the death of Taylor. Given he liked the guy, probably not intentional murder, but who knows what the hell he did. At this point, we really have no way to deduce the way Taylor died or how Ace could have caused it somehow, though. Maybe we'll get some answers in the Bonus Episode? Hopefully :p
But that's the easy part. The hard part is Ace's feelings towards Levi. Immediately, we can tell the whole "I never thought you cared about me, not one bit" thing is a complete lie, not just because the line itself is extremely unconvincing, but because of something Ace says later in this episode.
Ace [to Levi, 2-13]: You piece of shit. I can't believe there used to be a time I actually liked you.
So, yeah. Similarly, based on the fact that Ace wanted MonoTV to speed up the execution to try and save Levi's life despite his fear of death, we can infer that Ace is also lying when he tells Levi "I really hope you fucking die."
No, Ace really does care about Levi. For the reason stated at... some point in this analysis; Ace feels safer around Levi. And that creates a bit of a problem for him, because if he wants to escape the killing game, he's gonna have to kill Levi to do it. It's unclear if that's the reason he originally pushed Levi away, "burning their friendship to the ground" in his words, or if he just didn't want to trust him after the death threat in trial 1. However, guilt over trying to get Levi killed is definitely part of why he says this:
Ace [2-16]: I knew... I knew that I wasn't allowed to call [Levi] a murderer. I had no right to act betrayed, because I was the one who betrayed everyone. But still, I...! Levi: Why-- Ace: But still, I--! I don't care what it was! I don't care if it made me a hypocrite! Even if I was completely in the wrong, and even if it made my life worse! I just needed a reason to stay mad at you, any reason at all, goddamnit! Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try. Ace: Good! Stay that way! I hope you never understand me, even after I'm buried a billion miles deep in the ground and you're weeping at my grave, you piece of shit!
Ace tries very hard to find reasons to hate Levi because he's afraid of growing close to anyone in the killing game, mostly because he thinks he'll be betrayed, but by the point he starts plotting murder, also because he's trying to kill them all. Being close to them is a good way to feel more horrible about himself than he already does.
To be clear, the reason I say the first reason is more important is because I think I can more or less pinpoint the moment Ace starts thinking about murder, and by that point he's already trying to cut Levi off.
Ace [2-2]: In this killing game, everyone is out to get me. Especially people who love picking fights with me, people like you [Teruko] and Levi. I can't believe I wasted my time with all that dumb shit like arm wrestling and running around screaming at meaningless stuff. I was fucking stupid to not take this killing game seriously from the start. I'm done with being everyone's kickable scaredy cat. The only thing I should do is look out for myself and myself alone.
Well he sure did take the killing game seriously after this point now didn't he?
Obviously, this is a pretty direct parallel to the way Teruko tried pushing everyone away in this chapter, and the way David pretends not to care about Arei after the magical girl transformation. More on this whole thing in a bit.
The relationship between Levi and Ace is one of contrast. Levi, who doesn't actually care about Ace the "usual way", chooses to try to get closer to him. Meanwhile, Ace cares about Levi maybe too much, and his fear of this attachment drives him to push Levi away. The yaoi truly is doomed with this one. Moving on.
Ace [to Nico and Hu, 2-14]: You two are a real fucking joke. It would have been one thing if Nico gets away scot-free with trying to kill me, but now they apparently also have a fucking defense brigade to shield them from even having to think about the fact that they're a murderer. Who's gonna stick up for me, huh? No one. Because I have a spine and I don't need other people to lie to me constantly to keep me happy.
Ace [to Nico, 2-14]: You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?!
Ace [to Teruko, 2-15]: Were you convinced by Eden because she had a little sob story ready? Should I start crying and wailing too to change your mind? Teruko-- No, everyone here. You're always attacking me for stupid reasons. Everyone always has it out for me. That pisses me off. All of you piss me off.
Ace [2-15]: You all actually think I'm too goddamn stupid to accomplish anything? Do you really think I'm 2 seconds away from choking on my own spit and passing out?
This is where we start to see Ace's persecution complex on this part, which was already alluded to in the previously linked 2-2 Ace quote. He thinks everyone is out to get him, and to an extent, he's not horribly wrong. Very few people in the cast have favorable opinions on Ace, and he knows that if he gets revealed as a murderer, that "few people" will likely turn to "no one." I mean, not even Levi wants to defend him.
Ace [2-15]: Hah... I expected everyone else to get on my ass, but for you of all people to think I'm the murderer... What happened to ever wanting to make things up, huh? Besides, between you and me, we both know who's really a murderer.
And hell, Nico's already tried to kill him! Ace is the victim in that situation, even if he did "start it."
Which gets us to one of the most interesting moral quandaries this trial presents us with, Milgram style. Because the thing is, Ace has given the cast reasons to dislike him. Ever since the start, he's been confrontational, insulting, and just generally not the most delightful person to be around. Especially to Nico, who he specifically targeted to bully. Obviously it doesn't justify being horrible to him back, including things like Hu's slap and Levi's death threat, and especially Nico's murder attempt, but... well, if people don't feel about Ace the same way they feel about some of the calmer cast members, there's a reason for it.
How justified is the cast in the things they say about Ace? How much of it is Ace's responsibility, and how much is it the cast's? How much responsibility do they hold for creating the hostile environment that pushed Ace into murder? How does the mastermind and the killing game itself factor into this valuation? These are all interesting questions the series asks us to ponder on, and by their nature don't have any one right answer. Especially because "blame for a thing that happened" isn't a number that can be evenly divided by percentage, it's a very complicated and subjective thing. J puts it pretty well in her speech to Ace in 2-15, giving her perspective as well.
J [2-15]: Maybe I was too harsh on you. Me and everyone else here, I don't think a single one of us stopped to think where the breaking point is. ...But. Murder is unacceptable, no matter what. Your problems might be awful, and they might be the worst in the world, but they're still not so bad that killing 13 people is acceptable. You can't be forgiven as a murderer just because your life sucks.
My personal opinions on this are probably best saved for when we get the full picture in just a moment.
And speaking of the full picture, since Ace's persecution complex feeds into his fear of death, why don't we skip right into the big speech?
Ace [already linked in the Hu section, 2-15]: ...... God damn it. I'm such a piece of shit. [...] You're right. I'm screwed. There's no way I'm making it out of this trial alive. I just... wanted to stall for time. I'm scared of dying, I really am. [...] I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. [...] Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your 'secret' hidden-- Ace: Hell no! I don't give a damn about that motive, or my dumb little secret, you idiot fuckwad! Who do you think I am, you?! *sigh* That wasn't why I killed her. I was scared of dying, that's all. [...]
Quick thing, but I think it's cool that the motive really had jack shit to do with the murder. Hate to bring the guy up so much, but it helps make David's "plan" of revealing all the secrets unequivocally wrong, which I feel is important for some of the themes of the chapter. In particular, the idea that gets pushed that everyone should be allowed to reveal their secrets at their own time, aka privacy is important. Nico's public secret reveal happened before they were ready to share, and that was a bad thing, after all. And a lot of the conflict in this chapter came from MonoTV giving the motives in general.
Ace [continued]: I'm definitely going to die in this killing game if I don't escape. Everyone hates me, right? Because I'm a volatile asshole who can't help but pick fights and make people mad at me. Veronika was right. If pushed to kill, everyone would feel the least guilt if they killed me. They might even have some sort of grudge. I wouldn't be surprised. When Nico tried to kill me, that just confirmed it. There's a part of me that's a little pissed that Nico didn't succeed back then, because that would have saved me the trouble of having to go through this stupid-ass farce. Although I'd be real fuckin' pissed if they *did* successfully kill me. I'm kind of pissed at Nico for trying to kill me, either way. Nico: ...
Interesting to hear part of Ace wanted Nico to succeed. It certainly speaks to a great level of defeatism, where everything is horrible and death would be preferable, which parallels Teruko nicely. That defeatism for Ace comes partly from the persecution complex discussed earlier, and some other stuff we'll talk about in a moment.
Ace [continued]: But still! If I didn't kill someone and escape... then I was going to die. I'm fucking terrified of dying! I can't sleep at night because I keep thinking about how I'm going to die young in this goddamn killing game! I didn't want to die! I want to live. Just like everyone else. Live, and escape this killing game, and go back to my shitty life where I can't do anything on my own because I can't control myself. Back to that life where I can't do anything but a sport that I hate because I suck shit at everything else. I was forced into that fate, to kill someone because I'm scared. It was either that, or I would be killed first. There were no other options for me, because I'm a coward who can't fight my own fate. [...]
I think an underrated part of Ace's character is just how much damn symbolism is hidden in his talent.
The first connection is the more or less obvious "if I didn't kill someone, I would be killed first" mentality, where Ace literally views the killing game as a race to be the first blackened to get away with it. But that's almost an extension of the other connection.
You hear it from him here; he feels he completely lacks control of his life, that it's all decided by a fate he can't control, the same way that a jockey doesn't walk on their own, but rather is carried by a horse to their destination. And it's no wonder that this feeling of lacking control is referenced in his secret quote, "I don’t know what to do with myself anymore." After all, it's this feeling of lacking control of himself and his situation that causes him to seek control of anything he can, be it bullying Nico because he sees them as an easy target, distancing himself from others because it's easier to control his feelings that way, killing someone because it's the only way he can control his place in the killing game, or anything else I might be forgetting.
And this fear of lacking control is probably part of his fear of death, isn't it? Because no one can control what happens after death. Maybe yes, maybe not, but regardless, Ace's thanatophobia is pretty evident. I mean, it's the name of his execution, and it's a fitting one. Ultimately, Ace's fear of death is what gets him killed, both metaphorically because it's the reason he became a blackened, and literally because he dies of a fear-induced cardiac arrest. That, alongside with the incredible art and banger music, is why I consider Thanatophobia one of, if not the single best DR style execution I've ever seen. Simply peak.
Ace [continued]: Do you think I give a crap about you all? Why would that matter to me? No one gives a crap about me either! None of you even respect me enough to think I was capable of killing Arei! In fact, that made me feel way less guilty about killing-- [J makes her anti-murder speech] Ace: ... I know that [I can't be forgiven]. I'm the one who murdered Arei, so of course I know that. Arei... She was a piece of shit too. Just like me. Even if she said all that nice bullshit to Eden, there was no guarantee that she really was going to change and become a good person. Maybe if she lived, then by tomorrow she'd be right back to her annoying bitchy self. ... But at least she was trying. And I can't even change one thing about myself. Not my shitty job, not my shitty personality, nor my shitty life. I really am a piece of shit, huh?
At the end of the day, Ace is his own worst enemy. What really gets Ace killed (apart from the already mentioned fear of death) is the inability to change, to see the flaws in the way he behaves himself and try to better himself. Or, rather, he does see the flaws, he knows he's a target of the killing game because of his aggressiveness and that he drove himself into a corner out of fear, but he considers himself incapable of changing that. Changing is difficult, and Ace is scared to even try. Like he says, maybe Arei couldn't have managed it either, but she was trying. And that's what ultimately separates the two.
In case it isn't obvious, my take on who's to blame for everything that happened is pretty much squarely on Ace. Sure, there were things the others did to Ace which aren't justified, but you can't blame people for disliking someone that knows he's unlikable and cannot find it in himself to try to change that. Arei tried to change; she died a good person. Levi tried to make amends for trial 1; he's a good person too. The tragedy of the situation is that Ace himself could have been a good person too, because everyone can be, but it's a decision that must be made, as Eden put it earlier in the chapter. And it's a difficult one, too difficult for Ace.
Teruko, David, all these people... they can also be "good people," in the sense of always trying to be "less shitty together" in Arei's words. Ace is a cautionary tale of how not doing so can end up really, really badly.
Which is the setup for Teruko and David's continued foiling, isn't it? Teruko will presumably look at all of Ace's flaws (lack of trust, unwillingness to change, accepting fate without fighting it) as pitfalls to avoid, because of how similar the two of them acted in CH2. Meanwhile, David, since he heard Arei's speech and knows just how hard she tried to change, will see those same flaws as strengths. In his eyes, Arei died because she trusted the note, because she tried to change, because she tried to defy her nature. At least, that's my prediction. Where all of that will go is anyone's guess.
But, how do we know that Ace could have been a good person? How do we know that it isn't David who is right, that neither Ace nor Arei could have ever gotten better, had they simply tried? Well, simply put, because in the end, Ace does start changing. As a final, tragic note, Ace's ability to confront fate and try to correct his flaws only surfaces when it's far too late. And not only when he punches MonoTV, though that also is a good example of it, but also when he chooses to face execution quicker in an attempt to save Levi.
Ace [already linked, 2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands! Arturo: E-Even then, there's no guarantee that he'll live--- Ace: Shut up! What the hell are you talking about? Aren't you a surgeon? Can't you fix him? Arturo: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it-- Ah! Ace: SHUT UP! Shut up, Arturo! You *can* save his life! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and save someone's goddamn life, asshole! Because you can!
There's layers to Ace's shouting barrage at Arturo. Obviously part of it is just Ace trying to convince himself that Arturo can save Levi so he can die with a relatively clearer conscience, but there's also a sort of self-awareness of Ace's faults in the things he says. Try swapping "save Levi's life" for "be a better person," and pretend it's being said to Ace by someone else who is about to die.
You *can* [be a good person]! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and [be a better person], asshole! Because you can!
Because moments ago, it was Ace who was making excuses like a coward for why he felt he would never be a good person, and why he had no control over his shitty personality that made everyone hate him and made him a target of the killing game, etc. He never put in the effort to change because he thought it was pointless, that he was unable to, and didn't realize the falseness of that preconception until he was faced with death. Seems I was on the right track when I connected his thanatophobia to his issues with control; death robs him of the decision to try and be a good person ("I don't even get to make that decision anymore!"), which he hadn't even realized he had until that moment.
It's no wonder Ace was a popular survivor guess; he could have changed, could have been a good person. And despite the harm he's caused, the way he robbed Arei of the opportunity to do what he couldn't and attempt to change, the intention he had of killing everyone in the trial, his death remains a tragedy for the hypothetical of what could have been. Maybe if Levi had managed to properly reach him the way Eden reached Arei, this could have all been avoided. But alas, Ace didn't accept the hand strectched out to him, and now it's too late to fix things.
I said during my reactions that I felt just as emotional during Ace's execution as I did with Min's, which was certainly true and very impressive given my massive bias towards the Ultimate Student. And while I can't say that I'll miss Ace as much as I miss Min (because come on), I'll certainly hold him close to my heart for as long as I live regardless.
As a final note, holy shit the voice acting. If I pointed out every line where the acting for Ace was spectacular, I would be here all day. I doubt I need to elaborate on this; the sheer perfection of the performance should be obvious to anyone who can hear it. Godspeed Seth Raffield, you truly were incredible. Can't wait to hear what you do in the Bonus Episode, provided there is one.
---
I am free! Holy shit that took way too fucking long. I need to figure out a better way to do this shit for later chapters, because geez. You have no idea how much Tumblr's drafts lagged because of this shit, I had to write the final sections in different drafts and copy paste them over because it was unbearable. Not to mention hitting the goddamn link limit which is just clinically insane from me. Anyways, if you somehow managed to read all of that, I feel genuinely sorry for you. You know you can be a good person if you try, right? There's no need to punish yourself like this.
I'm being silly, of course. Thanks for reading, hope you enjoyed!
#drdt#danganronpa despair time#drdt spoilers#david chiem#teruko tawaki#eden tobisa#ace markey#levi fontana#min jeung#arturo giles#veronika grebenshchikova#j rosales#nico hakobyan#whit young#charles cuevas#monotv#drdt analysis#arei nageishi#rose lacroix#hu jing
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(i wrote this while sick before going to the movies and then finished it after watching a movie so forgive me if it's incoherent or whateer im laying down)
do you ever think about how Azure Lion groomed Sun Wukong from a young age into being this perfect people to act as the poster child for the Brotherhood, abandoned him at his worst, was confident he could manipulate him into working for him again and then tried to do the same with Xiaotian and Xiaojiao upon first meeting them? And that, by association, he almost groomed Macaque and you can see how his manipulation affected Macaque even into adulthood when he first met Xiaotian?
No?
Azure Lion groomed Sun Wukong, tried to groom Qi Xiaotian (and Long Xiaojiao) and heavily affected Macaque's world view on Sun Wukong.
EDITOR'S NOTE:: grooming in this case does not mean anything sexual between the characters, grooming is a common trope in media and it's commonly seen as a power imbalance and manipulation tactic (see: when a father grooms his son to take over the company by inflicting him with his own ideals)
Azure Lion has a tendency to display Sun Wukong on this high pedestal and sound very confident in how he describes him. The very first thing he says in his debut is this:
“I'm flattered, truly, but if it were not for Sun Wukong bringing us together, right? Without you, none of this would be possible. Your courage to stand up to the Celestial Host has inspired us to finally take a stand. To make a true difference in the world. And I could think of none other more suitable to lead us on our conquest than you, brother.”
notice how throughout this episode sequence Azure is spoken about like he's the leader and right in every word he says. The other adults at the table (Peng, DBK and Yellow Tusk) smile and turn to him as though he's in the right. They hang on to his every word. something interesting is the fact Macaque and Sun Wukong are talked down to like they're the younger pair of the brotherhood — Peng's insults to Macaque, the way DBK asks SWK to repeat what happened during Havoc in Heaven—
heck even the way they laugh at Sun Wukong when he's being silly is a clear indicator that they see him as... silly.
It isn't until Azure Lion speaks up that they turn to him and start seeing Sun Wukong into a new light.
Not only that but the way that Azure talks to Sun Wukong raises several red flags. He looks at all his brothers the same way (e.g when he's helping Peng during a flashback in Episode 8) but it raises so many red flags when he looks at Wukong like this.
And Wukong hangs on to his every word.
Because Sun Wukong believes in what Azure Lion is saying to him. Everyone believes him in that moment. he sounds so confident in the way he says none of this would be possible without sun wukong. It's a way to manipulate him especially considering Sun Wukong was not the one to form the Brotherhood - Azure was. Azure decided to form this trio after seeing Sun Wukong for the first time according his own flashback:
And guess what? It works. Sun Wukong was minding his own business up until that point, the only thing he'd done (if the timeline matches up correctly) was become immortal and return to Flower Fruit Mountain to train his monkey army. In JTTW at this point he would've turned into a giant version of himself, scaring the other spirit kings into joining alliances with him just from witnessing that—instead we get Azure Lion believing him to be the perfect idol for his plan to come into fruition.
Fun Fact: Macaque is the only one who looks at Sun Wukong like this during Azure Lion's little speech about him and being the rightful leader of the brotherhood.
He seems more confused and shocked than the rest of them are. Mind you, he's known Sun Wukong longer than the rest of them have.
He hears Azure Lion, a veteran celestial warrior, praise his best friend and put him up on a pedestal and it confuses him. because his best friend is not like that. at least, he thinks so—but Azure sounds confident, right? he's speaking so confidently about this, so he must be right... right?
It will, eventually, lead to Macaque changing his view on Sun Wukong entirely. this is why we have shadowplay.
"That's what I believed. What Azure would have you believe."
Azure Lion affected not only Sun Wukong but Macaque in his manipulation — the timeline does not show us where Macaque went after his fall out with Wukong but the theory that he ran into the Camel Ridge Trio before fighting Wukong again works considering that line.
(Not only that but Macaque also tries to do this with Xiaotian: he introduces himself in a easily approachable way and trains him, takes him under his wing, then stomps on him the moment he stops being useful to him. he uses him to get to Sun Wukong. Xiaotian reminds Macaque of Sun Wukong and he uses similar tactics that Azure Lion used to get to Xiaotian — and it isn't until the Samadhi Fire Ritual that he realizes what he's done by being reminded of his and Wukong's fallout. He, a bystander, was also affected and influenced by Azure's manipulation.)
Additionally, Sun Wukong defends Azure Lion. He justifies attacking Heaven during Havoc in Heaven, he justifies the brotherhood's plan to go to war against Heaven—none of these plans are Sun Wukong's ideas. They are Azure's influence. In the original book, the reason why Wukong attacks Heaven in the first place is because they refuse to grant him the respect he wishes and thus Heaven is angry at him for dubbing himself the Great Sage Equal to Heaven. They ask the Jade Emperor to take care of Sun Wukong and he does—which, y'know, ends up with Wukong imprisoned afterwards. But in Monkie Kid it's all because of Azure's influence on Wukong.
Because he groomed him into being a faithful right hand man. And he is so confident in that that he gives these grand speeches and pep talks and says every perfect little line to make Sun Wukong want to follow him to Hell and back.
"When we triumph in this rebellion, the people will never live in fear. We're about to change everything. It's all because of you, brother!"
And, of course, he tries this on Xiaotian and Xiaojiao, too, when he first meets them.
When he presents himself to Xiaotian and Xiaojiao, he comes to their rescue. He already introduces himself as a savior and protagonist because he saves them from the scroll—even seemingly displaying himself as non-threatening because, while he laughs at them, he does so in a manner that's sincere and genuine. It's a goofy laugh. He's being goofy. He's playing to their good side.
It's the way he talks to them and laughs, introduces himself with such flamboyance and loudness that he mirrors Sun Wukong himself. He is such a direct influence to Sun Wukong that it carries throughout the few scenes we see of him that resemble what Sun Wukong has done with Xiaotian: the astral projection, the goofy displays of excitement, the sarcastic tones when talking about Tang, the way he greats his brothers when they are freed as old friends and all cheery and genuine.
He allows himself to be called uncy lion and romanticizes the past of the brotherhood while not elaborating on the fact he lead Sun Wukong and his brothers to a war while still blaming the aftermath and defeat of their party on Sun Wukong.
"Ah, well. The Sun Wukong isn't exactly the easiest person to get along with. He has quite a habit of keeping people at arm's length. We were young, mistakes were made... and some mistakes can't be undone."
He speaks of him in a way to spark doubt between Xiaotian and Xiaojiao and it works in the way they react to what he says. They are disheartened and Xiaojiao even mentions, later, how Sun Wukong has had a habit of keeping things to himself. I wonder why that is.
" [...] If your friendship with Monkey King meant anything to you—" "It meant everything to me." [....] "We're brothers. Nothing could ever change that."
It's the way that Azure talks to them about Sun Wukong. It's the way he still thinks he is close enough to Sun Wukong to say that nothing will change their relationship. It's the way that he tries to plant these ideas into Xiaotian's head when they first meet, because he is the Monkie Kid.
That and the fact that later, when Sun Wukong is bursting through each and every memory, he reaches Xiaotian and goes to him and tries to comfort him and say they'll get to safety soon and they just have to deal with the scroll curse—it's the fact that the moment
that pigsy
mentions Azure Lion
all of that gets paused for a moment
"Oh he says his name like that because he put him in the scroll, he shouldn't be here—" there is also the fact he's not fully blown surprised by this. he's also wary. he's hesitant. sure you can say he's surprised to hear they've met Azure Lion,
but then you get this
this is hatred. this is anger. this is not what Sun Wukong feels towards Macaque during Season 3 — he lunged at Macaque for putting Xiaojiao in danger, for putting Xiaotian in danger, for ruining his plan, and he hesitates to attack him, to deliver that final blow, his fist is shaking and Tang's interuption easily causes him to lose focus and he drops Macaque. He lets go.
THIS? This is him protecting Xiaotian. this is him not wanting Xiaotian near Azure. Xiaotian looks at Azure with wide eyes and a gaping mouth because "oh Azure's here?" but Wukong knows better.
And you cannot tell me Sun Wukong was not heavily hurt by Azure Lion's actions without looking at the way that Sun Wukong puts himself between Azure and Xiaotian immediately, how Sun Wukong tries to be a better person by putting Xiaotian's safety first, always, even if it means he gets possessed or hurt or thrown around.
You cannot tell me Azure Lion wasn't a manipulator or abuser or a person who used Sun Wukong's admiration of him against him, to turn him into an obedient follower and devoted friend, when the very first thing he does when he sees Wukong step between him and Xiaotian is sigh.
Sighs like an older mentor looking at their pupil and going "didn't I teach you better than that?"
And then he imprisons Sun Wukong.
Because he is of no use to him at that moment.
And the fucking kicker: Xiaojiao modeled her new sword after Azure Lion, then is blatantly disgusted by this when she figures out how much of a bastard he is and openly says so. Xiaotian looks distraught and confused. Because Azure admits to being guilty of using them and manipulating them. He aims for sympathy with them.
He aims for sympathy with Xiaotian.
He twists the narrative again when he and Xiaotian are alone.
He's manipulating him. He's using him.
He keeps painting Sun Wukong in this negative light. he keeps putting himself up as the sympathetic victim of it all.
"My former brother was sent to destroy us and all we had built."
and yet he still talks about Wukong as though he has a grasp on their relationship. he calls him brother. he has not abandoned that title. he still thinks of Sun Wukong as his brother and will continue to use him and his name in whatever way possible to get ahead.
Maybe it is not on purpose and Azure thinks he is being true and genuine with Xiaotian but it does not erase the fact he twists the narrative to paint Sun Wukong in a negative light in front of his successor. Because Sun Wukong and Xiaotian have a strong relationship, a bond so strong that Qi Xiaotian bursts with power and strength when he realizes Azure will not give him back to him. It's precision and control and Qi Xiaotian could wreck havoc among everyone for keeping his mentor away from him but he is so controlled and careful with his movements that he manages to not attack Azure, but throw him off balance to get him to release Azure.
All because Sun Wukong is important to him.
Because Sun Wukong was not going to treat his successor as though he were a weapon or a pawn in some major scheme like he was.
Azure Lion showers people with praise that they do not deserve nor want and does so in a way that makes the party feel either delighted to have aided with his success or horrified at the revelation. He does so when Sun Wukong brings the brotherhood together (which wouldn't have happened if Azure Lion hadn't seen Sun Wukong with his subjects that one day) and he does so when Qi Xiaotian for returning his brothers to him (which he didn't know he was doing, because Azure Lion told him he needed to defeat the curse without mentioning his friends would be released too, at least from what I can remember).
"His betrayal, his brutality. He took the only friends I had from me. I would have done anything in my power to bring them back. But it wasn't in my power, it was in yours. You saved my friends. You returned them to me. And for that, I am eternally grateful."
This is similar to what he says to Sun Wukong when he was thanking him for bringing the brotherhood together.
And then, what happens when all this manipulating and tricking does not work? When Qi Xiaotian teams up with Sun Wukong instead of siding with Azure Lion?
"After all Sun Wukong has put you through, how much he's let you down, you would still meet your fate trying to protect him?! (...) He doesn't deserve such loyalty, yet you insist on learning the hard way, just as I did! I should've never trusted the Monkey King! The False Sage, Equal to Nothing!"
He fucking insults Sun Wukong. Sun Wukong who rushes in to protect Xiaotian, who shoves Azure Lion out of the way, and checks on Qi Xiaotian when he glitches out and starst to lose control of his powers.
And when he's losing against Xiaotian? When he struggles to keep up with him?
"Look what he's done to you! Reduced you to a mindless, savage animal."
Again, Macaque's obsession over Sun Wukong makes sense now. His obsession is a result of Azure Lion's doing. His obsession is what Qi Xiaotian could have been had he not known Sun Wukong for who he really is: his mentor and friend.
What gets to me is what Xiaotian says to him when he's losing:
"That's what you were pretending to be, right? To be my friend? To care about me? When really, you were just using me to get what you wanted! To turn me against my own mentor! Well, put your hand in the monkey cage and expect to get bit, son! Come on! Come on! Come on, Uncy Lion! You're the big hero, right?! Then prove it! Show me!"
It's a perfect way of snapping back at Azure for all his manipulation.
And then Azure dies.
He learns he's being manipulated for someone else. He cries and smiles and dies.
What for?
He doesn't save anybody.
He doesn't suffer consequences of manipulating people. He doesn't do anything heroic and he doesn't even save the world by sacrificing himself because Nezha is the one who seals away the Jade Emperor's powers in the end.
He's a natural manipulator.
He's not a hero.
he's a loser
#analysis#lego monkie kid#monkie kid#azure lion#lmk azure lion#lego monkie kid azure lion#ok idk how else to tag this lmao#its over 2k#i am so fucking tired#anyways#how are you guys?#me? im tried as FUCK
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guys idk if anyone else has but i found the link click camera. rolleiflex 2,8f aurum, a special edition. at first i thought it was a regular 2,8f rolleiflex, because most rolleiflex are black and on later models they have a very similar look; 2,8f lenses looked the most similar to link click ones. however, the sphere engraving at the top is throwing me off; maybe it’s a different brand? but that makes no sense, considering it looks like a typical rolleiflex and at the top cheng xiaoshi it literally says “polleiflex” and it has a diamond engraving. (sorry, i don’t know how to call it, i’ll just say engraving.) at the reflection of the sphere TLR (ill call them that, stands for twin-lens reflex, which is the camera type) it does turn into a diamond (if anyone has the blank version of this poster i would be grateful!), which makes me to think it was probably from the messing with timelines? which is a wild guess. but regular butterfly effects occur so much in time travel media, and in link click, too (you just haven’t realized it).
reflections… they typically tell the objective truth, don’t they? it used to be a diamond engraving so typical of most rolleiflex cameras; the logo. yet the meddling of time has skewed even that, and you can’t tell which is real and which is fake. i looked through a list of models; did it again. maybe i missed something. there are NO rolleiflex with a circle. the can spelling out “past or future, let them be” next to said TLR is even more telling. a typical warning label, one that wasn’t followed. even if you try your best, you’re bound to make a mistake or two, and suddenly all of history is altered to the point the logo (and maybe the name?) of a camera production company looks different.
you know, what’s interesting is these cameras are big on the parallax effect. due to the viewfinder being one lens, where you can look through to better capture your photograph (it’s why they were more popular than SLRs at the time, or single-lens reflex cameras), there is bound to be a mistake due to the height. well, not mistake, but the result is slightly altered; slightly skewed from how you perceive it. TLR’s also shoot in 6x6 dimensions; there’s the number 6 again. link click has a lot of repeating numbers, the most of them being especially 8 and 5, and 6 is another one. (let me redirect you to the fact li tianchen’s localized/english name is ‘vi’; not one i’m on-board with, but an interesting choice, considering that is the roman numeral for 6 and you could’ve chosen literally anything else. i’m slowly starting to believe each character has a number associated with them; cheng xiaoshi 8, li tianchen 6, and lu guang likely 5. but maybe it’s the other way around. if you’re curious, my personal belief is that we are currently in the 8th timeline.)
the model of our rolleiflex, K7F aurum, or 2.8f aurum, whichever you prefer to call it, comes out in 1983. cheng xiaoshi was likely born around 2000. well, it says 2000, but it’s unsure if that’s set in stone. which means that was 17 years prior to his birthday; his parents have well been alive at the release of this special camera.
you know what i think? i think it might be a gift, or a heirloom so to say. his parents — while we don’t know which one does more — are obviously working with photography, likely from a young age, just like him. likely bought the camera themselves, or got it gifted from someone close — either way, it ended up in time photo studio, or in cheng xiaoshi’s hands, likely stashed away. you don’t take a special edition camera out to shoot every day, do you?
well, that’s what i’m gathering anyway. it could be that cheng xiaoshi doesn’t even have such a camera — or OUR cheng xiaoshi doesn’t. it’s not explicitly shown in the donghua; like i said, either doesn’t exist yet or is hidden away somewhere. the only problem i find with it not being in cheng xiaoshi’s hands until the time comes; where does he get a rolleiflex aurum? a camera that often goes for around 4k, one that was made a good almost 40 years ago. it’s possible that the camera is meant as a simple metaphor, to represent something in the show… we don’t know what, yet, but this is just speculation.
i tend to end off my rants in a weird note, unable to think of how exactly to formulate that. i apologize in this case. thanks for reading; if you have any thoughts or any way to extend this, feel free to reblog, comment or go to my askbox. leaving the full art/posters at the end here in case anyone wants to look at them. again, if you have the clean version, please please please send it to me
(i think, a really interesting detail of this poster is that li tianchen’s on there. if you look close enough)
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Possessed by the Power of Thor
**hey guys! This story was requestioned by someone in my dms who prefers to remain anonymous. I still wanna give them a shout out for helping me refine the story and challenging me to try something new. I’ve never done anything with macro or giant growth before so here goes nothing! Hope you like it!**
Ronald Blake loved superheros. He absolutely adored them. That might not seem so unique at first, after all most nerdy teenagers love superheros. Hell with the movies and the popularization of what was once considered fringe, geeky culture, most people loved superheros. A lot of jocks liked superheros. But Ron was absolutely obsessed. His bedroom was a shrine to his favorite heros, with posters and shelves of memorabilia covering the walls. His meticulously cared for comic book collection took up 3 closets, and was only allowed to be read with gloves. Ron would spend every day in his room, reading and rereading comics, dissecting how they worked and the tropes they used. Ron’s favorite superhero was Thor, the joy of almost sharing a name with his original secret identity (yes Thor had a secret identity once, as Ron will happily tell you) having sparked a lifelong love of the character. Normally none of this would be a problem. Sure Ron was fairly obsessive, but a lot of people got that way about their hobbies. The issue was that Ron used comics as a way to avoid life. Ron was, to put it crudely, fat and shy. The 19 year old had been overweight as long as he could remember, and though he had plenty of online friends, could barely talk to other people in person. He spent almost every day holed up in his room, losing himself in the fantasy of his comic books to try and forget how depressed he was.
That's what made the fact that Ronald was outside today so surprising. Usually the only time Ron left his room was to see his mom or to go to a convention. But today Ron was after something special. He had found someone selling a perfect replica of Thor's hammer, Mjolnir. There were plenty of people selling replicas like that, but this one was incredibly cheap, high quality, and even came with a base that it would be stuck to unless someone used special gloves to remove it. It was literally perfect and so cheap that Ron couldn’t resist. Normally he’d be more suspicious but the sellae had great reviews, and the pictures of the replica were many and detailed. Still he had insisted on seeing it in person before buying it. Ron had expected to open the door to find a fellow out of shape geek excited to show off his latest work and get some money. What he found instead surprised him. The man towered over Ron, and looked more like he belonged in a gym than talking to someone like Ron. He grinned confidently and greeted Ron with an incredibly firm, manly handshake.
“You’re Ron right? Ronald Black?” He asked with a charming grin
“Uh, B-blake actually. R-ronald Blake.” Ron said, shaking off his shock. The jock in front of him grinned wide before continuing.
“Like Donald Blake from the earlier comics. I guess it’s fate that you’re buying the replica. I’m Clark, Clark Keen.” Clark said with a charming grin as he hesitates for Ron to come in
“Like Clark Kent. That’s a c-coincidence. T-though you look more like Superman than I do like Thor…” Ron said with a slight self deprecating chuckle. Clark didn’t seem to notice
“Thanks man! I spend a lot of my free time working out. Muscle helps a lot when you're making things out of metal.” Clark said with a grin as he led Ron to his backyard “Now, there is something I have to tell you about this replica. The reason I’m selling it for so cheap. It’s… flawed.” Clark admitted. Ron’s heart sank to his chest. “I would have told you online but by the time I realized I hadn’t included the mistake in the seller info you were already here. See, the guy who engraved the writing on Thor's hammer made a typo. A big one.” Clark said. Clark opened the door, and revealed the hammer.
It was an incredible replica. Detailed, made of quality, lightweight, but realistic looking materials. Despite its intricacies it still looked just as intimidating and strong as it was supposed to in the comics. Ron could swear he even felt an aura of power coming off of it.
But the inscription was… off. It was supposed to say the phrase ‘Whosoever holds this hammer, if he be worthy, shall possess the power of Thor.’ There had been some small changes to it throughout the years, like making the he into a she when Jane Foster became Thor for a while, but that was the original words, the iconic ones that had lasted through the years.
That wasn’t what the hammer said
It read ‘Whosoever holds this hammer, if he be worthy, shall BE POSSESSED BY the power of Thor.’
Ron was devastated. He thought he had finally found an amazing cheap replica of his favorite comic book weapon, only for it to have a huge flaw. Sure it was a simple typo, but memorabilia like this was all about the details. It would be the first thing all of his online friends noticed. Clark could see the heartbreak on Ron’s face and tried to soften the blow
“I know it’s a bummer, but it’s still quality work. You’ve come all this way, why don’t you at least hold it. See how it feels in your hands.” Clark suggested. Ron was skeptical… but he might as well give it a try. Maybe he could ask how Clark made it. He seemed like a nice enough guy. Ron went over to the hammer with a strange sense of trepidation. As he wrapped a hand around the handle of the replica and lifted it up, he felt… strangely accomplished. He knew it wasn’t actually Mjolnir, that being able to lift it didn’t actually mean he was worthy of anything, but he allowed himself to lose himself in the fantasy and feel proud. That was until a horrible shock surged down his arm, causing Ron’s arm to seize up. He groaned in pain, and tried to drop the large hammer, but was unable to let go. What was happening? He felt like he was being electrocuted. He looked over to Clark in a panic, only to see a satisfied grin on his face. Ron began to panic.
“W-what did you do? What is this!?” Ron asked in fear. Clark calmly walked over to Ron, grabbed his hand, and led the disoriented man out to his backyard as he explained.
“See Ron, you may not know it but you’re a very lucky person. You live in a world without supervillains. Sure, you have your own issues, but you aren’t terrorized by city destroying monsters in shitty masks. Not every reality is so lucky.” Clark said cryptically, before continuing “There are worlds out there, other realities, that need heros. I find these world heros. Or, if there aren’t any to find… I make them.” Clark explained. Ron felt another shock wrack his entire body, like electricity in his veins. He was so consumed by his pain that he barely noticed as he began to grow, shooting up in height until he was an inhuman 10 feet tall. His shoulders widened to span more than 3 feet between them. Simultaneously, his fat melted away and the space it had occupied and more was soon taken up by enormous bulging muscles. They each grew to inhuman proportions: biceps alone like watermelons, pecs so large and jutting out so much they were in size similar to pillows…very hard pillows, abs so defined there are no words and legs long and wide enough with muscle to make all the muscular proportions fit, even look handsome. His jaw sharpened as his hair grew longer. He didn’t look like himself anymore or any human for that matter. He looked too tall, strong, handsome…like a god. Suddenly Ron understood.
“You’re… you’re turning me into Thor?!” He asked in shock. Ron had fantasized about being a superhero before, especially being Thor, but the actual prospect of being Thor was overwhelming. He couldn’t be a superhero! Before he could further panic, Clark interrupted
“While, not exactly. See the world you’re going too is one where people can grow to incredible size. You’re not just going to be Thor. You’re gonna be the biggest version of Thor ever.” Clark said with a smirk. Ron wanted to panic, but he felt strangely… confident? Almost cocky even. Suddenly Ron felt another shock as he shot up even higher, becoming even taller and more muscular. He continued like this for a while, growing in increasingly large spurts. First he shot up to 20 feet, then 50, then 200. By the end of the growth he was, well…
…600 feet tall, with muscles as big as mountains. Even with his massive height he had the proportions of a bodybuilder. No, of a god. That’s what he was after all. A fucking god. Somewhere in all the shocks and growth spurts Ronald Blake had been lost, and Thor Odinson, the giant cocky god, was born. This version of Thor seemed to have quite the ego on him, even more than his regular version. He ran a hand through his long, thick blond hair, a smirk on his handsome face. He chuckled as he saw the SHIELD helicarrier fly nearby. Midguardians were so puny it was almost pitiful. Still, he was a merciful god and loved playing the role of superhero. A familiar voice broke his train of thought as an equally gigantic version of Superman appeared behind him, a large grin on his face.
“So, you ready to save the world?” Superman asked. Thor held his giant hammer tightly, a confident, charming grin on his face. Fuck yeah he was.
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Could Yingdu and/or S3 have some sort of commentary on authoritarianism, specifically via Vein?
It's been in my head for a while, but this scene made me really consider it:
"Once someone breaks the law, there's no room for sympathy."
It's Lu Guang who says it, but I don't think he really believes that. He says it in the heat of the moment, and my first assumption was it being an unconscious projection of the underlying sense of hopelessness and doubt he has towards his choices, due to how Vein's "this is your punishment for changing the past" has been haunting him(and, as many have pointed out, there's definitely parallels between him and Vivian). Or, since it's been established that he isn't the best at communication, he instinctively phrased it that harshly in a desperate attempt to get Cheng Xiaoshi to give it up.
Whatever the case, the theme is there, and we can tell that link click takes a stand against this sentiment by framing Vivian/Li Weiwei in a sympathetic light, especially once she redeems herself by making the objectively right choice of giving Cheng Xiaoshi a chance to escape.
However, the ringleader of the scamming operation kills her for this, for to him it was a betrayal, an act of rebellion, of disobedience. (Which can be felt to be unnecessarily tragic/unfair/kind of extra. Definitely the intended effect: he was going to be arrested anyways, it was just a last show of power. That's what an egoistic person would do. but link click does have an unfortunate track record lol)
Vein does the same thing in his PV to a few of his subordinates(for stealing data presumably. we could also see how terrified they were in the process, whether it was from being found out OR they did it because they could no longer handle being under Vein)
And, to everyone except Lu Guang at the photostudio. For breaking a 'law'(not changing the past), which for whatever reason, is under his jurisdiction, and thus means going against his authority. Which he takes very seriously (while this sets him apart from Vivian's boss, since he is framed to be maintaining a status quo of sorts, it IS also an excessive show of power)
"Once someone breaks the law, there's no room for sympathy." (Which, we've been shown, shouldn't be the case)
And, as Vivian put it: "If you want to get out, be in agreement(or, as in the bilibili translation: surrender), or die."
Conform,
Or die.
^the "CCTV" label in this image implies that it's from the pov of a surveillance camera, and along with what we see in the OP, the posters and Xia Fei's PV(kind of), brings in a "surveillance" aspect of his character. And if the "surveillance via Xia Fei's photographs" theory is true, it could really add to the (assumed) subtext, depending on how it's depicted
+also note the imagery of pigs in their pens
Going back to Vein's authority, whatever it is, remember this from S2?
If I had to guess, this is why Xiao Li was also targeted. However he ran the task force, maybe clashes with whatever Vein also does and he wouldn't stand for it. Either that, or he took offense at his absolute authority being threatened.
Or Xiao Li just happened to be in the way I guess :"
All that to say, I'm curious to see if they do actually go this route and play deeper into it, somehow
#i would further explain with his pv lyrics but i think the post i linked gets the general idea across#lmk if this made sense. or if it didn't#link click#yingdu#xiao weiying#vein#sgdlr posting#it's raining baos#baked by the rain
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My personal gripe in payneland fic is people writing Charles as only being attracted to Edwin and no other man ever, the whole “he was never into men but he was in love with Edwin” thing. It makes me so sad lmao, like if Edwin was a woman he’d be able to love him more, or like Charles loves him in spite of his gender.
I know for some people it’s probably very romantic—the idea that you could love someone even if they aren’t the gender you’re attracted to, but as a bi person in a queer relationship it makes me sad. I love my partner because of who they are, not in spite of it. I also think it’s a lot more common for people to be romantically and sexually repressed due to the culture they’re raised in than it is for them to genuinely only be attracted to one singular person of the same gender. And Charles is like, the aids crisis poster boy. That in and of itself opens him up for so much interesting interpretation.
I’m also a slut for repression and pining and slow burn and I guess I feel like a lot of fics totally bypass some of my favorite tropes just to get to them being together. No hate to anyone who writes fic like that I just would love to see some more of Charles coming to terms with his sexuality.
Also also, I think there’s so much room to expand on their relationship prior to the start of the show. Even room to explore Charles’ character before he died. I really love the idea that Charles may have initially felt something (though he didn’t fully comprehend what it was) toward Edwin but realized very quickly that Edwin was guarded and shied away from conversations about romance and intimacy, so he dropped it—no need to address his emotions if there’s no chance in hell there would ever be any reason to express them. But then there’s Portownsend, and something tightens in Charles’ chest every time he thinks about the Cat King, and at first Charles thinks it’s just that he doesn’t like the smarmy prick, but it happens again with Monty, who’s a little rude to him but doesn’t seem DANGEROUS. And then there’s the staircase, and maybe Charles isn’t in capitol L love with Edwin, but he’s in SOMETHING with him, and maybe he does need to think a little bit more about that time he kissed a boy playing spin the bottle at a party and it made his stomach flip. Maybe he needs to consider why he liked the movie Labyrinth so much, even though he as a little too old for it when it came out. Maybe he needs to confront the fact that he’s always reaching for Edwin, that he wants to hug him or hold his hands or slide an arm across his shoulders.
I’m not sure how to end this I just think it would be cool to see more of that. Shout-out bisexual people.
.
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Tbh clone wars has some really "wow they went THERE" moments when it comes to sex stuff.
There are several moments where the show just shows literal sexual harassment or asult and just... brushes it off, Padme, Ahsoka, even Anakin are victim to this (unwanted kisses being the most common, but If I remember correctly some death watch guy smacks Ahsoka on the butt once)
Also Ahsoka gets almost sex trafficked(???) A few times. Like what was the implication soposed to be with the Zygerrian arc, or when Hondo tries to sell her?
At least with Hondo we can assume he mightve just been trying to sell her to the separatists but also... dude wtf?
There's also several instances where the clone wars show tweets woman in a... yikes way, some just seems fairly realistic for a war (the Ryloth dancers, the clones having pin up posters, a few comments here and there)
Idk where I'm going with this but long story short: I agree with you on that clone wars arc, Anakin felt so out of charecter and I almost always hate jealous boyfriend arcs becuase they're so often ooc and kinda sexist???
Oh, agreed, they really did. I think partially a lot of that has to do with the fact it was done in an era where...that sort of stuff was way more common in shows, lol
With the Death Watch thing, it was Bo-Katan who smacked Ahsoka's butt. And after she said she was engaged to Lux, not less. It's funny if you try to not think too hard about it 😭 I guess is more acceptable if isn't a guy the one doign it,,,,in Cartoon Network standards, i suppose.
Also yeah, I have a strong distaste with Ahsoka's treatement during the Zigerrian arc, like truly awful, and truly a bad look on Anakin, Obi-Wan, and anyone who agreed with it (and it doesn't help that Anakin's actitude was so...cocky, sure, dude, whatever). The Zigarrian arc is such a weird case because in one hand I'm all for inflicting more trauma and whump onto Anakin,,,,on the other, his actitude and total disregard of Ahsoka's safety is extremely frustrating (you could argue neither Obi-Wan nor Anakin really expected the plan to go wrong in any way, still very bad, not good guys). Then again, if I recall, the plan wasn't quite their idea at all, and in the comics Anakin is way less confident about it, and Ahsoka was the one insisting in going, but yeah, yeah, just another case of weird writting wiwth mixed results.
But yeah, it was the episode with Hondo capturing her that reeaaaally made me go "was that necessary", it can be very messed up, and is true that it's barely aknowledged. I suppose the difference with the Clovis arc, is that in that episode they do make more clear that it's wrong, they just don't allow Padmé to have any agency about it, it was just used to make Anakin jealous.
Overall: I think I have said it before, but TCW main problem is that it tackles stuff on a very surface level due being short-episodes, with one-time plots, and being a kids show. So the characters aren't allowed to react too much about their messed up circumstances. Almost everything is always reseted after an arc ends. Anakin isn't allowed have moments of reflection or to show how things can be affecting him on a deeper level. And the same can be argued with other characters.
Sadly all those instances with Ahsoka are treated like jokes. And all the very unsubtle implications of Anakin being assaulted in the Zigerrian arc isn't dealt with beyond having Anakin consider whatever slavist nonsense the queen tells him. While other things, just like you said with the dancers, does make the world seem a bit bigger and more deep, as messed up as it can be.
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[Analysis] Richette (Richter&Annette)
Sometimes a ship can sneak up on you unexpectedly and it ultimately ends up consuming you. That's exactly what happened to me with Richette (RichterxAnnette) from Castlevania: Nocturne. After pondering for a couple of weeks, I've decided to do an analysis of their relationship because not only do I enjoy them as characters individually, but there's so much nuance and complexity to their relationship and so much to discuss. So without further ado:
First of all, I need to talk about these two gorgeous character posters (pictured above) of Richter and Annette. Color theory time!
On Richter's poster, he's all serious, stern, and means business. The color blue is heavily utilized and in color theory blue is considered a cool color. The color blue typically has the following meanings: calmness, honesty, trust, stability, and responsibility. Furthermore, the color blue is also usually associated with the sea, trust, the sky, stability, tranquility, and depth.
Interestingly enough, Annette's poster is sort of the opposite of Richter's she's coquettish and looks slightly playful. The color yellow is greatly emphasized and in color theory yellow is considered a warm color. The color yellow typically has the following meanings: happiness, creativity, mental stimulation, impatience, and cowardice. Furthermore, the color yellow is also usually associated with energy, sunshine, brightness, cheerfulness, and joy.
Episode 1
Richter first meets Annette after she saves him from a Night Creature while he is suffering from his PTSD (childhood trauma witnessing his mother's horrific demise by Olrox). I love Annette's soft smile towards Richter.
Richter is impressed/amazed by Annette's magical abilities.
Annette not only demonstrates her magical abilities but she also showcases that she's knowledgeable about Night Creatures and the Vampire Messiah. Initially, Richter's hurling many questions at her and he's frustrated until she answers them. Richter becomes a little sheepish when it's revealed that Annette and Edouard are looking for "someone called Belmont" and he's the Belmont in question.
Episode 2
Richter's definitely intrigued by Annette as Edouard and Annette are discussing her lineage. Richter plays up his confidence and contentment with how he's perfectly fine with his knives and his family heirloom the Vampire Killer whip to kill vampires. But the mood changes once he brings up magic and his mother due to his childhood trauma.
Annette: Where's your mother?
Richter: She died. Some vampires do magic too.
As we will learn later, Richter's and Annette's respective mothers being killed by a vampire is something that they have in common. You can see the sympathy displayed in Annette's eyes.
When Edouard was being overtaken by the vampires and Night Creatures. Annette was distracted and frozen with despair, but she needed to regain her focus to finish creating the bridge for them to escape so that they could live to fight another day.
This is an all too familiar scene for Richter the grief, pain, and loss of a loved one. The heavy pouring rain adds to this somber moment.
Episode 3
The next day Richter comforts Annette stating that their only option was to retreat. They were surrounded and it wasn't her fault regarding what happened to Edouard. However, Annette feels like she abandoned him and that he wouldn't have abandoned her. Edouard was like family to her and all that she had left after her mother died.
Richter: I know what it's like to watch your mother die. I fled...but I guess you couldn't do that.
Here comes the nuance Richter acknowledges the similarities between Annette and him losing their mothers. However, he also realizes that he was able to flee get on a ship, and travel to a whole different country across the ocean putting distance between him and the vampire that haunted him. But Annette couldn't do that she was stuck on the island of Saint-Domingue having to pretty much almost every day confront her nightmare.
Annette as she's recounting the slave uprising in Saint-Domingue we get this commentary:
Richter: It sounds like an epic battle.
Annette: Freedom was sweeter than the sugar we harvested.
There's also this parallel last episode when Richter mentioned some vampires can do magic. This episode during the flashback:
Annette: Vaublanc changed into a bat. What other magic can they do?
Annette: He was so brave, so committed to our freedom.
Richter: We'll avenge him. I swear.
Their resolve to take down the vampires and the Vampire Messiah is even further strengthened.
During Annette's rousing speech in the town's square, Richter is mesmerized and captivated. He's actually listening and paying attention hanging on to her every word. He even cracks a smile.
This is a stark contrast to earlier in the season when during one of Maria's revolutionary gatherings he admitted he wasn't really listening and was basically nonchalant about the whole ordeal.
Episode 4
Annette's still shaken up from witnessing Edouard as a Night Creature in the last episode. I must say Richter's quite chivalrous towards Annette in this scene. He's checking up on her asking if she's all right. He also lays out the facts and reality of the situation as harsh and grim as it might be.
He stresses that they need a plan because he doesn't want a repeat of what happened at the chateau. However, Annette's impatience and impulsiveness are getting the best of her.
Annette: The Abbey's made of stone. I can bury them in their own church, bring it crashing down around their heads.
Richter: A proper plan, not walk in, make a few snap decisions about who deserves to live or die, and then turn everything to rubble.
The conversation takes a turn towards cowardice and being afraid.
Richter: I've only been afraid once in all my life, and I was 10.
Annette: You know what it's like to watch your mother die, you said. She was killed by a vampire, wasn't she?
Annette connects the dots and here's some more nuance. People are shaped by their upbringing and the type of environment that they grew up in. Annette states that Richter and Maria are not cowards it's more so that they are just children with no experience of the world, no experience of the hard choices that adults have to make.
There's great teamwork demonstrated here as Richter protects Annette while she's doing her incantation.
When Richter comes face to face with his nightmare (Olrox) years later he reverts into his scared 10-year-old self and flees. Annette's shocked, disappointed, and furious at how he just abandoned their plight.
Richter Belmont is the person that her mentor Cecile told her to seek out and that would be able to aid her in accomplishing her mission. Even though he couldn't use magic anymore, she said that they'd make do, but now he ghosts them this definitely does not go over well.
However, Annette will later come to understand his perspective and situation even though as of right now she comes across as insensitive towards him.
Episode 5
This episode showcases the aftermath of Richter's actions towards the end of the last episode. Annette can't sit still and wants to free Edouard from his chains instead of regrouping and waiting for Richter to return.
Tera tries to make Annette understand Richter's behavior and actions. Olrox is the vampire who killed his mother after all and the nightmare that still haunts him.
Annette: We all have nightmares. If I'd let my past terrify me, I'd never be free of it.
As I mentioned earlier, Annette, unlike Richter, has come face-to-face with her nightmare(which also includes slavery) just about every single day on the island. Richter hasn't physically confronted Olrox in almost a decade. Annette's able to face her nightmare(Vaublanc) head-on she isn't afraid of him anymore. We witness this later in the episode when she confronts him. She doesn't allow Vaublanc to get under her skin or break her. She conquers and defeats him.
Richter as of right now, doesn't have much fight left in him, but he'll eventually regain his resolve and turn things around.
Episode 6
Juste and Richter share many parallels they both experience a blockage to their magic after witnessing the traumatic loss of their loved one(s) due to a vampire before their eyes. They both blame themselves for it as well. Juste has such a defeatist attitude, and Richter could've ended up similar to Juste if he wasn't able to work through his blockage.
Annette calls upon her mentor Cecile for guidance. She expresses how Richter ran away but Cecile reminds her that everyone starts by running away. Annette ran away too at first but she eventually got to a point where she didn't cower in front of her tormentor, it's not something that's going to happen overnight it takes time. Cecile also advises Annette to learn to hear her ancestors. There's light in the darkness.
At his lowest point, before Richter regained his magical powers he thought of the people who he loved and wanted to protect. Annette was included alongside Tera and Maria. Now, not only has his magic returned but so has his resolve.
Episode 7
Richter has finally returned after being m.i.a for a few days and he has to clear the air between Annette and himself.
Immediately without wasting any time or putting it off, Richter goes to speak to Annette. He is nervous as hell and bracing for a storm, so he was surprised when Annette said that she knew he'd be back and that she was more concerned than she wanted to be.
Richter's like oh, really? And starts joking, "The muscles, huh?" The tension in the air diffuses between them and blushing ensues. Annette talking to her mentor really helped her ease up; she's not being driven by anger, and it's reflected in this moment between Richter and her. They've come to understand one another.
Richter reaffirms that they're going to get Edouard out of his cell. He shows Annette that his magic abilities have returned. Richter talks about remembering what makes him who he is and the type of person he wants to be...a Belmont. Living up to the legacy of his family's last name was also something that he was grappling with during the season as well.
When Richter mentioned the love in this house it stood out and resonated with Annette. Annette is overall dazzled by Richter during his speech it's adorable.
Richter: I won't let myself be afraid ever again.
Annette: But we are afraid. It's not always bad. It just means we have something to lose.
Being afraid and fear are natural human emotions but the reasons behind why we are afraid can differ. We can be afraid because we have something or someone that we want to protect and not lose.
The current atmosphere and mood are romantic during this moment. Richter and Annette are staring deeply at each other. Richter also sneaks glances at Annette when she breaks eye contact with him.
Can you feel the love?
Later on, they're calm, cool, and collected putting together a plan of action this time around. This is an improvement from Episode 4 where they also needed to formulate a plan of action.
Episode 8
Annette: Don't burn the place to the ground.
Richter: Good point. And try not to reduce it to rubble.
Would you look at that? Some fun light banter before a big battle. Their lines are also a callback to earlier episodes in the season. Remember in Episode 2 Annette talked about burning the chateau to the ground. Also in Episode 4, Richter said the turn everything into rubble line. The difference here is in the context, tone, and delivery.
You can really see the growth and development even further by this stage in their relationship.
Richter: We had no choice. Did we?
This scene is so heart-wrenching. Richter's tone and delivery of the line and his glance over to Annette for reassurance. Tera is now going to be a vampire. Our heroes just can't quite catch a break can they this season?
Congratulations! You've made it to the end. Even though this took many days to put together I had fun creating this. I may have missed a few things, but I feel like I touched on the main elements.
Thanks for taking the time to read my analysis.
#richette#annette x richter#richter x annette#shipping analysis#i'm excited to see how their relationship will develop in the future#there's so much potential#slow burn romance#relationship analysis#long post
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Just a random post written after a sleepless night. Decided to collect a few thoughts and translate them into a single post for the future, as I'm wondering if the detail from the opening turns out to be what it seems. Mind you, this is all speculation and I'm just having fun.
Spoilers!
About Cheng Xiaoshi … Again. I'm still not convinced that the forest is a literal location. So far, this may be the actual location of the scene, but also a metaphor, similar to the foxes in the forest in the story of the twins.
Considering the theory where Cheng Xiaoshi is dead (or wounded) in some variation of events, although the injury visually seems to be at the same place as Lu Guang's wound, in my opinion, the circumstances were different.
It's still hard for me to guess how time goes by (I still have the idea in my head, given the characters' intros, that s1 and s2 are one long flashback). But whether it's a flashback that has already happened in some of the realities, or further events, in my opinion, the tragedy with Cheng Xiaoshi is connected with a gun. The presence of such a weapon seems to be a critical moment, it's kind of too obvious. 1. OP
Simple and clean. The gun will literally be one of the key items in the further plot, just like the star fox, as of yet unknown diary and 2 photos.
2. Qiao Ling's poster Qiao Ling's shadow (on the poster for s2) is one of the twins. If you look closely, there is a pistol in the right hand.
I'm not too sure which of the twins this is, as we have several diametrically opposed theories... and one of them is body-switching. For myself, I temporarily stopped with the thought that Xiao Hong from s1 is Li Tianchen himself (at least his body), and he is going to be the shooter from the future events. *There is still a room here if there are two time/reality lines, and a shot in "the past" may not match a shot in "the present". There is not enough information about the setting and facts. It could still be a metaphor for the destruction of time or something.
3. Qian Jin's profile As additional suspicious information, we know from Qian Jin's intro that he was an extremely skilled police officer, his profile information also specifically highlights his shooting skills. It seems that now he has ceased to act directly and relies on his people, but why was it necessary to highlight these words (用枪械)? I'll keep that in mind for the future.
So. Regardless of who else was involved in this situation, why do I think the one who was shot is Cheng Xiaoshi? Well, back to the Vortex (literally). When Cheng Xiaoshi (s1 design) enters the red space where two photos and a phone flicker, at the very last moment Cheng Xiaoshi flips over in a small flash of light. I think, with such a sharp penetrating gold line, the subsequent blue splashes, like blood, it is really a shot and a bullet passing through.
I think this is a very possible scenario due to such visual elements. The real question is when, in time and chronology, events occur. Maybe someone can get some new thoughts and insights from this~ Can't wait to see what really happened!
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Random Thoughts I Had While Rewatching Descendants 1
So I'm guessing Auradon is the size of Eurasia? Cause Europe seems too small, and most of the stories take place in Europe.
Are there Isle guards? I'm guessing because how else do the posters of Beast get put on the Isle?
Beast's crown looks so fake
So is that Ben's dorm room? Or is that his castle room? Is he a day student? (Which, considering he's becoming High King would be smart) I'm curious now
How many outdoor string lights do people in Auradon throw out?
HOW DOES THE ISLE HAVE ELECTRICITY? Are there villains dedicated to keeping it running? Actually, that would be hilarious, especially if that means people don't mess with them. OR they do mess with them and there are just frequent power outages. More likely, now that I think about it.
CAN WE PLEASE TALK ABOUT MALEFICENT'S LETTER MAGNETS! Ha, what if Hades left them there and she just never threw them out? He seems more like the one to have letter magnets.
I don't care about the book timeline, the villains and core four all seem a lot more familiar with each other than just a few weeks or days or whatever. I'm saying its been months at least since the core four became a gang. If not a year.
I know its a Dcom, but I kinda wish that the villains weren't treated as comedy relief. Like, its implied that the kids aren't loved, that they are scared of their parents, but the way the parents are written... excluding the end with Maleficent, they don't seem that scary and all.
Seriously, there must be royal guards, right?
Really wish we had gotten to see the limo driver again.
Have to admit, I really like Ben's darker suit jacket. But why, why the yellow pants.
Ugh, I love Mal's D1 hair.
So... where are the magical people. "Most of us are ordinary royals." Yes, but, but, there is a lot of magic is Disney movies. Where have the magical people GONE. This is concerning.
Auradon Prep is FILLED with royal children, including the soon-to-be High King. The museum is filled with priceless magical artifacts. WHERE IS THE SECURITY. WHERE ARE THE GUARDS.
The beginning of Evil Like Me makes me want to hug Mal.
Are there NO SECURITY CAMERAS?? No other alarms??
WHY ARE THEY HAVING REMEDIAL GOODNESS OUT IN THE OPEN. That should be a PRIVATE class.
Ben, how did you not notice Carlos screaming?
How I wish they would have kept Evie's wavy/curly hair
I really wish there had been more Mal-Jay moments
They were in a public area. How did no one notice what was going on with Ben? DOUG WAS RIGHT BEHIND THEM
You know, none of Ben's classmates seem surprised by his love declaration. Or surprised by the "break up" with Audrey. Hmmm.
You cannot convince me that Ben didn't purposefully tell his parents about Mal right then JUST so he could have a picture of their reaction.
Baby Bal is so cute DX
Honestly, the Family Day fiasco was Audrey and Chad's fault KING BEAST
"No son, its yours." EXCUSE ME SIR
I wonder how much magical strength one must have in order to wield Fairy Godmother's wand. And I feel bad that Jane couldn't.
"I want to go to school. And be with Ben. Because Ben makes me really happy." Don't mind me just crying.
This whole scene makes me cry DX
"Gaston should be jealous." Ew. No. Stop. Creepy.
So whatever happened with the Jay/Audrey thing? I CANNOT be the only one who remembers the shipping days for them.
Other thoughts:
Nostalgia hits hard every time
I miss the D1 clothes! D2 and D3 felt more "costumey" if that makes sense. D1 feels more like... teenagers. And, at least for the Isle outfits, more thrown together. Not as polished, in a way.
I have to admit, kinda wish there was more Aladdin related stuff in the movie. You have Audrey and Mal, Evie and Doug, and Carlos and Dude, but no Aladdin-related characters for Jay? Sure, Aziz is mentioned in the books, and Jordan is in Wicked World, but still. Oh well.
#descendants#disney descendants#I was hoping this would help me for the next Fate's Gift chapter#kinda did
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so like… after i made my smashiversary poster i was itching to do another one but with the ultimate dlc characters. i always thought it was cool how there are approximately (depending on who you ask) the same amount of characters in the fighters pass as there are original fighters in the first smash. its like the new vs the old, and making a complimentary piece to the one i made with the OGs sounded appealing to me
i guess this could be considered a late ultimate anniversary piece? cuz no way am i waiting until december to launch this. i queued it up for the 29th since i wanted it to be posted after my smashiversary poster went live (on the 21st) and also because i think this day is when piranha plant was added officially as dlc! :) (that was the closest significant day i could find on a brief skim through the ultimate wiki page at the time of drawing). this was originally completed 1/13/23.
anyway, everyone in this roster is so detailed and i failed to consider that ToT also had the vision to make it very blue, but shading with blue was a lot harder than i thought! so the colors are a bit murkier than intended. but fuck it we ball……
#mayor doidles#fanart#super smash bros#smash bros#super smash bros ultimate#smash ultimate#smash#joker persona 5#ren amamiya#morgana#piranha plant#banjo and kazooie#byleth eisner#terry bogard#pyra xenoblade#mythra xenoblade#sephiroth#min min#minecraft steve#kh sora#kazuya mishima#dq hero#[how do i tag him??]#digital art#cell shaded
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Do you have hcs on which rogues would get tattoos + would like tattoos on a parnter?
"Tattoos" Rogue Party x Reader
We're gonna go short and sweet with this one! I'll go into detail where it's needed, etc etc.
important side note that everyone on the list would be respectful of tattoos that are tied to specific cultural practices such as Tāmoko- no matter what their feelings are about tats in general.
TW: None
Riddler
Wouldn't get a tattoo because A) he feels fairly neutral about body art and B) he'd be struck within intense indecision if he tried to get one.
Doesn't care either way about tattoos on a partner, really. The ones he would really marvel at would be geometric or bio-mechanical styles. And if you were to get a green question mark somewhere on your body, he certainly wouldn't complain...
Penguin
Wouldn't get a tattoo because it doesn't suit him, in his mind. If he had anything it would be from his juvvie days when he was more young and impulsive.
He'd vastly appreciate fine-line work or a particularly intricate design. Something else about you that's beautiful. Pulls you in and... he can lay a kiss on it.
Mad Hatter
No. Just. No.
He wouldn't dislike tattoos on a partner, but it's not his ideal. Considering there's a fair chance an s/o began as an Alice or general fantasy... well. No one's perfect, are they? If it was florals or an alice themed tattoo however... it could be a sign. Don't try making sense of his logic, you'll hurt your head.
Scarecrow
Got one when he was young. Stick and poke that the ink drained out of and now it's just a scar of crow wings on his left back shoulder. A buddy did it, Jonathan doesn't even remember the man's name.
He would really like the tattoo(s) in question if it was horror related or something to his interests. Tracing the design with his fingers during intimate moments.
Music Meister
In the nicest way someone can possibly say this, no, he's too much of a weenie. Plus, he thinks about the fact that if he ever performed a specific character on stage, he'd have to constantly cover it up and that annoys him.
Normally doesn't care a lot. If it's a theater or musical based tattoo like lyrics or elements from a poster- He'll be almost drooling over it.
Victor Zsasz
Would get tattoos. Has tattoos that he's marked over with cuts.
Would like tattoos on a partner.
Would get weird about it if you let him.
Killer Croc
Likes them, physically cannot have them. Tried once. Broke three needles before the tattooist gave up. Which... he really can't blame them on that one.
He thinks they're kind of sexy, actually. Bad-ass, you know? Especially if it's in a place that's known to be painful? Woo, sha, he knew you were tough for him.
Harley Quinn
Yes. I don't know if my Harley would have tattoos yet, but she'd be absolutely down for getting them. They'd definitely need to be color, though. She'd probably really like new school with the cute, exaggerated features.
Tell her all about them! Each one has a story, right? It's all fascinating and more she can learn about one of her favorite people.
Poison Ivy
Only if it was something "tasteful" in her mind. Elegant with perfect body placement. That's where she's at mentally. Physically... Her body will reject all ink if it's not strictly vegan and plant-based. Plus there's the fact that her skin has a green hue. It vastly limits her options and she might just give up on the idea.
If she saw a lace design or a realistic plant/flower on a partner... heart eyes, baby. She wouldn't admit to being impressed by it outright, but you'd know from the way her touch would linger there.
Two-Face
Harv would be down, Harvey would say no. He's not against tattoos themselves or anything, but he was incredibly straight-edge most of his life and that's an aspect from his past that remained. Unprofessional.
Thinks it's neat if his s/o has a tat that's either a blend of styles or deals specifically with the theme of duality. No one would ever have guessed that, I know. Otherwise, it's art on your body. Want Harv to put you in a frame for all to see? He smirks.
Black Mask
No, because of the expectations put upon him from a young age. CEO material. Can't have that. The incredible irony is in some way he still thinks of tattoos as something criminals and convicts have.
That doesn't apply to you, though, because you're his and that makes you special and different. He'd put some bank aside if you wanted another, even. Fancy appointment with the artist of your choice and everything.
Mr. Freeze
Deeply appreciative of tattoos given that his deceased wife, Nora, was an anthropologist who sometimes dabbled in the historical and cultural context of body modification and expression. He doesn't have any himself, however. However, he's read and re-read several of the textbooks she left behind on the subject. He can tell you all about it.
It might seem strange to a partner that he's sharing this interest via the lens of Nora. Understand that he loves you deeply and this is him sharing something Important to him with you. His love for Nora was so much. He insists you would have loved her, too.
Ra's al-Ghul
He does not have tattoos nor would he get them. He may have had real tribal tattoos long ago, but the strange effects of the Lazarus pit long wore them out of his skin.
Boring in that he tends to dislike non-traditional, non-cultural tattoos. Vibrant, pop in your face styles? No, thank you. He wouldn't say anything to a partner or even any particular person because that's rude. But you can tell by small side comments he'll make. The truth is, he would eventually get over himself if a partner had them. He loves you as a person, more than anything else.
Bane
Grew up in a prison, tattoos themselves are part of his culture. It was strange to him when he got out and realized there's a lot of people with no tattoos at all. Meanwhile, he had a full sleeve by the time he was 25. Debatable on the quality for some of it. Some of his older tats you can tell they were done in prison. Has some really gorgeous work on his back, though.
He would actually pay for an s/o to get a tattoo. If they wanted it! It's an art form that expresses a piece of themselves along their bodies. It's beautiful.
#rogues party#riddler#penguin#bane#mad hatter dc#scarecrow dc#music meister#victor zsasz#killer croc#harley quinn#poison ivy dc#two-face#black mask#mr. freeze#ra's al ghul#foxwriting
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15-Day BL Challenge in 1 Night!
I'm more of a lurker than a poster but Tumblr's my fave place to wallow in BLness. My 2nd favorite place is the spreadsheet where I track the shows I've watched (172 completed in just over a year), so @negrowhat 's challenge was irresistible. I'm gonna cram my answers in one post. Here goes!
Fave OG Actor Pairing: Some of the ones I think of as OG are only like 4 years old, so this was tough. And the 18 shows that have gotten my top score aren't very old. But I went through those 18 and picked the oldest, and it was the 2018 Korean microfilm Some More. Because it's so short it's super rewatchable, but even if I wasn't able to watch the whole thing a half dozen times (which I have), I'd still have gone back & watched the sweet moments and sex scene about 25 times (which I have). So I guess my fave OG actor pairing is Park Chan Ung and Kim Joon Bum! How they got me so deeply invested in their love in mere minutes is beyond me, but they did!
Fave Rookie Actor Pairing: Does Japan do the CP thing that Thailand does? I don't think so, but one couple I wish had about a dozen more BL series together lined up are Kouhei Higuchi and Atsuki Mashiko of My Personal Weatherman! Their chemistry was visceral and they're too pretty to be believed.
Side Dish That Should've Been the Main Course: While I enjoyed the main pairing a lot, they were nothing compared to the crazy rollercoaster side plot (how'd it go from so funny to SO dark to so sexy to so sweet and wholesome like that??) of Vegas/Pete from KinnPorsche!
Fave Ship Dynamic: Obvs from answers 2 & 3 I am not against D/s ships at ALL. Also a sucker for tough-but-submissive-bodyguard with mafia-brat-prince. Honestly I like tons of different dynamics from innocent to toxic, but one that gives me major butterflies is a guy who thinks he's straight but when confronted with the idea of liking another guy, doesn't have a macho freakout or run away, just kind of straightforwardly & sincerely searches his feelings until he figures it out. And then takes care of his baby. Why's that so HOT and sweet? Some of my fave examples: Pete/Ae in Love By Chance, Le Jian/Amber from DNA Says Love You, and Ida/Aoki from My Love Mix-Up!
Biggest Flop: This is expectations vs. execution, right? There's loads of shows I've abandoned, some I've stuck with for no good reason, etc., that are way worse than what I consider my personal biggest let-down. I was so enamored of Perth from LBC that I assumed he could do no wrong, and the bully-to-lover, rich/poor pairings often do it for me. So I guess I just assumed Dangerous Romance would be amazing, and it was REALLY good for a couple episodes. It wasn't the worst thing I ever saw, but so much of it just ... felt ... flat. Very surprising.
Fave Line From Your Fave Series: Well I know my fave series--Cherry Magic Thailand was the most perfect, entrancing, heartwarming series EVER, OMG, it was staggeringly good and stuck the landing in a way few shows have managed. I can't really think of one standout line--the script was so on point & there were HUNDREDS of sweet tingly moments. There were some epic ones in ep11 tho: When Achi says "The voice inside your head is so loud" and Karan (the boldest he's ever been) replies "Don't worry; soon you won't be able to read my mind anymore." (But then clearly uses that power one more time to gain the sweetest nonverbal consent EVER.) Then, Karan: "Do you regret losing your power?" Achi: "I'd regret not loving you." (OMG how I squealed.)
Fave Villain: This was so tough. An over-the-top villain I loved to hate (and an actor I loved from his sweetie-pie green-flag role in SCOY) was obvs Heng Asavarid as Chalothon in The Sign. But an actor who was so excellent at being loathsome and malicious toward the main couple, with just enough of a redemption arc that I didn't totally despise the character by the end (but did hate most of the way through): Park Hae In as Eun Ji (Jae Won's ex) in The Eighth Sense. It was a typical "faen fatale" role but so well done. So a tie between 2 totally different takes on the destructive ex.
The Trope You Hate Except When It's "This Series": OK, "hate" is a strong word for how I feel about the drop-of-rain-makes-you-ill so love-interest-takes-care-of-you trope. It's OK. But holy SHIT is it overused. Holy shit. I sigh resignedly when I realize we're going there. EXCEPT. When P'Phayu goes to visit Rain in Love in the Air when he's sick, and his version of caregiving? Forcibly applying medicine in the form of a rectal suppository. It is so funny, weirdly sexy, very in line with their dynamic (doesn't get in the way of their romance moments later at all), & it shoves a big middle finger up the overoveroverused sick-bed trope.
Most Visually Pleasing Love Scene: Okay, THE scene in The Sign is the clear winner in my & many people's books. But there are so many runners-up: the post-race one in Love in the Air. Just about every one in Pit Babe (both couples) & My Personal Weatherman. (A lot of other faves don't quite qualify as visually or emotionally pleasing--lustfully pleasing should be a 3rd category in this challenge!)
Most Emotionally Pleasing Love Scene: Again, I have a clear winner: Cherry Magic Thailand. So full of emotion, so well deserved, so everything. Sigh. But lots of runners-up: same scene in The Sign, both kissing scenes in DNA Says Love You (tame but soo emotionally satisfying), Ray & Sand's camper reunion in Only Friends, the post-prison love scenes for both couples in Kiseki: Dear to Me, the 1st time in I Feel You Linger in the Air ...
Breakup That Should've Stayed Broken Up: Maybe it's because I try to be choosy in what I watch all the way thru or maybe I'm a big softy who tends to root for every couple no matter how lame. In all my completed shows, I could only think of 2 breakups where I wasn't at all invested in them getting back together (and maybe against it): Tian/Poon, What Zabb Man and Top/Mew, Only Friends.
Wedding You Wish You Had an Invite To: If we're talking weddings that actually appeared in the show, Achi and Karan's in Cherry Magic Thailand, obvs! If it's hypothetical weddings, I'd be desperate to go to one of ANY of the characters in Playboyy! I'd wear a bulletproof vest & bring my own flask of booze, but it would be the trashy chaos-filled social event of a lifetime.
Give 5 Good Boys a Gold Star: Just 5? OK, some I haven't mentioned yet. 1. Shin Woo, Light on Me, 2. Palm, Never Let Me Go, 3. Mohk, Last Twilight, 4. Thun, He's Coming to Me, 5. Neua, Secret Crush on You. Best boys!
The Top 5 Most Sad Boys: I'll limit it to ones where the suffering was kinda pretty, not just painful. 1. Way, Pit Babe, 2. Akk, The Eclipse, 3. Kaipa/Gaipa, Moonlight Chicken, 4. Hae Bom, Cherry Blossoms After Winter, 5. Kiyoi, My Beautiful Man
Bestest Besties: Just one? Gah! Fine, Pearl & Gavreel in Gameboys. She got those boys together in quarantine!
#BLChallenge2k24#cherry magic thailand#gameboys#until we meet again#secret crush on you#light on me#he's coming to me#pit babe#the eclipse#my beautiful man#cherry blossoms after winter#playboyy the series#love by chance#strongberry#the sign the series#only friends the series#the eighth sense#dna says love you#my personal weatherman#my love mix up#love in the air#kiseki dear to me
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I got these two little comments on this post about Colette HC's and its honestly a wonderful question for world building. I have an answer to both of them, but I felt like it would be better to explain it in a post rather than just in the comments.
This is gonna be a long post.
We know that there's an in-universe fanbase for Starr Park in Brawl Stars. Colette is the most obvious example for this, but other brawlers reference social media, Brawl Stars, and their popularity itself. Emz, Chester, and Melodie all come to mind, but I'm sure there are many others.
My general Headcanon (the one I talk about most often and isn't tied to any specific story) is that 'Brawl Stars' is like a fighting tournament held by Starr Park where exceptional and powerful people called 'Brawlers' can fight each other in wacky and crazy scenarios of fame, fortune, and glory. All of the characters are real and not just actors playing a bit, so I guess that this would probably be considered an RPF or a Real Person Fandom in-universe. I will admit though that I'm not in any RPF's myself so I'm a bit unsure of certain terminologies or any specific details of those fandoms.
Now for the brawlers themselves, there are two main ways that a person can become a brawler. Its either 1.) a staff member of Starr Park is proven to be exceptional/powerful enough to 'get promoted' and make the cut or 2.) an already famous person signs a contract to work at Starr Park. There are more but those are the most important. People like Shelly, Fang, and Larry & Lawrie fall into the first category, meanwhile people like El Primo, Lola, and Melodie fall into the latter.
As for brawlers getting merchandise, I think that everyone gets some merch made of them. They made it into the big leagues of Brawl Stars so theres got to be some fans for them to please. The big names and celebrities would obviously have merch made of them, but even the Brawlers who in-universe wouldn't be too famous still have stuff made of them,
Example: Super Fan Emz and Sugar Rush Sandy
I'll argue that Rosa and Carl would NOT be at the same level of Fandom love and appreciation as Poco or El Primo.
I think merchandise with a specific brawler in mind depends on 1.) how popular/forward facing they are to the fandom, and 2.) how many jokes/puns the company can fit into their merch. So someone like Sam has some 'Uncle Sam' posters displayed in the Basket Brawl arena despite being more like a body guard to Belle, while Grom (who I'd argue would hit the same fans in the in-universe fandom as Sam) doesnt seem to have any merch about him yet.
I do like to think that the Gift Shop Trio does have their own set of merch that we just dont see. Everyone loves the crazy girl and the emo boy in fandoms, and that just fits Colette and Edgar to a T. Even Griff could be kinda popular since his unique head shape is something that you can play around with a lot.
But regardless of a brawlers popularity, I like to think that they all at least have a figurine and/or plushie made of them and any extra merch they have just depends on how well received they are as a Brawler.
I hope this explained everything and all. Feel free to ask any questions if somethings confusing, this was a bit of a ramble hehe.
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