#I guess that's a good thing

[laurasimonsdaughter]

is there any aromantic themed folklore stories?

I think that very much depends on your personal definition. Of course there are plenty of folktales that do not include romance, but for me that usually isn't quite enough to consider them aromantic. For me the folk- and fairy tales that feel the most aromantic to me, are the ones where the plot makes me expect there will be a love interest along the way or a wedding at the end, but instead there is neither.

Here are the ones I've taken a personal liking to so far:

The Shoes That Were Danced to Pieces

Source: Cape Verdian folktale, collected by E. Parsons from Antonio Soares Rosa in 1916-1917.

Content warnings: princess-shaming.

Character I read as aro: The hero.

Why: He answers a royal proclamation that states that whoever is able to find out how the princess wears out seven pairs of shoes every night can marry her and have half the kingdom. When he accomplishes this, however, he declines the marriage and returns home to build his mother a new house.

Read it: Full text online.

How The Devil Married Three Sisters

Source: Italian folktale, published by Widter and Wolf in 1866.

Content warnings: fairy tale violence, abusive spouse.

Character I read as aro: The youngest of the three sisters.

Why: While the first sister is pleased by her handsome suitor (the devil) and the second sister is also described as "wooed and won" by him, the third agrees to marriage only because he is rich. She proceeds to save her sisters, outsmarts the devil, and they all get away.

Read it: Full text online.

David Cotterson

Source: Danish fairy tale, collected by Jens Kamp, published in 1879.

Content warning: suicide contemplation, fairy tale violence.

Character I read as aro: The hero, David Cotterson.

Why: His biggest desire is to become a sailor and see the world. In his biggest adventure he defeats a seductive witch, saves a prince who has been cursed to be a dog. He then decided what he wants most of all is to got home to his loving parents, which he does.

Read it: Offline in this book, or my summary online.

The Squire’s Bride

Source: Norwegian folktale, collected by Asbjørnsen and Moe, published 1841-1844.

Content warning: attempted arranged marriage, attempted kidnapping.

Character I read as aro: The heroine, a farmers daughter.

Why: She's being courted by an old, rich squire. She rejects him, not for a better (kinder, younger) suitor, but simply because she doesn't want him. He doesn't back down so she humiliates him to teach him a lesson.

Read it: Full text online.

The Three Brothers

Source: German folktale, collected by the brothers Grimm, published 1857.

Content warning: ends with natural death.

Characters I read as aro: The protagonists, three brothers.

Why: Their father tasks them to learn a trade to show who deserves to inherit their family home. They become a master barber, blacksmith and swordsman, and the third inherits the house. But because they love each other so much they decide to share the house. They live happily and grow old together, after which all three die close together and are laid in the same grave.

Read it: Full text online.

Diarmaid and Grainne

Source: Celtic legend, Scottish variant collected by H. MacLean in 1859, from Alexander Macalister.

Content warning: tragedy, coercion, murder of protagonist.

Character I read as aro: The warrior Diarmaid.

Why: He has a love spot on his face, which he keeps hidden to prevent women from falling in love with him. Grainne (who is married to his lord Fionn) sees it and falls for him, but he refuses to go with her until she outsmarts him and places him under obligation to do so. He goes with her but they live in a house with separate beds. Grainne betrays Diarmaid for yet another man and Diarmaid ends up being killed by Fionn before he realises that Diarmaid has never touched his wife.

Read it: Full text online.

Slawa

Source: Romanian fairy tale, found in a German collection from 1977, sadly unsourced.

Content warning: attempted kidnapping, fairy tale violence.

Character I read as aro: The heroine, Slawa

Why: She is a poor young woman so beautiful that the cruel tsar wants to marry her. She keeps refusing and he gets violent, so she resorts to defeating him with magic (which she has because she was once a doll brought to life through the love of her parents), so she is free to go see the world.

Read it: You can download my translation here.

King Bear

Source: Danish folktale, collected by Jens Kamp, published in 1879.

Content warning: animal death.

Character I read as aro: One of the two protagonists, the eldest of two brothers.

Why: The older brother doesn't fully understand why his younger brother has fallen in love with an imprisoned princess, but helps him win her hand anyway. He stays happily at the royal court, but never marries himself.

Read it: Offline in this book.

And just because I still love them, I did write two literary fairy tales with aro protagonists myself some years ago:

The Man and the Mermaid, in which a man meets a mermaid after losing the woman he thought he wanted to marry.

The River Sprite, in which a woman helps a river sprite who is determined to repay her.

Hope there's something on this list that makes you happy!

[nigmos]

i have a final today but i feel oddly calm

[yonpote]

oh no is my blog the new drama blog but instead of drama its just autistic rambles of love and light

[straightlightyagami]

u ever see someone with extremely fucked up views (or actions) and think wowww if a couple of things in my life went the tiniest bit differently that would have been me

[quibbs]

just had SO much fun with the fallout tv show... i love you missus okey dokey

[lizardsfromspace]

Love the random censorship in Victorian novels. Mr. ------- came down from -----shire in the summer of 18--. Who? Where? When? Wouldn't you like to know, book boy

[inkskinned]

we were sitting on the floor and i was cutting out tiny pictures to make a collage for a friend's birthday. you were on your phone and you laughed about something, and i was still in love with you then, so i asked what had you giggling.

"sorry. i was just..." you took a moment and went back to texting. "i was telling someone about how you're afraid of the dark."

i'm afraid of the dark because something bad happened. "oh." i felt a little slinky of shame crawl down my throat.

you glanced up, and maybe it showed on my face, because you rolled your eyes and held the phone to the side casually so i could see the group chat. "what? was it a secret?"

i looked down to the scissors in my hand. "i just..." no, it's not a secret. it just felt like something private, something serious. saying why would you tell someone that just feels like an accusation. it's unfair. i honestly am not even ashamed of it, it's just a fact about my person that i don't usually share.

what a strange experience. is this a human thing or a generational thing? for our grandparents: did they need to worry about how quickly someone can just... share your personal information? again, i didn't even really have a true objection. what could i say? i want any person in my life to feel they can be honest with their friends. it's not like i said don't tell anyone this.

i cut out another letter to complete the rainbow happy birthday, started hunting for the exclamation mark. i heard you sigh dramatically.

"don't make a big deal about this," you said.

this entire conversation was a pattern for us, and this was when we got to my least favorite part of the pattern. i would get my feelings hurt in some oblique not-technically-terrible way, and then it would be making a big deal about something. you'd get frustrated for me for being soft, but i was born soft. you knew i was soft when you pierced me. it's one of the things that made controlling me so easy.

"i'm not," i felt my voice crack. the question came without my wanting. "why are you guys talking about me?" and why are you saying that thing? why not like - i'm telling them how you're generous and kind and pretty.

you let out this low, tragic groan. "oh my god." you tossed the phone away from your body. "there, see? i just won't talk to them if you don't like it."

the rest of the hour went the way it always went, between us: i said i don't actually mind if you talk to your friends but -, you found a way to call my minor expression of discomfort "being dramatic." you got upset that i had been offended. i ended up apologizing, even though i hadn't actually done anything.

afterwards, you picked up the phone again. after texting for a little bit, you snorted. "okay," you said, "but it is kind of funny you're afraid of the dark. i mean, when you think about it."

[bacchuschucklefuck]

truly this one's just for me. I can do what I want foreverrr

[yubriamakesart]

I love them both and wish I had a fraction of their self-confidence.

[uncleasriel]

From Software was able to get money (from somewhere). The company intends to use this money to invest in game development (in terms of human and physical resources) to improve its ability to develop games. From Software intends to develop a plan to let it publish its own games and not rely on other publishers to help bring its games to people around the world.

I'm not a super corpo, so I could be misreading this. But From Software seems to me making moves to develop its own autonomy, to have more complete control over the games it's developing and how it gets them into gamers hands. I think it's trying to avoid some of the legal snafus which arise from having to rely on groups like Activision or Bandai Namco (which are notorious for having meddlesome factors in the distribution of their games).

Given how Sony and Tencent got a 30% share in the company, this can lead to some messy situations where the brand's image might be undercut by TenCent making scummy cash-cow things with the Elden Ring IP. My guess is that, for From Software to hold onto autonomy over what it can do with titles it creates, it did a move like this to help distance itself from the dogshit that is TenCent. Kadokawa giving TenCent/Sony 30% shares got them a large amount of money, in exchange for TenCent to have the legal right to make their usual shovelware gambling gatcha garbage featuring Elden Ring. In exchange, FromSoftware seems to be using this flushness of cash to further strengthen their ability to make games in their usual house style, without having to compromise their artistic vision. TenCent can have a shitty mobage game that has mirotransations, so that Shadows of the Erdtree can have the usual Soulsian style without that garbage.

I don't want to be too optimistic. This is corporate capitalism and never without someone getting shafted. (Most likely it'll be the poor suckers who play the TenCent-developed games that bleed moneyn from the user like a blood doll). But given how savvy Hidetaka Miyazaki's leadership has been over the past decade to rise within FromSoft's ranks, lead the company release titles that earn about $186 million per title, and still maintain a high aesthetic quality that we love, I can't help but think this is smart positioning.

From Software has acquired full rights to the Elden Ring trademark from Bandai Namco

Can someone who speaks corporate explain to me what this passage means?

[devastatinglygreen]

these freaks really put their sex chaise lounge in their bedroom like a slutty memento. whores

[lucabyte]

i feel like people are sleeping on the occam's razor situation of how buckwild it is to outright accuse a guy of being a clone of your friend even if you DO have a lot of circumstantial evidence. there's other options is what im saying. they could just be like. a guy. that's a sensible deduction. you should explore that deduction. ignore my shirt that reads I <3 RED HERRINGS.

i still think odile has the correct theory on lock but she's smart enough to know it needs like... a real smoking gun to be able to bring it up without sounding insane.

anyway. (mirabelle voice) i know its rude to speculate but has anyone else noticed the grieving? they seem to be grieving. does anyone have any thoughts on the grieving? i have some thoughts on the grieving.

[bixels]

tarpit site.

[meamiiikiii]

silly comic based on a time i struggled to read live on stream :thumbsup:

context clip compilation below ASDASDFASA

(cw for brief mention of hospitals/strokes)

[chalkrub]

first attack for art fight! love this guy, mammalian dragons continue to be peak designs

[ministarfruit]

time to head backstage!