#I guess I should say something like
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afamiliarsword · 8 months ago
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It's weird how often teachers say I'm a perfectionist considering that I don't consider myself to really care about making something perfect, I just like making something that I like
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spaciebabie · 2 years ago
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springtrap says the EVIL sex word because hes so so SCARY and evil and PURPLE AAAAA!!!!!! AAAAAA!!! SEX!!!!!!! MOUMMY!! HEEELP!!!!
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xxplastic-cubexx · 1 month ago
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How would you redesign Headmaster Magneto? Just out pf curiousity because while he served it didn’t feel like… Erik.
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i have to keep it 100 i have no idea without just. rerunning his original design but with a palette swap LOL but we try around here
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bacchuschucklefuck · 6 months ago
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pygmalion and galatea for aroace people
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you should tell your friends what I look like, riz gukgak.
#fantasy high#fantasy high sophomore year#fhsy#riz gukgak#baron from the baronies#fh class quangle#class swap babeyy! bard!riz that's whats goin on!#I really need tags for these now I think lmao#ask to tag#I feel like this should be tagged something. but I dont know what#in my brain after the initial kidnapping class swap baron's thing is every time riz keeps his story abt them up in front of his friends#they get a little bit closer. they send him pictures of where they supposedly are n stuff#theres a scene in my brain only of kristen and riz on top of the van and kristen is like everything kinda sucks rn can u tell me abt baron#cause what you guys have is so nice and beautiful. and riz almost doesn't but he ultimately can't deny kristen a little peace#lmao I feel like dipping into baron stuff with the class swap is like showing my whole ass online again I just. I'm a#horror person before all else... I cant stop myself. canon baron is Great and Cool but that is kind of the thing. for a horror thing theyre#Too Cool. I think cool is kind of the neutralizer of scary. when a monster is a certain amount of cool it overrides the scary#and now u just have a Cool Monster#its so fucked for bard!riz this year bc he doesn't have an office (he's mooching off the school wifi from the AV club room lol)#so there's no buffer between adventure and home life. so baron just shows up in the strongtower apartment lmao#sophomore year bard!riz looks like a slasher protag so I just leaned into it I guess. he gets a mr. x if mr. x is made up by leon kennedy#well. its worse actually. they can show up where he is at any moment theyve proven this. but they dont#they choose to punish him slowly as he lies to his friends instead. baron is mr. x if mr. x is made up by leon and also a bitch#I think its gonna pop up if class swap baron ever speaks in a comic I do but their voice comes from like. inside their hollow face#it sounds like it's a lot deeper in there than that skull should be#tbh what I have rn is kinda like a bag of loose pieces that Can fit together into something great but I dont have the energy to#really sit down with them yet lol. Im doing this inbetween other things#it comes or it doesn't! it's fine. funny how today's bad comic day also. I wont say this is for bad comic day bc all my comics are#flawless and beautiful and perfect and awesome and beautiful and the best#but u should. if u havent drawn a comic today or at all ever u should draw a comic
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arsenicflame · 1 month ago
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It's a time-honoured tradition- every time Sam comes across Izzy (and Ed) in their travels, he asks Izzy to marry him. And every time, Izzy turns him down.
At this point, Sam is asking more for the sake of it than any belief Izzy will ever say yes, a remnant of childhood dedication touched with 30 years of heartbreak and regret- though even now, a small part of him still holds out hope. Sam's promises have only got more extravagant over the years, from a job as his first mate, to a captaincy, a fleet at his command, a whole fucking island if that's what Izzy wants- but he knows it isn't though, not really. If Izzy was ever going to agree to marry him, to leave his life and go with Sam, it wouldn't be for anything Sam could offer him. Izzy never did care for flashy shows of wealth, for a ship or to be captain. The only thing that ever mattered to him was loyalty given, and loyalty shown in return. 
It all comes to a head after Stede left and came back, after Izzy lost a toe, lost his leg. Sam hasn't seen him since before things with Ed started to really slide off the rails, before stress permanently set into the lines of Izzy’s face. So, when he sees a dishevelled man with a hoof for a leg in a no-name port, he doesn't even consider the idea that he might know him. It's only when he turns towards him, and Sam catches a glance at those oh too familiar tattoos, he realises this is Izzy, his Izzy, that stands before him.
Knowing Izzy's discomfort with pity, he doesn't treat him any differently than he would in years gone by, positioning himself in Izzy's line of sight before approaching and sweeping him up into a bone crushing hug. 
“Israel-goddamn-Hands!” he exclaims, as Izzy grumbles back a begrudging “Samuel-fucking-Bellamy”, a tradition almost as old as their friendship itself. Izzy might not hug him back, but he can’t keep the corner of his mouth from twitching, just for a second.
(If Sam holds Izzy a little tighter and a little longer than usual, well. That's his business)
By the time Sam lets go, most of the crew has appeared in the town square, drawn in by the commotion. They may have given Izzy his leg and welcomed him as one of them, but still there’s an underlying tension, with nobody quite ready to set aside everything that happened before the Kraken. Seeing him cosying up to an unknown man sets everyone on edge, unsure whether to come to their first mate’s aid, or to assume that they've been betrayed once again.
When Ed sees that the yelling was Sam, his hand goes tense where it's held in Stede's. He knows the routine, has seen it more times than he can count, but as he watches them part he realises that this is the first time in a long time he's unsure of what Izzy's response will be.
Knowing that something’s different, knowing that Izzy's feeling vulnerable already, Sam doesn't go for the same flashy proposal he’s been giving for years. He doesn't promise Izzy the world, he doesn't cause a scene (or, any more of a scene than he already has, anyway). He looks at the fractured man in front of him, takes his face in his hands, and says the exact same thing to him he said when they were little more than boys. “Israel, I have to ask you. I know what you'll say, but I have to try. Come with me. Marry me and sail away with me. I'll keep you safe”
And Izzy… hesitates. He glances over at Ed, at Stede, and says to Sam “...We’re staying in port for a week. Ask me again then”
That's the moment Sam knows there is something deeply, horribly, wrong. He's not just looking at an Izzy who got seriously injured in a fight and is struggling to cope, this is something so much bigger than that- and that Ed has something to do with it. Izzy wouldn't even be considering leaving if he didn't. Whether it was negligence or something more sinister, Sam doesn't yet know, but he intends to find out.
#i feel like the little paragraph about the crew is real clunky and out of place but i wanted some kind of establishment of where those#dynamics are at. its important that the crew is something for izzy to consider in his decision; but also that their relationship isnt so#solid he would stay for them alone; yknow?#im sorta aiming for a s2e5 era but like. early in those themes. he cant be all sorted yet i need him to be struggling#anyway this is part of a much larger scenario in my head that im never ever doing anything with but i wrote THIS bit in a daze in like. jun#and i got thinking about it again and i think?? it holds its own as a 'hey think about THIS' snippet. idk you decide#youre welcome to interpret this as solo bellhands but in my head it Has morphed into sam/izzy/ed/stede#because i cant not put edizzy in things any more. izzy has two hands#i also think the comedy potential of one of your boyfriends HATING your other boyfriend is gold. 10/10 dynamic#stede is mostly along for the ride in this but also i think they need him#aaaaand. the sam/ed bracket i think can only be closed in exceptional circumstances. i think they 'hate' each other too much#...which is WHY someones getting kidnapped!!! yay#anyway its all irrelevant because ill never write it out. i can do silly chill things but thatll require work#nyxtalks#ofmd#our flag means death#izzy hands#israel hands#sam bellamy#bellhands#i wanna also say. the general concept of repeated sam proposals has been floating around my head forever#it used to be a more silly thing like i referenced at the start but. s2 gave me angsty feelings i guess#i cant not have izzy have feelings for ed right now which inherently adds layers to Any bellhands scenarios i think.#but yeah. its a Classic Bellhands vibe for me. sam seeing izzy at sea or on shore and asking him to marry him (again)#i like to do this with jackie too. i think i just want that man to be obnoxiously desired#(theres also layers of my personal hornigold era lore built into this but i hope it holds up without u knowing it. tldr. sam lost izzy by#being an idiot n fumbling the bag. thats what matters. izzy went with ed and sams been trying to fix it ever since)#i probably should have readmore'd this but i didnt think it was Quite long enough. or had a good break point. sorry <3
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demonslayedher · 5 months ago
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Wind down doodles while I am loopy on antibiotics, here's more Obatsune and Benmitsu
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helmip · 9 days ago
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guess who!? hint: it's a self portrait :)
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sygneth · 7 months ago
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"You give me your hand, don't you ever ask why, promise me nothing"
Holmes College Adventures Masterpost
Chapter 2:
part 1 - part 2 - part 3 - part 4 - part 5 - part 6 - part 7 - part 8
AO3
It took a while, but it's finally here!! THe last part of this chapter, long, as I promised (the canvas for this is almost 35 000 px long...)
(Again, I didn't wont to make the post ridicoulously long, but if you'd like to see it as a one neat stripe, it's on AO3)
I am not sure if I made it clear earlier, but kind of from the beggining of this chapter I knew there will be another one, to elaborate on the events that must have taken place after what Holmes told Watson in GLOR, but before Victor's leave. I hope to draw theses couple of scenes that I have in my head too, sometime soon but I will have to take a moment of break, as the next week or two are going to be intense.
Again, I want to hug everyone who kept me motivated to go with this chapter, you are all a real treasure and reading the comments is literally making me want to live again <3
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nohaijiachi · 1 year ago
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I want to see Aziraphale do the apology dance in S3.
But not in modern day. I want to see him do the apology dance in a flashback, mostly because I literally just want to see Aziraphale doing the apology dance. (He'd be so friggin cute!!!!)
He shouldn't do the apology dance in modern day because that implies he was entirely wrong and Crowley was entirely right. He's not. They are both right and wrong at the same time. That's it that's the post.
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instantpansies · 1 month ago
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STRANGE NOISES FROM THE HOLE IN THE WALL HEADCANONS/INTERPRETATIONS UHHH OBVIOUS SPOILERS. CLARISSA CENTRIC CAUSE. HOLY SHIT
clarissa is to locomotion as clara is to the nutcracker. she's the kid who dreamed him into existence hundreds of years ago. i know he says he's older than the devil - i think that's still plausible, he's existed since thought but wasn't attached to the Silver Line or brought into physical existence until clarissa, lonely or in danger or just bored, imagined a world where she could escape from her everyday life and live as a grown-up(? maybe? since benjamin/timothy/billy seemed to age up as soon as he went through the portal?), with freedom and whimsy and eventually a relationship with the friendly driver.
why do i say this? because otherwise im really fucking confused lmao, that first scene where clarissa and loco are introduced is strange in the context of the end of the play. they seem to have known each other for a good while before they get on the train. they act like a young couple who's stumbled upon the silver line as an escape from danger and now they're excited for their new life in a new, safe world. except that loco also says he's been driving the train for years.
(looking back, that very much feels like a scenario from a child's imagination - or perhaps a dream - where of course he's been doing this for years, that's his job, but of course they're glad they've found the train together, this is a new experience for her so it's just an extension of her perspective)
but clara is, she says, a child when she gets on the train. idk how old "little girl" is, but if we run with this headcanon and also assume that the timeline is both linear and literal, she's imagining herself in some form of a sexual relationship with loco at a pretty young age.
i posit that this can be reconciled in several ways (some more disturbing or inappropriate than others), but one thing that could be considered is that the first scene where loco and clarissa are introduced is symbolic of their relationship over the course of the train's history. depending on how old clarissa was when she first dreamt the world into existence, she might not have even been very aware of loco, and spent her time just enjoying the escapism or whatever. after a few years or however long, she starts to get older and decides to learn how she's actually done this, maybe spends a long time trying to understand exactly what's going on. maybe her research leads her to a relationship with loco, i don't know. they do get on the train together, maybe, when they're both young (or, well, relatively speaking) and new to the world, and loco eventually has been driving the train for years and years and clarissa makes it a bit more tolerable with some companionship after a long lonely time. but those things don't happen simultaneously, because i think those things don't really work simultaneously. that scene is a sort of speedrun/amalgamation of how the two of them have interacted over the years. and yeah i guess that means they fucked at one point in there
(im going to be transparent, some of that is a bit of cope/rationalization. i think loco and the conductor are very exes/begrudging coworkers vibes, but i do like clarissa and loco together as well - unsettlingly powerful girl x eldritch being with a soft spot is a very good trope. and im trying to make it work out okay? give me a break lol. you don't have to agree with me on this, but once i see a luke and tom couple with a fun and compelling dynamic i will not let them go even if the ethics get a bit hard to explain later on. sorry, anyways moving on)
additionally, and i probably should have said this earlier, a reason i think this whole nutcracker theory holds up is because clarissa holds a sort of unique power in the world. she's been on the silver line for hundreds of real-years, who knows how many train-years, and still remembers her name and something of her old life. loco isn't hostile to her, even confirming her memory of her name and reminding her of her birthdate. with everyone else (ex. benjamin), he actively discourages them from remembering their lives. despite seemingly being one of the oldest passengers, she doesn't transform for hundreds of years. she obviously has some significance.
you know how that ties in? if this is clarissa's world, if her mind is what created the whole thing, then i think it makes sense to assume it's tied to her. as she begins to question her surroundings, then panic as she realizes she can't leave, her emotional and/or mental state becomes less stable, less utopic, less perfect. the dream begins to turn into a nightmare. and it becomes. well. an ouroboros. the snake eats its own tail and the train goes in circles and the escapist fantasy clarissa once loved becomes a prison of her own design. trapped in the very thing that was supposed to save her.
maybe that's why anthony and benjamin can get out when they do - as clarissa's world decays, as she finally begins to become part of the nightmare, as she melds with the train, the world has to shift a bit. it's reaching the point of no return - once clarissa has been fully sucked in, the train will never stop again. falling into an infinite nothing. but in that moment, there's one final chance for the conductor to stall locomotion, one final leap that could at last pull benjamin and anthony and everyone who's been sucked in by clarissa's black hole of a nightmare out of the portal and back into the real world.
and now, clarissa has lost three hundred years of a life that should never have lasted so long. gained perhaps thousands of years of memories of joy and connection and despair and panic and forever forever forever. and she is once again trapped in a vessel of her own making - her body is that of the child she has not been for lifetimes. her world is dead and gone - not just the world she created, but the world she escaped from as well. what of locomotion, that brief flash of connection? does he even exist anymore? who is she, now? who was she? where can she possibly go from here?
shoutout delirium_undead on discord for going along with the nutcracker theory and helping me flesh this out. your ideas are so galaxy brained and i am forever in your debt
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seafoam-taide · 9 days ago
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theyre so fine and not having a bad time at all + arent even a little bit haunted by the past
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wonder-worker · 4 months ago
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Wild how we know that Elizabeth Woodville was officially appointed to royal councils in her own right during her husband’s reign and fortified the Tower of London in preparation of a siege while 8-months pregnant and had forces gathering at Westminster “in the queen’s name” in 1483 – only for NONE of these things to be even included, let alone explored, in the vast majority of scholarship and historical novels involving her.
#lol I don't remember writing this - I found it when I was searching for something else in my drafts. But it's 100% true so I had to post it.#elizabeth woodville#my post#Imo this is mainly because Elizabeth's negative historiography has always involved both vilification and diminishment in equal measure.#and because her brand of vilification (femme fatale; intriguer) suggests more indirect/“feminine” than legitimate/forceful types of power#It's still bizarre though-you'd think these would be some of the most famous & defining aspects of Elizabeth's life. But apparently not#I guess she only matters when it comes to marrying Edward and Promoting Her Family and scheming against Richard#There is very lacking interest in her beyond those things even in her traditionally negative depictions#And most of her “reassessments” tend to do diminish her so badly she's rendered utterly irrelevant and almost pathetic by the end of it#Even when some of these things *are* mentioned they're never truly emphasized as they should be.#See: her formal appointment in royal councils. It was highly unconventional + entirely unprecedented for queens in the 14th & 15th century#You'd think this would be incredibly important and highlighted when analyzing late medieval queenship in England but apparently not#Historians are more willing to straight-up INVENT positions & roles for so many other late medieval queens/king's mothers that didn't exist#(not getting into this right now it's too long...)#But somehow acknowledging and discussing Elizabeth's ACTUAL formally appointed role is too much for them I guess#She's either subsumed into the general vilification of her family (never mind that they were known as 'the queen's kin' to actual#contemporaries; they were defined by HER not the other way around) or she's rendered utterly insignificant by historians. Often both.#But at the end of the day her individual role and identity often overlooked or downplayed in both scenarios#and ofc I've said this before but - there has literally never been a proper reassessment of Elizabeth's role in 1483-85 TILL DATE#despite the fact that it's such a sensational and well-known time period in medieval England#This isn't even a Wars of the Roses thing. Both Margaret of Anjou and Margaret Beaufort have had multiple different reassessments#of their roles and positions during their respective crises/upheavals by now;#There is simply a distinct lack of interest in reassessing Elizabeth in a similar way and I think this needs to be acknowledged.#Speaking of which - there's also a persistent habit of analyzing her through the context of Margaret of Anjou or Elizabeth of York#(either as a parallel or a foil) rather than as a historical figure in HER OWN RIGHT#that's also too long to get into I just wanted to point it out because I hate it and I think it's utterly senseless#I've so much to say about how all of this affects her portrayal in historical fiction as well but that's going into a whole other tangent#ofc there are other things but these in particular *really* frustrate me#just felt like ranting a bit in the tags because these are all things that I want to individually discuss someday with proper posts...
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sandeewithtwoe · 5 months ago
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TW ANIMAL DEATH
I believe that these cats are the same cats
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(Art made by Rahafwabas)
Which means that Nightmare didn’t actually kill the cat and Killer saved it. Do I have proof they’re the same cats? No. But I do love living in denial
Also I think that Dream was able to find Killer cause his happiness after saving the cat was SO STRONG that it literally summoned him.
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hamofjustice · 1 year ago
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nemona feels like an obscure blorbo instead of the main rival character from the latest pokemon game because to get to her really good content from people who really get it, you first have to wade through the ocean of yandere pervert obsessive stalker annoying punchable bimbo amazon goddess interpretations of...
... a neurodivergent and possibly disabled high schooler who's desperately trying to make any friends or get any support from her rich neglectful family - while everyone in her school is jealous of their own imagined version of a privileged asshole version of her they made up - who deeply and platonically loves and supports the one new kid who agreed to take the time to get to know and respect her and her special interest without having to hold back her true self
unlike her, it's not great!
kinda feels like she has the same problem in our world that she does in hers.
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ratingboomercomics · 7 months ago
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So I wanted to post a gay comic for pride month but when I looked up “gay boomer comic”(and I cannot emphasize enough)the only results were either homophobic or furries(idk what this was about but there was so much furries). Luckily Gary Larson came through. My friend in trying times
I gotta give this one 9/10 I think, I love Gary Larson obviously, it’s a solid pun, and I love the cow lesbian bar, that’s iconic(I always get a kick out of the cows)but it’s not the best Far Side out there. The best one is Cow Tools obviously
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wishjacked · 4 months ago
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HELLOOOOOOOOOO if you are interested in potentially grabbing a print copy of my webcomic, please consider saving my prelaunch page!! it's launching next Saturday! whooohooo!!!
Here are a few page spreads from it :)
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