#I genuinely don't understand that

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[depressedtheatrekiddo]

"como quieres que escriba una canción, si a tu lado no hay reivindicación" la mai que em va parir xavalada cada cop qscolto l'inici de la cançó se'm va l'ànima del cos

[lotus-pear]

drew my beautiful wife today.....hes as beautiful as i remember

[captainjonnitkessler]

Do you guys notice how when Shawn Fain, president of the United Auto Workers union, started planning a general strike, he did it by a) targeting his messaging towards unions with the ability to safely and effectively strike in large numbers, b) laid out a clear, actionable plan for those unions to follow (setting contracts to all expire at the same time, since many unions cannot strike while under contract), c) is using union contracts to set clear, actionable demands that can be met in order to gauge success and provide an end goal, and d) started organizing FOUR YEARS before the proposed strike date to give people the chance to plan accordingly, because it takes a really freaking long time to get tens of millions of people organized?

You notice how he didn't do it by slapping a message on Twitter saying 'hey nobody go to work on Monday, that'll really show 'em'?

[vaguely-concerned]

can you even imagine what a fucking horror show the early game is from spite's perspective, though. not only is this funky forcibly severed little slip of the fade having to deal with the reverse cosmic horror of physical reality as perceived by a spirit and being trapped in it against its will -- existentially confused and disoriented and hurting and nothing makes any kind of sense, at the mercy of human cruelty at its most deliberately sadistic. and then the one source of comfort and compassion and some kind of safety and clarity that lucanis surely must have been to him in the ossuary despite everything just goes and shuts himself in his room inside with a seemingly passive aggressive number of locks between them and no explanation and won't speak to him and they're STILL in the fucking ossuary. rook came and found them and they could be free now (rook is here!) and still lucanis keeps them in the ossuary even though he PROMISED he promised they'd get out of there together!!! what the fuck DO you think at that point? like did he trick me that whole time??? he wasn't like zara before, so why is he doing this to me now? why isn't he saying anything? 'he won't move. I can't reach him'. at least in the ossuary they had a deal, a goal, a hope -- each other. at least he wasn't entirely alone, before.

this poor poor poor little spite spirit really was ferried into the real world like 'hey welcome to reality! as your first introduction to it you're first getting horrifically tortured and then getting to vicariously experience one of THE most distressing and harrowing psychological conditions the human brain can cook up for itself (a fully fledged and deeply entrenched freeze response flaring up with catastrophic severity due to an unbroken ongoing and unlikely to let up any time soon chain of Unfortunately... Recent Events). I think spite is being extremely reasonable and patient about the whole thing, when you put it into perspective. I'm not saying let him eat the self-lighting candles or anything, but he's got some extremely valid points along the way lol. spite is not only child-like, the metaphor work going on is a lot more pleasingly flexible and complex than that, but he is also helplessly existentially dependent on lucanis in a way that, if anything, is a heightened version of the way a child (or child part) has to depend on a parent to navigate the world and survive.

tl;dr: we truly don't give enough sympathy to spite for having to live in the head of lucanis dellamorte. a place even lucanis dellamorte would prefer not to be. to be fair to him I think lucanis would be the first person to agree with this lol

[technically-human]

Ooh, now that we’ve seen N!Edwin and DP!Edwin talk about Feelings could we see the same with N!Charles and DP!Charles?

As simple as that.

Edwins version

ko-fi

[cosmicredcadet]

All this aroace character shipcourse has proven to me that a majority of people that interact in fandom cannot actually interact with characters and media outside of shipping and genuinely I believe you need to learn how to interact with media outside of shipping.

[tigerjpg]

one day you're okay, the next you read the pynch baseball au and your brain chemistry is altered forever ⚾️

[inkskinned]

one of the things about being an educator is that you hear what parents want their kids to be able to do a lot. they want their kid to be an astronaut or a ballerina or a politician. they want them to get off that damn phone. be better about socializing. stop spending so much time indoors. learn to control their own temper. to just "fucking listen", which means to be obedient.

one of the things i learned in my pedagogy classes is that it's almost always easier to roleplay how you want someone to act. it's almost always easier to explain why a rule exists, rather than simply setting the rule and demanding adherence.

i want my kids to be kind. i want them to ask me what book they should read next, and i want to read that book with them so we can discuss it. i want my kid to be able to tell me hey that hurt my feelings without worrying i'll punish them. i want my kid to be proud of small things and come running up to me to tell me about them. i want them to say "nah, i get why this rule exists, but i get to hate it" and know that i don't need them to be grateful-for-the-roof-overhead while washing the dishes. i want them to teach me things. i want them to say - this isn't safe. i'm calling my mom and getting out of this. i want them to hear me apologize when i do fuck up; and i want them to want to come home.

the other day a parent was telling me she didn't understand why her kid "just got so angry." this woman had flown off the handle at me.

my dad - traditional catholic that he is - resents my sentiment of "gentle parenting". he says they'll grow up spoiled, horrible, pretentious. granola, he spits.

i am going to be kind to them. i am going to set the example, i think. and whatever they choose become in the meantime - i'm going to love them for it.

[rat-spit-village]

the ppl saying veilguard doesn't deserve a bafta nomination for best narrative game... it's a complex story with a compelling cast of characters and a cohesive theme of the power of enduring hope in the face of adversity. the game came out like four months ago and already there are thousands of fics about it, relatively minor characters have huge fan communities. it's a story that has inspired huge swaths of people to take up art and hobbies again after years of hiatus. it's worthy of the nomination regardless of whether or not rook says 'ok' a lot or whatever it is that you're mad about

[yes-no-maybe-soo]

Made myself tear up thinking about Girl Dad Sylus. He'd give his little girls the unconditional love he never had growing up, and (hopefully) in the process heal his inner child 🥹

And additionally...

Sylus' kids will be the first people in his life that'll love him from the very start. Everyone else has at some point wanted to hurt, use, or kill him. Or hated his guts/been disgusted by him 💔 (that part in the main story still wrecks me, his expression is so heartrending, you can so plainly see the devastation on his face. I genuinely think he cried afterwards, when he vanished for a bit. And now I am crying too from thinking about it 💔💔)

But his children will not once in their lives view him with fear, or disgust, or ill intent. Instead, they'll look at him with stars in their eyes from the very moment they begin to be aware of and recognize their surroundings.

Like everyone else, their little hearts will start pounding faster at the mere sight or sound of him. However, not out of terror, but elation, and the purest form of love, their short legs toddling towards him as fast as they can, chubby arms eagerly reaching for him. Not to do him harm, but to give and receive affection. A gesture which Sylus will always reciprocate without a second's hesitation, his strong powerful arms enveloping his babies with a gentleness and care that seemingly belies his imposing exterior, but which in reality is representative of who he is and has always been at his core: A warm and kind person who wears his heart on his sleeve, who loves with everything he's got, and whose soul smells like flowers. A man who despite his wealth and power never trampels on the weak, and who although "it may not look like it" is truly "very good at looking after people". Had society bothered to look beyond his appearance and his reputation, it too would have discovered this. Instead, it chose to cast him as a monster more terrifying than a wanderer, and that is the role Sylus has been more or less forced to play ever since, and how he has been viewed for most of his long life, even initially by the people that are now closest to him.

But never by his children. In their eyes, Sylus won't ever be a fiend nor an infamous criminal — Sylus will always be their Protector. Their Hero.

Their Daddy.

And to someone who has forever been labeled as a villain or a demon, these terms will surely be more precious than all the most valuable gems and stones in the Universe put together.

[we-will-all-be-stories]

one thing that i find absolutely hilarious about jean is his hatred for short people. every time he meets someone whos shorter than him all he sees is red. the only emotion he experiences upon being in the presence short people is just unbridled rage

[bunnyboy-juice]

NO MORE ASSOCIATING THINGS WITH FEMMES ONLY BECAUSE THEY ARE PINK!HYPERFEM FEMMES ARE GREAT AND I LOVE YOU CAMPY FEMMES WHO EMBODY PINK BUT ALSO JESUS CHRIST CAN YOU GUYS NOT GO MORE THAN ONE DAY W/O TRYING TO SHOEHORN FEMMES INTO BEING ONLY PINK UWU BABIES. I AM FEMME AS IN GRASS AS IN DIRT AS IN TREE BARK AS IN WEEDS SPROUTING THROUGH THE SIDEWALK CEMENT. FEMME AS IN GENDER NONCONFORMITY AS IN FUCK YOU MY FEMININITY IS WHAT *I* SAY IT IS. FEMME AS IN DEPTH AND DARKNESS AND WARMTH AND TERROR. FEMME AS IN CAVES. FEMME AS IN LIGHTNING. FEMME AS IN AN AMALGAMATION OF TRAITS THAT I HAVE DECIDED ARE FEMININE REGARDLESS OF WHAT SOCIETY SAYS. FUCK IS IT THAT HARD TO UNDERSTAND?!???

[mr-scandinavian]

Here's a list over issues I've seen Americans have about Robbie Williams and/or Better Man, and subsequently, my attempts at answering them as a humble Norwegian guy who grew up in the late 2000's and early 2010's:

Why is he a CGI monkey? Now I've seen loads of different explanations for this, so I'll try to summarise it for you (even though he literally explains it in the trailer); Robbie Williams is a performer, an entertainer, and due to this he's always felt like a bit of a circus monkey being pulled on stage for a show, combined with people not taking him seriously as a musician. Additionally, he rose to fame with Take That at the age of 16, and partially, due to this, he has felt a bit stunted and less evolved than other people ("but humans didn't evolve from chimpanzees" yes we know). He also said in an interview that he's on the spectrum to kind of bond these things together. Besides, it's an interesting gimmick lol.

Why have I never heard of him if he's "so" famous? Robbie Williams never really broke in the US. Probably just because of differences in the industry at the time, or the fact that his music is often heavily influenced by the europop genre.

So he's famous in the UK, that doesn't make him a worldwide star. You need to stop treating this as a US vs. UK thing. He's not just big in the UK. He's well-known in most of the world outside America (Europe, Asia, Oceania, etc.), take it from me as a Norwegian.

Why do you care if I don't know who he is/if I don't want to watch the movie? We don't. We really don't care. I mean, we were surprised at first that Americans had never heard of him because it's unimaginable to us who have had his music drilled into our brains our entire lives. But we're not angry that you don't know who he is. We're annoyed with and tired of the attitude. All we're asking is for you to have a little bit of decorum and treat the subject with even a speck of respect.

Don't take it personally. We're not. We're just tired of rehashing the same arguments over and over again because you don't know who he is.

You don't have to know who Robbie Williams is. You don't even have to like him. All we're asking is that you have the common decency to listen to us when we do our best to explain it to you because, in the end; you asked.

[blackkatdraws2]

This little NPC is lost. The Narrator [Black] has come to guide her back to where she needs to be. [Blank Scripts AU]

I imagine Black would be a lot more tolerant toward his NPCs since they're basically just the Dungeons spawns, and by extension, his own creations.

[If you're familiar with manhwas / manhuas that features the dungeon / system genre, you'd be able to understand this AU a lot easier. The majority of my inspiration for worldbuilding came from those specific genres.]

[NOTE: 'Dungeon' is just another term for the Parable. Technically, Black owns a Dungeon and the Parable is just a small part of it. The Dungeon itself is much, much larger.]

For context, the comic below references this post about the Dungeon's children/guard dogs.

[They're more like the immune system since all they do is make sure the (body) is safe.]

[The reason the Narrator [Black] considers them his children is that the Dungeon is feeding off his energy and in turn shares the 'nutrients' to the monsters it produces, which transforms them into an image that resembles his power.]

And the old man below is Joseph!

Joseph is NOT AN NPC! He is a person who exists outside of the Dungeon!

[There are two separate 'worlds' for this AU. Inside the Dungeon (where most of the game-like stuff is happening) and the world outside (pretty much their normal world.)]

[There is a secret third world, and that's our world. Our reality.]

These characters are not actually important or anything, I just made them to make the AU feel more lively. To make a world that exists, you know?

When the Narrator [Black] first established himself in their world, he found a growing problem with homelessness. Not understanding human norms or why this has become a problem in the first place, he offers (tricks) them into working for him as janitors for the Dungeon and they accept for the money.

Most of them left after they got paid, but Joseph was one of the people who stayed. He doesn't have anywhere else to go and has no ambitions in life. He just wishes to live a peaceful life with food and a roof over his head.

Joseph defaults to referring to the Narrator [Black] with feminine terms due to his appearance despite his voice. The Narrator [Black] is not the type to care for such terms anyway so he doesn't care how other people refer to him as long as there's respect.

--------------

This post focuses more on the worldbuilding and background aspects of the AU! There are a lot more in store for the Blank Scripts AU, and I want to explore more on how the characters might interact with their surroundings and how this would work to make a world that makes sense.

It would be so cool if people made self-inserts or OCs for my AU actually. I'd love to see how you guys would work with my stuff. Play around with it like a barbie world for your little barbie dolls. Be canon compliant, be canon divergent, who cares, have fun.

[linusbenjamin]

Prometheus stole fire from the gods and gave it to man. For this he was chained to a rock and tortured for eternity. Oppenheimer (2023) dir. Christopher Nolan