#I fucking adore this man

[alonelyliversuspendedinliquid]

[belladonnakimdracula]

I saw @werewolfsister ‘s comic & it has probably the cutest little Tauro I’ve ever seen lol. So I did a quick little scribble of it.

Reference ⤵️

(Final page top right 😖😩🥺😫😭😣)

(https://www.tumblr.com/werewolfsister/744039913788522496/return-to-sender-16)

I’m gonna try & not get pissed off at the fact that this little 10 minute scribble I made at 3 in the fucking morning bodies all the Tauro art that I have done so far. Fuck my drag I guess.

[aesthetic-uni]

I’m trying to get back into reading webtoons, because my ability to consume media has hit an all time low, and so I’m rereading The Remarried Empress, and I have only one thing to add since rereading it

McKenna may not be the main character but he’s the main character of my heart <3

[ilovemesomevincentprice]

Vincent Price guest stars on The Muppet Show (1977)

[khaoala]

❝I love every story in your body.❞

FIRST KANAPHAN as KANT PATTANAWAT and KHAOTUNG THANAWAT as BISON episode 5 of THE HEART KILLERS

[kitamars]

hi ive been going through it a little bit

[zombie-bait]

I can’t believe Gideon and Harrow had like 3 weeks of something approximating fun before experiencing 2 solid years of endless suffering 😭 lemme tell you, nothing could’ve prepared me for that or the realization that post book 1 these poor fuckers just never get to spend any time together, I miss the old days of One Flesh One End Bitch!!!!! We had it so good and we didn’t even know it

[secriden]

There's something so wondrously momentous about Style only saying his "I love you" now, when he realises that all the secrets he was keeping from Fadel are already laid bare.

He says this a significant time after Fadel has said his (and, in the context of the wider narrative, after Kant and Bison) and for the character we have seen as prone to glibness, exaggeration and flippancy with his words, that feels incredibly intentional.

Because this confession was the only truth Style had left to give.

Fadel is finally done playing his (poorly thought out) game, done with his (already cracking at the seams) charade, done with giving Style more opportunities to pull at his heartstrings with his earnestness lies.

Fadel is demanding the truth, and tells Style exactly what truth he wants to hear.

And the thing is, there is truth in this: Style's motivations at the start were wrapped up in a deception specifically targeting Fadel.

I know we, as a fandom, harp on about Style "doing all that for a car", but something I would like us all to revisit is what Kant actually says to Style when he first asks Style to "hit on" Fadel:

Kant: You need to help me. You know I don't usually feel this way about someone. And then shortly later, after Style refuses: Kant: Hey, hold on. (Kant grabs Style's hand.) What do I have to do to for you to help me out? Should I pay you?

(Please forgive my inability to gif and watch Style's reaction to this.) Style is visibly surprised and intrigued. Kant seems to be serious about this request, and I think Style decides to test just how important it is to Kant by asking for the one thing he knows Kant will not give up.

Just look the expressions on Style's face. We didn't have the context of knowing Style back then as well as we do now, but this is the look Style gets when he's throwing out a challenge (to Fadel), when he's trying to ferret out some new insight (from Fadel), when he wants to see how someone (Fadel) will react to whatever outlandish (provocative) thing he's said or done.

And when Kant agrees, Style even checks again if Kant is serious about going through with it -- and it's this that convinces Style of the sincerity of Kant's request.

Yes, the car was a factor, and yes Style also wanted revenge and to humble Fadel, but at the centre of Style's motivation has always been a plea for help from a friend.

In episode 1: Kant: Under one condition. You have to make him head over heels in love with you. Style: I'll do it. Not just for the car, but someone like him needs to be humbled by someone like me.

But in agreeing to help Kant, Style really was damning Fadel to play the fool because Fadel's feelings (his heart) was a commodity that Style was fully willing to play with back then.

And there are aspects of truth here too. When Kant tells Style about Fadel (and Bison) being hitmen, Style decides he's done and wants out. Kant reasons that it's more dangerous for Style to break up with Fadel now, because it would look suspicious, but crucially this isn't enough to convince Style.

So Kant, once again, makes the plea to friendship and to his need for Style specifically, and it is this that causes Style to finally cave.

But in doing so, the things that Style agrees to are:

Kant: Work with me. Help me get more information about them. Once we get that, it's done. Captain puts them in jail, and we walk free.

So while Style may not be directly working with the police, he is working with Kant who he knows is working with the police. By proxy, Style is involved with the police, but in front of the empty pool, he makes it clear to Fadel just what that involvement actually entailed:

Style: Kant asked me to take you out so you could leave him alone and he could freely investigate. Fadel: What did he get out of it? Style: I don't know! That ain't my business! All I was asked of is to take you out.

And this, too, actually is true! Since finding out, Style has literally not discovered a single thing that could be remotely useful to the police investigation:

He's found out that Fadel likes to gym at night. He's found out that Fadel uses tenderloin in his burgers. That he runs in the morning before going to the market. That he attends a grief support group.

But these were all things Kant also already knew and could have given the police if it were in any way useful for the investigation.

Even his attempts to get Fadel to confess to his "other job" (something the police also already know) were clearly in service of wanting to save Fadel and/or convince him to give up the life of crime in the hopes that Fadel wouldn't have to be sent away from Style to prison.

But the truths are tangled up in misunderstandings and Fadel's own assumptions now; and also further tainted again by Bison's own hurt over Kant's betrayal. And Fadel literally cannot see -- because his eyes are filled with tears [see: @thisautistic's gifset + my tags] (good grief, Joong, the actor you are) -- the honesty Style is bleeding from the marrow of his bones.

Because the truth is that along the way Style has also found out that Fadel is a good older brother. That Fadel is still hurting and bleeding inside because his parents were murdered. That Fadel wears his favourite bands' make up in secret because he cannot bear the thought of other's judgement. He's found out that Fadel misses Style, wants Style, and hates himself for it. That Fadel is afraid to love. That Fadel is acutely aware of his own darkness and cannot comprehend an existence that would not involve someone (Style) rejecting it. That Fadel does not believe that 100% trust is possible, but that he will get himself drunk so that he can offer Style as much vulnerability as he can physically make himself give.

Because the things that Style did find out were all the ways Fadel's heart is soft and tender and precious and worthy worthy worthy of all the love Style has to give.

And Style will stand firm on this truth because this is the only thing he has left to give Fadel.

Because Fadel knows, now, all the ways Style was unworthy of his trust, but crucially has not figured out the most important truth:

Because in all the ways that Fadel has ever known he should want, Style actually IS worthy of his trust. Style knows the truth Fadel is hiding, knows what this man is capable of, knows the danger of being in his arms, knows the likely nonexistent future Fadel has to offer him -- and wants him anyway. -- Quoted from my meta post on the "One day, I'll be your 100%" line.

And as I alluded to in the tags on @yinwaring's insightful post: Style fully embodies the belief he espouses; because even in the face of a gun to his head and Fadel threatening to kill him if he will not admit that this, too, is a lie, Style refuses to give Fadel anymore dishonesty.

And this is because Style knows that the truth matters; now more than ever.

Because Style has had days to grapple with his worry after Fadel's disappearance. Style has had a week's worth of checking the diner only to face the regret he feels about not handling things differently. Style has had to recognise the terror of thinking he had lost something he never even knew he wanted in the first place.

And while Fadel had his realisation back in episode 4, Style never had to face this until Fadel vanished from his life and left a gaping hole in the shape of the absence of Fadel's smile.

So if this is what it takes, if this is the penance that Fadel demands of him, then it is a price Style is most happy to pay.

Because Fadel does not realise is that Style, too, now knows what it means to lose a love worth fighting for.

And in the war Fadel now feels compelled to wage against Style (because, yes, that's definitely still going on), the one damning thing Fadel has failed to recognised is that his only true weapon was leaving Style behind.

Which is why Style has already won. Not because Fadel's walls have crumpled again or because they don't still have a ton of things to talk through and work out (they really, really do), but because Style has already been stripped bare (and I mean this literally, like we all recognise THAT was the reason why Dunk is only in boxer shorts in that scene, right?? Like, I know we were joking about it, but seriously, that was so very intentional and a visual representation of Style being both stripped and, most importantly, freed from the lies he felt compelled to tell Fadel) and this means he has nothing holding him back.

And Fadel can wield his gun and his words and his anger and his hurt, but Style will die on the hill of the truth that he knew and understood and chose to love Fadel anyway, and saved this last confession for when he knew he could tell Fadel the truth without any lingering deception; and when the time is right, when Fadel is finally ready, Style will be there to welcome him back with open arms and, without any hesitation, an open heart.

[unwelcome-tagalong]

btw when the Inquisition Theme surges and swells to overtake the combat music during Blood of Arlathan just as the tide of the battle changes bc Solas is helping you, my soul left my body and this cruel earth behind for a moment and i met god. if you even care

[rad-roche]

if you haven't seen the thin man and are following this blog my pitch to you is this. it's the 30s and a beautiful, young, rich heiress marries a retired detective in his late forties and pesters him to solve crimes for (mostly) her amusement. they get hammered, make vicious fun of one another, and look at each other like this

all the stuff i write and post. this is THE blueprint

[alonelyliversuspendedinliquid]

[lydiasfalling]

lil percy blurb for yous!

“can you not?” you groaned, pushing percy’s head away from your neck. it was so incredibly hard to focus on the task at hand when he assaulted your neck. he kept his proximity to you by wrapping his arms around your shoulders.

“mmm. . . no.” he smiled and dropped his dead to your shoulder. “come to bed.” he whispered into your skin, hot breath fanning over your shoulder.

as tempting as it sounded, you needed to finish up with the bracelet you were making for your siblings birthday present. you shook your head, finally focusing once again. percy nudged your shoulder with his nose, once again feathering light kisses along the slope of skin.

“perseus! the more you distract me, the longer i’ll be here.” you stated, hoping he would finally allow you to finish up.

“will you be done soon? m’ gettin’ antsy over here.” his grip loosened.

“i can tell. yes, i’m almost done. will you allow me to finish in peace? i’ll join ya as soon as i’m done.”

he had fully let go and stepped back now. “suppose. be quick, yeah?” he sat over on his bed, laying back and staring at the ceiling in silence.

as the minutes ticked on, you were able to put the final touches on the bracelet. you tied it off, getting up to join percy in bed. as if on queue, his eyes snapped open to see you above him. his hand gripped your waist and pulled you atop him.

“finally. i was getting bored all by myself.” he smiled up at you.

“well now we can be bored together.” your arms wrapped around his shoulders.

“wouldn’t have it any other way.” he placed a sloppy kiss on your cheek.

“ugh! percy—” he continued peppering soft kisses on your face, effectively shutting you up.

my masterlist

[aesthetic-uni]

Misha Collins is the funniest straight man ever. He’s the only person to arguably queerbait in real life. He had to come out as a straight. He was told by WB to just stay bisexual. He’s living every homophobe’s nightmare scenario but the only difference is that everyone actually loves it for him

[selemina]

I finally watched Animator VS Animation. I uh... I have feels. Those are some EXPRESSIVE stickmen, damn! If anything, AVA is a masterclass on body language! But it also happens to be fun, spectacular, emotional and beautiful! So much effort goes into every episode, I as a fellow animator I am measuring the amount of work and I am HORRIFIED! So it is time for another episode of "Sel finds stuff on the internet" : Go watch AVA! You won't be disappointed!

[bizarrelittlemew]

Our Flag Means Death 2x5 | Stede listening to Ed's fishing story 🥹

[kacievvbbbb]

honestly you would think Rayleigh gave birth to shanks the way they are just exactly the same person right down to their alcoholism, penchant for scheming love of sandals and other generally horrible fashion items.

In a world where Mihawk meets Shanks first, he later goes to challenge old man Rayleigh and it all starts to click into place. like "oh you're the reason I'm stuck with that" point to Shanks wearing an outfit a pattern blind person put togther.