#I feel like I need the back story for the backstory because he felt this way a bit BEFORE he began feeling like he had no personality

[lupinescribbler]

Been thinking recently about this oddly specific trope of a character being emotionally vulnerable or honest in order to be able to connect with a kid they empathize with. I have slightly mixed feelings about it. On one hand it can be overdone, to where the child feels like a cardboard cutout just to elaborate on the protagonist’s traumatic backstory, but there are also a lot of cases that I liked it or thought it was done in an impactful way.

so I figured I’d walk through a handful of examples of this trope (does it have a name???) and give my personal thoughts on each. Spoilers for the episodes referenced of course. Because of image limit this will be part 1 of 2 and I’ll link the second when I get it up.

Supernatural S01E03.

This is one of my favorite iterations of this. Lucas's turmoil, fear, and mutism were portrayed with enough effort and thoughtfulness for him not to just feel like a cardboard cutout, and the way Dean interacted with him felt in-character while still showing a softer side to him. There's also a strong plot reason (Lucas being the only eye-witness) to drive their interactions, making each scene feel like it was striving for an important purpose instead of just ham-fisting 'traumatic backstory' angst.

The scene in the park is what really starts it off. The guy who couldn't name three children he knew a couple scenes earlier, has to try to coax answers out of a traumatized mute kid about said trauma. We see Dean meeting Lucas where he is (draws with him), tries to identify what Lucas might be feeling, ("Well, maybe you don't think anyone will listen to you.") reassures ("I want you to know that I will.") and doesn't push it when Lucas seems unforthcoming.

While this scene overall is very soft and endearing, we get very little of Dean talking explicitly about his own trauma, just one vague line "When I was your age, I saw something." The whole scene is about what Lucas is feeling. Dean's feelings are there too, the audience is already supposed to be drawing parallels, but they are kept on the peripheral.

Then later in the episode we get the next Lucas and Dean scene. We've watched someone else die, upping the stakes. Here is where we really get the emotional vulnerability from Dean in a few blunt, heartbreaking, lines. Even more than that, we get a glimpse at Dean's why. Why the bravado, why he is the way he is. We also have this whole confession observed by Dean's younger brother, which -- trust me as an older sibling -- is excruciating.

Overall I think this works because a) Dean has a strong reason to be this emotionally vulnerable, there are literally lives resting on his ability to get through to Lucas. b) it had the space to be built up in multiple scenes throughout an entire episode and c) Dean is the exact type of character that needs some sort of push to be this emotionally vulnerable and earnest, so the trope just fits.

Magnum PI S01E01

This one is what I'd consider a slightly meh version of the trope. Not trying to offend anyone who found this scene specifically meaningful, but it fell flat to me. The intro joking about the dogs was good, Magnum trying to comfort his dead friend’s son was a good idea, but the “when I was your age, I lost my dad too” kinda lost me. I get he was trying to empathize with the kid, but it ended up feeling like the show was just trying to be like “look! He has a dead dad!”. Additionally the character of this kid felt flat and I don’t remember if he ever even cropped back up in the story outside of this episode or ever had a shred of personality.

In my opinion it might have worked better if they’d had Magnum talk about Nuzo instead of his father. Nuzo is the person both he and the kid cared about and lost, and while it still might have felt cheesy I think it would have felt more anchored to what the rest of the episode is about and helped to get the audience to empathize even more with the grief over a dead friend that drove the whole narrative for the pilot.

I really enjoyed the show overall, don’t get me wrong, and I’ll have another example of this trope in part two of this which — spoilers — I enjoyed a lot.

Would love to hear other people’s opinions of this if anyone sees it, and I invite disagreement.

[looniecartooni]

Spoilers for the 2024 annual:

Mimic- buddy- you don't need knives and murder... you need friends and some SERIOUS THERAPY!!!!

[arklay]

Your anger and sadness are so fucking justified. Stealing someone's oc is ridiculous. There's NO need to do that! You don't even need that much creativity to make your own, and if you're really stuck (like I get sometimes) just look towards canon characters or blogs dedicated to help building ocs. What's worse is tumblr's blocking system because, unless you block them on anon, it simply blocks their blog. They can log out and still view your blog! God I'm so sorry that this happened.

thank you 😭😭 i'm like so just horrifically angry right now that idk if i'm overreacting or if i was seeing things that weren't there, but no, the more i look and the more i match up the timeline of posts, it becomes extremely apparent to me that their oc is a copy of diana, and that really really hurts. and yes, i've cried a lot about it, because i talk about her so often and how much she means to me and how much just creative energy she gave me this year and the fact that i even write consistently now, so it hurts. i put a lot into her, so it's just really unfair, and like you said, blocking people on here is like hardly even effective

[empyrealarthropod]

not sure how to put this but does anyone else feel like some of season two’s writing and the stakes constantly being upped has undermined several important moments and instances of character development from season one?

i don’t understand the reasoning behind throwing in so many new conflicts? instead of the story expanding upon and continuing the first season, exploring what it would look like for piltover and zaun to be at war or teetering on the edge of it, how the characters would be affected by it and decisions they would make in response, they’re being involuntarily flung across dimensions and attacked by eldritch monstrosities.

the piltover vs zaun conflict, the center of the plot that everything else revolved around, was present in act one but is now being gradually sidelined and minimized for the sake of ominous magic drama and painting noxus as the one true villain.

the council attack was a grand finale, the culmination of long standing conflicts and tension that finally tipped the balance into war. but now, nevermind, it only killed a few nobodies with a lot of political power but about 30 seconds of screentime. and the blast radius was tiny.

the characters’ decisions and internal struggles are either portrayed in an unclear way that doesn’t communicate what’s going on in their heads or flat out explained by them in conversation. flashbacks are, instead of glimpses of the past overlaid with current events while the present version of the character works through their emotions about it, just straight up replays of scenes from season 1. nobody sits with their thoughts and considers what they want because there’s no time for anything that isn’t pushing the plot along at breakneck speed.

vander, as the person he used to be, served his purpose in the story. yes, he was still alive in warwick, but he would never be the same. but now suddenly it’s all family group hugs? one flashback lets him regain full control? he’s mentally back to his past self and making heartwarming comments about his love for his daughters, with no explanation for how but the power of friendship? it felt about as plausible as if silco swam back up and booked a family therapy appointment.

vander and silco knowing jinx and vi’s parents and the vaguely implied love triangle is an absolutely egregious retcon. there was no need to add that. it doesn’t add any depth, just feels forced and implausible. not everything needs a reveal of “oh these characters were actually already connected before the deliberately chosen circumstances that brought them together and played a large part in defining what they were to each other.” it completely changes their dynamics, the timeline makes no sense, and the world isn’t that small.

i get that jinx feeling unmoored and lost might kind of be the point, that not knowing what to do is just where she is right now. but instead of being a step along her way, it ends up feeling like it’s just an excuse to not do anything with her character, because she suddenly doesn’t have any relevance to the plot whatsoever? she’s just been placed in a box off to the side. and the moment she just started to get out of that lost state and begin thinking about who she was and what she wanted, she gets kicked right back into another grief arc and another devastating loss that’ll likely sideline her again with only three episodes left. at this point there won’t even be time for her to do anything outside of her own head but maybe contributing to the final battle in some dramatic action sequence. that just isn’t a complete or satisfying character arc in any way and i don’t have any idea how they’re going to end it in a way that doesn’t feel cheap or like it’s missing something.

vi is completely adrift too, but that makes sense with the rest of her story, or at least more sense than her immediate flip into wanting to kill her sister. i loved isha but she didn’t get a backstory or personality. she was reduced to a vehicle for the plot. caitlyn’s anger has suddenly dissipated, which could be explained by the progression of grief and her growing tired of war, but it comes immediately after that sequence where she was set up to be a much more authoritarian character and go on a downward spiral. like i assumed that her donning the cloak was the starting point for the next phase of her character, but then that arc was completely fast forwarded to the end. has ekko had more than two speaking lines? is heimerdinger ever going to be held accountable for his neglect? does jinx genuinely care about being a symbol or hero or is this another attempt at seeking outside validation to reassure herself? does she know what she wants? will she ever get the chance to find out? will vi ever manage to define her identity as anything other than a protector if she only has three episodes left where she’ll probably be busy fighting noxus and god or whatever insane thing is going to happen? has ambessa ever showed any vulnerabilities or human qualities besides her blunt statements that she’s protecting her family? was it necessary for ambessa to be the evil force behind renni and the chemtank’s attack, when renni had the motivation and ability to do it herself without prompting? where is sevika? what happened with the chembaron war? is zaun completely without a governing body? how are the citizens of piltover affected by noxian involvement? is there time to answer all of this?

also, i can’t figure out what it’s trying to say, if there even is anything it’s trying to say.

i don’t mean to be excessively negative, and i should clarify, i do still like the second season overall. it’s visually gorgeous and there have definitely been moments i loved. but it’s leaning closer to the enjoyability of a fun action movie than the impact of something that hits you in the feelings and leaves you thinking about it and considering it for months or years after. i would have been willing to sacrifice half the action if it let them focus on making the character writing as multifaceted and interesting as it was season one

[signanothername]

Why do you like Killer?

*Cracks knuckles* get ready

I don’t like Killer, I fucking LOVE HIM

He’s my number 1 fave au sans and has been for a very long time

Now to be clear, I’m talking about canon Killer here, i have mixed feelings about some fanon interpretations, some are good and i genuinely love them, others not so much

That being said, let’s actually talk about why i love my beautiful amazing wonderful son <3333

(All art used in this post is by Killer’s creator: Rahafwabas)

The very first hook for me is his very concept, the mere idea of a sans basically agreeing to go on a killing spree after so many genocide runs is just *chef’s kiss*

Killer knew it was wrong, he knew he shouldn’t, yet he did

Killer doomed himself by his choice, he could’ve stayed as “sans” but he chose to accept Chara’s offer, yet his choice came to be after he saw no point in refusing anymore (important addition and a correction here)

The canon comics had Killer saying that he’s the way he is cause he gave up, he said “you won, you’re the reason I’m like this”, he’s been on so many genocide runs that he felt a little part of him die each run, only to give up and go on said killing spree

It’s interesting how the player is a big part of Killer’s story, cause whether Chara was involved or not, the player is the root cause of his suffering

But what i love the most is that regardless of his backstory or reasons, Killer’s actions led to their inevitable consequences, and it forever changed him

The biggest change? His very soul, it went from a normal monster soul to his signature target soul, infused with Determination, something that supposedly hurts monsters, it’s almost like his soul was infected with it, and you can see how it physically affects him with the black liquid that constantly comes out his eyes, nose and mouth, and even at times, that sludge is too much that he chokes on it

And the amusing yet tragic parallel? Killer aimed to “feel something new” by his genocide runs, only to end up not feeling anything at all, at least at his default stage 2

Which brings me to the concept of his soul’s stages

I love Killer’s stages so so much, it’s such a beautiful unique and wonderful concept

Killer’s individual stages are sooooo intriguing to me, it shows Killer in a different light each time depending on which stage he’s in, stage 1 is the closest he is to being “sans”, the closest to he used to be, he can feel emotions and is generally back to his more lazy bones attitude, as well as his ability to actually show sympathy, and feel the pain he’s always in, but what’s interesting is that regardless of the fact he’s the closest to his old self in this stage, it’s still so clear that Killer isn’t really “sans” anymore, that no matter what, he truly had changed in a way that can never be reversed, a point of no return, even when Color saves him, cause his new habits? His fears? His pain? His trauma? They can never be taken away, Killer has to live with the scars of what he experienced

Stage 2 is who he’d become, he can’t feel anything at this stage, emotions nonexistent, and his nonchalant behavior towards himself and others is most apparent here, a parallel I like to think of is that Killer’s inability to feel anything at all is almost like prolonged sensory deprivation, when you’re deprived of sensory input/ simulation for long periods, your brain needs compensate, and so it does its job, Killer’s soul prevents him from feeling so he resorts to other methods (usually very self destructive) to compensate for his lack of emotional capacity

I also really really love how that especially during stage 2, Killer isn’t trustworthy, cause in stage 1 you can actually trust him to an extent, in stage 2 Killer’s actions, behaviors and mindset are completely unpredictable, but not because he’s random, cause he’s actually extremely calculated, yet regardless, his carelessness when it comes to his own life and other people’s lives is dialed to an 11 here, so he could either choose to kill/attack or simply stay and listen

we even get an actual in depth look at how Killer’s mind works in one of the canon comics, in which Killer contemplates whether to attack Dream or not as he listens to his own stages in his head, one of which tells him to Kill Dream, while the other tells Killer to talk to Dream first

How Killer comes to a final decision on whether he attacks or not is something I believe his calculated mind makes depending on the situation and the pros/cons of what act he chooses, Killer is pretty smart, he knows when to let his trigger happy self out and when to settle down

Stage 3 or the “crazy stage” is the stage in which he’d attack anyone in his way whether friend or foe, we unfortunately don’t have much canon info regarding this stage, but that ain’t gonna stop me from analyzing the shit outta it (and talk about how i perceive it)

I like to think of this stage as the combination between stage 1 and 2, yet it’s almost like his soul can’t truly decide on which stage to settle on and by extension founding stage 3 as a separate stage by itself, Killer becomes extremely unstable at this stage, his soul moves rapidly and it’s obvious he’s in pain cause of it, whether that pain is just emotional or both physical and emotional isn’t really clear, yet i’d like to believe it’s both, and i feel like Killer’s capacity to attack anyone at this stage is related to that pain, and something I really love to believe is that Killer can’t calm down enough to settle back to stage 1 or 2 unless he either wears himself out by fighting someone, or he’s left alone to his own demons long enough to pull himself together, if he were to be forcefully restrained during this stage, it would only serve to make it worse and prolong the time he stays that way (cough something i may or may not have made a quick comic about but never shared as always vjvjvjj)

Not to mention, one of the canonical responses Killer gives when asked if he’s ok at stage 3 seems to make Killer alternate between answers he wants to give between saying he’s “fine” and “i don’t know” which makes sense, Killer isn’t stable at all, it’s almost like his stage 1 self and stage 2 self are fighting over who gets to talk (stage 2 seems more dominant)

Yet the fact Killer is able to answer and comprehend his surroundings enough at this stage is very intriguing to me, cause it shows how much Killer is able to handle/endure (which is A LOT cause damn) and not only that, but it also gives us a very clear difference between this stage and stage 4

As for stage 4?? Woooh boi, it’s the stage I like to call “plunging into darkness”

We also don’t have much canon info about this stage, but one of the things i find interesting is the fact Killer deliberately keeps it a secret from everyone, when he tells Color about his stages, he only tells him up to stage 3, never bringing up stage 4, only for Chara to sneer at Killer that he shouldn’t keep it from his new BFF

It’s obvious Killer himself is very uncomfortable with the subject of stage 4, it’s apparent that it’s a stage that he rarely gets to, but it still bothers him enough to not want to even mention it, which makes sense, cause the comic we had of stage 4 shows that Killer gets to that stage when he’s reminded of all the murders he committed, and unsurprisingly, when he’s reminded of his brother, as what triggered this stage is actually a memory of Papyrus telling Sans to “see a puzzle”, only to be followed by memories of screams of anger, fear, and hatred of those he killed immediately afterwards, stage 4 is heavily related to his trauma

Not to mention it’s clear that when Killer gets to stage 4 he blacks out, he’s completely unaware of anything he does during this stage, and is only left to deal with the aftermath when he gets back to his senses, the fact it’s also a stage that seems to be “getting worse” is something that Killer definitely seems to hate

It sometimes makes me think whether Killer had gotten into trouble cause he killed someone Nightmare wanted alive while at this stage, cause with how he keeps it a secret, I’d assume Nightmare would be unaware of it for a while (comic idea perhaps >:) )

But y’know what’s better than talking about the stages?? Talking about Killer’s personality, behaviors and trauma

Killer can’t distinguish between what’s real or not, and it’s obvious he sometimes sees the world in the third person, as in he’s not completely there at times, not to mention the amount of voices he hears in his head, from his stages talking to him to hallucinations of Chara, Frisk and Papyrus, and oooh boi does he hate these hallucinations, the past obviously haunts Killer and it’s something he tries running away from constantly, yet he can never truly run from it when it follows him everywhere

Killer has a smile on his face most the time, but his attitude changes especially when Chara is mentioned, or when he’s reminded of his past in any way, he literally avoids food that reminds of his past life as “sans”, he freezes up at certain phrases such as “best friend” (something i also made a comic about that i never shared chchhchc)

He just absolutely hates to be reminded of the person he used to be, of all the things he used to have, cause in truth? They were all taken away from him by his own hands, only to be then forced to work under Nightmare, who only ensures that he never finds peace of mind

And the sad part? Killer let’s all those things hurt him, he lets Nightmare have his way with him, he lets Chara torment him, cause he thinks he deserves it, and most importantly, he deluded himself into believing that this is what he wants because it’s what everyone else wants, because it’s what the player wants

Killer even sometimes tries to force himself not to feel anything, cause come on, since when does he feel anything at all?

Killer, to put it bluntly, hates himself, and he thinks that his suffering is the Karma of what he’s done, and even at one point, he was going to erase himself out of existence cause he believed that’s what he deserved, as in Killer thought of himself as unworthy when it comes to Papyrus, that his brother doesn’t need him, that his brother is better off without him, hell he even tells Color that he needs to kill him if he ever reaches stage 3, it’s an obvious “ i want someone to put me outta my misery” attitude

Killer feels hopeless, and so he lets himself suffer thinking he can’t ever find peace or hope again

Yet the interesting part? You’d never know that Killer hates himself unless you’re a being of emotions (Nightmare and Dream) or someone who’s perceptive enough to notice Killer’s self-loathing like Color, that’s how good of an actor Killer can be, you’d think he’s a cold emotionaless killer but the truth only shines to those who actually can see through his act

Killer just has that amazing character depth and his story is genuinely so unique and beautiful, cause you in his story you can find details of other details within the details vhvhvjvj

All that? Mixed with really adorable little things like his love for cats, his silly attitude, his nonchalance with Nightmare, his capacity to be social with whoever, and his friendship with color? That is why I love Killer Anon <33333

[innaillus]

I saw that you were devastated with Sukuna's loss so I want to give this to you...

We have every reason and right to be depressed or angry with what happened, and I was upset with it too. I didn't like how he ended up, it was disrespectful. But for now, I'm feeling better and I hope that this might help you too. Or if not, I'd still like to share my personal story that may or may not help— Always put in mind that Sukuna was the strongest and greatest sorcerer among all of them, and there were a lot of reasons. One is that he was born in the golden age of jujutsu, Yuji and the rest were born 1000 years late. As stated by Uraume, they were lucky and that Sukuna's existence was just incarnated. He already died before sadly, but we still don't know how since we never/haven't got his backstory. Another thing is, Sukuna was always standing and fighting despite the weak state he was in like the sexy four-armed that he is. He was indeed the greatest. If Megumi hadn't fought back because of Yuji's domain expansion, he could've won. Also, they needed the whole cast just to defeat him. So he is definitely the strongest. A legend that will never die.

Always put in mind that he won. Keep him alive in your hearts and minds always, that is what makes it easier. Make him have and know he is the strongest and the greatest. Make him know that he has the victory. Stand proud, He's strong.

Just wanted to help and share advice for y'all Sukuna fans too. "がんばれ がんばれ" - ❤️‍🔥

Thank you for your message.

The sadness didn't last for too long for me. But I'm upset. I don't think this sort of ending was worthy of him. It felt rushed, and out of character. I just hope it won't get worse and even more humiliating. I wholeheartedly believe that he is, and forever be, The Strongest.

At least I don't feel discouraged. I still have a lot of ideas I would like to show you guys. I hope I'll get to do them all.

(sorry, it took me a few days to reply to this, I didn't want to write anything in an overly emotional state)

Hang in there, and thank you for keeping me in your mind, as always. <3

[starrysnowdrop]

Heyo! So I happened to see your recent ask response regarding Zenos randomly, and, honestly, I'm kind of curious on what people miss about his character! I'm not a personal big fan of him(ngl he kind of creeped me out with his, projecting himself on the wol it felt like? Note I say that as a WHM main who plays as truly heroic WoL(s) most of the time admittedly, so most of his stuff made me go no? alot XD I don't mind people who do like him tho! They're cool!), but I'm interested in understanding him better if possible, cause I know I miss things that others don't and I don't think I've seen anyone explain his intricacies without being somewhat rude about it, but you explained what you did without coming off as that. So I'm kind of curious on that essay you almost wrote if you'd be alright writing it XD (Sorry for being on anon, I am, very shy qwq)

In case you’re not familiar with what this anon is asking about, this is in response to my answer to this ask HERE. Feel free to go read that one and come back!

So, I first want to say thank you for being brave enough to reach out to me about this, even on anon!! I’m really glad that you didn’t find my comments to be rude, as that is the very last thing that I would want! If anyone did find me too abrasive in my previous post above, then I wholeheartedly apologize for that. I would never want anyone to be afraid to reach out to me because I came off as rude at some point, so I appreciate you letting me know that you didn’t think I was. 💖

Alright, now let’s get to the topic at hand: Zenos, and why I truly think that he is the most misunderstood character in FFXIV.

Zenos: The Most Misunderstood Character in FFXIV

((I wrote way too much, so it’s under the cut.))

Alright, so let’s start with what I have seen as the popular take on Zenos that I see as wrong: A lot of players see Zenos as a one dimensional character that has no depth, and doesn’t have a character arc in which he grows as a character. They see him as the annoying antagonist who has a battle boner for the WoL and that’s it. They only see his bloodlust and nothing else. They don’t think there is anything else to him, and that’s where I must strongly disagree.

So, how is he not a one dimensional character? Well, that’s because he really is a complex character, but you need to be paying close attention to what Zenos is actually saying and what his actions are throughout the story.

One can piece together Zenos’ complexity purely from watching the cutscenes, but just in case anyone is curious about going into more depth on his backstory, then I highly recommend that you go read his side story from the Chronicles of Light book entitled “The Hunt Begins”. It shows how Zenos was raised, and it reinforces why he thinks the way that he does.

Without going into his backstory too much, for brevity's sake, Zenos is actually a prodigy, someone who was born with not only incredible strength, but also incredible intelligence, and you know what happens when gifted kids don't get enough of a challenge? Yup, they get easily bored. So keep that in mind as we move along. Now, mix that boredom with a good dose of Anhedonia, or the inability to experience pleasure or joy. Now we aren't sure if he was born with Anhedonia, or if he acquired it through some mental health condition, such as PTSD, depression, etc. I'm no psychologist whatsoever, so I'm not here to diagnose Zenos with any particular disorder, but it is clear that he suffers from the lack of feeling joy or pleasure in his life.

This is actually what characterizes Zenos the most when we first are introduced to him in 4.0; he is suffering from Anhedonia AND Ennui, which according to Webster's Dictionary, is not just a feeling of weariness and dissatisfaction, but its a profound sense of boredom that arises from feeling jaded with one's life.

Zenos is suffering from a lack of joy and pleasure in his life, seeing the world as meaningless and dull, and he has found only one sole pleasure in all of it: The Hunt*. But what he means by The Hunt, is that he wants to fight the most challenging foes, challenging enough that he must put his all into the battle and be pushed to the brink of death. Only this kind of challenging battle will give him any sense of joy at all. For him at this point, there has been nothing else which has brought him joy, so he seeks out this sole pleasure.

And THAT is what Zenos' motivation is. He is not mindless in his pursuit of battle. His bloodlust stems from the desire to feel some kind of happiness at all, and unlike what some might think, not any foe will do. Zenos does not fight mindlessly against anyone at any time. That is not true. If an enemy is no threat to him, unless they purposely get in his way, he will not fight them.

This is true from the first time you see Zenos on the battlefield. At Rhalgr's Reach, Zenos sought out only the strongest fighters there, and two of them (Lyse and Y'shtola) got in his way first, and he defeated them easily. When he fights the WoL, the one who he has heard so much about, and definitely the strongest opponent among them, he becomes curious and hopes that we will give him what he wants. But in that first battle with him, he swats the WoL away like a fly, and they pose no challenge to him at all, to which he calls them "Pathetic", and then he immediately leaves, ultimately disappointed.

Note that Zenos had every opportunity to kill Lyse, Y’shtola, and the WoL if he wanted to, but he doesn’t. He leaves them alone after he defeats them. That’s not the sign of someone who is so sadistic that he’s only out for blood. The fact of the matter here is that Zenos is trying to feel something from battle, something that he has never experienced before: pure joy.

Zenos doesn’t experience this joy until he fights the WoL again several times; first he gets just a hint of it, a tiny spark, when the WoL breaks a piece of his helmet off, and he feels it even more later on when Zenos fights the WoL in the Ala Mhigan throne room. This is when Zenos goes into his monologue before he releases and takes over Shinryu, and note that the joy and pleasure he is describing seems to have a sexual tone to it, which I promise I have a point to make about that in a bit.

After the battle with Zenos as Shinryu, he finally feels the joy that he has never felt in his entire life, and because he doesn’t think he’ll ever feel anything like it ever again, Zenos takes his own life, happy to have played a bit part in the story of his “first friend”.

But as we know, Zenos doesn’t stay dead. He finds himself alive once more, and he has a singular goal: to feel that pure bliss, that overwhelming joy that he felt when he fought the WoL in the Royal Menagerie in Ala Mhigo. From ShB through EW, Zenos’ goal doesn’t change, but he does change in his understanding of what it means to have a “friend” and how he can feel happiness.

During EW, Zenos has several scenes where his understanding of his feelings seems to grow, and though that sexual tone to his descriptions of what he’s feeling towards his battle with the WoL is still there, I would argue that over time, it seems to have more and more of a romantic tone to it as well. And with this shift in his tone when describing his feelings, he also seems to question his understanding of it all.

Zenos’ character growth is the whole point of two very important scenes: the Scions and Jullus encountering Zenos in Garlemald while fighting the blasphemies, and later when Zenos goes to the Royal Menagerie alone. The first of these scenes reinforces the themes of EW with Zenos’ philosophy of life, but it is also the first time that someone says something that makes Zenos question his beliefs.

Alisaie’s words to Zenos hit him hard, and Zenos goes back to the Royal Menagerie, to the scene of where he had his one transcendent moment, his one time in his life when he felt joy, pleasure, and happiness. He realizes in this moment that, whatever you believe Zenos’ true feelings are for the WoL, which I personally argue that it is love that he feels for them, but regardless, Zenos cannot continue to be selfish and only think about his own wants and desires. He must act selflessly, and assist in the WoL’s battle against the Endsinger and stop the Final Days, in order for the WoL to give him what he wants in return. He finally realizes that it’s this give and take, this reciprocation between people, is the key to building bonds with others… Zenos finally learns what it is to be a “friend” to someone. After this moment, Zenos goes to Sharlayan to find a way to help out the WoL in their mission to save the star, and to finally be a friend to them.

And you know what that is? That’s growth. That’s having a character arc. That’s Zenos in all of his complexity. Which I still say that it’s perfectly fine to not like his character, but I only wish that people would not like him with a clear understanding of what he really is, and not what others think he is.

Alright, I think I have blabbed on long enough, but I hope that I have answered your question anon! If you need me to clarify anything further, please don’t hesitate to ask me! Thank you so much for your ask anon, and thank you to all who have read this! 💖

[lurkingshan]

Japanese QL Corner

We are up to seven live airing QLs from Japan! Five of these are on Gaga and two are being generously provided via fansubs.

A brief interlude for me to climb on my soapbox: if you are a fan of Japanese queer media who is not based in Japan, you really should be supporting GagaOOLala. They are the sole international distributor of most of these shows and the only reason international fans can watch them as they release. They’re a queer-owned Taiwanese company specifically focused on providing international access to global queer media, and their monthly subscription is much cheaper than other streaming services. They’re not perfect but they are quite responsive to feedback about their catalogue and approach; please consider subscribing if you love these shows!

I’m really loving most of these shows and I highly recommend jumping in to the weekly watch!

Takara's Treasure

I fall more in love with these two every week. We finally got some answers on Takara's backstory, and as expected, it is the mother who abandoned him that has been harassing him. Taishin blazed in to give that lady a piece of his mind before even realizing who she was, and it only made Takara love him more. The revelation that Takara is holding back with Taishin because he doesn't want to be covetous like his mother sent me into a bit of a tailspin. I loved Taishin getting his moment to reciprocate Takara's care, as well as Takara's amusement that Taishin still hasn't pieced together what they are to each other. I'm excited for it to finally click for him soon.

Sugar Dog Life

I'll be honest, this first episode did not hit right for me. I always struggle with copaganda heavy romances, especially when the show is intentionally framing cops as benevolent and explicitly linking that to the romantic arc. But I liked the cooking parts of it a lot! We'll see how it proceeds. This one is being fan subbed, so if anyone is having trouble finding it feel free to hit me up in DMs and I'll point you.

Cosmetic Playlover

This one is coming in hot with two episodes a week, because Japan is trying to kill me. I like the concept and vibe but the execution is a bit all over the place; it feels like they want this to be a dark story but aren’t willing to fully commit to that, so dark things happen but then get treated too lightly. The pacing also feels a little wacky and we’re rushing through plot and relationship development in a way that leaves it all feeling a bit ungrounded. Sahashi went from harassing and threatening to out Natsume to kissing and claiming to be serious about him in the space of 15 minutes, and then suddenly in the next ep there’s a new villain and suspense plot. This one is just not clicking; I’m tilting my head with a furrowed brow.

I Hear the Sunspot

Sigh. I really didn’t need another arc about a third party interloper coming between the boys, but here we are. Maya is a throwback to the bad old femme fatale archetype steeped in misogyny and I don’t love it. She’s arrogant, manipulative, and mean for no good reason, and she doesn’t feel like she fits in this story about decent people trying their best. There was a way to do this plot with a more sympathetic portrayal of her, but unfortunately they didn't take that route. I’m disappointed that she’s with us for multiple episodes, and it’s hard to believe this rude little girl can really come between them. I said last week that it felt like they regressed Kohei and Taichi’s relationship in the time skip and I’m feeling that even more now. Aside from this mess, I really liked all of Taichi’s scenes with his friends this week as he continues trying to work out his feelings for Kohei. I hope we get back to Taichi and Kohei spending time together again soon; that’s the real heart of this show and I already miss it.

Ayaka is in Love with Hiroko

Sigh. Last week I was mad at the characters around Hiroko, but this week I am forced to be mad at the show for how it's dealing with this entire plot involving Hiroko's decisions about her privacy at work, Risa's inappropriate interference, and Ayaka's bizarre conclusion that she should announce her love for Hiroko to the whole office. This whole love triangle and forced outing plot was ill-considered and it's dragging the show down; we should not have had Risa being so wrong and manipulative or ventured into queer workplace politics at all if the show wasn't prepared to take it seriously. On the plus side, we finally got the backstory for Hiroko, and it was surprising in a good way. I hope this show can get back to the zany comedy it was doing so well before it got bogged down in all this mess.

Mr. Mitsuya's Planned Feeding

Episode 3 just went up on @isaksbestpillow's blog, and it's a fantastic one. I was howling watching Mitsuya wailing on his ex and poor Ishida trying to process this new rival on the scene. Shige continues to be the MVP and I loved the way he encouraged Ishida with a mix of sage advice and sexy sass (also loved that Mitsyua immediately knew that gossip ratted him out). And I screamed again when Ishida got worked up and confessed; I didn't expect that to happen so fast and it was excellent! This show feels so mature in the best way; I really feel like I'm watching adults who have lived.

Tagging @bengiyo to add the anime update!

[villainsandvictimsalliance]

Time to be delulu yet completely serious on my bnha 423 opinions.

Good points: The resolution between AFO and Yoichi was satisfactory, love as a reason for evil and evil deeds, the rooftop trio having one final moment full of emotion, the moment of Kurogiri thinking about Tomura and the LOV, Deku having a quirk of his own born out of determination and hard work, Deku as the protagonist of bnha in general, Tomura's last actions and words.

Bad points: Rushed arc conclusions, moments that felt kinda repetitive or lacked the punch given that we've seen/lived them before, not the best compositions we've seen from Horikoshi on the panels, Tomura's arc being rushed to a martyr ending— for impact???? ( or it ending on another cliffhanger that is gonna turn to be different from what we expected ).

I'll go in depth, so please check under the cut.

GOOD POINTS:

Yoichi and AFO:

The last conversation among these brothers was everything I was expecting. The love was there and it transformed them. It made AFO a monster and Yoichi a ghost.

For me, this time the AFO ending needed to be quick because we've already said goodbye to him too many times. This was supposed to be about AFO's refusal to give up on his brother and the unresolved relationship of those two.

I really liked how Yoichi reminded AFO that he needs to face the consequences of his actions and that he's love won't be able to save them.

Villain love:

Love as a reason for pain and destruction is perhaps one of my favorite tropes. So many stories approach love as this purely morally good feeling, when in the end it is just like any other feeling, you know?

People go to war for love all the time. They kill for love. Die for love. Do unforgivable things for love. Human existence is sooooo complex, why would love be the exception?

Horikoshi has been REALLY careful with the AFO backstory and his motivations. He didn't want an antagonist that felt empty. He made AFO human without redeeming him, okay? Because our ability to sympathize with some of AFO's traits doesn't make him less evil. To put it simply, it means that evil things are also human at heart.

Even those acts that you can't forgive or forget are motivated by something.

Kurogiri and the rooftop trio:

We knew from the beginning they were not the main characters of this manga.

We've gotten their story through glimpses and moments. Their time together had always been somehow rushed. Too many things to say, not enough time and they are on opposite sides of the war after all.

We knew that Kurogiri would go back because we knew he would protect Tomura during the final fight. We knew that he'd help the heroes defeat AFO. We knew he'd have to make his choice and say his goodbyes to his old friends.

Kurogiri, Tomura and the LOV

"He's friends are waiting" along with the image of Spinner asking Kurogiri to bring Tomura back to them was the highlight of this chapter for me. (You all expected it, right?)

Something about the way it reads like a father who wants his son to live because he is being waited for. He has friends who love him and would do anything to protect him, see him safe and sound. Something about the symbolism of Spinner putting Father (aka Kotaro's hand) on Kurogiri's face as he asked for it.

This chapter acknowledged that Kurogiri and Shirakumo share the same character core. They are always the protectors, the ones who would sacrifice themselves to see their charge survive. Similar to how Mic was waiting for Shouta so Shirakumo made sure that Shouta would survive, Kurogiri wants to do the same for Spinner and Tomura.

This alone would require an entire post to elaborate.

Deku's quirk:

The debate between endgame quirkless Deku or endgame OFA user Deku is settle.

I really liked that Deku got a quirk on his own that was born out of his own determination to be a hero. It's a nice representation of all he is as a character and what he stands for. Similarly, I enjoyed a lot the fact that it was short-lived. I'm the type who likes it better when things require a sacrifice or when miracles have their own conditions.

Deku doesn't feel overpowered to me. You get that sense that he really deserves everything he has and that it hasn't been a nonsense gift from the narrative. There's also the human condition, the limitations that keep him grounded.

Bnha and Deku:

Deku defeating AFO 'cause villains and heroes help him, his friends being there for him and being there to cheer for him as he fights, his sensei being there despite the fact that Aizawa at first thought Deku wouldn't make it— all the details that make bnha what it is.

They were good.

The UA kids really keep the story consistent when it is about them. They don't give up on anyone, they fight for each other, they stay to witness things for themselves. I love them <3

Tomura's last actions and words:

Careful here. Listen to what I'm saying.

If the narrative had pointed out to this ending, this would have been a good way to execute it.

Tomura coming back along with the vestiges to pack one final punch to defeat AFO— I know many fans that would be moved to tears and would be super excited to see it. Tomura was on point in this chapter, dialoguing with Deku without the hatred in his heart, his face being clearer and almost tender.

He felt defeated, like he had accepted his death already. There's also the connection to Kurogiri and Nana (who defended him) and his words to Spinner, that are meant as a general message to depict how much Tomura values the LOV.

Even the fact that AFO kept him around 'cause a part of him loved / cared about Tomura feels fitting, but I'm not sure if I correctly read the leaks in that part...

Anyway, we got the old trope of the antagonist who used his last moments to help defeat the real villain. It serves as his redemption and the expectation is for the public to feel sorry bad for him.

BAD POINTS

Rushed conclusions:

In my opinion, this chapter was too fast paced and therefore was not as emotional as it should have been.

It doesn't give the feeling that it's fast because the battle is intense. It gives the feeling of too much information packed on one chapter, so nothing really shines on its own. It's way too informative, not enough action narration.

Like I said before, the fatal mistake of a story is to be boring. Art has to provoke you, it has to engage with you, question you, awake things in you. This chapter tho, many things happened at the same time and it grew a bit murky.

Repetitive moments

Again, personal opinion here.

I think certain bnha movies were a mistake. Not because they were bad or boring or whatever, but because Horikoshi wrote parts of bnha real ending into them to the point you'd say "we've already seen that" while reading bnha 423.

Deku and Bakugo teaming up to defeat AFO was so expected. Not as in "the narrative is making sense", but as in "we saw it on heroes rising".

I feel the same with the students all appearing to help Deku fight AFO. That's a typical shonen structure where the friends making space for the protagonist to reach the main villain. It was already happening, so why bring AFO back?? I think the story is over-explaining here, making everything way too obvious. We could have had AFO's resolution with Yoichi before and the students moment after. In truth, it feels like Horikoshi closed some character arcs before he should and left plot holes without explanation, so he needed to reopen to accommodate.

Panel composition:

I admire Horikoshi when it comes to panel composition. He has some amazing panels that make the story really flow, but bnha 423 isn't there.

There are too many elements clustered and empty spaces that don't feel with purpose (in manga, even the blanks must have a purpose). This chapter should have been at least two, so you wouldn't have to rush Bakugo appearing, Yoichi and AFO resolution, Kurogiri saying his goodbye to the rooftop trio and facing AFO for Tomura's sake, Deku remembering where he started and where he is, Tomura last words and the Tomura and Deku resolution...

Those are too many important plot points to illustrate in a hurry.

Also?? The panel of Tomura and Deku punching AFO is so unserious. Totally wrong place to be funny sjbdjdnd why does it even feel like the vestiges are punching air???

" Tomura's ending " :

I'm not the first to say it feels anticlimactic and as if it isn't the ending at all.

The major problem is that through the manga, Horikoshi has focused a lot on Tomura as a character, carefully developing him, giving him tropes that are often reserved for the hero or the main character, making sure we empathize with him, we understand him, hyping up Deku's journey to rescue him.

We got an entire arc from the LOV perspective. This is not the type of one sentence ending you give to an antagonist you spent so much ink and sweat on. The nonchalant way of Tomura accepting his death? The little reaction from Deku? What was the purpose of the manga building up the LOV friendship to the moment where Kurogiri told AFO that Tomura's friends were waiting for him, if you'd make him just disappear on thin air?

This reads absolutely like a bunny within a hat.

That's being optimistic.

If we want to be cynical, maybe this is all there is. I don't find it readable to end the story with Tomura dying. All that effort to save him and it ends in "oh well, he decayed along with AFO"?!

If you think about it, Toga status is unknown because we don't even know where she went or if she's still alive, Touya status is also unknown although we know he wanted to live and that the ice prevented him from further damage, we haven't seen Spinner, we don't know if Kurogiri vanished with that last attack on AFO and now we saw Tomura decaying into the wind.

Yo kill half the surviving LOV would be a bold move that wouldn't follow the narrative. The reward for the hero students should be being able to save their counterpart, so the world can regard them as the greatest heroes 'cause they save the unsalable and blah blah blah.

There's also the fact Tomura hasn't been saved yet. Tenko? Nana and Deku saved him from Kotaro. The crying kid? Saved from AFO by Deku and the vestiges and the others. Tomura? Nop, he's dying/dead. The one person Spinner really wanted to save was Tomura. He didn't know about the crying kid or Tenko. He wanted to save his friend, the "irredeemable" villain, the young man he played videogames with and fought alongside and vowed to follow.

If this is the end, it's incomplete.

So we might hope it is not the end.

[miraculousystuff]

I’m Done

lil backstory*

Marinette’s life in class was crumbling down, or so Lila thought. Her friends had abandoned her, and while Adrien was still on Marinette’s side, he couldn’t actively do anything about it. But not a worry. Adrien would be hers.  

Meanwhile, Marinette was at the brink of depression. She had lost all her friends, her new responsibilities as Guardians were pressuring, not to mention the akumas that Hawkmoth was sending were downright annoying, waking her up at 3am, plus the finals and the studying needed for it, in additon the babysitting, commissions for celebrities and more. But she was Ladybug for a reason. And after ranting about it for about two hours to Tikki, she was finally at peace.

Because the next morning, Marinette woke up and stopped giving a shit.

*end of lil backstory*

As Marinette walked to school, she felt oddly refreshed, like a weight had suddenly dropped from her shoulders. Aurore and Mirelle greeted her, as they were now one of her closest friends, along with Kim and Alix. Surprisingly though, her best friends were Chloe and Kagami. Chloe had apologized for her previous actions, finally maturing enough to see the errors in her ways and the damage she was doing. And as soon as Kagami heard what was going on, she immediately transferred into Dupont. Marinette was actually quite popular amongst the school, just not with her class. As she walked into the school, she was immediately met with a teasing remark. “Damn Mari-bug, you look like you haven’t slept at all!” Chloe snickered. “Hey you try running on two hours of sleep and 5 and a half cups of coffee.” she grumbled in return, smiling slightly as she made her way to Miss Bustier’s class with her.

As she walked through the classroom doors, surprisingly early, she was immediately met with harsh glares from the class. Usually, she would respond with her customary fear and shyness at the glares. Sometimes even get teary-eyed. But today was different. So instead, she merely rolled her eyes, and paved her way to the back, matching the angry glares with cold ones. As she settled in her seat, she inwardly counted. “3. 2. 1.” As if on cue, Alya lunged at Marinette, glaring furiously at her. Keep in mind, Mari’s blood was practically running on caffeine at this point, and she was not in the mood for this. But Alya was already talking. Sipping her coffee, only Marinette knew how much of a mistake that was.

“How could you do that to poor Lila! You hurt her because of your jealo-”

“Shut up.”

“What?” Alya said, dumbfounded. Usually, Mari either bursts into an angry rant or tears. But currently she was scrolling through her phone and sipping coffee like Alya wasn’t even worth her time. Alya was disgruntled. This was not the reaction she wanted. But being her stubborn self, she would not let it go. So, once again, she tried to jab at her.

“No YOU SHUT UP!”

Marinette rolled her eyes at the sheer immaturity of that sentence alone. “I swear to god…” she muttered, before taking a large sip of coffee. She had a feeling she would need it. In anger from being ignored, Alya decided to speak, not understanding how stupid she sounded.

“I still can’t believe you would-”

“I was doing shifts at the bakery the last 24 hours, no sleep, so unless I can teleport, can you care to explain what I could possibliy have done to your precious Lila?”

“I-”

“Oh that’s right! You don’t know, and I don’t care enough to bother listening to the two hour explanation filled with more holes than Swiss cheese that you are undoubtedly going to yell at me, so let’s get this over with shall we?” Mari said, her eyes showing exactly how much she cared about this conversation. She waved her hands to continue, looking just as bored as she sounded.

“You went through her phone, and because she was talking to Adrien, and threatened her!” Alya screamed angrily, and was about to yell more, when Marinette cut her off.

“Wow. She flipped the story around. Genius. Not. I’m still surprised that she bothered really, but I’ve come to expect the unexpected. You know what is expected though? The fucking idiocy of the class used to shock me. Now I’m just used to the fact that every single one of you guys are dumb. Seriously. Y'all dense. You genuinely think that I would waste my precious time and effort on Lila, when I could be doing better things? Working, sleeping, watching paint dry?”

Crying fake tears to hide her fury, Lila piped up. “You think that I’m a waste of time?” she whimpered.

“Precisely.” Marinette said, not even bothering to spare a glance at her, and resumed looking through her phone. Alya was dumbfounded, too shocked to retort.

Hawkmoth sensed annoyance from Marinette. While there were many strong emotions, he had been looking forward to akumatized Marinette for a long time. He did his little speech, and the akuma flew straight into her coffee cup, turning it into a ugly purple color. “Princess Justice, I am Hawkmoth and I will grant you the power to-”. He was cut off by a rather pissed Marinette. “Give me the power to do what? Walk around in an ugly onesie destroying Paris and trying to grab some teenager’s jewellery because for some reason you can’t do it yourself, or design anything that doesn’t look like a hot mess?” she snickered at a rather shocked Hawkmoth.

“Did you just call my outfits ugly!”

“And a hot mess.” she supplied.

“They are neither of those things! They were designed by a world renowned fashion designer!”

“Well that fashion designer was clearly blind. And deaf, because the outfits practically scream ugly.“

“Excuse me?” 

“Change my mind. I dare you.”

“...”

“Yeah that’s what I thought, Hawkass. Now, you have completely ruined my coffee. Shame. I was looking forward to it. My favourite too. Anyway, I expect at least $100 dollars compensation and a free coffee for my trouble. And if you can’t afford it, I can see why you need the accessories. Speaking of which, not only do I expect that voucher, I want your miraculous too, and while you’re at it, get Mayura’s as well. Au Revoir.” Marinette finished, tearing the cup in half as she did so. She went back to drawing, blissfully unaware of the shock on her classmate’s faces. 

Adrien had a lot to think about. Previously, he saw a news story about a girl who commited suicide because everyone turned on her, beleiving rumours instead of her actual personality. Shocked, Adrien realized that he needed to apologize to Marinette. Still thinking about it, Adrien walked in, and noticing the obvious tension in the room, centered around a certain bluenette, quickly slid into the seat next to Marinette. “What did you do?” his tone wasn’t accusatory, more… confused. Not even looking up, she replied. “If you dare tell me to take the fucking high road, I will shove that advice so far up your-” Adrien cut her off, only a little bit alarmed at her gorriness. “I get it. I actually came here to apologize. The advice was terrible.” he said, and Marinette smiled up at him. He smiled back, and for a second, they shared something that Lila quickly became jealous of as she snuck a glance. But the moment was broken as the teacher walked in. Yet Adrien did not miss the silent “Just a friend huh?” from a certain mini god of destruction. 

Lila thought that there was no way Marinette could keep up this attitude. Boy was she wrong. For example, when Lila had tried to corner her to threaten her, she responded with a cold glare and a “I’ll listen to you when hell freezes over. On second thought, even if it does, you can fuck off, because I’m still not listening.” When Nino tried to ask for some of the pastries she brought for her friends, she looked him dead in the eye and said “I’ll share them with you when you grow a brain, and leave your herd of sheep.” then left. But the icing on the cake was when Juleka came up to her crying, expecting comfort, and Marinette turned a blind eye, saying no, and when Juleka said that that's what friends do, Marinette quickly retorted with sugary sweetness that would soon haunt the akuma class’s dreams. “Honey, you’re right. That is what friends do. But I’m not going to help you. Why? Because I’m not your friend. Not anymore.” she said, leaving a rather stunned Juleka in her wake.

At lunchtime, Marinette was talking to Chloe about something, and Alya watched with jealousy as she laughed with Chloe like she used to do with her. The feeling was quickly shaken off however, as Kagami sent a smug smirk her way, and the jealousy was turned into what she thought was rightful rage. Just then, Mylene went up to Marinette. “Hey Mari, can you make me something for the new play? I’m auditioning for Lady Bravery, and I need a costume! It’s tomorrow, plenty of time! ” she asked. Mari smiled, but Alya could have sworn she detected a hint of smugness as the girls in the akuma class drew next to Mylene. “Sure. Just give me the details and I’ll send you the price.” she said brightly, and Mylene turned pale. “Price…” she stuttered. Marinette smiled innocently. “Well of course, you can’t expect me to give you it for free. The materials are expensive and so is my time, plus it’s such short notice.” Mari explained.

Just then, Alix came into view. “Hey Mari, do you mind if you make me a dress for my date with Kim?” she asked. “When do you need it?” Mari asked warmly, contrasting from the fake sweetness that Mylene received. Smiling brightly, Alix explained how it was only a week away, and she was so sorry for the short notice. She needed it to match her style. Lila watched, gritting her teeth. If Alix and Kim were on her side, she could and would have easily used them to beat up Marinette. But of course the only two people with more strength than a snail also had to have a brain bigger than the size of a pea. How annoying. “Of course I can make it Alix!” Mari said. “How much would it cost?” Alix asked, but Marinette waved her off. “It’s free! You’re my friend!” Alix beamed and thanked her, and soon a rather large crowd was slowly forming around Mari. It seems that as soon as she left, Marinette realized it, so sighing, she turned her attention back to Alya, who was purple with rage, and Mylene who looked like she was about to sob any second.

 Alya decided to intervene. “WHAT! WE NEVER HAD TO PAY BEFORE! HOW COME ALIX GET’S IT FOR FREE AND MYLENE DOESN’T!” she yelled, but Mari not only rolled her eyes, she snickered with Chloe, making Alya’s fury swirl. “Yes well that was when you were my friend, and now you’re not, so I don’t think you deserve my kindness. I’m not handing out freebies to you anymore. Suck it up. Mylene, you can either pay me or you can leave, and honestly I’m fine with either. But just to let you know, the price would be $370, not including material prices. Alya, you’re just being a plain bitch. Give me one good fucking reason I should give you anything for free. You believed a liar over your best friend, harrassed me, abused me, and destroyed my property. Not only that but you yelled at my friends for being my friends, and then wormed yourself out of trouble by tattling to that useless teacher Miss Bustier!” Mari said, sharing a glance with Kagami. “Mylene has done nothing to deserve my kindness. All she has done is stand by and watch me crumble at the hands of every single one of you.” Marinette ended her speech, glaring furiously.

As Mylene burst into tears (to Marinette’s annoyance), Alya decided to take action. “Take that back!” Alya demanded, and visibly angered at Marinette’s denial. Appalled, Alya decided that there was only one course of action.

“Fine then. We are not best friends anymore, not until you learn the consequences of your actions.” Alya said, expecting apologies, tears and possibly groveling from Marinette, but she got…confusion?

“Oh! I thought we established that already. We are not best friends, nor are we friends, and we will never be friends again, or classmates for that matter. Because I plan to get rid of toxicity. I’m transferring to Mrs Mendeleiv’s class, effective immediately.” she bit, adding venom to every word, and swept out the door, leaving applause and a dumbstruck class. Lila watched in awe. Maybe she should have befriended Marinette. 

Alya rushed back to class, along with Ivan and Max. “How dare she insult Mylene.” Ivan growled. Lila was watching this gleefully. “Hey, is that Marinette’s sketchbook?” she said innocently, knowing that the plan would form all on its own. That’s how it worked really. Lila never had to lift a finger. They practically carried her. “Yup. We’re going to rip it, or in my case, use scissors.” Max said. They got to work, tearing every single design, note or sketch in that book. Soon it was reduced to peices, and a smug look on Alya’s face was almost as priceless as the face Marinette’s when she saw this. Lila smirked evilly at the tattered remains of paper on the desk. She quickly wiped it away at the classmate’s glances, but returned soon at the thought. If this didn’t break Marinette, nothing would.

As Mari came to pick the last of her things, she noticed the torn up prices of paper, on her desk, most likely at the hands of Ivan and Max, who was surprisingly good with scissors. Instead of being heartbroken like the class expected, she shrugged and smirked. Lila piped up. “We ruined your sketchbook! That’ll show you to be mean!” she smirked smugly. “Do you honestly think that I would leave my sketchbook with you goblins?” she smirked knowingly, then it hit Lila. With all the abuse she had been getting, she wouldn’t leave her most prized possession unattended. “Who are you calling a goblin?” Ivan growled.

“You,” Mari continued “Anyway, what you actually destroyed was the information for the class trip to London.” Gasps were heard, but Marinette ignored them and continued. “Luckily I have backups.” There was an obvious relief in the room, but Mari smiled smugly, Lila knew she wasn’t done, and she honestly considered switching sides from the mere look on Mari’s face. Mari continued. “Unfortunately, they aren’t for you. Seeing as you don't appreciate me, I am now going to Mrs Mendeleiv’s class. I’m sure they’ll enjoy London, and business class seats.” The shock of the class could not be described as she walked out, her friends in tow. 

Marinette meant what she said. She transferred, along with her friends (Kagami , Chloe, Kim, Alix and Adrien). Lila was elected class president, but her kingdom of cards came crashing down, as all the promised connections were revealed to be nothing more than dust. The class found out the truth. They tried to bring Marinette back. They begged, blackmailed, bribed. But she wouldn’t. And everything fell apart. No more free dresses, free food, fun fundraisers, fantastic field trips. They saw how much fun she had with the other class, seeing the Big Ben, London tower, and even a selfie of them having tea with the Queen! Meanwhile, they could barely go to the Eiffel Tower for the field trip, and had to buy cheap costumes which were of bad quality. They quickly fell into despair, rage, and jealousy.

All because of a certain liar.

Fin

[absolutebl]

This Week in BL - All's Quiet on the BL Front

Organized, in each category, with ones I'm enjoying most at the top.

May 2024 Wk 3

Ongoing Series - Thai

Wandee Godday (Sat YT) ep 3 of 12 - I love how were getting a solid depiction of two queers just genuinely enjoying sex with each other. That’s actually rare in BL. In this case, it manages to also be weirdly adorable and cute.

Dee is such a tease. I guess Y likes a brat? 

LOOK at those bedroom eyes!

Linguistics corner: when these two are being serious, sweet, or flirty with each other they use rao/nai which is kind of old fashioned and charming and not common in BL. They move pretty seamlessly into gu/mueng and back depending on the style of convo, tho. It's FUN to hear them talk.

Let the fake relationship commence!

My Stand-In (Thai Fri iQIYI) ep 4 of 12 eps - I HAVE THOUGHTS. I'm really enjoying the sinister backbone of this show. I hope they have the courage of their convictions in that regard and lean into a kind of sexy evil revenge narrative. It was a pleasure to watch the break up and I do not want a redemption arc for Ming or a romance for us. Fuck 'em, let’s just ride a revenge train, okay Joe baby?

That’s said, I totally sniffled at the ending scene where Ming (for two years!) has been paying penance cooking for two and waiting alone. Excellent pathos. Now, I understand how they're gonna make this a full 12 eps. And I’m excited about it. Carry on!

We Are (Weds iQIYI) ep 7 of 16 - I wasn't a fan of Winny & Satang in My School President but I'm loving them in this. The thing with Q, Toey, and Chain had me hooting with laughter. I think I’m finally just easing into the relaxed absurdity of this show. The key is not to expect anything from it. Just them being tiny gay idiots.

Two Worlds (iQIYI) ep 10 fin - Someday I’d like to really enjoy a MaxNat show, but today was not that day. (I feel like ever since Between Us I’ve been generally disenchanted with established OG pairs and what they’re bringing to the table. Perhaps that’s a discussion for another day. Cherry Magic excepted, of course.) 

OK, so this final episode, they sure tried to fit a lot in. But that made the pacing better for me. So I kinda liked this weird cliff notes resolution to the story.

In conclusion:

MaxNat do a credible job with a messy script about parallel worlds, gangsters, and strange diseases cured by forest fruits. It sounds confusing because it is. The chemistry is excellent the side pair is entirely forgotten about, and one could drive a Tardis through the plot holes. Still, I found it modestly enjoyable if not at all rewatchable. 7/10 

Only Boo! (Sun YouTube) ep 6 of 12 - I do love how bold and brash Moo is. He’s truly a great character, such an utter outgoing sunshine puppy focused on his pursuit of his older boy. I'm charmed by his utter harmlessness. They gave us a sweet coming out scene, and an awesome supportive mom. Frankly GMMTV has a good track record with moms. (With a few noted exceptions, of course.)

That said, I do keep forgetting this is a GMMTV offering. It just doesn't FEEL GMMTV. Just me?

OMG Vampire (Thai Sun ????) ep 1 of 10 - Starts tomorrow, will report on sitch next week. LeeFrank are back - not unlike the undead. But how do we feel about it? Unsure given their track record.

Ongoing Series - Not Thai

At 25:00 in Akasaka AKA 25 Ji Akasaka de (Japan Thurs Gaga) ep 5 of 10 - I like it. I like our sulky 2nd lead. He’s pouty, adorable, brash, and adding some much-needed tension to this narrative. The blurring lines between show within a show is a lot of fun. Probably the best I've seen done in BL so far.

Living With Him AKA Kare no Iru Seikatsu (Japan Thurs Gaga) ep 6 of 10 - I like that we got backstory, but we also sort of already knew it. So this ep felt a bit like filler. They are wonderful when they’re on screen together but when they aren't it's a bit dull. I hope we just get them together for the next 4 eps. But this is Japan, so I doubt it.

Blossom Campus (Korea Thurs Gaga & iQIYI) ep 1 of 6 - The image resolution on this show (via Iqiyi ) is terrible. Meanwhile, awkward crush. Jock nerd pairing. Dorky. Maybe a bit too much awkward/dorky for me? I'm not sold on this one.

Meanwhile the ordering then not eating or drinking of food continues. Very upsetting.

Boys Be Brave (Korea Viki) eps 5-8fin - This show was just never sure what it wanted to be. Slacker sunshine KiSub moves in with nerd JinWoo, mostly because he knows JinWoo likes him but won't confess and that's never happened to him before. It reminded me of some earlier KBLs like Behind Cut, yes is had bones but not much flesh, so it only just hung together and progressed through not very much plot in a jerking rattling fashion like an animated skeleton. All the story and chemistry was with the side couple and none of the screen time. That just annoyed me. What did this BL want to BE? Who tf knows. I, for one, don’t care, and resolve to think no more on it. 6/10 

Blue Boys (Korea Sat YouTube) - This ended at 4 eps on a cliffhanger. Since this is a very small studio I don’t have a lot of faith in there being a part two. But they have bundled both this BL, and the GL, bingable chunks on YT. So if you want to binge it, it’s there. Just be aware that it ends on a cliffhanger.

My thoughts?

Promising reunion romances full of class and coming out struggles but I grade with what we got, not on expectations, and you know I HATE a cliffhanger. So yeah, it HAD promise but as of now it gets a 4/10 - fatally flawed. I reserve the right to change my mind if they amend for damages.

It's airing but...

You Made My Day (Thai YT) ep 1 of 5 - mini series staring the I Will Knock You couple Tar & Bom, started but I couldn't find it. I also didn't try very hard.

Lady Boy Friends (Thai WeTV grey) 16 eps - reminds me a bit too much of Diary of Tootsies only high school. Not my thing. DNF unless it turns a corner and is truly amazing.

A Balloon's Landing (Taiwan movie) trailer - A frustrated Hong Kong writer, Tian Yu, meets a Taipei street gangster, Xiang (Fandy Fan from HIStory2: Crossing the Line), and the two of them embark on a journey to find the Bay of Vanishing Whales. Along the way, they discover unexpected twists and turns and close bonds, which brings out the message that "there is always someone like you in this world who is waiting for you. This released to cinemas in Taiwan, no word on international release.

In case you missed it

A really really thorough and fascinating article on 2 Moons 2 and what happened.

Next Week Looks Like This:

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

May Releases

VBL (Taiwan) is releasing 4 'Special Episode' epilogues to their 4 2023 shows every Friday this month on Gagaoolala, Viki & Viu. Not sure on search terms or how to find these. (Or, frankly, if we need them.)

5/10 – You Are Mine

5/17 – VIP Only

5/24 – Stay By My Side

5/31 – Anti Reset

5/25 The Time of Fever AKA Unintentional Love Story 2 (Korea movie) trailer - HoTae & DongHee are back but unfortunately not in a cinema near me. Side couple from Unintentional Love Story, same actors, same character names. I love them. I NEED TO SEE THIS.

5/28 My Biker 2 (Thai movie YT?) - trailer

5/30 Knock Knock Boys (Thai Thurs WeTV) - I'm hoping I can get it elsewhere since my WeTV account is inactive, but I do love Best and I'm interested in seeing him in a new pairing. That said, I'm not wild about Seng... so I won't be too cut up if I can't get hold of this. More here.

5/31 The Time of Huannan (Taiwan movie) - May not be BL

THIS WEEK’S BEST MOMENTS

I'm a sucker for this king of casual claiming. (Only Boo)

It me! (Wandee Goodday)

(Last week)

Streaming services are listed by how I (usually) watch, which is with a USA based IP, and often offset by a day because time zones are a pain.

The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @rocketturtle4 @blglplus @anythinggoesintheshire @everlightly @renafire @sunflower-positiiivity @mestizashinrin @bl-bam-beyond @small-dark-and-delicious

If ya wanna be tagged each week leave a comment and I will add you to the template. Easy peesy.

[nvuy]

just thinking about argenti who has so much love to give to the whole universe, who is on a neverending journey of spreading the beauty across the cosmos faithfully, unwaveringly; argenti, who is never capable of receiving that kind of love back. because he cannot stop. because he cannot stray from the path of the aeon that hasn't answered to his prayers even once in his lifetime. because if he dares devote himself to anyone other than idrila, that person is going to have to wait for him all alone, thousands of light years away. lol

warnings for dark themes, angst, argenti backstory references so he’s insane and weird, and argenti literally murdering you, i guess.

i have this in my inbox as well. i liked the link, so now you WILL hear my thoughts.

i had so many thoughts for this prompt initially, but i just couldn’t string it into anything that was actually coherent.

somebody actually came into my inbox and said the interpretation of argenti’s story is wrong and i’m wrong and he didn’t actually kill his friends and SHUT UP i do what i want, and it’s just that: an interpretation. i like putting tragedy into my characters. it’s like adding salt to a bland meal.

anyway.

the worst part about this prompt, and yours, is in his inability to stop his pursuit of finding idrila, he meets you, and he does fall in love despite his promise to venture the stars alone on his journey.

argenti finds falling in love is beautiful at first. you’re supportive, even if he leaves you for extended voyages. he always brings back trinkets, gifts, leaves you one thousand messages a day that read more like love letters than normal texts, and the love he showers you in is endless.

you don’t doubt him for a second.

and then, things change. you tell him it’s difficult to love a person that’s gone for so long.

argenti does truly feel sorry, and he pities you, but this is who he is.

and you’re hurt. his devotion to idrila aside, you tell him that he’s crossed galaxies to find an aeon that does not care for him, nor the other fellow knights of beauty. they are not emanators bestowed with idrila’s power, nor has idrila been sighted by anyone for eons.

to you, it feels like he’s pining for someone else. you are in love with his undying loyalty, and his unshakeable faith. but, it hurts to be away from him for so long while he chases after a being well above you.

argenti cannot stray from the path he wanders. he insists he will do better, but when you thank him, and apologise because you feel selfish, he can’t help but notice your nails have grown to the size of curled claws.

the relationship grows worse from there. he slowly sees less of you, and more of something else. an otherworldly creature that morphs to the shape of you to keep him trapped here and away from his endeavours.

he finds himself growing to learn that the person, you, whom he’s loved with all his heart, was never a person, but a monster wearing your skin.

you break the relationship off some time later.

he finds himself relieved. not because you’re leaving—his heart shatters, actually—but because he knows, somewhere deep down in his stomach, if you stay any longer, he’ll hurt you.

argenti apologises, but you find he cannot look you in the eyes. so, you part ways. maybe you go back home, maybe you set up somewhere else by yourself. it hurts because you felt he was everything you’d ever wanted, and he was, but you know it’s better this way.

in the ideas i was writing for this prompt, i imagined you set up in belobog and work in that floral shop—i cannot remember if it has a name.

it’s been months, and you grow okay with yourself again, and everything is fine. you make bouquets, trim the stems of flowers as will, tend to the pots outside the shop, and all is well.

maybe argenti comes to the shop. he doesn’t know you work here, and he’s only come in because he’s stopped on belobog for his ship needs a repair and the red roses growing outside the window catch his eye. they’re just barely blooming, and spring looms just around the corner.

he doesn’t even realise the shop is open because it looks dark through the glass.

curiously, he opens the door to the shop, and the bell above the door tolls. a cute little shop, and bright colours encircle the walls. daisies, frangipanis, dahlias, petunias, he knows them all from your incessant ramblings when you would walk through gardens together, and he would hold onto every word.

you bound from the back room after hearing the bell, and you both just freeze up. you’re in shock he’s here—but why wouldn’t he be here? he travels planet to planet in search of his aeon—and he only sees something grotesque, and ugly, and a mockery of you. this isn’t you. it’s a mimicry. blasphemy of righteousness, of pure beauty, of one of idrila’s very creations they pulled from their gentle heart and offered to him so graciously.

he knows deep down he’s wrong. he knows, he knows, he trusts himself he knows, but he can’t win over his twitching fingers.

you greet him softly, gently pushing the work in progress bouquet and the garden pliers to the side of the front desk. there’s a multitude of thorns on the bench, and the roses in the bouquet, not yet bloomed, are picked free of their thorns.

there’s only one in the bouquet, one red shimmering rose, that has fully opened its petals.

“haven’t seen you in a while,” you say to him. there’s a hint of that customer service-y tone; because he’s not your lover anymore. “how are you?”

argenti swallows. “just the same.” he turns to the flowers on the wall. “you have a beautiful shop.”

“thanks.” you glance down at the bouquet on the bench. “did the roses outside catch your eye?”

you hear him laugh merrily. “you know me too well.” his fingers graze along the petals of a large assortment of pink amaryllis hanging over a plantar pot. he cannot look at you. he cannot, he cannot, he cannot–

“hey.”

and there’s that tone that twists his stomach. he wants to look, he wants to see you, you, and not that hideous beast that resides beneath your skin.

he feels you stop just beside him. he dares to glance.

amidst your claws and the veiny lines of your once soft and delicate hands that he always would press his lips to the back of, was a single red rose that you twirled between your fingers.

you hand it to him gently. “this one’s special.” when argenti did not move to take it, you tuck it securely behind his ear, indulging in how soft his hair was along your skin. “it’s stayed alive for a lot longer than i thought. it’s been around for about two years now, give or take.” you step back. “it reminded of you.”

and it did. undying strength, and despite all odds of belobog’s weather being unfit for roses, as all of the others had wilted over time, this particular one had stayed.

“i know things didnt end well, but…” you glance out the window. “but, you’re always welcome back here.” and, you still love him. you omit that part. “i’m sorry for whatever happened, or if i wasn’t good enough, or if there was somebody else–”

even now, he laughs. it’s weak. “there was nobody else.”

you nod once. “well. still. i’m sorry.”

argenti knew it had been all his fault, but you, ever gracious and kind as you were, felt burden on your shoulders.

his hand draws back from the amaryllis to graze over the rose behind his ear. the petals were fresh, a light smell of dewdrops in the morning on this cold planet.

he wishes now, he never turned to look at you. he wished he had just spun on his heel and left the shop, and never returned to you. you didn’t deserve this; you had always been so kind, so careful, so gentle with him.

but he did turn, because he had fooled himself into thinking it was truly you standing there, and not some masked fool, or a hideous shapeshifter that was showing its true colours. he sees those claws again, and pulled aged skin that reminds him of trees as old as time, horrible teeth, twisted limbs that crack and bend—

to make matters worse, you notice his distress, and as you always did when you were together, you pull him gently towards you and wrap your arms around him.

argenti, mistakenly, returns the warm embrace, and unbeknownst to you, one of his hands brushes against the garden shears you’d left on the desk next to the bouquet.

he thinks against it for a moment when he hears you apologise for what he had done wrong, and bury your face in the plated shoulder of his silver armour.

despite how he holds the writhing creature in his arms, he knows it’s you. and it is you, but he doesn’t see you, nor does he see any semblance of you left when he turns his head to stare out of the window. he catches a reflection of the creature twitching.

he murmurs an apology as well.

and then, he drives the shears into a particular spot in your spine. you gasp, and you become dead weight in his arms as the feeling of your legs fall away.

cold snaps up your chest and you cry out in pain. it’s just pain, and pain, and pain as hot blood dribbles from your neck.

and then there’s nothing. there’s no feeling. you can’t even breathe. your arms and legs feel as though they’ve just disappeared, and just as he hoped, you don’t feel his spear drive directly through your chest.

he kills you then, as quickly as he can, because as the monster cries and screams, he still knows it’s you in his arms, and he wouldn’t live with himself if you suffered in your final moments.

he sees you, finally, when he lays you down gently on the floor. he tries his best to clean you of the tear stains, and the blood smears that had crept around the front of your neck. you’re still beautiful, even in death, but he finds it impossible to leave the rose you’d gifted him.

so, he takes it—and that rose probably becomes the rose he carries in all his little animations in game. he traverses with guilt, and it’s probably a little wink nudge nudge to you when he says he owes his next battle to ‘a solitary rose.’

[enden-agolor]

you CANNOT just post that and not tell us the back story

Oh boy okay here we go

randy x andy lore 🙈

I'll just post the context of the comic with a bit of lore and backstory.

So I already stated that Andy and I have been friends since 6th grade. I think that's about 16 years of knowing each other now? Well, friendship was kind of a struggle for me because of uh.. my home situation. The thought of having people over was very frightening and embarrassing, but Andy never really judged me or let any of that stuff get in the way of us being friends, but regardless, I almost always spent the night at his place whenever we would hang out. I'd walk about three miles to his place almost every weekend because he was only a few neighborhoods away. Anyways, so we had a lot of sleepovers and most of the time I would sleep on the floor in his room which like. Cool. Not gay. Whatever.

Well. I recall a discussion we had when we were about 13 (I think this was in 2010 or 2011) on facebook where we were just talking about personal stuff and I confessed I'd never really experienced any positive physical affection before? Nothing of note came out of that conversation, but apparently Andy remembered that.

Next time I went to his place for a sleepover, it felt no different than any other time we'd hang out. Playing video games or watching youtube or just hanging out outside. Well come bed time I remember going with him to his room and.. In a random change of events, he told me to get in the bed. I remember being hella confused and hesitant but I did and ended up just laying there awkwardly, him kinda laughing and telling me to turn around and scoot over, again my dumbass was really awkward about it. He shut off the light and crawled into bed after me and without saying ANYTHING just wrapped his arms around me and pulled me close. It's been well over a decade since this happened and I still remember the shock and confusion. I remember full body trembling and tensing and trying to control it because I just did not know how to react. And he'd asked if I was okay and I just responded with a stuttered "yeah." He ends up falling asleep like that and when I tell you I stayed up all night staring at the wall next to me and just. Experiencing that feeling of being held for the first time it was extraordinary.

It became a constant need after that but because I was afraid of being gay and uh. Also am just very shy in general. I would never ask for it and would instead just hope it would happen again which.. it did. And then my emotions kinda spiraled and it was very easy to fall for him.

But yeah Andy made me gay and I never dated anyone else before because I saved myself for him for many years after that happened. Just constantly cuddling as friends. I seriously can't ever imagine being with anyone else. He is kind of cool idk

[mercuriians]

can't remember to forget you

content warning — some profanity, mentions of alcohol, references to terminal illness. reader’s last name is mentioned once for plot purposes later on.

author’s note — HI YALL 🥴 this is totally unedited & i wrote this at 12am. i just wanted to get this out as quickly as possible so bare with me. as a fair warning there is a LOT to unpack with the reader’s backstory, and to be honest 90% of this fic is literally just you brooding over kenji LMAO 😭. this is basically just an experiment so if u guys like this plz let me know so i can write a follow up!!

you really have no idea as to how such an important piece of information slipped your mind. two of japan's most recent superstar athletes were returning home at the exact same time. it would've brought a smile to your face in any other situation. if only those two athletes hadn't been you and him. kenji.

it's been years since you two have spoken. well, those years were spent productively, with both of you dedicating much-needed time towards your respective sports. he rocked the baseball field. you shone on the basketball court. but at the end of the day, behind all the sweat and arena lights and post-game interviews, there was a sharp pain that remained unresolved at the back of your mind. the last memory you have of kenji is still freshly imprinted. you had been at his house, and having recently heard the devastating news of your mother being terribly ill, you had come to him seeking comfort. little did you know that he was hurting too, with another fight having just happened between him and his father.

there was so much going on at the time, so much to worry about and so much pain in general, that all the pent-up feelings between you two had burst within one crucial moment. he kissed you, and you kissed back. clothes came off. you ended up in his bed. for a while it had felt like heaven because yes, it distracted you from the worry that consumed you from the inside out, but it had also made your most secretive wishes come to fruition.

until that moment, only you had known how deeply and utterly in love you were with kenji, and how strongly those feelings had grown since you two were fourteen.

there was nothing else that could have made you happier. even now, you remember the feeling of his strong arms around you, the feeling of his mouth against yours. the way your name rolled off his tongue so smoothly, so adoringly, as he whispered it into your ear. the way he hugged you so firmly after you two made love, as if he was afraid that you would disappear.

but then you also remember how something in him changed only a few seconds later. how the atmosphere grew dark the moment he pushed you off and told you to leave without even looking you in the eye. there's a part of you that wants to think kenji didn't mean to hurt you the way he did. it's the more naive, more hopeful part of yourself, spinning stories of how he actually didn't want you to leave, and he just said it because he didn't know how to cope with his own feelings. ultimately, it's all wishful thinking, borne out of a desire to believe that he maybe did really love you.

kenji broke your heart that night, and right now, even as you board the plane headed to tokyo, even as you put on a smile and sign an autograph for a starstruck fan, you admit that not a single thing has changed. you're still holding onto the past, and you hate yourself for it. especially when you realize that kenji probably moved on a long time ago.

"you alright?" your agent, himari, asks when you two sit down. she's one of the sweetest people ever, and you really don't want to lie to her because of the guilt that you know you'll feel. you meet her hazel eyes. you open your mouth to respond.

"yeah, i'm fine," you smile.

damn it.

as the plane takes off, you do your best to remove kenji from your mind, if only for a little while. perhaps inevitably, you start thinking about the very reason you've decided to finally come home. exactly two nights ago, there was a dream you had while you were sleeping. it was vivid in its entirety, and there was fire and people screaming and something very, very big in the distance, in front of what seemed like a sports arena. conveniently enough, there was some sort of fog surrounding the mysterious figure, but you didn't need to see it to know what it actually was. a kaiju.

you remember the words your mother told you before she passed away. it was an extremely painful memory, and really there was nothing in the world that could have encapsulated how helpless you felt when you saw her frail figure. she used to be so strong, so lively with everything she did and said. it took you a while to recognize the woman that laid in the hospital bed. however even with the tears that had stung your vision at the time, you heard the very last traces of her resolve within the very last words she said to you.

"when you're old enough, i want you to start what i couldn't. . to protect the world with the gift i'll give you. please. . just remember that i love you, and that it's worth giving things a second chance."

as you stare out of the plane window, watching the world pass by below you, the clouds mix together and blur into a white haze. a moment later, you realize that tears are threatening to fall from your eyes. you wipe them away with your sleeve before they have the chance to. i'll do my best, mom, you think, hoping that somehow she can hear you. i don't know where or how i'll start, but i will.

there's a lot of things waiting for you in japan, and you're not entirely sure if you're ready. but at the end of the day, it's your home, and you know deep within your heart that you'll do anything to protect it. sliding your sunglasses onto your face, you close your eyes and try to get some rest before the plane lands.

around twelve hours later, tokyo is there to greet you in all its glory. it's night time, but the way the city lights contrast so beautifully against the sky's inky blue-black canvas is more than enough to bring a smile to your face. "we're home, himari," you say to the woman next to you.

"we are, indeed," she breathes out.

“man, not even los angeles can compete against this,” you chuckle lightly. your words carry quite a lot of weight to them, especially considering how you were completely and utterly starstruck for the first couple of weeks you were in california. there’s a reason so many movies were filmed there. yet, tokyo remains on another level, still reigning as the undefeated champion.

fine. maybe you’re a little biased.

however, your smile fades away when you realize that the probability of seeing him—kenji—is at an all time high. chances are, he’s already here. waiting for you.

stop that.

you shrug off the thought, reminding yourself that he had probably moved on years ago. there was no use in entertaining an idea that had been burnt out for a long time. the only person that would end up being hurt would be yourself—and speaking from experience, emotional distress was a lot different than physical. physical pain you could handle. as a basketball star, you were pretty accustomed to them by now. ankle sprains, muscle cramps, even that torn acl from a year ago, which had hurt like an absolute bitch.

emotional pain was entirely different territory. and it was territory that you were not willing to cross. not again.

god, you were such a mess. maybe indulging in a momentary distraction wouldn’t hurt.

“hey, himari, you wanna know what i’m cravin’ right now?” you ask, a false smile creeping onto your face. the woman in question gives you a wary look, brows slightly scrunched together as if she already knows what you’re going to say.

“a good night’s rest before your interview tomorrow?” she asks flatly.

you shake your head. “alcohol. lots of it.”

“ms. matsuda, i don’t think that’s a smart decision—”

waving her off, you protest, “just for tonight, i promise. we’re back home and i wanna celebrate. and how many times have i told you to call me by my first name?”

himari stares at you for a few moments before lowering her head and heaving a sigh. “fine. . [name]. please take care of yourself out there. and be prepared—i’m sure quite a lot of people will recognize you when you walk into the bar.”

you smile in triumph, holding up your sunglasses. “i’ve got that covered. sure, having these on at night are a little weird, but i’ll just pass it off as the new trend.”

your agent gives you another slightly concerned look before bidding you a good night. and with that, you start walking to the nearest bar. it’s small, inconspicuous, and lit up with only one neon sign. all good indicators that there’s probably not a lot of people in there. you walk in, head held high, without any trouble. your footsteps are light and unhurried against the wooden floor as your eyes quickly scan the environment—eleven or twelve people, give or take, two bartenders, a potted plant over by the corner. and a vacant stool at the far end. perfect.

sliding into the seat, you drum your fingers on the freshly cleaned counter as you decide on what to order. “the denki bran looks good, think i’ll get that,” you mutter to yourself.

you feel someone take the stool next to you, but you don’t pay it much mind. at least until they reply to your words. “yeah, it is good. pretty bold choice, though.”

your mouth drops open.

you hear the person next to you snicker quietly.

the snail-esque speed at which you turn your head would have been comical if it had been any other situation. however, it’s anything but funny when your heart jumps into your throat, when your eyes widen with pure and unadulterated shock as they meet those of familiar gunmetal gray bordering on black.

kenji gives you a sharp grin that’s only a little bit sheepish. “nice to see you again, ace.”

[oswildin]

Debated making this, but oh well, here we are…

I rewatched the Loki series.

Going to add here quickly that I have been a fan of Loki since 2012/2013, and I personally relate to his character for a multitude of reasons.

Now, I enjoy the series, but I wish they made it more character focused than they had. I do feel like they prioritised story in terms of making it fit the next phase over exploring and expanding on Loki’s character to some degree (a lot of it was surface level).

For example, I would’ve loved to have seen:

Exploring Loki’s Jotun heritage, even if it was a variant of him in the void that embraced it, dropped his aesir form, a conversation between Loki and his Jotun variant as they explain why they chose to embrace it, giving a different view to maybe how our Loki sees himself/the Jotuns. If ‘What If’ could have a frost giant Loki variant, why couldn’t the show?

Expanding upon what happened to Loki during that year after his fall from the Bifrost. The reason for this is self explanatory really, it would add more lore/depth to his experiences/actions during the Avengers. Maybe address the trauma he has from it.

Loki fighting with his so-called ‘desire’ for a throne more. By this I mean, I felt he flipped pretty quickly from his plan to overthrow the time keepers to just following along with Sylvie - which is fine, but I kinda thought there would be more push back from him. I get it was a life or death situation and Loki’s whole thing is ‘survival’, but it would’ve added to their dynamic and the fact the writers clearly wanted to push how Sylvie was different to other Loki’s.

Exploring Sylvie’s backstory more. It really did feel like it was an afterthought, which is a shame. I suppose they left it ambiguous for certain reasons, but I think they should’ve had more flashback scenes of what Sylvie could remember. I think it would’ve helped people understand and relate to her more. (I do love her though).

Actually showed Loki’s gender fluidity & shapeshifting ability more. Again, self explanatory really & important to his character, plus the whole implied only ‘woman variant’ thing with Sylvie should’ve not been a thing, like at all.

They should’ve given Loki more time to process everything. This show really should’ve had 8 episodes each season, I get that’s not the writers fault, likely Disney/marvel’s doing. Perhaps then the shift in his character wouldn’t have felt so jarring, especially considering he’s 2012 Loki. I do agree they wrote him as if he was Ragnarok!Loki, and that’s not necessarily a bad thing, but it just felt jarring considering the last we saw of this Loki was Avengers. But then I could also argue that maybe he thought ‘what’s the point of it’ because the TVA know everything about him, but I digress.

Used Sylvie more in S2. It did feel like they didn’t quite know what to do with her, her and Loki clearly just needed to sit and discuss the citadel fight, but the closest thing we got is in EP3 where Sylvie says ‘this is all rather familiar, isn’t it?’, referencing their different/opposing opinions on the TVA/He Who Remains. And also maybe the pie room scene, but it’s very vague/not directly addressed.

Explored the fact that Mobius is not a good guy more. Because, he isn’t. And that’s okay. To me, the whole point of the show is based on Loki’s quote of ‘no one good is ever truly good, and no one bad is ever truly bad’, and whilst they do reference Mobius’ own morally grey actions/traits, they don’t particularly make it clear and most just see him as this ‘happy go lucky old man who likes pie and loves Loki variants’. In fact, I actually really liked the scene where Sylvie confronts him - which is a very unpopular opinion to have it seems, lol.

Delved into the psychology of Loki further than surface level/what we already know about him. Yes, we know he’s the God of Mischief. Yes, we know he isn’t evil. Yes, we know he is redeemable. Yes, we know he’s cunning, manipulative and selfish. We get that he projects this ‘illusion’ of himself, but it was only really mentioned in S1 EP1, maybe slightly EP2, before it’s never really mentioned again. I suppose S2 does this to a degree with the bar scene and EP5 of S1 in the time cell with Sif - also I think they tried to take the narcissist angle from the pov that it’s because of his low self-esteem as to why he needs validation and it’s a defence mechanism, but they didn’t particularly make that clear and made it seem like he just thinks highly of himself.

I know it seems like I have a lot of issues with the show, and I do, but I still enjoyed it. It’s okay to be critical of a piece of media and still enjoy it.

I do prefer S2 to S1, mostly because I prefer the direction they took it in and whilst I, of course, wanted better for Loki, I can’t deny S2 EP6 is a stunning finale. I sobbed so hard during the ending and still feel the grief that I actually lost someone I knew personally. But I also have hope that this means Loki is now a main player in the next phase (am I delusional? Maybe).

I enjoyed the dynamics, the back and forth/chemistry, the story was interesting, the set & costume design, the acting, the directing/colour grading, the music (Natalie Holt, you are genius), the emotions, the fun, the characters…

So this is not a hate post by any means, I will once again state, I enjoyed the show. But, I do have issues with it, and that’s okay too.

Please, dni if you’re just going to be argumentative or confrontational. I also don’t want to hear that just because I enjoyed the show that I’m ‘not a real fan’ lmao. I’m sorry, but I’ve been a Loki stan for over a decade, and I will not have someone tell me I’m not a real fan because of a piece of fictional media. Also, please do not mention anything regarding ships on this post, I do not care for it because it always ends up in arguments and I am a multishipper so I don’t tend to fight for any side. Thank you! :) /gen

[dingodad]

personally the vriska calling him a pedophile bit wasnt out of place for me. Canonically vriska doesnt shy away from saying that scratch is a sexual predator, she does state outright to his face that he gets off on manipulating little girls in the comic.

i think "would it be in character for vriska to say that" and "does it make sense in the context of the story for her to say that" are two subtly but crucially different questions, though.

like, on the one hand: it has always been textually clear that doc scratch is not LITERALLY a pedophile. he's a completely asexual organism. by using that word to describe him, you're making the subtextual textual. and this kind of "saying the quiet part out loud" is something the HICU have done very deliberately since they took the helm of hs2; they are intimately aware, i think, of the fact that they are fans in charge of deconstructing homestuck for the entertainment of other fans, and that in service of that aim sometimes you need to be willing to have mature discussions out in the open. a lot of the time this has worked for them quite well, especially in terms of getting old readers back on board with a story which has in the past been overly subtle to the point of excruciating boredom. but sometimes it teeters close to the edge of "characters talking like they're fully aware they're getting therapy", and i think this example leans somewhat toward the latter. like, is there really anyone reading hs2 at this point who doesn't already have some understanding that scratch is a predator? who exactly did it serve to make that already blatant comparison that much more overt?

on the other hand... i get the impression that vriska is actually aware of this distinction, on some level? like emphasising the fact that scratch is a child predator is almost a sort of shield for her. the name of vriska's game in this chapter is minimisation; while it's super cool and heroic to admit that part of your tragic backstory involves a sick spider monster and a badass lady pirate, by trying to paint scratch as nothing more than a pathetic kiddy fiddler what she's really saying is that because he never actually molested her then she was never really abused, that she was never really a victim and therefore he was never actually a significant presence in her life at all. that's how she lives with it, by role playing as the predator to forget the fact that she was ever prey.

i think what i question about this is possibly that vriska would even know to use that word at all? writing dialogue that actually feels authentically like stuff trolls would say is another thing i think hs2 has had a rough time with ("that is a completely normal human sentence"?). the gay joke in the tavros chapter was funny because it had been a long time since we heard caliborn and jake do the same gag but it feels like they tried to capture that same energy with vriska calling tavros a "pussy" in this chapter and it fell flat. and it felt just as unnatural for a troll to say the word "pussy" as it did for her to say the word "pedophile". i think what makes alternia and its traumatic knock-on effects so effective is that it's often more insidious than it is explicit; trolls barely have the language to describe all the institutionalised neglect and abuse that is happening around them all the time because to them it's just how the world works! yeah sollux has that line about sex offenders and schools, but i think that basically serves to illustrate my point, because for the most part we all seem to understand that trolls don't have what we would be able to identify as "school" either: sexual abuse and education are concepts that, in the world of homestuck, exist entirely in the abstract; tropes to be evoked but not things that ever actually happen.

that being said, alternia is designed to reflect the structure of homestuck as a whole, and the reason alternia doesn't have sex offenders or schools is because homestuck in general does not explicitly concern itself with these topics. we understand that escaping homestuck and settling down on Earth C means settling down in the "real world", replacing the threat of time-travelling demons with real struggles and real problems, and as a continuation of the homestuck epilogues hs2 naturally IS going to continue to touch on sex and politics and all the other stuff that was delegated mostly to the subtextual in the original comic. i think the structure of this chapter even kind of alludes to this; tavros and erisol beckon vriska to relax for a moment and play childish games with them like she used to do when she was a kid on alternia, but by choosing to forge on ahead with her personal growth vriska is immediately confronted with the fact that becoming an adult is NOT like a webcomic, it's NOT all allegories and RPG battles; it can be sick and it can be hurtful and it can stop you right in your tracks just as you thought you were "making progress" toward "winning".

i just feel that by having vriska apply Earth C vocabulary to an Alternian experience right off the bat, we've skipped over a key part of her transition from homestuck to the real world. would this chapter have been any easier to stomach if it had been about vriska coming to grips with the fact that scratch was a predator in the first place? no, of course not LOL. i think my gripe here might literally just be with the word choice. like i believe the writers have it in them to express what they were trying to express here in a much more interesting way than simply having vriska say "lol he's a pedophile". yes, addressing something literally that has only ever been mentioned before in symbols and whispers is part of the impact of this update, but i don't think that has to come at the expense of the dialogue actually feeling like it belongs in the mouths of these characters