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thankskenpenders · 6 months ago

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The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

#tkp post #tlsc #tlsc beginnings

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raven-at-the-writing-desk · 2 months ago

Text

🎉 Thank You for 10k+ Followers!! 🎉

A big thank you goes out to @cozymochi for this beautiful celebratory commissioned artwork for this major milestone ✨ It really captures the scope of all the content that had been put out in the last 4+ years—both in terms of official Twst materials and on this blog! I think it’s very fitting that we hit this milestone in the month of Halloween too (I just held off on posting this til the month after); it’s Twst’s biggest holiday of the year, so it’s twice the cause for celebration!!

A lot has happened over the course of my time in this fandom. I’ve written many things of course, but I’ve also had many other exciting opportunities! I’ve been interviewed for a paper, met many cool people from all over the world, attended Twst meetups + events, collaborated with other talented creators, received kind gifts, contributed to various fandom projects, and finished telling the origins of my Twst OC. This blog has been with me through a lot of major changes and difficult hurdles in my life too—it’s really been an anchor for me, a comforting and safe space for me to be creative or analytical whenever I want to be.

When I first started this blog as a very casual hobby in summer of 2020, I never even considered that it would balloon to this extent. It still doesn’t feel totally real to me 😭 I don’t usually fixate on numbers (they make me anxious), but looking back on it, 10k is a LOT, and 4 years is a long time. To put that in perspective, if we were in Twisted Wonderland for 4 years then all of the students we’ve come to know and love would have graduated by now. That’s crazy to me. We’ve come so far as a group.

I feel that a large part of fandom is the community that comes with it. I would have found it so challenging to stick with Twst had I not had so many great people keeping me engaged with it. I’d now like to take a moment to thank those folks. Keeping in line with the idea of “4 years”, think of these as little messages scrawled in a yearbook. I also have a blog event planned to celebrate! More on that later.

Please note that I’ve used pseudonyms for most of the following people, as I’d like to respect their privacy (I’m very private myself) + not all of them are comfortable with being explicitly named or tagged to a large crowd. You’ll know who you are if you see yourself on here.

Without further ado:

MSS — Thank you for being the first Twst space I felt truly a part of. It’s still the place I consider my fandom “home” beyond this blog.

April — Thank you for making MSS as a place for us to share! We’re tsunderes in solidarity.

Drinking Knight — The banners wouldn’t exist without your help. Thanks for getting the ball rolling on those; I’d like to think that I’m a little more confident in designing new ones myself now, but you were the start of it all. Your endless enthusiasm for the most insane otome boys, drinks, and bullying (positive) others is truly an inspiration.

Q. Opinionated — Can’t count the number of times you ran tech support for me 💀 Thanks so much for being patient and willing to laugh at a stupid situation. I WILL grip you (escape is not an option) 🤲

Dad with his Printer — Why are you so cheeky My unofficial proofreader and fact checker. Still treasure the teeny J word and coffin magnets you sent, and, even more valuable than those, the bad dad jokes/puns advice and wisdom you give. Wishing you luck on your art adventure.

A. Cider — An unexpected friend I met very late into the fandom and happened to run into irl by total coincidence. Funny how life works. Your shitposts are great, and I appreciate having a like-minded person to talk with about the J words and story critiques. I’d also like to thank you for the many little doodles you’ve made; I know you’re very busy and have a wife to tend to at home but I appreciate that you still make time for friends.

Hana — Extroverted pink-haired magical girl representation. Your bubbly love for Disney, Diasomnia, singing, and (yes) angst lights up the entire room. Maybe you’re not too confident with yourself are right now, but I know you’ll find your way.

Swan — For being quick on the uptake and giving me the heads up about various things! We may not talk much one-on-one, but I’m thinking of you and enjoy seeing you pitch into the conversation. You’re still banned for L*ona posting though/j

Ly — My secret French twin/j Thanks for being my cultural + equine advisor and a voice of (salty) reason. Never shut up about your hyperfixations! You’re a real one.

Oys — Enabler + encourager of my Yan!Sil delusions. Sorry for making your blood pressure spike every time we talk about our food takes. But hey, at least we get a good laugh out of it :))

Mac and Bean — For being my inspirations. Bean, you have such atmospheric writing. I hope my writing style can be just as magical as yours. Mac, it was your blog that first got me into starting my own Twst writing. You never stop being so, so funny also I blame you 120% for the L*ona rot.

Peaches and Cream — To my local Twst friends, thanks for keeping me company even through the hard times. Peaches, happy to be your local Twst dealer anytime. Cream, thanks for hooking me up with new books.

Salt and Flora — I don’t know where you vanished to, but the sea brought you back to me on its tides. I’m so happy we could meet again. Salt, you’re so talented at crochet and design work; get your coin 😂 Flora, you’re the sweetest person ever. Literally cottagecore personified, even in your art.

Piano — We don’t always see eye to eye, but thank you for being my serial debater and showing me new perspectives. Your open-minded theories and analyses are such fun. And, of course, it’s always hilarious to think about how we accidentally (?) swapped oshis 🤡 You’re a star.

The Anklebiter — For having the most unhinged jokes and ideas. Seriously, THE most unhinged. I never do any of the crazy things you suggest but I’m always really entertained from just hearing them.

Te, Mi, and Ro — Thanks for organizing local events and giving me an excuse to touch grass. It’s a lot of hard work and you guys manage to pull it off every time! Mi, I was flattered to have you reach out to me to help a little with the Tweel cupsleeve event. Happy to help anytime! Te, I remember you were cosplaying as Kalim when we first met and I kept thinking about how perfectly suited you are for the role. You were very friendly and made such an effort to include everyone in the event even when I was Idia-ing in the corner. To this day, you continue to spontaneously introduce me to new people 😂 Thanks for getting me put of my comfort zone. Ro, I didn’t think we’d meet again like this. Small world! You’re learning and improving the big events. Here’s hoping to many more!

Vic — For being Ace Trappola when very few others would. It’s refreshing to have someone tell it like it is. I wish I could be as bold and as honest as you are sometimes. You have such a big heart when it comes to the characters you love; it makes me want to adore them like you do too 🫶

Kana — For being so sweet and patient. You helped me through so many rough patches and have also contributed a lot to the look of the blog. It’s so fun gushing with you about magical girls and pretty boys, sharing our favorite shows and movies… I feel as though I’ve made a lifelong friend.

Zari — Thank you for charms and art book, big fan of your stuff 😭 So honored to have worked with you on projects too. I hope to see a lot more of your Yuu and other OCs around, I love following them ^^

Lala — You understand, encourage, and validate my weird tastes in fictional men 💕 Really admire your sense of fashion and stylish nails too. Whenever I have my shrimp apron on, I think of you.

Arisu — No longer in the Twst fandom but integral in the earliest days. Wherever you are now, I wish you nothing but happiness.

P-san — You’re a lifesaver!! Thank you so much for helping me find cute little outfits and accessories for my plushies… They are forever grateful to be properly clothed.

V, Fa, Fe, Ray, Rea, Sonny, Glimmer Group, and Incognito Crew — Thanks for being so supportive of my hyperfixation on Disney villain anime boys, even if you guys have NO clue what I’m rambling about half of the time. To V specifically 🫵 I am NOT a cat boy kisser

Mango — I didn’t know I wanted you in my life until you showed up uninvited one day and chewed your way into my heart.

Azul Ashengrotto — For being the character that first convinced me into giving this game a shot. The Little Mermaid was something I always held so dear to me, so it almost seems like destiny that you’d be the one to drag me down into Twst. You’ll always hold a special place in my heart for that, even if my feelings have changed since then.

Rook Hunt — For being there when I needed to laugh a little. It’s scary to glance over my shoulder sometimes, but you make it easier to smile as I look back.

Rollo Flamme — For letting me know that having negative feelings is normal and human, even if we don’t always cope with them in the healthiest of ways. Let’s reflect and be better together!

Leona Kingscholar — For showing me that change and personal growth is, in fact, possible. Th-This doesn’t mean I like you or anything though, so get off your high horse—

Jade Leech — For taking my hand and guiding me back on the path when I got lost in the dark. Whatever crimes you may commit in your free time, I forgive you/j

Miss Raven Crowley — The little black bird who could, the blog muse. I made you on a whim and look at where you are now… You went from a background character to the main character of your own story. So proud of you, my child 😭

Asset compilers, fan artists, fanfic writers, fan translators, cosplayers, merch makers, editors, plushie pic takers, video essayists, theorizers, etc. — You’re all so important to keeping the fandom alive, especially during periods of official content drought. It wouldn’t be feasible for me to list out all of the content creators I enjoy (chjsbsksks and it honestly might be awkward since I haven’t directly interacted with most of them), but I hope that this message still reaches you and finds you well. Keep doing your thing; I love seeing the work you put out ^^

Anyone and everyone that I’ve ever commissioned and/or received fan works from — I appreciate that you took time and energy out of your day to create something for me. There’s so much talent in the Twst fandom and I’m honored that you would dedicate some of that to a silly little birb.

You, the Readers — For supporting this blog and and what I do here! You’re an important part of my journey too.

Thank you!! Here’s to a future unknown and a page unwritten.

- The Writing Raven

#twisted wonderland #twst #disney twisted wonderland #disney twst #notes from the writing raven #milestone #twst oc #twisted wonderland oc #Raven Crowley #not my work #Leona Kingscholar #Jade Leech #commissioned art #Azul Ashengrotto #Rook Hunt

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firelightmlpoc · 1 month ago

Note

This is Pansear (if you want proof, look at my pinned blog; I'm well aware that there are a lot of imposters out there). I wish to say thank you for being open minded while also acknowledging that- yes- I did fuck up at times. I didn't treat Azriel the best. I was selfish towards the MAP collaborators. I wasn't a particularly great person in general- all that I admit, and I have my own separate posts for those. Overall, I'm sorry.

The harassment was too much and the screenshots were obviously fake. It wasn't fair to me. It wasn't fair to anyone either including those who believed were fake too, even to future potential victims of allegations and former victims of harassment campaigns. I left not in admittance of guilt, but to everything else that has boiled over (again, I detailed this in a post).

I know there's people beaming to know that I'm alive and well (and of course, people who are angry that I'm not). I just want to say that I'm sorry for having to leave everyone in the dark for so long, and that I was basically a POS back then.

It saddens me as well that this whole situation not only affected me- it has affected most of the fandom. It has affected the other artists, who no longer feel safe and comfortable. It has affected my friends, who missed me and feel lost in the dark. It has affected my fans, who worry about me and feel so conflicted about everything. It has affected friend groups who are distanced in their conflicts.

Even for the things I didn't do, I still felt horrible. There were no winners in the end, and any winner I could describe are those vile people hiding behind anons who have hurt the most.

People can already predict that I will never return and that is definitely the case. Not just for the sake of my well-being, but I believe it's for the best for everyone in general. It's been far too long that I danced through the harsh weathers- some strange fucked up game of ping pong, and it's time to put it to rest. I don't care if people will hate me still, all I care about is everyones' safety and for those who have been hurt to heal from this.

I have no real say on the Emily side of things. Indeed what she did to Azriel was irresponsible, but she doesn't deserve the harm and harassment she's got and been getting. Nobody does. Not even my calloutters and my harassers. Looking at their responses and posts just makes me feel bad. I can't help but feel sorry for them.

I hope you yourself are doing well. To all others reading this, I hope you all are too. The fandom isn't the same but I know love can persist somewhere. I am leaving it all up to you to make this place so much better, and that one day everyone can laugh again.

For now, I'm hoping things can rest.

I’m glad to hear you’re doing alright. And as you’ve said: Yes, you have done things wrong, but the actions taken against you were far beyond the pale for what you actually did.

An apology backed by action towards self-betterment is a good apology, & is what you’ve shown to be doing, though I truly wish that the cost you’ve had to pay for this all wasn’t so steep. I hope that you’re still able to find enjoyment in your art still, & hope that you’re able to heal from all of this, even if it takes a good bit of time to do so.

May the path you walk no longer hurt to stand on, & may you find yourself at peace with all of it some day.

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randomitemdrop · 9 months ago

Note

you've posted a few ai generated images as items lately, and i'm wondering if that's intentional or not?

Short answer: no, it wasn't. Aside from a few I made when the generators first became publicly available and all the images were gooey messes, they've all been reader-submitted, although I'll admit I didn't catch the snail-boots. Personally I think AI image generators are a more nuanced situation than a lot of opinions I've seen on Tumblr, but given that they can be used so evilly, I'm steering away from them, if only to avoid the Wrath of the Disk Horse.

Long answer, and this is just my take, if you want to really get into it you'll have a much more interesting conversation with the people with devoted AI art blogs instead of me occasionally sharing things people submit:

There have been some major cases of unethical uses for it, but I think it's important to remember why AI image generators are such an issue; data scraping and regurgitating uncredited indie art is bad, but in the case of the snail-boots, it was just a fusion of one dataset of "product photos of boots" and another of "nature photos of snails", which I would say is not depriving anyone of credit or recognition for their work (MAYBE photographers, if you're a professional nature photographer or really attached to a picture you took of a snail one time?) I get the potential misuses of it, but when Photoshop made it easy to manipulate photos, the response was "hmm let's try and use this ethically" instead of "let's ban photo editing software". Like, I'd feel pretty unethical prompting it with "[character name] as illustrated by [Tumblr illustrator desperate for commissions]" or even "[character name] in DeviantArt style", but I'd have a hard time feeling bad for prompting with "product photo of a Transformer toy that turns into the Oscar Meyer Wienermobile". I know there's the question of "normalizing" the services but I think that overestimates how much the techbros running these things care about how everyday consumers use their free products, preferring to put their effort towards convincing companies to hire them to generate images for them, and in that case they respond way better to "here are some ways to change your product so that I would be willing to use it" than to "I will never use your product". For example here's one I just made of "the holy relic department at Big Lots", fusing corporate retail photos and museum storage rooms.

TL/DR: on the one hand I understand the hate that AI gets and it's not something I'm planning on using for any of my creative projects, but on the other hand I think it's overly simplistic to say it's inherently bad and should never be used ever. On the third hand, I really hate participating in arguments over complex ethical philosophy, so I'm just gonna steer clear entirely.

#the mod speaks

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commanderyes · 10 months ago

Text

The Commander Says Goodbye

I’m not going to lie, I’m extremely anxious as i’m writing this, out of what these news could mean to a lot of people, and my heart feels heavy enough it could drop down my ribcage any minute from now and squish all my other organs. But I’ve been dancing around this topic for a long time now, and I think i’ve finally reached a point where i can’t ignore it anymore, for my own sake.

I hereby announce Commander Yes has come to an end.

As I’ve mentioned plenty of times before, here and to many other people, when I began this comic all the way back in 2018 I was in a really bad, really low place in my life in every sense of the word, and it was a spur-of-the moment decision to cheer myself up, because Path of Fire had just released and my enjoyment of the game had reached fever pitch and I had been playing Guild Wars 2 alone since as far as launch, and none of my other friends had ever really gotten into it. I guess I just, dunno, cried out into the big maelstrom of the community, one voice amidst millions, because i wanted SOMEBODY to look at what i did and revel in the nerdery with me.

And somehow the snowball began to roll and people wanted more and more of what I could do, and I was being actively reached out to, and, well, some time after that I landed my first ever job, I discovered a lot of things about myself, and I found myself in communities that welcomed me with open arms, and many of the people in there have since become among the best friends I could’ve possibly encountered, kindred souls who i’ve shared joys and sorrows for many years and who I can’t imagine living without anymore.

And all the while I kept making the comics, and with every entry posted every week I’d keep having people stopping to comment on them, and whether they were dumb jokes or personal takes on the story, they’d all share how much what I do kept hitting them in the kokoro, and to this day whenever I play anywhere in the game I still get people who recognize me and thank me for doing what I do. It was wonderful, it IS wonderful, and seeing that response motivated me to keep going, because what did still mattered to people, out there.

But I did always say I planned to keep doing these comics until I ran out of energy for them, and I think i’ve finally reached that point.

Because ever since I actually landed that job I’m exhausted and sleep-deprived every other day, so much so that I only have time to work on the comic on saturdays and sundays, and it gets harder and harder to just sit and draw, and at that point it was just more work, and while I still enjoy and play Guild Wars 2 a lot, it no longer consumes my time and attention like I’ve used to and i’ve been having fun with more personal projects, and honestly the direction the story is taking these days does not sit right with me and it’s hard to find inspiration in that, and this might be borderline selfish but every year I find people care less and less about the comics and it really takes a hit to you motivation when hardly anybody responds after you’ve spent a whole weekend trying to squeeze a five-page comic out.

And, well, I have been doing these for six years straight, and I think that’s a good run. I’m tired, and ready to move on, at long last. Let it be someone else’s turn.

But that’s the beautiful thing about this community, isn’t it? Even if I’m hanging up the hat, there are a whole lot of fantastic artists out there, as we speak, still cranking out works of art, deserving of all the attention they can get. And think of all the artists yet to come! For every story that ends, another story is just about to begin!

The world keeps on spinning, one way or another.

I’ll be closing my patreon shortly after this, but the reddit archives and tumblr blog shall remain for people to browse whenever they feel like (or until they both go in flames, i guess, what social media isn’t about to these days)

I still don’t think I ever was that much of a big deal, but all the same, to everyone who’s ever supported me and helped me be the person I am right now, to everyone who’s been there from the beginning, to all the devs of this game that has captured us for nearly a decade now, to all my fellow players and artists out there

Thank you.

See you out there, fellow commanders. Still the stars find their way.

#guild wars 2 #guild wars 2 fan art #guild wars 2 fan submission #snargle gutslurper #commander yes #that's all folks #thank you for everything #keep loving yourselves okay? you're worth it #all of you #see you in the game :)

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pernesophe · 4 months ago

Text

P3: Reader is Kaji’s Wallpaper

(Minors, Ageless and Blank Blogs DNI)

(I have no rights to these characters, the works they come from, or the art/screenshots/manga panels used in this post. Screenshots taken from pinterest or google, so if you know the creator please lmk! Updated dividers are from @sweetmelodygraphics )

Tag List: None so far, but lmk if you would like to be added for this series or my other Wind Breaker Works!

Synopsis: Reader and Kaji have finally returned to their old routines after Kaji's time in the hospital, and it’s been great, but Kaji is emotionally constipated and not great with words, so you have been feeling self conscious lately. Tsubaki counsels you about your feelings. Kaji shows you how he feels.

{TW: fluff and angst with happy ending, passionate / descriptive kissing scene, suggestive language and actions}

Final part of the Timid Reader x Ren Kaji! If you liked it then check out the one shots connected to this series on my master list, and thank you for reading! Main Wind Breaker Master List

It’s been several months since Kaji went to the hospital - he was discharged in under two weeks since they were worried about internal injuries. Kaji was clear with the staff that they weren’t allowed to tell you until he was better or until he was bad off enough that he had to tell you. They obliged, regardless of ethical codes dictating they couldn’t go against his wishes, they were also too afraid of him not to do as he said anyway. It’s not that he enjoyed hiding it from you, but he wouldn’t be able to handle your pitifully sad eyes when you inevitably blamed yourself for it.

He was immensely relieved the day the doctor came in with his most recent scan to notify him that he was out of the woods. Finally, he was able to tell you the truth, and as he did he apologized the whole way. The hospital staff who had watched this gruff guy who had scared the daylights out of them, was holding your hand dearly as he genuinely apologized for hiding something like that from you. Giggling despite the situation, you happily forgave him all the while telling him that you understood why, but you would prefer he leaned on you a bit more next time - promising him that you weren’t that weak. A rare chuckle fell from his lips as he scoffed at you, but he still affirmed that you were right.

The two of you were just happy to get back to your normal routines of sharing playlists, sweets runs, coffee dates and walks around Furin. It seemed like everything was finally good, except one nagging feeling deep in your gut.

It was about 7:30p on a Friday, and several Furin members were gathered at Pothos for an end of the week get together over omelet rice and coffee. In the time that you’ve known Kaji, and the rest of Furin, you’ve grown closest to Tsubaki and Kotoha. Proven by the fact that you were huddled in a corner booth excitedly chatting with Tsubaki about new fashion and hair trends, Kotoha jumping in here and there with her take. Kaji is sitting with his seconds and some other Tamon team members across the cafe as they discuss new team movements around Furin. Occasionally, he’ll throw a glance your way to ‘check’ on you, but really he just loves seeing how comfortable you are with his people and how openly you can smile around them. His eyes linger on your smile for a moment too long as Kusumi gently taps his shoulder to bring his attention back to whatever Nirei was saying.

As the conversation about Tsubaki’s next hairstyle choice dies off, a comfortable silence falls as you sip on your coffee, and the red and black haired King decides it's the perfect time to ask about you.

“So… How is dating that one?” Tsubaki asks while wriggling his brows and throwing a glance over to an unsuspecting Kaji still absorbed in whatever Nirei was going on about.

“It’s good.” The words come out short through a tight smile as you give him a nod. Tsubaki narrows his eyes at you suspiciously.

”Explain.” He says, well, more commands in a low, serious tone. At first you try to avert your gaze to the tabletop, but Tsubaki’s stare was too intense to look away from.

”It’s nothing, really.” You respond with a better fake smile this time while waving your hands in front of you as if to say ‘it’s no big deal!’

”Y/N. He isn’t treating you badly is he?” He asks, growing ever more serious with darkened eyes and emitting a protective aura. Though your heart fills a little at Tsubaki’s blatant Mama Bearness - your eyes just grow impossibly wide as you shake your head ‘no’ vehemently.

”God no! He’s really, really great, respectful, and kind… I just…” Trailing off as you check to make sure Kaji is still out of earshot. “I know he likes me, and enjoys my company and all, but I’m afraid he’s not…” Tsubaki leans closer, holding his breath with anticipation ,”attracted to me.” Finishing in a small voice as you cast your gaze downward now, unable to meet his gaze any longer. Suddenly, everyone else in the cafe is snapped out of their conversations by Tsubaki howling with laughter next to you - almost toppling out of the booth if you hadn’t lunged forward, wide eyed, to quickly pull him back in.

”Care to share with the class?” Umemiya asks with an amused smirk, seated at the table next to Kaji’s. You turn beet red, as you shake your head even harder than before. Turning to Tsubaki for help, but he’s still stifling his rowdy laughter and gripping the table for stability.

“N-no, bahaha! No, we’re go-ood, ha!” Tsubaki stutters out between guffaws. They all stare at you and Tsubaki with curious and concerned faces - Kaji more so than everyone else - except Umemiya and Hiragi who just looked incredibly amused, knowing they’ll get the full story later.

”Tsubaki, please.” Whispering desperately as you lean your forehead into the sleeve of his jacket, unable to stand all the attention.

”Sorry, sorry,” Tsubaki apologizes genuinely, despite his shit eating grin. Once everyone’s attention seemed to return to their conversations, Tsubaki leaned close to you again with a knowing smirk.

”I’m really sorry for laughing - I just thought you were gonna say something else entirely,” he said with a relieved smile and shake of his head. “Anyway, as for your worries, look at the photo he set as his wallpaper. Both of them. I think you’ll know how attracted he is to you then.” He instructed you with a knowing chuckle. Despite his confidence, you still feel racked with nerves as the end of the night approaches.

When you bid your goodbyes to everyone, Tsubaki made sure to throw you a wink and you internally grimaced as the embarrassment from all the attention earlier began bubbling back up. ’It’ll be fine!’ He mouths to you with two thumbs up, obviously in front of everyone, who cock their heads at you in turn. Tsubaki, realizing what he did, smiles sheepishly at you, and you don't know if Tsubaki embarrassed himself on purpose to make you feel better, but it worked regardless. ‘Thank you!’ you mouth back with a grin and a hand heart. With that, everyone went their separate ways.

“What was that all about?” Kaji stops walking, and asks with a quirk of his brow in your direction as the two of you made the short walk back to your house.

”Oh, um, well…” You start to speak and then trail off. Knowing your boyfriend hates when people aren’t honest or beat around the bush with their words, you sigh, knowing you had to come clean. “Tsubaki asked if we were doing okay, and I said we were…” Kaji’s eyes immediately show the anxiety of where this conversation is headed. “It’s not that, I promise! Tsubaki thought I wasn’t being honest because you weren’t treating me well, but when I told him the real reason - that’s what made him laugh so loud.” Explaining quickly, you want nothing more than to dissipate any fear he may have.

”Okay… so what were you two talking about then?” He asks with an apprehensive lilt to his voice, and gestures with his hand for you to continue. Those intense slate blue eyes bore into your own as he anxiously awaits your response.

”I told him that I’ve been feeling really self-conscious lately, because you’ve never really told me outright that you find me attractive - which is fine by the way! I’m not vain enough to want to be called pretty all of the time or anything. Also, you don’t really try to touch me… and that’s okay too! It just makes me kind of wonder if you don’t find me attractive, or don’t want to… touch me…” The words tumble quickly from your lips only to trail off softly as you meet his gaze. He’s staring down at you with a flabbergasted expression, one that you mistake as anger.

“Ts-Tsubaki suggested I look at your phone background, be-because he said then I would know how attracted you are to me. Bu-but I just can’t ask that of you though - it feels like I’m disrespecting your priva-” Before the words could fully leave your lips, Kaji had pulled out his phone and put it in front of your face.

”No problem.” He breathed out - as if he had rushed to pull out his phone - and made the lock screen light up. Kaji knew he had a hard time with words, and an even harder time with comforting others, so he silently prayed that Tsubaki was right - this would convince you how he felt. Your eyes lit up like a child’s - the same way they did in the photo on his lock screen.

The picture was taken during the morning, because the light was soft and mist hung in the air. Your hair was illuminated by the morning rays of light, and behind you soft tones of pink, orange and purple reflected on the canal. With your arms clasped behind your back, and your head tilted back slightly so your face is turned towards the sky. Soft locks of your hair rippled down your back and out of your face, so it looked like the morning light was caressing the slope of your cheekbones. Pink rays tinted your plump lips, parted slightly, so your breath mingled with the mist. Soft rays of light reached down from the heavens above it seemed just to reflect the wonder in your eyes. A beautiful, Blushing Phantom butterfly fluttered through the morning mist, right into your face. You had let out a squeak when it happened, which caught Kaji’s attention - something he would forever be grateful for. He was an enthralled audience of one as he silently pulled out his phone as it had fluttered closer, then fluttered away, and then closer to your face again before slowly landing on your nose and spreading its wings. You stood stiller than a statue, careful not to scare it, so you didn’t notice when Kaji took the photo.

Actually, you had been so enraptured by the winged creature, that when the delicate ivory and blushing pink butterfly took off beyond you - you had spun so quickly on your heel to watch it go. Kaji had captured his Home Screen background then, which after a moment he unlocked his phone to show you. Swiping the app icons out of the way, he reveals a professional level photo of you backlit with the morning rays and the same canal background. This time, your arms swayed around your spinning form, with your skirt still whipped up by the movement. Rippling locks still mid spin around you, and an innocent smile filled with as much wanderlust and amazement as the first time a child learns what a butterfly is. When the ethereal insect had disappeared from your sight, you had turned to see Kaji staring at you with an amused face, but internally he was fighting what he soon found out to be called “cuteness aggression”.

”I really love butterflies.” You had admitted with a sheepish grin. Kaji’s face broke as he couldn't help but smile as a laugh puffed past his lips. In the moment, he brought a hand up to cover his smile, and to ease the rising need he had felt in his chest to scoop you up and cover you with kisses right then and there - he sufficed with taking your hand. He held onto you tightly all the way to school that day. When he picked you up later that afternoon, you found him standing by the gates smiling absentmindedly down at his phone, but you never knew why until now.

Kaji slowly lowers his phone to see your eyes wider than ever, and your lips slightly parted from shock. God you’re so cute, I just want to kiss you! He fights the urge as he waits for you to say something.

”I-Is that how you see me?” Your voice was so small, but the desperate hope you were feeling bled right through, and Kaji nods without missing a beat.

”All of the time - ever since I first saw you.” He states earnestly, and a tear falls from where it’s been brimming in your eye, but you giggle as you sniffle and wipe the tear away. Kaji’s eyebrows raise slightly, hoping you’ll tell him what’s so funny.

”Tsubaki was right. That did convince me.” You giggle louder as you beamed up at him with adoring eyes.

”Thank God for Tsubaki.” He whispers as he rubs the back of his neck and sighs in relief. As he did, it dawned on him then that there was a second part to your worries. A deep well of guilt rises in his chest as he starts wondering how long this has been bothering you - how long have you thought he didn’t want to touch you? His eyes scan over your smaller former and the smile still persistently tugging at the corners of your mouth. Terrible thoughts flash through his mind - have some of your smiles been forced? Has he been making you feel as if you’re not good enough? The questions that shatter his heart to pieces finally form at the front his mind - If you felt this way for the entirety of your relationship, then how do you not hate him? How can you even stand him after he’s made you feel that way?

As you start to turn with an unsuspecting smile on your face, continuing towards your house, suddenly Kaji feels that feeling again. The need washes over him to grab you, squeeze you, snuggle into you… and he didn’t feel like fighting it anymore. In one swift motion, Kaji crushes you against him and you let out that adorable squeak as he presses your back to the wall on your right.

”K-Kaji?” Laughing out his name, but your eyebrows crease a little. “What are you doing…?” You ask, tilting your head, still giggling softly. Burying his face into the crook of your neck, Kaji remains quiet for a long moment, and you don’t try to fill the silence - waiting for him to instead. He inhales your sweet scent before exhaling a long breath, and then prepares the words he’s struggled to say, and that you deserve to hear.

”I want to be affectionate towards you, but I don’t know how sometimes..." He begins slowly, unsure of himself. "When we first met you were being attacked, so I never wanted to do anything that reminds you of that, or leave you feeling that I could or would treat you like that…" Uttering the words in a shame filled voice, and then he sighs out miserably. "I just really don’t wanna mess this up, but that doesn’t mean that I don’t want to touch you, and it certainly doesn’t mean that I’m not attracted to you. I am. Believe me - I am.” Kaji is uncharacteristically talkative as he spills his guts into the soft skin of your throat, and you silently drink in every word. He goes on to surprise you with even more.

”I want to touch you all of the time, every second of every day. Since the moment you texted me at that concert…" He muses as he remembers wanting so badly to kiss your forehead. "I’ve had to physically resist the urge to have my hands on you with every breath I take.” He’s shuddering now, breathing unevenly as he pulls away from your neck to stare you down with molten eyes.

“It hurts Y/N.” A panged whisper leaves him as he dips his lips closer to yours, and you breathe in his shaky exhale. “I want to touch you so badly it hurts.” He repeats in a strained tone you’ve only heard him use when he’s badly injured as he presses his forehead gently to yours.

“But I just don’t want to hurt you. God, I would start hating myself again if I ever did…” He whispers miserably, and your eyes widen slightly at his admission. During your time dating Kaji, he’s mentioned his hatred of himself to you - briefly - but he’s never mentioned that he stopped hating himself at any point.

“I wouldn’t hurt you, I swear I wouldn’t…” He whispered desperately, a breath away from your lips now as tears pricked the corners of his eyes as he held himself back with the ragged tether still in place deep inside of himself.

“... Just, please, let me feel you.” Begging against your mouth so sweetly, the taste of peach Chupa Chup clings to his breath and washes over your tastebuds, as he caresses your cheek with his thumb oh so lovingly.

”Yes.” Is all you can utter as you nod vehemently at him, but he doesn’t move , not certain he can trust himself yet. “You would never hurt me, Kaji. I’ve never thought for a second that you would… so please kiss me, touch me, feel me.” Begging desperately right back and letting your lips finally brush his ever so slightly. Still he holds tight to the tether, body shaking with uneven breaths as his lips begin to tremble with anticipation. “Touch me Kaji, you’re the only one who can, because I’m yours…” As the confession leaves your lips and enters his - like a soft breeze rustling the branches in a tree - Kaji’s tether finally snaps.

Surging forward, he envelops your mouth with his and kisses you hungrily. At first, he just enjoys the feeling of your plump, soft lips on his, but as a gasping breath parts your lips he pounces on the opportunity. Sliding his tongue eagerly inside, relishing in tasting the peppermint gum you had been chewing on the way here and how it compliments the sweet peach Chupa Chup on his tongue so well. Using his wet muscle to set about mapping out your mouth - caressing your tongue and flicking the tip of it with his, before placing kitten licks to the inside of your lips. All the while he’s pulling the most scandalous wanton whines from deep in your core.

When he expertly parts your legs and presses the top of his strong thigh to your throbbing core - you part the kiss with a whiney moan as you fist the front of his hoodie and drop your forehead to his chest, blushing up to your ears.

”Ka-Kaji…” You whisper shakily, and he almost pulls away out of fear that he took it too far, until you continue in a small pleading voice. “I-I can’t be quiet when you touch me like that… Can you take me home please?” The murmur is soft to his ears, even though his anxiety that this is too much for you and that you just need to go home rears its ugly head and he starts to pull away, but you quell his nerves quickly as you flash him an embarrassed smile.“Do you think you could get away with spending the next few hours at my house?” Offering him the invitation with a mischievous look as you peer up at him through thick lashes. All Kaji can do is release a shuddering breath in relief as he nods before placing a firm palm on your lower back and quickly leading you to your house… and back onto his thigh.

The Next Morning

The next day, Kaji goes out of his way to hold your hand on the way to school and even kisses your cheek before you head to class. You're left blushing and sputtering for the rest of the morning. Both of you were so absorbed with the evolution in your relationship, that neither of you noticed Kaji left his headphones on your bedside table last night. It only occurred to you that he wasn't wearing them this morning when you receive a text from Kusumi.

Kusumi: Hey, is Kaji okay? He doesn't have his headphones with him today, but is weirdly really calm about it??

Kusumi: Like I don't think he's noticed at all...

Your heart palpitates for a moment before you're able to recover your composure. Hana - who is peering not so stealthily over your shoulder - burst into giggles as she pieces things together.

Y/N: No idea! I'll bring them to him around lunch though!

Kusumi thought it was weird that you had Kaji's headphones, but thought nothing else of it. Until you showed up around lunch and surprised him with a small bag of suckers and his headphones. His white haired captain barely registers his two most prized possessions (prior to meeting you) as he chooses to bend down and kiss your forehead before rumbling a 'thank you' sweetly into your bangs. It was odd to see Kaji so openly physically affection.

When you turn about three shades darker from blushing up to your ears, and Kaji responds by smiling down at you adoringly Kusumi started to think maybe the two of you had a nice time after Pothos last night. Once he sees the dark glint in his captain's eye though, that's when he realizes the two of you had a really nice time last night.

#kaji x reader #fluff #SP’s Headspace #pernesophe #wind breaker x reader #windbreaker x reader #kaji ren x reader #soft ren kaji

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