#I feel bad that I take so long to post art on my blog and update my comic

[plulp]

hey guys. remy design

[sweetvalentinescandy]

im so disappointed in my art lately . im not a beginner artist, but i feel like everything i do looks like i am . i feel like it would only be acceptable for a beginner . i havent made any progress since i was 11 . today is not a good day

[sweetandglovelyart]

Me, too busy with grad school to participate, watching everyone else in the Kirby fandom participate in the OC tournament and art fight

[koipalm]

having fun with writing....

[cubedmango]

been wondering if i should finally make that separate art-only blog what do u guys think

[thankskenpenders]

The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

[raven-at-the-writing-desk]

🎉 Thank You for 10k+ Followers!! 🎉

A big thank you goes out to @cozymochi for this beautiful celebratory commissioned artwork for this major milestone ✨ It really captures the scope of all the content that had been put out in the last 4+ years—both in terms of official Twst materials and on this blog! I think it’s very fitting that we hit this milestone in the month of Halloween too (I just held off on posting this til the month after); it’s Twst’s biggest holiday of the year, so it’s twice the cause for celebration!!

A lot has happened over the course of my time in this fandom. I’ve written many things of course, but I’ve also had many other exciting opportunities! I’ve been interviewed for a paper, met many cool people from all over the world, attended Twst meetups + events, collaborated with other talented creators, received kind gifts, contributed to various fandom projects, and finished telling the origins of my Twst OC. This blog has been with me through a lot of major changes and difficult hurdles in my life too—it’s really been an anchor for me, a comforting and safe space for me to be creative or analytical whenever I want to be.

When I first started this blog as a very casual hobby in summer of 2020, I never even considered that it would balloon to this extent. It still doesn’t feel totally real to me 😭 I don’t usually fixate on numbers (they make me anxious), but looking back on it, 10k is a LOT, and 4 years is a long time. To put that in perspective, if we were in Twisted Wonderland for 4 years then all of the students we’ve come to know and love would have graduated by now. That’s crazy to me. We’ve come so far as a group.

I feel that a large part of fandom is the community that comes with it. I would have found it so challenging to stick with Twst had I not had so many great people keeping me engaged with it. I’d now like to take a moment to thank those folks. Keeping in line with the idea of “4 years”, think of these as little messages scrawled in a yearbook. I also have a blog event planned to celebrate! More on that later.

Please note that I’ve used pseudonyms for most of the following people, as I’d like to respect their privacy (I’m very private myself) + not all of them are comfortable with being explicitly named or tagged to a large crowd. You’ll know who you are if you see yourself on here.

Without further ado:

MSS — Thank you for being the first Twst space I felt truly a part of. It’s still the place I consider my fandom “home” beyond this blog.

April — Thank you for making MSS as a place for us to share! We’re tsunderes in solidarity.

Drinking Knight — The banners wouldn’t exist without your help. Thanks for getting the ball rolling on those; I’d like to think that I’m a little more confident in designing new ones myself now, but you were the start of it all. Your endless enthusiasm for the most insane otome boys, drinks, and bullying (positive) others is truly an inspiration.

Q. Opinionated — Can’t count the number of times you ran tech support for me 💀 Thanks so much for being patient and willing to laugh at a stupid situation. I WILL grip you (escape is not an option) 🤲

Dad with his Printer — Why are you so cheeky My unofficial proofreader and fact checker. Still treasure the teeny J word and coffin magnets you sent, and, even more valuable than those, the bad dad jokes/puns advice and wisdom you give. Wishing you luck on your art adventure.

A. Cider — An unexpected friend I met very late into the fandom and happened to run into irl by total coincidence. Funny how life works. Your shitposts are great, and I appreciate having a like-minded person to talk with about the J words and story critiques. I’d also like to thank you for the many little doodles you’ve made; I know you’re very busy and have a wife to tend to at home but I appreciate that you still make time for friends.

Hana — Extroverted pink-haired magical girl representation. Your bubbly love for Disney, Diasomnia, singing, and (yes) angst lights up the entire room. Maybe you’re not too confident with yourself are right now, but I know you’ll find your way.

Swan — For being quick on the uptake and giving me the heads up about various things! We may not talk much one-on-one, but I’m thinking of you and enjoy seeing you pitch into the conversation. You’re still banned for L*ona posting though/j

Ly — My secret French twin/j Thanks for being my cultural + equine advisor and a voice of (salty) reason. Never shut up about your hyperfixations! You’re a real one.

Oys — Enabler + encourager of my Yan!Sil delusions. Sorry for making your blood pressure spike every time we talk about our food takes. But hey, at least we get a good laugh out of it :))

Mac and Bean — For being my inspirations. Bean, you have such atmospheric writing. I hope my writing style can be just as magical as yours. Mac, it was your blog that first got me into starting my own Twst writing. You never stop being so, so funny also I blame you 120% for the L*ona rot.

Peaches and Cream — To my local Twst friends, thanks for keeping me company even through the hard times. Peaches, happy to be your local Twst dealer anytime. Cream, thanks for hooking me up with new books.

Salt and Flora — I don’t know where you vanished to, but the sea brought you back to me on its tides. I’m so happy we could meet again. Salt, you’re so talented at crochet and design work; get your coin 😂 Flora, you’re the sweetest person ever. Literally cottagecore personified, even in your art.

Piano — We don’t always see eye to eye, but thank you for being my serial debater and showing me new perspectives. Your open-minded theories and analyses are such fun. And, of course, it’s always hilarious to think about how we accidentally (?) swapped oshis 🤡 You’re a star.

The Anklebiter — For having the most unhinged jokes and ideas. Seriously, THE most unhinged. I never do any of the crazy things you suggest but I’m always really entertained from just hearing them.

Te, Mi, and Ro — Thanks for organizing local events and giving me an excuse to touch grass. It’s a lot of hard work and you guys manage to pull it off every time! Mi, I was flattered to have you reach out to me to help a little with the Tweel cupsleeve event. Happy to help anytime! Te, I remember you were cosplaying as Kalim when we first met and I kept thinking about how perfectly suited you are for the role. You were very friendly and made such an effort to include everyone in the event even when I was Idia-ing in the corner. To this day, you continue to spontaneously introduce me to new people 😂 Thanks for getting me put of my comfort zone. Ro, I didn’t think we’d meet again like this. Small world! You’re learning and improving the big events. Here’s hoping to many more!

Vic — For being Ace Trappola when very few others would. It’s refreshing to have someone tell it like it is. I wish I could be as bold and as honest as you are sometimes. You have such a big heart when it comes to the characters you love; it makes me want to adore them like you do too 🫶

Kana — For being so sweet and patient. You helped me through so many rough patches and have also contributed a lot to the look of the blog. It’s so fun gushing with you about magical girls and pretty boys, sharing our favorite shows and movies… I feel as though I’ve made a lifelong friend.

Zari — Thank you for charms and art book, big fan of your stuff 😭 So honored to have worked with you on projects too. I hope to see a lot more of your Yuu and other OCs around, I love following them ^^

Lala — You understand, encourage, and validate my weird tastes in fictional men 💕 Really admire your sense of fashion and stylish nails too. Whenever I have my shrimp apron on, I think of you.

Arisu — No longer in the Twst fandom but integral in the earliest days. Wherever you are now, I wish you nothing but happiness.

P-san — You’re a lifesaver!! Thank you so much for helping me find cute little outfits and accessories for my plushies… They are forever grateful to be properly clothed.

V, Fa, Fe, Ray, Rea, Sonny, Glimmer Group, and Incognito Crew — Thanks for being so supportive of my hyperfixation on Disney villain anime boys, even if you guys have NO clue what I’m rambling about half of the time. To V specifically 🫵 I am NOT a cat boy kisser

Mango — I didn’t know I wanted you in my life until you showed up uninvited one day and chewed your way into my heart.

Azul Ashengrotto — For being the character that first convinced me into giving this game a shot. The Little Mermaid was something I always held so dear to me, so it almost seems like destiny that you’d be the one to drag me down into Twst. You’ll always hold a special place in my heart for that, even if my feelings have changed since then.

Rook Hunt — For being there when I needed to laugh a little. It’s scary to glance over my shoulder sometimes, but you make it easier to smile as I look back.

Rollo Flamme — For letting me know that having negative feelings is normal and human, even if we don’t always cope with them in the healthiest of ways. Let’s reflect and be better together!

Leona Kingscholar — For showing me that change and personal growth is, in fact, possible. Th-This doesn’t mean I like you or anything though, so get off your high horse—

Jade Leech — For taking my hand and guiding me back on the path when I got lost in the dark. Whatever crimes you may commit in your free time, I forgive you/j

Miss Raven Crowley — The little black bird who could, the blog muse. I made you on a whim and look at where you are now��� You went from a background character to the main character of your own story. So proud of you, my child 😭

Asset compilers, fan artists, fanfic writers, fan translators, cosplayers, merch makers, editors, plushie pic takers, video essayists, theorizers, etc. — You’re all so important to keeping the fandom alive, especially during periods of official content drought. It wouldn’t be feasible for me to list out all of the content creators I enjoy (chjsbsksks and it honestly might be awkward since I haven’t directly interacted with most of them), but I hope that this message still reaches you and finds you well. Keep doing your thing; I love seeing the work you put out ^^

Anyone and everyone that I’ve ever commissioned and/or received fan works from — I appreciate that you took time and energy out of your day to create something for me. There’s so much talent in the Twst fandom and I’m honored that you would dedicate some of that to a silly little birb.

You, the Readers — For supporting this blog and and what I do here! You’re an important part of my journey too.

Thank you!! Here’s to a future unknown and a page unwritten.

- The Writing Raven

[firelightmlpoc]

This is Pansear (if you want proof, look at my pinned blog; I'm well aware that there are a lot of imposters out there). I wish to say thank you for being open minded while also acknowledging that- yes- I did fuck up at times. I didn't treat Azriel the best. I was selfish towards the MAP collaborators. I wasn't a particularly great person in general- all that I admit, and I have my own separate posts for those. Overall, I'm sorry.

The harassment was too much and the screenshots were obviously fake. It wasn't fair to me. It wasn't fair to anyone either including those who believed were fake too, even to future potential victims of allegations and former victims of harassment campaigns. I left not in admittance of guilt, but to everything else that has boiled over (again, I detailed this in a post).

I know there's people beaming to know that I'm alive and well (and of course, people who are angry that I'm not). I just want to say that I'm sorry for having to leave everyone in the dark for so long, and that I was basically a POS back then.

It saddens me as well that this whole situation not only affected me- it has affected most of the fandom. It has affected the other artists, who no longer feel safe and comfortable. It has affected my friends, who missed me and feel lost in the dark. It has affected my fans, who worry about me and feel so conflicted about everything. It has affected friend groups who are distanced in their conflicts.

Even for the things I didn't do, I still felt horrible. There were no winners in the end, and any winner I could describe are those vile people hiding behind anons who have hurt the most.

People can already predict that I will never return and that is definitely the case. Not just for the sake of my well-being, but I believe it's for the best for everyone in general. It's been far too long that I danced through the harsh weathers- some strange fucked up game of ping pong, and it's time to put it to rest. I don't care if people will hate me still, all I care about is everyones' safety and for those who have been hurt to heal from this.

I have no real say on the Emily side of things. Indeed what she did to Azriel was irresponsible, but she doesn't deserve the harm and harassment she's got and been getting. Nobody does. Not even my calloutters and my harassers. Looking at their responses and posts just makes me feel bad. I can't help but feel sorry for them.

I hope you yourself are doing well. To all others reading this, I hope you all are too. The fandom isn't the same but I know love can persist somewhere. I am leaving it all up to you to make this place so much better, and that one day everyone can laugh again.

For now, I'm hoping things can rest.

I’m glad to hear you’re doing alright. And as you’ve said: Yes, you have done things wrong, but the actions taken against you were far beyond the pale for what you actually did.

An apology backed by action towards self-betterment is a good apology, & is what you’ve shown to be doing, though I truly wish that the cost you’ve had to pay for this all wasn’t so steep. I hope that you’re still able to find enjoyment in your art still, & hope that you’re able to heal from all of this, even if it takes a good bit of time to do so.

May the path you walk no longer hurt to stand on, & may you find yourself at peace with all of it some day.

[randomitemdrop]

you've posted a few ai generated images as items lately, and i'm wondering if that's intentional or not?

Short answer: no, it wasn't. Aside from a few I made when the generators first became publicly available and all the images were gooey messes, they've all been reader-submitted, although I'll admit I didn't catch the snail-boots. Personally I think AI image generators are a more nuanced situation than a lot of opinions I've seen on Tumblr, but given that they can be used so evilly, I'm steering away from them, if only to avoid the Wrath of the Disk Horse.

Long answer, and this is just my take, if you want to really get into it you'll have a much more interesting conversation with the people with devoted AI art blogs instead of me occasionally sharing things people submit:

There have been some major cases of unethical uses for it, but I think it's important to remember why AI image generators are such an issue; data scraping and regurgitating uncredited indie art is bad, but in the case of the snail-boots, it was just a fusion of one dataset of "product photos of boots" and another of "nature photos of snails", which I would say is not depriving anyone of credit or recognition for their work (MAYBE photographers, if you're a professional nature photographer or really attached to a picture you took of a snail one time?) I get the potential misuses of it, but when Photoshop made it easy to manipulate photos, the response was "hmm let's try and use this ethically" instead of "let's ban photo editing software". Like, I'd feel pretty unethical prompting it with "[character name] as illustrated by [Tumblr illustrator desperate for commissions]" or even "[character name] in DeviantArt style", but I'd have a hard time feeling bad for prompting with "product photo of a Transformer toy that turns into the Oscar Meyer Wienermobile". I know there's the question of "normalizing" the services but I think that overestimates how much the techbros running these things care about how everyday consumers use their free products, preferring to put their effort towards convincing companies to hire them to generate images for them, and in that case they respond way better to "here are some ways to change your product so that I would be willing to use it" than to "I will never use your product". For example here's one I just made of "the holy relic department at Big Lots", fusing corporate retail photos and museum storage rooms.

TL/DR: on the one hand I understand the hate that AI gets and it's not something I'm planning on using for any of my creative projects, but on the other hand I think it's overly simplistic to say it's inherently bad and should never be used ever. On the third hand, I really hate participating in arguments over complex ethical philosophy, so I'm just gonna steer clear entirely.

[commanderyes]

The Commander Says Goodbye

I’m not going to lie, I’m extremely anxious as i’m writing this, out of what these news could mean to a lot of people, and my heart feels heavy enough it could drop down my ribcage any minute from now and squish all my other organs. But I’ve been dancing around this topic for a long time now, and I think i’ve finally reached a point where i can’t ignore it anymore, for my own sake.

I hereby announce Commander Yes has come to an end.

As I’ve mentioned plenty of times before, here and to many other people, when I began this comic all the way back in 2018 I was in a really bad, really low place in my life in every sense of the word, and it was a spur-of-the moment decision to cheer myself up, because Path of Fire had just released and my enjoyment of the game had reached fever pitch and I had been playing Guild Wars 2 alone since as far as launch, and none of my other friends had ever really gotten into it. I guess I just, dunno, cried out into the big maelstrom of the community, one voice amidst millions, because i wanted SOMEBODY to look at what i did and revel in the nerdery with me.

And somehow the snowball began to roll and people wanted more and more of what I could do, and I was being actively reached out to, and, well, some time after that I landed my first ever job, I discovered a lot of things about myself, and I found myself in communities that welcomed me with open arms, and many of the people in there have since become among the best friends I could’ve possibly encountered, kindred souls who i’ve shared joys and sorrows for many years and who I can’t imagine living without anymore.

And all the while I kept making the comics, and with every entry posted every week I’d keep having people stopping to comment on them, and whether they were dumb jokes or personal takes on the story, they’d all share how much what I do kept hitting them in the kokoro, and to this day whenever I play anywhere in the game I still get people who recognize me and thank me for doing what I do. It was wonderful, it IS wonderful, and seeing that response motivated me to keep going, because what did still mattered to people, out there.

But I did always say I planned to keep doing these comics until I ran out of energy for them, and I think i’ve finally reached that point.

Because ever since I actually landed that job I’m exhausted and sleep-deprived every other day, so much so that I only have time to work on the comic on saturdays and sundays, and it gets harder and harder to just sit and draw, and at that point it was just more work, and while I still enjoy and play Guild Wars 2 a lot, it no longer consumes my time and attention like I’ve used to and i’ve been having fun with more personal projects, and honestly the direction the story is taking these days does not sit right with me and it’s hard to find inspiration in that, and this might be borderline selfish but every year I find people care less and less about the comics and it really takes a hit to you motivation when hardly anybody responds after you’ve spent a whole weekend trying to squeeze a five-page comic out.

And, well, I have been doing these for six years straight, and I think that’s a good run. I’m tired, and ready to move on, at long last. Let it be someone else’s turn.

But that’s the beautiful thing about this community, isn’t it? Even if I’m hanging up the hat, there are a whole lot of fantastic artists out there, as we speak, still cranking out works of art, deserving of all the attention they can get. And think of all the artists yet to come! For every story that ends, another story is just about to begin!

The world keeps on spinning, one way or another.

I’ll be closing my patreon shortly after this, but the reddit archives and tumblr blog shall remain for people to browse whenever they feel like (or until they both go in flames, i guess, what social media isn’t about to these days)

I still don’t think I ever was that much of a big deal, but all the same, to everyone who’s ever supported me and helped me be the person I am right now, to everyone who’s been there from the beginning, to all the devs of this game that has captured us for nearly a decade now, to all my fellow players and artists out there

Thank you.

See you out there, fellow commanders. Still the stars find their way.

[jrwi-eldritchstrings-event]

Eldritchstrings Event Sign-Ups Open!!

Hi! Are you looking for some Apothy fun in these trying times of no new Apothesosis episodes? Wanna get together with other toxic yuri fans to make something swag? This post is to let you know that sign-ups are now open for the Eldritchstrings Event - an event centered on Exandroth and Rumi!!

This event is solely being run by @burning-sol (me) and @exandr0th-0f-viscera (my headmate). It probably won't be that large-scale, and we'll be kind of loose with management as we get an idea of what the members involved want from the event in terms of development and a final product. Our biggest rules are to HAVE FUN and TRY YOUR BEST!! If you don't feel like you're having fun, then this event is officially so joever.

If you're interested, please read through everything after the cut, the Sign-Up Form's link is at the end!! Sign-ups close November 16th.

Who can join?

If I've blocked you that's probably a bad sign... Obviously. But other than that, no limitations we can think of! Just know that Xander and I are pro-endo and pro-mspec lesbians; so if that gives you the impression you wouldn't gel well with the group, it's best to steer clear. All we ask of our participants is that they'll...!

Communicate clearly, and consciously try to take others in good faith.

At the least tolerate their cohorts if they can't outright get along with them.

AND, most importantly, they'll reach out to us if there are any issues!! It is no bother and it's actively better for the collective if you're open about anything that may have come up :3

What's the estimated time frame?

Sign-Ups close November 16th! ..however, the time frame for development and publishing will be up to participants to decide - with that process of consultation concluding before 2025.

At the LATEST the deadline for the works themselves will be July 31st, which will leave time for the editors to finesse the final product and publish it August 27th... (the anniversary of the first Eldritchstrings post!) So if you think you could make something by July 31st, even if you're initially busy, join the sign-ups!

If you miss it you will NOT be let into the event late, unfortunately. But no worries, because if the event goes well then there's a high probability another will be held in the future! :D

What contributions are we looking for?

Firstly, anyone who can help with visual design, editing, accessibility and publishing otherwise would be appreciated! There's also room for people who have general experience overseeing events and/or those who would like to help with promotion.

There will also (potentially) be groups, so if all you wanna do is hang around in case a pinch-hitter is needed, you can do that!

In terms of those submitting work to the event, ANY form of art goes! You may want to submit something like...

Fan-fiction, poetry, essays..

Illustrations, comics…

Banners, blinkies, icons…

Moodboards, stimboards, webweaves..

Textiles, cosplay, photography…

Edits, animations, PMVs, AMVs…

Original music, playlists…

Coding, games, 3D works…

Or whatever other weird and unique things you can think of…!

Romantic, platonic, situationship... Angst, comedy, abstract works, complete bullshit… Canon, non-canon, post-canon, somewhere in between… All is welcome so long at it centers on Exandroth and Rumi!!

Our ONLY limitations are that we will NOT be allowing any erotica, and no portrayal of genitalia in terms of artistic nudity! If you are otherwise unsure your work would be allowed, feel free to ask about it!

Also! Works that are exclusive to the event would be super cool, but you can submit older art or continue to work on something from your already existing WIPs if you'd like! The only catch is that you wouldn't be able to resubmit those to any future events... So if you're okay with that, go on ahead!

..and that's about it!

Make sure you've read over this and any relevant posts on this blog thoroughly. Participants will gather in a Discord server, the invites of which will be distributed via Tumblr PMs from this blog. If you're chill with everything stated above, here's the sign-up form!!

-> SIGN UP HERE <-

Note: We will not be personally promoting this event to other social medias, but you have our permission to share this sign-up with Twitter, Instagram, Tiktok, etc!!

[carnalconcinnity]

I relate to and feel represented by Towa heavily in that he exhibits Schizoid Personality Disorder unlike any character I've seen before. It was in my head for a while but I couldn't get a hold of Slow Damage to find the evidence for it myself until now, I sort of just used to look at Towa, squint my eyes and mouth the words 'I'm onto you'.

This will be a long, indulgent post, I have not finished said game and will probably update when I do especially after Madarame and Fujieda's route. This is based on patterns I've seen so far in the game as well as some spoilers I came across. Read at your own... something or other.

SzPD's main characteristic is the lack of interest or ability to form relationships. Towa is on the side of a lack of interest rather than ability. One way I see SzPD in him is socially, he's indifferent and blunt or when he makes an attempt to spare feelings he's evasive, he maintains this distance with everyone around him. He doesn't chase after romance; sex and pain are stimuli that allow him to feel something beyond crippling apathy. It doesn't stop there though.

When he wants to, Towa knows how to adapt, negotiate and manipulate others. This can often come as second nature to many with SzPD, not out of malicious intent but through a way to protect themselves by setting the relationships they do make on their own terms. He interchanges between inarticulateness and eloquence according to Akhtar's Profile, selectively choosing what he gives away and what he keeps to himself.

Finally, Towa's art model in the moment, whoever it may be, can easily be considered his 'interest person'. Again referring to Akhtar's profile, those with SzPD can be capable of excitement with carefully selected people and likewise they tend to have a penchant towards typically darker and unconventional things as a form of coping. Combine those two and you have Towa's heightened interest in the selected few when he unravels their darkest desires.

A second way I see SzPD is through his feelings of unreality, schizoids tend to be seen as 'detached observers', there's a lack of motivation or drive beyond the few things they want to do. Towa doesn't hold any long-term ambitions and has no real sense of urgency over anything, he's often dragged outside by others around him or if he bar-hops and searches for hookups. He also holds a sense of grandiosity towards his indifferent observation, the line that stuck out to me the most was when he said to himself, 'All the more proof that life was easier when you didn't care about anything.' A view you will often see from Schizoids time and time again in response to other people's emotionally charged issues.

Towa sometimes dehumanizes himself, describing himself as a 'single minded robot' when painting, playing a role when granting his art model's wish like he did for Asakura or by referring to 'Human Beings' as though he isn't one of them. Obviously as a child Towa was horrifically abused and treated like a 'thing' instead of a person and a result of that he has a weak sense of self, he has a tendency to cave in around more dominant personalities. This can be another thing that goes hand in hand with SzPD, entering into a 'Master/Slave' type dynamic in social relationships (SchizoidVision has a post on this concept, here) As I've explored, Towa has the faculties to play the 'master' in these dynamics like with his art models but he takes a 'slave' role with the main leads that hold the potential to lead into even worse dehumanization in the bad endings.

Thirdly, a way I see Schizoid in him is through his emotions plain and simple, he hardly expresses strong emotions or reactions to anything and everyone sees him similarly, that he's aloof or uncaring. It shows even more in how he doesn't care for social validation, praise or criticism does virtually nothing. He sometimes feels accomplishment for finding his inspiration to paint but Rei ends up being the one posting it on Roost's blog. He isn't dependent on other people's opinions whatsoever. A huge part of SzPD traits.

Finally, the use of his internal fantasy and how it obsessively consumes his time. When he begins painting he becomes utterly immersed to the point he neglects food or sleep, you can't snap him out of it forget any sort of practical responsibilities. This reflects in SzPD in how daydreams tend to consume a lot of schizoid's lives, often preferring it over reality. It can interfere heavily with day to day tasks, I can say there's multiple times I haven't left my room, eaten or slept over a period of time when I get an urge to create something or lose myself in my own head.

Overall, there's so many boxes he ticks so far it's as if he's become the box himself. I connect with him a lot for these reasons and he can easily be considered a major comfort character and face for my page, plus somehow I find the time and dedication to write this essay when I have my abandoned assignments just begging me to make a start on them. (I won't until I feel like it.)

[olderthannetfic]

Genuine question: what's the point of writing fanfic? As in, what's the purpose? No one in the fandom I'm in comments on fics and I even got told off by one person for doing so, as it "encourages bad writers and makes them think they're good". So it seems that it's a lot like book writing, where people work hard and are creative, but instead of getting paid and getting comments on the work, you just sit there silently hoping someone will press the kudos button and make a number go up. I feel like that time and work could be better spent on making something you might get some kind of profit off of. Don't get me wrong, I love doodling fanart, but I don't post it, as I'm aware that there's no point to doing so, and while it's a nice way to fill the time on a commute, it's not something that takes me as much time and effort as fanfic does. So... why do people bother? Sometimes I describe ideas I have and people I know in my fandom will tell me I should write it, but I don't see why. I get more interaction from just saying "imagine if [thing here]" than I would by sitting down, writing for hours, editing and posting [thing here], so what would the point be? I'm not punching down or going "haha women and their fanfic lol!", I genuinely do not get what the point is and this blog feels like it might have someone reading who knows the answer.

--

Do you make art for profit? Genuine question.

There's nothing inherently wrong with being motivated primarily by external factors, but it's not actually why a lot of people create things, whether it's books or recipes or doodles in a notepad.

I enjoy the actual process of writing.

I think many people lose sight of that aspect in an era where tons of <500-word fics that are mostly outlines and "Imagine if..." posts get disproportionate attention for being easy to consume. But the satisfaction of doing a bigger art piece and doing it right is real and motivates a hell of a lot of creation.

I suppose you might be thinking "Okay, but why not just write it alone and never post?", but I like sharing. Showing off my finished creation is part of the joy, and sharing with other people like me is too. But those aren't quite the same thing as worrying about kudos. It's like dressing nicely when you leave the house because you feel great when you know you look good vs. needing another person to tell you you look good.

To be honest, though, this type of feeling has grown in me the better I've gotten at a craft. The closer my finished projects get to the vision in my head, the easier it is to find them fulfilling and to be excited to share them. When I fall short of my own ambitions, it's discouraging no matter how much attention I might get from others.

I feel like it's time for my regular reblog of Adam Westbrook's video essay series The Long Game.

The third and least known in the series is all about this idea of who you're making art for if you're not getting material rewards in the short term. It talks a lot about autotelicity—being internally driven instead of externally.

--

But if you really just want clicks, anon, start a blog that accepts anon asks and posts about wanky stuff. Actually tag things, unlike me, so people can find you.

No, writing for attention isn't worth it.

The time investment is too great and your brain will always fixate on the times people didn't respond instead of the times they did.

But that's not actually why most people write.

[ohbother2]

Hi everyone,

I know it's been ages and some of you have probably seen this notification and have hoped that this means the fics on this page will be updating, however, I've got some bad news.

This blog was a joint account between two friends who loved creating silly stories of some of our favourite characters in our free time and gushing over character details with one another. Beyond tragically, my friend, the co-runner of this account, passed away a few months ago. Obviously, I'm keeping the details private, but it was sudden and unexpected.

I know this is a shock to all of you, and not what you were expecting to hear after such a long hiatus. Understandably, I've not been active on tumblr, particularly this account, since. It's felt incredibly wrong to login to this blog and even attempt to re-read some of the stuff posted or your comments/tags, especially without her to talk to about all your lovely messages. She really did love reading them, and we'd call for hours to laugh and talk about your kind messages.

Although I acted as what you'd call the 'face' of this account, actually posting, reblogging, commenting and following others, she was integral to the heart of this account, to the ideas and writing and editing that made this account what it is, and I don't want to continue posting heacannons/one-shots/any kind of creative writing on this blog without her. This was our passion-project, and a massive chunk of it is now missing.

I just wanted to let you guys know what the situation with this blog is and why, and I wanted to give a massive thank you from both of us for being the most supportive, kind-hearted, and tight-knit community we'd ever had or seen on Tumblr before. The fact we even had fan-art made of our writing goes to show how dedicated and incredibly talented this fandom is, how supportive and just genuinely excited everyone is to hype each other up and lift each other and appreciate all our passions. It's genuinely insane, and so rare in modern internet spaces.

Regarding the future of this account, because I don't want to leave unfinished fics floating around the website, and for personal reasons, I will be transferring all fics/one-shots over to AO3, marking them as incomplete, and 'orphaning' them. I've really debated this decision, and I believe it's the one she'd be most happy with. I'm just giving you guys fair warning, I'll wait a few weeks before I actually do anything. I don't know if I'll delete this blog, I'm rather attached, but I won't be active for a while.

Probably most importantly, if anyone wants to take our ideas or our unfinished fics/one-shots and complete them/edit the story/adapt our head-cannons/incorporate them into your own fics, please do. I think it'd be nice to inspire and help other fic writers, and see the ideas carried on in whatever way you guys choose. Everything on this account is effectively 'orphaned' already, so feel free to do whatever you want with it :).

This is getting long, but I also wanted to say thank you to everyone who sent in requests, funny comments, little anecdotes, and witty one-liners into our messages/asks, both that we did and didn't respond to, especially lately. We planned to do a great return to this blog after our exams responding to them all/clogging up your feeds. Someone even called us their 'favourite niche internet micro celebrity', and we both found it hilarious.

There's no gofundme or anything like that set up. Sometimes, things just don't go as we plan and there's nothing we can do. If I've learnt anything from this godawful situation, it's that you should do whatever you want as soon as possible. Don't wait to join that club. don't wait to take that trip, don't wait to watch that show, don't wait to visit friends or family, don't wait to begin doing a hobby that you think you'll love. Anything can happen, and the only time we know that we have for certain is now. (Master Uguay was right in Kung Fu Panda after all).

I won't be active for a while, but I'll check in to see how this post is doing now and again, and I'll probably post again just before I begin taking things down.

Thank you guys, and I hope you don't dwell on this post too long.

[unclewarwick]

i am making this an art blog now, so i thought i should actually start posting my art here. i finished this drawing today and the rest of the art in this post is from newest to oldest. this post is most of my batman-related art since the last time i posted a big amount of batman art (which was december 2022).

i have a heavy preference for drawing batjokes but am trying to draw more and more of the rogues gallery. i have my own vague storyline ideas that include both batman and the joker being trans men, but in my story he is called bruceman/bat wayne.

2024-07-10 -- i do an annual redraw of this meme. this was the fifth version. the first time i drew it (in 2021) was the first time i had tried to properly draw either of them, despite having a deep batman interest for a long long time, and drawing for even longer.

2024-06-28 -- i spent 41 and a half hours on this one. my first big attempt at pixel art. it was from a bad chronic illness week so it was meant as a purposely ugly and simple drawing but it spiralled out of control.

2024-07-05 and 2024-05-11 -- my concept art for the scarecrow.

2024-04-22 and 2024-03-21 and 2024-02-11 -- the joker taunting bat wayne, an argument with alfred, a community meme redraw that i didn't like the end result of but was unwell while drawing so i give myself a break.

2024-02-08 and 2024-02-06 -- the riddler being desperate for attention on social media, my two-face concept art

2024-01-27 -- my take on the oft-parodied the amazing spider-man #601 cover art.

2024-01-18 -- joker thinks he's being sneaky but doesn't know he's with the same person twice.

2024-01-11 and 2024-01-10 -- catwoman being fun and sillie (from before i redesigned her weird mask and goggles that i originally tried to give her)

art from 1 and 8 december of 2023 that i posted on here

both from 2023-09-10 -- a couple of quick low effort drawings from when i was feeling funky

2023-08-06 and 2023-08-13 and 2023-08-18 -- mini comic where you can see the comic formatting skill developing in each part.. just a small story idea i had revolving around a double joke about bat wayne's Identity. and still figuring out how to draw the riddler.

2023-08-02 -- my first depiction of riddler & first drawing of har-lee (my name for harley quinn) out of costume.

2023-06-18 and 2023-06-15 -- my first drawings ever of har-lee; i did not stick with this costume design for her because i fixed it and made it actually look good and make sense at all a whole year later (character design is my weakness), and also just a simple meme.

2023-06-15 -- i don't have an animation program, so making this was a real struggle.

2023-04-28 and 2023-04-23 -- bruceman picking up tampons in the middle of a fight, bruceman and joker "fighting".

2023-04-04 and 2023-03-21 -- Earring Magic J, joker being the autistic, gay, trans dad of autistic, gay, trans pee-wee herman (including muffin the cat from batman: legends of the dark knight #50)

all from 2022-11-14 -- a comic Not about being trans, no, not at all...

2022-11-27 -- a fully rendered version of the last panel.

there's more that's not included here because of the 30 image limitation, but those are mostly further concept drawings of har-lee that i didn't like, and lower quality joke drawings. one bigger thing i've left out are stills from an animatic/animation project i started quite a while back (it's not even my only WIP of that kind) and haven't continued progress on for a while. i would prefer to share that all at once whenever it's finished.

[sirfrogsworth]

I posted the below on my Facebook. I am secretly trying to head things off at the pass. Every time people see pictures of me out and about, they think I have been magically cured or my health status has improved. And I know going to Florida is going to give people that impression.

But also, I just wish a few of my relatives could understand my situation better. And why I didn't come to Christmas. And why I might try to come to Christmas now.

I guess I'll see how this goes.

-----------------------------------

One of the biggest struggles I've had my entire adult life is explaining why I appear fine whenever people see me. I say I am very sick and bed-bound and then they see me and I am out of bed and talking and joking and... a normal healthy person.

What many don't realize is I am making a choice.

A choice to get sick.

I can use up all my energy in a short time frame to accomplish a difficult chore or entertain a friend or go to a doctor, but that is going to have a consequence.

The more I do, the more severe the consequence.

In the ME/CFS world this is called "post-exertional malaise." (for those interested, you can read more about it here: https://rthm.com/art.../what-is-post-exertional-malaise-pem/ )

Imagine every time you wanted to do something, you were *choosing* to get the flu.

Take a walk, get the flu.

Exercise, get the flu.

Spend a night out with friends, get the flu.

And you might be thinking, "Okay, it can't be as bad as the flu. I've had the flu and the flu sucks. No one would choose that."

I may not get the nasty respiratory symptoms, but everything else is pretty much the same. Crippling fatigue, horrible aches, and the loss of the will to do much of anything. Sometimes it is much worse than the flu. Some people don't know how much being this exhausted can hurt. They have never used up enough energy that their body is unable to power itself properly. I usually say it is like every cell in my body is starving and screaming for energy. I feel it in every inch of my body—and not just on the surface... through and through. So, like... cubic inches.

Sometimes I don't even have the energy to power my legs. Trying to stand feels exactly the same as trying to lift a barbell with way more weight than you can lift. I can't get upstairs or even walk to the kitchen. It's a concentrated misery that defies description, despite my constant attempts to try.

Sometimes I get lucky and this flu lasts for a day or two. But the more active I am, the longer it can last. And the severity increases as well. There is also a cumulative version of this—where if I do a bunch of little things over a longer period of time, eventually it will catch up to me and I may be stuck in bed for a few weeks.

And when I say "stuck in bed" I mean stuck in bed.

Short trips to the bathroom and a few minutes in the kitchen to make food. If I spend too much time upright, my legs will literally give out and I will be stuck on the floor until I recharge enough energy to get up again. It would be like every time you needed to get up, you had to hold your breath. Not to mention, the more I do, the longer the recovery will take.

For a long time I chose to never get the flu. I stayed in bed and did just enough to avoid the worst of PEM. I skipped family get-togethers. I didn't see my friends. And I lived my life inside the computer. Some may find that sad, but I actually found a way to make this work. I ran a successful blog that was seen by millions of people and I met my two best friends who I now consider my new family.

One thing that allowed me to choose not to get the flu was my parents. I fear some thought they were spoiling me. They did my laundry. They helped clean my room. They got my groceries. They cooked my food. They took on any chore they could so I could avoid the flu and live some semblance of a life on my computer. There is a lot of guilt wrapped up in that. I didn't ask them to do that. They just sort of... did. And I am so grateful to them.

To be fair, they would have to do these chores for themselves anyway, and tacking on my stuff wasn't a huge deal. But I know it caused them a little extra pain and a few post exertional consequences of their own. So I appreciated that sacrifice more than I can put into words.

But then they both got very sick. And not only could they not help me with my stuff, I had to help them with their stuff. And this was a difficult transition. I had to choose to get the flu to take care of my parents, but then if I got the flu, and I couldn't take care of my parents. I believe this is called a catch-22.

My initial solution was to just not take care of myself. At all. My health and mental well-being was set aside and I just gave all of my energy to them. I didn't shower. I forgot to take important medicines. I didn't do a single thing that brought me joy. And I'm reminded of that analogy of the airplane emergency where the oxygen masks drop. You put on your mask first before you put one on your child. Your instinct is to save them first at all costs. But if you pass out, they are screwed.

So I kept getting that cumulative version of the flu. I'd help them as much as I could for a week or a month and then I'd be useless to them for just as long. Living in the basement did not help. Stairs were very hard for me and constantly going up and down was a huge waste of energy.

And I'm sad to say, the level of care I gave to my mom was not great. I didn't know what I was doing. I didn't understand how to balance my needs with hers. And it led to costly mistakes. She had several preventable falls that caused injuries. At one point she spent hours on the floor because I fell asleep and did not check on her. When you know someone needs regular supervision, you need to synchronize sleepy time.

Thankfully I learned from all of these lessons. Maybe not as quickly as I would have liked, but I did figure it out. I just wish I had learned them before my mom passed. I just wasn't able to give her the help she needed.

And you can tell me "you did your best" all you like, but this isn't a guilt I am choosing. It's just there and I feel it no matter what anyone says. In time I am hoping it will get lighter, but I'm afraid it cannot be wiped away with a well-intentioned platitude.

But with my dad, I decided to move upstairs. That was something I should have done much sooner. But I liked having my personal space and that was hard to give up. When he slept, I slept. When he spent 4 hours at dialysis 3x per week, I would make sure to take care of any personal needs. I would do chores a tiny bit at a time. 5 minutes here, 5 minutes there. And then I would lay on the couch in between and regain my strength. I did everything possible to not get the flu. And I got my flu shots so I wouldn't get the actual flu. (Get your flu shot! 50K die from it every year!) The only hitch in my plan was when I got a kidney stone at the same time my dad was in rehab. I have no idea how I got us through that.

I was very proud of the care I was able to give my dad. And I'm so grateful I was able to pay back just a tiny bit of what my parents did to help me. And the care I gave my father is the only thing that helps me feel better about my failures with my mom.

But now I am entering a new chapter of my life. And I find myself choosing to get the flu more often. I have decided sometimes it is worth the consequences. Part of that is because I am more used to it after dealing with it for 20 years. I have coping mechanisms and procedures and techniques to manage the symptoms. It doesn't make them suck any less, but it definitely makes it more manageable. It's akin to people with chronic pain who still feel the pain just as profoundly as when it was new, but they get so used to it that they forget that isn't how they are supposed to feel.

I approached this scientifically. I did tests. I went to the movies. I tried once a week and that was too much. Then I scaled it back and that was more manageable. Then I realized I had movies at home and decided to end that experiment.

I started to put my energy into something I enjoyed more. My photography. So I have been finding new ways to take pictures again. More experiments. I'm designing a simpler studio that requires much less energy. I'm creating a little product photography workstation where I don't have to set up everything each time I want to take a cool picture of an object. It will just be "turn on the lights" and "take the pictures."

Figuring all of this out made me realize how much I missed photography. And since I have been shooting test pictures here and there, my mental health has been noticeably better. And once I get this all figured out and set up, I am hoping some of you will let me take your photo. Or a photo of your kid. Or a pet. Whatever you have that needs photographing, I'm game.

I'm not going to charge. It's not going to be a business. I do not have the energy to "hustle." And asking people for money just sucked all of the fun out of my beloved art form. It corrupted it. I just love taking pictures and if you need a photo, I'd like to do that for you. I also restore old photos for fun. I'll talk about all of this more in another post when I am ready to start.

And then my grand experiment is coming next week.

I am going to travel.

I am going to see my best friend in Florida for two days. Two days of travel and two days of visiting. This is a scary choice. I know the aftermath is going to be difficult. But I need to get out of this house. I need to see my chosen family in person. And I have never been on a plane and I love the perspective from high places. I know people hate air travel, but for me, looking out that viewport is stunning television that cannot be matched.

Purposely making myself sick sounds like a bad idea. But it isn't life threatening. I have the free time to recover as long as I need to. And I can always choose not to get sick for a while if it gets too hard.

I just ask that people not see this as going from a worse life to a better one. I was really proud of the life I was able to create for myself while staying in bed. That took a long time to figure out. I met some of my favorite people. And I accomplished things I couldn't imagine in my wildest dreams. Please do not shit on that life and think it was sad or meaningless. I was given that life as a gift from my parents and it kept me alive. It has always been a huge insult when people pitied that precious gift they gave me.

This is not a better life that I am trying to figure out. It is just better for me right now. My needs have changed. I have changed. So I am trying to adapt. I just ask that people understand when I go out and do something, please remember the choice I am making.

You may be tempted to say, "You are doing so much better!" I am not any better than I was 10 years ago. Actually, my health has degraded. It's just that before I didn't think getting the flu every time I did something was worth it. And I would hope everyone would understand that was a valid choice.

And now I am inviting those consequences.

On purpose.

Give me the flu, I guess.