#I drew too much and there’s still more art that I want to post

[spacey-xannabelle]

[Template]

2024 Art Summary!

Artist notes/ramblings under the cut

January - March: A lot of the art I did during this time was mostly doodles and sketches that I didn't post anywhere, but during this time I did start planning the test comic project for my story, Startrails!

April: Only art that I posted during this was the art of one of my Startrails characters, Mira.

May: I finished the test comic during this! It was a great practice to do and it gave me a lot of insight on what part of the comic process I should work on so it flows more smoothly for myself. And it was really cool to see my two main characters in a comic format qvq

June: On June, I wanted to do a bigger illustration to practice backgrounds more. And since I was in a Splatoon mood at the time, I went and drew a nice little scene of some inklings and octolings hanging out in the locker room before a match.

July: Artfight month!! I was team Stardust this year, and the art featured in this art summary was a character by @/artisticdragons. I'm honestly proud I drew as much as I did for artfight!

August: Earlier in January, I had started and finished playing Outer WIlds (along with the DLC) and around here was when the brainrot returned tenfold and had be in its clutches. This was one of the many silly doodles I did for the game

September: Major outer wilds spoilers for this art! But this here was the comic I spent a little over a month working on. A comic inspired by an Undertale quote that I felt really encapsulates Hatchling's journey. I also posted this on Twitter and it got noticed by both Mobius Digital and got a comment by Andrew Prahlow and I'm still losing my mind over that qwq

October: Outer Wilds DLC spoilers here! I drew a lot for October bc during this, I was participating in an Outer Wilds Inktober event ^^ This art was something I did as a little bit of a break from the inktober stuff. But also bc the DLC gave me a lot of feelings and I had to draw them out

November - December: During this time, the Outer Wilds server I joined created our own Nomai clan so I spent.. So Much time drawing mostly Nomai ocs djdfg. It was a lot of fun and I enjoyed being able to be silly with my art and participate in this group endeavor!

Overall, I'm proud of how much I was able to draw this year despite juggling a full time job that would usually leave me too drained and tired to draw. Some days it's still difficult to keep drawing but joining a group of creatives really inspired me to create for fun.

I'm hoping to continue creating art next year, maybe make more fanart of stuff I love. And absolutely hoping to draw more oc stuff, especially of my story, Startrails! :)

[rmgkyle]

Omg sorry I’m SO late I was busy doing all the FANART for people and with work which made me really tired and sick. Yes, I’m really sick, my asthma is getting worse and my head has been hurting.

But I’m making this post for Christmas special for people I enjoy talking to/ hanging out with.

First is @smg-24

Man…you make so many art of RMG which I really appreciate by the way because you drew her A LOT, and that’s not all..I really enjoy ur company and helped me with stuff I was struggling with. You put a smile on my face every time I see you online or whenever we are on call. I love our friendship so much I never regret meeting you at all tbh, you make my day so much better because of ur personality and being around you makes everything better . I hope we stay best friends forever.🫶🏻💗

Next up is @mikchi8

Mikchi. How do I even start-

You are really funny in general and have good jokes, it makes me laugh every time. And also, you just are interesting too..I MEAN like you crazy and all but you still are a good person. Whenever I see u in the vc’s I join because you light up my mood, even when ur only in there. I like the way u act and I like ur style with ur ocs, it very classy and adorable.Im so glad I met you because you’re the most I talk to in the server. Your friendship has brought so much joy and positivity into my life.🫶🏻💗

Then is @knightedmares

Bro..YOU ARE SO FREAKIN COOL AND AWESOME I LOVE U MAN. I really adore you a lot and you are just WAY too cool in general.You are an amazing friend and buddy, like I literally want to be you so bad. You have good taste in music and fashion on your ocs.KNIGHTMARE I wish I could give u a big tight hug for being an awesome person to everyone, including me also.You should honestly be proud of yourself for being a chill dude. I love you man🫶🏻💗

Other is @neo91502

Hahaha…YOU..YOU SILLY SILLY LITTLE CREATURE..First, I just want to say that your yapping in the vc’s are like music to my ears, you yap about anything which is impressive if I’m going to be honest. In general, you make silly art of the silly meme Guardians and yaoi, makes me smile every time I see them.Jokes are funnier when YOU tell them because you’re just silly crazy, possibly insane.Literally everyone loves you if you think about it, we are going crazy of you.How do you make everyone laugh? 💗🫶🏻

More @libbytwq LORE!!

I get excited everytime I see you like I’ve been a fan since 2023 when you had those non-smg4 characters.You make really creative ocs and art I mean, you had so many cool ocs I just want to eat them one by one, Especially cee cee skies.Whenever you join the vc’s I spam ur name because i love when you’re hanging around! I gotta say, you grew more for the past months that I lowkey miss ur non-smg4 characters/silly anyways 🫶🏻💗

@nxva-blogz ( I know you can’t see this but ima send it to you on discord.)

Nova I just want to appreciate the fact you lighten my day and your jokes make me crack up everytime, they are really funny and the silly stuff with hexsy.I know u are a little goofy sometimes but idc, I can be goody with you😈. Anyways- I love when you joke around with hex3 or hex4 the “Tomm you should make a comic about hex3/hex4) it makes me laugh. The stupid quotes from hexsy is hilarious bro I can’t get it outta my head.💗🫶🏻

@moonlight12086

Oh my dear moon..my little silly crazy kitty..

YOU..!!!! YOU!!! YOU I LOVE U SM BRO UR SO COOL AND I LOVE UR STYLE SO MUCH!!! Your animated shit is so cool I swear like- I love you pookie, I’m so glad I met you because you’re not leaving me /j💗I REALLY hope we stay bffs forever and ever and I wish I could hug you rn I miss you. Your style is beautiful and delicious I just want to eat it right now because I bet it would taste like Cotten candy or biscuits, possibly caramel. You put a smile on my face every time we talk💗🫶🏻

@coralalala64

Girl... You're Hilarious with ur gifs and personally, makes me weeze all day 🤣. You are a nice and good person in general to begin with and I wanna say..ur art..doodles..anything..IS YUMMY I SWEAR ESPECIALLY THE ANGST AND LITTLE FETUSES YOU MAKE AGHHH. You literally slay all day queen /j but I also want to mention that YOU EAT CHIPS IN A BOWL🤣😭 nah girl same- anyways I want to give you a million hugs because you're the best :) 🫶

@tiredsmashbros

Well....well...well..what do we have here..

YOU SILLY SILLY BURGER GOOBER MAN I SWEAR-

YOU MAKE AMAZING DELICIOUS FOOD THAT I MUNCH ONE BY ONE. YOUR COMICS ARE SO DELICIOUS, EVEN THE BOWLUIGI ONE BECAUSE I LOVE THEM SMMMM😭😭 AND U JUST MAKE ME FEEL BETTER WHEN I TALK TO YOU CAUSE UR LITERALLY TOMM?!?? WHO WOULDN'T FEEL EXCITED AND NERVOUS?! I also want to say that ive been looking at your account for a while now and when you brought up 'discord server' I was nervous and excited to meet you for the first time. We both have same interests in fandoms which is surprising tbh😟 you make me smile when u talk to me because you are my top BIGGEST IDOL. 🫶

@kittykibbl

Hey kitty... 😈

Kitty you make really good angst of van and hexsy because its so scrumptious and tasty. You are a cool, chill dude in general, literally I swear- when you draw characters they look so cartoony and jiggly it looks amazing. Sometimes you peek in the vc's to Either scare us or see how we are doing. Just to let you know, you are the most important person in the server rn this second. 🫶

If I didn't ping you or make you fanart, I APOLOGIZE BECAUSE IM REALLY SICK SO I CANT THINK RN.

MERRY LATE CHRISTMAS EVERYONE!!!! LOVE YOU GUYS

[marluoo]

Ngl nightmare is so fun to draw

[lunarharp]

er... extreme amount of dragon age: the veilguard scribbles to soothe my heart🐦‍⬛💀

[lucalicatteart]

A character reference sheet sort of thing for the main character of the Poll Adventures, drawn more in my usual style (taking a picture of messy pencil sketches then coloring it digitally lol) rather than the cutesy ms paint style of the daily poll images .. there he is.. the adventure boy..

[goldiipond]

pride month is great for art becuase i have soo many ideas and a whole month to draw them! this doesn’t mean i will draw them but the amount of time i have to think about it is nice

[erythristicbones]

updating Lorelai's TH profile is making me sit back and realize that like. it IS lowkey weird that i went "here have this cool primordial Death demigod thing" for very little plot reasons. like she does affect some kind of integral plot points, but in theory those could also be mostly the same if i used some other less powerful being. it feels absolutely like the kind of thing a critic would see and go "why would you include this character when very little of what she does involves actually being a creature that guides souls to the next life and could be done by some other random person"

too bad Lorelai remains the most favorite OC ive ever created in my entire life and i refuse to remove or change her as a person

[blacktabbygames]

Slay the Princess Concept Art

We shared a bunch of concept art on Twitter today. Sharing it here, too, where you can find it all in one post. Post contains spoilers, so proceed with caution (or just play the game already if you haven't 😉)

Going to start with the first piece of concept art Abby drew for the game.

In the earliest stages of development, we toyed around with the concept of there being multiple "end game" forms of the Princess.

The initial outline, rather than being tied together by an overarching metanarrative, structured a full playthrough as a 5-6 chapter long, self-contained journey down a single route, determined by your decisions in chapter 1. Here's an alternative late-game form:

The idea of deviating end-game forms didn't lost for very long, though. As we explored the game's themes more deeply, it made the most sense for there to be a singular "true" form.

If your reality is shaped by subjectivity and perception, then the "truth" has to be what's left when that subjectivity is swept away. the Shifting Mound's final design feels like that initial truth for the Princess, though there's also another truth if you push back against her and press on into the final cabin.

We really liked this "void" design, and I played around with the idea of it being an intermediary to the final form. The "void" Princess would be what you saw upon encountering the final Princess without understanding your own truth, but once you had that understanding, you would see her as the Shifting Mound, as depicted in the game.

That gave way to the intermediary design of the SM being a sea of disembodied limbs, and we also took parts of both designs and incorporated them into the protagonist (particularly the wings.) You can see the eyes and feathers for this void form in the ending card of the original trailer below:

You can see extremely early concept art for the spectre (top), nightmare (top-right), stranger (left), beast (bottom) and ??? (right) as well!

The eyes became a motif in the Nightmare route (Paranoid's manifestation of the fear of being watched), but I also like to think of them as a part of The Long Quiet's truth. You are space and emptiness, but you're also that which observes those things, and it's your perceptions that give the Shifting Mound shape.

Anyways, on the note of the original original concepts for the game, the Princess was initially going to remain human for several loops before taking on more monstrous forms. Some concepts of that are below. Had to get Abby to tone down some of the more horrifically cartoonish designs because they creeped me out and I didn't want to romance them in a video game.

We had to hold our cards close to our chest in the non-metanarrative early drafts, which is part of why, even in the first demo, the cabin doesn't really change much in chapter 2. More room to subtly play with the concept of transformation over time.

There were a lot of reasons we moved in a different direction for the full release. The branching was unmanageably large to write, and the game felt like a slog to write.

Using an overarching narrative as a framing mechanism in the final version gave us a lot more freedom to explore wildly divergent ideas within routes while still driving the player towards the originally planned finale.

Anyways, now we've got some concept art for individual princesses. There's a lot more than this lying around somewhere, but it's all in sketchbooks, and we'll probably wait until we make an art book to show it off.

First is the tower, who really didn't change much at all. (She got a little thicker, I guess. All of the Princesses did)

Not a lot to say about her, other than the fact that we knew we wanted a set piece where she gets so big that the trees and cabin orbit around her.

The stranger went through many many redesigns over the course of development. Here, she was a "princess skin" filled with a hive of sentient bugs. The script wasn't working for me, though, so instead she became a peak behind the curtains without the necessary context to know her.

A lot of people ask how these earlier drafts of the Stranger route would have played out, and the answer is I can't tell you, because I couldn't figure out something worth writing.

The writing process for individual routes didn't really start with outlines or plot beats. Rather, the routes started from a theme and a relationship dynamic, and I organically found their outcomes by exploring actions within those themes, and then seeing if those passed Abby's editor brain.

Neither of us found actions we wanted to explore with those versions of the Stranger, at least actions that weren't a beat-by-beat retelling of chapter 1, which contained way too much variation to put on a single chapter 2 route.

If each princess examines a relationship formed by perception and first impressions, the Stranger examines one that's fundamentally unknowable. One where you've seen too much, too quickly.

An insect hive-mind pretending to be a person seemed like a good starting point, but it was too difficult to write any interactions that didn't immediately feel knowable, if still strange. So the final version of the Stranger was designed in such a way where her unknowability makes interacting with her on a human level fundamentally impossible, and you don't get to have a real conversation with her unless you satisfy extremely specific criteria.

Anyways next up is the razor's final form. We decided she needed more swords.

Hearts became an accidental motif very quickly in the development process, too. (The fact that it is only strikes to the heart that fell her in the demo was accidental, but it felt poetic so we extended it to the rest of the game.)

So on top of adding more swords, we made her heart visible. This is something we did with the fury as well, as a way of showing their emotional (and physical) vulnerability.

Here's an early version of the Adversary and what would eventually become the Eye of the Needle, back when she was still called the Fury. Originally her hair was going to be fire (as seen on the right), but it didn't feel right in its execution.

She's hit the gym since this concept art. Good for her :)

And we're going to end with the Beast, who at this point was called the Adversary. I think this was before the Witch was added? The Beast was originally designed to be a Questing Beast who lurked in the shadows, where you'd only see glimpses of her, and where each glimpse would make her appear to be a different animal. This was too difficult to execute, though we gave her a more chimera-like appearance in the final game.

This design was from when we still has the Voice of the Obsessed, and the route was going to be a more feral mirror of what eventually became the Adversary, but it felt too thematically similar while being less interesting, so we moved in the direction of making the Beast about consumption as a form of love.

Anyways, that's all we've got for you right now. Hope this was fun!

[choochooboss]

Sketch dump! Vol. 5

September 2022 (Part 1/2)

The first piece on top summarised my cosplay rush for Tracon 2022! The second is an old idea for a charm.

"SURPRISE!!"

Back in 2022 I hosted an art raffle for reaching 777 followers on Twitter! The winner would get their submas themed idea realised (which was their friends throwing a surprise party for the twins!). I wanted to make a little comic and have the bosses walk in their office where depot agents, Elesa, Drayden, Skyla, Clay etc. would be waiting with decorations and treats and games.

Emmet is all smiles of course while Ingo gets so emotional he could only whisper a "super bravo".

Not really headcanons anymore but still funny ideas.

1. Emmet gets clumsy when off-rhythm! He starts walking in curves if there is nobody else around to match his rhythm with.

2. Emmet spaces out/forgets to say things aloud when someone speaks too long or when things go off-script! His thinking gets interrupted easily.

3. Ingo sometimes bumps into doors because he is too used to automatic doors!

4. When things go off-script Ingo speaks too much and rushes in straight lines"

Also my little inexpensive sketchbook & my trusty tools! Mechanical pencil and eraser pen are life when scribbling my skrimblos smaller than a postage stamp!

More Ingo~ I utilise a wide range of sources for references, including CSP's poseable 3D models, they can come really handy with perspectives and proportions!

The second piece is my very first attempt at cosplay in Tracon 2022: Blingo! I walked in with a sequin hat, leather jacket, leather pants and high heel patent leather boots.

The hardest part of cosplaying Ingo is remembering NOT to smile ahaha!

Some hairstyle tests

I drew these for a huge submas art collaboration over Twitter hosted by @/mimizukeii!! It was technically my first art collab before I started arranging them myself with Aggie/Magma.

While looking for train related songs I found this cute nursery rhyme to go with the marching:

"Over the mountains,

Over the plains,

Over the rivers,

Here come the trains.

Carrying passengers,

Carrying mail,

Bringing their precious loads In without fail"

I wanted to compare these silly twins, planning to do something more silly with them later. Also a sketch of @/fukurow's butler designs I never finished.. The capes compliment them so well, I love them!!

Prequel to this piece! Emmet is so confident in himself he thinks Pierce wants to learn from him but is invited for a duet on the stage instead!!

Emmet has really great voice actors in Pokemas! I especially love how his english VA gives him that bri'ish/posh/sophisticated vibe while also soft and melodic! I know for SURE this VA/Emmet can sing, I can show you later!

One of my favourite sketches!! I wanted to add a bunch of characters in the BG reacting to this sonic blast of emotion over a performance!

Heyyy it's the smile buddies comic!! I really hope Ingo gets to interact with Marnie in Pokemas one day!!

I feel Ingo's eyes in the mirror panel is a little off in the final comic, I meant to keep it softer like in the sketch!

It's Nimbasa trio!! Idea inspired by submas EX uniform colors. Might continue this later!

Some BG tests for this piece! Compositing is hard but absolutely worth the effort, it can make a huge difference in the appeal of your piece!!

Practise piece drawing over a photo I thought was cool! I want to get more experimental with lighting and perspective!

'How's it hanging bro?' Who hung him up there anyway??

Sketch for this arguing scene! Something REALLY BAD needs to happen for them to end up that tense! Even if I want to present them close to the canon material I still want to put them in really challenging situations to see how far I can push their emotions!

Thank you so much for coming all the way down here!! This set was pretty loaded, I hope you enjoyed scrolling through all this ahah!

Previous posts:

Sketch dump Vol. 1: April-June 2022

Sketch dump Vol. 2: July 2022

Sketch dump Vol. 3: August 2022

Sketch dump Vol. 4: July 2022 Part 2

[moonstruckmoony]

A Ravenclaw Lunch 🦅

Drew some of my favorite Ravenclaws on this platform. Although one isn't necessarily a Ravenclaw. (@traceyc-uk I genuinely thought he was a Ravenclaw when I first saw him lol but I saw your comment reply somewhere that your first playthrough was Ravenclaw so I think this counts… a bit? 😂)

This post is basically a peace offering (and a love letter) bcs I want to make more Ravenclaw friends 👀👉🏻👈🏻 definitely not because I'm obsessed with you guys' MCs

I swear it was supposed to be a silly doodle at first but idk how or when down the line but somehow it turned into this mega drawing. Took me weeks to finish it. I’m not happy with a few technical things especially lights and shadows… and some other things as well but I leave it be bcs I’m aware that I’m still learning 🥲 The rest I’m pretty satisfied with, I’m just happy that I got to finally finish this.

Front row (left to right):

Violet and Pearl Castellar by @vienguinn Omg HAPPY BELATED BELATED BIRTHDAY TO THESE BABIES! These 2 are some of my favorites and everytime you post I always open my phone real quick, your short comics are my comfort 🩵

Clora Clemons by @choccy-milky I cannot not draw Clora?!!?! I consider you a legend in this fandom tbh 👑 also I want to thank you bcs your fic and illustrations literally helped me go through my stressful period when I was at my lowest bcs of my new demanding job that I started half a year ago. I look forward to your post everytime and your Clora and Seb always heals my soul 😭🩵💚

Sally Salamander by @siboom777 Sally is just so wacky and unapologetically herself and I love her for it 🩵 Does she take commissions for toys tho?

Marvin Jerry by @runicxraven MY LOVELY SILLY ADORABLE LITTLE NERD 💗💗💗💗 I need more Marvin in my life honestly.

@najiang ‘s MC - I’m so so sorry I didn’t draw her full face😭, I tried my best to show her face as much as I can while still looking like she’s taking those sausages haha. But anyway please know that I love your art so so much and I kept going back to the curry one and the one where MC came across Amit with beard as adults (that one is hilarious). Idk if your MC has a name or you left it nameless? I assume it was the latter but if she has one I’d love to know!

Faustine Daemon by @faustinio27 Hey, a fellow INFJ! Winter is the same 🩵 I really love her story and especially her personality character sheet, you drew her expressions really well and I’m a fan!

Back row (left to right):

Oliver Lennox by @pixie-dustss Handsome boi 🥰 We’re friends already (I hope I’m not the only one who thinks that way 🫢) from TikTok and you made me a video for Secret Santa last year and I just found out recently that you’re on Tumblr too so I want to say thanks by drawing Oliver! 🩵🩵🩵

Aurélie Collins by @morelikeravenbore I loove this look for Aura, she just looks so chic with the hat and scarf 😭🩵 Sassy Ravenclaw bebe 🥰 My Winter has some French heritage (the lore is still rotting in my notebook bcs I haven’t had the chance to draw her family members 🥲) so I do hope they can be friends and Aura would teach her French bcs she can’t speak much of it 👉🏻👈🏻

Alistair Dusk by @speedysart Surprise! You commented on my last speedpaint on Tiktok yesterday and I want to spill this art so bad but I was almost done so I kept my mouth shut haha. I love the pretty boi’s hair and piercings, and the fact that you chose this blazer for him, I just love it he looks so dapper in that 😣🩵

Eleonora Russel by @zordanna I love sweet Eleonora and her fascination with the moon and stars 🩵🌌 Oh and I kept coming back to your “I feel like an orange” Tiktok bcs it’s so fluffy and it heals my stress… also I adore your art it’s super soft and painty and delicate 🥹💗

@traceyc-uk ‘s MC - YOUR MC. I SWEAR TO MERLIN HE’S ON MY MIND 24/7 LATELY. Not sure why, it’s probably bcs I kept re-reading your comics. Also bcs he’s an adorable little golden retriever (but also a fierce cat!😼) You’re super talented in drawing comics and facial expressions, I have a lot to learn especially in terms of layouting… last time I made a comic I hated the layout and the fact that it looks stiff to me, so your comics has been such an inspiration!

[boxbug]

A Canary’s Final Flight

My piece for @trafficzine 4th edition! Get it for free here! 200 pages of excellent art and fics, incredible work from all participants and from the mods especially!! huge shoutout to the mods for real

Process notes under the cut! (I struggled a lot so it's a bit of a novel)

So the entire process was a Ride. I knew when I picked this prompt that I was going to have a hard time, because Jimmy’s final death had been illustrated a billion times over by extremely talented artists. But I had a Vision of the snapshot of the second before the impact, when everything is still but you know what’s about happen. It was very much inspired by the clip of Fog by Jabberwocky, bu the thing is, they have the advantage of all the build up of the fall, and that’s when the trouble started.

This was my first version, and obviously it wasn't working. And I was trying so hard, with so many iterations! Small wings, big wings, no wings, different poses, less backgrounds elements. I'd done compositions were everything seemed peaceful but something is Wrong, but it wasn't working this time.

So instead I focused on what rendering I'd like to do - I tried a painterly approach, for that visceral feeling, but it wasn't working either (but hey, I did keep the red sky, so, progress)

At this point I'd been doing back and forths for weeks and I was just as lost as at the start. Now that's my tip for people who make art of any kind, in situations like that, stop thinking about how you can make the best piece possible, and think about you can have fun with it (because when you aren't it's visible). And for that was, 1 - going back to using ink and pen nibs and doing way too detailed inking, and 2- looking at Dave McKean's covers for Sandman (which, funnily enough, was also a reference for my previous trafficzine piece)

And from there I was actually going somewhere! Between the jagged rocks, the red sky, and the increased verticality with the borders, I had hit the vibes I wanted.

I did some experimentation with the border, and even though I really liked the bad boys I drew they were taking too much away from the lonely desolation, so I actually used Red (Unecessary Redstone)'s idea of all of Jimmy's worldy's possessions scattered on the ground post impact, with the idea to make it looks like the central image is his grave being dug.

(and yes for a short amount of time the were supposed to be clock markings on the sun, but there was already enough going with the wings so I scrapped that) (also fun fact the reason why the wings aren't fully material but more ghostly is because my toddler cousin was watching me draw the very first draft and asked why he didn't just use his wings and i went :( so the wings are a metaphor now)

So from there I found a bunch of picture and took some myself, cut and assembled everything together, added shadows in all the appropriate places, and repainted some elements so that everything would look better intergrated (some of the wheats are basically 100% handpainted, the cardboard as well). This took a suprisingly long amount of time, but I was done!

Well I wasn't expecting to have that much to say, but I hope if you're still reading, it was at least interesting!

[celestialalpacaron]

Ayo, someone by the name of Curly-B-Blog is redlining art of yours from 2020 (while pretending that it's actually Sai Scribble's work), and kind of being a dick about it. just thought you should know.

You know, originally I was just gonna brush it off, but then I went back to look at my old SU art from 2020 and did so much self reflection from then till now.

I think this was around the time I was just learning how to do perspective and tried to use the perspective tool on Procreate for the first time? :0 and I remember telling Sai “Sai I have this STUPID idea, I CANT believe it this stupid joke it’s so DUMBBBB, it’s living rent free in my BRAIN I SWEAR THIS IS GONNA BE SO STUPID DCIUWHEFIUWHIRFUIW4F” and being super excited to show her the finished product. People still think Sai created the Cursed Skin Gloves comic and I think it’s hilarious wjhwnuhwijwuiw

The comic was received very well and it made LOTS of people laugh and I’m still proud of this comic to this very day! :D and tbh if it wasn’t for my obsession for Sai’s Switcheroo AU I never would have found my passion in comic work! (love you you stinky hoe @saiscribbles 🩷)

HOWEVER…. I definitely still had lots to learn! I wasn’t very good at perspective at the time I’ll admit, but I was definitely having lots of fun learning :3

And throughout the past 4 years, ALOT has happened.

I graduated from college with TWO fancy pieces of expensive papers in Visual Development in Animation and Illustration learning from Will Kim and Jeff Soto, and as a I was working with the funny voice man Cougar MacDowall as a comic/story artist and reached in total around 7 million views for my fan series FNAF Security Malware Breached (it was even #21 on the trending list around the time of my birthday 🩷 what a lovely gift), had an insane opportunity to work with Mike Geno and with the voice cast from The Amazing Digital Circus for a fan song as a background and character asset artist, Vivienne Medrano liking and sharing my silly Overlord Husk AU comics, currently on my route to getting my certificate from Aaron Blaise’s Character design program and graduating from Marc Brunet Art School, and now I am completing my first year as professional colorist and art assistant for my storyboard and comic mentor Michelle Lam, aka Mewtripled! (Also I’ll be heading out to Lightbox Expo 2024 on October 26 with Michelle and the team so if y’all ever wanna meetup hahahajaj wink wink wink wink wink)

So you can say I learned ALOT and I enjoyed every minute of what I do :D I try to be humble about my accomplishments because blah blah being humble good yes yes but this time I wanna be selfish and say HELL YEAH I DID ALL THIS!!! AND IM SO EXTREMELY PROUD OF MYSELF FIUGEIURGERGGRS

Now here’s my most recent comic page that I posted like 2 days ago without the text.

That’s pretty freakin wild to me, I can’t believe I used to draw Steven Universe art like that back in 2020 LOL LIKE GUYS I DREW THIS!! WITH!!! MY HANDS!!! IS THAT NOT INSANE!!!???

Anyways moral of the story:

Learn from everyone and everything! Yes, even then mean ones too! If you can learn to work with anyone, I promise you’ll get to where you want to be faster. People can be a little mean on the internet, but that shouldn’t stop you from being where you want to be in the future. I’m so EXTREMELY grateful for all the opportunities and to all the kind professionals who were willing to give me a chance. Seriously, I’m so graciously thankful for everything, and I hope everyone here will support me and my silly little comics I will do now and in the future!

And one more thing:

Don’t be a jerk. Be to be nice to everyone :D nothing good comes out when you’re bad to everyone.

[kozachenko]

Here's a digital sketch dump of some pose/anatomy practices and some 2hu doodles, I think from now on if I don't have any big final piece to post, I'll just post sketches I liked that I did digitally (might also reblog some drawings of mine that I want more people to see, maybe idk).

Artist's Notes:

Ok so after the recent Hifuu fanart I did, I've been hoping to experiment more with how I draw faces, how I render, as well as how I stylize things. In some of the earlier sketches I did, I had an idea for a pose that I wanted to try drawing, so I took a ref pic of myself doing said pose (the leaning one btw) and then did a sketch over top of it just to get an idea for the shapes, negative space, and silhouette. After that, I wanted to do some simpler breakdowns of the shapes so I can get better at simplifying the body (these ended up being the bottom right sketches in the post). I also did some experimenting with how to push certain parts of said sketches to create a different body type (via liquify and then a more refined version based on that sketch), as well as figuring out what makes a pose feel natural and not stiff. This was also a bit of a foreshortening practice just so I can get more confident with it, and I ended up using the arms from the liquified version for the coloured Zanmu sketch I did since I liked them so much (dw I'll get to that).

The next thing I wanted to try and draw was Hisami, mainly because.... I am very bad at drawing her in my style. Last time I drew her I made her look really creepy and spindly, and it is my headcanon now that she can switch between a more human, and more creepy look whenever she wants. I'm liking where the face is going a lot, might have to refine a few things about it in the future, but it's cute (I also made the blush purple which I think is what I'm gonna do with her face from now on). I also like how her hair in the sketch turned out a lot, but the outfit..... not as much... Ever since I started changing my style to something less cartoony, I've had a hard time drawing her outfit in my style. Especially the flower veil thing she has on, which, I did try to find a way to draw, but I ended up deleting that sketch because I didn't like it. I'm also not a fan of using the colour purple, like, pure purple, magentas are fine, indigos are fine, but not strict purple. I also have a hard time with drawing all the little pattern details on her dress. I also need to find a way to draw the flower veil in a way that looks good because everytime I try it ends up just looking off (very similar to whenever I try to draw Zanmu's blue spears). I think the only solution to this problem is to do what I normally do and make my own version of the outfit, but with adjustments to suit my style while still trying to keep core elements from the original design intact (like I do with Zanmu and Keiki, and yes I am going to get to that Zanmu drawing just gimme a minute).

Ok next up is Keiki, my favourite Touhou character who I haven't drawn since the beginning of the year. Since my style has changed a lot, I wanted to just do a face sketch of her to get a hang of drawing her again, and I..... really really like how it turned out! When I drew her eyes, I realized that a good way of keeping faces too same facey can be via varying the sizes of their pupils, so that's an idea I'm gonna keep in mind from now on. I had a lot of fun with her hair, I initially was gonna do it like how it is in the official art, but I ended up not liking it, so now I'm gonna draw Keiki with wavy heir like this because it's fun and it looks nice. I also included my base sketch for Keiki's face since I was initially struggling with drawing her bandanna, and in the coloured sketch I added some more detail into her hair.

Now to finally talk about the sketches for Zanmu. Good lord was I having a tough time with her face. I also did this sketch before I figured out how I wanted to draw hair, so that's why the rendering on her hair is different (I did this soon after the Hisami sketch actually). Since I changed my art style a lot, I had to find a way to translate her face from my more cartoony style to my more detailed style, so while the face shape, nose shape and mouth was fine, I was really struggling with the eyes. I did get somewhere eventually though, and I am super happy with how it turned out. I wanted to lean more towards the androgynous side of the gender presentation spectrum, mainly because I think that makes sense for her character. Also made sure to include the silver hairs and some wrinkles just to bring some signs of her aging into her face because those are just staple features of how I draw Zanmu at this point lol. You will also notice that I gave her some scars on the right side of her face, and that's because I am a Zanmu-with-scars truther, I fucking love it whenever I see someone give Zanmu visible scars like that it just adds so much omg (I also tried to put a wolf bite mark on her arm in the full body drawing but idk if it reads well). While you can argue that her not having scars sells the idea of her being this "powerful, untouchable mastermind who is impossible to defeat," I'd say that instead of those scars representing times she got injured, they represent everyone who has failed to defeat her.

As I was drawing Zanmu's face, I referenced my sketch of to help with contrasting their features since I made Keiki's face more traditionally feminine. I also didn't mention this in my commentary on Keiki's face because I wanted to save it for here, but giving Zanmu scars also plays into the fact that she used to be human, wheras Keiki doesn't have any scars because she's a god who doesn't follow the rules of normal human biology. Plus I'm thinking about the two of them interacting again (return of Zan/Keik??? (I'm a multishipper btw) maybe???) so drawing their faces together will definitely help me in the future if I wanna draw them together (again, maybe as a ship? I've kinda been ironing out the kinks in their potential interactions (romantic and non-romantic) for a while now so idk maybe expect that in the future lol).

And now for the full body drawing, when I was doing the face sketch I did this little snippet of an outfit, had a vision, and the made it into a reality. I'll admit, part of me was worried that it would end up looking too much like Yuugi's outfits in the spinoffs and mangas, but I feel like I made enough changes to differentiate them. I tried to keep a few of the major details in Zanmu's design (i.e. the red tassles and yellow lining on her shirt) while putting a new spin on it. I also dialed up the scars to 11 since without them the whole thing kinda looked incomplete. Also, while I could say that the leaves on her kimono are "a nod to the fact that technically she should be a tengu because back then people belived that corrupt monks would turn into tengu but no Zanmu is an oni and they're maple leaves because...tengu...ahahahaha" what really ended up happening was that I looked up clothing patterns from Sengoku era Japan, liked the leaves the most because the red picked up on the red from the rest of her design and just ran with it. I also always had the idea to put Zanmu in men's clothing from Sengoku era Japan and while the accurate thing to do would be to put her in a Buddhist's clothes from that era.... from a character standpoint, I don't think Zanmu is pious enough to strictly wear the proper monk uniform, and also since she's basically the king of Hell, she would probably dress herself like royalty from that era. TBH, I probably could've been a bit more historically accurate, but again, this was mainly for conceptual purposes because I had a vision and I needed to see it through.

If I were to draw her in this sort of outfit again, I should probably try and use more references, although now that I look at it, if she were to wear it properly this would maybe, probably look a bit closer to a Kyūtai sugata (a very huge stretch, but it just kinda reminds me of that) just without the layers under and over the main piece of clothing (In the website that I searched up to try and compare the outfit in my sketch to, they name the outfit pieces but don't label them on the image, so I don't know 100% what everything is called) so I will definitely have to use that style of clothing as a reference going forward.

Also, I was kind of inspired by the ToTK design for Ganondorf since I have finished the game a while ago and I absolutely love what they did with his design (it's just so fucking cool omg) and I thought that sort of look would look good on Zanmu, so yeah got some inspo from that.

And those were all the notes for each of the sketches, I'm motivated to draw rn but kinda art blocked, so doing these little coloured sketches helps a lot.

[genericpuff]

oh boy it's that time again

when rachel posts 'video progress' of her work and we proceed to dissect it like a frog in 9th grade science class

like ok first the caption of "is persephone the chicken and hades the egg" makes no fucking sense except to anyone who overthinks it and goes "wait is that a reference to the popularly-perpetuated version of the myth where persephone went down to the underworld willingly and hades didn't actually exist???" because if it is ima scream lmao

but MORE IMPORTANTLY-

Here's the transcript of what she's saying in the video:

"I think I've always wanted to write Hades' and Persephone's story because obviously I really like them. It's like very much a chicken and egg situation because I think in the beginning I thought that I was going to use a very abstract black and white style, and I realized it wasn't very enticing or fun for me, um... and I started drawing these very like vibrant characters and as I drew them I understood more about the story the more that I explored the art style, um and I guess an example of that is, y'know, Persephone is like a very bright color um, and the Underworld, is a very dark dark blue, and so when she says she really sticks out so it's just environmental uh processes like that that really helped inspire the direction of the story."

(despite her expanding on the "chicken and the egg" bit it still doesn't make sense imo lmao)

But what we're seeing isn't S1 LO, it's actually from S3 of LO:

But um... you notice anything interesting about the screenshot I just showed you?

That literally looks NOTHING like what we see in the final panel. At the VERY least I think this goes to show how overcooked it becomes in post-production, when they add the canvas layer and hypersaturate the shit out of the colors, but even the blending technique just isn't matching up?

A lot of what she's doing in this video also feels very... non-existent, like she's brushing her pen around but very little is happening so it feels more like her just putting down random brush strokes to try and make it seem put-together but really she's just kind of pushing colors around and/or doing nothing. Especially when, again, what she's painting here looks nothing like the final picture (so at best it's a lot of wasted work??)

And knowing what we know about the assistants drawing the characters separately so that Rachel can rearrange them in the final episode layout... I don't wanna call foul play here, but this feels like yet another attempt on Rachel's behalf to make her process seem more involved than it is by simply redrawing a scene for the performative aspect of it all. It's like the "sketches" in the books looking way too 'clean' for the final product and giving the impression that she just sketched over the final panels to make them look pretty enough for print.

I also wanna mention that for some reason she's drawing this on her iPad when she owns a Cintiq. It could be because she was drawing this while abroad in the US for her conventions last fall, but despite clearly being ahead of schedule, she still wound up drawing the final episode the night of-

Oh yeah and btw there are like a million clipping layers for what looks like just a simple drawing of Demeter. And this lines up with our previous theories about her using like 128549021809 layers for literally one character.

And aside from all that her commentary, as always, is very nothingburger, just a bunch of word salad. Like she's literally trying to explain LO's color theory as "well Persephone is bright pink and the Underworld is dark blue so she sticks out! That's all you need to know!"

IDK, I'm not coming to any sort of ironclad conclusion based off this one video, but it does feel like yet another desperate attempt to prove that she does work on LO and doesn't just leave it all to her assistants to do at the last minute. But like... she's kind of screwed in that argument either way, because even if she draws the majority of panels in LO, that just further proves the argument that she's stopped trying.

[federthenotsogreat]

HOLY FUCKING SHIT

@federthenotsogreat

[archie-sunshine]

A Year in Review

SO ITS BEEN A LONNNNG YEAR! a very very long year, but a lovely year and a very precious year!!! I feel like because of how big a year its been, we need a recap of everything that happened, and everything that this platform has allowed me to achieve!!

SO LETS START WITH JANUARY!!

I was still in school during this month, so I didn't get to draw as much as i wanted, but i wrote a ton!! I published chapters of Survey Says, Rehab/Cohab, and also the seminal work of fiction that is Positive Reinforcement! I want to celebrate how much writing i got done, especially with how that's taken a back seat on my blog for a while now!!

In february I got more time to focus on my work, and I hit 1000 followers!!!! I conducted the first ever askbox purges, and I drew a load of art!! I also met some great new friends during this month!! (hi soda! :D)

I STARTED STREAMING IN MARCH!!! I think this was one of the best decisions i ever made, because being able to chat and hang out with everyone as i draw is always hugely inspiring. I look forward to streaming and chatting with everyone each week :]

IN APRIL I DREW TOO MUCH NON ROBOT ASS. I finally got around to watching dungeon meshi and i became absolutely fucking obsessed with fantasy. I've always been a huge interest in fae and fantasy and worldbuilding, so knightformers is such a fun creative exercise!!

and then in may my computer exploded. Not actually, the screen just broke. I drew so much knightformers in may that my screen killed itself. oops!

In june, I not only hit 2k followers, but started a stickers business!!! All of your support from that made me feel confident in my ability to sustain myself on my art, and gave me the inspiration to push myself harder as the year went on!

In july, not only did I go to my first transformers convention, I met @pinkanonwrites in person for the first time, and MY BOYFRIEND MOVED INTO MY HOUSE! This month was so busy, but meeting pink and going to tfcon was so fantastic :]

In august it was my BIRTHDAY!! :D i turned 21! And I went on a prolonged inbox hiatus to focus on establishing my art style !

In september my hiatus continued, and I created meter, the greatest blight on the tfa tag to ever exist! Everyone exploded over my sweet boy, and it made me very happy to see :D

In october, i entered what I consider my own personal renaissance!! I was incredibly inspired by tf one, and starting to use more colour in my artwork since september! I released halloween merch (and then got my account on ko-fi suspended for a bit but it was fine) and hit three thousand followers!

IN NOVEMBER I KEPT MYSELF BUSY. I worked on tons of merch, made hypnovembers, and sketched up an absolute storm. The whole month honestly feels like a blur to me. AND THEN THE CANADA POST WORKERS WENT ON STRIKE (union strong, lads, good luck!)

Andddd because of that postal strike, I had to cross the us border into america to get all of my stickers sent off!!! december has continued to be incredibly busy, but! if you're seeing this, it means I'm ON HIATUS OFFICIALLY!!! AND MY WORK IS DONE (or mostly done ehehe)

I want to give a huge thanks to all of you. Because of your support, both financially and socially, not only has my confidence grown, but with it, so has my artistic skill and my income.

Drawing for all of you has allowed me to manage my anxiety more readily with medical marijuana, has allowed me to become more financially independant and responsible, and has opened up so many doors for me socially.

doing this has always been something that was more pipe dream or fantasy than reality, so the fact I get to say I draw for a living at all is a privilege i don't take lightly in the slightest.

I will always be proud to draw for this community. Thank you everyone, and see you next year!