#I dreaded writing this one for so long | Explore Tumblr posts and blogs

chubby-bun-bun · 2 months ago

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heavy is the crown

As princess, you are bound by duty to marry the notorious and elusive Onichynus general, in exchange for his protection of your kingdom from an impending war. On the night of your wedding, tradition demands that you undergo the consummation rites, sealing the fate of your marriage—and your future.

tags: sylus x reader, NSFW, MDNI, royalty!au, general-of-powerful-nation!sylus x princess-of-kingdom-in-trouble!reader, first time sex (mc is a virgin), unprotected sex, afab!reader, fem!reader, slight voyeurism & somno & cockwarming at the end, lowkey breeding kink, gender-based stereotypes against women due to the time period, writing this has been a fever dream, word count: 2.7k~ worldbuilding and 5.5k~ smut lmfao

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You dared to dream once upon a time.

You dreamt of crossing oceans beyond your shores, sailing aboard majestic galleons you’d only seen in textbooks. In the quiet solitude of your bedchambers, you imagined laughing with the townsfolk of distant cities, dancing in cobblestone streets to the melodies of traveling minstrels, and finding love in a modest man who'd want nothing more than to offer you freshly picked blooms every morning.

In the sanctuary of sleep, your dreams would lull you with visions of a simple life. A stone-walled kitchen warmed by the glow of a crackling hearth, a garden vibrant with blossoms and fresh produce, and a cozy reading nook nestled in an arched window. A loyal companion would sometimes join you—a slothful cat, a melodious songbird, a high-spirited pup, or a darling mare to carry you through grassy plains and wildflower fields.

"Do you take this man to be your wedded husband, to share in life's trials and joys, to love and honor, till death do you part?"

But such dreams have no place in the heart of a woman whose shoulders bear her kingdom's fate.

And so, as you take in the muted glow of the setting sun through delicate ivory lace, you finally put those girlhood fantasies to rest.

“I do.”

—

Being the youngest and only princess came with its fair share of trials and triumphs.

Unlike the elder princes, whose lives revolved around grueling expectations and fierce competition for the throne, your position spared you such burdens. Born to a queen who had long believed her childbearing years were behind her, you were nothing short of a miracle, arriving over a decade after your last sibling. This had earned you the undivided affection of the entire castle, leaving you thoroughly indulged and doted upon.

However, growing up without siblings near your age, you often grappled with bouts of loneliness. While you had fostered polite acquaintances among the daughters of many nobles, you found their company wearisome. The endless succession of balls and garden parties always seemed to revolve around the same gossip: politics, fashion, whispers about some baron’s sixteen-year-old daughter betrothed to a forty-year-old viscount, and, of course, the inevitable question: had anyone received a marriage proposal yet?

You naturally had many—to your dismay.

The idea of marriage filled you with profound dread. As a girl tagging along in your mother’s tea parties, you had often overheard the confessions and lamentations of the noblewomen. Stories of infidelity, neglect, and abuse spilled from their lips—duchesses, marchionesses, and countesses; women who stood at the very summit of high society. To you, marriage seemed less a sacred bond and more a cruel sentence—one far grimmer than the gallows.

At least the gallows granted the mercy of a quick death.

But as a princess, you were bound to uphold the ideal image of a young lady. One who radiated beauty, yet with grace and poise. Intelligent, but subservient to your intended husband’s authority. And, most important of all, fertile—to bear him strong sons who would carry on his legacy.

It sickened you. You would rather succumb to the plague than endure such a miserable life. But given your title, you could only try to delay the inevitable.

And so, life continued as it was—a never-ending cycle of social gatherings, fending off suitors, reading through your library, mastering languages, and nurturing a growing collection of hobbies. It was a life of privilege and routine—one that, despite its predictability, offered you a quiet sense of fulfillment.

Alas, nothing holds constant in the world, and change arrived in the form of a looming war from enemies across the sea.

Though small in size, your kingdom of Noir was a veritable treasure trove. With its abundant mountains and rivers, the island was never in short supply of precious metals, gems, and rare minerals. It was renowned for producing the finest artisans, who crafted the most exquisite jewelry, armor, and weapons. While modest in territory, it more than compensated with a thriving and prosperous economy.

The ultimate conquest for any conqueror.

Through the town streets worn smooth by centuries of footfalls, the bustling plazas lined with charming merchant stalls, the outskirt villages tucked among lush woodlands, and even the weathered stone walls of the towering castle, whispers had always flowed like an unrelenting tide—the most persistent being rumors of the neighboring kingdoms readying to seize Noir at any moment. But your father never addressed such hearsays, and life within the island always seemed as jovial and peaceful as it always did.

Until one night, as you sat engrossed in some book about Noir folklore, a series of sharp knocks on your chamber doors shattered the stillness, echoing sharply through the room.

It was your father, the king. Dropped to his knees, grasping your untainted hands in his rough, weathered ones, head bowed down at your mercy.

“Forgive me, my daughter,” he said in grief. “For the sake of the people—please, forgive me.”

For months, naval scouts had reported sightings of warships at the docks of two neighboring kingdoms, suspected of plotting to raid Noir and usurp the throne. Only a few weeks ago, those suspicions were confirmed when spies returned with dire news. The enemy militaries, vast and far stronger than your own, were preparing for a siege. Noir's true power had always been in the arts and commerce, not in its military might. Should your shores be attacked by an enemy nation—let alone two—the island would fall.

So on the very day the confirmation arrived, your father and the high court conspired to seek assistance from a nation on the mainland: Onichynus.

Conversations about the state were always hushed, spoken in whispers and laden with caution. It was rumored to be an immensely powerful dominion, even surpassing that of the hostile forces looming beyond your shores. Drunk sailors boasted of its staggering wealth, built on the spoils of their wars and ceaseless conquest. With an unmatched army of hardened warriors and mercenaries, it stood as a force to be reckoned with, its presence both feared and revered across the seas.

At its pinnacle stood their elusive general, a shadow whose name and true face remained unknown. Tales from sailors, traveling merchants, and tavern songs painted him as a ruthless figure, demon-like, who laid waste to rotten cities and beheaded corrupt kings. Some claimed he was a hero, purging the realm of wicked men in power, while others saw him as the embodiment of evil, leaving destruction and death in his wake.

Negotiations with Onichynus were a success. In return for their protection during the impending siege, Noir pledged to deliver three ships laden with its most prized metals, minerals, and gems—every year for the next century.

But to ensure Noir upheld its end of the bargain, their beloved princess would be bound in marriage to the general.

You could only keep your gaze steady, chin held high, as the king knelt before you, weeping, begging for your forgiveness.

You had your time to relish the pleasures of living as a princess. Now, it was time to fulfill your duties as one.

—

The night before the long-anticipated siege had arrived. After weeks of frantic planning and tense negotiations between Noir’s high court and the Onichynus war council, warriors and mercenaries had taken their positions across the island. Some blended seamlessly with the civilians, while the majority remained hidden in plain sight, their numbers concentrated along the docks.

In the king’s throne room, select members from both factions gathered for final preparations. Clad in his battle regalia, your father seemed a shadow of his former self—skin ashened, eyes hollow with exhaustion—yet his voice remained firm as he issued his commands to all present.

The Noir court members could hardly conceal their unease under the watchful eyes of the Onichynus war council. Towering and broad-shouldered, they seemed almost otherworldly. Their dark, burnished steel armor bore engravings of monstrous creatures, and many donned cloaks of crimson or black, their edges deliberately singed to resemble fire's touch. Helmets, adorned with jagged horns, cast grotesque shadows, while those who forwent them revealed faces with jagged streaks of war paint, as if to mimic claw marks.

Then, the heavy doors groaned open, spilling thick tendrils of black-red mist into the chamber. A hush fell as all eyes turned toward the towering figure that emerged from the haze.

The general.

For all the whispered tales of his demonic appearance—horns as tall as claymores, wings that spanned the heavens, and a tail that stretched like a river—you were stunned to find a face not of a monster, but of an angel.

Against the backdrop of his dark cloak, his striking silver hair stood out in sharp contrast. His features were sculpted with precision—high, defined cheekbones, a strong jawline, a straight nose, all framed by an expression that revealed little, save for full lips drawn into a tight line. The people of Noir gawked openly, stunned to finally see the man from the tales in the flesh. His gait was languid yet exuded confidence as he strode toward the throne where you sat beside your father.

His gaze found yours, and you stilled.

The deep scarlet of his eyes was piercing. You almost felt naked under it. Instantly, you straightened in your seat, fingers twitching to smooth the fabric of your dress.

“Expect the warships to be visible in six hours,” he said, his voice cutting through the room. The low timbre of it sent a chill racing up your spine.

“General, are you certain our forces are enough to handle their fleet?” your mother asked, voice quivering as she addressed him from your father’s other side.

The general's lips curved faintly, a low, rumbling chuckle escaping him.

“Rest easy, Your Majesty. By dawn, their remains will have joined their forefathers’ ghosts beneath the sea."

—

You had come to realize that Onichynus truly deserved the fear and respect it commanded. Just before daybreak, the gut-wrenching blare of Noir’s watchtower horns finally shattered the unnerving stillness of the island.

The enemies had fallen.

You had been locked away in one of the castle’s tower chambers, away from harm’s reach. As the kingdom’s key to securing this alliance, it was critical that no harm befell the general's betrothed.

After the second wave of victory horns, your door creaked open, revealing your maidservant—frantic, breathless from the long climb up the spiral staircase.

“Your Highness,” she gasped, voice trembling. “We’ve won.”

You could see the restraint in the way her nails dug into her apron, her blown pupils amidst her ragged breaths. She was restraining herself, her elation held in check, out of deference to you.

After all, Noir’s freedom had come at the cost of yours.

With a wistful smile, you turned toward the window, watching the flickering torchlights snake through the streets below. The chorus of jubilant cries and chants carried through the valleys, their voices rising to the heavens and echoing back from the mountain’s deepest crevices.

“It seems we have,” you murmured, voice barely audible over the chorus of celebration below.

You heard her hesitant shuffle behind you. "Several of the servants have been briefed already. They shall be ready tomorrow morning to begin preparations for the wedding."

You spun toward her, pulse pounding in your ears. "So soon?"

She lowered her gaze, unable to meet your eyes. "Onichynus wanted to complete the rites as quickly as possible, so they could sail for the mainland the following day."

You let out a slow exhale. "I see."

Your maidservant hesitated, her eyes flicking toward you, before she spoke again.

"If it offers you any comfort, ma'am," she said softly, head bowed, "you saved all of us."

You swallowed hard, forcing back the sting of tears threatening to spill.

—

Like your mother, grandmother, and all the royal women before you, you had always envisioned your wedding as a day of grandeur. You pictured riding through the town streets in the royal carriage, flanked by guards, waving to the cheering crowds. You imagined wearing a bespoke gown that sparkled in the light, a train so long it would sweep behind you like a royal procession.

You imagined trumpets announcing your arrival, their triumphant notes echoing through a hall packed with dignitaries and nobility from across the realm. And at the altar, a man of honor and equal standing would wait for you, his gaze warm with affection as you joined in a union built on love, not duty.

But now—the sun has nearly set, painting the grand temple in muted amber light. Inside, the space feels hollow, adorned only by a few hurriedly arranged flowers, their disarray a testament to the servants' exhaustion from cleaning up the siege’s destruction. Your gown, though lovely, is no custom-made masterpiece—just a window display piece hastily altered by the royal dressmaker. The pews stand mostly empty, save for your crestfallen family, a handful of somber faces from the Noir high court, and the ever-stoic Onichynus war council.

Your husband-to-be, still clad in his dark battle regalia, stands steadfast at your side, his expression an impenetrable mask as the archbishop intones the ceremonial rites. You had imagined him to be someone hard to look at—perhaps as old as a grandfather, his years as a general etched into every line of his face, and his figure weighed down by indulgent vices. Yet, to your quiet relief, he is nothing of the sort. Even if he proves unsavory as a husband or father to your future children, at least he’s pleasing to look at.

“By the will of fate, you are now bound in union,” the High Priest finally says, raising his palms toward you both. “May your allegiance to one another be as steadfast as the duties you carry, and may this union bring the future of your realms to prosperity.”

—

You wince as an elderly maidservant struggles to loosen a particularly stubborn knot in your hair, the pull jerking your head painfully. She pauses, her hand gently patting the spot in apology.

Your gaze stays fixed on the cold, flatstone floor, and you hardly notice the other maidservants bustling around you. One smooths out the faint creases in your satin nightdress, while another tugs at the neckline, pulling it lower to expose more of your cleavage and collarbone. Beneath the thin fabric, your undergarments have been removed, leaving you vulnerable to the biting chill of the room. You’ve been scrubbed clean, coated in the silkiest lotions, each scent more intoxicating than the last—all for your first night with your new husband.

“Are you nervous, Your Highness?” the elderly maidservant asks, her hands gentle as she brushes through your hair.

You pause, the question settling in your chest as you ponder how to answer.

“I can’t say I’m confident,” you say, twisting your fingers together. “I’ve never been with a man before.”

In the mirror, you catch the discreet glances exchanged behind you, their pity and concern barely hidden. You force yourself to look away, but the weight of their silent judgment lingers.

“The Onichynus general… he seemed like such a massive man,” a younger maidservant whispers, her voice tinged with uncertainty. “I do hope he treats Her Highness with kindness.”

Another maidservant scoffs, her tone sharp with bitterness. “All men are beasts, driven only by their lust for control—and for anything with a pair of breasts.”

There’s a collective hiss of disapproval from the others, but the harsh words still echo in your mind. You fight to keep your face composed, though your heart aches with fear.

“Don’t worry, Your Highness,” the elderly maidservant says, her voice light. “The men from that state may be known for their ruthlessness, but with your likeness, the general will surely find himself a changed man.”

You can only hope the same.

Soon after, you begin your walk to the matrimonial room. The maidservants fall in step around you, their presence a quiet shield. The lively chatter from your earlier preparations has faded, replaced by a tense, almost somber silence. Despite the considerable distance between rooms, the walk feels too short, each step too swift. Before you can fully gather your bearings, you now find yourself alone, sitting on the bed, the weight of the night settling in around you.

You shouldn’t feel this nervous. Women across the realm are bound to face this, especially those of royal blood. Consummation on the wedding night is an expectation, a duty. No matter how much you’ve dreaded or tried to avoid it, you’ve always known it was inevitable. All that’s left now is to steel yourself, strive to please your husband, and to embrace your role as a future mother—for Noir’s sake.

The doors swing open, and you flinch. The general steps inside, his damp hair clinging to his face, a clear sign of a recent bath. His attire for the evening is simple: loose trousers and a tunic that, despite its modesty, does little to hide the breadth of his shoulders or the strong lines of his chest. Your gaze betrays you, lingering longer than it should, tracing the way the fabric shifts with his movements. His towering height seems to diminish even the vast expanse of the room, making the high ceilings feel incredibly small.

His ember-like eyes catch yours and you suddenly feel too exposed.

“Good evening, princess.”

“General,” you greet, wincing at how weak it sounds as it leaves your lips.

His gaze sweeps over you, lingering on the curve of your shoulders beneath the delicate straps of your ivory nightdress, the soft swell of your breasts pressing gently against the neckline. The fabric cinches at your waist before flaring out around your hips, emphasized by the way you sit at the edge of the mattress. Your posture is rigid, hands clasped in your lap—a result of all the etiquette drilled into you from childhood.

He notices the tension in your form and lets out a sigh, turning toward the couch at the far end of the room.

You blink.

“Where are you going?” you blurt out, brows furrowed in confusion.

“Your Highness,” he drawls, settling into the couch with a lazy grace. “We don’t have to do this. You look like a kitten with her hackles raised. We could ruffle the bedding, spill some oil on the sheets, and pretend we had a night worthy of the chamberlain’s inspection.”

A flash of panic rises within you. You stand, words tumbling out in a rush. “Nonsense! Marriage is not recognized before the temple unless consummated on the night of the ceremony.”

He tilts his head, a faint smirk playing at the corners of his lips. “Such peculiar customs you have here on Noir.”

You had imagined a thousand ways this night could go, a thousand versions of the man you’d just married. Not one of them prepared you for this.

You flush, frustration building in your chest. “General, I would appreciate it if you respect the customs of Noir. We are a proud people, and we honor the traditions passed down to us by our forefathers.”

He rolls his eyes. Then, with a slow, deliberate pace, he stands and makes his way toward you. For every step he takes, you fight the instinct to hunch your shoulders, to shrink away. Next thing you know, he’s standing before you, his imposing size forcing you to tilt your head back to maintain your gaze.

“You’re shaking,” he murmurs, gently cupping your face. The heat of his touch burns through your skin, sending a shiver down your spine.

You finally avert your eyes. “I’ve never been with a man before,” you manage to say with as much indifference as you can muster, nails digging into your palms.

“Really? Not even a stolen kiss in your youth?”

You clench your teeth. “There are far more pressing matters to focus on than indulging in childish flirtations.”

He laughs, a rich, deep sound that resonates through the air, stirring an unexpected warmth low in your belly.

“Alright,” he concedes, his finger tracing a slow path along your cheek. Without warning, he grips your jaw, the touch both commanding and tender, pulling your gaze back to meet his. “But if we’re doing this, we’re doing it my way. None of those absurd rules from your royal handbook.”

You pull back slightly, brows knitting in confusion. “The act is the same, is it not?”

“Do you agree, Your Highness?” he presses, lips grazing your ear ever so slightly. The warmth of his breath against your skin is unfamiliar, and the rush of heat that sweeps up your neck sends electrifying pulses deep within your core.

“Yes,” you grit out.

After studying your expression one last time, he lowers himself slightly, then grips the back of your thighs and lifts you with ease. You gasp, scrambling to find your balance. Your arms instinctively wrap around his neck, fingers digging into the firm, broad muscles of his shoulders. With a smooth shift, he adjusts your position, the inside of your thighs pressing against his hips, before carrying you to the vanity desk at the center of the room.

You struggle to speak, words caught in your throat as the sensation of being so high up in the air makes you dizzy. He finally sets you down on the desk, his large palms slowly dragging down your legs, gently pushing your knees apart.

“G—General,” you stammer, eyes wide as he pulls his tunic over his head, revealing a tanned expanse of skin and the hard, defined muscles beneath. “The bed is over there—why are we here?”

A flicker of a smile plays at his lips as he tosses the fabric carelessly to the floor. “Trust me, princess. Now close your eyes.”

You want to argue, remind him that asking you to trust the most notorious figure in the realm—whom you’ve barely known for a day—is no small request. But the gravity in his scarlet gaze quiets any protest. With a reluctant breath, you close your eyes.

There’s no movement at first. Then, his calloused palms find your knees, the rough calluses a stark contrast against the smooth stretch of your skin. Heat blossoms under his touch, searing its way upward as his hands glide along the curve of your hips, the taper of your waist. You fail to suppress the shudder coursing through you when his touch pauses just below the swell of your breasts, lingering for a heartbeat before sliding to your sides, his broad palms more than spanning the width of your back.

Then, you feel the faint brush of his breath against your mouth, a fleeting warmth before his lips capture yours in a tender kiss. The hot, wet sensation has your back arching instinctively, your hardened nipples pressing through the thin fabric of your nightgown against his hard chest. A deep, throbbing ache pulses at your core, and you clamp your thighs together in a futile effort to suppress the damp heat pooling between them.

The overwhelming rush of sensations draws a whimper from your lips, your trembling hands clutching at his shoulders for stability. His response is immediate—a low, guttural groan before he deepens the kiss, his mouth returning to yours with even more fervor.

You’ve read about kissing in your sparse collection of romance novels, tried to envision the mechanics behind the act. But the mental images always fell short, awkward and unappealing, leaving you unconvinced of its charm. You’d dismissed it as unnecessary, even pointless—especially when it came to something as pragmatic and straightforward as sex.

But now the general is sneaking in the hot, wet glide of his tongue between your lips and you panic, not sure what it is he’s doing and what you’re supposed to do. He must sense your uncertainty, because his large hand moves to steady your jaw and nape, holding you in place. When he feels the accidental brush of your tongue, he wastes no time and sucks at it, the lewd sound echoing in your ears, forcing soft, strangled sounds from your throat.

You no longer feel the seeping chill from outside the castle walls, body now feeling like it’s on fire, the wetness dripping from your entrance sliding down your inner thighs. You feel like you’re drunk and about to pass out, so you push his chest back with a gentle palm.

“General,” you say, heaving through swollen lips. “What… what are we doing? The bed…”

He takes a moment to steady his breath, eyes squeezed shut, palms pressing firmly at your waist. Then, a low, rough chuckle rumbles from his chest.

“You’re infuriatingly naive,” he mutters, his sweat-damp forehead resting against your shoulder. “You must be the only woman of all arranged marriages eager to crawl into bed with a man she barely knows.”

You flush, indignant at the implication behind his words. “What are you trying to say?” you demand, mouth unconsciously forming into a pout.

He pulls back just enough to meet your gaze, his thumb brushing gently over your lower lip. “What I’m saying, princess, is let me take care of you. I don’t know what your upbringing has taught you, but there’s more to this than just... getting it over with.”

You’re not used to being told what to do and deviating from the rules, so you force out a sharp “fine”—an unintended display of bratty defiance, considering the man before you. But he only laughs, and to your dismay, the sound makes him even more handsome than he already is.

“Hold on,” he murmurs, lifting you by your bottom this time, pressing you flush against his chest. His hands on your backside—so close to where you’re throbbing and wet—has you flinching forward. You suddenly feel the brush of something firm against the sensitive nub above your slit, and you jerk again in surprise.

He chuckles, before gently lowering you onto the soft expanse of the mattress. His lips find your collarbone first, then trail down to your nipples, where he suckles through the fabric. A soft whimper escapes you, your fingers curling into the sheets. You can feel his smile against your skin as his tongue sweeps over one of your sensitive buds, before continuing its journey down toward your abdomen.

But then he hovers his face above your groin that’s barely concealed by the bunched-up hem of your nightgown. Alarm jolts through you, and you prop yourself up on your elbows, torso rising instinctively. You attempt to close your legs, but his hands hold them firmly apart.

“General—”

“Sylus,” he interrupts, lips brushing along the inside of your knee. “We’re married now, sweetheart. Use my name.”

A twisted sense of pride coils within you, knowing you hold both the name and face of the most infamous man in the realm.

You hesitate, swallowing the lump in your throat before continuing. “Sylus,” you echo, the name oddly satisfying on your lips. “Not that I’m… doubting your expertise, but is all of this really necessary?”

He exhales heavily, saying nothing at first. Then, he takes your hand—its size utterly lost in his grip—and guides it down your body. His movements are deliberate, stopping only when your palm meets the undeniable hardness of his cock, straining against his trousers.

You struggle to contain the jumbled stutters tumbling from your lips. “What are you—”

“I’m a big man,” he states matter-of-factly, his gaze unwavering. “And this is your first time. As you are now—you won’t be able to handle me.”

You don’t fully understand what he means, but the statement silences you nonetheless.

He chuckles, letting go of your hand, and you immediately pull it back to your chest. “May I?” he asks, his voice low as he hovers below you once again.

You flash a glare, before nodding reluctantly.

A smirk tugs at his lips as he leans back, his gaze shifting downward to the space between your legs. Slowly, he lifts the hem of your dress, inch by inch, until the cool air brushes against your exposed skin. You watch, eyes heavy, fighting the tremors rushing through you, as his hand moves along the inside of your thigh. When his fingers brush against your folds, a sharp exhale escapes you, and your head falls back onto the mattress.

“You’re so sensitive, princess,” he murmurs, amusement lacing his words.

“Shut up and get on with it,” you snap, covering your eyes with your forearm.

You hear a quiet laugh escape him before two fingers press against the sensitive nub above your folds, sending a shock of pleasure through your body. Your back arches instinctively as he slides his fingers up and down against your entrance. The motion, slick and sinful, leaves you gasping, and you struggle to keep your legs open, body trembling from the unfamiliar pleasure.

Sylus’ eyes darken, flicking between the way his fingers tease your slick folds and the way your breasts strain against your dress. His breathing grows heavier as he reaches up, pulling the neckline down to expose your chest. A soft whine escapes you when his hand cups one swell, firm yet gentle, while the other continues its relentless ministrations below.

“I’m pressing one in, alright?” he murmurs.

You barely register the words before he pushes a thick finger past your folds.

“Wait—it feels—ngh—it’s strange,” you stammer, voice hitching on a whine.

He stills immediately, digit only halfway in. “Does it hurt?”

“I… kind of? I don’t know…”

You’re panting. The pressure is peculiar, and quite unpleasant. Your body tenses at the newness of it, the unfamiliar stretch bordering on discomfort.

He remains patient, finger unmoving. Then, you feel his thumb press on your nub, drawing gentle circles against the sensitive lower hood of it. The obscene sound of slickness fills the space and you’re mortified, toes curling at the wave of arousal soaking his hand.

“This better?” he whispers, drinking in every detail—your heaving chest, the sheen of sweat on your skin, the tremor in your thighs, and the glistening mess pooling between them.

You can’t respond, overwhelmed by the spiraling pleasure.

A chuckle rumbles from him, low and pleased, as he presses the rest of his finger inside. This time, it slides in smoothly, and the high-pitched moan that escapes you is muffled by your trembling palm. Now knuckle-deep, he gently strokes upward, pressing on a rough spot that makes you jerk in his hold.

“I’m going to try something, alright?” he says softly, breath brushing against your knee as he plants a tender kiss.

“Okay,” you croak, struggling to process the pulsing sensations building deep inside you.

The circles on your nub stop, and you almost whimper at the loss. But before you can voice your complaints, something warm, wet, and utterly foreign replaces his thumb. Your head snaps back, a raw, choked cry tearing from your lips.

“General—hah—Sylus… What are you—?”

He doesn’t answer. Dazed, you prop yourself up and the sight before you is almost too much: the most powerful man in the realm, kneeling between your legs, his mouth worshiping you with unrelenting fervor. His tongue laps at your folds, drags it languidly up to your engorged nub before closing his lips around it, sucking in a way that sends sharp, electric pulses straight through your core.

Panicked by the unbearable pressure building inside, you try to push his head away. “Stop—it’s strange, I feel like I’m going to—”

Before you can finish, he slides another finger inside, stretching you further. His fingers curl, stroking that spongy spot with unrelenting precision. His mouth works in tandem, alternating between suckling and lapping at your overstimulated nub.

Tears blur your vision as the intensity peaks. You scream into your palms, hips bucking against his mouth and hand as you feel yourself tip over the high he brought you to.

Sylus watches, entranced, as your legs open wider, cries muffled as your body convulses under his ministrations. Even as you shatter under him, he doesn’t let up, prolonging your fall at his mercy. And when you’re finally sent over the edge, your release flooding his eager mouth, he drinks in the sight of you—flushed, trembling, and utterly spent.

He presses his cheek against your inner thigh, feeling the delicate tremors rippling through your body as you struggle to steady your breathing. His eyes trail over your folds, soft and swollen, slightly parted as your essence continues to glisten and drip. Unable to hold back, he dips his head and presses a slow, deliberate kiss, groaning as your intoxicating taste lingers on his lips.

Your cry pierces the air, hands flying to his hair as you tug with desperation. “W—Wait…! I can’t… it’s too much… please…”

He only chuckles, low and teasing, before placing a final kiss on the sensitive nub above your folds. Then, he moves upward, settling his weight against you. His chin rests between your breasts, arms locking yours in place as his eyes meet yours, heat and satisfaction dancing in his gaze.

As clarity slowly returns, the enormity of what just happened hits you. He—the Onichynus general, a man who strikes fear in nations across the realm—had just laved at your most intimate area with his tongue. Such an act is nowhere to be found in the guides you’ve read on sex, not even as a distant suggestion. And yet, you enjoyed it. Far more than you care to admit.

An embarrassed huff escapes you as heat blooms across your face. You throw your hands up to cover it, unwilling to meet the insufferable smugness you can practically feel radiating from him below.

Suddenly, you feel the neckline of your dress being tugged down again, catching beneath your breasts. Then, you feel the flat of his tongue gently press on a nipple, circling it with the tip before pulling it into his mouth to suckle. His hand slides up to your other bud, palm brushing over it in slow, deliberate motions. Breasts are meant to nourish, to sustain future generations—mere vessels for the creation of life. Yet the hairs at the back of your neck raise on end as you feel the return of the persistent pulsing deep within you. You bite your lip, stifling the sounds threatening to escape, back arching as you desperately chase the sensation of his mouth on you.

“We can stop now if you wish, Your Highness,” he murmurs against your skin.

Fighting the heaviness taking over your body, you grab his jaw, forcing him to meet the fire in your gaze. “Do you have a problem with consummating with me, general?”

He responds with a particularly sharp suck at your nipple.

“Ngh—! Sylus! I meant Sylus!” you cry out, correcting yourself with a gasp.

He smiles, a mischievous glint in his eyes, before moving to the soft curve of your breast. His mouth alternates between harsh sucking and teasing bites, leaving a trail of bruised blooms in his wake.

“While intercourse may be a mere formality to you Noir people, in Onichynus, it’s an act of passion and love,” he says, voice low as he shifts to giving attention to your other bud. “I wish to ensure that Her Highness, my wife, has a memorable first experience. So, if you feel spent for the night, we can always stop. At any time.”

His words settle deep inside you and you feel warmth spread in your chest. Perhaps Onichynus is more than the tales of its ruthless reputation, after all. Hesitantly, you caress his cheek, heart aching at the way he closes his eyes and nuzzles into your palm. He almost seems like a clingy pet feline.

“I appreciate the sentiment, but I want to finish the rites,” you say softly. Then, you flush, struggling to find the right words. “And, um, I didn’t expect things to be this… good. I don’t mind experiencing more, if it’s alright with you.”

It takes a moment for your words to register, and when they do, Sylus smirks—a slow, predatory curl of his lips that sends heat coursing through your body. He leans in, capturing your lips in a searing kiss. His tongue brushes your bottom lip, and this time, you grant him easy access. You mimic what he did to you earlier, tentatively wrapping your lips around his tongue and sucking gently.

Immediately, a low, visceral groan escapes him as his hips press forward, grinding his restrained arousal against your soaked folds. The rough fabric of his trousers drags against your sensitive nub, sending jolts of pleasure rippling through you. You whine into his mouth, arms winding around his neck as you pull him impossibly closer.

Sylus seems barely in control now, his breath coming in harsh gasps as he adjusts his movements, angling his hips so that the ridge where his shaft meets the head rubs directly against your overstimulated nub.

Without warning, he breaks the kiss, leaving you on the verge of a whine as a string of spit bridges the space between you. He steps back, tugging his trousers down in one swift motion. Your gaze drops instinctively, and your breath catches at the sight of him.

Broad shoulders taper into a lean waist, and every inch of his sculpted body radiates strength. But it’s the thick, throbbing length between his legs that holds your attention. He notices the starstruck look on your gaze and he chuckles, walking closer to you until you're face level with it. Taking your hand, he gently wraps it around his girth. The sheer thickness overwhelms your grip, and your breath catches at the realization.

“Feel free to take a look,” he rasps.

You’ve never seen a cock before, but instinctively, you know this one is massive. The shaft is thick, with prominent veins that seem to throb faintly, and the soft, rounded shapes below it look heavy and full. The bulbous, mushroom-shaped tip is flushed, beads of some kind of white, translucent fluid glistening at the slit. For some reason, you feel the urge to lean in and taste it.

Sylus takes your hand, shaping it into a loose 'O.' “This is you,” he murmurs, guiding your fingers to glide along his length, spreading the slick fluid. “And this…” He pushes through the circle you’ve made, the thick head sliding in and out. “…is how it’ll feel when I’m inside you.”

Slowly, he begins to move, sliding his shaft through your grip. The sensation is intoxicating, and you’re mesmerized by the sight of him—his cock pumping in and out of your hand, each stroke leaving it sticky with his arousal. You don’t even realize your lips are parting until you lean forward, your tongue darting out to flick against the leaking tip.

Sylus lets out a guttural moan, one hand tangling in your hair as his hips jerk involuntarily. His taste—salty and slightly bitter—is heady, and the heat of him against your tongue heightens your arousal. He bucks into your mouth, and though you gag slightly, you fight to take more of him, desperate for the connection.

You feel too empty.

“Princess—fuck—this is torture,” he groans, his deep voice rough with restraint.

You can only moan in response, lips stretched around his cock as he begins thrusting into your mouth. His large hands steady your head, guiding your movements. You peek up at him through fluttering lashes, and you feel your folds quiver at the sinful sight of the Onichynus general panting, eyes shut, sweat-covered muscles taut as he pistons in and out of you.

You are Noir’s beloved princess—revered and envied for your beauty, grace, and intellect—yet now you’re barely coherent, delirious over the addictive taste of your husband as he fucks your mouth over and over.

One particularly deep thrust hits the back of your throat and you gag, tears springing to your eyes. Sylus curses under his breath and withdraws immediately.

“Princess, I’m sorry,” he pants, taking in the sight of you—tears streaking your cheeks, saliva glistening on your lips, thighs pressed together in a futile attempt to relieve your ache.

“It’s okay,” you croak, voice hoarse and small.

Sylus pauses, taking a moment to steady himself and pull back from the frenzy consuming him, before climbing onto the bed, positioning himself against the headboard. His hands grip your waist, lifting you effortlessly to straddle his lap. Movements frantic and barely restrained, he aligns your slick folds against the length of his shaft. His lips find yours again, urgent and demanding, while his hands grip your hips, guiding you to rock against him. The friction against your sensitive nub draws a cry from you, and he groans into your mouth.

“Let me have you, princess,” he practically begs against your lips between heavy breaths.

You barely have time to process his words before he lifts you slightly, the broad head of his cock pressing insistently against your entrance. Then, you feel an immediate, sharp stretch as he breaches your folds, pushing deeper until the full length of him fills you to the hilt.

A strangled cry escapes you and you collapse against his chest, burying your face in his neck with stilted sobs. Sylus remains still, large hands massaging your rear soothingly, coaxing your body to adjust.

“You’re doing so well, sweetheart,” he whispers, lips brushing against your temple. “Just breathe. Let me in.”

“It hurts,” you gasp. He shifts slightly, and a sharp sensation makes you wince, like he’s hitting a spot that feels too far, too much. “T—Too big…”

“I know, I know,” he murmurs, breath hot and uneven against your ear. His hands move carefully, gently parting the delicate skin of your folds in an attempt to ease the stretch and make it more bearable.

Keeping his hips as still as possible, he reaches for the hem of your now sweat-soaked nightgown, lifting it with as much gentleness as he can muster. His eyes trace the path of the fabric as it reveals the slick mess of fluids dripping from where you're joined, the soft curve of your belly, the delicate bounce of your breasts freed from constraint, and finally, your tear-streaked face—beautiful, vulnerable, and utterly his. Guilt flickers through him as he feels himself twitch and grow even harder inside you, despite your pained whimpers.

After tossing the fabric aside, his lips find your neck, pressing slow, deliberate kisses to the spots that make your walls flutter around him, drawing soft, helpless sounds from your lips.

“Once you’re settled in our home on the mainland, you’ll have everything you could ever desire,” he murmurs, hands gliding up to rub gentle circles over your hardened nipples.

“You’ll have servants at your beck and call, and you’ll be free to do whatever you please. No one will dare defy you—no one will even think to.”

The vivid imagery of his words wraps around your mind like a spell, pulling you deeper into him. The sharp discomfort of being stretched begins to ebb, replaced by a dull ache that shifts to faint blooms of pleasure.

“And when you finally swell with my child,” he breathes, tone thick with promise, “I’ll find endless delight in claiming you over and over, until the first light of dawn touches us.”

You flush at the picture of him taking you like this, with your belly round and full with his heir.

He chuckles low against your ear, the sound dark and rich. “Oh? You like that idea, don’t you?”

You huff, landing a light smack on his chest. “Do not tease me,” you protest, voice carrying a hint of authority despite your half-lidded gaze. The sight of you perched on his lap, his cock buried deep inside you, while you fix him with a stern, regal expression befitting a princess is enough to have his hips bucking up to you.

With a strained groan, he crashes his lips against your neck, his cock throbbing almost painfully within your tight walls. “I need you, princess,” he rasps against your skin, barely holding back the urge to thrust up into you.

The pressure of the stretch still lingers, but the sharp pain has melted into pulses of pleasure. You place your hips back, grinding your sensitive nub against his groin, desperate for more. “Please do something,” you plead, hips moving in frantic, clumsy circles, chasing a bliss you don’t know you’re craving.

Sylus doesn’t hesitate. He lowers you back onto the mattress while still buried deep inside you. Propping himself up on his elbows, his gaze locks onto yours as he slowly draws his hips back, leaving only the tip nestled at your entrance. Then, in a single, fluid motion, he sinks back in to the hilt, filling you completely in one long, unrelenting stroke.

You cry out, this time in response to the delicious friction of his cock dragging against your walls. Driven wild by your reaction, he pulls back again, then thrusts deeply into you with another slow, deliberate plunge. A hiss escapes him as the head of his cock presses against your deepest depths.

“You’re doing so good,” he groans, lips brushing over the bruises left by his earlier kisses on your neck. “You’ve been such a darling for me, haven’t you?”

To his twisted delight, you remain incomprehensible, helpless sounds pouring from your kiss-bitten lips as you scramble to steady yourself by gripping his shoulders, nails digging painfully into his skin. He’s almost feral at the way your flesh ripples from the impact of each thrust. The princess of Noir, coveted by men all over the realm, now lies beneath him, sweat-slicked, legs spread, and taking his cock so wonderfully. But beyond that, he sees the most perfect queen—one whose unparalleled intellect and sharp wit can stand beside him in his pursuit for power.

Suddenly, he pulls out, and you whine, tears staining your cheeks at the dizzying emptiness. He merely shushes you soothingly before gently turning you over onto your stomach. Before you can garble out a question on what he’s doing, he plunges into you once more, hitting a spot against your front that has you curling your toes and screaming into the sheets.

“I—It feels s—strange again—!” you manage between broken whimpers, each word punctuated by the relentless rhythm of his movements against your sore walls.

“Wanna feel good again, princess?” he murmurs against your ear.

Your answering sob is all the reply you can muster.

Suddenly, you’re hoisted up on your knees, his strong arm wrapping around your waist as his other hand grips your jaw, holding your face up. His thrusts quicken, erratic and desperate, and you gasp as his tongue traces the outer shell of your ear. Then, his hand slides lower, fingers finding the swollen nub above your abused folds. The sudden burst of pleasure at the rubbing motion has you crying out, body tightening as a familiar heat coils low in your belly.

You begin to thrash in his hold at the overwhelming sensations. “Sy—I think—I think I’m—”

“Let it happen, princess, I got you.”

With those words, your hands tangle in his sweat-damp hair as a violent shudder wracks your body, exhausted sobs escaping your lips. His relentless pace doesn’t falter, eyes locked on the harsh bounce of your breasts as he pounds into you from behind, chasing his release. The tight grip of your walls and the slick heat enveloping his cock finally push him over the edge, his thrusts turning shallow and frantic before burying himself deep with a final, forceful motion, spilling his seed inside you.

Sylus takes a moment to catch his breath, pressing soft, chaste kisses along your shoulders.

“You alright, princess?”

You don’t respond.

Confused, he gently tilts your head back, only to find your peaceful, sleeping face, soft snores escaping your lips. He huffs a small laugh. How adorable.

Carefully, he shifts against the headboard, settling you onto him with his half-hard cock still nestled inside, twitching faintly. Draping your legs over his knees, he starts massaging your inner thighs, soothing the soreness he knows must be there.

A series of sharp knocks echoes through the room.

“This is the chamberlain. I must confirm that the consummation rites have been fulfilled for your marriage to be deemed legitimate by the Grand Temple.”

Sylus scowls, eyes scanning over your sleeping form. “Can’t this wait in the morning?”

“This is necessary to eliminate any possibility of deceit in performing the rites.”

“Damn uptights,” he mutters. Then, a smirk plays at the corner of his lips. “Well, come in then.”

The door swings open, revealing the old chamberlain in his faded temple robes, his attention fixed on his ledger. He mumbles the schedule for the following day as he approaches the bed. When he finally looks up, expecting to see the usual ruffled, soaked sheets, he freezes, almost stumbling backward in shock.

You—the cherished Noir princess, known for your beauty and headstrong grace—lie exhausted, nestled against the imposing form of the feared Onichynus general behind you. His scarlet eyes glint as he sucks a mark onto the side of your neck, and beneath you, his impressive girth disappears into your swollen, intimate folds, generous amounts of your combined essences coating his base.

“This is evidence enough, no?” Sylus taunts, sneaking in a shallow thrust up to you, drawing a soft, breathless whine from your throat.

The chamberlain stammers, his words fumbling as he backs toward the door.

��Y—Yes, the rites are confirmed. Good night,” he rushes out in a single breath before slamming the door behind him.

Chuckling, Sylus pulls his sleeping wife closer, placing a tender kiss on your temple. You’ll need the rest for the long journey ahead, and for whatever adjustments await you back on the mainland.

But, in the end, none of that matters.

He’s just grateful to have found his beloved kitten again.

check out my other works!

#ori.writes #sylus x reader #sylus x you #sylus x mc #love and deepspace sylus #sylus #love and deepspace #sylus smut

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neferaskingdom · 3 months ago

Text

♡ Vegas Baby | MV1

NEFERASKINGDOM

Summary: After winning his fourth world championship, Max Verstappen stuns the world with a live radio proposal.

A/N: This was inspired by this post by @altxanna idea so good it made me get over my writer's block and write this 4.2k monstrosity.

MAX VERSTAPPEN MASTERLIST | MAIN MASTERLIST

Max Verstappen crossed the finish line in fifth place, but that didn’t matter. The entire world was fixated on the fact that he had just won his fourth World Championship.

“AND MAX VERSTAPPEN DOES IT AGAIN! FOUR WORLD TITLES!” David Croft shouted, his voice teetering on the edge of hysteria. The Las Vegas skyline lit up like a fireworks display on overdrive, the crowd roaring in approval.

“Forget where he finished—he’s a four-time world champion!” Martin Brundle yelled, equally excited. “This is history!”

Max, however, barely seemed to notice he’d crossed the line in fifth. He was just… Max. Calm. Collected. His voice came through the radio, steady as always, but with a hint of amusement.

“Thanks, guys. It’s been an incredible season. I’m so proud of the team. Huge thanks to GP, Christian, everyone.”

“You’ve done it, Max! Four-time champion, man!” GP screamed, clearly unable to keep the excitement in. “This is massive, mate! You’ve earned this!”

“Yeah, I know,” Max said, his voice deadpan. “But listen, there’s one more thing.”

The radio went quiet for a second.

“Uh… What’s that, Max?” GP asked, his tone suddenly cautious.

Max didn’t respond right away. Then, he casually dropped the bomb.

“Y/n, a bet’s a bet. We’re getting married tonight.”

“WHAT?!” GP exploded. “WHAT THE HELL DID YOU JUST SAY?”

Max’s tone didn’t change. “We’re getting married. Vegas chapel. Tonight.”

The entire Red Bull garage froze. Even the other engineers looked around in total confusion.

Max continued, his voice as if he were discussing the weather. “It’s been planned. I won the fourth title, she agreed to the bet, so… wedding time.”

GP sputtered. “Max, you—WHAT? No, no, no. You can’t just say that on the radio! You can’t just—”

“I’m doing it,” Max said, already tired of the conversation. “It’s happening. Vegas. Tonight.”

The radio was dead silent for a long moment, then GP finally spoke, his voice laced with a mixture of disbelief and dread. “Max, I—What in the world did I just hear? Are you seriously making your wedding announcement over the team radio?”

“Of course, I’m serious,” Max replied. “She said if I won my fourth title in Vegas, I could pick the wedding date. So, I picked tonight.”

“Max, you can’t—you—what the hell is wrong with you?!” GP spluttered.

Back in the commentary booth, David Croft could barely hold it together. “Did Max Verstappen just announce his wedding on live radio after winning his fourth world championship? Is that what I just heard?!”

“I think that’s exactly what you heard, Crofty,” Martin Brundle said, voice dripping with astonishment. “This is pure, unfiltered Verstappen.”

David Crofty just stared at the screen, blinking in disbelief. “Honestly, I can’t even process this. We’ve seen some wild moments in F1, but this... this might just take the cake.”

“Yeah,” Brundle said with a chuckle. “You can’t script this stuff. Not even in Vegas.”

Meanwhile, in Red Bull’s hospitality area, Y/n was standing stock-still, her eyes wide as she stared at the screen. The radio call still blaring in her ears.

“Did—did he just announce our wedding? Like… right now?!” she hissed, her hand gripping the counter in disbelief.

A Red Bull mechanic standing nearby looked just as stunned. “Uh, I think he did, yeah.”

“He’s lost it,” one engineer muttered under his breath, his face pale.

“I don’t even know what’s happening anymore,” another whispered.

The others weren’t any better off, most of them looking like they might faint. A PR rep came over, trying to maintain professionalism but clearly in shock. “Y/n, um… Max just… did he just announce your wedding?”

“Don’t look at me,” Y/n groaned, burying her face in her hands. “I can’t even… He’s the worst.”

“Vegas, baby!” another joked, only to get smacked in the arm by Y/n as she stormed past.

Back on the track, Max, utterly relaxed, parked his car in parc fermé and stepped out, throwing his helmet in the air before catching it like it was no big deal.

“So, yeah,” Max said, grinning at the cameras. “Got my fourth title, and now I get to marry my girl. Vegas chapel, let’s go!”

The reporters and photographers surrounding him stared at him in utter confusion.

“Wait, what? You’re—what?!” one reporter stammered.

Max smirked. “Yep, Vegas. I won, she lost, and now we’re getting married.”

He tossed a thumbs-up to the camera as if it were a completely normal thing to say.

“Max,” one reporter finally managed, “you’re serious about this, right? You’re really getting married in Vegas?”

Max’s grin widened. “I’m serious. A bet’s a bet. No turning back.”

Back in the Red Bull garage, chaos had officially set in. Christian Horner, who had been pacing for the last five minutes, finally stopped and glared at a nearby mechanic. “What am I supposed to do with this now?!”

“I don’t know, Christian,” the mechanic said, holding up his hands in defeat. “Maybe we start picking out flowers?”

“Someone get me a drink,” Christian muttered, walking off, leaving a sea of confusion behind him.

Y/n stormed through the paddock like a woman possessed, her face a mix of disbelief, panic, and barely contained rage.

She spotted Max leaning casually against a barrier in parc fermé, looking like he had no care in the world—despite having just announced their impending Vegas wedding to the entire world. He was surrounded by Lewis, Fernando, George, and Carlos, who were all still there congratulating him and clearly trying to comprehend what had just happened.

“MAX!” Y/n screeched as she closed the distance.

Max turned, his smug grin stretching even wider. “Oh, there she is! The future Mrs. Verstappen. Took you long enough.”

Y/n planted herself directly in front of him, glaring. “WHAT THE HELL IS WRONG WITH YOU?”

Max blinked, his expression far too innocent. “What? I kept my promise.”

“Your promise?” Y/n echoed, incredulous. “You hijacked the championship celebration to announce a fake wedding! On LIVE TELEVISION!”

“It’s not fake,” Max said matter-of-factly. “A bet is a bet.”

Carlos, standing nearby, raised an eyebrow. “Wait, wait, wait. You bet your wedding on the championship?”

“Of course,” Max said with a shrug, as if it was the most obvious thing in the world. “I’m a man of my word.”

George choked on air. “You’re a menace.”

“Exactly,” Y/n said, throwing her hands in the air. “Max, this is insane! You can’t just—”

“Relax, schatje,” Max interrupted, his tone annoyingly casual. “It’s Vegas. This is what people do here.”

“Not normal people!” Y/n snapped.

Lewis, still dabbing at his face with a towel, gave a bewildered laugh. “I’m sorry, are we actually talking about a real wedding right now?”

“Yes,” Max said confidently. “Tonight.”

“No,” Y/n shot back.

“Yes.”

“MAX!”

“Yes, Y/n,” Max said, leaning forward slightly. “We are getting married tonight, and that’s final.”

“Final?!” she spluttered. “How is this final? There’s no plan, no venue, no—”

“Vegas has plenty of chapels,” Max interrupted smoothly.

“I don’t have a dress!”

“You’ll look great in anything,” Max countered.

Y/n groaned, pinching the bridge of her nose. “I don’t even have someone to walk me down the aisle!”

Max tilted his head, clearly unbothered. “Oh, that’s easy.” He turned to his left, where Lewis stood mid-sip from his water bottle. “Lewis! Can you walk Y/n down the aisle tonight?”

Lewis froze, the bottle halfway to his mouth. “What?”

“Can you walk her down the aisle?” Max repeated, as if this were a completely reasonable request.

“I—” Lewis blinked, looking between Max and Y/n. “Uh… sure?”

“What?! No!” Y/n shouted.

“Why me?” Lewis asked, baffled.

Max shrugged. “You’re a world champion. She deserves someone of high status.”

Before Y/n could combust, Fernando Alonso stepped forward, a sly grin on his face. “Hold on,” he said, raising a hand. “If anyone is walking her down the aisle, it should be me. I’m the most appropriate for the role.”

Lewis turned to him, visibly confused. “How do you figure that?”

Fernando gave a dramatic shrug. “Experience. I’m wiser, more distinguished. A father figure, if you will.”

Y/n groaned, “Oh my God, Fernando—”

Lewis snorted. “Father figure? Please. More like grandfather figure.”

The group exploded into laughter. George doubled over, wheezing, while Carlos clapped a hand over his mouth to stifle his own cackles.

“You wound me, Hamilton,” Fernando said, his tone mock-offended.

“Yeah, but I’m not wrong,” Lewis quipped, smirking.

“This is not happening,” Y/n muttered, covering her face with her hands.

Max leaned closer to her, his grin pure mischief. “See? Problem solved. You have two excellent candidates to walk you down the aisle.”

“This is NOT solved!” Y/n screeched.

George finally spoke up, still chuckling. “You know, for the record, this is the most ridiculous thing I’ve ever seen”

“Agreed,” Carlos said, shaking his head with a grin. “But I can’t look away.”

Max clapped his hands together. “Alright, then. We’re all set! Lewis or Fernando—it’s Y/n’s choice.”

“I CHOOSE NEITHER!” she yelled, clearly on the verge of a breakdown.

Max leaned back, entirely unfazed. “Suit yourself. But one way or another, schatje, we’re getting married tonight.”

Y/n turned to the other drivers, her eyes pleading. “Can someone PLEASE talk some sense into him?”

Lewis shrugged. “I don’t know, Y/n. He seems pretty set on it. You might just have to roll with it.”

Fernando smirked. “And let me know when you decide. I’ll be practicing my ‘giving away the bride’ speech.”

George buried his face in his hands again, mumbling, “This is a fever dream.”

Y/n, meanwhile, was contemplating her life choices as Max grinned at her, utterly pleased with himself. This was going to be a nightmare—and she was the star attraction.

Suddenly, Lando came sprinting out of nowhere, practically skidding to a stop in front of Max. His curls were a chaotic mess, and his face was split into an ear-to-ear grin that made him look like an overexcited puppy.

“MAX!” Lando yelled, throwing his arms up. “FOUR-TIME WORLD CHAMPION! YOU LEGEND! Also mate, what the hell?! Are you really getting married?!”

Max turned, his ever-present grin widening. “Obviously.”

“I thought it was just a rumor!” Lando said, flinging his helmet onto a nearby table. “I mean, come on, you say insane stuff on the radio all the time! I figured this was one of those things.”

“Nope.” Max popped the “p” for emphasis. “It’s happening. Tonight.”

Y/n, who had been pacing nearby in a futile attempt to process her life choices, groaned audibly. “I hate all of you. All of you.”

Lando glanced at her, then back at Max. “Wait, so this is real? Like… actually real?”

“As real as it gets,” Max replied, clapping Lando on the shoulder. “And since you’re here…”

Lando squinted. “Since I’m here, what?”

Max’s grin turned sly, his hand still on Lando’s shoulder. “How do you feel about being my best man tonight?”

Lando froze, his mouth opening and closing like a goldfish. “Wait, what?”

“You heard me,” Max said, still looking far too pleased with himself.

“Me?!” Lando gestured wildly at himself, his voice rising an octave. “Why me?!”

“Why not you?” Max countered smoothly.

“I don’t know!” Lando threw up his hands. “You could ask your trainer, your engineer—anyone! We’ve been rivals this entire year!”

Max tilted his head, his expression softening slightly. “Exactly. We’ve had a lot of ups and downs this year, yeah? Fighting for the championship and everything. But at the end of the day…” He paused, his grin shifting to something more genuine. “You’re a good friend, Lando. One of the best. And I’d like us to bury the hatchet. Tonight.”

The sudden sincerity hit Lando like a truck. His eyes widened, his lip quivering just a little as he stared at Max. “Max…”

The group went quiet—well, as quiet as it could be with the chaos of the paddock swirling around them. Even Y/n stopped pacing to stare, her eyebrows raised in surprise.

“You really mean that?” Lando asked, his voice thick with emotion.

“Of course,” Max said, giving Lando a firm pat on the back. “You’ve been there through all of it, mate. Who else would I want standing next to me tonight?”

Lando’s hand flew to his face, his bottom lip wobbling. “Oh my God. I think I’m gonna cry.”

“Don’t cry,” George mumbled, clearly trying to stifle a laugh. “This is ridiculous enough already.”

“Shut up, George!” Lando snapped, though it lacked any real venom. He sniffled, blinking rapidly. “Max, you big idiot. That’s the nicest thing you’ve ever said to me.”

Max smirked. “Well, don’t get used to it.”

Y/n, watching this entire exchange with her arms crossed, muttered under her breath, “I cannot believe this is my life right now.”

Carlos, standing nearby, leaned over to George and whispered, “Do you think Lando will actually cry at the altar?”

“Oh, 100%,” George replied without hesitation.

“I’M NOT CRYING!” Lando shouted, wiping furiously at his eyes.

“Sure, mate,” Carlos said, grinning.

“Shut up!” Lando whirled back to Max, pointing a slightly wobbly finger at him. “Fine! I’ll do it. I’ll be your best man. But only because that was the nicest thing anyone’s ever said to me.”

“Good.” Max nodded approvingly. “We’re gonna have a great time. Bring tissues, though. You’ll need them.”

Lando groaned. “You’re impossible.”

“And you’re emotional,” Max teased, clapping him on the back again.

“Can I leave now?” Y/n interjected, looking thoroughly exasperated.

“Nope,” Max said cheerfully. “We’ve still got wedding planning to do. And Lando needs to rehearse his speech.”

“Speech?!” Lando exclaimed, his face paling. “No one said anything about a speech!”

“Oh, come on,” Carlos said, grinning. “Just wing it.”

“This is a nightmare,” Y/n muttered.

“See, schatje?” Max said, turning to her with a mischievous smile. “Everything’s settled”

“Kill me now,” she groaned, dragging her hands down her face.

“Not before the wedding,” Max quipped. “I need my bride alive, schatje.”

Carlos, grinning, nudged George. “Do you think she’ll kill him before they even make it to the altar?”

“I actually might” Y/n snapped, making everyone laugh—except her.

Max clapped his hands together, cutting through the lingering laughter. “Alright, boys, fun’s over. See you after the podium, yeah?”

Carlos snorted, throwing an arm around George. “Come on, hombre. Let’s get out of here before they decide to do something crazier.”

Max turned to Carlos, his grin turning devious. “Speaking of you, Carlos, I need another groomsman. What do you say?”

Carlos blinked, clearly caught off guard. “Me? Really?”

“Obviously,” Max said, rolling his eyes. “You’re good at standing around looking pretty. Perfect for the job.”

“I’m honored,” Carlos said, puffing out his chest dramatically.

Y/n, standing a few feet away, raised her hand. “Dibs on George for my side, then.”

George’s eyebrows shot up. “Wait, what?”

“I called dibs,” Y/n said firmly, crossing her arms.

“That’s not how this works!” Max exclaimed, glaring at her.

“It is now,” she shot back, grinning.

Max groaned, dragging a hand down his face. “You are impossible.”

“You’re marrying me,” she said sweetly. “This is your problem now.”

Before Max could argue further, he grabbed her hand, tugging her away from the group. “We need to pick more people. Properly.”

As they walked through the paddock, Max started listing names under his breath. “Alright, I want Charles on my side.”

“No way,” Y/n said immediately.

Max frowned. “Why not?”

“Because I’m picking him,” Y/n declared, speeding up her pace as soon as she spotted Charles standing by his car.

Max groaned. “You can’t just steal all the good ones!”

“Watch me.”

By the time they reached Charles, Y/n was already stepping in front of Max, her grin wicked. “Charles! You’re going to be my maid of honor.”

Charles looked up, his face blank with confusion. “Wait, what?”

Max shoved Y/n aside, scowling. “Ignore her, Charles. You’re going to be one of my groomsmen.”

“No, he’s not!” Y/n snapped, stepping back in front of Max.

“Yes, he is!” Max shot back, sidestepping her.

Charles blinked between them, his brows furrowing. “What is happening right now?”

“You’re gonna help me with my wedding,” Y/n said, grinning like she’d just won the lottery. “It’s happening tonight.”

Charles just stared at her, still not sure if he was in a dream or being pranked. “Uh… are you serious?”

“Charles, listen to me,” Y/n said, grabbing his hands dramatically. “I need you on my side. You’re the only one who understands how insane Max is.”

Max pulled her back by the shoulder. “He does not understand that! He’s my friend, not yours.”

Charles raised a hand. “Guys, what—”

“Do you really want to stand next to Max?” Y/n asked, cutting him off.

Max glared at her. “Do you really want to be stuck with her?”

“I feel like I don’t want to be stuck with either of you,” Charles said cautiously, his confusion growing.

“Charles,” Y/n pleaded, gripping his arm. “Please. You’ll get to wear something cool”

Charles blinked, still completely befuddled. “I… I don’t know what’s happening. Am I even invited to this wedding? Because you’re asking me to do a lot without any context.”

“Don’t listen to her!” Max interjected, gesturing wildly. “You’ll have more fun on my side. I’ll let you hold the rings.”

“No we’re letting Yuki hold the rings!” Y/n shouted.

Charles blinked again, looking between them like they’d both lost their minds. “Are you two seriously fighting over me right now?”

“Yes!” they yelled in unison.

Charles sighed, pinching the bridge of his nose. “This is the weirdest thing that’s ever happened to me.”

“Say yes to me, Charles,” Y/n said, batting her eyelashes.

“No, say yes to me,” Max countered, practically growling.

Charles threw his hands up. “Fine! I’ll be on Y/n’s side. But only because she asked first.”

Y/n cheered, sticking her tongue out at Max. “Suck it!”

“I feel like I should be insulted,” Max muttered as Charles smirked at him.

The wedding was somehow happening. In the span of a few hours—thanks to an intense series of last-minute phone calls, frantic text messages, and a team of Red Bull employees being worked to the bone—the ceremony was set to begin. And despite the fact that no one really knew how they’d gotten here, the whole thing had turned into the weirdest Formula 1 event in history.

Y/n stood in the back, adjusting her dress, eyeing the people around her in disbelief. Max had somehow managed to throw together an entire wedding in record time, which was somehow both impressive and terrifying. She was walking down the aisle with Lewis and Fernando—two of the most iconic figures in F1. She couldn’t decide between them, so she’d invited both to walk her down the aisle. Because, why not?

“You sure you’re okay with this?” Lewis asked, smoothing out his jacket. His suit was impeccable, of course. He was an icon of style, so a last-minute wedding wasn’t going to stop him from looking good.

“I’m just trying to survive this,” Y/n muttered

“We’re in Vegas. Anything goes,” Fernando quipped, the slightest hint of a smile on his lips. “At least the wedding's got personality."

“You both know I’ll never live this down, right?” Y/n said, shaking her head. "This whole thing is so Max, I feel like I should apologize to everyone for being part of it."

“You’ll be fine,” Fernando added with a smile, adjusting his cufflinks. “It’s Max. You know he doesn’t do anything half-heartedly. He’s probably already planned the honeymoon.”

Y/n laughed nervously. “I’m pretty sure he has. You’ve both seen what happens when Max gets an idea in his head. And somehow... this is actually happening.”

“You’ve got this,” Lewis said. “We’re here for you.”

Before Y/n could respond, the doors swung open, signaling that it was time. The aisle was a bit too short for a proper procession, and the whole thing had a sense of hurried chaos as they started walking down toward the altar.

At the front, Max stood there waiting, looking like he was about to burst with excitement. His best man, Lando, had been fighting tears all night and was now sniffling into a tissue. "I swear this is the happiest day of my life," Lando muttered to Carlos, wiping his eyes.

Carlos, looking slightly concerned, just shook his head. “It’s their wedding Lando, not even your own. stop bawling.”

“Yeah, but it’s their wedding,” Lando said, eyes still damp. “There’s too much love in the air.”

Max had his hands tucked in his pockets, grinning like a kid on Christmas morning. When he spotted Y/n, he gave her an exaggerated wink, as if to say, “We made it.”

“You good?” Fernando asked, glancing at Y/n as they reached the front.

“I’m questioning every life choice I’ve made,” Y/n muttered under her breath, feeling the full weight of the absurdity of the situation.

“I’ll pretend I didn’t hear that,” Max said, grinning.

At the back of the room, Oscar and Franco stood with baskets of flowers, both looking thoroughly confused in their roles as flower boys. Oscar had been dragged into this because of his unwillingness to protest. Franco, on the other hand, was too amused to care about the situation and just went along with it.

“Oscar, why are we doing this again?” Franco whispered, furrowing his brows as he sprinkled petals on the floor.

“Because Yuki said we had to. And I’m not arguing with him,” Oscar muttered, holding his basket as if it were a grenade about to go off.

“Who cares? It’s a once-in-a-lifetime experience! Attending Max Vertsappen’s wedding?,” Franco said with stars in his eyes, “I’ll tell my grandkids about this.”

Yuki, holding the rings, couldn’t contain his excitement as he gave them instructions. “Guys, you’re doing great. Just, uh, try not to look confused. I need this to look professional. Oscar throw the petals properly! more passion! more energy! more footwork!”

“I’m already questioning my entire existence,” Oscar said, looking at Franco for solidarity. Franco just smiled and threw a handful of petals into the air.

The Elvis officiating the wedding was already in full swing, not entirely sure of the gravity of the moment but having a blast nonetheless.

"Y’all ready to get hitched?" Elvis said, his voice more vibrant than Y/n could’ve imagined.

Max, barely containing his excitement, looked over at Y/n. “Ready for this, love?” he asked, his voice low, though it carried a hint of playfulness.

Y/n smiled, glancing at him for a moment. “More than ever.”

Then, in front of everyone, they exchanged their vows.

Max spoke first, his voice unwavering, but there was an undeniable tenderness in his words. “Y/n, you’ve turned my world upside down. You’ve made every race, every moment, better just by being there. I promise to keep being the person you’ve decided to stand at an altar with, the person you love—even when I’m an absolute nightmare. I’ll always fight for us, for this. I love you.”

Y/n could feel her heart in her throat as she spoke. “Max, you’ve always been… Max. But you’ve shown me that you are a person with the biggest heart. You’ve made me laugh, cry, and love harder than I thought I could. You’re my best friend, and I can’t wait for the next chapter of this crazy life with you. I love you.”

There were no grand gestures or over-the-top theatrics; instead, it was just them—raw, honest, and completely present in this moment.

Max smiled at her, the kind of smile that made everything feel right, before turning to the officiant.

“Elvis, hit me with that ‘you may kiss the bride’ line,” Max said, giving a wink.

And so, amidst the madness, they kissed, sealing their vows with a moment that felt right in all its simplicity. The crowd cheered, some clapping and others, like Lando, wiping away happy tears. It wasn’t the wedding anyone had expected, but it was exactly what Max and Y/n had needed.

As they pulled away, Y/n’s gaze met Max’s, and for a brief moment, it was just the two of them, everything else fading away.

As the ceremony ended and the newlyweds turned to leave, the crowd of friends and teammates erupted into applause, some of them still trying to process what had just happened.

Lando was grinning, wiping his eyes. “This is so perfect. I’m still not sure how we managed to get here in two hours, but it’s amazing.”

Charles was smiling too, giving Y/n a thumbs up. “Congrats, both of you. I’m still trying to wrap my head around the fact that Max is married now.”

Lewis patted Max on the back. “She’s got you now. Good luck with that.”

Y/n smiled at him, a little breathless. “So, are you planning to annoy me for the rest of our lives?”

Max grinned back, a playful gleam in his eyes. “Absolutely. You’ve signed up for it, so no turning back now.”

Everyone laughed, but there was a deep sincerity in the air. This was their moment—imperfect and hurried, but beautiful in its own way.

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thankskenpenders · 8 months ago

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The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

#tkp post #tlsc #tlsc beginnings

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