#I don't think I could EVER get enough

[toji-sweetheart]

Pussy inspection with those two would be insane. Both of them just praising you at first before they would start teasing you for being so wet for them. And they would probably lose it if you tell them that it's always gonna be like that for them (if you haven't told them before already, that is). Definitely taking turns pounding you until you're just mindless and babbling.

You would definitely end up overstimulated by the end, but loving it. (And probably begging for more tbh).

18+ only content - mdni

the way I read this with my legs crossed

tags: fem reader + pussy inspection + explicit smut

They have you flat on your back on the bed with your legs spread obscenely wide for them. Toji is perched on your left side and Shiu on your right and you can feel their stare even with your eyes closed.

Both men know all the ways to have you a mess for them and right now your pussy is gleaming under the bedroom light, your slick strung from each lip making a sticky mess they wanted to clean.

"Look at how wet she is; we haven't even touched her." Toji chuckled skating the tips of his fingers along your bare skin eliciting shivers that made Shiu chuckle as well watching you fall apart already.

Shiu leaned in to inhale your musk with a deep groan that made your eyes pop open as you stared at him, his honeyed eyes meeting yours before he looked at Toji. "I think she likes this, what about you?"

Toji watched Shiu for a moment then his finger as it drug through your wetness dragging it up to your pubic hair watching it glisten like dew on the grass after it rained. "I know she does, look at how giddy she is trying to hide her face like we don't know what it looks like."

You had slapped your hands over your face when Toji touched you pulling a soft squeak from you. "This is both your fault, I'm always a wet dripping mess for you two, and you know that." You huffed.

Shiu pulled your hands away to tease you some more, brushing his thumb across your cheek and watching as your lips parted for his fingers that depressed your tongue. "Ah, such a good girl for me."

His praise made you quiver as you glanced between him and Toji wondering what they were going to do when Toji leaned in to press a soft kiss to your clit before swirling and flicking his tongue over it.

After that Toji was the first one to have you tapping out before letting Shiu take over making you cry his name and leave a red trail of your nails scratching his back only for Toji to tease him as well over it.

[front-facing-pokemon]

[icewindandboringhorror]

What would you choose? :0c

(note: original image is from HERE (link) - but I edited it to add a wider variety of options.. also added $3 extra to the total, even though I know that makes it more uneven lol, I thought if you're adding 10 whole extra items, the money to spend should at least be increased slightly, if that makes sense..)

[nachosncheezies]

In defense of late-canon x files (including the revivals)

I was thinking about this poll after I commented on it, and I kinda want to be brave and say more.

Short answer to the poll's question before I go any further: If you're a new fan and a sensitive sort who thinks you'll struggle with your blorbos Really Going Through It and you really need a happy ending, I suggest you stop at the end of season 8. Do not pass go, do not look at spoilers. Disregard this post entirely, close the internet, and go look at something that makes you happy. (Also fuck every part of society that characterizes sensitivity as inherently weak and bad and some kind of personal failing, you are valid.)

That said, "quality" as a concept is entirely subjective, and the question of whether or not there's a decline in quality for any story is wholly subjective, too. In the case of x files? I'm not convinced there is a decline. I am going to be upfront that I haven't yet watched past season 8, though I am almost completely spoiled on events after that - and the reason I haven't watched yet is not because of how I know events are going to unfold, but simply because I don't want it to end!!! Ohh, the tension between "I CAN'T WAIT!!!" and "Nooo don't be over D:"

When I first came to txf fandom on tumblr and gradually became spoiled about what happens in late canon though, I was often left uncomfortable and tbh kinda queasy about it. As I said in my comment on the poll, the hate for especially the revival and IWTB, or to a lesser extent even seasons 8 & 9, is very well documented. But! There are other takes to be found here on tumblr if you figure out where to look, and my feelings have changed!

The thing is, I have yet to find myself in any fandom where there isn't a vocal subset of fans who dislike the story after a certain point. I am not joking when I say that no one hates the things they love as passionately as sci-fi and fantasy fans. In my experience, it often hinges on the extent to which a viewer has strong notions on where they would like the characters to end up. In particular with series where shipping is a dominant component for the bulk of a fandom, I have almost universally found that there comes some turning point in the story where "let them be happy you cowards" is the dominant view, and things that compromise the attainment of a degree of romantic stability and/or domesticity are, to many fans, annoying at best and despicable at worst. But! As one tagset on the linked poll said:

and I think for any fandom, that last tag especially is so so so important. (I think that's harder for people watching a weekly series live, bc you have so much time to analyze and speculate and dream before the next breadcrumb drops, but I digress.)

So why am I saying this and how do I apply it to x files? Well, I eventually found that there are also a subset of fans who find redeeming things right up to the very end and actually quite like the whole thing! The things that I had seen people rage and ventpost so much about honestly never quite sounded to me as "out of character" or "untrue to the story" etc as those same ventposts made them sound. And I've discovered I'm not the only one who felt that way. Do I love that the spooky squad had to go through all of those things? No, those poor guys D: Life is hard and they have been through so much trauma. But do those events and their choices make sense to me in light of everything that came before? Yes! And I honestly can't wait to see them fight to overcome those things, breaking, healing, always learning, always growing, always getting better.

So if you're wondering "where does it go wrong"... well, I'm a completionist, as many people who've answered that post are, but also my personal opinion is that I don't think it does go wrong. If you're new and interested in exploring why I've gone from "vaguely queasy" to "excited" about the whole thing, or want to maybe balance out the impressions you're getting about the later seasons before deciding whether or not you want to see the whole thing, I'll put a few blog names in the comments.

Final admission: even once I started feeling a little more confident in the possibility that "actually ok maybe I'm not crazy, maybe this all kind of is in character and does make sense", there was one big plot point that I was NOT looking forward to and I thought I would never be comfortable about. In hindsight, I think my discomfort came from the negative responses being SO seemingly universal that I hadn't stopped to let myself truly consider other possible interpretations on that point. (I mean my initial instinct when I first read about it was, why are we mad about this?? CSM is literally the most unreliable narrator in history???? it's obviously fake news?????? this must be either a fever dream someone's having or it's a misdirection ploy against whatever shadowy forces might still be lurking?????????????? but for whatever reason I guess I had halfway written that off.) Happily, just last month there's a new post-s11 novel out, and although reviews for the book as a whole are mixed, it seems to have laid the groundwork for resolving that plot issue in a way I think most fans would be broadly happy with. If you're interested in being spoiled about that and seeing how, I recommend searching #perihelion on @agent-troi who liveblogged reading it with receipts, scroll back chronological-style to the first post on the subject and see how it unfolded. (And never forget that Dana Katherine Scully is the queen of denial as a coping mechanism lol)

Everyone's mileage will vary. Each person can feel however they want! But for anyone new, I wanted you to know that the very many ventposts you might be seeing are not all there is to this show or its fandom. Some of us love it despite - or even because of - all the things that went "wrong". I think we just don't talk about it as much.

[phantom-0-writer]

The Justice League had finally given the go ahead to officially form the Young Justice. Not that any of them were going to stop regardless of having permission. Since the Justice League had opened up their slots for more than the original six earlier that year, Batman thought it would be a good opportunity to use the Young Justice to help reach out and recruit some other heroes without drawing too much attention by going themselves. With protégés of most of the originals in the roster it was a solid plan.

They had been told about their newest "assignment" (if you could even call it that) earlier that day and they would be leaving in the morning. They were supposed to go meet a duo in Illinois (it was their base of operation even though they'd worked in other place). Phantom has been in the vigilante/hero scene for almost 10 years now, and Red Huntress started a few months after him.

Their names were well known, Dick had known of them even before he became Robin. But despite their national (maybe even International fame) little was actually known about the duo and the rumored Team Phantom that alluded to there being more than just the two. Dick had been a big fan of Phantom, and modeled a lot of his moves off of the super-powered hero.

Batman told them that they had already reached out the Phantom (Red Huntress had deferred them to him, and refused to speak with them afterwords) and he agreed to meet the YJ team and mentor them for a designated amount of time. There had been rumors in certain forums that the JLA had reached out to Phantom to be one of the original members of the league but he had turned them down. When Kid Flash had brought it up during the meeting, Batman refused to confirm or deny (which was proof enough).

The plan was for the YJ would stay in Amity Park for 15 days and learn from them, they would check in after that to see weather their stay should be extended. Specifically citing that their legendary teamwork would be incredibly beneficial to learn from to strengthen them as a team. The other plan, and equally as important, was to warm them up to joining the JLA ranks since a direct invitation hadn't been received favorably.

All that was thrown in the window when, three days in, the YJ, Phantom and Red Huntress get portaled to an unknown destination, with strange and unknown life(?) forms, with no supplies, no working communicators, and worst of all, no way back.

[doodleodds]

Happy Valentines, Akira. Happy Valentines, Asshole.

If you can’t read what Akechi’s secondary inner-dialogue says cause I obscured it too much behind his regular dialogue, here’s a transcription in panel order: Hello, you fucking- Ah- Hello, Akira! Fuck off, why should I tell you- Just a soda- there’s a new flavor.

I don’t want your shitty gift. Oh- haha! You’re so sweet.

I hope I choke. They’re lovely, thank you.

Like hell. Likewise. There’s no way it’s just a coincidence. Still though, it’s a funny coincidence.

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[spotforme]

i've been wondering about that big board ontop of their mirror for who knows how long now and they finally blessed me with a readable frame, i have the first piece of the puzzle. the big text reads "HOLOGRAMS CAN HAVE HEART ATTACKS TOO!" of course he would put up something like that. i'm assuming the pictures on top are some examples of preventative measures one can take, or maybe they're what to do in the event of an emergency. i'd know if only i'd get a better close-up.

then there are those pink slips Arnie puts up, there are multiple, but the one in his bunk reads, and i'm filling in everything i can't see here "YOU DON'T HAVE TO HAVE A DRY SENSE OF HUMOUR TO LIVE HERE BUT IT CERTANLY HELPS!" Rimmer and his weid positive reminders, they must keep him going on some level.

also the letters, are they from his mother? from someone else? doesn't matter much, because the difference between Lister's bunk having a bunch of colourful photographs of a bunch of people with him and Rimmer's bunk only having two worn letters from an unknown sender really shows well the differences in their characters and their approach to other people (i love that kindof set dressing)

btw they did not change any of Rimmer's stuff for Paraller Universe. all of her certificates and 'achievements' (those newspaper clipping on the wall) still read Arnold for some reason. oh what could be the canon explanation for this? this changes the Arlene lore for sure

bet they didn't count on someone obsessing over the set 30 years after this aired did they!?!? could they own up and tell me why Arlene has the swimming certificate of some rando named Arnold

[deoidesign]

Hello! I just discovered your blog and I immediately became captivated by your webcomic, but I'm unsure where to read all of it. I know it's on Webtoons, but I can see it hasn't been updated for a while, and you still post about it.

Are your physical novels just prints of the webcomic? Are they a continuation? Is the story complete? Thanks in advance!

Hi there!

Glad you found me and are enjoying my comic!

It's only on webtoons, and the story is not complete yet! We're 2/3 of the way through right now. It's currently on hiatus, and it's scheduled to come back in about 2 months!

I'll explain why it's been so long if you're curious, but also for my followers who might also be wondering about it under the cut. Sorry, it's pretty much just me complaining haha

I took a month off I took 2 months to get the books printed I took a month to prepare my next comic and I took 2 months to write the rest of the series (I knew the character arcs I wanted, but not the time periods or mysteries!!!) I've been working on actual episodes since then

I had to take some time off because of some pretty extreme burnout due to the sheer amount of work it was to draw over 800 pages and write 6 complete stories in a year and a half... I was getting sick almost weekly due to the overwork, it was really really bad honestly. I was having to work 60+ hours every week just to keep up...

The nature of the comic itself is also difficult... Each of the arcs is a complete, self contained story which can be read (ideally) without context, and my arcs need to be about 10-13 episodes each... And since I have an exact number of episodes to work with, it's even harder.

It takes a ton of planning and a ton of refinement, and working week to week with no breaks I was forced to put out second or even first drafts, so I just wasn't happy with the work I was doing... And to do that for the rest of the series? I wouldn't be proud of the work I did.

Plus... To be entirely honest, webtoon has treated me quite badly IN MY OPINION... They deprioritized me before I launched (I had to beg for more promotion, I'm not exaggerating), they outright denied me the opportunity to even ask for a raise, I don't make any money on fast pass and they pay me less than my partner makes working at trader joes. My first editor left me completely hanging, my second editor (who I loved) was fired... And they told me I wouldn't get a third season before my first season even finished. So it was just repeatedly completely demoralizing.

I'm sorry it has taken so long, it'll have been 10 months by the time I come back. But I realized... I won't get promotion either way. I won't get more episodes either way. I won't get more money either way. So to finish everything, to make it feel good, to make it something I'm proud of, I chose to take longer to make it better.

I am fully aware I will lose a significant amount of my readership for this and it might genuinely affect my career moving forward. But it's what I had to do! So I'm sticking to my guns on it, and I'm confident long term it'll be worth it. It never could have been this good if I didn't take this much time.

[liesmyth]

Do you have any Coronabeth Worsetwin thoughts about Abigail's reaction to finding out Ianthe become a Lyctor in HtN ("Blast. It should have been Coronabeth. Ianthe never was quite the thing")? I love Abigail but ngl I am also a Corona Worsetwin truther in part because I would find it much more satisfying for one of the series' designated Rational Moral Adults to be categorically wrong about Corona.

OH I love this! I hadn't really thought out it until now, but my first reaction is that it might have been just the general "Ugh, yuck, Ianthe?" vibe that she seems to evoke, since she's very much unpleasant on main. But when thinking about it more in-depth, I think Abigail's perception of WHY Corona would be more suited to Lyctorhood depends on which qualities Abigail thinks a Lyctor should possess that Ianthe lacks.

One thing about Abigail in HtN is that she is as much of an atheist as you can get in TLT, but also she seems to have a sort of romanticised view of John (calling him "the Kindly Emperor", "I've longed my whole life to give him my findings") and I wonder if this extends to her conception of Lyctorhood as a sort of state of idyllic quest for knowledge — "the beauty of necromantic mysteries" as Harrow puts it. She's also the leader of a House known for its diplomacy, influence, and not-so-subtle expansionistic ambitions.

So, is she thinking about Corona's diplomatic skills? Her political knowledge? Or — because at this point she still believes Coronabeth is also a necromancer — is she thinking that Corona was the better necromancer than Ianthe, as it was widely speculated?

Going wildly off into headcanon land, we know Abigail has anti-Cohort sympathies (as per Judith's files) and I wonder if that plays a part. We know that Corona regards the Houses's expansionistic strategy as inefficient, but I don't think it's something Abigail would know. Maybe she just thinks Corona would be able to assert authority over the Cohort better? (One of my pet speculations is that there's some antagonism between the Cohort and the Lyctors, and if that's actually a thing Abigail could be aware of it.)

I think it's a combination of Corona's people skill, her personal experience with both twins, and the fact that Ianthe actively puts off everyone she meets.

(If anyone has any opinions about Abigail here PLS feel free to add, I too love her but she's one of the hardest characters to figure out for me)

Personally, a solid 40% of why I am a Corona Worsetwin truther is because I think it's hot. The rest is her everything in NtN / AYU from the threatening suicide to statecraft scheming, with a smattering of that one Taz interview <3 I'm excited to see her wreck havoc in AtN.

[catocappuccino]

It's been a year since I redrew that one Snorkmimi render...

So yeah I did it again ofc I would, why oh why wouldn't I? Tee hee silly meee

Attaching the 2023 redraw and og cause- uh- I donno, because yes, why not!!!

[triglycercule]

ok so there's murder time trio where theyre best buddies and get along and sometimes even having more than just platonic interactions. and then there's also the murder time trio where they genuinely just don't like each other and avoid each other and do NOT get along and to me there's just a VERY clear timeline of events that could connect these two group dynamics. like these 2 could coexist,,,,,,

nightmare's fresh outta his little corruption sequence and he needs his henchmen. goes out and gathers the obvious three killer horror and dust (does it really matter how he got them??? kidnapping or not the trio will warm up to him). its his first time having to deal with mentally unstable grown up mortal men and he really has no idea how to manage the team so he lets them have some slack. spoils em a bit yk yk stops fights allows them to hang out allows em to screw around the castle even COMFORTS them,,,, shocking i know (a slightly nice nightmare interpretation from triglycercule? UNFATHOMABLE!!!!)

this killer's fresh outta something new so he's still kinda curious and nosy. he hasnt seen the multiverse and especially not interacted with nightmare/horrordust so he's kinda more outgoing and friendly (ish. to get to know better everyone and satisfy the curiosity of seeing what reactions and feelings these fellas could give him.) bc killer's not that much of a prick and horror and dust would naturally SLIGHTLY get along (and if in the right environment be good buddies. which is nm's lenience and killer's not shittiness) the mtt actually get along pretty well and are good buds!! like the first group dynamic i mentioned where the bad sanses are just kinda like a friend group except they have some weird work relations

and then a fight breaks out and nightmare kills either dust or horror (what about??? anything!) likely dust first because he's more likely to be wary of nm (if kidnapped) and also because he's just kinda more actively righteous compared to horror (who likely wouldn't do much against nm) or killer (does not give a shit.) dust dies, horror likely dies defending dust and that just leaves the og killer and nightmare

nightmare is like "oh shit i just killed my workers". he'll take like a week to ponder what he did and then completely move on (because hes an ass like that.) nightmare gets another horror and dust to replace the ones he killed. and killer is just like wtf how do i deal with this. the guys i were kinda friends were are dead but their copies are right here. like he knew copies existed in the utmv but he didn't think nightmare was so willing to replace them so fast???

this killer's still adapting to the multiverse and stuff (it probably hasn't even been a year since he got snatched up!!!) and yeah hes aware that copies exist and he could get replaced by one but he didn't think that it would LITERALLY HAPPEN RIGHT BEFORE HIS EYES. so he decides to stick more around nm and avoid getting replaced like the og dust and horror because it really just hammers in the point that he's kinda useless if he speaks out like those 2. hes avoidant of the new replacements as well bc hes still new to this experience and is getting used to the whole implications of two guys that were once him and he was friends with died and got replaced by basically the same person

but they still have to work together for obvious reasons. and even if killer's avoiding horror and dust they probably aren't avoiding each other and probably are like wary friends/acquaintances. and naturally killer HAS to become okay worker buddy pals with them because hes stuck living with them. nightmare's a lot stricter and cold to avoid something like dust's rebellion against him happening again. mtt are wary of each other (mostly towards killer. horrordust are pals and killer's kinda growing more apathetic to the duo because he's already experienced a lot of the stuff before with the og two that died.) but theyre still "friends" you could say

and then perchance maybe horror and dust decide to let killer in on a lil secret theyve been cooking up. theyre planning to escape (kidnapped DUH. and nm isn't as nice as he was to og horrordust to warrent them to wanna stay) and even though they don't really trust killer theyre still letting him in on the plan and offer for him to come with them because they lowkey feel bad for him and he's really not all that bad under all the bullshit

but killer saw what happened to the og dust and horror so he says no. and the night that the duo are planning to escape he just has this overwhelming sense of dread. the next morning he wakes up to nightmare standing over his bed with a cold glare telling him of horror and dust's attempted escape and death and killer just kinda. sighs. his dread was right (he was lowkey hoping that they could escape so they didn't die like the original 2)

and then the cycle repeats. previous dust or horror or both die to nightmare or some random outside force or escape (because it has to happen eventually right??) and the pair keep getting replaced. killer keeps witnessing their deaths and replacements and at this point he's just so used to it that he doesn't even TRY to interact with the new horrors and dusts. theyre not even like real people that are getting killed and replaced like robots to him anymore they're just distant coworkers that get fired and then a new one comes to take up the position

each new dust or horror is icked out by nightmare and killer. nightmare is incredibly cold and intimidating and dictatorial and just sucks in general. and killer gives them this distant look. like he knows something they dont. he's already proven to them that he knows that they should obey nightmare and how to deal with the king and they know he's been here longer than them but even when he's not with nightmare or not talking about him they get the blank stare

sometimes when a nicer replacement of horror decides to do something nice for killer like make him a meal he just gives him that look and declines (there's already been countless different horrors that tried doing nice stuff for him. it's not new and nice in his eyes anymore.) maybe when a dust replacement gets irked by killer's apathy and decides to try and say something that'll bother him or snoop through his personal stuff killer will just walk away or kick him out of his room with that creepy ass blank stare again (it's not the first time a dust has tried to rile him up. it's not new or interesting and just predictable)

killer just doesn't CARE about the new horrors and dusts. they're all pretty much the same two guy except maybe a bit nicer or meaner or quieter or even taller or something?? all he really cares about is is serving nightmares atp, no other outside relationships. and ngl he doesn't even care that much about nightmare either. he's already figured out his thinking he's already figured out all of his likes and dislikes and what not to do to piss him off. the only reason he's still dealing with him is because he doesn't have anything else better to do and he doesn't wanna be useless to the one guy that he's served all this time

he's just kinda stuck in an empty boring limbo that killer's only maintaining due to a lack of motivation and any other priorities. and personally i just think this bad sans dynamic is lowkey tragic because like killer keeps witnessing all these guys that he used to be friends or enemies or rivals or whatever with and they just keep dying or leaving him behind. not one ever stays for THAT long (because no wayyyy a dust or horror would take being under a cruel nightmare well) and it's given him this idea that none of these people matter (aside from the important one which is nm) because they're just gonna leave me and the connections ill have formed with them will be for nothing so why even try being vulnerable and friendly and interacting with these cheap copies of the guys i USED to be friends with

[shima-draws]

Slamming my head against the wall god fucking DAMMIT I'm so in love with Sanlu I am GOING to explode.

[archdevilsupreme]

Fellow arsonists and dearest onlookers,

THIS is the reminder you needed to maybe, just maybe, remember some idiot dragging along Cazador's corpse all around Baldur's Gate (for like most of Act 3, as I kinda ran into this palace at level 9 like a fucking idiot not knowing where tf I am until I thought, oh just fuck it and go through with it now (I did die a lot...)

I would like to present the "Bag Of Death- Shenanigans" to you!

These determined adventurers swore themselves to be as fucking ✨dramatic✨ as possible.

So they started putting every corpse of their enemies in a backpack. Which they then put into their camp chest. While they do often fight about who is a worse influence on the other, they can agree on being insufferable as a team thus I need you to imagine Mazikeen (my Tav) arranging this pile of corpses while Lord Fangs is just standing by complimenting her on the creative display and giving signature sass. He's not helping. Of course he's not. Why should he, his job is to make this shit burn. He's also 15 points behind on strength compared to her. I love the thought of her moving and carrying stuff for his majesty, Lord Fangs.

But anyway.... I'm straying...

Their teammates hate them & their bullshittery, all these two wanna do is commit arson all the fucking time. You thought Karlach is starting fires? Nuh uh, it's this hellfire duo, they're just little devils, all mischief, all mayhem- all the time. I love them for this. (Tbh we all know it's just me, I'm Fãerun's most pathetic revenge seeking arsonist.)

Also Astarion very much deserved to igni the fuck out of this pile (what a weird way to spell Cazador).

Thank you for your attention, here's to having fun with fire!

[skunkes]

if life is categorized by Before Loss and After Loss then I exist in the before but with a countdown to the after. and the countdown is always always present and debilitating. the loss will be debilitating too but i cant help myself. i will always suffer twice.

[devondespresso]

i was reading a scoops era steddie au where eddie visits scoops often and one thing i noticed i alway want but have yet to see (bear in mind my fic pallette is basically just shit i see on Tumblr and occasionally reading every fic a certain author has written) is a specific scene of eddie noticing stobins missing when he goes to visit them at scoops the day theyre stuck in the bunker. cause they entered the bunker after a shift one night and didn't get out until at the soonest the next afternoon right before the mall closes so if either or both of them were scheduled to work then they'd be just... gone.

and how characters around them handle that depends on how soon (if at all) they're declared missing. did robin think they'd be in-and-out in their snooping and tell her parents shes be back a little late or did she think they'd be out kinda late fucking around and just lied to her parents telling them shes sleeping over at a friend's like how we know tina was going to cover for erica? did mrs Henderson freak out when Dustin didn't bike back home (knowing what happened with will) or did she know he was with steve and trusted that they were goofing off or something?

and usually i see Steve's parents not being home but what if they were?? they could panic because steve always has some sort of excuse for why hes gone or maybe just his mom starts worrying because while his dad never really asks about him she does and she knows hes probably not at some girls house right now because he at least would have told her. or maybe mrs harrington doesn't know her son as well as she thinks she does and assumes he is out at some girls house and is relieved hes finally getting to be more like himself.

maybe just one or two people in scoops troop are reported missing that night and maybe the search started for them is enough for the other's parents or friends to realize they're all missing. maybe none of them are because they each already had a coverup with the people who'd notice. maybe they spent a good few hours in that elevator regretting lying about where they'd be because now no one knows they're in danger and by the time they start looking it could be too late (obviously erica didn't seem to grasp this yet but shes literally 10 and it's definitely her fist severely traumatic life or death experience. for the others tho it could definitely be on their minds and i have seen a few fics where robin wonders about how steve and Dustin are reacting like they've done scary shit like this before together)

then morning comes and id give it until lunch with no calls or anything before parents who believed their kids were sleeping over to start worrying seriously. maybe they call the friend their child's supposedly with and get a confused parent saying they haven't seen them or maybe they get the friend picking up and confirming they're fine (like tina). but if Mrs Henderson gets worried and calls steve she'll either get the harringtons saying he isn't home right now or she won't be able to reach him. and knowing steves like a big brother and a best friend to dustin knows that if steve missing too he's probably at least missing with him and goes to the station worried about them both

and then theres the fact that scoops has to open in the morning, probably sometime around 10am. maybe steve and robin were scheduled to both work again and as 10am comes and passes scoops ahoy hasn't been touched. maybe some mall manager calls the scoops manager (forgive me ive never worked in a mall but i do work in a store-within-a-store and we have our own manager plus the big store manager) and asks where their employees are. if missing persons reports were filed that last night then the manager would be really worried while frantically trying to find someone to cover for them. but maybe no one knows they're missing yet and their manager is grumbling about their no-shows, maybe considering firing them for both disappearing without even calling out. depending on how much they know and if the reports were filed, whoever has to cover their shifts is either worried about their coworkers (probably moreso robin than steve because of his reputation) or utterly pissed that they both didn't show and they have to open scoops ahoy with a few hours delay and probably a good few karens bitching about being closed. or maybe one or the other was scheduled and while their no-show is really inconvenient at least someone's there to open and ask for backup

and then theres steves car still parked in the back where it was the day before. a bike left behind at the mall is less eyebrow-raising but a fancy car? Steve Harrington's car? Steve Harrington who was scheduled to work today but somehow isn't in scoops right now? is he skipping work while simultaneously wandering around his workplace? and whats worse is despite evidence being there *no one can find him*. maybe thats what it takes for people to realize hes like actually missing. maybe they think he was kidnapped, hopefully he just went home with some girl and lost track of time.

and then theres eddie. eddie whos been stopping by scoops for a while now. maybe he still doesn't really like Harrington but likes teasing him with Buckley or maybe they've gotten pretty close. maybe they're already dating. maybe eddie walks up to scoops one morning to find it closed or to find that one or the other didn't show up for work this morning. maybe he hears from the worker that ones missing or maybe they get a rant about how pissed the worker is to be opening alone. maybe he's the one to go to a mall manager or security officer worried about scoops being closed because he *knows* the people that are supposed to be there right now and they don't just abandon work at the same time with no explanations.

or maybe eddie visits in the afternoons and learns they're missing from their coworkers or maybe hes there because he saw it on the news and went on his our hunt. either way it'd probably end with Eddie looking around the mall for them because he knows steve isn't going to just abandon his beemer in a busy public parking lot. maybe he finds them high out of their minds while checking the movie theatre (this one i do see a lot and am obsessed with its so good) or maybe he doesn't find them at all (its a big mall and they are actively hiding from Russians who know they escaped. sure stobin are not being very secretive while high but dustin and erica are at least keeping them in less-discoverable locations). maybe he goes home knowing hes looked everywhere in that damn mall and assumes they're probably kidnapped and taken somewhere else (if he did find them tho that opens a whole can of worms for if, how, and how much eddie gets involved and while my brains gone down sone of those rabbit holes i don't think i will today)

and then they see the news about the mall fire. and eddie knows damn well that he looked everywhere in that mall but didn't see a trace of his friends but there they are on the news and apparently in the fire. maybe eddie assumes he didn't look hard enough. but maybe he sees how steves the only one with more than a few bruises on his legs, how despite them claiming he was trapped in rumble that also allegedly killed billy hargrove he looks like hes carrying himself on adrenaline alone and hovering around robin and the kids like something more than falling support beams could get to them. maybe its the fact that he look as shit as he did but wasn't laying down on a hospital stretcher like he would be if he just got those wounds.

_._._._

hi if you saw any typos no you didn't UNLESS theyre funny or actually concerning then you should tell me and i can react appropriately

also i swear i feel like doctor strange looking through every possible reality when i go on tangents like this. idk whenever i come up with little fics in my head or come up with different ways my favorite unfinished fics could end im always exploring as many different versions of the same scenario as i can and coming up with as many what-ifs as i can.

also i pressed the poll button by accident while making this and idk how to make it go away to we're trying just ignoring it and not writing anything in it to see if it goes away

actually fuck that it probably wont work so im adding a poll question as a treat for the people who read this far