#I don't know. how. not to do this. it's not a choice! it's not something I DO. it HAPPENS to me.

[vanteguccir]

── ୨୧ !　DRESS TO IMPRESS IN REAL LIFE

matt sturniolo x reader

SUMMARY: Where Y/N, Matt's secret girlfriend, participates in the 'Dress to Impress in real life' video.

WARNING: None.

REQUESTED?: Yes, by an anon.

AUTHOR'S NOTE: That is my work, I DON'T authorize any plagiarism, copy, or "inspiration"! | English isn't my first language, so I'm sorry if there's any grammar error.

A/N²: I added and changed some dialogs that didn't happen on the video, so the fic ended being more complete.

　　　༻✦༺ 　༻✧༺　༻✦༺

The triplets were buzzing with energy, their house a hive of activity as they set up for their newest video; Dress to Impress, real-life edition. Each round had its own theme, and the first one was Summer Vacation. Y/N had been roped into joining as a surprise guest, and secretly, Matt couldn't have been more thrilled.

The boys had already pulled out all the stops with their outfits. Chris sported a chaotic ensemble: a bucket hat with panels of clashing colors, lime green slides, and denim cargo shorts.

Matt was rocking a relaxed, dad-on-vacation vibe, complete with an oversized straw hat, patterned swim trunks, and a shirt that screamed, 'I don’t care, I’m on island time'.

Nick had gone full beach prep with a striped tank top, sunglasses that were almost too tiny for his face, and a retro cooler box tucked under his arm like an accessory.

As the camera rolled, Y/N was still getting ready in Matt’s bathroom, leaving the boy's to discuss who went better between the three of them.

"Alright." Chris said, pointing a finger at Nick’s cooler. "I’m just saying, if you don’t actually have anything in there, that’s a waste of a prop."

"It’s called committing to the bit, Chris." Nick shot back, adjusting the towel draped over his shoulder. "The cooler is the vibe."

Matt, who was adjusting his sunglasses, glanced toward the bathroom door, his face lighting up as if he could sense Y/N’s presence through the walls.

"Y/N better bring it. I know she’s got something amazing up her sleeve."

Nick rolled his eyes, looking at Matt with a boring expression.

"Why do I feel like you’re already planning to give her every win, no matter what she’s wearing?"

"Because I am." Matt replied bluntly, grinning like the lovesick puppy he was.

The door finally creaked open, and all three boys turned as Y/N emerged. She had nailed the summer vacation aesthetic, wearing a flowy, tropical-patterned sundress, bikini top below it, oversized black Prada sunglasses perched on her nose, and sandals that matched her outfit perfectly. She’d even added a straw beach bag for good measure.

"Okay, Y/N, I see you!" Chris exclaimed, clapping his hands together.

Y/N laughed, grinning widely before twirling to show off her look.

"Alright, that’s tough competition. You actually look like you're ready to spend the day at your beach house." Nick gave a low whistle, his blue eyes traveling from her face to her feet and back again. "But I'd say you're in fourth place. You're ready for the beach, not for any summer vacation."

"Fair." Y/N shrugged, take a quick peak at her outfit again before looking at Matt. "What do you think?"

Matt's eyes seemed to be shining like the whole cadence of stars, wandering through every detail of her choice of clothes.

"Are you kidding? That’s... that’s so good. You look like you stepped out of a summer vacation catalog or something." His voice sounded slightly high-pitched with excitement. "Nick's just jealous."

"What? No, I'm not!"

Chris rolled his eyes, already sensing where this was going.

"Oh, here we go."

"Like, if I saw you on the beach." Matt continued, ignoring his brothers entirely. "I’d probably just pass out. That’s how good you look."

"Okay, Matt." Nick said, holding up a hand. "We get it. Obsessive fucker."

The room filled with laughter, Y/N shaking her head but unable to hide the grin spreading across her face, her cheeks heating up.

"Right, first round? I'm second." Matt declared, gesturing toward himself. "Obviously, Y/N was first because, you know, she's Y/N." He gave her a little smile. "Then Nick was third, and Chris was fourth. That’s the average."

"Yeah, unfortunately." Nick muttered, throwing his hands up.

"Well." Chris turned dramatically to the camera and pointed. "They can vote."

Nick, not missing a beat, leaned closer to the camera, his voice dripping with mock confidence.

"Oh, I already know they’re gonna vote for me. Mine’s obviously the best. Unless..." He paused for dramatic effect, raising an eyebrow. "These girls wanna sleep with Matt and vote for him."

"What?!" Matt’s eyes widened in pure shock as he whipped his head toward the camera, looking utterly scandalized.

Y/N’s eyes flicked between Nick and Matt, her lips tightening slightly trying to suppress a laugh. It was impossible not to be amused by Nick’s antics.

She knew Nick wasn’t wrong, Matt’s popularity with their audience also had to do with his charm and, let’s face it, how good he looked on camera. There probably were plenty of girls who’d vote for Matt purely because of his looks, even if one of the other boys dressed better.

Nick continued without missing a beat.

"It’s the straight man advantage! You guys..." He gestured wildly at the camera. "Are gonna discriminate against me because I’m gay, and I don't like 'yall back."

At that, Y/N couldn’t help but burst into laughter, shaking her head.

Matt, still recovering from Nick’s bold accusation, raised a hand defensively.

"Whoa, whoa, whoa, hold on a second." He looked straight into the camera with that intense, sincere gaze that Y/N loved. "Just for the record, I’m completely off-limits. Completely."

The way he said it, firm and definitive, sent a wave of confidence through Y/N. Her lips twitched into a small smile as she crossed her arms, clearing her throat to contain her reactions, trying to play it cool.

Nick, however, wasn’t done.

"Oh, yeah? You really think they care about that?" He teased, smirking as Matt shook his head in disbelief.

Chris rolled his eyes, still laughing.

"Nick, stop trying to guilt-trip them into voting for you."

"I'm not doing anything." Nick replied with a wink, sending the group into another fit of laughter.

"Now, bring the runway on, boys!"

The camera cut to Chris, who had appointed himself the first to strut down their makeshift runway that started from the stairs.

He walked in quick steps before stopping in the center of their camera lens, dramatically fanning himself with an imaginary hand fan.

"Where did you even get the idea of the imaginary fan?" Y/N teased, laughing with the others.

"Shh, it’s part of the vibe." Chris replied, flipping his bucket hat backward with flair. He strolled toward the camera with exaggerated confidence, striking a series of ridiculous poses. "Yeah, you’re welcome." He said as he walked off-camera, leaving the other three in stitches.

Nick went next, cooler in hand.

"Get ready to witness greatness." He said, lifting the retro cooler above his head like it was the Holy Grail, showing it off.

"You go, queen!" Y/N cheered, nodding her head while watching him.

Nick smiled brightly, placing it down carefully and reached for the towel draped over his shoulder, unfolding it with slow, deliberate movements. Too slow.

"This is taking forever." Matt groaned, crossing his arms.

"Nick, it’s been 30 seconds. Just lay the towel down!" Chris yelled.

Nick ignored them, carefully smoothing out the towel on the floor, his face the picture of focus. Once he was satisfied, he walked down the "runway", throwing some expressions to the camera before almost gluing his face to the lens, taking his glasses off.

"Iconic." Y/N said between laughs.

"Thank you, thank you." Nick replied, bowing before dramatically kicking the towel aside as if to signal the end of his performance, his right hand fanning himself as the last act.

Matt was up next.

"Alright, let me show you how it’s done." He said confidently. Grabbing his sunscreen, he opened the cap and squeezed a dollop onto his fingers, dabbing it on his cheeks like football player stripes.

"Well, you gotta stay protected, I guess." Y/N muttered, smiling with how Chris was rooting like crazy.

Laughter escaped her lips as Matt sauntered toward the camera, showing off the sunscreen like it was a designer handbag. He struck a confident pose, holding the product up, before walking back off the camera with an over-the-top smile.

Finally, it was Y/N’s turn.

"Your move, Y/N." Nick said, gesturing grandly toward the imaginary runway.

"Alright, alright, give me a second." She said, thinking fast.

She reached into her straw bag, pulling out the pair of oversized sunglasses that she had thrown there at some point, dramatically placing it on her face. Then, grabbing a small beach towel she had tucked inside the bag, she draped it over one arm like a sash.

"What’s happening here?" Matt asked, intrigued.

Y/N strolled onto the "runway" with slow, exaggerated movements like a madame arriving at a five-star resort. Halfway down, she pretended to feel the heat, pulling an actual bottle of water from her bag and taking a sip before fanning herself with her hand.

"It has to have the fan move!" Nick applauded, grinning to the scene before being interrupted by Chris’s comment.

"Of course, I created it."

At the end of the runway, Y/N stopped, tossed her sunglasses off dramatically at the ground, and struck a ridiculous pose with one hand on her hip and the other shielding her eyes as if she was shielding her face from the sun.

"That was solid!" Chris exclaimed, clapping.

Matt, meanwhile, was in awe, hands on his head.

"Are you kidding? That was really good. A thousand points. Game over. Y/N wins. Everyone go home."

Nick scoffed.

"Matt, stop simping for two seconds so we can keep this contest going."

"I’m not simping." Matt argued, clearly lying. "I'm just stating facts."

"Shut up, Matt."

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For the Mix-Matched Madness theme, the camera panned to the boys standing in a line, proudly displaying their chaotic ensembles.

Chris was clad in a bright red varsity jacket over a striped shirt, camo pink shorts, and mismatched knee-high socks with chunky boots.

Matt decided for plaid shorts layered over one plaid pant leg, a pastel blue and yellow sweater vest, and a floppy dog-ear cap.

Nick went to a plaid jacket layered over a striped shirt with a perfectly coordinated tie, and matching sweatpants and sneakers.

"Guys, I’m clearly superior." Nick started, raising his eyebrows as he adjusted his glasses. "My outfit is actually intentional, look at this synergy! It screams fashion-forward."

Matt groaned, rolling his eyes and looking at Chris with a 'is he serious?' expression.

"Nick, you’re wearing matchy-matchy plaid in a mix-matched challenge. You’ve missed the assignment!"

"It’s ironic." Nick shot back, crossing his arms. "I’m doing intentional matching. If I were in a real runway right now, people would actually like my outfit."

Chris scratched his head, looking between them.

"Isn’t that kind of cheating, though?"

Before the debate could escalate further, Y/N stepped into the frame, causing all three boys to give her their attention.

Her outfit was next level: a bright purple sequined crop top paired with one lime green legging on her right leg and a fluffy, neon orange sock on the other. She wore a skirt made of layered, clashing floral patterns that didn’t quite match the fuzzy checkered cardigan she threw on top. To finish it off, her accessories included a leopard-print beanie - the one she stole from Matt's closet -, oversized sunglasses, and two entirely different shoes, a silver stiletto on one foot and a Croc on the other.

The boys gawked.

"Okay, now that’s mix-matched madness." Chris said, pointing at her.

"Girl, you look like you fell into a thrift store... and it worked." Nick added, looking both impressed and slightly annoyed.

"How can you still look so good while wearing... that?" Matt asked, pointing at her outfit with his hand while shaking his head in disbelief.

Y/N twirled dramatically, holding out her skirt as she grinned at the camera.

"Thank you, boys. I like to call this 'chaos with confidence'." She invented the random name, throwing a quick kiss to the lens.

Chris threw his hands up.

"Alright, I’m officially placing second now."

Nick groaned, shaking his head dramatically.

"No way. She’s great, but I’m still winning. Look at this tie!"

Matt laughed.

"Nick, your tie doesn’t save you from breaking the theme. You’re disqualified."

The scene cut to the "runway", where each of them showcased their chaotic outfits with an equally chaotic performance.

First up was Nick. He confidently strutted forward, reaching for the end of his tie. With exaggerated flair, he lifted it as if someone were pulling him forward, his face a picture of mock shock and drama, stumbling forward.

"Ey, keep going!" Chris hollered, nodding enthusiastically.

The moment he reached the end of the runway, he grinned mischievously, running his hand dramatically through his hair and tossing a sultry look at the camera before taking off his pink glasses.

"Work it, Nick!" Y/N chimed in, her laughter mixing with the chaos.

Nick turned on his heel with a laugh, sauntering back to the start and throwing a praying gesture, ignoring how Matt laughed, mockingly imitating his act.

Next, Matt stepped up, adjusting his floppy dog-ear cap before suddenly spinning it backward.

"Showtime." He muttered under his breath, earning immediate chuckles from the others. He walked to the camera with a cocky stride, crossing his arms and bending slightly to the side.

For the final move, he pivoted and moonwalked his way back to the start, nearly slipping on his mismatched shoes but recovering with a grin.

"Did you see that? Effortless." Matt declared, earning boos and laughs from the rest.

"You almost ate it, Matt." Y/N teased, shaking her head.

Chris stepped up next. And, of course, he brought drama.

"Hold my jacket." He said, then immediately shook his head. "Actually, no. The floor will."

With exaggerated aggression, he ripped off one of his red lobster gloves, throwing it to the ground with flair. The glove was followed by his belt, which he unbuckled and tossed with equal energy.

"Oh my God." Y/N looked at the camera with wide eyes.

"What is happening?" Nick cackled, practically doubling over, slapping Y/N's arm.

Chris wasn’t done. He walked up to the camera with an intense expression, holding his hands out and touching the screen, acting as if zooming in.

"Enhance." He said, squinting into the lens. Then, as if the camera wasn’t worthy, he spun dramatically on his heel, walked back, and threw off his varsity jacket mid-stride before striking one final pose.

"Now that’s how you do it." Y/N joked, looking at the camera. "Like and subscribe if you want Chris to make a strip tea-"

"Y/N!"

For Y/N's turn, she adjusted her oversized leopard beanie with a dramatic flair and tilted her sunglasses low on her nose, revealing a dead-serious expression underneath. She strutted forward slowly, dragging her stiletto along the ground for added effect. When she reached the camera, she whipped her head to the side, making her orange fluffy sock the star of the moment.

But it didn’t end there. Y/N suddenly crouched down into a deep squat, raising one hand in the air and striking a pose like she was ready to pounce. The boys immediately broke into cheers and laughter.

"Yes, queen!" Nick shouted, jumping in the place and clapping, laughing loudly.

"She nailed it." Matt said with a proud grin, nodding his head.

Y/N slowly stood, turning to the side as if the camera had disappeared, and walked off like nothing had happened.

"Thank you." She said nonchalantly, tossing her hair over her shoulder as the others applauded.

"Alright, I officially retire." Nick said, throwing his arms to the air in a surrender gesture.

"Same." Chris picked up his lobster glove from the floor, grinning.

Matt sighed, smiling at Y/N's figure.

"She’s unbeatable. Let’s not do these challenges anymore if she’s in them."

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The scene cut to the next category: Rock Concert. The boys had gathered in front of the camera, each flaunting their edgy outfits.

Chris leaned casually against the wall, dressed in all black with his bandana tied around his head. His sunglasses were perfectly placed, and a Bluetooth speaker hung over his shoulder like a statement piece.

"Clearly, I’m the embodiment of rock concert aesthetic." He said confidently, adjusting his speaker strap.

Nick crossed his arms, giving Chris a side-eye. He was sporting his long-sleeved shirt adorned with skulls and intricate spiderweb patterns paired with black cargo pants and chunky boots.

"Please." Nick retorted. "I’ve got literal death on my shirt. That’s as metal as it gets."

Matt, standing in the middle, smirked. He wore a black leather jacket over a white shirt, complete with a silver skull belt buckle and leather pants that practically screamed rockstar.

"Yeah, but have you seen my belt?" He argued, lifting his white shirt slightly to show it off. "This is peak rock concert material. I even coordinated it with my jacket."

"Okay, but who do you think the crowd would look at first?" Chris challenged. "The guy with the bandana, all black, and sunglasses? Obviously me. The speaker only makes it better."

Nick rolled his eyes.

"You look like you’re trying to be a cool dad sneaking into a concert." He teased.

"Alright, alright." Y/N interrupted from off-screen, stepping into the camera frame and effectively stealing the show.

Y/N’s outfit was on another level. She wore a black 'Bon Jovi' cropped top with silver detailing that matched the chains on her leather mini skirt. Fishnet tights peeked out from under the skirt, leading down to a pair of knee-high combat boots that added an extra edge to the look. To top it off, she wore a cropped leather jacket with studs on the shoulders and accessorized with chunky silver jewelry and a black choker.

The boys fell silent for a second, staring.

Y/N smiled brightly at them before turning to the camera, raising her right arm and making the 'rock and roll' gesture by raising her pinky and index fingers and lowering the others.

"'Cause we all just wanna be big rockstars and live in hilltop houses driving 15 cars..."

"Girl, what the fuck?" Nick widened his eyes, looking from Y/N to the camera with a look that screamed 'are you guys seeing this?'

Matt laughed loudly, recognizing the song from one of the TikTok trends that Y/N had been obsessing over the past few weeks, being quick in imitating her position, and starting singing with her.

"... the girls come easy and the drugs come cheap, we'll all stay skinny 'cause we just won't eat-"

"Okay, that's enough of that." Chris interrupted the pair, gesturing to them while shaking his head in disbelief. "So, Y/N wins."

Nick groaned dramatically.

"Let's take her out right now. I don't wanna play with her anymore."

Matt couldn’t stop smiling.

"Can we just talk about how she’s nailing this? Like, can we get her to join the band we don’t have?"

Y/N laughed, giving a mock bow.

"Thank you, thank you. Now, let's just be clear, I already won." Y/N said with a sly grin, stepping forward. "You'll all lose time if you keep discussing who's the best between you three."

"How can you be so sure?" Chris crossed his arms, carrying a superior instance.

"Because I actually listen to rock." She said, shrugging like it was obvious. "AC/DC, Bon Jovi, Kansas, Asia... should I keep going?"

Nick groaned.

"Okay, that’s true, but it doesn’t count!"

"Doesn’t count?" Y/N repeated, feigning offense. "I think you’ll find that the fact I actually know rock makes me the winner by default." She turned to Chris. "Tell me. Have 'yall even listened to ‘Highway to Hell’ all the way through?"

Chris hesitated, playing with his earphones.

"Uh... I mean." He looked at Nick. "Probably?"

Y/N laughed, shaking her head.

"Thought so." She crossed her arms. "So, I don’t need a skull belt, all-black everything, or death on my chest. I’ve got the actual music taste. Rock is in my veins, boys."

Nick groaned dramatically, throwing his head back.

"She wins. I hate it, but she wins."

"Alright, fine." Chris muttered. "But we still look better."

"Not a chance." Y/N teased, spinning in place again and winking at the camera. "This outfit screams rock goddess."

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The boys were now proudly sporting their "Zoom Meeting" outfits. Chris held up his MacBook, Matt adjusted his glasses with a goofy smile, and Nick tugged at his black tie, looking down at his bright heart-shaped boxer shorts with fake professionalism.

"Alright." Chris started, addressing the imaginary Zoom meeting in front of him. "Gentlemen, let’s get to business. As you can see, we’re all clearly dressed to impress."

"Except for Nick." Matt teased, nodding toward his brother's boxer shorts. "The hearts? A little too much, don’t you think?"

Nick scoffed, feigning offense.

"Excuse me, at least I have this tie that says I’m both professional and emotionally available. A winning combo."

Matt rolled his eyes and gestured to his own look.

"Meanwhile, I’ve got balance. Business on top, relaxation on the bottom."

"That’s literally the whole theme." Chris pointed out with a smirk. "You’re not special, Matt."

Y/N watched from her spot leaning against Matt's bathroom door, her legs crossed as she sipped from her mug of coffee that she made while waiting for them to get ready. She was dressed comfortably yet stylishly, rocking an oversized beige knit sweater that draped perfectly off one shoulder, paired with black leggings and fluffy white socks. Her hair was tied up in a loose bun, with a few strands framing her face. Despite the boys' chaotic energy, she was nailing the whole "effortlessly cool" vibe.

"Y/N, you’re way too cozy for a Zoom meeting." Chris said, pointing at her as he adjusted his loose white shirt.

"Well." Y/N said with a playful grin. "Unlike you guys, I know how to mix comfy with class. You all just look ridiculous."

Nick gasped, dramatically clutching the box in his hands.

"Ridiculous? Ridiculous?! Look at this tie! I’m the epitome of professionalism!"

Chris leaned toward Y/N, pointing at Matt.

"What about him? He’s literally in boxer shorts."

Y/N rolled her eyes, sipping from her mug to hide her smile.

"You're all wearing it, dumbass." Her eyes lingered on Matt's red boxer shorts for a moment too long. "It’s really interesting that someone would think boxer shorts are appropriate for a Zoom meeting, actually."

Matt smirked, striking a random pose.

"Are you jealous?"

"No?" She said quickly, shaking her head. "I mean, it’s not like anyone else on the Zoom would see them, right?"

The other two brothers caught on instantly, grinning like Cheshire cats.

"Y/N." Nick teased. "Are you saying you wouldn’t let your Zoom co-workers see your boxers?"

"Nick!" She exclaimed, throwing an exasperated look at him. "That’s not the point!"

Chris chimed in, laughing.

"Yeah, Matt. She’s definitely jealous. She wishes she could wear boxers to a meeting."

"I do not!" Y/N huffed, crossing her arms, though a smile tugged at her lips. "I just... don’t understand why he’d even bother wearing the shirt if he’s just going to go full casual anyway."

"It’s called commitment to the aesthetic." Matt said, walking over to her and placing a hand on her shoulder, discretely squeezing the exposed skin. "Something you clearly wouldn’t understand."

"Oh, I understand commitment." Y/N shot back with a smirk, meeting his eyes momentarily. "But let’s be honest, none of you are winning any awards for those outfits."

"Excuse me?" Nick said, pretending to be outraged. "I’m clearly the winner here."

"Winner?" Chris scoffed. "You’re wearing socks pulled up to your knees, bro. That’s not even close to a win."

Y/N chuckled as she watched them descend into a full argument over who had the best Zoom look, but she couldn’t stop her gaze from flickering back to Matt’s outfit. Something about the casual confidence he exuded - boxers and glasses - had her feeling just a little possessive and turned on.

"Alright." She announced, clapping her hands to get their attention. "If you’re all done arguing, let’s see who can really sell their look with a runway walk."

The boys' faces lit up, and they quickly got into character.

Nick was up first, confidently sliding across the wooden floor in his socks, arms spread wide like a figure skater. As he came to a stop, he reached for his boxer shorts and dramatically lowered them until they hit the ground, shouting a little "Oh!".

Matt immediately yelped.

"Nick!" He yelled before lunging forward to cover Y/N's eyes with both hands.

"Matt! What are you doing?!" Y/N laughed, trying to swat his hands away while Chris doubled over in hysterics.

"Protecting your innocence!" Matt declared, keeping his hands firmly over her face.

Nick, unfazed, quickly pulled his boxers back up and began walking toward the camera with exaggerated confidence, tugging at his tie and making ridiculous faces as though he were a real model.

"You’re unbelievable!" Chris murmured through his laughter, wiping a tear from his eye.

"Well, we've got 2 strippers now-"

"Y/N!"

Nick turned dramatically to face her and winked.

"You’re welcome for the show."

Next, it was Matt’s turn. He walked to the middle of the floor, cracking his knuckles with a sly grin before suddenly dropping to his hands and knees.

"Uh, Matt?" Y/N asked, raising an eyebrow.

"What...?" Nick added, genuinely confused.

Then, without warning, Matt lifted his left leg to the side like a dog at a fire hydrant.

The realization hit everyone at once, recognizing the movement from one of the rounds of DTI that Matt and Chris played, and the room erupted into cheers and laughter.

"That was perfect!" Chris shouted, clapping his hands.

Matt stood up, brushing imaginary dirt off his shirt with a smirk, and walked toward the camera with crossed arms, striking a serious pose like a model in a high-fashion commercial.

"Okay, that was actually cool." Y/N admitted, giggling as he walked back to join them.

When it was Chris’s turn, he shook his head with a grin.

"I’m sitting this one out." He said.

"What? Why?" Nick asked, incredulous.

Chris shrugged.

"I’m already the main event. I’ll let Y/N steal the spotlight this time."

Y/N’s eyebrows shot up.

"Oh, so now I have to go?"

"You got this!" Matt encouraged, nudging her toward the runway.

"Fine." She said, standing up and straightening her oversized sweater dramatically.

Y/N walked off the camera and took the book she'd been reading the past few days from the coffee table, walking back to the frame before delicately putting it on her head like a balancing act. She strutted confidently toward the camera, balancing it all the way, then stopped to pull out her mug, striking a victorious pose before taking a slow, exaggerated sip. The boys erupted in applause.

"You can call me Barbie now." She started, turning to the boys while opening a wide smile before pretending that her hand was a microphone. "On top of the world where I can see everything before me reaching up to touch the sky-"

"Okay, singer girl, pipe down a bit." Nick raised his right hand, exchanging perplexed looks with Chris, who was laughing.

"Okay, she wins." The youngest admitted, shrugging in defeat.

"Unreal." Matt said, looking at her with obvious pride. "You’re way too good at this, Y/N."

"Okay, okay, she wins. No one can top that." Nick nodded at Y/N. "But I think Chris gets second place in this one."

"No, I give you number one." Chris insisted, pointing to Nick while Matt just observed.

"I can't accept that. I'm just happy Matt's wearing his blue light glasses again." Nick's voice turned dramatically high-pitched, clearly imitating the fandom.

Before anyone could react to him, Matt ripped his glasses off of his face, bending it backward until it snapped, small pieces flying everywhere.

"Matt, why would you do that?" Y/N yelled, looking at him with wide eyes and open mouth - just like the other two - before pouting, looking miserably at the shattered pieces. "I liked that one."

"I don't like those stupid jokes." Matt simply replied, looking unfazed at his brothers and Y/N.

Nick and Chris kept looking from Matt to the camera and back, their expressions full of shock.

"You're going to buy another one just like that one, I don't even care." Y/N ordered, crossing her arms and looking directly at Matt, raising her eyebrows as if to say 'dare disobey me.

"Fine." He sighed. "Sorry."

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Extra - comments:

"okay but can we talk about matt literally saying ‘I’m off limits’? someone tell me what’s going on here 🤡"

"nick casually calling out matt girls for voting on matt only bc they want to sleep with him had me SCREAMING 😭"

"why was Y/N blushing when matt said he was off limits? I SEE YOU, GIRL!!!!"

"the dynamic between Y/N and matt is giving major dating vibes"

"wait, why does matt always seem to hype Y/N up just a little more than chris and nick? like, we get it, dude. she’s awesome. but tone it down, or we’ll all start connecting dots 🤨"

"as a fellow rock fan, I have to say Y/N listening to AC/DC and bon jovi automatically makes her my fave"

"not Y/N convincing matt with zero effort to do the rockstar trend with her 🤧"

"I’m not saying I ship Y/N and matt... but I also kind of ship Y/N and matt. the way he looked at her with that dress??? man, I know that look"

"matt breaking his glasses and then Y/N ordering him to buy another one and him ACCEPTING IT???? and saying sorry???? omg that's just girl boss right there 🙏🏻"

[batmanisagatewaydrug]

big question. i'm cis (afab) and my gf is trans (amab) and i'm sorta having a hard time reconciling something. i've been a hard line feminist since i was about 8, by 12 i was a practical library on everything and anything womens lib. i'm spending a lot more time around trans people especially my gf now and i'm sorta struggling to reconcile the trans experience with my feminism. like- i'll see trans women being like "i hate my body :(" "my voice is awful" "i need [x thing to try to pass] ugh" and like my first thought is always "NO! THATS HOW THEY FUCKING GET YOU!!! THE PATRIARCHY WANTS YOU TO HATE YOURSELF SO YOU ENSLAVE YOURSELF TO CAPITALISM AND LIVE IN A CONSTANT STATE OF NEED FOR NEW PRODUCTS TO WARD OFF THE EVER PRESENT SELF HATRED BROUGHT ON YOU BY SOCIETY" and they go "well then how do i pass/transition?" and i honestly don't know and i also don't know how far it goes before its no longer dysphoria but instead the intentional subjugation of women by patriarchy for profit. i wanna help my fellow ladies but i honestly don't know how to like- apply the feminism i was taught as a child to trans women and i want to learn as soon as possible so that i can start doing it like yesterday

hi there,

I'll be honest: if it feels hard to apply the feminism you learned as a kid to your trans friends, that's probably because the feminism you were taught didn't have trans woman in mind.

luckily, the answer to this is something that I consider to be feminism 101: what a woman does with her body is, ultimately, her fucking business.

listen: I agree with you that the beauty industry(TM) is evil. it's misogynistic, it's exploitative, it thrives by making women feel bad enough about themselves to make them spend money on shit they don't need, etc. we all know this.

now, having said that: women who like makeup or wear heels or get laser hair removal or whatever other asinine thing are not my oppressor, nor are they my enemy. dare I say, we have bigger problems.

we also need to consider that many trans women are coming to these choices from a VERY different place than many cis women are. while I think my fellow cis women really benefit from reminders that they're allowed to stop shaving or wearing eyeliner or dieting or whatever, that's because most of us have had those actions forced on us from very young ages and may genuinely need a hand to feel secure breaking out of those behaviors.

the majority of trans women are not coming from a background where they were encouraged to partake in the same personal grooming habits and modes of presentation as cis women; many of them have, in fact, been ostracized, bullied, threatened, and otherwise hurt because of forays into forms of presentation that are considered feminine. no matter how good your intentions may be, approaching your advice indelicately can, unfortunately, make you come across as no different than any transphobe on the street trying to enforce cisnormative societal expectations. it also must be said that, for many trans women, the ability to "pass" is a matter of security - for having their status as women recognized at all, and to avoid harassment and abuse in public spaces. if you live in America, like I do, politicians in power currently have an extremely explicit anti-trans agenda that can make it harrowing to be visible as a trans person, and trans women in particular are frequently targeted for violence.

there are absolutely critiques to be made the way the many trans women are expected to perform hyperfemininity. the notion that someone is duty bound to drastically change their appearance in order to transition at all is itself extremely rooted in cisnormativity, and "passing" is often contingent on being young, thin, able-bodied, reasonably wealthy, and hewing as closely to Eurocentric standards of beauty as possible. that's not awesome! but that's also not the fault of any individual; no trans person asked to be born into a world where gender norms are so narrow and failing to pass can come with a very real risk of physical danger.

also, if I can circle back to this: again, women who participate in aspects of the beauty industry are not our enemies. there are always going to be some number of women who enjoy doing their makeup or like spending time fussing over their little outfits or want breast implants or whatever. some of those women are going to be trans. my official feminist stance on this is that I don't give a shit, because I believe in bodily autonomy even when it involves things I would not do personally and the choices that individual women make about how they want to style their little meat body don't even crack the top 100 things that I'm worried about right now. it's actually kind of vitally important, politically, that trans people be able to safely pursue their preferred gender expression; while it's not particularly revolutionary for a cis woman to go outside all dolled up, whether a trans woman can do that safely is a pretty basic litmus test for how safe a given space is for queer people. it's a ridiculously low bar, and many places will still fail to clear it.

so, yeah, I don't know, dude. be there to talk to your trans girlies if they want to start unpacking some of the pressure they feel to conform to a very rigid idea of womanhood, but whether or not they can walk down the street in your neighborhood safely is a WAY bigger issue than whether they decide to do voice training or not.

if you really want to cut to the root of the insecurity and vulnerability that the beauty industry thrives on exploiting, your time is much better spent working to ensure the trans women in your life feel safe and supported and have a community where they can find support regardless of how they look.

necessary disclaimer I'm a cis girl, any transfemme folks please share your voice here and feel free to clap my ass if I've said something out of line.

[smollsmule]

Ok my queue spit this out after I saved it for later, so let me add some nuance here. Because this is a very importand issue, actually.

Of course nobody is prohibited from readin the books they enjoy. Hell, I like me some easily digestible fluff too! Some of my favourite book series are ya (and genuinely great books despite being “easy to read”).

There is something to be said however about limiting yourself to only engaging with that level of difficulty in reading. And before you come at me, I know that many people don't read at all and to many others reading is simply a hobby to unwind after a long day, where they just wanna turn their brain off and have some fun. Which is a totally fair reason to read. BUT. Reading (or more broadly, literacy) will never be just that. You live in an age of (mis)information and you WILL be confronted with texts (speeches, video clips, what have you) that are hard to dissect. Especially the ones that don't seem like it at first glance.

Media literacy is not only about how quickly you can summarise a paragraph or being able to pull quotes to show how maybe a character could be read as queer (although both of those things are a very good indicator of having advanced literacy). It's the VITAL skill of filtering and assesing information presented to you before so you can make an informed choice to internalise or discard it. It's being able to understand the information in the first place by grasping a complex thought presented to you in writing or in a speech because the simple truth is that not all truths are simple.

Media literacy gives you the ability of identifying that someone is trying to make you believe something and parsing why they're doing it by identifying the tools they are using. Which means you also need to know the tools they have at their disposal. It also means being able to connect points brought up before in the same or different texts to see if there is inconstencies or leaps in logic or if the argument someone is making only looks good because they use big words and a sentence structure that “feels” smart, but actually falls apart as soon as you poke at it a little.

Forgive me sounding alarmist, but if you can't read at that level people who have these tools WILL have power over you and you won't even have the tools to notice that they do. Even if people are not actively trying to harm or manipulate you, if you're unable to engage with their ideas you will get left behind in certain vital discussions and that not only feels like shit because everybody gets it but you, but it also again makes you incredibly vulnerable to those who do have bad intentions!

Now does that mean you only get to read Proust from now on? Of course not! I still do believe that a piece of literature can directly and fundamentally change your life. I know it has for me. However, that is a personal opinion and it doesn't mean I can force anyone to engage with deep philosophical manifestos on what it isto be human in this world. And even less that I want to do that, despite me thinking that literally ANYONE could benefit from reading that kind of thing. But you NEED to be able to read complex texts outside of your comfort zone for honest to god survival. I am so fucking serious.

And, hey! The good news is that this is not some secret mystical power you either get blessed with or not. It is a skill you can train, by reading challenging material. Books with more complex sentence structures, more nuanced ideas or arguments. Books that force you to think about them. I hate to say it but the only way to get better at reading is to read. It doesn't have to be fiction but i will be very real with you, I doubt that - if you're putting down a book because it's unreadable to you based on the chosen perspective - you'll be the type to pick up scientific essays or anything like that.

Don't cut yourself off from vital skills by locking your mind in a box. You are capable to handle those more complex texts, and I'd wager you'll even enjoy it once you find your niche (yes! you still get to have preferences!). You just need to give yourself a chance to learn.

[felassan]

David Gaider on Kieran, under a cut for length:

"CHARACTERS - DAY TWO: Kieran (Technically this is an addendum to yesterday, but I make the rules here so nyah!) Heading into DAI, I had a bite-sized problem on my hands. I knew Morrigan would feature. I also knew we were importing previous choices. So now I had to contend with: the Old God Baby. Here's the thing about honouring previous game choices, from a design perspective: it's a sucker's game. What many fans picture, when you mention it, is divergent *plot* -- the story changes path based on those major choices. How exciting! But you will never be able to deliver divergent plot. You can deliver flavour differences (usually in the form of divergent dialogue), character swaps (character X appears instead of Y), and extra content (such as a side quest) -- but plot branching, particularly the critical path? It's a question of resources, and there's never enough to go around. "Here Lies the Abyss" in DAI was about as good as it gets, and even that was a far cry from how I originally pictured it (hello last-minute insert of Stroud when a DAO Warden import got cut). The Old God Baby was one of the main choices from DAO -- Morrigan has a baby? With the Archdemon's soul?! Most DAO players who flagged that choice surely expected *monumental* consequences. World-shaking consequences! And we talked about it. We did. There were, like, three different designs of the DAI ending where OGB Kieran could cause complete divergence: new path, cutscenes, the whole nine yards. But it wasn't going to happen. It was a decision from *two games ago* that only a small minority (hello telemetry) would even choose. To the rest, they probably neither knew about it nor cared... so how many resources could you invest? To do what? Set up an even bigger divergence for the NEXT game? The other writers acknowledged my anxiety with a grim nod every time it came up, but they had no solutions. Finally, I realized there WAS a solution, and that was changing how I thought about the choice: don't make it about Kieran. The players don't know him, never have. Make it about Morrigan. Thus began a feverish three days where I wrote probably the most complicated scene of my career: Morrigan's reckoning with Flemeth in DAI and the fallout after. Three different versions (OGB Kieran, non-OGB Kieran, and no Kieran), each with branching for other choices (like the Well of Sorrows). I did it all at once. There was no other way to wrap my head around the complexity of it. It was also a tough sell to the team, considering the amount of cinematics work, but they agreed we had to do *something*. And still it felt... underwhelming, insofar as divergence goes. But it was also good. I remember when I first spoke with Claudia, about how this was Morrigan's story. This was about how motherhood had changed her, how she'd grown up. Claudia got a bit teary-eyed. It was a journey she was familiar with, she said. Her first son, Odin, had been born in 2005 not long after DAO came out. And, man, she killed with that performance! Kate, too, but I'll get to her later. Claudia dug down, and that scene where Morrigan tells Flemeth she'll never be the mother Flemeth was to her? That came from someplace very raw. It was devastating to witness in the booth. There were tears all around. Not long after, Claudia called and asked if maybe - just maybe - Odin could play Kieran? He was a bit young (not yet 5, then), but it felt... right? We agreed. Claudia was in the booth, gently coaching him through his lines, and I think that was the first moment I felt I'd done the right thing."

[source thread]

User: "Do you find it an odd choice that Kieran hasn’t been mentioned at all in Veilguard?" David Gaider: "If there’s less reactivity in DATV, I’m unsurprised. Continuing choice from up to 3 games earlier is… unsupportable. Yet DA established the expectation they would so… damned if you do, damned if you don’t?" [source]

User: "EA is one of the biggest game companies ever. I don't think more complex diverging plots are impossible." David Gaider: "Well, if only more writing was all it took. Sadly, it's also cinematics. Art time for all those reappearing characters you probably want to look *just* right. And let's not forget we have to test all those permutations! So I don't disagree with you in spirit, but I don't think it's the answer here." [source]

User: "is there a possibility of future kieran appearances in a book or something similar outside of the games?" David Gaider: "I'd have no way of knowing that." [source]

User: "I’m actually shocked so little people chose the dark ritual. That was basically the main reason Flemeth sent Morrigan with the wardens, no?" David Gaider: "The impression you get of what "most" players do - in almost any game, not just DA - is very different if you're online a lot. Consider here that it's not just the % of DAO players who chose the Dark Ritual, it's the % of DAI players WHO PLAYED DAO and cared to import that choice 5 years later." [source]

User: "Is there anything you wish you had done differently, in hindsight?" David Gaider: "Probably just to not ever do importing choices between games in the first place." [source]

User: "Kieran only existed in my DAI state b/c Morrigan as a mother really appealed to me. I wasn't expecting to be devastated by those scenes 😭 I guess when we complain about lack of consequences from prev choices in DAV we must also ask how MUCH are we willing to pay for those branches to exist?" David Gaider: "That's indeed it. Content directed towards reactivity would have to come from somewhere else. So essentially a shorter game overall for the sake of those hardcore fans who'd import - who would, I imagine, REALLY enjoy that... but it's a tough cost/benefit analysis to make." [source]

User: "mr gaider im gonna keep it real with you if i had to choose between my hof and hawke i would've simply passed away" David Gaider: "Right? That was the ENTIRE idea! I was very excited, and for a while it seemed possible." [source]

User: "This has been a very interesting read but I have to ask why they decided to use Stroud instead of the HoF" David Gaider: "1) Complexity of providing means for a player to build a Warden (which they did in DATV for the Inquisitor). Also spoiled the surprise. 2) We’d have needed to give the Warden a voice. Add these to the cost and it was deemed not worth it." [source]

User: "Genuine question, not a critique - but what made the OGB decision one that couldn't be handwaved as canon no matter what was or wasn't chosen? Leliana and Flemeth being around no matter what come to mind. Was OGB simultaneously too major and too minor of a decision?" David Gaider: "Flemeth and Leliana being alive were easily explainable, and we knew we were doing it even back then. Circumventing the Dark Ritual… that would be too cheap. We did talk about it, but it just felt too dishonest. Too high a price for what we’d get in return." [source]

David Gaider: "If I’d known the Well of Sorrows would only see reactivity in the confrontation with Flemeth, I’d probably have made a much bigger deal of it." [source]

David Gaider: "We could maybe have gotten past the need to "reconstruct" the Warden, much like the Inquisitor was reconstructed in DATV (so I understand), but the need to give the Warden a voice was the final nail. Too potentially disappointing for the very people who'd be excited about it, aside from the cost." [source]

[alchemistc]

Buck's halfway through his third cup of startlingly bad coffee when Josh pushes the door to the breakroom open, looking mildly concerned in the half second before someone else looms over his shoulder.

He's too numb to do much more than take another sip of coffee as he watches Josh usher Tommy in.

The door clicks shut behind him. Buck wonders for a moment if Tommy's ever actually been to the new dispatch headquarters before. If he ever went to the old one, charming grin on his face while he waited for Abby to finish up so he could take her out, drive her home while her car was in the shop - but no, Tommy would have worked on it himself, maybe.

Had Josh recognized him, that first time, with half of his soot on Buck's face, and just never said anything?

The silence is tense. They're in a fishbowl, no room to lash out even if either of them wanted to because more than half the people working in this place can see them if they just tip their head to the side.

"How can I help?"

It's - his voice is strained, scared, worried. Buck doesn't have a single guess as to how he knows. Maybe Bobby. It's the only person he can think of who would have -.

Buck snorts. "I rebounded with a serial killer who just kidnapped my sister and my baby niece or nephew. I don't - I'm not sure what you want."

He glances up just in time to see the end of Tommy's grimace. Good. He's not sure how much more disastrous of a choice he could have made to try to get Tommy out of his system, but at least it hurts him to know. At least...

"Do you want me to go?"

Buck can't remember anyone asking, before. Usually they just... leave. Get up, walk out, disappear. Tommy bubbled Buck five times in three months. Buck went through seven bags of flour before he drove Eddie to the airport.

His voice shakes on his "No," and Tommy is there, all of the sudden, his hand hovering just over Buck's shoulder, like he realized halfway there it might not be welcome. "Do you still think I need to keep looking for someone better than you?"

It'd been seeing Tommy out with a guy that'd prompted him to stop fucking baking and make an effort to just...get over it But with Eddie away, and the rest of the 118 so wrapped up in their lives, there weren't a whole lot of outlets for that. And it's been easy to willfully misinterpret Tommy's breakup speech. Or - interpret it in the most hurtful way possible.

"Is this what you want to do right now?" Tommy asks, even and measured. "Will this help?"

"I want my sister back!"

Tommy takes a step back. His hands shift to his pockets, and Buck just wants -

"Why are you here?"

He tips his head up. Holds Tommy's gaze. Tommy flounders in a way Buck's never seen before.

He looks - tired. Good. White Henley under a flannel Buck had always told him brought out his eyes. The jeans Buck had stolen once or twice because they made his ass look good. His hair's grown in at the sides, and the sprinkling of greys are more obvious than the last time he'd seen it this length.

"I just... didn't want you to be alone."

Tears threaten at the corners of his eyes. He wants to laugh, but he's terrified if he starts he won't be able to hold in the fear. "When did that change?"

Tommy gnaws on his cheek. "You have so many people, Buck. You have -."

"I don't want emotional repression Tommy here, so if you're just here to keep me distracted until someone else can be here you should just... go."

Something flashes in his gaze. Anger, maybe. Terror.

"Please let me stay."

It hurts, to hear it. It hurts to hear the trepidation in his voice as he says it. Buck just wants to pull him in, tuck his face into the curve of his neck, soak in the warmth of his arms.

Buck spends too long staring at his knees. Long enough for Tommy to shift, to sigh, to nod his head decisively out of the corner of Buck's eye.

The word is stuck in his throat. Has been for months, since Tommy looked at him with teary eyes and walked away.

"I won't be able to let you go again."

He's already half turned away. Buck can only see half his expression as his eyes dip closed. He swallows. Nods, again.

Buck can't watch him push back through that door, so he stares at the toes of his boots until his vision starts to blur.

A second pair of toes swim into his eyeline. A hand shifts through his curls, snagging on knots, digging towards his scalp, and he can't quite bite back the sob. The arms that reach for him are warm, big and familiar, and Buck gives himself over to the panic and the fear that have been clawing at his chest for hours now. Tommy says something - whispers it into the air above Buck's head over and over, but Buck can't - he just -

He presses his face into Tommy's stomach, digs his fingers into the back of his shirt, sucks in horrible, gasping breaths. It's not enough. Nothing will be until he's got Maddie in his arms.

But it's more than he had an hour ago.

"Stay," he manages, and Tommy's fingers curl around Buck's neck and hold.

[meanbossart]

im so curious-- how well does DUDrow get on with the other companions? I've only seen your art and going off that I feel like: he gets along with Shadowheart, Gale I think he borderline cant stand, and Wyll/Lae'zel/Karlach I have no idea how he'd feel about them but id love to know!

So, funfact, because I was not familiar with these kinds of games at the time I played BG3, I practically stuck with the same exact party the entire playthrough. I distinctly remember swapping Wyll in for Astarion once at the end of act 2 because I thought he NEEDED to be there to find Mizora, and I replaced Gale with Karlach when I went to kill Gortash. Otherwise... It was pretty much always just DU drow, Shadowheart, Astarion and Gale. I did this because they were the characters I liked most, so I wanted to see all they had to offer.

Anyways, I mention this because it reflects how DU drow related to everyone - which is to say that he didn't. He picked his favorites (two because he liked them, one because he has fireball) and didn't get particularly close to anyone else.

BUT, there were definitely notable dynamics!

Lae'zel: She's dead. He killed her night 3 or something. Before that he thought her annoyingly demanding and over the top. I don't think DU drow even remembers her by the end of the game.

Gale: Just to add to your original observation, Gale and DU drow have a little bit of history. Gale tries, for about half of the campaign, to pursue him romantically. DU drow keeps turning him down and is either misinterpreted or ignored, and by the time Gale does give up on him their relationship has completely soured to the point where they are constantly shooting daggers at each other. (this reflects a romance bug I got in my first run, except I didn't realize it was a bug. Either way I think its more interesting storytelling than the intended experience.)

Wyll: DU drow was profoundly frustrated by Wyll every step of the way. He found him to be incredibly naive and a bit delusional in his pursuit for heroism, and could never relate to Wyll's perspective or choices - the few he made for himself, at least. They definitely had the least in common and DU drow avoided interacting with him most of the time.

Halsin: He didn't care for Halsin much. He was vaguely helpful but by the time they got to the shadow-cursed lands DU drow had the impression he'd only been dragged here to help him clear his conscience, which he didn't appreciate. Also, he couldn't bear to have someone in camp be taller than himself. Halsin was left behind in Act 2.

Jaheira: DU drow fucking loves Jaheira. They bickered and borderline insulted each other and had a great time doing it. He can respect anyone who will call him a monster, threaten to murder him in his sleep, and make light fun at him the next day. It helps that she's hot, also.

Minsc: Weird hamster man. Ocasionally rendered him speechless. Puzzling human being.

Karlach: He didn't get Karlach, but he was often amused by her and curious enough to want to hear what she had to say. There was a similar issue here as Wyll's where he just couldn't relate to her enough to have much to discuss, but Karlach at least had an edge to her that made her far better company. They got along pretty well when the topic wasn't serious, but when it came to the problems she actually faced their perspectives shifted significantly. DU drow thought everything could be fixed, that accepting her own demise was a cowardly thing to do - and as they approached the end, and she asked him if he would stay with her when she died, he thought she was weak. I don't know if he ever discusses it with anyone, but he feels guilty about her death to this day and sees it as personal failure.

[yourgamemasterthewhiterabbit]

Depends on the movie and the purpose.

First time watching the movie for the sake of watching THAT movie... If you aren't quiet I am going to stop the movie to pay attention to you or put something else on I am more happy to miss half of.

But the truth is I don't generally watch movies for the first time with other people, so in all likelihood if I was ever watching a movie with a close friend or partner, I'd be more interested in what they had to say than the movie itself.

If it's someone I'm not particularly close to, or am already annoyed by, I am not having a good time and the nature of that relationship will inform how and whether I let you know. I'm not going to tell a child or someone fragile they are being annoying while I am trying to ignore them for a box, even if that's what's happening because I am tired and cranky but being that mean isn't something I want to do.

If I don't like you or I am mad at you and you are inserting yourself into movie time... I will tell you to shut up.

Some goes with TV really, like sometimes that thing is on as a social prop. Sometimes it is your main focus. Most people would be surprised how often I treat it as a social prop because they overlooked that I am spending time with them instead of alone by choice to begin with. I could go to my room and have privacy, if I am watching the tv where you can sit down and talk over it, I am probably okay with you talking over it.

[lover-of-mine]

Hi, welcome to Buck just had his oh moment and the color theory of it all.

Usual shoutout to @stagefoureddiediaz because being mind meld with her is what's getting me here lol

First, I'm gonna break my own rule and give too much power to the showrunners, I know I keep saying not to, but hear me out. Buck, Bothered and Bewildered is on Buck's pov, right? That was made clear by the episode and then confirmed in interviews that that was the vision, and well, Tim also said that that scene was from Buck's pov, it's all about Buck's reaction and how he will go crazy about this because he's abandonment issues personified, that is also confirmed with the way we don't see what Eddie is doing until he tells Buck, we are learning things at the same time as Buck is.

Okay, well, why am I going back to 704? Well, Buck's fear of losing Eddie (I don't care what Buck says, he wanted Eddie's attention) made him go completely batshit crazy last time. But it also triggered something really important: Buck's bisexuality. And they just repeated that trigger, but this time with Buck choosing to walk in.

They repeated the bt first kiss structure but with Buck making the choices that create that change. The bt kiss, Buck is working on some bills, Tommy shows up, Buck is spiraling because of Eddie, Tommy kisses him, Buck has the bisexual realization. The 808 scene, Eddie is working on the houses, Buck shows up, he's spiraling about Tommy, Eddie reveals something, and Buck is snapped into the realization. Important thing to notice is that Buck still doesn't fully understand the depth of what his relationship with Tommy showed him about himself, so Buck still might not understand the impact of what his abandonment issues just told him while he was sitting on Eddie's couch. And it's all on Buck's pov.

But Anna, you said color theory.

I'm getting there. Because, well, the bt kiss is blue and red.

Same as 808. So we are evoking the same feeling, especially because of Buck's short sleeves and the buttons (and not a white shirt under this like he had all season lol)

And thinking about the blue and yellow coding Buck's bi arc, he worked his way to lighter blues. He starts with the navy blue colors until that lighter teal tone from the coming out scene.

It's also interesting that in the scenes that are about Eddie in a sense, when he's talking to Maddie and he got it right about it being about Eddie, and the coming out scene being about their friendship, are lighter colors along with Buck matching his background. We don't have the yellow elements but we have that cohesion on the frame composition. (I guess the 606 hoodie also counts since blue and green theory but I don't want to make another image now).

If you're new here, the theory is that Buck worked his way to his blue from darker colors, his blue being the color he is wearing during the coming out scene (and Eddie will find his yellow, but we are not talking about Eddie).

We are back in the darker blue but the composition of the scene is lighter. Buck is literally in front of the light as he is talking to Eddie in the kitchen, and it's the middle of the day.

He matches the background, the couch, the Texas frame, the lighting is also a lot colder than it usually is in Eddie's house. And it's also very important that he is on the couch, because yay couch theory.

But Anna how does any of this prove anything?

Well, Buck is working his way back to his blue while in the darker colors, because while he got the bisexuality part right, Tommy wasn't the right person, and he's finally back in the light, we don't have the dimmed light and the obstruction of his face created by the shadow, dare I saw Buck is finally starting to see things clearer.

But why am I so sure? The shirt he was wearing today?

Same color but in a darker shade than his blue.

Buck is back on the discovery feeling that comes with the darker blue but this time he's in the correct hue, he just needs to get to the right shade, and he just figured something out.

Abandonment issues personified just had his oh moment about Eddie at the thought of losing him permanently, sitting on Eddie's couch while wearing his blue.

Other things to notice, Buck knocked but walked in before Eddie could get to the door, he used his key and the knocking was just to let Eddie know he was there, Buck is the one who suggests moving to the couch and the couch ties it back to the couch theory and the 601 dinner, dare I say that even Buck offering to bake for Eddie and the cooking aspect of it all, and the idea that the couch is home and home is a person and for Buck that's Eddie.

Something else is the way that we finally see someone eating whatever it is Buck is stress baking. Madney don't eat at the loft and the chief interrupts them at the firehouse. Eddie on the other hand is DIGGING into those. And food in 911, in media in general, is about connection, and is very pointedly about love here, and the whole stress baking is great because the kitchen is Buck's safe space, he cooks for people he loves, we see that from when Maddie comes back, to the pointed way he gets take out for his parents in 610, to the lasagna, making chilly with Bobby, cooking for the house on 709 and getting Bobby's approval. And the fact that we are getting Eddie eating what Buck's nervous state is creating while allowing Buck to just go through his kitchen to make more because he is not about to not accept every part of Buck Buck offers him is important.

The fact that Eddie isn't objecting to Buck rummaging around his kitchen is also important in the way the show uses Eddie's house in a meta way, kinda like the way the show uses the loft to match Buck's spirits in a sense, how the kitchen is his heart and for family, how the living room ends up being for guests and it's made pointed about the couch his mother bought "for his guests", Eddie's kitchen and the whole way it's the space Eddie allows himself to be vulnerable but there's the thing of honesty, the core of who Eddie is is tied to the kitchen, and the fact that he's just letting Buck move around like it's his kitchen ads a lot. Buck is the only person who walked into the house through the back door, Buck has a key, Buck has been in every room (except the bathroom but I think they are saving that for buddie canon), that's home for him too and Eddie never thinks to question and Buck never thinks to doubt it ("this is Eddie's house, I'm not really a guest").

Anyway, Buck oh moment real. Buddie 8b real. Color theory got me so high I'm wondering this is what doing hard drugs feels like. I think this is all I have to say. I might come back, who knows? I don't.

If you read this I love you.

taglist (interact with this post if you wanna get tagged)

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@dingdongfries @angelcamael

[inkprilled]

Just before covid hit my brother and I at 15 and 19 found our selfs homeless. I had a choice, my brother would go into care or we could stay together, but only if I took responsibility for him and had somewhere to live. So I applyed for social housing, the guy that processed my case was sympathetic and at some points I was holding it together better than him, do you have any other family? No, Do you know where your mother is? I wish I did, how old is your brother? 15 are you in any fulltime education? Not anymore. He looked at me like I was something tragic and I suppose I was, there isn't a metaphor for what I looked like that works any better than just what his naked eyes saw; a girl abandoned by her mother, her life in a bag on her back completely thrown on how to deal with everything, and all he could do was fill out a form and send it and me off. it's going to be okay.

Somehow despite the odds we where given emergency accommodation and a year later a property to rent, I suspect we where pushed up the list because of my brothers age, we where lucky, some people wait years in hotels or streets all over the country, living out of suitcases and rucksacks.

As lucky as we where, luck didn't cover all the things I suddenly had to know. I had no idea how bills worked or paying my taxes, I didn't even really understand what "taxes" meant until the final notices where piling up in front of us. It's something they don't teach you in school or at least mine didn't. They never taught us how to survive in world like this, they assume our parents would be there to explain or we'd be much older before it mattered. what's more useful in real life, how to formally address someone in an email or how to keep the lights on or how to find food when a tin of beans is too expensive.

Though I suppose the email ettique lesson was useful for something in the end,

To whomever it may concern, I'm writing to you regarding my payment plans and how I'm choosing to fork over alot of money and won't be buying enough food to live off this month. My regards.

[anonymous-existences]

Reading your Hamilton-inspired DPxDC posts gave me a wild thought to the tunes of "The Schuyler Sisters":

Redeemed Vlad being the Regent for Danny, and it's Jazz, Danny and Ellie out in town (Dan is the Army General and on duty today). Jazz looking incredibly bored, Ellie the bratty little sister with the zoomies, and Danny, the one who doesn't even bother looking the least bit regal. Like, Jazz and Ellie both look like princesses, and Danny is their commoner cousin or something.

It's important to me that you know I picture Danny, in Infinite Realms high society, as a sort of barbarian prince that walked into the court, refused to leave, and got adopted by the elderly Advisor (Clockwork) who's ruled in the lost king's stead with a sharp gaze and balanced hand.

Young people love him, because he's just as likely to watch you brawl it out on the streets, as he is to take off the cape and breastplate, roll up his sleeves, and immediately come in swinging.

That's how they bond, and why most of the Ghosts that came through the Fenton Portal were so eager to throw hands.

And here's the scene that my mind is very visibly picturing:

Jazz and Ellie in a Library, Jazz looking for books for her thesis in the Living World and Ellie picking up more comics. Danny's outside enjoying the nice spring-like breeze, and then Johnny 13 leans against the wall to flirt with him (I headcanon Danny as, in his 20's-30's having A Thing with Johnny and Kitty).

Full on, leaning against the wall, smirk and thumb on the chin flirting, while Danny barely looks like he's paying attention, just rolling his eyes and snorting at something Johnny says to him.

Probably asks him if Kitty even knows he's here...and she's right across the street, watching her idiot absolutely fail to rizz up the other idiot.

Now this is just me building up extra scenes from the previous bit:

Johnny getting the kicked puppy look when Danny slips away from him to go chat up Kitty instead. Like, absolute disaster of a man, his bad girl vibes girlfriend, and the twink who's known them for too long to fall for his charms. Like, to Danny, Johnny is just a little pathetic, and while he might eventually take pity on the guy and flirt back, the game is seeing how much of a fool Johnny likes to make of himself to make him snort and laugh.

To the townsfolk, their soap opera is watching their Darling Prince and how, unlike the stuffy Castle Town manners and double-speak, him and his Badlands friends tend to be very...physically intense and direct in their affections and romantic pursuits. Don't expect to see him receiving any poems or expensive gifts in the mail. No, you're more likely to find him out in town, probably at a bar he SHOULDN'T be in, acting all friendly with the more rough-and-tumble types, taking the friendly insults and answering in kind with the best of them.

Maybe getting handsy with the biker couple, and coming back all ruffled and smiling.

And it sends every court lady all abuzz with gossip and scandalized whispering. Until "Uncle Vlad" proves that this is just how they do things where they come from, by initiating the most cursed and mildly toxic situationship with Spectra. No one can stand seeing these two together. At least the Princeling looks fondly annoyed by the constant flirting of Johnny and Kitty, compared to the sleazy smirking his Regent and his intended always have for each other. Very Cruella de Vil x Lex Luthor vibes, while Danny has Aristocats vibes, Johnny and Kitty both playing Thomas O'Malley in turn.

This is where we could throw in DC.

By which, I mean Tim's Young Justice team find an old tome with a green sticky note shaped like a cog on it. And then you have Bart, Zoomies Personified, Conner yes-and'ing his bad choices, Cassie leaning back to watch this, and Tim pinching his nose, saying fuck it, and joining his friends in summoning a possibly-demon, but damn if the depictions in the book look handsome as fuck.

Plus, you know, he's titled as The Benevolent and Beloved Prince of the Realms. Skating right past the Dethroner of Tyrants and Champion of the Badlands titles. Those sound pretty heroic, right?

Right?

What Danny do they get?

Shirt ripped open, attractively battle-damaged Danny with a glass of ale in hand after yet another friendly brawl?

Decadent beauty dressed for a day out in town?

Danny mid-makeout oth Kitty and/or Johnny?

Personally, I wanna say this is a Danny who looks like he's maybe 28-29, using one of Kitty's tips he stole and Johnny's coat, lounging in fuzzy pyjama pants, being summoned while stressing about what his Thing will be whe he takes the throne.

Every King before had A Thing they did. The first King was a farmer, his successor was a hunter. Pariah, before his madness set in, raised horses (maybe Fright Knight's current horse was raised by Pariah as a gift for his friend).

As Regent, Vlad doesn't need to have A Thing of his own, but the old man became an art connoisseur during his time ruling in Danny's name.

Danny has zero clue what he wants to do, and he should probably be asleep, but he's stressing.

He's been getting questions on what he likes to do, and the rest of his Court like to remind him that, while he's fought all of them, and won against most of them, they've also seen him grow, and saw his embarrassing years, so they're essentially like when your well-meaning grandma asks you if you've already figured out what you wanna study in university.

And now, just as he's about to start pulling his hair out, dressed in stolen boyfriend and girlfriend clothes and his fuzziest pants, these...children summon him.

Well, Danny's always been good at bullshitting his way through Situations. And someone throws out the idea of asking him for knowledge.

"About what?" asks Danny, stealing a pack of the lemon oreos Martian Manhunter keeps in Mount Justice for when it's his turn supervising the Junior team.

And that's how Jazz has to come rescue her brother from a summons he never came back from, and finds him lounging on a beach chair, breathing stars made of ice and snow into existence to teach actual teenagers about Space and physics.

But the time he floats over to her side, Danny has found his Thing. He wants to teach. He's going to be for other kids the kind of teacher he wished he'd always had, and what Mr. Lancer tried to be, for all that the man noticed things a little late.

Maybe he gets summoned more regularly for practice teaching Young Justice? They schedule the summons around Justice League schedules so they don't have to share their new mentor. Sure Martian Manhunter gets brought in in the secret because Danny keeps stealing his lemon oreos when he's there, but he enjoys watching the young man learn and grow more confident in his role as a teacher, so he's got his support.

And then the Justice League main team, while meeting with their children in Young Justice, all get booted into the middle of the Commercial District of Pariah's old Lair, which became Danny's after the succession was established. At which point they have to make nice with the locals and get their bearings.

Only, who comes out of a bar, launched into the ground outside?

Why, Danny, his shirt torn, sleeves rolled up past his elbows. His knuckles are a bit bruised, and his forearms are scratched up.

He's smiling, though, and taunting whatever opponent he's picked a fight with. And out comes Skulker in the newest iteration of his armor.

Now, from the stories Danny tells, Young Justice know their favorite teacher has an interesting past, involving a lot of fighting.

They just weren't ready to see Teach throw down with a man made of metal.

Danny turns to see his little ghostlings, his smile grows wider, sharp teeth on display, and tells them "Sit tight, kiddos. Wanna watch something fun? This is how we do it where I come from!"

Skulker is basically a weapons platform shaped like a man, but Danny has been fighting him bare-handed for years now. In three quick moves, the head pops clean off with a hiss of steam, lands in Danny's hand, and he fishes out Skulker-blob to congratulate him on a good fight.

If you wanna throw in Red Hood too, this is where "Helpless" would kick in, as Jazz comes in to scold Danny for ruining his outfit again. Nit for fighting, Jazz is just as ready to throw down as her siblings, but she always leaves her fights with a pristine outfit, somehow.

And Jason is staring hard.

That's one woman worthy of the title of Goddess, in his opinion, and he's just become a religious man.

Batman is...impressed that the kids managed to hide an entire extra-dimensional entity being summoned regularly and kept it from even him. He's a little uncomfortable with Danny's willingness to just fight for the sake of fighting and calling it bonding, but now that they've been brought to a sitting room in the castle, in a more private setting with Danny, his siblings, and his friends, he can see that they're all just Like That.

I have nothing to add to this other than, this is PERFECT!! EXQUISITE! BEAUTIFUL, ABSOLUTELY DELICIOUS TO READ THROUGH. THIS IS ABSOLUTELY AMAZING AND FUNNY AND EVERYTHING. ♥️♥️

I love the Johnny/Danny/Kitty because it's two idiots and one Bad Bitch.

[werevampiwolf]

More general boob stuff

Some people have really big or dark nipples. This is fine. But if your nipple suddenly gets bigger or darker, you should get that checked.

Having a "donut" keyhole breast implant surgery can cause your nipples to grow. Something to be aware of if you plan on getting one.

There are more than one type of breast implant surgery and breast reduction surgery. They leave different scars, and how feasible they are depends on how big your boobs are before and after surgery

If you get breast reduction surgery, you might have to have your nipples grafted. This is normal. Some breast shapes, such as long tubular breasts like mine, make it difficult or impossible to maintain a blood supply to the nipple after surgery without the grafting. No blood supply equals dead tissue. Very bad.

If blood comes out of your nipples, get that checked. If you're currently breastfeeding and your baby likes to bite, it might just be caused by that but you should still get it checked. If you're not breastfeeding, you really need to get that checked. It might be cancer or something else bad.

As stated above, people, including cis men, can lactate. However, if you randomly start lactating and you are not pregnant and haven't been pregnant recently, you should get that checked. It might just be hormonal or due to overstimultion of the nipples, but it can also be caused by a tumor. Certain medications and health conditions can also cause it, but you should still get it checked.

Breast cancer can include the tail of spence, AKA "armpit fat", because it's part of the breast tissue. My grandmother's breast cancer was there.

If you get nipple piercings, you need to clean them, like any other kind of piercing. You should probably not use a loofah around your nipple piercings. Also, it's probably not a good idea to have metal nipple piercings in when it's extremely hot or cold out, or if you're pressing your chest against a hot or cold surface. (I have never had nipple piercings, but I do have a good understanding of thermoconductivity, and i know people with them.)

Trans Boobs, Guy Edition (Also applies to AFAB enbies)

Lots of trans guys have boobs. Some trans guys have extremely large boobs. This is fine. Having boobs doesn't make someone a woman, regardless of size. And no, a trans guy getting his breasts removed isn't a "tragedy" or whatever terfs are saying now, nor is it mutilation, any more than other kinds of surgery are mutilation.

Not every guy with boobs binds. It might be because of a lack of desire to, or for medical reasons, or any other number of things. Either way, it's none of your business if someone else doesn't bind.

Binding unsafely can fuck up your ribcage and render you unable to bind in the future. Bras can also do the same, especially if they're too tight (that's what happened to my ribs. I was required to wear a bra 24/7 and it was too small. I still have an indented line all the way around my ribcage where the band was.)

You can't always tell if a person is a trans guy from top surgery scars. There are cis men with gynecomastia who have scars like that too.

Some guys don't have nipples after top surgery. It's likely either personal choice or a failed graft, and regardless, it's none of your business

Even after top surgery, most guys aren't completely flat-chested. Most cis guys aren't flat either. Fat trans guys might well still have "moobs", just like any other fat guy. This is also normal.

Trans guys can still get breast cancer. If you've had all of your breast tissue removed, it's a lot less likely, but still possible, just like anyone else who's had a mastectomy. You should still self-check regularly, especially if you have a personal or family history of breast cancer.

Bonus for cis guys:

you can get breast cancer too. You should also do a regular self-check. In case you don't know how, have a diagram.

Bonus for trans ladies:

you can also get breast cancer, especially if you're on or have been on HRT. Having an estrogen-based hormone system (whether "natural" or HRT) does increase your chances of developing breast cancer, which is why people with breast cancer often are placed on estrogen-blockers. If you end up having to stop taking estrogen or even get a mastectomy due to breast cancer, it doesn't make you any less of a woman, just like any other woman in the same situation. (You should also do self-checks of your testicles if you have them, but this is a Boobs Post, so I'll leave it at that.)

So yeah, breast self-checks are for everyone because anyone can get breast cancer.

Things about boobs that everyone should know

Because I just keep finding out people don't know these things!

Most boobs "sag."

Actually, on that note: very very few people have the stereotypically perfect breasts that are round and perky and don't touch your ribcage/belly. Here is an entire gallery of non-sexualized, perfectly normal breasts. Here is another one, but in one image. There's an incredible range of size and shape!

Also related: very few people fit those molded foam-cup bras. Because very few people have a boob that shape. "Then why are those kinds of bras everywhere??" Because they're cheap to make and they hide your nipples.

Your "armpit fat" is probably not armpit fat. It is probably your tail of spence, and you have lymph nodes there. Some people have a bigger or smaller tail of spence, and it has very little to do with how fat you are or how big your boobs are. (Some bras can press on it or pinch it uncomfortably, like balconettes.)

When you lie on your back, your boobs will go into your armpits. That is true of EVERYONE WITH BOOBS, with the exception of some implants. Boobs are squishy! This also means that like, lying on your side will cause them to flop over. If that's uncomfortable when you're trying to sleep, there is such a thing as "sleep bras."

Lots of people's boobs get bigger and/or painful before their period starts. Some people gain an entire cup size every month.

Whether or not you wear bras has no effect on "sagging." The one "study" on this that was written about everywhere extremely badly done. The one exception: If you do the kind of exercise that has you jumping around/jogging a lot, and you don't wear a supportive-enough bra, it's possible you can injure the cooper's ligaments. But also: that would hurt, a lot.

Bras also have no effect on whether you get breast cancer.

Everyone has one boob that's bigger than the other. It's just a matter of degree.

The size of your boobs has nothing to do with whether or not you've had sex???? I'm stunned that there are people that believe this, but I've heard multiple people say they had relatives who absolutely believed this--refused to buy teenagers the correct size bra because "only sluts wear D-cups," or insisted a thirteen-year-old was "fast" because of breast growth during puberty...good lord.

It's possible for AMAB people to breast-feed--they have the same mammary glands AFAB people do! Some hormonal issues can cause people (both AFAB and AMAB) who haven't given birth to lactate, but also there's a few cases where transgender women have been given the same hormones that AFAB people's bodies make during pregnancy/lactation, and voila! Breast milk!

(I very intentionally didn't go into bra sizing with this post, but yes, if you hate your bras, you are probably wearing the wrong size and/or style for you. That's a much more finicky topic though, so I'm just going to point out that the letter doesn't mean anything about boob size by itself, D isn't big, and Victoria's Secret's "fittings" are garbage. For more info, go to the subreddit for r/abrathatfits, or try their size calculator.)

[zepskies]

Heyo! So not sure how youd even write this from a story perspective— maybe headcanons r easier idk— but! What would Current SB/Ben say to his younger self (your choice on age) about his future? Whether it be from an introspective place, him talking fondly about his future family, etc — all you boo👍 Hope youre doing well!

Hey there! Thanks, I'm doing well and hope you are too!

Strictly speaking on story/fic requests, I'm only doing full fic requests on my Patreon, but occasionally I'll be able to do a short imagine/HC when something strikes me. For example, you pose a really interesting question. I think the answer would depend on Soldier Boy/Ben's level of growth/character development.

Like, if we're talking about Break Me Down version of Ben, for example, I've actually thought about this a bit before! If he had the opportunity to talk to his younger self, let's say in the 80s (shortly before Nicaragua):

What (BMD) Soldier Boy/Ben Would Say to His Younger Self

"You just think you've got it all figured out, don't you?" Ben says, crossing his arms at his younger counterpart.

"What? I'm at the top of my game?" Soldier Boy says. He smokes a joint, blowing up smoke casually and arrogantly.

Ben chuckles. "That's what you think."

Soldier Boy frowns. "The whole fucking world worships me. Whatever I want, I get. Women, picture deals, a fucking statue in front of Vought tower-- Hell, I've got hit after hit record on the top of the charts, for fuck's sake."

Ben just shakes his head. His rueful smile irks the other guy, but not as much as what he says next.

"And you're bored," Ben says. "You've got it all... But nothing's ever good enough, right?"

Soldier Boy's lips purse, but he doesn't have an answer. Not one he's willing to voice. Ben nods in understanding.

"It's all right. One day you'll find it," he says.

Soldier Boy frowns, his brows furrowing. "What do you mean, find it?"

Ben doesn't want to give away the punchline. This guy hasn't earned it yet. Not the way Ben knows he'll need to. Otherwise, he'll never understand what it all meant. What all those years struggling alone in the dark, and what betrayal, loneliness, and pain were worth.

No, he won't give it all away. But he'll give him this, at least.

"It's the simplest thing in the world," Ben says. "You're gonna meet a woman."

Granted, the way he met you was anything but simple. The way Ben sees it now, though, it is simple.

Soldier Boy's frown fades, his face turning wry. "A woman, huh? Think I've got plenty of those. Any time, any place, any way I want."

"Not this one," Ben says. He can't help a small, reserved smile when he thinks of you. "Matter of fact, she's going to test your last ever-fucking nerve, every day of your life...but you're not gonna be the same."

Ben thinks about the life he's built with you. He thinks about his daughter, Lila, and his son on the way. Ben pictures the house in his mind--Christmases, birthdays, wedding anniversaries, along with missions gone awry, and the fights and arguments that reverberated on those walls. Moments where his temper got the best of him, or your stubbornness made you dig your heels in. All of it is worth it.

"Then one day, you're going to wake up and realize that you've got everything you need," Ben says.

Soldier Boy seems to take that in. He's still skeptical, but maybe secretly interested in the bright future lying in wait behind his older self's eyes, even though he doesn't want to show it.

"Yeah? And then what?" Soldier Boy asks, in a tone that scoffs, but Ben sees that he's serious too, and he's listening. He knows it as well as he knows himself.

Ben levels a pointed finger at him.

"All you need to do, is protect it."

AN: It's like the old Spiderman meme where he's pointing at himself. lol 💚

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Break Me Down Masterlist

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BMD Tag List:

(I've paired this down from the old list that seemed to have a lot of people/blogs that are no longer active.)

@deans-spinster-witch @this-is-me19 @waynes-multiverse @samanddeaninatrenchcoat @spalady26

@nancymcl @emily-winchester @sl33pylilbunny @chernayawidow @spnfamily-j2

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@jc-winchester @mxltifxnd0m @bleuatlas

[soldearestsoulmate]

Inspired by the Bad End of the game.

Something small. Angst time. (and venting I guess. depression rocks lol)

The sound of the clock ticking that hung on the wall always sounded loudest in these moments.

He hated it, but Sol endured it. Since he had no choice after all.

He silently waited in his seat for the woman sitting across from him to finish looking through his book...His book full of drawings, sketches, of what he made this week.

She hummed lowly, closely looking at one of the drawings. "I see you drew them again...Quite the memory you have to have picked up all their details, Mr. Brugmansia."

Sol didn't respond to that...He was used to hearing this by now. How many times has these sessions happened? He lost count...

"The rest however...You still can't let that day go, I see...The more you cling to that day. The less likelihood we can make progress on your healing to be released, you know?"

Now Sol let out a low chuckle, it sounded forced, and exhausted.

"You know I'm never getting out of here, doctor..." He spoke with a look that said it all...He was tired, drained...but not because of these sessions, these repeated days.

No...He was tired of living these days without them...

Without you...

"...Then I guess there's no point in this session then. I can skip straight to filling out the paper work for your medica--"

"NO! Please...Just...Can you not do it...This once? Please? I...I rarely can feel not numb anymore since coming here. It's...You don't understand how horrible it feels...To feel like a zombie...A stranger in your own body...It's like..."

"I completely understand, Mr. Brugmansia. That only means the medication is working. It's for your own good. You don't want a repeat of what happened last time, after all...Right?"

Sol looked down at his lap, his hands clenched into fists as he remembered. It wasn't his fault those bastards said that stuff about you. They deserved it...Deserved having their heads bashed in...and put into comas. It was all for you.

The woman opened his sketchbook again, and flipped through a few pages until stopping on one.

"May I ask why you drew him in color this time?" She showed the page...Which had Crowe in it...Usually he'll be colored in black and white or in red...for blood.

"...I had my reasons..."

"Speak then."

"You wouldn't understand."

"Try me." She leaned back in her seat, getting her pen and clipboard ready, prepared to write and take down notes.

Sol sighed and then spoke. "...The night the medication wore off earlier than usual...I had a dream again...A vivid one...I saw them again, but they were...They looked and felt so real. I didn't want to wake up...Not be away from them again..." He smiled at the memory, then paused, his smile fading. "Though they asked me of something. I hated it...I hated the request, but for them...I did it. It was for them..."

"Mhm...By "them", you mean Y/n correct?" Sol nodded lightly. Hearing their name spoken made his heart ache.

"...They said they love the way I bring color and life through my art...That's why I draw them a lot...To--"

"To bring them back to life." She felt pity for the man before him, but not enough. Especially after knowing what he done.

"They wanted to see...Ichabod...with life again...Even after I took it, they asked of me to bring it back, bring him back." He gave a smile, desperation in his eyes as he looked at her. "THAT HAS TO MEAN SOMETHING, RIGHT?! THAT MEANS THEY STILL LOVE ME AND TRUST ME! THEY'RE WATCHING ME! WAITING FOR ME! MY PUMPKIN! MY SOULMATE LOVES ME! EVEN AFTER WHAT HAPPENED, THEY UNDERSTOOD, AND KNEW I DID IT FOR THEM! FOR US!! THEY LOVE ME!!"

It'll be a lie to say she wasn't startled by his outburst, especially with the crazed look in his eyes, but worked to remain calm in her seat. Until he looked to calm himself with a lovestruck smile over his own delusion of what he thought that dream meant. Over believing you actually spoke to him...and met him again.

"...Of course you did, Solivan...Of course." She wrote down a few more things, then clicked her pen shut. "Our session is over now. Please, do eat your food tonight, Mr. Brugmansia. As well, get plenty of rest."

After Sol left the room, with cuffed hands and escorted out by some men, like always. Luckily with no fight this time like the other times.

The woman sighed and rubbed her eyes in frustration. "He's not showing signs of improvement...His delusions truly have a tight hold on him...A change of medication might be best...or a higher dosage..."

[glitteringdust]

Lucanis and Spite's reaction to Rook being trapped in the Regret prison, or, if someone already asked that, romanced Lucanis having to tell Viago (massive older brother vibes) that Crow!Rook is stuck in the Regret prison

Standing in the entrance of Rook's room, Lucanis closes his eyes.

For a moment, he swears he feels her right there— sitting on the couch, curled over her notebook making a sketch of something she couldn't get out of her head.

The room still smells of cinnamon spice from the incense she always had burning on the far dresser. Her clothes would be everywhere, along with loose notes and bits of potion ingredients scattered about.The fade window of swimming fish would remind him of the Ossuary like it always did— sending a sour storm of adrenaline straight to his chest. Only by Rook's sweet face murmuring soft reassurances would he return to the present, back in her presence.

The moment passes and he knows what he will see when he opens his eyes. Nothing is as it should be.

Rook is gone. Gone. Betrayed by Solas.

Spite bristles along his spine at the thought. Lucanis clenches a fist as he battles the demon's anger as well as his own. For once, they were both equally powerless to rescue her.

We find her. We find Rook.

Spite was angry more than anything else, bleeding into Lucanis' every thought. He wanted revenge, action… something to stab and kill and as far as the demon was concerned the team was doing nothing at all.

But they had no choice, so all they could do was bide their time, recoup their resources and figure out a plan to find Rook.

—

In the fleeting moments he's able to close his eyes and sleep, he still sees the flash of light in his dreams. A bright flash, Rook's horrified voice shouting his name, and then nothing. It was unnerving, seeing it over and over again. Spite seemed almost as incapacitated by the dreams as Lucanis was.

Emmrich once said spirits could experience intense mood shifts during stress, perhaps that was the reason why he kept bringing Lucanis' sleeping body to Rook's room. To feel better.

She always made things better.

Ever since she disappeared, everything around them had dampened. Colors, taste… all of it was muffled without her around. Was she even alive? How could they know? They killed one god, and faced two more. Who could say she hadn’t been vaporized by Solas?

No. I feel her.

“You feel her because this is her room, Spite. You don't know that she lives.”

You give up?

"Never. Not until I see her body."

There's a feeling of approval. Never again lose what's ours.

He should leave her room, if he plans to get anything done today. He needs to travel to Treviso still, update Teia and Viago about Rook. He'd already waited a week too long. He knows the conversation might end up with Viago trying to kill him, but they needed to know. They were her only other family, after all. As he turns to go, he spots a loose piece of paper peeking out from under the couch. Spite urges him to pick it up, stronger than ever.

It's a sketch of himself, outlined in purple. Underneath, the words vhenan as well as the following:

“Say it, before it's too late.”

He thinks to the night before she disappeared, how she'd come for their usual evening drink but was preoccupied. Nervous. Surely she was just anxious about the next day's events, but instead….

She loves him.

He told her not to make a promise she couldn't keep, yet here he was having broken the last half of his. He didn't keep her safe that day.

Should she not return, every blighted creature would feel his blade.

[askshivanulegacy]

Posts like these always strike me as ... off-key somehow.

As a writer and an artist, I began posting my work because it was there.

I draw for myself. I write for myself.

I post because I CAN. Because my work is available and there's no reason not to. Because I can have a neatly organized portfolio that I can share if I ever want. Because I just like scrolling through my thumbnails on my art sites or my summaries on A03.

They show progress and achievement.

I don't need anyone else to tell me what I've achieved.

Two decades ago, well before A03 was ever a real thing, when I was doing a lot of my late night reading and thinking, I realized something foundational.

Your stories - my stories - connect you with the reader. For a short moment in time, you are the same. You have the same thoughts and feelings and goals and dreams. That author you're reading understands you on a level you might never be able to articulate to anyone, and you understand them. That means there's a person, somewhere on the planet that identifies with your most secret feelings.

And that's true for every story. And that's true whether you can say anything to the author about it or not.

And that means every story is worth sharing, even if just one person out there loves it, even if they never say so. It's worth it, for that one, silent person.

You don't need people to tell you that you have an impact for that impact to be very real.

And that's beautiful. It means everything.

The other piece of creation is that you, as a creator, cannot outsource your happiness.

There's nothing wrong with encouraging engagement, but you simply have no say in it. It's not something you can control or influence. Whether you post or don't post, it will not affect what other people do about it.

There is a harmful trend of creators deciding they NEED engagement. They become addicted to it and suddenly the only reason they create is for attention. The only reason they post is for attention. And because they've outsourced their happiness but can't control it, they crash and burn if they don't get whatever levels of engagement they've decided they want.

You, as a creator, need to find internal motivation. You need to develop the basic strength to be satisfied with your work. You need to develop a healthy relationship with your work.

Yes, it's a crying shame that readers/viewers do not bother to provide feedback. But you also cannot allow the actions of other random people to dictate what you do. You will ALWAYS end up disappointed. They will never perform up to your standards.

There is at least one person out there who was changed by your work, and that means something, even if they haven't said so. It's more important than sitting on your creations for no real reason other than someone you don't know not doing something very specific.

You can always do what you want with your stuff. If you don't want to share, then it's a choice. But is not sharing because you're bitter about unspecified randos really how you want to do it? Are you going to let bitterness dictate what you do? Or are you going to make your decisions for yourself?

You can only ever make an impact and you can only ever get feedback, however rare, by sharing.

A writer friend told me something that broke my heart a little bit today; they're going to quit publishing their fanfic.

My instant thought was that they had been trolled or attacked or that something terrible had happened in their life because this person is so passionate about their writing. It wasn't any of that. Engagement with their works has been going down, as it has for many of us. Comments are like gold dust a lot of the time, and just looking through the historical comment counts on old fics on ao3 demonstrates this trend very clearly. It was not simply the comments dropping off which caused them to decide to stop posting, however.

My friend came across a discord server for their fandom (I should point out here that their fandom interest and mine diverged a couple of years ago, we stay in touch but don't currently read each other's posts because I'm not into their fandom and they would rather gouge their eyes out with a wooden spoon than read anything Star Wars) and specifically to share fic in that fandom. They joined, because we all love a good fic rec, only to discover that their latest multichapter fic, which has almost no comments and very few kudos, is being hotly discussed in this server as one of the best stories ever. Not one of these people has bothered to say this to them on the fic. When they asked, none of participants could see the point in telling the author of the fic they apparently loved so much that they love it.

This discovery has absolutely destroyed my friend's love of sharing fic. They share because they love seeing other people's enjoyment, and fic writers do that through comments and kudos/reblogs/likes because we don't get paid. There is no literary critic writing a blog post/article about how amazing the story is for us to copy and keep/frame. There is no money from royalties. All we have are the words of the people reading our works.

Those people on that server could have taken five minutes of the time they spent gushing about how amazing my friend's story was to other people and used it to tell the one person guaranteed to want to hear that praise how much they loved it. They could have taken a moment to express their opinion to the person who spent hours upon hours plotting, writing, editing, and posting those chapters. Instead, they deprived my friend of thing that keeps them sharing their writing, and in the process have killed their love of it. My friend now feels used and unmotivated.

I won't be sharing a link to their fic, they said I could share their experience but not their identity. I know they plan to post one final chapter. I know they intend to express their hurt at being excluded from the praise for the thing they created, and I know they intend to announce that as a consequence they will not be posting for a long while, if at all.

So please, I beg you, don't hide your love of a story from the writer. It's just about the only thing we have.

[eclips-moon]

Batboys finding you sleeping in wierd places headcanon:

Damian Wayne

"Bro, you can't keep doing this." Damian finds you sleeping in the weirdest spots, and he's lowkey over it. One time, you're passed out in the Batmobile, snacks everywhere, legs hanging out the door. He just stands there, staring at you like you're the most chaotic thing he's ever seen. “How do you even fall asleep like this?” But of course, he’s not gonna leave you there. He rolls his eyes, adjusts the seat, and tucks you in (very dramatically) like, “Don’t make this a habit.” He’s not mad. He’s just... concerned? But mostly shook by your ability to sleep anywhere.

Tim Drake

“I literally told you to stop drinking so much coffee.” Tim finds you asleep everywhere—face down on a stack of papers, in the middle of the Batcave, on top of the Batcomputer. He doesn’t even act surprised anymore. He’s just like, “Well, I warned you.” One time, you’re passed out on the couch, snacks everywhere, and Tim picks up the coffee cup you definitely spilled while napping. “I love you, but this is chaos,” he says, brushing some crumbs off your face. "Next time, please at least use the chair." He leaves a note with your next coffee: “You’re welcome.”

Dick Grayson

“You’re so cute, but like, also... why???” Dick finds you asleep in the kitchen, spread out on the counter like you’ve been hit by a truck. He can't help but laugh, but also he's lowkey impressed that you managed to fall asleep there. He pulls out his phone and takes a pic (because of course he does). “I’m definitely showing this to everyone,” he says, not even hiding his grin. You wake up mid-photo, trying to act like you weren’t drooling, but Dick just chuckles. "Gonna frame this one." You’re like, “Please, no,” and he’s already texting it to the group chat.

Jason Todd

“You’re literally doing this to mess with me, aren’t you?” Jason finds you sleeping everywhere—on the floor, under the Batmobile, sprawled out on the roof. He’s got that annoyed big brother vibe, like, “You’re going to get a crick in your neck,” but the second he sees you all cute and dead to the world, he can’t help but sigh. One time, he even gently picks you up to move you. You wake up in a daze, and he’s like, “I didn’t sign up for this. But you look adorable when you're asleep, so whatever.” “No need to carry me, I’m fine,” you mumble. “I’m doing it because I have no choice,” he responds.

Duke Thomas

“How do you even sleep like this?” Duke is actually concerned when he finds you sleeping in random spots, but at the same time, it’s kinda funny. One time, he finds you passed out on the floor of the training room, head on a punching bag like it’s your pillow. He’s like, “You... you okay? How does that even happen?” He sits down next to you and gives you a little nudge. “You’re making me look bad, you know that? I’m over here trying to be all cool, and you’re taking naps in the middle of the Batcave.” He laughs but also kinda adjusts you, “Next time, at least use a pillow or something.”

Bruce Wayne

“You’re doing this on purpose, aren’t you?” Bruce, being Bruce, finds you sleeping in the weirdest places—and honestly, he’s just not even shocked anymore. One time, you’re passed out on top of the Batcomputer, legs dangling off the side like you’re part of the furniture. Bruce just stares for a second before doing the whole “I’m-not-angry-I’m-just-disappointed” thing. “Please don’t sleep in here,” he says, carefully moving you to a more... comfy spot (probably your bed, but he’s not gonna say that). He tries to keep it chill, but there's definitely a dad vibe. "You could’ve at least stayed on the couch." You wake up, confused, and he’s like, “Just... don't fall asleep in the Batsuit next time.”