#I don't know why I can't tag you :/

[brainrotcharacters]

the easy grip on the knife. the leg over the seat. the hand over the other seat. the sassy "come get it" move. you know the bitch is smiling behind that mask even as he said the line.

[retributory]

if a bingqiu hater puts the blame on any weirdness in their relationship solely on binghe you KNOW they can't read. this is a freak4freak relationship okay. sqq is the guy that got offended and sulky because binghe DIDN'T hen-peck him into cuddling. he openly admits to loving the tearful lamb act. he likes having a clingy needy girlfriend he has to reassure constantly. he got so horny watching his husband pour qi into his dead body that he woke up and immediately pounced on him and fucked him straight into a qi deviation. when he heard the rumor that binghe raped him his internal argument was that this could never happen because if binghe wanted to have sex with you, you would just let him, so it's not rape. he's literally insane. they're perfect for each other in the sense that they're both bugfuck crazy.

[ttec77]

Characters I've drawn so far in modern clothes

[im-the-j-in-anthony-j-crowley]

Good omens tag game

Name two things you have in common with Aziraphale and two things you have in common with Crowley

More reasons to love them!

Crowley

1.- Taste for black clothes and... I WANT TO BELIEVE that I look good too

2.- I love Aziraphale Dramatic

Aziraphale

1.- I love books

2.- Stubborn. Really stubborn

No pressure tags: @fearandhatred @bildads-shoes @harbinger-of-existential-dread @di-42 @sayeverythingwillbefineplease @littlekhaos626

And of course, open tags!

[dailyloopdeloop]

loop and mirabelle. That's it that's the ask

DAY 84: enrolled in the gossip wars

[whiteboardartstudios]

I SAID I WAS GOING TO DRAW THAT CAR SO HERE WE ARE (I hope you enjoy this is the stupidest thing I've drawn in months /affectionate)

(I put the image descriptions in the Alt text this time because there's so many images. If it doesn't work please tell me and I'll yeet them in the actual post!!)

happy finale of Wild Life everybody! :D

[shalom-iamcominghome]

My jewish community, friends, rabbi, and educators: We are very invested in helping you be jewish. Do you want to help read the haftarah? Here's a chanukiah! You can have it!! Borrow these books! Here's some books! You need more books... Come to pesach! Come to the chanukah party! When are your classes done? We need a minyan for once!

Me and my 50000 IQ: What if I am Secretly Appropriating judaism? What if I am doing a Cultural Appropriation........

[fala-alfredo-pasta]

A very self indulgent tatted and pierced up Ichimatsu thas it

[uncanny-tranny]

At this point, talks about "mutilated bodies" tell me everything I need to know about people's politics. I truly don't believe you can combine the idea of mutilated or degenerate bodies with anything even slightly progressive in terms of autonomy. If you believe yourself to be progressive or anything left of an unapologetic fascist, you frankly cannot truly entertain the idea that some bodies and people are inherently mutilated or degenerate. It is an inherently fascist idea.

[chaos0pikachu]

man some of y'all have never learned the home training of "keep your hate/critique out the main tags and on your own blog or in critical tags" and then wonder why ppl be vagueblogging or reblogging with disagreements like you didn't show up to the crochet lovers group telling everybody how crocheting was actually Not Fun At All and really hard and doesn't make sense to enjoy, or Problematic, actually instead of keeping it in the group chat with the haterella besties

[dxxtruction]

Louis' "You're boring!" Could mean so many things, but I think what's most apparent about that line is that Armand takes no initiative just for himself. He's not really anybody, because he never goes out and finds himself or gets attached to anyone but Louis. Without Louis as his guide he's literally just sitting on a couch picking lint! That's the thing.

He orbits constantly around what would make Louis happy, and never really fully going what would make me happy? Ultimately that drive to please Louis is what drives him to torturing Daniel, not so much that he'd care to just do it. Ultimately, not giving proper care to Louis is just a way to make sure Louis knows he has to orbit around him as well, with shoving Lestat onto him just that other nail on the coffin. So, even if he fails to figure out how to make Louis happy with him, he still knows what Armand is good for, and better than.

That dependency is what drives Armand's abuse. It really just comes down to that. Armand doesn't even realize how suffocated he is by his own dependency. This is just how life is to him. (It shouldn't be lost either that dependency is a theme considering this episode also deals with addiction).

Daniel's fascinating because he's just so driven to be somebody. He's largely independent, he seeks things because he wants them. It's his drug to poke and prod at all the things that he shouldn't. Daniel's exciting because he lets Louis in to something different, lets him in to all this potential in another person that he can also do the same with for himself. It's a real connection. A two way street. It's easy to tell how Armand can be smothering then because he's never introducing him to anything really new, and most the ways both of them connect are all painful and traumatic. It's never just fun because there's always that layer of that pain. Fun died with Claudia.

50 years on they've gotten to a lot better place, both of them, but it's still that same shit. No seriously, "How is this any different from last time, Louis?"

Well... Because Armand's going to be, at the very least, making one [1] decision only for himself - and that's to hold power over Daniel's life. Fucking sick foreshadowing.

They aren't driving each other to the brink anymore but "The vampire is bored" STILL. Maybe it's even worse, despite being in better places, because Louis' sort of just been defeated by it. (I mean, can he even really leave this either?). He's accepting the dependancy cause he kind of has to. He'd literally ended up letting all the enjoyment be up where he can't reach [The book shelves]. Armand so desperately wants Louis happiness but what really ends up happening is that Louis ends up having to give Armand all his own. He's got no one or anything else to get it from. But like an iPad and an over the top eating ritual. Two extremes of what's just more lint picking.

This whole relationship is one I find just tragic inside and out. You have to just pity it, really. There's ways in which you can find yourself feeling bad for both of them. But you can only really be mad at Armand for any of it. Armand, who isn't even 'free' in any sense, having so little concept of his own independence, but is at the same time so controlling over other's. It's a tragic cycle. It's an infuriating one.

Louis at least has the mind to know when enough is enough. If just needing that extra push to get there. Armand's too scared of it being over to even try.

[wavesoutbeingtossed]

I know you don't like discussing the muses but i love your takes and perspectives and i had to ask you about this. after listening to ttpd, did you have the impression that she really loved matty more than any of her exes/previous relationships?. And listening to the whole album as a whole would you call it the ''matty album'' or do you think there are more prominent themes in there than their period together?. (hope this doesn't bother you, feel free to delete if you don't feel like answering it)

hey anon! You're right, I don't really like to get into the muses as I don't really think there's anything to add to the conversation at this point, and ultimately I don't think it matters.

That being said, and with the caveat that I am not Taylor and I do not know Taylor so I cannot speak to her thoughts and can only make relatively educated guesses based on being an avid consumer of her work and a student of the human condition (lol), no I do not think Taylor loved Matty more than anyone else. I think there was maybe a brief period in the thick of things where she *thought* she did because she was not thinking clearly and was in full-on denial, but to me the message that is loud and clear in the album (and more or less explicitly stated in the epilogue) is that it was not any kind of real love affair. It was certainly infatuation and lust and the promise of something more, and there may have been some love as well, but he was in no way the love of her life by any measure.

I would call it a "Matty album" insofar as they're about events in which he was present, sure. But I feel it much more as a Taylor album, if that makes sense, even though I know that's a cop out because every album is to a degree. I can't explain it well, but I don't see TTPD as a Matty (or Joe) album in the way that I would maybe say Red is a "Jake" album or 1989 may be a "Harry" album or even Lover being a "Joe" album whatever, because even if they don't figure in all the songs, that kind of heartbreak permeates so much of the material.

The thing about TTPD and the Matty situation is that the Matty situation is really a Joe situation (which in some ways is actually partially a Jake situation). I always say I hate treating Taylor like a character so I hate speaking about her and her work in this way, but you don't get the Matty situation without the Joe situation precipitating it. It's @taylortruther's now-infamous donut vs. hole analogy. The reason Taylor makes the choices she does with Matty is directly tied to what happened with Joe that made her feel she needed to. Which is not to say Taylor isn't responsible for her own actions or doesn't have agency in her own life, but I mean it in that the situation in which she found herself with Joe, and the pain it caused, is what made the alternative so comforting and perhaps even necessary in her mind. It's why it makes it so hard to "paternity test" the album, because the stories are inherently intertwined and you don't get the former without the latter.

The major "theme" of the album to me is the loss of a very specific, very personal dream, and the way in which she lost it, and the way in which grieving that loss drove her to make the choices she did. We're all talking very delicately about it because it's a sensitive topic, but it's late on Friday and few people are going to see this, so I'm going to say it: it's the give you my wild, give you a child of it all. The yearning she expresses both overtly and sub-textually for having a family in the album is palpable in a very iykyk kind of way, and it's the realization that those plans are not going to come to fruition in the way she had once imagined that drives a lot of the pain she experiences, and makes her jump at the chance to find that again with someone else.

I started a draft post about the theme of womanhood and motherhood on TTPD three months ago that I never finished because I ran out of time and ran out of steam, but it was the most striking thing to me on the album, not because I didn't know that she wanted those things because that's been obvious for years (definitely since Lover, and again, peace put it all on the table), but because the vulnerability she expressed about it on the album is incredibly moving, and it's so generous of her to trust listeners with those feelings and experiences.

Again, it's the thirtysomething of it all.

She is in relationship A which she at one point believes is forever, one which she at one point believes is going to lead to marriage and children. She is so committed to that dream that she either ignores or tries to fix serious issues that may otherwise lead others to think the two people in the relationship are incompatible, both because she loves the person deeply and because she feels that this is meant to be the way she achieves that dream. She gives it her everything, and it still dies a slow, painful, onerous death, and she feels like it may take her along with it. The dream of getting married and presumably having a family gets taken off the table: how we don't know and will likely never know because that is private between the parties involved. All that matters in the context of the album is that those plans never come to fruition and never would.

Then you have relationship B, an old flame who knows just enough buttons to push both to trigger and to flatter. A person who she presumably trusts with very sensitive, personal information as her life slowly crumbles, and this person is telling her all the things she wants to hear because he knows about what is happening in relationship A because she's told him. Person in relationship B doesn't get an "in" with her and sell her this dream unless what happens in relationship A precedes it. It's not a grand love affair for the ages, it's not a mutual decision on building their own dream together. It's Person B learning about what is happening with Person A and saying "I can do that!" even if he can't or doesn't. The dream he sells her is a rental car; it's not his own, he's just borrowing it from someone else and selling it back to her.

And the reason she falls for it is because it is what she aches for the most in her personal life, and she is grappling with it disintegrating, so she (unfortunately for her) falls for the easy way out, and in turn sells herself a story about how this must be fated, and this must be meant to be, because this person wants all the same things she does and she didn't even have to bargain for it! Well, yes, because she fed him the dream in the first place. (Like a mark falling for a sleeper cell spy.) It's too good to be true because it isn't true. IMO Person B doesn't come running out of the gate with the marriage/baby/dream life promises unless he knows that is what she most desires. But what's left unsaid out of all of it is that: those dreams were her dreams because they were her dreams with Person A. It was a whole life they had together, and a whole life they had planned for in some fashion, and a whole life that has to be dismantled in the aftermath.

So all this to say, yes, on the surface, Matty is a "main character" on the album, but truly he's a side character to Taylor as the narrator and person experiencing it and Joe as the ghost bit-player-who-haunts-every-scene. (Again, I hate referring to real people as characters, it gives me the absolute ick, but in this case it's the only way to answer the question.) I jokingly call it the Matty album for shorthand or when I want to say something out of pocket, but really, it's a disservice to the album to say that because it's not a muse album as in it's about the romance (like, say, Red often is), it's about a soul-crushing heartbreak that goes beyond it. The romance is the symptom, not the cause.

The loss of youth is tied in with all this: she's not 22 anymore. She isn't even 32 anymore. She had a very specific idea of what her life was going to look like at this point and had planned for that life, and it goes up in smoke. But again, to bring the womanhood into it all: there is, unfortunately, a deadline for these things. You're with someone for over half a decade you think is going to be your life partner and father of your children and and then he's not. You spent half a decade building this relationship for it to crumble, but now you're in your mid-30s and you don't necessarily have another half-decade to build that trust and faith in someone else before being ready to start a family. And maybe you're scared that anyone else who may become your partner will need that much time to build that trust and faith, because that's kind of all you've ever know in relationships. But lo and behold, someone comes into your life you once had feelings for and maybe now do again and is offering you everything you want and thought you'd have by this point in your life right now. It feels like an elixir that as we find out is actually poison.

That youth is not just the chance for motherhood, but it's also the hopes and idealism and belief in the future that often gradually erodes as we age. But for Taylor as well, it's also tied into the trauma of what she went through particularly in 2016, which kicks off a lot of things on the album as well (her retreat, her relationship with Joe, the pivoting in her career, etc.). That event caused a pretty clear before/after in her life (like a few other events, I suspect), and another major theme in the album is her finally grappling with the full weight of that. They're all different branches of the same tree of the story of TTPD and her life.

I could talk about this stuff forever, but I'm going to stop here because it's long enough and I should save stuff for one of the dozens of drafts I have half-baked lol. But this is just something I needed to get off my chest perhaps.

[fisheito]

*rings the service bell* hi um i was wondering.. if there's any yakumo temperature play in here? sounds silly but i only realised after i circled the building a few times... that i haven't seen it at all. Seems to be common practice, actually- to not have it. i've visited several other buildings and there's been no sight of it.

which is... strange? if i think about it, it's surprising that i haven't encountered it yet! it sort of makes sense to have them together, you know? considering that temperature is so vital to a snake's perception of the world. and how sensitive reptiles are to temperature fluctuations.

so there's a lot of control to be had here. can you imagine controlling someone's energy level just by adjusting the thermostat? er- well, i guess we already do that. but imagine you put yakumo in an ice bath and he immediately falls asleep. brumation happens instantly now, sorry. and the only way to snap him out of it is to stick a flaming dildo up his ass

what?. no, i mean, restore his regular energy level with a soft warm-up. a heated blanket and a gentle steam. hahaha.

people plunge themselves into ice water before jumping into hot tubs and vice versa- for fun! they do this recreationally!! they call it a "spa treatment" and pay a premium for it! what's wrong with giving yakumo a spa treatment? who are we to deprive him of such sensory luxury?

i'm JUST SAYING that since he naturally gravitates toward heat, you could put him in a hurt AND comfort scenario he could be naked and cold, banished to the distant corner of the room.. but when you offer him a source of warmth, whether that be a hot rock or a warm hand or 20 lit candles suspended above him dripping wax on him at random intervals,,, wouldn't he have a tough time turning down your generosity?

i mean, he certainly would if he was tied up.

see, here's the other thing i cannot quite comprehend-- it's that--- how has a snake yokai not featured bondage scenes yet? i guess there was that one time with the.. hm. no, we shan't talk about the cellar. besides, ONLY ONE TIME is unacceptable for a sentient rope!! although yakumo would love to wrap up his prey and squeeze the cum out of em, i feel like we're missing out on a lot by not OutSnaking the Snake. tie up and restrain the Restrainer. it's just a liiiiittle step farther than putting him in a pillowcase! so mild!!!!

here's a guy who is always worried about losing control/// about being free to wreak havoc on his loved ones, despite his best intentions. so how about we give him a moment of peace? a moment where he believes he's subdued and unable to cause harm? just tie him up! keep him under TIGHT lock and key. (or some nice soft cloths for his sensitive skin, if we're being nice.) honestly, his brain will do the rest of the work. even if he's not truly incapacitated, his desire to BE So can fill the gaps in any questionable knotwork.

while he's half in the prison of his mind and half in the confines you've created for him, take some time to squeeze some whimpers out of him. although it pains me to cover up those soggy eyes, a blindfold may be an intriguing option. is yakumo the type of snake to rely on heat vision? WHY NOT FIND OUT! (if he's not terrified at his loss of sight, then i guess his pit organs are functioning . in which case, the blindfold doesn't really need to stay on. if he IS terrified and feels the loss of visuals acutely, this would be an excellent opportunity to soak in his panic. just for a bit though. we're not so cruel. guide him back with a warm touch. see? playing with fire temperature contrasts can bring such relief!)

maybe i'm getting ahead of myself. i don't expect yakumo temperature play to show up WITH bondage , why- that would be asking a lot, right?

but the basics are simple enough, yes? give the wretched creature the comforting warmth he wants, then perhaps inch closer to something bordering uncomfortable? Too Much? have him seek out what he craves, only to be burned (metaphorically and/or literally) if he indulges himself too much? oops! someone's become a slave to their senses!

i'm just saying that the sensory perception of yokai vs kink is (relatively) unknown territory. if temperature play already messes with humans, what could it possibly do to yakumo? he could experience it in facets unknown to others.-=- to levels others are incapable of appreciating---- like someone with synesthesia who can experience music with another layer of enjoyment.

if you give a snake ice cream, followed by a hot piece of meat [unknown origin], it'll really make him aware of the contrast, hmm??????

anyway. sorry about that. i'm not super clear on the specifics of it all. i just thought it peculiar that i haven't seen the yaku-hot-cold-sensitivity-finagling. out there, in here, nowhere as far as i've seen..

...or is it located in a part of the building i overlooked? if so, could you direct me there? i would really appreciate it.

if you don't have it after all, that's ok. i'll keep a careful watch now that i know what i'm looking for. maybe it's one of those things where, once i actively search for it, i'll notice it everywhere! wouldn't that be delightful!

with that, i guess i'll be on my way. thanks for your patience. yeah, i hope i find it too. have a good one!!

[xstick-noodlesx]

I would even pay for the show but it's not purchasable on any streaming services in the EU, specifically Germany.

[that-was-anticlimactic]

i will never understand how or why the httyd movies did the books such an injustice.

the movies aren't even an adaptation - they stole the name of the series, the name of some of the characters and places, and the general idea that there are dragons. honestly, i would be fine with the movies and maybe even like them if they didn't capitalize off of cressida cowell's incredible books that never get any credit.

the books are an amazing story about the cycle of violence and how vengeance and revenge is dangerous. hiccup says that the past is a ghost story, one we need to learn from to better ourselves. the books are about how everyone deserves freedom, how every creature, every being on the earth deserves to be free. we see that in the slavemark, with the dragons.

and like... hiccup is so different. they did him a severe injustice. he's scrawny and intelligent and learned to talk to dragons simply by observing them! he chooses kindness first above all else; instead of yelling at toothless to train him, he is kind. and in the end, that kindness is why toothless chose to save him. bc even toothless himself says that dragons are inherently selfish creatures who care only for their survival. hiccup is brave - his beliefs differ drastically from both the vikings and the world.

hiccup is a child who chose to do the right thing even at the expense of himself. he agreed to free the slaves on nobert's ship, and in return, they gave him the slavemark which is easy to give but cannot be removed. he was like twelve. and having the slavemark means he cannot be with his tribe or his family, it means he isn't considered a human being anymore. and he keeps it a secret for awhile until it's revealed and when it is everyone turns their backs on hiccup. his family, his tribe, his mentor, people he TRUSTED. everyone except fishlegs, and, once she got over the shock, camicazi. he was thirteen. and even when he lost his memories and was really injured, he persisted. he was told to go to tomorrow and to save the dragons and he did bc in his heart he knew it was right even though he didn't know who he was or how he got there.

and fishlegs,,, oh my god FISHLEGS!!! the did him SO DIRTY!!! fishlegs is hiccup's best friend, one of the main motivators for hiccup. he steals norbert's potato for the sake of fishlegs, he gives fishlegs his dragon and goes to retrieve another, he takes the blame for fishlegs. and fishlegs does the same for him. he takes the slavemark with pride. he refuses to turn. he gives hiccup his lobster claw necklace which is his most prized possession. he is brave for hiccup, he believes hiccup is alive. he fights for hiccup harder than anyone else ever has. he does not turn. his is loyal, has allergies, has asthma, has a squint and a limp, has glasses bc he's blind without them... and he's still a hero despite being a runt, despite everyone even the adults telling him he's hopeless, telling hiccup to leave him behind.

and they cut camicazi! i'm sorry, but astr*d is nothing compared to camicazi. camicazi is a tiny, feral child who can easily best hiccup, fishlegs, and pretty much anyone in a sword fight. she can bring a grown man to tears with her rudery and smack talk. she is recklessly brave and craves adventure and follows hiccup blindly bc she trusts him that much. she isn't in love with hiccup - in fact she doesn't care about romance and love. she gives up everything to help hiccup bc she has a strong sense of justice. she is the motivator, the cheerleader, she finds a positive in everything. she never gives up. literally never gives up. and that's one of the most inspiring things about her: she always has hope.

and toothless! god!!! toothless is *thought to be* a common or garden dragon. he is horrifically tiny, he is literally toothless, and is the biggest brat in the world. he will cause problems on purpose. he has a stutter, he's the most selfless selfish dragon around. he and hiccup can talk to each other. he masks his fear with singing and being annoying. his growth is remarkable. he starts off refusing to obey hiccup, doing the opposite of what he says, making life harder for literally everyone around him, and he's still somewhat like that. but he's also braver, more caring, more willing to make sacrifices for the sake of others. he's clever, which he needs to be to make up for his size and aggression. he protects hiccup with everything he has, therefore, he protects what hiccup cares about just as hard. he was the only dragon that didn't abandon the vikings in the first book bc he cared about hiccup.

and snotlout,,, god,,, i will never forgive the movies for butchering snotlout. hiccup's cousin, the bully character, the one who is horrifically jealous that hiccup's dad was born before his. the one who desperately wants to prove himself, to be worthy, to make people proud. and you hate him, you despise him. he betrays everyone many times bc of the nothing promised to him by alvin and his mom. he loses himself, turns his back on himself, all bc he wants to prove himself. all bc he wants to be better than hiccup. and hiccup still forgives him and gives him chances, sometimes out of pity, but also bc snotlout is his cousin. he can't just turn his back on him no matter how miserable snotlout made his life. and in the end, snotlout sacrifices himself for hiccup. he gives up his life for hiccup in one last attempt to set things right. his death and the events preceding it are one of my absolute favorite moments in the book. gives me chills. makes me cry.

that's the thing with the books - they're so realistic. there is no inherently happy ending where everything works out. the first book begins with "there were dragons when i was a boy", implying that they're gone now. the books show there are consequences to our actions. they enslaved the dragons, they fought against them during the dragon rebellion all bc alvin and his mom said to, and now they're gone bc a simple apology doesn't fix hundreds of years of enslavement. and the only way for the world to move forward was for the dragons to leave and heal on their own. and now they have to learn to live without them. and yeah i've heard the third movie ends like that but. it doesn't have the build up. it doesn't have "there were dragons when i was a boy". it doesn't have eleven books of development to back it up, to make it feel meaningful.

i know that the movies are really special to a lot of people. i know that, on their own, they're genuinely good movies. i can acknowledge that the soundtrack is amazing and the animation is beautiful. i just can't see past the way they butchered the world that i love, the world that i grew up with. i can't see past the way people yelled at me for saying i liked the books better, the way that people gave me weird looks when i showed them a picture of the original toothless, when i tell them that nightfuries aren't even a type of dragon. cressida cowell created hundreds of different dragons, and the movies couldn't even pick from that. i can't forgive the way that barely anyone knows there are books bc the movie barely gives credit to them. i cannot forgive the way they capitalized off the books and then shoved them aside. i know cressida thinks they're good movies and i know a lot of httyd book fans also like them. but i just... i cannot get over how much they changed and how they missed so much and ignored the books. also they got rid of camicazi so hiccup could have a love interest and that is unforgivable to me.

if you disagree, that is a-okay. we're all entitled to our own opinions. i just ask that you, perhaps, try the books out. give them a chance. bc they're amazing works of art and also just like. don't yell at people who don't like the movies? whether it's bc they prefer the books or just aren't into that kind of movie. and just remember that dreamworks didn't come up with the story; cressida cowell did.