#I don't know if I've been clear enough about this over the season but I LIKE kipperlilly as a character

[jq37]

FH Junior Year Post-Season Thoughts

With another season of Fantasy High in the books and my recaps all finished, I wanted to do an overview of my thoughts on the season as a whole. Even though I feel generally positive about my experience with the season, there are a few things I think maybe could have been done differently narratively or mechanically. This isn't to criticize the way the season went down or to backseat DM/Play. More my combined ten years of college for textual analysis and storytelling bleeding through, haha. 

I first want to start with the things I thought worked really well.

Fantasy High has "High" right in its title but, in past seasons (and especially Sophomore Year), not as much time as you'd think was spent actually at school and even if it was spent at school, there wasn't much time spent in class or engaging with the realities of being a student. This season really dug into the academic consequences of skipping your classes all the time and the realities of needing to do a ton of extra stuff to try for a scholarship and I think that was a refreshing thing to highlight for a change. Being more scared at flunking out than the dragon that's trying to eat you feels very emotionally resonant. Real "High School Is Killing Me" vibes for anyone who's a fan of NPMD. 

Even though Fantasy High is a show that has some deep emotional beats and strong character arcs, it's first and foremost a comedy show. From the jump, everyone was generating bit after bit that had me cracking up as usual. "Little girly dog collar" is one of the funniest combinations of words I can think of. I think it was Siobhan who said that this was the goofy season and, having seen it, I'd have to agree with her. It never failed to make me laugh and it was always a highlight of my week.  The cast just has great table chemistry that I love to watch no matter what they're doing. 

Watching some of these high level combat encounters is as close as I'll get to understanding people watching sports. Even though combat is generally my least fave part of D&D, I think the cast really killed it this season with how cleverly they played and Brennan came up with some really great combat encounters. Special shout outs to Baron's Game and The Last Stand for their unique mechanics.  

This is going to be one that's on the other list as well because my feelings are mixed, but I genuinely do like the downtime mechanic and how it forces hard choices. I think it's an interesting way to connect a mechanic to the story and cultivate stressful atmosphere for the season.

I have problems with the execution but I love the Rat Grinders in concept. I think as early as season 1 I was hoping that we'd meet a party that was like the Bizarro Bad Kids and the idea of a party that's farming XP instead of going on crazy adventures is a strong concept. Likewise, I think a character that's jealous because of your "cool" (read: tragic) backstory is also a fun trait for an unhinged antagonist in this kind of setting.

This is me absolutely showing my bias but I adored the Abernant Sisters content this season. I dunno if Siobhan specifically asked Brennan to not put her on a bus with the other beloved NPCs or what but I'm so glad she stuck around and we got the development we did. It was almost entirely ancillary to the plot but there was this clear pattern of Aelwyn getting softer and sweeter towards Adaine over the course of the season, from the guarded, "Enjoy the nemesis ward," to, full I love you's and, "I'd take them to get you." It was way more focus than I expected considering that Aelwyn completed the bulk of her arc last season and a lot of the time, a redemption arc basically ends after the big gesture (in this case, Aelwyn taking a magic blast for Adaine in Sophomore Year). So the fact that we got to see all of these sweet moments of them reestablishing their relationship outside of do or die moments was such a pleasant surprise. Again, I fully admit I am extremely biased, but this was my top wishlist item and the season overdelivered so there's a baseline happy I'm always gonna be with Junior Year. 

OK, so moving on to things I things I think could have been tweaked.

Even though I liked the downtime system and the pressures it created, it also squeezed out the chance for more casual PC to NPC interactions that would usually be more common because they were semi-locked behind the relationship track and there wasn't an obvious benefit to roll for Relationships (as opposed to something like Academics which was crucial for not flunking out). Making the mechanical benefit more clear would have helped that (even if it meant Brennan didn't get his reveal--which he ended up just telling them anyway so might as well do it early). The other thing is that the consequence of a rage token was so bad that of course they spent all season avoiding getting one. Things might have gone differently if the consequences had been a bit more obscured, like in Neverafter. And it could have been a nice parallel to the Rat Grinders to take this unknown resource that makes things easier for you but is also having this negative effect. Then it could be like dang we did the same thing they did unknowingly. 

I mentioned this in my recap but I'll talk about it again. It is a little confusing to me that we did the Ankarna subplot right after we did the very similar Cassandra subplot. It took up so much time this season which I don't think is an issue in and of itself, it's just that we literally just went through some extremely similar beats last season. Why double up on this same storyline when there's so much new ground to cover? Or if we're going to raise a god, why not make it a different kind of god? One theory I had early on was that the Rat Grinders were trying to raise their own god to one-up the Bad Kids but instead of raising a chill, misunderstood Cass type, they accidentally raised a god who was erased for a good reason and got in over their heads. 

It's fun for there to be connections between seasons but sometimes it's like, OK that's a *lot* of coincidences. Like the god who your rivals is trying to raise *happens* to be the wife of your cleric's god and also *happens* to be the god of the fiend trapped in your friend's mom's chest and that fiend *happens* to be the relative on your bard's dad's side which is *also* the reason she is randomly cursed? That's a LOT of red string connecting plot points. As unhinged as Kipperlilly is about coveting Riz's backstory if I saw that go down I'd be like you have *got* to be kidding me.  

The mystery elements didn't feel like they clicked as well as they did in other seasons. I think that's partially because Porter's plan was so convoluted (seriously, I made another post about how haphazard his plan was) and had all these moving parts and we didn't get clear answers for a lot of mechanical things like how the rage crystals actually work and when they were implanted and stuff. You had stuff like Devil's Honey which I think is super cool as a thing that exists in the world but ended up being an element that just led the players down the wrong path and had a relatively small payoff (that Porter was using it to lie to Ankarna). I think it's plausible that a forgotten god would be willing to listen to anyone saying the right things without introducing this element. (As opposed to, for instance, Ambrosia which has a very clear connection to what's going on and is a solid clue that someone is flirting with aspirations of godhood.) 

The Porter reveal came so late in the season that even though it was a fun/challenging fight, there wasn't a lot of emotional weight behind killing him. It was basically just dunking on a teacher Fig has always hated who was also mean to Gorgug so screw him. Which, valid of course. But the Bad Kids were never going to react as strongly to Porter as they were to the Rat Grinders so putting Porter in the prime villain spot isn't necessarily what I would have done if I wanted the fight to be more than just a brawl--especially since we've done "School admin with student minions" already in S1. I don't mind the full circle callback but it would have been nice to pick something else for the sake of variety. We haven't had a child mastermind yet and I think Kipperlilly could have been a great candidate for that. My friend suggested that it would have been fun if Kipperlilly was trying to become a god instead of just being Porter's underling and I agree. "I'm not anyone's chosen one so I'll choose myself," is still within her established jealousy and Type A tendencies. If we want to keep Porter involved since that was Brennan's gift to Emily, maybe have it be that instead of Kipperlilly working for him, he's working for her. Like Artemis Fowl vibes! And the Rat Grinders can be varying levels of on board--from true believe to redeemable. I don't think Brennan planned for the Bad Kids to ever redeem her so might as well go full megalomaniacal mastermind with her and make her The Villain if she's not gonna be nuanced anyway. If My Little Pony can do it and send a literal child to Tartarus for pony treason (or whatever Cozy Glow did), Fantasy High can too. 

Continuing from the above, if we have the Porter fight in place of the Grix fight (a la Daybreak) and don't use Ankarna, that gives way more time for the Bad Kids to investigate the Rat Grinders throughout the season and it would mean that they would have their personalities developed a lot more. With the limited downtime, they Bad Kids didn't have a lot of time to spend on these kids who were just hating on them for no good reason (valid). But if you cleared their plate of the god hunt stuff, they'd have more time for this. And if they weren't all rage zombies to varying degrees, it would be easier to see them as characters. Besides Kipperlilly (and, funnily enough, Mary Ann) we don't really have a good read on what these kids are actually like. The little time we spent with them all season was kind of a wash if them breaking out of rage means their personalities got laundered too. Anyway, regardless of how their loyalties ended up shaking out, it would have been fun for them to be more than the minions that they were in canon. As funny as it is for them to just kinda be XP farming losers, they did have the potential to be more interesting in their own right if they weren't just Porter's minions. And again, we've done adults forcing or coercing children into being minions in Freshman and Sophomore Year already. Lemme see some self-created child maniacs! (Or, peer pressured child maniacs. That's cool too. The Lucy/Kipperlilly dynamic is way more interesting to me if it's like girl, I would take a bullet for you but I CANNOT walk this path with you any further in response to *I* will be a god and you can be *MY* champion.)

Anyway, those are my thoughts! Like I said, I have my points that I think could have been tightened, but overall an enjoyable season and I will be glued to my screen if they decide to close out with Senior Year! 

[soshinysochrome]

Pre-cut fruit/veggies as an accommodation

I'm going to go on a rant that's been building up for a long time but needs to be said.

I just watched a video from How To ADHD where they finally articulated what I've been trying to explain to people for a long time; that buying pre-cut fruit and veggies is an accommodation.

Because holy shit, do people get angry at people who buy things pre-cut, like it's some kind of moral failing deserving of the vitriol and abuse that it gets. And it always comes complete with people smugly declaring that they take the time to cut their fruit and veg themselves, like somehow that makes them better than people who don't.

Lets get something absolutely clear.

Yes, we know it would be cheaper to buy produce and cut it up ourselves. Yes, we know that the added packaging is more wasteful. And we know that other people are judging us for it.

But here's the thing, starting with the fact that "taking the easy way" is not a moral failing:

Pre-cut produce is an accommodation.

I have ADHD, depression and seasonal affective disorder (seasonal depression). One of these by themselves makes taking care of myself difficult enough, but very rarely am I battling just one of these conditions at a time. And when it comes to cooking or preparing food, my options are very often either to spend a bit more to buy pre-cut fruit or veg, or not eat fruit/veg at all. Because if I buy produce I have to prep myself, at least one of three things will happen: 1) I'm going to forget it exists until it starts to make the fridge stink and it has to be thrown away. 2) I'm going to see it every time I open the fridge, feel bad that I can't bring myself to prepare it, worsening my executive dysfunction and depression, and making it even less likely I ever will prepare it. 3) I'm going to buy it, put it in my fridge, remember that it's there and beat myself up until it expires for being unable to bring myself to prepare it.

When people rail against those who buy pre-cut, what those of us who rely on it hear is that you don't think we deserve to eat healthily because we can't do it ourselves. Which sounds about as absurd as telling someone with glasses that they don't deserve to wear those glasses because they can't see without them.

Rant over. Leave people who buy pre-cut alone.

[tpwk-formula1]

Kinktober Day 1 - Hickeys - LN4

It is day one of my first Kinktober! I have been wanting to do one for years on different accounts and in different fandoms but I have finally started earlier enough to actually pump out an imagine a day!

All posts will be made at 12 PST according to the day

Lando Norris X Reader

TW - Hickeys, use of word whore, jealous sex, shower sex, unprotected sex, creampie

WC - 1400+

Y/N POV

"We're leaving," Lando said while pulling me away from the conversation I was currently having with Max.

"Lando! Stop, I'm trying to have a conversation, stop being rude," I said while pulling my arm out of his grip and trying to make my way back to Max.

"You've had enough conversation with him to last a lifetime! I've watched you giggling with Verstappen for the past 10 minutes. He cannot be that fucking funny! We are leaving now," Lando said while taking ahold of my hand and pulling me towards the exit.

Once we got outside and the loud blare of the noisy club behind us I can finally talk to Lando without having to shout.

"Lando, what the actual fuck was that?" I questioned him while we were waiting for our car to arrive from Vallet.

"I have barely seen you tonight and when I finally located you, you're practically on top of Max!" Lando replies back clearly mad about the situation.

"Lando Norris... Are you fucking kidding me right now? You're jealous of Max!" I reply back trying to hold my laugh back. Lando and I had been together since his rookie season so watching him get jealous over someone I had never once shown an interest in was quite funny.

"I'm not jealous of him, Y/N. But you don't need to all over him in a public setting like that!" Lando replies back before grabbing the keys from the young man who just returned the Porsche to the front of the club.

Once we got into the car it was fairly silent other than the noise of our breathing.

"You're ridiculous" I break the silence making Lando scuff.

"You're the ridiculous one! I don't understand how you aren't seeing the problem! You're over there flirting with my closest rival on the grid while you're in a very public relationship! You know how the media can be," Lando replies back. I just roll my eyes at how ridiculous his behavior has gotten.

"Lando you know damn well I would never even LOOK at Max like that! I have never once been interested in him, and I NEVER will be! You have never once had a problem with me being friends with the grid, do not start acting like this now because you are in a championship battle with him," I tell him while we pull into the garage of his Monaco appartment.

When I get out of the car I slam the door and make my way to the elevator trying to avoid Lando as much as possible.

The ride up to Lando's apartment was silent and awkward, both of us reflecting on the actions of the night.

When we finally get into the apartment I make my way into the bathroom before stripping down and getting in the shower knowing I need to clear my head before Lando and I can have a mature conversation.

I'm not even halfway through my shower before I hear the bathroom door open making me turn around and find Lando coming in shirtless and starting to unbutton his pants. Once he is stripped down he climbs into the shower with me.

I roll my eyes at him before turning my back towards him.

This was Lando's final straw because the next thing I know I am pushed up against the shower wall with Lando's chest pushed against my back.

"Drop the fucking attitude! I wasn't the one whoring myself out," Lando seethes out into my ear. When I don't respond to him he starts kissing behind my ear and down my neck.

Once he finds my sweet spot it leaves me gasping in shock before I feel his teeth sink into my neck and start sucking.

"Lando," I moan out. Once Lando pulls away from me I turn my head slightly to watch him observe the mark that is inevitably starting to darken on the side of my neck.

Without words, Lando takes my hips into his hands before aggressively spinning me around so we are face-to-face.

When I look into Lando's eyes I can see the lust swimming through them.

I grip onto Lando's neck pulling him down for an aggressive make-out session. It's not long before Lando is pulling back and trailing kisses down my jaw and neck again.

The feeling of Lando's teeth sinking into my warm skin has my knees growing weaker. Once Lando makes it to my tits I feel myself give out to the pleasure and if Lando wasn't holding me up I definitely would have been on my knees from the pleasure.

"Fuck," I gasp out when Lando takes my nipple between his teeth and biting down softly.

When I glance down at Lando all I see is his wet curls and little purple marks trailing down from my neck to my tits. I can't remember the last time Lando had given me a hickey let alone a whole collection of them.

"Lan please," I whine out trying to push him lower.

I get no response from Lando but he does start making his way lower down my body. All I feel is Lando continuing his trail of hickeys down my stomach leading his way to my soaked pussy.

When he finally reaches the spot I wanted him most instead of diving right in like he normally does he starts leaving hickeys all over my thighs. He has one of my legs in his hand giving him the perfect space to continue to tease me.

With the death I have on his hair I try to pull him close to my dripping core but instead, he makes his way to my other thigh but not before leaving a long lick from my dripping hole to my throbbing clit. This has me gasping for air thinking I was finally going to get what I wanted but Lando had other plans.

"Please, Lan," I whine out not knowing how much more of this teasing I can handle.

"Patience," All Lando says before starting his trail of hickeys again.

It feels like forever before I can feel Lando slowing making his way back to my soaking pussy. When he finally gets to the spot I needed him the most I let out a loud shrink when I feel Lando's teeth sinking down softly on my throbbing clit, before releasing it with his teeth and starting to suck on it.

"Fuck Lando," I moan out knowing I won't be lasting long if he continues this assault on my overly sensitive clit.

"I'm close," I moan out. This had Lando pulling away making me whine out from the loss of contact.

Lando doesn't say anything before he flips me back around so my chest is pressed against the shower wall.

It doesn't take long before I can feel Lando teasing my entrance with his hard tip. When he finally pushed in I let out a loud moan not knowing how to handle the overwhelming pleasure of being so full.

Lando starts thrusting in and out at a quick and rough pace. It doesn't take me long before I can feel my orgasm building again.

"Fucking, cum," Lando aggressively moans out making me explode all over Lando's cock.

"Fuck," I moan out feeling the early signs of overstimulation start to take course.

"Lan, fuck, please," I moan out not really knowing what I want.

"You're going to cum again," Lando grunts out making up my mind for me. I can already feel my second orgasm start to build when Lando reached around and started rubbing my clit which threw me over the edge again. This orgasm was stronger than the first leaving me shaking all over Lando's cock.

"I'm gonna cum in you," Lando whispers in my ear before I felt him slow his pace down but continue with the strong thrusts. When he finally spills into my still throbbing pussy I can feel how much cum he is pumping deep into me.

"Fuck," Lando groans out before slowly slipping out and allowing some of the cum to drip out of my pussy.

When we finally came down from our strong orgasms we finish our shower together before getting out. Lando gets out first and wraps his towel around his waist before grabbing the second towel and wrapping it around my body before helping me out.

When I finally get a good look in the mirror I can see just how much damage Lando had done to my skin. Just from my neck to chest I can see at least 8 hickeys ranging from small light purple marks to bigger deeper purple marks.

When I make eye contact with Lando in the mirror I see the smug look he is giving me.

"Well now he knows you're mine," Lando says with a small shrug before walking out of the bathroom, leaving me shaking my head at his petty jealousy.

[easy-there-leftovers]

A Question Unasked

Written with season 1 Spencer in mind

Summary: In which your ambitious, workaholic nature makes Spencer wonder if you've got a crush on Hotch. This slight hitch in his plan causes him to miss a few signs.

[A/N]: Can be seen as a filler from Spencer's perspective of certain scenarios from "Mixed Messages" and a prequel to "As Cool As I Think I Am", but can also just be a standalone

Pairing: Spencer Reid x fem! (mentored by Hotch!) reader | cw: slight spoilers for s1e04, allusion to inappropriate workplace dynamics (it's not true, relax lol), slight description of canon-typical violence, mildly inaccurate timeframe | word count: 4k

Spencer looks up from his endless stacks of files on his desk to look at the girl on the other side of his desk. Only a single carpeted walkway really separating them.

He could easily just get up and walk right to her. Ask the burning question that's been on his mind since the Arizona case, but he can't.

Why is that?

He's been your friend for a while, and he's known you for a while longer.

With his eidetic memory, he remembers so clearly when you first started working together. He remembers your starched blazer and pressed blouse, a stark contrast to his swimming-in-sweaters look, and how that alone let anyone know that you were serious about uniform and protocol.

You were, without a shadow of a doubt, one of the prettiest girls he had ever seen, and a fresh graduate just like him.

You were smart, beautiful, and started working at the BAU as early as he did.

And because you were new and young, one of the senior agents had been assigned to supervise your progress. So much like how he was mentored by Gideon, you had been mentored by the unit chief himself; Aaron Hotchner.

He'd like to think that he learned a lot from Gideon. He wasn't the type to hold his hand throughout a case, which he is thankful for, but he had been there to encourage him to think more outside the box. To let his mind be more flexible and creative. To see things from every conceivable angle. Leaving no stone unturned.

He supposed you learned a lot from Hotch as well. With your calm exterior, polite demeanor, and calculating mind that occasionally colored your less polite vocabulary-- He didn't know what Aaron must've been like in his junior years, but he supposed that having you as his colleague was essentially the same experience.

What he does know, however, is how close you are to your boss. Or is it your work?

Either way, you being glued to your work almost always meant that you were glued to him by proxy. You two being the first ones in and the last ones out showed that you spent three-percent more of your time with each other than the rest of the team, and two-percent more than with him.

Granted that had changed as of late, but still!

That didn't leave him a lot of time to ask you if---

"Dr. Reid, if you keep staring at me, I don't think you'll be able to finish your action reports on time." You had said without lifting your eyes from your folder.

Having been caught, he cleared his throat with a small 'sorry,' and directed his head back down to his still endless stack of files. The action earning a couple of chuckles from the bullpen where the rest of your colleagues had certainly seen, or at least heard, the exchange.

Not long after however, he saw Hotch from the corner of his eye lean over the railing outside his office. Calling for you both to meet him inside with his usual stern expression.

Spencer noticed how you got up, eyes still zeroed in on one of your files, and continued on your way up and into the unit chief's open door.

A clear sign that you had been invited there often enough that you didn't need to see where you were going.

You expected it.

He sighs and makes his way into the office as well. Dreading what the meeting could even be for, though he's confident he hasn't done anything wrong.

***

"As you might have noticed in our previous cases, I've paired you two to work on the more analytical aspects of it together. With these changes, we've been able to work twice as fast, and we’re thankful for the help."

Whatever Spencer had been expecting, it was not this. His raised eyebrows evidently agreed with him.

It wasn't everyday that Hotch complimented someone like this, much less in the proper environment. And if your respectful posture, but shining eyes in slight pride were anything to go off of, this was something new for you too.

As he was about to voice his thoughts, you had spoken up.

"Sir, Dr. Reid's knowledge in a wide array of subjects has certainly helped with our investigations. Though I'm afraid I haven't done much aside from ensuring it's accuracy and-"

"No! I mean--," He looked to see you already looking at him in slight confusion before continuing.

"She's been a huge help so far and has allowed me to exchange ideas with her to build a more accurate profile. Not to mention that her ability to mediate between departments has been beneficial to gaining access to pertinent information! So I think she's done plenty for the investigations as well." His voice dwindles as he realizes he's rambling on praises and he suddenly feels warm under the scrutiny of both his boss and his colleague.

He just didn't want anyone thinking you weren't doing anything by being humble. Especially since you're both so young.

Thankfully, it's Hotch who speaks up again after a beat.

"So what I'm hearing is that you're both satisfied with this arrangement?"

You both nod carefully and he smiles a small smile at that.

"Then we'll be carrying on with this pairing into the foreseeable future. Should there be any concerns about this arrangement, see to it that it goes through me. We can't afford to lose either of you." He says it with a finality that prompts both Spencer and you to leave with a nod, but the thought is instantly corrected when he speaks again.

"Oh and agent?" He looks only at you, but Spencer looks back as well out of instinct. "A private word, if you please."

Spencer sees you nod without a second thought and he takes it as his cue to hurriedly leave.

***

It hasn't been that long, Spencer argues with himself, since he left the unit chief's office. The blinds aren't drawn, he would know since he'd been looking at them periodically, so he also knows that nothing untoward is happening.

Yet something is bothering him about it.

From his position on his desk, he can see you and Hotch discussing something on his table very seriously, but he also sees how your eyes rarely leave the face of your superior. He can't quite see your expression due to the distance and the light, but he has this sinking feeling that it's a lot like the one from earlier.

He scoffs at the thought. If he wasn't thinking so rationally, he would've thought-

"Does she like Hotch?"

"Who likes Hotch?"

The new voice makes him whip his head back so fast to see Morgan with a confused face. Upon further examination, he sees him holding something that was definitely supposed to be flicked at him if he hadn't been caught so off guard.

He internally debates to voice his opinion, but he does anyway.

"Do you think that she likes Hotch?" He gestures with his eyes to their supervisor's office.

"You're asking me if I think 'little miss perfect' has a crush on a man that's hitched?" Derek echoes back with the use of your nickname. One that he coined as a playful jab at your no-frills behavior.

Spencer cringes when he hears it back though. He didn't ask this to get you in trouble, but it might come across that way now.

"Who has a crush on married man?" Elle joins in, and he only shrinks into his seat more.

"I'm not asking if she has a crush on him! I just want to know if she might like him and--what it is that she likes about him..."

The two exchange looks before looking back at him. Fully knowing that that's not the reason why he's asking, but they humor him anyway.

"Reid, what makes you think she likes him and not literally anyone else?"

"Well. there's her preference for prolonged eye-contact, a common indicator of interest for one. Her being in constant proximity to him, a sign that shows comfort in certain contexts, and then there's the amount of time they spend together."

The last one might be a bit of a reach, considering how you all work in the same area, but at this point he just wanted someone to tell him that he was either absolutely right, or crazy.

"Kid, that's crazy."

Duly noted.

"I'll say.” Elle chuckles out her response. “I haven't thought about it all, but those signs don't really mean anything. It just sounds like she has a habit of looking at whoever's talking to her." She notes, sharing her experience of being on the receiving end of your rather intense gaze.

His other friend adds onto that.

"And the whole closeness thing? You've seen her, she's like a computer with the way she works. She's a workaholic. And Hotch is another. It's just math, Reid."

Spencer furrows his eyes at the man's statement but before he can ask further, he sees you coming out of the office and staring at the small crowd that has now formed at his desk.

"Is something going on here?" You ask with tense brows. Eyes flickering to and fro.

He couldn't really think of something on the spot, but thankfully Derek had one at the ready. "Was just caught trying add my stack on to pretty boy's plate."

He sees you let out a small 'hm,' and you eventually turn your back to them to reach your desk.

He sighs in relief as he feels a firm pat on his back from Morgan.

"Next time, try looking at what she does when you're the one talking." He says before leaving to go to his own desk as well.

Spencer doesn't know what good that would do, especially now that he's worried one of his colleagues have caught wind of him liking you, but he at least takes note of it.

--------

He does not, in fact, take note of it until very later.

The team had been called to San Diego to deal with someone they had been calling, "The Tommy Killer." An unsub that had a preference for gluing his victims' eyes open.

As they were reviewing the scene in the jet, they had noticed a few stanzas of a literary work had been left behind at the scene.

"It's a ballad from the late 1600s. A Dialogue Betwixt Death and a Lady." Spencer had mentioned from where he stood.

"A 17th Century ballad?" Morgan had asked him incredulously from his seat, but it’s you who answers.

"One where a woman tries to bribe Death with all that she has in exchange for a little more time to live. Naturally, he doesn't allow it. Claiming that she was undeserving of an exception that even kings were denied of."

Spencer looks up from his own copy to see you still looking at your own from beside Hotch. With your brows furrowing in thought, he almost sees the actual gears in your brain turning.

"So what, are we looking at a literature professor of some kind?" Elle asks which immediately perks him right up.

"Well, actually anyone with access to the internet today. You should see what comes up when you type in the word, "Death" into a search engine." He laughed absentmindedly.

"Reid, no wonder you can't get a date."

Morgan's words made him frown, but he brushes it off.

Hotch, as previously discussed, then called on for the both of you to look deeper into the messages. To see if there was anything new that could be inferred.

He nods at him, and looks up. Expecting you to still be looking at Hotch as well.

Instead, your eyes meet his, but you quickly look back onto your file.

Reid thinks it's just a coincidence.

***

"Creepy, huh?" JJ had asked you two as she approached where transcripts of the written messages were tacked onto a board.

Spencer had been focusing so hard that he was caught off gaurd by her sudden appearance. Fully expecting the area to just be for you and him so he told her what first came to mind.

"Actually, conversations between Death and his victims was a fairly popular literary and artistic theme throughout the Renaissance."

Though perhaps the delivery wasn't as as good as he thought it was as JJ only stared back at him with an unreadable expression.

He thought it was interesting, really, but he supposed his slight stutter and breathy laugh at the end must have distracted her from his point.

He turned to look at you for help, but you too had been focusing on the messages and wouldn't be available to do that. So he just agreed with JJ’s sentiment, which seemed to be enough for her to leave.

He sighed out in relief.

"The lady never answers. Have you noticed it yet, Dr. Reid?" You turn to him as you ask.

He immediately refocuses on to the case and tries his best to reply after his prior blunder. "Oh uh-- Right, the dialogue in the ballad seems to be fractured. Well, it's more of a monologue than a dialogue seeing that there is no exchange of information."

A small smile graces your lips at that, and you gesture with a nod to go report your findings.

"So it is. Let's get going."

He follows you to where Hotch and Elle were discussing the sexual aspect of the crime and sees you take your place next to your mentor. The same position you were in when he was blowing out his birthday candles, as he also inserts himself into the discussion.

"Sir, we believe what the unsub has written at the scenes are most of the first three verses of the same ballad." You deliver, prompting your mentor to raise his brow at that.

"Most of?"

"Yeah, it's only one side of the conversation." Spencer adds. "There's no betwixt." He takes pride in your shared effort, which makes itself known by the smile that adorns his face.

Unfortunately, his satisfaction, isn't met with a positive reaction either as he sees Elle desperately trying not to make eye-contact, and your supervisor staring at him very pointedly.

He's thankful though at the little chuckle that you quickly try to hide behind a cough and a cover of your mouth to appear more professional. Quickly looking down at the ground.

He's happy that at least someone thought his joke was well-placed.

He continues to explain your theory about how the Lady in the narrative never answers, and that's enough for both Hotch and Elle to at least think about it.

Their attention is quickly stolen away however at an incoming call about a failed attempt nearby the precinct.

Quickly excusing themselves to get onto the scene as soon as possible, you see them call Gideon on their way out. Watching them as they leave the department doors.

But Spencer keeps his eyes on you as the thought just dawns on him.

You were the first one on the team to laugh at his jokes.

***

The more cases he works for the BAU, the more he realizes how much of his work isn't theoretical anymore. He feels it in the weariness in his eyes, the weight on his chest, and the shake of his hands.

Or maybe the shake is from the cold.

After all, he had dressed for the warm, California air. So now that he was in the cool, air-conditioned jet, he was seriously regretting not packing a sweater, at the very least.

He makes his way to the back of the aircraft after another successful investigation, and that's where sees you.

You had opted to shed your typically structured blazer on the seat beside you, leaving you in a softer blouse, both in color and form, that made everyone around you know that you were officially off duty.

It's a nice look on you, he thinks. A slight departure from your usually stern and hardened exterior. He wouldn't mind seeing a more relaxed version of you every once in a while.

A version of you that looked more your age and not constantly under the pressure of doing well.

He momentarily wonders if that's part of your mentor's influence as well.

He freezes a bit, as if catching himself in some depraved daydream, and takes a few steps back to return to the more vacant areas of the craft.

Before he can get any further though, you see him and beckon for him to come over with a tired wave of your hand.

"How's the flight treating you, Dr. Reid?" You ask, drowsiness lacing your tone as he sits on the seat opposite of you.

"Oh, it's the same as always, I guess. A little colder than usual, but that's to be expected. By the way, we’re actually lucky that we haven't experienced some semblance of turbulence yet on our flights, considering that the likelihood of it has increased by seventeen-percent in the last decade."

You laugh at that. "You really know just what to say, huh?"

He doesn't see it as funny as you do, so it seems. "I'm sorry. I didn't mean to scare you or--" "There's no need to apologize, sir. I find everything you have to say interesting, whether you mean it to or not."

He stays silent at that, suddenly nervous, and tries to make himself comfortable. He does so in the hopes that he can finally steel himself to ask you that question.

He talked to Elle earlier when they were waiting for the unsub's call. Asked her if she thought it was weird that he knew what he knew, and if it had anything to do with his inability to get a date. She had reasoned with him that it was because he didn't ask, but it couldn't be that simple, could it?

He mulls it over in his head before sighing. Opting to give up and just wait for a more opportune time.

Besides, jury’s still out that you could very well be pining over his boss.

The action, however, seems to remind you of something.

"Before I forget," You look into your baggage, rummaging around before finally finding what it was you were looking for.

You ask him to close his eyes, which he obediently does, and you place a thick rectangular box into his awaiting lap.

The sudden shift in weight causes his eyes to open, and he is certainly surprised to see what was on there.

"What is this?"

"It's your birthday. There wasn't a good time to give it to you, so might as well."

He takes the box into his hands and shakes it a little.

From the sound alone, or near lack thereof, there could be a multitude of things inside it. He looks at you questioningly and you only smile and gesture for him to open it.

He takes his time in doing so, and he doesn't know how or why, but he finds your reactions to his movements much more amusing than whatever could be in the box. As if you were more excited for him.

He finally peers into the now open box to see some sort of purple cloth. A ribbon of geometric designs cutting through its middle and he stares at it in wonder.

"It's a scarf!"

You smile at him, and he was thankful that the rest of the team were either asleep or just not paying attention as it allowed the both of you to savor the moment with at least some semblance of privacy.

"I've noticed that you had a tendency to wear a lot of layers. I wasn't sure if it was because you were cold, or you just liked dressing that way, so I made an educated guess and got you something practical."

And just like that, he's over the moon.

He immediately goes to put it on with a wide smile, paying no mind that it paired so badly with the short sleeves of his button up.

Not that he would know, nor care.

And just when he had been feeling cold earlier too! "Thank you so much. This means a lot to me, especially since you don't usually give gifts."

You shake your head. "I don't, but it's not everyday one spends their twenty-fourth at the BAU."

He continues to observe the cloth that now hung around him. Smoothing his hands over it as he does with an expression unreadable to you.

You worry a bit and hurriedly mention, "I'm sorry if it isn't your color. I see purple show up on your mismatched socks more than any other color, so I just assumed. If it's any consolation, purple is a great color to contrast the warmer hues in brown eyes?"

He flushes at your admission, but matches your urgency to set you straight. "No! Please, I actually really like it-- It's beautiful."

You breathe out a sigh in relief and nod slowly at that.

"Speaking of the color, did you know the origin of purple dye is actually quite fascinating?" His voice filled with enthusiasm. With his eyes, bright, and filled with a child-like fascination that makes your chest feel warm at the sight.

"Historically, purple dye was incredibly rare and valuable, which is why it became associated with royalty and nobility. The earliest known purple dye, known as Tyrian purple, was produced by the ancient Phoenicians around 1200 BC. It was derived from the secretions of a particular type of sea snail, the bolinus brandaris, found in the Mediterranean Sea."

He paused for a moment, wondering if he was boring you, but sees that you're still very much paying attention to him.

"The process to obtain this dye was incredibly labor-intensive and complex. It required thousands of these sea snails to produce just a small amount of dye. The snails would then be collected and left to decompose in large vats. After several days, a gland from the snail was extracted and crushed to produce a purple mucus. This mucus would then be exposed to sunlight, undergoing a chemical reaction that transformed it into the deep, rich purple dye we commonly associate with our modern day equivalent."

As he kept going, he suddenly remembered what Morgan had told him all those weeks ago.

"Next time, try looking at what she does when you're the one talking."

So he does just that.

He observes the way that your shoulders are more relaxed, how your eyes never stray from him, and how the small upturned curve of your lip makes itself known as you rest your cheek onto your propped up fist.

How he has your undivided attention and yet you don't even look the least bit bored of what he has to say. Only silently appreciating and subtly nodding along with the slow blink of your eyelids.

All clear signs of unguarded comfort, and or interest, in his presence.

Had you really been looking at him like that all this time?

Now the idea of you liking your boss seems silly. Especially when you’re looking at him the way he imagines himself looking at you.

"I did know that, actually, Dr. Reid. At the time, Tyrian purple wasn't only desirable for its rarity, people said it was also incredibly lightfast. That it was resistant to fading under the sun and the weather. Not to mention all that hard work that just to get a single gram of it. Then again, modern studies do claim that its lightfastness was, in fact, not an accurate feature as it's color diminished when it was exposed to light and UV radiation."

You laughed a little again, as if remembering some anecdote, and that sound was steadily becoming one of his favorite sounds. Following only after your speaking voice.

"Fortunately for you, doctor, I could only afford a synthetically purple-dyed scarf. Though that means that you won't ever have to worry about it fading under the sun."

Hands up in faux surrender, you give him a tired smile that he returns with one of his own.

A calming silence enveloped the both of you as you continue to bask in each other's presence.

At some point you doze off, draping your blazer on top of yourself to shield yourself from the cold, and that's when he starts considering Elle's words again.

"Do you ever ask anyone out?"

"No,"

"That's why you can't get a date."

He nods to himself, and reclines a little more into his seat. Snuggling into his new scarf that still has the faintest smell of you.

Maybe he will ask you out on a a date later.

_____________________________

Like my work? Consider tipping me!!

[fuckyeahgoodomens]

Neil talking about the responses to Good Omens Season 2 - from the Neil Gaiman interview with Brian Levine for The Gould Standard (x,x)

BL: The audience that you have built is a very passionately engaged audience. They, frankly, they love you. And one of the reasons they love you is that you fit into what I think of as one of two great divisions in art. There's, or in writing, um, there is: I'm entertained, I'm amused. I may be even enchanted; and then there's this hits me at a visceral level. You understand me as no one else does. You have touched something very central to my experience. And it seems to me that Much of your writing, maybe all of your writing, actually reaches your audience at that latter level. You know. I would say in the former category, sort of my quintessential and beloved example would be P. G. Woodhouse. He amuses me, but I don't feel like he's revealed my inner self at a very deep level. Um, were you aware that you were going to be able to achieve that? Um, that this is something... was it a startling thing when people began coming up to you, who'd read your work and said, this means so much to me?

Neil: Yeah. It was huge. And it wasn't expected. I... if I had a mountaintop I was heading towards, it was gonna be P. G. Woodhouse. Um, I wanted to be a proficient entertainer with a clear prose style who could tell stories. Um, it probably wasn't until Sandman that I found... I started to realize that in order for a story to work, I had to show too much. In order for a story to resonate, in order for a story to matter, I had to let it matter too much. And, and I remember the first people who would start coming up to me and saying, um, you, you know, your, your Sandman comics got me through the death of a loved one. Your death character got me through my child's death, through my parent's death, through my partner's death, through my friend's death. Um, and that left me kind of amazed. I'm like, well, I didn't write it to do that. I wrote it to feed my children. I wrote it to satisfy myself. I wrote it because nobody else had ever written it. And if I didn't write it, it wouldn't be written, but I don't think I wrote it to give you what you've taken from it. And I spent really about 20, 25 years feeling awkward about that. And then my father died, in March 2009, and never got to cry about it. Never... I, you know, I've, I've got on a plane and I went to the UK and dealt with the funeral stuff and organized all of that stuff and came back and go toff the plane and went and did Stephen Colbert's Colbert Report and wearing the funeral suit because and that was all I had with me and carried on. And then, somewhere in the middle of summer, I was reading a friend's script. They'd sent me a script and said, can you look this over? And I'm reading it, and on page 20, the lead character meets somebody, and on page 26 maybe, she's dead, and I burst into tears. And I'm bawling. I am sobbing. It is coming out of me in giant racking waves. And I realized that it's everything that I'd been, hadn't let myself feel, or hadn't been able, hadn't stopped enough to let myself feel, was suddenly being given permission to feel by the death of a fictional person who I'd met six pages earlier, ia script. And I thought that... and it was huge for me, and I thought, okay, that's that thing that people are talking about sometimes, when they come tome and they say, you, you did this. So right now, I'm in this weird, wonderful place where I think a lot of people in Good Omens Season 2 thought they were signing up for the P.G. Woodhouse, and didn't know that, no, no, no, you've, you've signed up for the whole thing. You've signed up for the feelings. You've signed up for the emotions. I... it is my job to make you care and to make you feel and to feel things you haven't felt before. And which meant that the first week or so after Good Omens came out, I was getting angry, furious, deeply upset messages on every possible social medium telling me that I had betrayed people, and it was awful, and they couldn't stop crying, and why would I do that to them, and did I hate them? And they hated me. And then a weird sort of phenomenon happened as people would watch the show again. And again. And now they started to know, okay, this is where it's gonna go, this is what's gonna happen, this is how it works. And they started realizing that they were actually feeling things, and that was good. And that they were caring about two people who don't exist. You know, I made them up, and then and Terry Pratchett made them up, and then, um, David Tennant and Michael Sheen gave them life, and then they get to walk around on a screen and you know they don't exist, but you can cry for them, you can love them, they can make you laugh, they can make you exult, and most important of all, they can make you care. And the number of people who are now writing to me, saying, 'This was so important to me. This has changed my life. This makes me feel like I belong. This makes me feel like I can cope. And it's let me sort of find myself. P. S. I hope you get to do Season Three.' is, is huge.

[restinslices]

okay chat maybe him like getting jealous

Assuming you’re the anon who asked about Spooky

Him this episode >>>>>>>>>>

I've seen posts before about Spooky and people say he'd pull out a gun and start swearing when he's jealous and really show his ass but honestly? I don't think that's accurate 

I haven't watched OMB in a hot minute and Netflix is being some hoes rn so forgive me if I'm wrong but wasn't he incredibly patient?

He was patient with Cesar and with Cesar’s friends. I don't recall him ever losing his temper and going insane besides season 4 when he heard people fucking shit up outside 

Spooky gives me the silent jealous type. Silent but also petty 

Like if you came back to him after talking to a guy he'd say some petty shit like “thought you'd be around him all day”

“That's your man now, right?” “Stop being childish”

You could tell when he's jealous though cause you'd feel him staring at you the whole time 

I could also see him clearing his throat loud as hell if you're nearby to both get your attention and introduce him to whoever it is you're talking to 

It's gotta be a guy he doesn't know cause realistically what Santo is dumb enough to flirt with you?

I feel like I'm expected to say he'd have this huge outburst but Oscar doesn't give me that vibe. He's pretty patient and I think especially if y'all have been together for an extended amount of time, he'd feel secure enough to know you won't do some foul shit 

I feel like someone touching you would cause him to immediately get involved. He'd walk over and physically take their hand off of you while pulling you closer to him or behind him 

And let's be real, no one is dumb enough to try shit with him. He's 6’1 and known as the leader of the Santos 

But if someone did try him because they're drunk or whatever, I feel that even though he's jealous he'd still put your safety first. His jealousy would go to the back of his mind and he'd try to get you out in case shit gets intense 

Another situation he'd step in is if you're visibly uncomfortable. Typically if someone's flirting with you, he knows you can handle it but if you're so obviously uncomfortable then he'd step in and get you away 

I feel like if you're dating Oscar your safety would go over everything so while he's still a man and wants to play all big and bad in whoever's face, getting you away is his biggest priority 

“Are you jealous?” “Should I be?” “No” then he'd nod or smth 

Now let's say you're hanging around a new guy a lot. Would he get jealous? Probably. He's a guy. 

This is a different situation ‘cause he's not seeing anything. He can't pull you away. What does he do?

Short answer; nothing. Long answer; he doesn't seem like the type to be so jealous he'd snoop on your phone or follow you because relationships require trust and if you caught him, you'd be upset. I could see him asking questions about the guy and then denying he's jealous ‘cause “I have nothing to be jealous about”

And it's like??? Are you telling me  that or telling yourself that? 

Over time it'd become obvious he's feeling a certain way. You'd say you're gonna hang out with whoever the guy is and he'd just make a “mmm” sound instead of actually responding 

“Something wrong?” “I didn't say anything” “Exactly”. Eventually it'd come out though 

And the idea of him flirting with someone else to make you jealous comes up but I don't think that'd happen. He hardly has any relationships besides his gang which means he hardly has any close relationships. He has the kids, who he's like an older brother too (or literally an older brother to) and Mario (and we don't know how much they interact) so I don't see him risking a relationship just to be on petty shit 

He'd say smth petty but flirting with someone else just as payback for some shit you can't control? Nah

You could probably calm him down easily just by being near him. Making jokes about him being jealous would help also because it's you acknowledging that you see how he feels without having a sappy ass conversation 

I feel like this is so anticlimactic and disappointing but realistically I don't see him flipping his shit. He's 19-25, which could make him a bit immature but 1) he's grown up quickly so I think he can handle his emotions. 2) He has two strikes already. He's not popping his shit and risking life in prison because he was jealous. And 3) he knows you know where home is. 

He gets jealous, sure, but all those reasons stacked together makes him act calm, only getting somewhat aggressive if someone is touching you or making you uncomfortable. He’s more petty than anything

Quick story time. So I got away from my abusive dad when I was 13-14, right. I was also obsessed with Spooky. Tell me why my therapist said “I think you love him so much because he’s a strong and scary guy and in your head he’d protect you if your dad came back for you”. The way I almost blocked her-

I’m still seeing her years later😃

[blueeyedgirll]

shark week surprise - spencer reid x f!reader

spencer reid x f!reader on her period

this fic includes: fluff, descriptions of bad periods and period paraphernalia, spencer being a sweetie pie and doting on you, established relationship, non-bau reader, pet names, early seasons spencer, use of midol, no use of y/n, unrealistic depiction of spencer's job, reader being shorter than spencer

word count: 1,053

a/n: you'll never guess what time of the month it is for me ;) im testing out using gifs on my fics so tell me what you think my lovely returning readers!

"It hurts," you say into your phone.

"I know it does, honey. I'm sorry. I'm sure a heating pad and some medicine can help with your cramps," Spencer responds sympathetically, recalling all of the period remedies he had learned.

"I took some Midol about an hour ago and I have the heating pad on right now. It's not helping much."

"Hmm..." Spencer pauses for a moment. "I've read that light exercise and hot tea or water can help. Are you feeling well enough to talk to the kitchen and make some tea? I think there's still some of the chamomile and honey tea I bought you in the pantry, and the walking might help."

"I should be alright. Will you stay on the phone with me?" you plead.

"Of course I will. Luckily, I'm in my hotel room for the night, so I have as much time as you need."

"Thank you, Spence."

"You're welcome, love."

You hobble to your kitchen, phone in hand, and start to make yourself a cup of chamomile tea.

The few minutes it took for the kettle to boil felt excruciatingly long, but having Spencer on the phone to distract you helped.

"I was reading an article about Spanish idioms, and I saw one I thought you would like," Spencer prompts.

"Yeah? What's that?" You say, leaning against your kitchen counter.

"Well, it literally means 'Thinking about the immortality of the crab,' but it's a way to say that instead of just sitting idly, you were engaged in active thought or daydreaming. Kind of like saying you're just letting your mind wander," Spencer says, his voice growing more excited as he elaborates.

"I think about the immortality of the crab a lot, then," You joke.

"I know. That's why I thought you would like it."

You scoff and bring your now finished cup of tea back into your bedroom, where you had been hibernating amidst every fuzzy blanket you could find.

You pull the heating pad back over your lap and get as cozy as you can with your hellish cramps. As nice as your bedspread may be, however, you know that you would be a lot more comfortable with Spencer cuddled up next to you.

"When are you gonna be back home, Spencer?" You ask.

"Well, we haven't gotten very many good leads, so we're a little stuck right now. It might be a few more days. I'm sorry, honey," He responds apologetically.

"Oh... That's okay. I get it."

You did get it. It wasn't uncommon for Spencer to be gone for days, sometimes a few weeks at a time. But the searing pain and high estrogen levels just made you want him near you even more.

"I'm sorry. You know I would so much rather be taking care of you right now," Spencer follows.

"Ain't no rest for the wicked."

"Exactly." Spencer pauses for a moment, lets out a sigh, and shuffles around in his room. "You should get some rest. You may feel better tomorrow as your hormones decrease."

"I know. I love you, Spence."

"I love you too, darling. I'll see you soon. Hang in there."

"I will. Bye."

You hang up the phone and sigh dramatically. It was only Friday night, and without work to prepare for or Spencer to spend time with, you were forced to entertain yourself for the weekend.

You start by putting on an older show to rewatch, but don't make it through much before you fall into an uncomfortable sleep.

You wake up the next morning to your phone ringing. Rubbing your dry eyes, you pick up your phone and see Spencer's contact flash across your screen. You pick up, clearing your throat before you speak.

"Morning, love."

"It's eleven AM, darling. But good morning to you, too," Spencer responds. In the background of the call, you hear what sounds like a turn signal.

"Whatever. Where are you?"

"I'm in the car," He says uninformatively.

"Okay, then where are you heading?"

"To my destination."

What a turd. You groan in exasperation.

"If it makes you feel better, I have something for you,' Spencer tells you.

"Like what?"

"It should be arriving just about now, actually."

"What do you mean?" You question.

Before you could ask him anything else, you hear a knock at your door.

"Hang on, Spence. Someone's at the door," You say, placing your eye to the peephole.

To your great surprise, you see a tiny image of Spencer smiling outside your door with his phone up to his ear. You fling the door open and affirm that he is, in fact, at your door.

"Spencer!" You exclaim. He greets you as he throws his arms around you, lightly squishing you against his chest.

"I thought you weren't gonna be home for a few more days. What changed?" You ask, pulling away from his embrace to look up into his sweet brown eyes.

"The unsub basically turned himself in, so we all got to go home early. I would have came here earlier, but I had to make a stop," He says, gesturing to his right hand.

You look down to see a shopping bag. He smiles and walks into your living room, urging you to follow.

He slowly unpacks the bag, announcing every item as it appears.

"An array of candy -- fruit flavored as well as chocolate --, electrolyte drinks to keep you hydrated, a new bottle of Midol to help with the pain, and..." Out of a separate bag you hadn't noticed before, he pulls out a bouquet of fresh flowers. "Flowers because I thought you would like them."

He hands you the flowers and you smile up at him before enclosing him in another hug.

"Thank you, Spencer. You're so sweet."

"I'm just trying to make you feel better," He says, placing a kiss on your forehead.

"You're doing great."

He smiles into your hair before pulling away.

"What do you want to do? We can watch movies in bed, I can draw you a bath, we can go for a walk..." He trails off, looking to your for an answer.

"Let's go watch movies. We can find that new one we wanted to watch."

"Sounds good to me, love," He says, following you into the bedroom, snacks in hand.

[artsekey]

I'd been seeing videos on Tiktok and Youtube about how younger Gen Z & Gen Alpha were demonstrating low computer literacy & below benchmark reading & writing skills, but-- like with many things on the internet-- I assumed most of what I read and watched was exaggerated. Hell, even if things were as bad as people were saying, it would be at least ~5 years before I started seeing the problem in higher education.

I was very wrong.

Of the many applications I've read this application season, only %6 percent demonstrated would I would consider a college-level mastery of language & grammar. The students writing these applications have been enrolled in university for at least two years, and have taken all fundamental courses. This means they've had classes dedicated to reading, writing, and literature analysis, and yet!

There are sentences I have to read over and over again to discern intent. Circular arguments that offer no actual substance. Errors in spelling and capitalization that spellcheck should've flagged.

At a glance, it's easy to trace this issue back to two things:

The state of education in the United States is abhorrent. Instructors are not paid enough, so schools-- particularly public schools-- take whatever instructors they can find.

COVID. The two year long gap in education, especially in high school, left many students struggling to keep up.

But I think there's a third culprit-- something I mentioned earlier in this post. A lack of computer literacy.

This subject has been covered extensively by multiple news outlets like the Washington Post and Raconteur, but as someone seeing it firsthand I wanted to add my voice to the rising chorus of concerned educators begging you to pay attention.

As the interface we use to engage with technology becomes more user friendly, the knowledge we need to access our files, photos, programs, & data becomes less and less important. Why do I need to know about directories if I can search my files in Windows (are you searching in Windows? Are you sure? Do you know what that bar you're typing into is part of? Where it's looking)? Maybe you don't have any files on your computer at all-- maybe they're on the cloud through OneDrive, or backed up through Google. Some of you reading this may know exactly where and how your files are stored. Many of you probably don't, and that's okay. For most people, being able to access a file in as short a time as possible is what they prioritize.

The problem is, when you as a consumer are only using a tool, you are intrinsically limited by the functions that tool is advertised to have. Worse yet, when the tool fails or is insufficient for what you need, you have no way of working outside of that tool. You'll need to consult an expert, which is usually expensive.

When you as a consumer understand a tool, your options are limitless. You can break it apart and put it back together in just the way you like, or you can identify what parts of the tool you need and search for more accessible or affordable options that focus more on your specific use-case.

The problem-- and to be clear, I do not blame Gen Z & Gen Alpha for what I'm about to outline-- is that this user-friendly interface has fostered a culture that no longer troubleshoots. If something on the computer doesn't work well, it's the computer's fault. It's UI should be more intuitive, and it it's not operating as expected, it's broken. What I'm seeing more and more of is that if something's broken, students stop there. They believe there's nothing they can do. They don't actively seek out solutions, they don't take to Google, they don't hop on Reddit to ask around; they just... stop. The gap in knowledge between where they stand and where they need to be to begin troubleshooting seems to wide and inaccessible (because the fundamental structure of files/directories is unknown to many) that they don't begin.

This isn't demonstrative of a lack of critical thinking, but without the drive to troubleshoot the number of opportunities to develop those critical thinking skills are greatly diminished. How do you communicate an issue to someone online? How do look for specific information? How do you determine whether that information is specifically helpful to you? If it isn't, what part of it is? This process fosters so many skills that I believe are at least partially linked to the ability to read and write effectively, and for so many of my students it feels like a complete non-starter.

We need basic computer classes back in schools. We need typing classes, we need digital media classes, we need classes that talk about computers outside of learning to code. Students need every opportunity to develop critical thinking skills and the ability to self-reflect & self correct, and in an age of misinformation & portable technology, it's more important now than ever.

[sophrosynesworld]

Just Friends?

actor!Katsuki x actress!Reader

The studio lights cast a warm glow over the set as the host welcomes everyone back from the commercial break. I stand in the wings, nervously fixing my hair. Katsuki stands beside me, unfazed by the upcoming interview. The audience buzzes with anticipation, eager to hear from us about our latest movie.

"Welcome back to the Midnight Mic, everyone!" Late-night talk show host Hizashi Yamada greets the crowd, his voice bouncing around the room, riling everyone up. "We have a great show lined up for you tonight, so don't leave your seats!" Hizashi walks from center stage over towards his desk, pulling out the chair before directing his attention towards the second camera.

"Tonight, we have some amazing guests. Please join me in welcoming two of the biggest stars on the silver screen, Katsuki Bakugo and his leading lady!"

The applause is deafening, and I can't help but smile. Katsuki gestures for me to walk out first, my heels clicking as I wave to the audience. It's instantly twenty degrees hotter as the stage lights beat down on me. I don’t have to look back to know when Bakugo follows; the crowd’s excitement peaks as he steps out, giving a casual nod, his usual confident demeanor softened by a playful smirk. He glances at me as we sit, leaning over to adjust my dress.

"It's great to have you both here," Hizashi begins, turning towards us. "You two have been the talk of the town with your new film. How's the stardom feel?"

Katsuki leans back in his chair, clearly relaxed. "It's been a wild ride," he admits, a hint of amusement in his voice. "Most of us have done fine with the publicity. My co-star, on the other hand," he jokes, nodding towards me, "couldn't handle the heat at first."

I laugh, covering my red cheeks before nudging him playfully. "Yeah, this is just my first major hit. I wasn't used to the more persistent fans. This has been a wonderful experience though. The entire crew has really bonded over the last twenty weeks.

Our host raises an eyebrow, intrigued. "You seem to have a great dynamic, both on and off screen. What's it like working together?"

I glance at Katsuki, who gives me a look that says, "Go ahead." I smile and turn back towards Hizashi. "It's honestly been amazing. I don’t think Katsuki liked me very much in the beginning—"

“I didn’t.”

"—but I finally wore him down enough to tolerate me." I laugh, swatting his arm away while crossing my legs. "He’ll never admit it, but we clicked right away. It'll inflate his ego, but he's won three Oscars for a reason." I laugh lightly, smiling at the memories.

Katsuki grins, crossing his arms. "She’s being modest. I've won 4." The crowd laughs as he changes the conversation. "Honestly, she's the best costar I've had in a while. She's going to kill me during the nominations this year. I mean, there was this one scene where she just—"

"Oh, no, not this story," I interject, laughing.

He chuckles, ignoring my protests. "We're filming this one scene with all these seasoned professionals, folks who have been in this business for decades." He pauses, looking at me. "They had to rewrite the first version of the scene because her acting was so horrifyingly raw and realistic that it traumatized the crew. They thought she was actually dying."

Our host leans in, clearly shocked. "Are you going to tell us more? You can't leave us with crumbs!"

Katsuki shakes his head, his crimson eyes sparkling with mischief. "Definitely not. You'll have to see it in theaters to find out."

I shake my head sheepishly. "I don't even know if they left it in or not. They told me to act, so I did."

"This is why I love you guys. You're always so honest about your lives." Hizashi grins. Now, I hate to gossip, but there's been a lot of questions about your off-screen relationship. Care to clear up the rumors?"

Katsuki and I exchange a knowing look, a silent agreement passing between us. I decide to answer, leaning forward slightly. "We have a really close friendship. We're both super passionate about our work and love what we do, which makes working together even better. We definitely have a flirty friendship, but it's all in good fun."

Katsuki nods, his expression softening. "Yeah, she's great. We just get each other, you know? It's easy to be around her, whether we're on set or just hanging out."

Hizashi smiles, clearly enjoying our interview. "Well, it's clear that you two have a special connection. Before we go, is there anything you'd like to say to your fans?"

I turn to the camera, feeling a wave of gratitude. "Just a huge thank you to all the fans for their amazing support. This entire experience has been mind-blowing, and I can't wait for everyone to see it. We hope you love it as much as we do."

Katsuki chimes in with a grin. "Yeah, thanks for sticking with us, extras. Our new movie comes out in theaters September 22nd!"

The audience laughs and claps, clearly enjoying their money spent. Hizashi wraps up our segment, and as the band leads us to commercial, Katsuki leans over, nudging me gently. "You did great," he murmurs, a genuine smile on his face.

I grin back at him. "You weren't too bad yourself," I tease, standing up and heading back towards the green room, waving goodbye to some of our fans in the audience.

Katsuki is quick to follow, his steps only a few paces behind mine, practically pushing my bodyguard out of the way. I open the door and sit down on the oversized couch. Katsuki follows my lead, plopping himself close to me. His large hands almost instantly wrap around me, lifting me up and pulling me into his chest. I straddle him, our bodies dangerously close together.

"Just friends?" Suki whispers, his lips grazing mine as he looks at me.

"Just friends," I reply, the words soft and delicate as my freshly polished fingers wrap around the fabric of his shirt, closing the distance between us.

Authors Note: I'm obsessed with this idea and could probably write 200 of these little one shots.

[chrlvctius]

clandestine meetings

Alexia putellas x williamson reader!!

It was late afternoon, probably around 5 p.m., and the sun was setting. It was October, the fall season. The air smelled like leaves, almost like pumpkin. I was so focused on people walking down from the rooftop that I didn't notice someone joining me.

I didn't have to turn to see who it was since I knew who it was right away. Just by her hair, her height, and the vibes she radiates. I couldn't be wrong, I knew it was her. Memorising those small details about her makes me hate her because I can't seem to get over her.

She moved closer to me, leaving a small distance between us. She took out a cigarette, lit it, and went on about her business while I was at a loss for what to do beside her. I don't think starting a conversation with her would help either, so I just stood quietly, admiring the view and watching the sun set as the wind blew through my hair.

There's something about that comfortable silence. We didn't have to say anything to one other or anything like that. Or, if we did talk. We didn't have to worry about running out of topics or being awkward since simply being with her in silence is plenty; her presence is enough. Being together felt like home; it made us feel complete.

Leaning over the rail, I turned my head to check on her, and she was as lovely as ever. She was always beautiful. She was the first person who caught my attention when I moved to Barcelona. I've kept an eye on her ever since.

She continued smoking and admiring the view, while I got lost staring at her. She sighed and smiled, "You know I can see you staring, right?" she asked, turning to face me.

I couldn't think of anything to say so I just chuckled and shrugged it off.

She turned to face me, tossed her cigarette in the trash can, and moved closer to me.

"Why did you stop smoking?" I asked as she approached me.

"I don't want you to smell like smoke, plus i don't think you like it when people smoke near you" she went on to say

"That's very thoughtful of you, ale," I comment, laughing at her.

She was taken aback for a moment because she had never heard me call her by her nickname. It was my first time addressing her as such. I usually refer to her as "alexia" or "cap"

She paused for a bit before clearing her throat, "Is your sister okay?"

she said, seeming nervous

She seems to have gathered up enough courage to ask that question. Leah and Alexia weren't on the best of terms, so hearing her ask this makes my heart melt.

"She'll be fine; I'll be back home once the breaks come," I reassured her.

"I know she was against you going to Barcelona," she said as she drew closer to me than she had ever been.

"Um, yeah. She was," I answered nervously, hoping to keep it hidden because she was closer than ever right now.

"I'm pretty sure you know why she didn't want you to come here, right?" she asked, with a slight smirk on her face. She was clearly having a good time.

"Of course," I answer, trying to cover up my nervousness. Having her so near to me makes my knees shaky, like jello. Her stares make my knees wobble.

"She didn't want me coming here because she'll be alone, and we've never been separated this long, it'll be new to her, to me as well," I reply, looking wherever I can to avoid facing her because I know it'll be a dead end for me if I do.

"Come on, that's not all of it, isn't it?" she nudged me

"I'm not blind, I know the main reason why williamson doesn't want you to come here is because of me" she said with that annoying smirk on her face that I desperately wanted to erase

I just nodded and tucked my lips because she got it right

"What does she say about me? I bet she told you I was bad influence" she said and laughed

“You should surely take your older sister's advice, don't you think?"

"Like the good girl you are," she said, smirking.

We fell silent and let the breeze wash over us.

She drew nearer as I walked toward the doorway, placing both of her arms on either side of the rail to enclose me.

"Do you think I'm a bad influence? Do you agree with your sister?"

I look at her and see her eyes piercing at me, green with a tint of brown, she looked breathtaking. I felt like I could drown in her eyes.

"I don't think you are," I responded, swallowing hard.

"I'm your sister's rival, and yet you still stick with me?"

"I don't think you'd like it if I ignored you, though," I muttered, glancing down because just looking at her makes me want to pass out.

She tilted her head in such a way that it gave me butterflies. Lord, when will this end?

"Why so?" she inquired, completely teasing me.

"Would you like me to ignore you for the entire season, ale?" I said back.

She pouted at me, seeming to think about what she was about to say.

"Hmm, no. It would make me sad," she teased, smiling.

"Sad, why?" I inquired, still smiling.

"Because if I were to ignore you, that would make your sister feel relieved that I'm not circling you. I want her to be mad at me and for her to feel annoyed because it makes me happy." She grinned and moved closer to me.

"You're really messed up in the head, ale," I joke, pushing more against the rail because if I don't, you know what would happen.

"I want her to be annoyed, I want her to be angry at me, I want her to feel all the emotions," she said as she locked her gaze on mine. Her eyes seemed to want to express more, as if there was more to what she said.

"Which is why i won't be leaving you"

She whispered and stared at me for what seemed like hours. She was just staring at me, as if she was trying to memorise my face. I felt very vulnerable.

"Is that the only reason you don't want me to ignore you?" I asked, leaning closer to accept her challenge.

"Do you think there's something more?" she replied, edging closer to me until our faces were almost touching.

"I know there is"

I'm so sorry for leaving u w a cliffhanger 😭😭 i promise you there is a part 2! THERE WILL BE A PART 2 👹👹

Dm me if u wanna know some bits of the next part 😎

[tobiasdrake]

Hi! Absolutely adore your DBZ analyses, thank you so much - just spent a delightful time reading them all. I was wondering, since you've commented on Chi-Chi and Goku's marriage, what do you have to say about Vegeta and Bulma's relationship? (I've always been entranced by it - mostly because as with all his romances, Toriyama had the wisdom not to show any of it onscreen. But I'd love to know your thoughts about it.)

Bulma and Vegeta are a match made in Hell, and they deserve each other. (Which is to say yes, I love this ship.)

Hooking Bulma up with Vegeta was a hell of a narrative swerve. Generally speaking, stories rarely do this; They rarely let characters break up once they're already invested in a romance, unless it's supposed to be like a love triangle thing.

And Bulma? Bulma was invested. At least, to a degree.

This was the birth of the original Bulma romance that ran through about half of the manga. Two teens interesting in the opposite sex suddenly realize the availability of the other and a relationship is born.

Toriyama says he's bad at writing romance but to be honest, this has always hit me as more believable than your typical drawn-out five-seasons-of-pining Will They/Won't They affair. I'm a girl. You're a boy. Wanna go out and see what clicks?

And these two... these two do not click. We only really see their relationship from Bulma's perspective but it's clear that these two are miserable together.

The manga sorta takes Bulma's side, in that we never really get to hear Yamcha's opinion about their relationship one way or another. When he's around, all he wants to do is talk shop about martial arts. Since Toriyama doesn't like to write romance, we simply don't see much of it from them. What little we do hear about it comes from Bulma complaining about how miserable she is.

Bulma is pretty much always pissed off whenever the relationship is in focus at all.

Anime filler tends to take Yamcha's side instead, portraying him as a put-upon victim of Bulma's jealousy and abuse. A nice guy who doesn't deserve the way she treats him.

It's not hard to buy into this interpretation of their relationship since, as noted, we rarely get anything from Yamcha with regard to his relationship to women or Bulma specifically but we know Bulma's a lot. It's easy to accept Bulma as the "bad guy" of this relationship because. Like. Remember that time she enslaved a sentient being? Good times.

Though one particular moment from Yamcha later on kinda stands out as a bit of a retroactive Yikes.

Yeah. Uh. Threatening violence against a woman for rejecting his bro is a bit of a Yikes. Is this who we were supposed to see Yamcha as all this time? Because, if so, it might have helped to let him opine about the relationship more. Just saiyan.

According to Toriyama in interview, Yamcha and Bulma ultimately broke up because she caught Yamcha cheating on her. I guess that's what him being "popular with girls" was supposed to mean: Once he got over his gynophobia and found confidence with the opposite sex, Yamcha became a player.

But that doesn't necessarily come across from the statement, "Bulma can't stand that Yamcha's popular with girls." A lot of fans took that to mean girls just like him for no reason, and Bulma's unreasonably jealous about it. The anime took that position too.

Note that the "Yamcha is popular with girls" thing isn't helped by the fact that we never see it on-panel because he's only ever talking shop when he's around. But we do see a wandering eye from Bulma often enough.

There's nothing wrong with enjoying the aesthetic appeal of another party even when you're in a monogamous relationship, but it doesn't really present the "Other party is a womanizer and cheater" case when you're the only one ever seen doing this.

So it feels like there's a lot about Yamcha and Bulma's relationship that never made it to print yet influenced later decisions. Those decisions ended up being controversial because the foundation for those decisions was never laid. Here, Toriyama's disdain for writing romance worked against him.

But ultimately, regardless of whose side you take, it doesn't really matter. It doesn't matter who the "bad guy" is. A healthy relationship does not have a "bad guy" in it.

Whether or not Yamcha cheated, whether or not Bulma's just an unreasonably jealous hell-beast, it doesn't actually matter. What matters is that once you reach the point where you're taking sides over which party is the most obnoxious asshole and I hate you and I wish we never met... this relationship is not working for anybody.

It doesn't matter who the bad guy is. It doesn't matter who deserves the blame for this relationship being a toxic shithole. That there is blame to throw around in the first place is the problem. Every relationship has its ups and downs but if one party is constantly miserable for years and has possibly been looking for an escape hatch since year 1, that's not a little tiff.

What matters is that these two are not working out. Any time we see their relationship in focus, they are miserable together. The anime tried to do some patchwork on that with audience reception by giving them some cute moments as well, but because those moments aren't canon the pair remained miserable.

And then this happened.

Despite everything, I think we all assumed that Bulma and Yamcha were going to work it out. Fictional relationships are often portrayed as tumultuous. To a writer, nothing says true love like being constantly miserable and despising every waking moment you spend with your awful, nagging ball-and-chain of a spouse. That's just. Like. What the straights think romance is. It's weird.

I think we all thought that was going to be the deal here too. And then Trunks came along and said, "Nope, actually, they finally severed the cord."

Again, Toriyama says he's bad at writing romance but holy shit, the toxic and miserable relationship actually ended. The two characters involved who only got together out of loneliness and desperation later found they were incompatible with each other. That's so real. Much moreso than a lot of fictional romances.

Instead, we got the absolute crack ship that is Vegeta and Bulma. What a wild-ass revelation for Trunks to drop.

Like. Until the end of the Namek arc, this was the only time these two characters even met.

She also saw Vegeta for like two seconds here.

That was it. That was their entire history together until Goku defeated Frieza while Kaio sent everyone to Earth. But that's when everything changed for Vegeta.

Stranded on Earth with no ship, no affiliations, no ability to leave the planet and nowhere to go or be and no obligations to anyone but himself, Vegeta's circumstances were wildly different than they'd ever been before. He had become one of the Namekian refugees.

And Bulma was offering refuge.

Hard to resist, indeed. That moment is absolutely hilarious in retrospect. Bulma rolled a Nat 20 on that charisma check. It's pretty clear who the instigator of this relationship was.

Like. It needs to be stated that at this point, the only thing Bulma knew about Vegeta was that he tried to kill them all multiple times, and also he's kinda hot. But. Like.

It's Bulma. Anyone who doesn't expect this from her by now either hasn't been paying attention or started watching the English dub of the anime when they did Z first.

So, naturally, Vegeta is a kind and loving man and became a phenomenal husband and fa--

Wait. No. I got my notes mixed up. It says here Vegeta's a rotten dirty bastard. Like. Chronically. He has Supreme Dickshit Syndrome. It's genetic.

Most of Bulma and Vegeta's developing relationship happens offscreen. From what snippets we get, Vegeta has a tendency to vanish during the day, but he still lives at Capsule Corp so Bulma sees him around.

By the end of the three-year timeskip, it's official. Or semi-official. Yamcha and Bulma broke up at some point during that timeskip and Bulma's given birth to Trunks.

As for Vegeta, he's evidently moved out of Capsule Corp and into his own place.

I guess he's still keeping contact with Bulma since she knows what his intentions are. Not to mention he found his tranquility during these three years, though it's somewhat ambiguous as to what exactly brought that peace to his heart.

But the relationship is off to a rocky start nonetheless. Clearly something went down between Vegeta and Bulma that drove Vegeta out of Capsule Corp. To. Uh. Somewhere.

I like to imagine Vegeta living in some shitty West City apartment he rents off a stipend Bulma's sending him that he refuses to openly acknowledge. Like, room 101 is a down-on-his-luck tax accountant, room 102 is a couple with a kid trying to make ends meet off two retail workers' salaries, and then room 103 is Vegeta, Prince of All Saiyans. Sometimes he goes to community events and pretends he isn't having fun.

No lie, I would absolutely watch that as a sitcom.

As for Vegeta himself, he's still a rotten dirty bastard.

Worth noting that Vegeta's saying this as a Super Saiyan which means he's drunk on the form's enhanced aggression. But. Still. Vegeta is an absolute monster being dragged kicking and screaming into a pleasant life that he'll one day resent himself for enjoying. This is his arc moving forward.

It's not so much a redemption arc as it is a domestication arc. The uniquely evil even by Saiyan standards Vegeta is gradually being changed by his new terrestrial life. He doesn't want to own up to how much he enjoys it here. Seven years later, he's still desperate to avoid owning up to it.

He doesn't want to be happy here. He doesn't want a loving wife and a son who looks up to him and the most lavish home wealth can afford him and easy, comfortable days spent with friends and loved ones by his side. He doesn't want a happy ending.

But it's like Bulma warned him: Dragon Ball's queen bee is hard to resist.

Welcome back to Capsule Corp, Vegeta. We hardly even noticed you were gone. Honestly, Future Trunks deserves a lot of the credit for this; Watching him die at the Cell Games was what flipped the switch in Vegeta's head that he wants the family he and Bulma have spawned together.

Sure is a good thing we have Dragon Balls because this is a hell of a time to suddenly decide you love your son. But we see the consequences of that seven years later, since Vegeta moved back into Capsule Corp from... I don't know, wherever he went. They're gonna miss him at the next community poolside summer BBQ event for all tenants.

Part of what makes Vegeta and Bulma work, I think, is that they're on the same page about one crucial point. For Bulma, there is one person who will always take precedent in her life above all others. Romance comes and romance goes, but this is the relationship that matters most to her.

Especially when it comes to martial arts and fighting. Bulma doesn't know a lot about the subject, but she knows that Son Goku is her #1. She has no reservations about saying that to her lover's face either.

When fists start flying, Bulma knows who she's rooting for. If Goku's involved, then it's not her guy. That's. Just. Something that anyone who wants to be with her has to be willing to understand. The single most important relationship in Bulma's life will always be her friendship with Goku.

And the thing about Vegeta is... He kind of agrees? Like. See above, re: I wanted Babidi to destroy my feelings for Bulma so that I could become the warrior that can fight with you, Kakarot.

As much as Goku will always be Bulma's #1, he'll also always be Vegeta's #1. He even gets included into Vegeta's fond farewell to the family he loves.

Goku is basically the platonic third in a two-person polycule. This is the second marriage that this poor ace plays a vital role in despite having no real interest in romance whatsoever.

Bulma is selfish, spiteful, petty, and vain. At one point, DBS: Broly directly compares her to Frieza; A comparison that manages to be unbelievably unflattering to both participants.

They're the same picture. A revelation that would probably be horrifying to both.

And Vegeta. Especially Vegeta. But. Like. She warned you she was irresistible. You didn't take her seriously and now look where you are. Married to the She-Frieza. Maybe you should think about your life choices.

This is just. So much fun. As I said at the outset, Bulma and Vegeta are a match made in Hell who make it work because they're both similar brands of awful.

As for Yamcha, it's a little known fact but Yamcha rebounded and moved on with his life. He stops having much story relevancy after he leaves Capsule Corporation so we see very little of his private life from there. After retiring from martial arts and splitting up with Bulma, Yamcha's left without any story hooks to keep him involved.

But there was this interesting moment, when he realized they had a Shenron wish to spare.

After Krillin comes up with something better to use the wish on, he takes it back and claims it was a joke.

This is, surprisingly, a point of contention in the fandom as some of Yamcha's fans prefer the idea that he died miserable and alone after Bulma ruined his life by leaving him. This takeback gets pointed to as proof that he made up his girlfriend entirely. However, in context, it's clear that a) he's trying to brush off his earlier attempt at making a petty wish and b) the thing he's transparently pretending was a joke is the necklace wish, not the existence of his new girlfriend.

Like Bulma, Yamcha moved on with his life after the break up of their miserable relationship. And that was the final word that was ever uttered on Yamcha's romantic prospects, because this was the last time he was ever meaningfully involved with anything at all.

[avelera]

I’m dying for your thoughts on what is going on in Dubai with the triangulation of Armand and Daniel in Dubai because nothing in 2.05 explain ms what they(beddeath vampires) could want him to tell them as referenced earlier in the season or warrant all the Rashid pageantry. Especially not with how Armand looks at Daniel like he just got home from the wars.

Your takes are exquisite and I’d love to hear them.

Ok, I THINK you're asking what the hell is going on with Daniel and Armand and Louis and the longing looks Armand keeps shooting Daniel and I might be missing some nuance to your question but that is the question I'm gonna answer because I can't stop thinking about it.

Ok. Ok, ok, SO!! The biggest question I think we're facing as of 2.05 is did the Devil's Minion chapter of Queen of the Damned ever happen?

For the uninitiated (LOTS of BOOK SPOILERS but like the books have been out for decades, sorry): Louis/Armand is like... not a thing. At least, it's not one of the big love affairs of the series compared to Louis/Lestat. I mean they've had a situationship but they're definitely not a long devoted love affair going right up to the beginning of the events of Vampire Lestat/Queen of the Damned, which is where the show seems to take place. They traveled together for a bit after the events of Interview with the Vampire but then parted ways because What Happened In Paris changed Louis irrevocably.

The big love of Armand's life in the books is Daniel.

And we learn this in the chapter of Queen of the Damned called the Devil's Minion.

Because Armand stumbles upon "The Interviewer" and falls in love and they have this fucked up whirlwind torrid romance where Daniel teaches Armand about the modern world and basically "how to be fascinating" and Daniel begs over and over to be made into a vampire.

Lots of stuff happens between them but short, TRAGIC version is that Armand does make Daniel into a vampire and it breaks Daniel's mind. He's not a cool powerful vampire once he's turned, he's basically a vegetable, he loses his mind and becomes a hollow husk of himself. (Ironically, insane-new-vampire!Daniel is left in the care of Marius of all people lol)

SO, from the book reader perspective, I shot upright on my couch when I saw old Daniel. Because Old Daniel means we're in... some flavor of happy AU? We're in an AU where Armand did the "responsible" thing and didn't give Daniel the Dark Gift, so Daniel got to grow old and actually be a person instead of being the Devil's Minion where Armand became his whole personality and then he lost his mind.

Thing is, since S1, I've been assuming, like others I think, that we're in an AU where the Devil's Minion didn't happen at all. That Daniel did the interview, he and Louis parted ways, and now he's back to finish it. It seemed neat, clear, if a little confusing for book fans because Daniel/Armand is one of THE great love affairs and it seems like it just got skipped entirely, which kind of makes sense since no other film version has really delved into it, right?

WRONG. OK, so with the longing looks that begin RIGHT when Armand finally reveals himself, the whole mic drop moment of "Armand, the love of my life" while Armand stares at Daniel, almost seeming to plead with his eyes "GET ME AWAY FROM HIM" and looking at Daniel with such longing, going into SEASON 2 where we learn that ok, the 1970s beat was WAY more complicated than it seems, Louis' memory is very faulty, Armand has actively tampered with both of them and we DON'T KNOW HOW MUCH....?

So my current theory is: the Devil's Minion DID happen.

Armand and Daniel had their love affair, but instead of turning Daniel, which by the way he had to be talked into doing because of Daniel's suicide attempt basically, Armand set him free. But CLEARLY he continued to stalk and pine after Daniel, if he was there at Daniel's fucking engagement reading his girlfriend's mind enough to tell Daniel what she was really thinking then. Armand was definitely still OBSESSIVELY IN LOVE. And, IMO, has been the whole time.

Now, what does this mean going forward? What do I think is going on?

Armand wants out of his relationship with Louis but he's chronically, pathologically, incapable of breaking up with anyone. He used Lestat to break up the Children of Darkness, he used Louis to break up the Theatre des Vampires, and now he's using Daniel to end this fucked up marriage he and Louis are in.

Armand is doing this first by consenting to renew the interview, Louis gets a walk down memory lane, remembers how much he loves Lestat. Not to solidify their bond with how good things are now, but to break it up with nostalgia.

Armand is also going to reveal things he's hidden from Louis, I think. Like the fact Armand killed Claudia. I think right now they're both operating under the excuse that Santiago and the coven did it in defiance of Armand but that is simply not true, Armand ordered her death to get Louis all to himself. But (book canon) her death broke Louis so basically Armand destroyed what he wanted in Louis in the gaining of him.

Armand also misses Daniel. He's doing the classic passive lover thing, using the next lover to get rid of the current one. That's why he picked Daniel specifically as the vehicle of his liberation. Boy wants to get white knighted in the most fucked up way possible. Evidence: every single painfully longing, puppy dog look he shoots Daniel's way and how those looks only get more intense the more Louis waxes poetic about how great the Loumand relationship is.

Armand appears as Rashid in order to establish for plausible deniability for Louis that he DIDN'T have a relationship with Daniel OR, if Louis knows about it, that he really did do as promised and wiped Daniel's mind. Look, Daniel doesn't even remember him! When he's standing right there! Pretending to be Rashid! He definitely didn't summon his former lover here to break up Louis and him, obviously this is JUST about Louis' desire to do the interview haha, definitely not trying to bring his old ex to break up his current relationship the guy doesn't even remember who he is.

In conclusion: Armand still wants to fuck that boy old man. And he wants to get rid of Louis by making Louis break up with him because that's how Armand rolls. And that's why this whole ridiculous pantomime is happening, because Armand will never, ever be the active party in the breakup because the boy is way, way too fucked up by his supremely fucked up life up to this point to ever be the initiator. Instead he will always, always manipulate those around him to do what he wants.

[genericpuff]

Scamlords is at it again.

A few nights ago, there was a sudden blow-up in the /r/webtoons server showing a new announcement from Snailords -

For anyone unaware, Death : Rescheduled has been on mid-season hiatus since October. And it's now, and only now, that Snailords has suddenly decided the comic is ending after it returns, but readers can get an extra 20 episodes... if they fork over $1k in merch sales.

Now, this could be a lot worse. They could be threatening not to return to the series at all unless their readers hand over money. But considering it's practically just one degree away from that, it's still pretty nasty. Not to mention, the further they divulged in their reasoning around this "idea", the more confusing it got.

They also even revived their @snailordsrant account on IG which, for those of you who were there and can recall, was the same account they used to put one of their own fans on blast over some very mild criticism.

None of this makes any actual sense, for several reasons:

1.) I literally fail to see how getting $1k in less than 24 hours is worth shoving in an extra mini arc of 10 episodes if you don't even have it planned out. Why do that to your audience or to yourself? Why drag things out just to scrounge up an emergency $1k? Why not just be honest with your audience and run a GoFundMe or just say , "Hey everyone, I've run into some financial troubles, I would really appreciate it if you could FastPass my newest episodes or donate to my Patreon or buy some merch so I can cover the costs". It's really telling that this shithead doesn't have enough confidence in themselves or their audience that practically worships them that they have to resort to this kind of underhanded shit to get the money they need. I wanna make it clear that this is NOT like a Kickstarter stretch goal or anything that incentivizes readers to support their work, they're instead holding the length and future of their series over their audiences' head (which they've done before) for money. That's not an incentive, it's an ultimatum.

2.) Maybe I'm misreading / being stupid (someone pls explain if I'm missing something here) but I literally don't see how their comment about working 50 hours a week explains why they're suddenly getting their fans to pay out $1k worth of merch in less than 24 hours. For anyone who doesn't know, $1k per episode is an example Webtoons uses in its post discussing how they pay out creators (this came after the platform got called out 2 years ago for paying creators too little, there are undoubtedly creators getting paid less). And yet for some reason $1k is apparently the difference between 10 episodes and 20? How does that add up? And is the bit about them wanting to buy boba supposed to be a joke? Where's the punchline here?

3.) They say they have writer's block and they want to use the money to "motivate them", but then just a few slides later they say 10-15 episodes is what would make them the "happiest" so which is it? Do they want to write 10 episodes or do they want people to pay them to write 20 episodes so they can draw the fluff scenes that they apparently want to draw? If you have an ending planned out, why rush it or drag it out depending on how this "fundraiser" goes? Why not just write the ending you want to write that will serve your story best? Why shove in an extra mini arc that you don't even have full confidence in writing and then try to compare it to a "super expensive cake"? What are you doing? Speaking as someone who's had trouble getting motivated in the past, suddenly getting a month's rent worth of money to do it doesn't necessarily solve that, it just turns up the pressure, and if you're not someone who deals with pressure well, then you're more likely to wind up just burning out entirely rather than fulfilling that goal.

4.) The fact that they did, in fact, hit their goal just makes it all the shittier to think about because their audience is mostly made up of teenagers who worship the ground that they walk on. It's horrifying that they keep pulling these stunts with their audience, and getting away with it to boot - and Webtoons, as a company, keeps enabling it by allowing it to happen by hosting and promoting people like this.

Anyways, there's already a lot going on here that's sketchy, but then... they went and deleted their posts. At the time of this happening (as I was there to witness it all play out in real time) I assumed this meant that they had hit their $1k goal - especially as they had been showing their progress on their IG and they were already at $900 after just a couple hours - but it gave me a sinking feeling seeing them delete it because they had also been called out by some brave readers telling them that it wasn't exactly a good look to essentially blackmail their audience through their own content into giving them money.

Snailords deleting it gave me a stronger impression of "burying the evidence", especially now that they had the money. By all accounts, they could do whatever they wanted now.

So what did they decide to do?

. . . Huh?

Okay, take a second to actually think about what Snailords has done here. Because I know some of you will go "oh, it was for charity all along! that was nice of them!" but . . . I don't know about the legalities of collecting donation funds under false pretenses, but morally speaking, it's a really shitty thing to do. They stripped away the choices - limiting them to three - of what their readers could donate to, and what I think their readers don't understand - due to being mostly teenagers - is that they're tax-exempt individuals and they just unknowingly gave Snailords an easy $1k tax write-off. You really, really shouldn't collect donation funds like this without being honest, it's just a shitty thing to do, especially after you've already collected the money. It mostly just comes across as damage control on Snailords' part to make it seem like they were always planning to donate to charity, when in reality, if they wanted to donate to charity, they would have been honest about that at the start. Again, even if they wanted to do that from the start, it goes to show how little confidence they have in themselves or their audience that they have to stoop to methods like these instead of just doing it honestly.

And do you really think Snailords will actually do those extra episodes? Or donate that money? This is the same asshole who has manipulated their readers for money not once but twice, and now seems intent on doing it a third time just for the charm. This is the same person who practically sabotaged their own comic, Freaking Romance, because they apparently didn't like the romance genre and may as well have only done it for clout / views / etc.

What was especially odd - and I found this out from folks who actually read Death : Rescheduled (I do not) - was finding out that it wouldn't make sense for D : R to end in as many as 25 episodes, because apparently, the plot has basically just gotten going.

So it does seem like this is foreshadowing that D : R will wind up just like Freaking Romance, rushed into an ending that wasn't expected. And this, of course, has the people who read their work confused because D : R was supposed to be Snailords' passion project, their magnum opus, the project they wanted to do. So them holding the timing of an ending that shouldn't even be happening yet for ransom contradicts that original intention. Really, it just goes to show that Snailords has no passion, they're just in it purely for the money, to a degree that I can't even cheer them on for being a hustler because it's missing the honesty and integrity.

And of course, every single time Snailords finds a way to backpedal and take his audience for a ride, they hop right in without a single thought for themselves.

And no, none of this is to hate on the readers directly, I hold Snailords entirely responsible for this - they have an audience of impressionable, naive, gullible teenagers, and they know it, and take advantage of it every chance they get. It's why they weren't just honest about wanting to collect money for charity from the start. It's why they resorted to basically holding their own comic's progression for ransom during its midseason hiatus. It's why the deadline was 24 hours and why the posts are now gone.

Thankfully the Internet does what it does - any evidence that Snailords was trying to bury is now all over reddit, and hey, just for good measure, here's a post on Tumblr that's been sitting in my drafts for days now, days after people have already seemingly stopped talking about it. Don't let anyone bury or forget about the stunts Snailords is pulling on their audience, with a platform that they've been consistently given by Webtoons, because that's what they want you to do.

[nalyra-dreaming]

Pre season 2 rant - heavy on sarcasm!

This is the... well by now somewhat meditated on rant I promised a while ago. It has a lot of cussing, so be warned.

It is a… summary comment about some views I‘ve seen around, from “bad writing“ to the “abuse“ and other things. Oh, and it's about the "lying" subject. With receipts!

I‘m getting this out of my system before season 2 hits, and before more of the press leading up to it is released, because cast, crew and writers as well as the show have given us all of it already and, tbh, if I‘m going to see anyone scream “bad writing“ or “Louis being made a liar or the memories revisited/changed is racism“ when the changes will hit I‘m just gonna block you.

Fair warning.

This is long… so under the cut.

This show has made color-conscious choices. Brilliantly so. They also have an astonishing meta level.

And what we saw was not the truth.

That much is clear now. HAS ACTUALLY BEEN CLEAR FROM THE END OF SEASON 1 ON.

Jacob has said at the TCA panel that Louis is trying to regain his true memories.

Here is a reminder of some key statements by cast and crew:

Here are interviews and statements by Assad and Jacob and Sam and Rolin and the writers & producers that what we have seen was not the (whole) truth, that Louis’ tale has been “tinkered” with, influenced.

I'm heroically refraining from adding the gifs of Rolin and his statement again. Which are from the episode insider… and remember when that aired?! Yeah… 😒

But I've seen things recently that make me want to pull my hair out, to be frank. For example this, behind the link:

...Like, not making him a whole flat ass liar is actually the point, guys. And no it does not undermine the story....

As the writers said:

I mean, I get it to an extent. It's becoming clearer and clearer that the show some people made up in their heads is not the one they'll be getting. (We've been trying to tell them, but hey.)

Yeah.... That.

Unfortunately @blackgirlasis has blocked me, (and I have returned the favor now that I noticed), we only discussed something recently, but I think the reason might have been after I posted that video, in which it is literally said that "not everything Louis says is a lie", which, given her statements here might speak for itself, especially this part of that statement:

"It is actually ACTIVELY harmful to perpetuate the idea that the Black characters aren't to be trusted with the narrative and that we need Lestat to come through with the honest accounting."

You know, I would actually agree! Which is also why I always emphasized that we did not get the WHOLE truth. I also kept more than hinting at the fact that Armand is, well Armand.

BUT - and here it gets interesting - why is JACOB's - a BLACK man's - statement discarded? Why do they do not want to hear it that Louis does, in fact, lie? And, just to be clear - I do not NEED Louis to lie, nor be proven a liar, and I think the show will do its damndest to explain via the "tinkering" that Armand did. They will give some of the blame to Armand.

But to flip one's shit over argumentation that the MAIN CHARACTER, a BLACK MAN has already stated... that is what I find interesting.

Like, why do you* (*generally spoken, not her especially) accuse people of racism over this, when HE has already said that Louis does, indeed, lie. Why is he not actually listened to? I don't get that. Why is agency taken away from a living, breathing person to give it to a fictional character? Why is his statement that "not all representation needs to be healthy representation" not kept in mind?

Louis is Louis. Louis being color-consciously handled didn't "change the character an awful lot".

JACOB said that. Here. Interestingly enough in a comment about the racial consideration the show does(!).

Louis is NOT a whole other character despite the changes, and the twists that will happen in season 2 were always set to come, as the friggin' video of BEFORE the show aired is proof of. They talked about all that. They know it didn't all happen as shown. They knew Louis did lie. But NOT about everything.

They also knew that some of the scenes did not happen (at least as shown). And now... "it’s clear that Louis is somebody hugely angry with a man he loved deeply and now presents them as a monster…" Also Jacob Anderson.

Presents. Them. As. A. Monster.

Bailey Bass said in the SDCC interview, that it is not clear who is the "villain here" in various scenes, interestingly enough, because the dynamic keeps changing. Which of course was after they shot a myriad of scenes that would not make it into the final s1 cut. Again: why is she not listened to? Why do you take her agency away to give it to a fictional character?

And I'm not even starting on the others. Sam. Rolin. The writers.

Also, re the abuse and scenes being revisited. Again, screenshot as example:

There is nothing simple about this show. Especially that scene.

BUT the show knows what it‘s doing! I'm not going to rehash all that here now, here are links on that.

AND THE WRITERS SAYING IT WILL BE REVISITED... is from December 21, 2022.

DECEMBER 22.

A revisit and a change of that scene will not be bad writing. (Or tasteless.) They already DID so in the last episode of season 1, continuing that will simply fall into line with what we have already been given. That's not bad writing. That's just the show, and there's people who just did not want to examine that.

Because it will be echoed, and it will serve a purpose.

I know the show did the meta level of patriarchal domestic abuse, but for fuck‘s sake, the story itself is about vampires struggling, and Louis is struggling.

The show has a meta level of abuse, and patriarchy, and recognizing is valid and the meta discussions are too.

But Louis is not chained to his coffin guys, he could have left, and a fight which shows off power discrepancies within the show story line is not automatically domestic abuse.

*slow clap*

No-one wants this to happen for the sake of "redeeming" Lestat. Because he does not need that redemption. They're all murderers and monsters.

They kill. For a living. LITERALLY.

THEY ARE VAMPIRES It's not about vampires trying to find their humanity.

It's about vampires trying to find a way to live with themselves, because they are, indeed, monsters.

Doubting the narrative which was TORN APART WITHIN THE SHOW is not the same as bad writing or racism FFS, nor is actually looking at what we're given - and knowing the fucking, 50 year old books. And recognizing the hints and parallels.

I have also seen the take that Lestat isolated Louis... and like, did we watch the same show? You know, even with the vampirism (which, of course™, could not free Louis as promised)...

Months of flirting openly in NOLA, public wooing. DECADES LIVING IN NOLA. Operas. Restaurants. Family dinners. (And Louis stopping Lestat there, AS a mortal...) Cleaning the cribs, years of "human entanglement" because Louis wanted it.... Banjo barbecues, political influence, wakes... Everybody knew.

(Like, I could pull up gifs here.)

"Isolation". Right. It has nothing, at all, to do with the Rite of Passage, or Louis' depression.

Of course not.

I mean, Jacob says that Louis is very depressed during the time leading up to the fight, and his and Sam's discussion here is interesting as well, but hey, I mean, why listen to the actual black actor, right.

As a last thing.

Yeah. Tell me you know nothing about the books without telling me you know nothing about the books.

And, as a note, context is important if you pull up other scenes from the VC.

Welcome to the fucking Vampire Chronicles.

Anyone expecting big bad patriarchal abuser Lestat is not going to have a good time.

And honestly, to those: don't let the door hit you on the way out.

Good riddance - and BON VOYAGE

[userautumn]

You are always 100% right and valid btw. Because like buck and Tommy are broken up, but you also have several interviews released today where Ryan calls Buck and Eddie “brothers” and where Oliver explicitly says Eddie is straight so they will most likely continue to be just friends. So if it wasn’t for Buddie, what was the point in throwing away a relationship the audience was actually behind??

Yeah, this has always been my problem with the idea of Buck and Tommy breaking up and, now that it's happened, I can finally unload all my thoughts.

Listen, my Buddie mutuals are very assured that Buck and Eddie will get together and have this lush and beautiful arc where they settle into a relationship and feel out the kinks in their dynamic and really blend together, and I respect that. I would love to see that happen. But I don't have that same confidence. Don't get me wrong, I DO think Buck and Eddie will probably get together, I just don't think it's going to happen until the last episode of the last season in a way that's more reminiscent of Johnlock "canon" (for those who did not watch BBC Sherlock: John and Sherlock continued to live together and raise John's daughter, but this was revealed in a montage without ever actually seeing them get together, or confirm that they were in a romantic relationship) than anything.

Why? Well, because it's easier to tease your audience than it is to follow through.

Don't get me wrong, I don't think Tim is teasing the fandom in a malicious way, and—if nothing else—I know he is very aware of what these boys and the implication of their relationship means to people. 9-1-1 has always handled their relationship with a particular gravitas, and I don't see that changing now. But Tim has been writing Buck and Eddie for years. He knows what gets people going, he knows what this fandom likes to see, and what they'll read into. So why would he rush into making them "endgame," especially if he knows he already wants to take them in that direction? He has no incentive to make it happen Right Now because everyone will lap up what he puts out anyway.

And I get it, because I do love Buck and Eddie's relationship. I love the way they interact with each other and, yes, I will lap up any scene between them. But that's the part I find so draining too. I'm going to be honest, I've never liked a "will-they-won't-they" couple. As a personal preference, I've always liked to have a clear vision of a story's trajectory when I go into it. That's how I write, and that's what I gravitate toward in fiction. So the idea of going through any number of love interests until Buck and Eddie are "ready for each other" (so sick of that phrase. sob.) is literally... exhausting to me, and not in a fun way. Because this is a loop that could theoretically continue on, and on, and on, until whenever the powers that be decide enough is enough.

Sure, Eddie is happy and free now. Great. But he still doesn't know he's Queer. What happens when he does realize that? Does he need to date a guy first in order to be "ready" for Buck? Similarly (because their romantic arcs always run parallel to each other), when Buck fucks and sucks his way through Los Angeles, does he stumble upon a hot girl/guy and date her/him until Eddie's "ready" for him? How many times, exactly, am I going to sit through another love interest until they're on the same page after, by my count, three false starts? You know?

I'm obviously along for the ride. Always have been, always will be, and I fought too hard over the summer to maintain my love for these boys and their relationship to let it waste away now. But I desperately, desperately need Tim to give me something substantial that CLEARLY, and EXPLICITLY indicates IMMEDIATE strides toward ROMANTIC Buddie Canon. And I mean crystal clear. Not "building a thousand words of meta off a single line/moment" clear. Not "this look probably definitely means Eddie was thinking about ripping Buck's clothes off" clear. I mean, I want it so damn clear, a sixty-five year old grandpa with cataracts can see it.

Otherwise I'm just going to get really annoyed.

[lacrimosathedark]

I need to know what the fuck is wrong with Radioapple Haters.

I don't mean the people who just don't like the ship, I presume most of them are fine. I mean Haters.

I mean the people who hate it vehemently enough that they attack the creator for advertising duo art.

Apparently (correction: a member of the social media team on Viv's account) posted the new signed Alastor and Lucifer poster on Youtube, and people threw a goddamn fit, enough that that post is now down. I've seen screenshots, but the page itself is gone. It has since been replaced clearly without the ship name.

Like, seriously? All that because you hate a ship? Because they called out the Radioapple fans for art of the pair just in a poster together? The image isn't even ship art, Lucifer is glaring daggers at Alastor, as per usual.

Viv grew in fandom spaces. Alastor is literally an edgy Deviantart OC. She just released a Helluva Boss minisode with the cringiest weeb fan swooning over Blitz when he kills her FOR SHIPPING SOMETHING.

Radioapple is popular, EVERYONE knows this, it's only expected they would capitalize on it, even if just as a joke. (they do so regularly on tiktok)

The whole duo image (correct me if I'm wrong) was AMIR TALAI'S IDEA. Alastor's voice actor is REGULARLY joking around with Radioapple shippers. It's practically his hobby at this point.

Like, this was literally him the other day.

Like??? Calm yourselves.

And as for Viv herself, she has Liked a lot of ship art, including Radioapple.

The creator doesn't mind it, one of the actors finds it hilarious, and the other actor to my knowledge hasn't spoken on the ship but DID sign those posters, WHICH IS ALL THAT POST WAS ABOUT ANYWAY. A poster of two well-loved characters signed by their well-loved voice actors.

Look, 98% chance that Radioapple isn't going to happen, if only to make Alastor's sexuality and the ace rep ABUNDANTLY clear. But if Viv did decide to go that route? Okay? It's her show, not yours? Fuck off???

If you want to consider this duo art Radioapple, then there were ALSO Radiodust and Charlastor posters in the same vein and I didn't see people flipping shit about that despite, yknow, Chaggie and Huskerdust.

The canon of a series you otherwise enjoy can and will disappoint you. As a former of the Supernatural fandom, I am deeply aware of this. When Castiel went season after season with queerbaiting, when they killed off the beloved badass lesbian character Charlie, when Sam had a cool deaf hunter gf who disappeared and never came back, you know what the fandom did?

They made fanfiction about it. And let me tell you, some of it is much better than the series.

You could do that. Or, fuck, maybe someone else already has and you can go read that instead.

You don't like the way the series is going? That's fine. It's no longer for you. Stop watching. Make your own versions of them. But don't go off attacking people for enjoying the idea of Lucifer and Alastor being in close proximity.

The creative team, creator, actors, and artists/animators, is Radioapple friendly. If you can't handle that without throwing a tantrum, find the goddamn door.

I'm not telling you you have to like any ship. I sure as shit don't. But don't be an asshole about it.