#I don't know if I've been clear enough about this over the season but I LIKE kipperlilly as a character

[bigfan-fanfic]

Worth More than Gold (Reader x Laios Touden)

@alex126486 Reader first meeting laios in gold scraping , reader listens laios fascination on monsters and what they tasted like then asking he could cook one for him one day

"Do you remember? Back when we first started out with gold scraping?" You chuckle over at the tallman.

Laios doesn't look up from where he sits preparing the rest of the vegetables from Senshi's garden for you to fry up with the last of the basilisk meat and egg you're making. "Remember what?"

it's always been exciting being around Laios.

You were one of the Touden Party's three mages. Marcille with her explosive fire specialty, Falin with her cleric powers, and you with a specialty in protection and gnomish magic.

You once worked together with him as part of a gold-scraping band.

And it was then that he began talking to you all about his fascination towards monsters.

Little facts about the creatures you would face.

And when you gave no indication of disgust, Laios took the opportunity and ran with it, happily expounding upon monster features for hours upon end.

And when it became clear that you enjoyed his sessions of information -

he began to speculate with you about how monsters tasted.

Would a cockatrice taste more like chicken or more like reptile?

Do strangling plants have sweeter fruits than man-eating plants?

"Who knows? Maybe one day I'll cook you one."

Laios' jaw dropped, and he looked almost about to cry before he nodded seriously.

"That sounds great! What are you thinking of cooking?"

And years later, after traveling with Senshi deeper and deeper into the dungeon, you remember your offhand little promise.

"I once said I'd cook a monster for you. Way back when we were gold scraping."

Laios beams, and you know he never forgot. "I did! I didn't think you had."

"I hadn't, til just now. It must be so much fun for you to discover all the answers to the questions you've had."

Laios nods. "It's a dream come true!"

He glances over at a glum Marcille. "Though of course, saving Falin's the top priority."

"Of course." You nod. "Though if I can be honest, I've really enjoyed the stuff you and Senshi have made."

"That's great!"

"I know Marcille and Chilchuck tend to be squeamish about it-"

("Hey!" Marcille whines)

"-but I dunno. So-called 'normal' animals are pretty weird and gross too, but we eat them. Farming can be nasty too, what with fertilizer, but we don't consider crops gross. It's all just... part of a cycle. If you can make it taste good and it's safe to eat, then why not?"

Laios looks at you with something akin to awe. Chilchuck and Marcille look as though they have lost an ally to madness.

"Anyway, try this. I wanna know if I seasoned it enough." You hurriedly say, seeing Laios still looking at you with that strange expression.

He opens his mouth, seemingly expecting you to... feed him?

So you do, resting the chunk of cooked egg and meat on his tongue, feeling his mouth close around your fingers.

So innocuous, but so intimate, your fingertips compressed as his mouth moves from them, slipping out from the corners.

Part of you is going crazy, thinking one thought - that you've just put your fingers in a teammate's mouth and he just... ate from them. His lips touched your fingers.

His eyes flash up to yours. "Mmmmmm! That's perfectly seasoned."

"Oh! Uh... good." you feel your face heating. Chilchuck smirks over at you. "Good. Those vegetables, then?"

He happily hands them to you.

"Thank you."

"Hmm?"

"For keeping your promise. For cooking. For feeding me."

It's an odd way of phrasing it, but you enjoy the sentiment. "You are welcome, Laios... anytime."

He grins, and leans in close. "You might even be better at cooking than Senshi. It might just be that tallmen have different palates and spices they like, but I love it when you cook."

"I, uh... thanks. That means a lot."

You all but flee to prepare the stir-fry, lowering your gaze, smiling to yourself.

Maybe nothing happened yet, and he's just being nice.

But the friend you've had a crush on since those days of gold-scraping has just practically kissed your hand and complimented your cooking.

And that is worth far more than any gold.

[muninnhuginn]

Mun!!! :0 I wanted to ask if you watched the new Link Click op and if so, what are your thoughts on it? And also for season 3 in general if you have any expectations for it

Hi! I've seen it, yes. Managed to watch before work, but not had the chance to properly sit down and digest it all before now. Going to put my thoughts on it all below.

Some things to keep in mind: I've watched the opening and I've skimmed the Tumblr tag a few times since then, but I've not gone deep dive or anything. So if I say something that's been said loads already that's probably because I've not seen everyone else saying it yet. The other thing is that I may comment on the lyrics of the song, but not in relation to potential foreshadowing, given bai sha jaws have been pretty clear they're not really privy to any more info than we are as the audience.

With that out of the way, let's go.

We start with the focus on the camera, which transitions to the basketball court. The use of the feather to carry the transition is one of those "which could mean nothing" details, because the use of feathers is pretty prominent in some of the official art pieces.

Next, Cheng Xiaoshi takes Lu Guang's hand and pulls his past self onto the court. The implications of this are pretty obvious (the 'current' Lu Guang is left unsaturated as his past and Cheng Xiaoshi are held in soft light; Lu Guang doesn't feel like he belongs in this treasured past), but I like the extra little aspect of the basketball pitch being the setting because it means the fencing acts as prison framing. And the prison framing is perfect for the line "trapped in a rewind".

Lonely road, long shadow, it's the heat of the summer and he's small against the backdrop of the street. Stick a pin in this one because we'll return to it later.

And over to fake London and its red doubledeckers. Xia Fei looking out when something (someone?) catches his attention. We're then shown Lu Guang in front of one of Xia Fei's posters, but my instinct is that what Xia Fei is looking at/for is unrelated. Anyway, Lu Guang still desaturated, still not fitting in.

Heh. No comment. (Although, tangent time! I've not been able to pause fast enough to catch the 'afternoon tea' sign but I feel the need to point out something after skimming past some posts that have mentioned it. 'Afternoon tea' isn't a drink. It's more a meal? An event? Say, sometime between lunchtime and dinnertime (I won't confuse things further by referring to the latter as teatime here) it'd be a get together where people would have scones and hot drinks and cake, etc. It's honestly low-key posh so it's far from a daily thing for most people, but it's the sort of thing you'd do for an extended family get together.)

Onto Liu Xiao reading some more Shakespeare. My Shakespeare knowledge is limited to Othello and Romeo and Juliet so... I'll leave this one to other people.

More Lu Guang being out of place.

Someone having tea (the drink) followed by a cipher I'm pretty sure people have already cracked:

Then onto this character:

Not gonna speculate too heavily at this point, but I know people are guessing she's either related to Xia Fei or *is* Xia Fei, given the shared eye and hair colour. I lean towards the former being more likely given the whole thing on the bus where Xia Fei's attention was seemingly caught by something/someone outside. Also, flower in the forefront, not 100% sure here but looks a bit like a yellow daffodil. Possibly a bit out of season for them if this is summer, but we don't care about that. We care about the meaning of a daffodil which is rebirth/new beginnings/all that jazz.

And back again to Lu Guang, who immediately reminds me of something I thought was cool earlier but forgot to mention. Lu Guang is entirely desaturated in this opening, yes, aside from the use of red. Is it original? No. Is it effective? Yes.

Puddle of blood and we meet again, dear white feather:

(The puddle of blood is actually completely still until the feather hits it, at which point *everything* in the scene lifts up).

And we're into full colour (light pouring in from the window) as we see photos (memories) fly around:

And these scenes focus on both Qiao Ling and Cheng Xiaoshi. First, them interacting with each other, then with the unseen narrator (presumably Lu Guang). They both brighten his world.

Lyrics of "there will be a fire when it all unfolds". Liking the 'unfolds' maybe callback there to op 1 Vortex and also the snow/ash/fire thing reminds me... so, like I said, not gonna use the lyrics themselves as foreshadowing, but the backdrop in the next section is fair game and there's a pretty clear fire there. I know it doesn't *have* to be a literal fire, but it was pretty striking so I think it's more likely than not there'll be some fire in Yingdu itself?

Flash through Lu Guang against different backgrounds. Won't spam them all, but we start with the photo studio transition through various Yingdu related backdrops then the clock backdrop (which ofc takes my mind straight back to Madoka) and back to the studio (this time ft. gun in gloved hand (possibly same gloved hand as the teacup earlier - possibly possibly vein, idc to speculate too hard on that point) and finally! We're back to the start of the opening and the basketball court. The whole scene is now washed out and Lu Guang matches it as he wipes his tears, before Cheng Xiaoshi grabs his arm and the colour floods back in.

(Also tangent again but "we fought the tides" as another lyrical callback to the season two ending, nice nice)

And speaking of returning to earlier in the opening, here's the road again:

All three of them running forwards as we pan up to the light in the sky.

And those are my thoughts. There's a lot I skimmed over either because it doesn't much interest me or because I'm pretty sure others'll have written essays already but yeah. Solid opening. Time to jettison my hopes before they get too high.

In terms of the second question, I've not been counting Yingdu as season three in my head, but I'm still genuinely unsure whether it "officially" counts or not. That said, my thoughts on a season three after Yingdu are so murky that I'm going to treat your question as though Yingdu is season three because then I can actually provide some kind of answer.

Basically, I've been thinking of Yingdu as something adjacent to Madoka episode eight - there to provide extra context but technically extraneous to the overall series. This is partly because of the different production layout behind the scenes, with a different studio and directing setup than the 'main' series. I'm basically expecting this arc to help raise the emotional stakes on Lu Guang's side of the situation without actually providing a resolution to the overarching plot.

[jq37]

FH Junior Year Post-Season Thoughts

With another season of Fantasy High in the books and my recaps all finished, I wanted to do an overview of my thoughts on the season as a whole. Even though I feel generally positive about my experience with the season, there are a few things I think maybe could have been done differently narratively or mechanically. This isn't to criticize the way the season went down or to backseat DM/Play. More my combined ten years of college for textual analysis and storytelling bleeding through, haha. 

I first want to start with the things I thought worked really well.

Fantasy High has "High" right in its title but, in past seasons (and especially Sophomore Year), not as much time as you'd think was spent actually at school and even if it was spent at school, there wasn't much time spent in class or engaging with the realities of being a student. This season really dug into the academic consequences of skipping your classes all the time and the realities of needing to do a ton of extra stuff to try for a scholarship and I think that was a refreshing thing to highlight for a change. Being more scared at flunking out than the dragon that's trying to eat you feels very emotionally resonant. Real "High School Is Killing Me" vibes for anyone who's a fan of NPMD. 

Even though Fantasy High is a show that has some deep emotional beats and strong character arcs, it's first and foremost a comedy show. From the jump, everyone was generating bit after bit that had me cracking up as usual. "Little girly dog collar" is one of the funniest combinations of words I can think of. I think it was Siobhan who said that this was the goofy season and, having seen it, I'd have to agree with her. It never failed to make me laugh and it was always a highlight of my week.  The cast just has great table chemistry that I love to watch no matter what they're doing. 

Watching some of these high level combat encounters is as close as I'll get to understanding people watching sports. Even though combat is generally my least fave part of D&D, I think the cast really killed it this season with how cleverly they played and Brennan came up with some really great combat encounters. Special shout outs to Baron's Game and The Last Stand for their unique mechanics.  

This is going to be one that's on the other list as well because my feelings are mixed, but I genuinely do like the downtime mechanic and how it forces hard choices. I think it's an interesting way to connect a mechanic to the story and cultivate stressful atmosphere for the season.

I have problems with the execution but I love the Rat Grinders in concept. I think as early as season 1 I was hoping that we'd meet a party that was like the Bizarro Bad Kids and the idea of a party that's farming XP instead of going on crazy adventures is a strong concept. Likewise, I think a character that's jealous because of your "cool" (read: tragic) backstory is also a fun trait for an unhinged antagonist in this kind of setting.

This is me absolutely showing my bias but I adored the Abernant Sisters content this season. I dunno if Siobhan specifically asked Brennan to not put her on a bus with the other beloved NPCs or what but I'm so glad she stuck around and we got the development we did. It was almost entirely ancillary to the plot but there was this clear pattern of Aelwyn getting softer and sweeter towards Adaine over the course of the season, from the guarded, "Enjoy the nemesis ward," to, full I love you's and, "I'd take them to get you." It was way more focus than I expected considering that Aelwyn completed the bulk of her arc last season and a lot of the time, a redemption arc basically ends after the big gesture (in this case, Aelwyn taking a magic blast for Adaine in Sophomore Year). So the fact that we got to see all of these sweet moments of them reestablishing their relationship outside of do or die moments was such a pleasant surprise. Again, I fully admit I am extremely biased, but this was my top wishlist item and the season overdelivered so there's a baseline happy I'm always gonna be with Junior Year. 

OK, so moving on to things I things I think could have been tweaked.

Even though I liked the downtime system and the pressures it created, it also squeezed out the chance for more casual PC to NPC interactions that would usually be more common because they were semi-locked behind the relationship track and there wasn't an obvious benefit to roll for Relationships (as opposed to something like Academics which was crucial for not flunking out). Making the mechanical benefit more clear would have helped that (even if it meant Brennan didn't get his reveal--which he ended up just telling them anyway so might as well do it early). The other thing is that the consequence of a rage token was so bad that of course they spent all season avoiding getting one. Things might have gone differently if the consequences had been a bit more obscured, like in Neverafter. And it could have been a nice parallel to the Rat Grinders to take this unknown resource that makes things easier for you but is also having this negative effect. Then it could be like dang we did the same thing they did unknowingly. 

I mentioned this in my recap but I'll talk about it again. It is a little confusing to me that we did the Ankarna subplot right after we did the very similar Cassandra subplot. It took up so much time this season which I don't think is an issue in and of itself, it's just that we literally just went through some extremely similar beats last season. Why double up on this same storyline when there's so much new ground to cover? Or if we're going to raise a god, why not make it a different kind of god? One theory I had early on was that the Rat Grinders were trying to raise their own god to one-up the Bad Kids but instead of raising a chill, misunderstood Cass type, they accidentally raised a god who was erased for a good reason and got in over their heads. 

It's fun for there to be connections between seasons but sometimes it's like, OK that's a *lot* of coincidences. Like the god who your rivals is trying to raise *happens* to be the wife of your cleric's god and also *happens* to be the god of the fiend trapped in your friend's mom's chest and that fiend *happens* to be the relative on your bard's dad's side which is *also* the reason she is randomly cursed? That's a LOT of red string connecting plot points. As unhinged as Kipperlilly is about coveting Riz's backstory if I saw that go down I'd be like you have *got* to be kidding me.  

The mystery elements didn't feel like they clicked as well as they did in other seasons. I think that's partially because Porter's plan was so convoluted (seriously, I made another post about how haphazard his plan was) and had all these moving parts and we didn't get clear answers for a lot of mechanical things like how the rage crystals actually work and when they were implanted and stuff. You had stuff like Devil's Honey which I think is super cool as a thing that exists in the world but ended up being an element that just led the players down the wrong path and had a relatively small payoff (that Porter was using it to lie to Ankarna). I think it's plausible that a forgotten god would be willing to listen to anyone saying the right things without introducing this element. (As opposed to, for instance, Ambrosia which has a very clear connection to what's going on and is a solid clue that someone is flirting with aspirations of godhood.) 

The Porter reveal came so late in the season that even though it was a fun/challenging fight, there wasn't a lot of emotional weight behind killing him. It was basically just dunking on a teacher Fig has always hated who was also mean to Gorgug so screw him. Which, valid of course. But the Bad Kids were never going to react as strongly to Porter as they were to the Rat Grinders so putting Porter in the prime villain spot isn't necessarily what I would have done if I wanted the fight to be more than just a brawl--especially since we've done "School admin with student minions" already in S1. I don't mind the full circle callback but it would have been nice to pick something else for the sake of variety. We haven't had a child mastermind yet and I think Kipperlilly could have been a great candidate for that. My friend suggested that it would have been fun if Kipperlilly was trying to become a god instead of just being Porter's underling and I agree. "I'm not anyone's chosen one so I'll choose myself," is still within her established jealousy and Type A tendencies. If we want to keep Porter involved since that was Brennan's gift to Emily, maybe have it be that instead of Kipperlilly working for him, he's working for her. Like Artemis Fowl vibes! And the Rat Grinders can be varying levels of on board--from true believe to redeemable. I don't think Brennan planned for the Bad Kids to ever redeem her so might as well go full megalomaniacal mastermind with her and make her The Villain if she's not gonna be nuanced anyway. If My Little Pony can do it and send a literal child to Tartarus for pony treason (or whatever Cozy Glow did), Fantasy High can too. 

Continuing from the above, if we have the Porter fight in place of the Grix fight (a la Daybreak) and don't use Ankarna, that gives way more time for the Bad Kids to investigate the Rat Grinders throughout the season and it would mean that they would have their personalities developed a lot more. With the limited downtime, they Bad Kids didn't have a lot of time to spend on these kids who were just hating on them for no good reason (valid). But if you cleared their plate of the god hunt stuff, they'd have more time for this. And if they weren't all rage zombies to varying degrees, it would be easier to see them as characters. Besides Kipperlilly (and, funnily enough, Mary Ann) we don't really have a good read on what these kids are actually like. The little time we spent with them all season was kind of a wash if them breaking out of rage means their personalities got laundered too. Anyway, regardless of how their loyalties ended up shaking out, it would have been fun for them to be more than the minions that they were in canon. As funny as it is for them to just kinda be XP farming losers, they did have the potential to be more interesting in their own right if they weren't just Porter's minions. And again, we've done adults forcing or coercing children into being minions in Freshman and Sophomore Year already. Lemme see some self-created child maniacs! (Or, peer pressured child maniacs. That's cool too. The Lucy/Kipperlilly dynamic is way more interesting to me if it's like girl, I would take a bullet for you but I CANNOT walk this path with you any further in response to *I* will be a god and you can be *MY* champion.)

Anyway, those are my thoughts! Like I said, I have my points that I think could have been tightened, but overall an enjoyable season and I will be glued to my screen if they decide to close out with Senior Year! 

[soshinysochrome]

Pre-cut fruit/veggies as an accommodation

I'm going to go on a rant that's been building up for a long time but needs to be said.

I just watched a video from How To ADHD where they finally articulated what I've been trying to explain to people for a long time; that buying pre-cut fruit and veggies is an accommodation.

Because holy shit, do people get angry at people who buy things pre-cut, like it's some kind of moral failing deserving of the vitriol and abuse that it gets. And it always comes complete with people smugly declaring that they take the time to cut their fruit and veg themselves, like somehow that makes them better than people who don't.

Lets get something absolutely clear.

Yes, we know it would be cheaper to buy produce and cut it up ourselves. Yes, we know that the added packaging is more wasteful. And we know that other people are judging us for it.

But here's the thing, starting with the fact that "taking the easy way" is not a moral failing:

Pre-cut produce is an accommodation.

I have ADHD, depression and seasonal affective disorder (seasonal depression). One of these by themselves makes taking care of myself difficult enough, but very rarely am I battling just one of these conditions at a time. And when it comes to cooking or preparing food, my options are very often either to spend a bit more to buy pre-cut fruit or veg, or not eat fruit/veg at all. Because if I buy produce I have to prep myself, at least one of three things will happen: 1) I'm going to forget it exists until it starts to make the fridge stink and it has to be thrown away. 2) I'm going to see it every time I open the fridge, feel bad that I can't bring myself to prepare it, worsening my executive dysfunction and depression, and making it even less likely I ever will prepare it. 3) I'm going to buy it, put it in my fridge, remember that it's there and beat myself up until it expires for being unable to bring myself to prepare it.

When people rail against those who buy pre-cut, what those of us who rely on it hear is that you don't think we deserve to eat healthily because we can't do it ourselves. Which sounds about as absurd as telling someone with glasses that they don't deserve to wear those glasses because they can't see without them.

Rant over. Leave people who buy pre-cut alone.

[tpwk-formula1]

Kinktober Day 1 - Hickeys - LN4

It is day one of my first Kinktober! I have been wanting to do one for years on different accounts and in different fandoms but I have finally started earlier enough to actually pump out an imagine a day!

All posts will be made at 12 PST according to the day

Lando Norris X Reader

TW - Hickeys, use of word whore, jealous sex, shower sex, unprotected sex, creampie

WC - 1400+

Y/N POV

"We're leaving," Lando said while pulling me away from the conversation I was currently having with Max.

"Lando! Stop, I'm trying to have a conversation, stop being rude," I said while pulling my arm out of his grip and trying to make my way back to Max.

"You've had enough conversation with him to last a lifetime! I've watched you giggling with Verstappen for the past 10 minutes. He cannot be that fucking funny! We are leaving now," Lando said while taking ahold of my hand and pulling me towards the exit.

Once we got outside and the loud blare of the noisy club behind us I can finally talk to Lando without having to shout.

"Lando, what the actual fuck was that?" I questioned him while we were waiting for our car to arrive from Vallet.

"I have barely seen you tonight and when I finally located you, you're practically on top of Max!" Lando replies back clearly mad about the situation.

"Lando Norris... Are you fucking kidding me right now? You're jealous of Max!" I reply back trying to hold my laugh back. Lando and I had been together since his rookie season so watching him get jealous over someone I had never once shown an interest in was quite funny.

"I'm not jealous of him, Y/N. But you don't need to all over him in a public setting like that!" Lando replies back before grabbing the keys from the young man who just returned the Porsche to the front of the club.

Once we got into the car it was fairly silent other than the noise of our breathing.

"You're ridiculous" I break the silence making Lando scuff.

"You're the ridiculous one! I don't understand how you aren't seeing the problem! You're over there flirting with my closest rival on the grid while you're in a very public relationship! You know how the media can be," Lando replies back. I just roll my eyes at how ridiculous his behavior has gotten.

"Lando you know damn well I would never even LOOK at Max like that! I have never once been interested in him, and I NEVER will be! You have never once had a problem with me being friends with the grid, do not start acting like this now because you are in a championship battle with him," I tell him while we pull into the garage of his Monaco appartment.

When I get out of the car I slam the door and make my way to the elevator trying to avoid Lando as much as possible.

The ride up to Lando's apartment was silent and awkward, both of us reflecting on the actions of the night.

When we finally get into the apartment I make my way into the bathroom before stripping down and getting in the shower knowing I need to clear my head before Lando and I can have a mature conversation.

I'm not even halfway through my shower before I hear the bathroom door open making me turn around and find Lando coming in shirtless and starting to unbutton his pants. Once he is stripped down he climbs into the shower with me.

I roll my eyes at him before turning my back towards him.

This was Lando's final straw because the next thing I know I am pushed up against the shower wall with Lando's chest pushed against my back.

"Drop the fucking attitude! I wasn't the one whoring myself out," Lando seethes out into my ear. When I don't respond to him he starts kissing behind my ear and down my neck.

Once he finds my sweet spot it leaves me gasping in shock before I feel his teeth sink into my neck and start sucking.

"Lando," I moan out. Once Lando pulls away from me I turn my head slightly to watch him observe the mark that is inevitably starting to darken on the side of my neck.

Without words, Lando takes my hips into his hands before aggressively spinning me around so we are face-to-face.

When I look into Lando's eyes I can see the lust swimming through them.

I grip onto Lando's neck pulling him down for an aggressive make-out session. It's not long before Lando is pulling back and trailing kisses down my jaw and neck again.

The feeling of Lando's teeth sinking into my warm skin has my knees growing weaker. Once Lando makes it to my tits I feel myself give out to the pleasure and if Lando wasn't holding me up I definitely would have been on my knees from the pleasure.

"Fuck," I gasp out when Lando takes my nipple between his teeth and biting down softly.

When I glance down at Lando all I see is his wet curls and little purple marks trailing down from my neck to my tits. I can't remember the last time Lando had given me a hickey let alone a whole collection of them.

"Lan please," I whine out trying to push him lower.

I get no response from Lando but he does start making his way lower down my body. All I feel is Lando continuing his trail of hickeys down my stomach leading his way to my soaked pussy.

When he finally reaches the spot I wanted him most instead of diving right in like he normally does he starts leaving hickeys all over my thighs. He has one of my legs in his hand giving him the perfect space to continue to tease me.

With the death I have on his hair I try to pull him close to my dripping core but instead, he makes his way to my other thigh but not before leaving a long lick from my dripping hole to my throbbing clit. This has me gasping for air thinking I was finally going to get what I wanted but Lando had other plans.

"Please, Lan," I whine out not knowing how much more of this teasing I can handle.

"Patience," All Lando says before starting his trail of hickeys again.

It feels like forever before I can feel Lando slowing making his way back to my soaking pussy. When he finally gets to the spot I needed him the most I let out a loud shrink when I feel Lando's teeth sinking down softly on my throbbing clit, before releasing it with his teeth and starting to suck on it.

"Fuck Lando," I moan out knowing I won't be lasting long if he continues this assault on my overly sensitive clit.

"I'm close," I moan out. This had Lando pulling away making me whine out from the loss of contact.

Lando doesn't say anything before he flips me back around so my chest is pressed against the shower wall.

It doesn't take long before I can feel Lando teasing my entrance with his hard tip. When he finally pushed in I let out a loud moan not knowing how to handle the overwhelming pleasure of being so full.

Lando starts thrusting in and out at a quick and rough pace. It doesn't take me long before I can feel my orgasm building again.

"Fucking, cum," Lando aggressively moans out making me explode all over Lando's cock.

"Fuck," I moan out feeling the early signs of overstimulation start to take course.

"Lan, fuck, please," I moan out not really knowing what I want.

"You're going to cum again," Lando grunts out making up my mind for me. I can already feel my second orgasm start to build when Lando reached around and started rubbing my clit which threw me over the edge again. This orgasm was stronger than the first leaving me shaking all over Lando's cock.

"I'm gonna cum in you," Lando whispers in my ear before I felt him slow his pace down but continue with the strong thrusts. When he finally spills into my still throbbing pussy I can feel how much cum he is pumping deep into me.

"Fuck," Lando groans out before slowly slipping out and allowing some of the cum to drip out of my pussy.

When we finally came down from our strong orgasms we finish our shower together before getting out. Lando gets out first and wraps his towel around his waist before grabbing the second towel and wrapping it around my body before helping me out.

When I finally get a good look in the mirror I can see just how much damage Lando had done to my skin. Just from my neck to chest I can see at least 8 hickeys ranging from small light purple marks to bigger deeper purple marks.

When I make eye contact with Lando in the mirror I see the smug look he is giving me.

"Well now he knows you're mine," Lando says with a small shrug before walking out of the bathroom, leaving me shaking my head at his petty jealousy.

[easy-there-leftovers]

A Question Unasked

Written with season 1 Spencer in mind

Summary: In which your ambitious, workaholic nature makes Spencer wonder if you've got a crush on Hotch. This slight hitch in his plan causes him to miss a few signs.

[A/N]: Can be seen as a filler from Spencer's perspective of certain scenarios from "Mixed Messages" and a prequel to "As Cool As I Think I Am", but can also just be a standalone

Pairing: Spencer Reid x fem! (mentored by Hotch!) reader | cw: slight spoilers for s1e04, allusion to inappropriate workplace dynamics (it's not true, relax lol), slight description of canon-typical violence, mildly inaccurate timeframe | word count: 4k

Spencer looks up from his endless stacks of files on his desk to look at the girl on the other side of his desk. Only a single carpeted walkway really separating them.

He could easily just get up and walk right to her. Ask the burning question that's been on his mind since the Arizona case, but he can't.

Why is that?

He's been your friend for a while, and he's known you for a while longer.

With his eidetic memory, he remembers so clearly when you first started working together. He remembers your starched blazer and pressed blouse, a stark contrast to his swimming-in-sweaters look, and how that alone let anyone know that you were serious about uniform and protocol.

You were, without a shadow of a doubt, one of the prettiest girls he had ever seen, and a fresh graduate just like him.

You were smart, beautiful, and started working at the BAU as early as he did.

And because you were new and young, one of the senior agents had been assigned to supervise your progress. So much like how he was mentored by Gideon, you had been mentored by the unit chief himself; Aaron Hotchner.

He'd like to think that he learned a lot from Gideon. He wasn't the type to hold his hand throughout a case, which he is thankful for, but he had been there to encourage him to think more outside the box. To let his mind be more flexible and creative. To see things from every conceivable angle. Leaving no stone unturned.

He supposed you learned a lot from Hotch as well. With your calm exterior, polite demeanor, and calculating mind that occasionally colored your less polite vocabulary-- He didn't know what Aaron must've been like in his junior years, but he supposed that having you as his colleague was essentially the same experience.

What he does know, however, is how close you are to your boss. Or is it your work?

Either way, you being glued to your work almost always meant that you were glued to him by proxy. You two being the first ones in and the last ones out showed that you spent three-percent more of your time with each other than the rest of the team, and two-percent more than with him.

Granted that had changed as of late, but still!

That didn't leave him a lot of time to ask you if---

"Dr. Reid, if you keep staring at me, I don't think you'll be able to finish your action reports on time." You had said without lifting your eyes from your folder.

Having been caught, he cleared his throat with a small 'sorry,' and directed his head back down to his still endless stack of files. The action earning a couple of chuckles from the bullpen where the rest of your colleagues had certainly seen, or at least heard, the exchange.

Not long after however, he saw Hotch from the corner of his eye lean over the railing outside his office. Calling for you both to meet him inside with his usual stern expression.

Spencer noticed how you got up, eyes still zeroed in on one of your files, and continued on your way up and into the unit chief's open door.

A clear sign that you had been invited there often enough that you didn't need to see where you were going.

You expected it.

He sighs and makes his way into the office as well. Dreading what the meeting could even be for, though he's confident he hasn't done anything wrong.

***

"As you might have noticed in our previous cases, I've paired you two to work on the more analytical aspects of it together. With these changes, we've been able to work twice as fast, and we’re thankful for the help."

Whatever Spencer had been expecting, it was not this. His raised eyebrows evidently agreed with him.

It wasn't everyday that Hotch complimented someone like this, much less in the proper environment. And if your respectful posture, but shining eyes in slight pride were anything to go off of, this was something new for you too.

As he was about to voice his thoughts, you had spoken up.

"Sir, Dr. Reid's knowledge in a wide array of subjects has certainly helped with our investigations. Though I'm afraid I haven't done much aside from ensuring it's accuracy and-"

"No! I mean--," He looked to see you already looking at him in slight confusion before continuing.

"She's been a huge help so far and has allowed me to exchange ideas with her to build a more accurate profile. Not to mention that her ability to mediate between departments has been beneficial to gaining access to pertinent information! So I think she's done plenty for the investigations as well." His voice dwindles as he realizes he's rambling on praises and he suddenly feels warm under the scrutiny of both his boss and his colleague.

He just didn't want anyone thinking you weren't doing anything by being humble. Especially since you're both so young.

Thankfully, it's Hotch who speaks up again after a beat.

"So what I'm hearing is that you're both satisfied with this arrangement?"

You both nod carefully and he smiles a small smile at that.

"Then we'll be carrying on with this pairing into the foreseeable future. Should there be any concerns about this arrangement, see to it that it goes through me. We can't afford to lose either of you." He says it with a finality that prompts both Spencer and you to leave with a nod, but the thought is instantly corrected when he speaks again.

"Oh and agent?" He looks only at you, but Spencer looks back as well out of instinct. "A private word, if you please."

Spencer sees you nod without a second thought and he takes it as his cue to hurriedly leave.

***

It hasn't been that long, Spencer argues with himself, since he left the unit chief's office. The blinds aren't drawn, he would know since he'd been looking at them periodically, so he also knows that nothing untoward is happening.

Yet something is bothering him about it.

From his position on his desk, he can see you and Hotch discussing something on his table very seriously, but he also sees how your eyes rarely leave the face of your superior. He can't quite see your expression due to the distance and the light, but he has this sinking feeling that it's a lot like the one from earlier.

He scoffs at the thought. If he wasn't thinking so rationally, he would've thought-

"Does she like Hotch?"

"Who likes Hotch?"

The new voice makes him whip his head back so fast to see Morgan with a confused face. Upon further examination, he sees him holding something that was definitely supposed to be flicked at him if he hadn't been caught so off guard.

He internally debates to voice his opinion, but he does anyway.

"Do you think that she likes Hotch?" He gestures with his eyes to their supervisor's office.

"You're asking me if I think 'little miss perfect' has a crush on a man that's hitched?" Derek echoes back with the use of your nickname. One that he coined as a playful jab at your no-frills behavior.

Spencer cringes when he hears it back though. He didn't ask this to get you in trouble, but it might come across that way now.

"Who has a crush on married man?" Elle joins in, and he only shrinks into his seat more.

"I'm not asking if she has a crush on him! I just want to know if she might like him and--what it is that she likes about him..."

The two exchange looks before looking back at him. Fully knowing that that's not the reason why he's asking, but they humor him anyway.

"Reid, what makes you think she likes him and not literally anyone else?"

"Well. there's her preference for prolonged eye-contact, a common indicator of interest for one. Her being in constant proximity to him, a sign that shows comfort in certain contexts, and then there's the amount of time they spend together."

The last one might be a bit of a reach, considering how you all work in the same area, but at this point he just wanted someone to tell him that he was either absolutely right, or crazy.

"Kid, that's crazy."

Duly noted.

"I'll say.” Elle chuckles out her response. “I haven't thought about it all, but those signs don't really mean anything. It just sounds like she has a habit of looking at whoever's talking to her." She notes, sharing her experience of being on the receiving end of your rather intense gaze.

His other friend adds onto that.

"And the whole closeness thing? You've seen her, she's like a computer with the way she works. She's a workaholic. And Hotch is another. It's just math, Reid."

Spencer furrows his eyes at the man's statement but before he can ask further, he sees you coming out of the office and staring at the small crowd that has now formed at his desk.

"Is something going on here?" You ask with tense brows. Eyes flickering to and fro.

He couldn't really think of something on the spot, but thankfully Derek had one at the ready. "Was just caught trying add my stack on to pretty boy's plate."

He sees you let out a small 'hm,' and you eventually turn your back to them to reach your desk.

He sighs in relief as he feels a firm pat on his back from Morgan.

"Next time, try looking at what she does when you're the one talking." He says before leaving to go to his own desk as well.

Spencer doesn't know what good that would do, especially now that he's worried one of his colleagues have caught wind of him liking you, but he at least takes note of it.

--------

He does not, in fact, take note of it until very later.

The team had been called to San Diego to deal with someone they had been calling, "The Tommy Killer." An unsub that had a preference for gluing his victims' eyes open.

As they were reviewing the scene in the jet, they had noticed a few stanzas of a literary work had been left behind at the scene.

"It's a ballad from the late 1600s. A Dialogue Betwixt Death and a Lady." Spencer had mentioned from where he stood.

"A 17th Century ballad?" Morgan had asked him incredulously from his seat, but it’s you who answers.

"One where a woman tries to bribe Death with all that she has in exchange for a little more time to live. Naturally, he doesn't allow it. Claiming that she was undeserving of an exception that even kings were denied of."

Spencer looks up from his own copy to see you still looking at your own from beside Hotch. With your brows furrowing in thought, he almost sees the actual gears in your brain turning.

"So what, are we looking at a literature professor of some kind?" Elle asks which immediately perks him right up.

"Well, actually anyone with access to the internet today. You should see what comes up when you type in the word, "Death" into a search engine." He laughed absentmindedly.

"Reid, no wonder you can't get a date."

Morgan's words made him frown, but he brushes it off.

Hotch, as previously discussed, then called on for the both of you to look deeper into the messages. To see if there was anything new that could be inferred.

He nods at him, and looks up. Expecting you to still be looking at Hotch as well.

Instead, your eyes meet his, but you quickly look back onto your file.

Reid thinks it's just a coincidence.

***

"Creepy, huh?" JJ had asked you two as she approached where transcripts of the written messages were tacked onto a board.

Spencer had been focusing so hard that he was caught off gaurd by her sudden appearance. Fully expecting the area to just be for you and him so he told her what first came to mind.

"Actually, conversations between Death and his victims was a fairly popular literary and artistic theme throughout the Renaissance."

Though perhaps the delivery wasn't as as good as he thought it was as JJ only stared back at him with an unreadable expression.

He thought it was interesting, really, but he supposed his slight stutter and breathy laugh at the end must have distracted her from his point.

He turned to look at you for help, but you too had been focusing on the messages and wouldn't be available to do that. So he just agreed with JJ’s sentiment, which seemed to be enough for her to leave.

He sighed out in relief.

"The lady never answers. Have you noticed it yet, Dr. Reid?" You turn to him as you ask.

He immediately refocuses on to the case and tries his best to reply after his prior blunder. "Oh uh-- Right, the dialogue in the ballad seems to be fractured. Well, it's more of a monologue than a dialogue seeing that there is no exchange of information."

A small smile graces your lips at that, and you gesture with a nod to go report your findings.

"So it is. Let's get going."

He follows you to where Hotch and Elle were discussing the sexual aspect of the crime and sees you take your place next to your mentor. The same position you were in when he was blowing out his birthday candles, as he also inserts himself into the discussion.

"Sir, we believe what the unsub has written at the scenes are most of the first three verses of the same ballad." You deliver, prompting your mentor to raise his brow at that.

"Most of?"

"Yeah, it's only one side of the conversation." Spencer adds. "There's no betwixt." He takes pride in your shared effort, which makes itself known by the smile that adorns his face.

Unfortunately, his satisfaction, isn't met with a positive reaction either as he sees Elle desperately trying not to make eye-contact, and your supervisor staring at him very pointedly.

He's thankful though at the little chuckle that you quickly try to hide behind a cough and a cover of your mouth to appear more professional. Quickly looking down at the ground.

He's happy that at least someone thought his joke was well-placed.

He continues to explain your theory about how the Lady in the narrative never answers, and that's enough for both Hotch and Elle to at least think about it.

Their attention is quickly stolen away however at an incoming call about a failed attempt nearby the precinct.

Quickly excusing themselves to get onto the scene as soon as possible, you see them call Gideon on their way out. Watching them as they leave the department doors.

But Spencer keeps his eyes on you as the thought just dawns on him.

You were the first one on the team to laugh at his jokes.

***

The more cases he works for the BAU, the more he realizes how much of his work isn't theoretical anymore. He feels it in the weariness in his eyes, the weight on his chest, and the shake of his hands.

Or maybe the shake is from the cold.

After all, he had dressed for the warm, California air. So now that he was in the cool, air-conditioned jet, he was seriously regretting not packing a sweater, at the very least.

He makes his way to the back of the aircraft after another successful investigation, and that's where sees you.

You had opted to shed your typically structured blazer on the seat beside you, leaving you in a softer blouse, both in color and form, that made everyone around you know that you were officially off duty.

It's a nice look on you, he thinks. A slight departure from your usually stern and hardened exterior. He wouldn't mind seeing a more relaxed version of you every once in a while.

A version of you that looked more your age and not constantly under the pressure of doing well.

He momentarily wonders if that's part of your mentor's influence as well.

He freezes a bit, as if catching himself in some depraved daydream, and takes a few steps back to return to the more vacant areas of the craft.

Before he can get any further though, you see him and beckon for him to come over with a tired wave of your hand.

"How's the flight treating you, Dr. Reid?" You ask, drowsiness lacing your tone as he sits on the seat opposite of you.

"Oh, it's the same as always, I guess. A little colder than usual, but that's to be expected. By the way, we’re actually lucky that we haven't experienced some semblance of turbulence yet on our flights, considering that the likelihood of it has increased by seventeen-percent in the last decade."

You laugh at that. "You really know just what to say, huh?"

He doesn't see it as funny as you do, so it seems. "I'm sorry. I didn't mean to scare you or--" "There's no need to apologize, sir. I find everything you have to say interesting, whether you mean it to or not."

He stays silent at that, suddenly nervous, and tries to make himself comfortable. He does so in the hopes that he can finally steel himself to ask you that question.

He talked to Elle earlier when they were waiting for the unsub's call. Asked her if she thought it was weird that he knew what he knew, and if it had anything to do with his inability to get a date. She had reasoned with him that it was because he didn't ask, but it couldn't be that simple, could it?

He mulls it over in his head before sighing. Opting to give up and just wait for a more opportune time.

Besides, jury’s still out that you could very well be pining over his boss.

The action, however, seems to remind you of something.

"Before I forget," You look into your baggage, rummaging around before finally finding what it was you were looking for.

You ask him to close his eyes, which he obediently does, and you place a thick rectangular box into his awaiting lap.

The sudden shift in weight causes his eyes to open, and he is certainly surprised to see what was on there.

"What is this?"

"It's your birthday. There wasn't a good time to give it to you, so might as well."

He takes the box into his hands and shakes it a little.

From the sound alone, or near lack thereof, there could be a multitude of things inside it. He looks at you questioningly and you only smile and gesture for him to open it.

He takes his time in doing so, and he doesn't know how or why, but he finds your reactions to his movements much more amusing than whatever could be in the box. As if you were more excited for him.

He finally peers into the now open box to see some sort of purple cloth. A ribbon of geometric designs cutting through its middle and he stares at it in wonder.

"It's a scarf!"

You smile at him, and he was thankful that the rest of the team were either asleep or just not paying attention as it allowed the both of you to savor the moment with at least some semblance of privacy.

"I've noticed that you had a tendency to wear a lot of layers. I wasn't sure if it was because you were cold, or you just liked dressing that way, so I made an educated guess and got you something practical."

And just like that, he's over the moon.

He immediately goes to put it on with a wide smile, paying no mind that it paired so badly with the short sleeves of his button up.

Not that he would know, nor care.

And just when he had been feeling cold earlier too! "Thank you so much. This means a lot to me, especially since you don't usually give gifts."

You shake your head. "I don't, but it's not everyday one spends their twenty-fourth at the BAU."

He continues to observe the cloth that now hung around him. Smoothing his hands over it as he does with an expression unreadable to you.

You worry a bit and hurriedly mention, "I'm sorry if it isn't your color. I see purple show up on your mismatched socks more than any other color, so I just assumed. If it's any consolation, purple is a great color to contrast the warmer hues in brown eyes?"

He flushes at your admission, but matches your urgency to set you straight. "No! Please, I actually really like it-- It's beautiful."

You breathe out a sigh in relief and nod slowly at that.

"Speaking of the color, did you know the origin of purple dye is actually quite fascinating?" His voice filled with enthusiasm. With his eyes, bright, and filled with a child-like fascination that makes your chest feel warm at the sight.

"Historically, purple dye was incredibly rare and valuable, which is why it became associated with royalty and nobility. The earliest known purple dye, known as Tyrian purple, was produced by the ancient Phoenicians around 1200 BC. It was derived from the secretions of a particular type of sea snail, the bolinus brandaris, found in the Mediterranean Sea."

He paused for a moment, wondering if he was boring you, but sees that you're still very much paying attention to him.

"The process to obtain this dye was incredibly labor-intensive and complex. It required thousands of these sea snails to produce just a small amount of dye. The snails would then be collected and left to decompose in large vats. After several days, a gland from the snail was extracted and crushed to produce a purple mucus. This mucus would then be exposed to sunlight, undergoing a chemical reaction that transformed it into the deep, rich purple dye we commonly associate with our modern day equivalent."

As he kept going, he suddenly remembered what Morgan had told him all those weeks ago.

"Next time, try looking at what she does when you're the one talking."

So he does just that.

He observes the way that your shoulders are more relaxed, how your eyes never stray from him, and how the small upturned curve of your lip makes itself known as you rest your cheek onto your propped up fist.

How he has your undivided attention and yet you don't even look the least bit bored of what he has to say. Only silently appreciating and subtly nodding along with the slow blink of your eyelids.

All clear signs of unguarded comfort, and or interest, in his presence.

Had you really been looking at him like that all this time?

Now the idea of you liking your boss seems silly. Especially when you’re looking at him the way he imagines himself looking at you.

"I did know that, actually, Dr. Reid. At the time, Tyrian purple wasn't only desirable for its rarity, people said it was also incredibly lightfast. That it was resistant to fading under the sun and the weather. Not to mention all that hard work that just to get a single gram of it. Then again, modern studies do claim that its lightfastness was, in fact, not an accurate feature as it's color diminished when it was exposed to light and UV radiation."

You laughed a little again, as if remembering some anecdote, and that sound was steadily becoming one of his favorite sounds. Following only after your speaking voice.

"Fortunately for you, doctor, I could only afford a synthetically purple-dyed scarf. Though that means that you won't ever have to worry about it fading under the sun."

Hands up in faux surrender, you give him a tired smile that he returns with one of his own.

A calming silence enveloped the both of you as you continue to bask in each other's presence.

At some point you doze off, draping your blazer on top of yourself to shield yourself from the cold, and that's when he starts considering Elle's words again.

"Do you ever ask anyone out?"

"No,"

"That's why you can't get a date."

He nods to himself, and reclines a little more into his seat. Snuggling into his new scarf that still has the faintest smell of you.

Maybe he will ask you out on a a date later.

_____________________________

Like my work? Consider tipping me!!

[fuckyeahgoodomens]

Neil talking about the responses to Good Omens Season 2 - from the Neil Gaiman interview with Brian Levine for The Gould Standard (x,x)

BL: The audience that you have built is a very passionately engaged audience. They, frankly, they love you. And one of the reasons they love you is that you fit into what I think of as one of two great divisions in art. There's, or in writing, um, there is: I'm entertained, I'm amused. I may be even enchanted; and then there's this hits me at a visceral level. You understand me as no one else does. You have touched something very central to my experience. And it seems to me that Much of your writing, maybe all of your writing, actually reaches your audience at that latter level. You know. I would say in the former category, sort of my quintessential and beloved example would be P. G. Woodhouse. He amuses me, but I don't feel like he's revealed my inner self at a very deep level. Um, were you aware that you were going to be able to achieve that? Um, that this is something... was it a startling thing when people began coming up to you, who'd read your work and said, this means so much to me?

Neil: Yeah. It was huge. And it wasn't expected. I... if I had a mountaintop I was heading towards, it was gonna be P. G. Woodhouse. Um, I wanted to be a proficient entertainer with a clear prose style who could tell stories. Um, it probably wasn't until Sandman that I found... I started to realize that in order for a story to work, I had to show too much. In order for a story to resonate, in order for a story to matter, I had to let it matter too much. And, and I remember the first people who would start coming up to me and saying, um, you, you know, your, your Sandman comics got me through the death of a loved one. Your death character got me through my child's death, through my parent's death, through my partner's death, through my friend's death. Um, and that left me kind of amazed. I'm like, well, I didn't write it to do that. I wrote it to feed my children. I wrote it to satisfy myself. I wrote it because nobody else had ever written it. And if I didn't write it, it wouldn't be written, but I don't think I wrote it to give you what you've taken from it. And I spent really about 20, 25 years feeling awkward about that. And then my father died, in March 2009, and never got to cry about it. Never... I, you know, I've, I've got on a plane and I went to the UK and dealt with the funeral stuff and organized all of that stuff and came back and go toff the plane and went and did Stephen Colbert's Colbert Report and wearing the funeral suit because and that was all I had with me and carried on. And then, somewhere in the middle of summer, I was reading a friend's script. They'd sent me a script and said, can you look this over? And I'm reading it, and on page 20, the lead character meets somebody, and on page 26 maybe, she's dead, and I burst into tears. And I'm bawling. I am sobbing. It is coming out of me in giant racking waves. And I realized that it's everything that I'd been, hadn't let myself feel, or hadn't been able, hadn't stopped enough to let myself feel, was suddenly being given permission to feel by the death of a fictional person who I'd met six pages earlier, ia script. And I thought that... and it was huge for me, and I thought, okay, that's that thing that people are talking about sometimes, when they come tome and they say, you, you did this. So right now, I'm in this weird, wonderful place where I think a lot of people in Good Omens Season 2 thought they were signing up for the P.G. Woodhouse, and didn't know that, no, no, no, you've, you've signed up for the whole thing. You've signed up for the feelings. You've signed up for the emotions. I... it is my job to make you care and to make you feel and to feel things you haven't felt before. And which meant that the first week or so after Good Omens came out, I was getting angry, furious, deeply upset messages on every possible social medium telling me that I had betrayed people, and it was awful, and they couldn't stop crying, and why would I do that to them, and did I hate them? And they hated me. And then a weird sort of phenomenon happened as people would watch the show again. And again. And now they started to know, okay, this is where it's gonna go, this is what's gonna happen, this is how it works. And they started realizing that they were actually feeling things, and that was good. And that they were caring about two people who don't exist. You know, I made them up, and then and Terry Pratchett made them up, and then, um, David Tennant and Michael Sheen gave them life, and then they get to walk around on a screen and you know they don't exist, but you can cry for them, you can love them, they can make you laugh, they can make you exult, and most important of all, they can make you care. And the number of people who are now writing to me, saying, 'This was so important to me. This has changed my life. This makes me feel like I belong. This makes me feel like I can cope. And it's let me sort of find myself. P. S. I hope you get to do Season Three.' is, is huge.

[zorosangell]

Hi there! I hope you are well. I just found your blog and I loved everything you write, I was thinking about a writing that I think I've seen only a brief incorrect quote where Zoro becomes 40-year-old Zoro for a while and the reader, instead of worrying, feels horny seeing Zoro that way and well, I'll leave the rest to your imagination. If you don't feel comfortable with this request, you can ignore it. Thanks anyway 🫶

⛥ﾟ・。 theory

synopsis: the effects of a devil fruit age zoro into a forty year-old version of himself. and after his initial annoyance passes, he grows thankful... as you can't seem to keep your hands off him.

cw: fluffy fluff, comfort, reader is shameless, reader is down bad for zoro, zoro's a bit of a simp.

a/n: gnawing on the bars of my enclosure I NEED THIS MAN

"Are you gonna stop staring at me any time soon?" Zoro sighed, crossing his thick arms over his chest as he glanced at you out the corner of his eye, voice gruff and seasoned. "'Cause you've been sittin' there with the same look on your face for past thirty minutes..."

"Never," you instantly shook your head, eyes starry as they raked over him for the hundredth time.

Your expression didn't even attempt at concealing the thoughts racing through your mind.

But if they could be attributed to one word, it would be—

Nasty.

"I don't get why you're so riled up..." he scoffed, turning his gaze away from you, cheeks a faint tinge of pink. "I'm out of my prime. My body's all soft..."

He glanced down at his abdomen, annoyed, as what were once rock-hard abs, were now flesh-hard, all of his muscles slightly softer with age.

He'd spent years fine-tuning his body, training and throwing himself at trial after trial in order to hone it into the perfect medium for his swordplay.

Only for all his hard work to be undone in one afternoon.

And only for you to be utterly elated about it.

"I know right!" you beamed, resting a fascinated hand on his stomach, gently caressing his torso.

You sat next to him on your knees, body turned to face him completely so you could get a perfect view of his face.

For the first time in your life, you were thankful for an annoying, D-List devil fruit user—as without that weird man from the last island, you never would've been able to experience the sight that was your swordsman in his forties.

At least... not for another twenty years.

Besides, you didn't let the appearance fool you.

Your swordsman was just as strong, if not more, in this body—he just had a little extra beef, is all.

And you were absolutely loving it.

"I thought you liked my muscles?" Zoro raised a brow, still lost at how cool you were with all this.

When he got changed, he thought you wouldn't touch him with a ten-foot pole, or at least steer clear until it wore off, in fear of things becoming awkward.

But you were all over him—even more so than usual.

"I love your muscles," you admitted, shamelessly. "But there's something about you older that's just..."

You smiled a coy smile, looking off to the side as you let out a sigh of content, your face painting him a perfect picture.

"(y/n)... at this age, I'm old enough to be your dad," Zoro deadpanned, face burning at your insinuation.

"You act like that's supposed to deter me..."

"(Y/N)!"

"I'm just being honest! You're hot, Zoro! I don't know what else you want from me!"

Embarrassed, the man turned away from you, glancing out at sea in an attempt to hide it.

'Crazy woman...'

Some days, he just didn't understand you.

"Don't give me that face," you scoffed, giving his shoulder a soft smack. "You're telling me that if I was turned into a forty year-old bombshell, you wouldn't be into it? ...At all?"

Zoro paused, taking a moment to think.

You... your curves and hips filled out even more than they already were, acting as perfect places to rest his hands.

You... your stomach and thighs thick with some pudge, primed for grabbing and kneading.

You... your tits slightly bigger, enlarged by the children you'd given him.

You... your voice slightly deeper, seasoned with enough age and wisdom to give you a permanent bedroom voice.

It sounded like a dream.

He smirked, eyes flicking to the crow's nest—where the bastard who changed him was being locked up—with a faint glimmer.

A dream... he was more than willing to indulge in.

Without warning, he stood up from the bench, tossing you over his shoulder as if you weighed nothing.

You let out a yelp of surprise, face burning as your hands quickly moved to cover your skirt, not wanting to accidentally flash the crew.

"Zoro! What are you—?! You can't just grab me!" you flushed, mortified, as he began to walk toward the crow's nest, holding you as if you were a sack of potatoes. "Where are we even going?!"

Amused, Zoro let out a devious, knowing chuckle, his hand giving your thigh a quick squeeze.

"I got a theory I wanna test... and I need your help..."

And if his theory was right, you two wouldn't be making it out his room for the rest of the night.

[restinslices]

okay chat maybe him like getting jealous

Assuming you’re the anon who asked about Spooky

Him this episode >>>>>>>>>>

I've seen posts before about Spooky and people say he'd pull out a gun and start swearing when he's jealous and really show his ass but honestly? I don't think that's accurate 

I haven't watched OMB in a hot minute and Netflix is being some hoes rn so forgive me if I'm wrong but wasn't he incredibly patient?

He was patient with Cesar and with Cesar’s friends. I don't recall him ever losing his temper and going insane besides season 4 when he heard people fucking shit up outside 

Spooky gives me the silent jealous type. Silent but also petty 

Like if you came back to him after talking to a guy he'd say some petty shit like “thought you'd be around him all day”

“That's your man now, right?” “Stop being childish”

You could tell when he's jealous though cause you'd feel him staring at you the whole time 

I could also see him clearing his throat loud as hell if you're nearby to both get your attention and introduce him to whoever it is you're talking to 

It's gotta be a guy he doesn't know cause realistically what Santo is dumb enough to flirt with you?

I feel like I'm expected to say he'd have this huge outburst but Oscar doesn't give me that vibe. He's pretty patient and I think especially if y'all have been together for an extended amount of time, he'd feel secure enough to know you won't do some foul shit 

I feel like someone touching you would cause him to immediately get involved. He'd walk over and physically take their hand off of you while pulling you closer to him or behind him 

And let's be real, no one is dumb enough to try shit with him. He's 6’1 and known as the leader of the Santos 

But if someone did try him because they're drunk or whatever, I feel that even though he's jealous he'd still put your safety first. His jealousy would go to the back of his mind and he'd try to get you out in case shit gets intense 

Another situation he'd step in is if you're visibly uncomfortable. Typically if someone's flirting with you, he knows you can handle it but if you're so obviously uncomfortable then he'd step in and get you away 

I feel like if you're dating Oscar your safety would go over everything so while he's still a man and wants to play all big and bad in whoever's face, getting you away is his biggest priority 

“Are you jealous?” “Should I be?” “No” then he'd nod or smth 

Now let's say you're hanging around a new guy a lot. Would he get jealous? Probably. He's a guy. 

This is a different situation ‘cause he's not seeing anything. He can't pull you away. What does he do?

Short answer; nothing. Long answer; he doesn't seem like the type to be so jealous he'd snoop on your phone or follow you because relationships require trust and if you caught him, you'd be upset. I could see him asking questions about the guy and then denying he's jealous ‘cause “I have nothing to be jealous about”

And it's like??? Are you telling me  that or telling yourself that? 

Over time it'd become obvious he's feeling a certain way. You'd say you're gonna hang out with whoever the guy is and he'd just make a “mmm” sound instead of actually responding 

“Something wrong?” “I didn't say anything” “Exactly”. Eventually it'd come out though 

And the idea of him flirting with someone else to make you jealous comes up but I don't think that'd happen. He hardly has any relationships besides his gang which means he hardly has any close relationships. He has the kids, who he's like an older brother too (or literally an older brother to) and Mario (and we don't know how much they interact) so I don't see him risking a relationship just to be on petty shit 

He'd say smth petty but flirting with someone else just as payback for some shit you can't control? Nah

You could probably calm him down easily just by being near him. Making jokes about him being jealous would help also because it's you acknowledging that you see how he feels without having a sappy ass conversation 

I feel like this is so anticlimactic and disappointing but realistically I don't see him flipping his shit. He's 19-25, which could make him a bit immature but 1) he's grown up quickly so I think he can handle his emotions. 2) He has two strikes already. He's not popping his shit and risking life in prison because he was jealous. And 3) he knows you know where home is. 

He gets jealous, sure, but all those reasons stacked together makes him act calm, only getting somewhat aggressive if someone is touching you or making you uncomfortable. He’s more petty than anything

Quick story time. So I got away from my abusive dad when I was 13-14, right. I was also obsessed with Spooky. Tell me why my therapist said “I think you love him so much because he’s a strong and scary guy and in your head he’d protect you if your dad came back for you”. The way I almost blocked her-

I’m still seeing her years later😃

[blueeyedgirll]

shark week surprise - spencer reid x f!reader

spencer reid x f!reader on her period

this fic includes: fluff, descriptions of bad periods and period paraphernalia, spencer being a sweetie pie and doting on you, established relationship, non-bau reader, pet names, early seasons spencer, use of midol, no use of y/n, unrealistic depiction of spencer's job, reader being shorter than spencer

word count: 1,053

a/n: you'll never guess what time of the month it is for me ;) im testing out using gifs on my fics so tell me what you think my lovely returning readers!

"It hurts," you say into your phone.

"I know it does, honey. I'm sorry. I'm sure a heating pad and some medicine can help with your cramps," Spencer responds sympathetically, recalling all of the period remedies he had learned.

"I took some Midol about an hour ago and I have the heating pad on right now. It's not helping much."

"Hmm..." Spencer pauses for a moment. "I've read that light exercise and hot tea or water can help. Are you feeling well enough to talk to the kitchen and make some tea? I think there's still some of the chamomile and honey tea I bought you in the pantry, and the walking might help."

"I should be alright. Will you stay on the phone with me?" you plead.

"Of course I will. Luckily, I'm in my hotel room for the night, so I have as much time as you need."

"Thank you, Spence."

"You're welcome, love."

You hobble to your kitchen, phone in hand, and start to make yourself a cup of chamomile tea.

The few minutes it took for the kettle to boil felt excruciatingly long, but having Spencer on the phone to distract you helped.

"I was reading an article about Spanish idioms, and I saw one I thought you would like," Spencer prompts.

"Yeah? What's that?" You say, leaning against your kitchen counter.

"Well, it literally means 'Thinking about the immortality of the crab,' but it's a way to say that instead of just sitting idly, you were engaged in active thought or daydreaming. Kind of like saying you're just letting your mind wander," Spencer says, his voice growing more excited as he elaborates.

"I think about the immortality of the crab a lot, then," You joke.

"I know. That's why I thought you would like it."

You scoff and bring your now finished cup of tea back into your bedroom, where you had been hibernating amidst every fuzzy blanket you could find.

You pull the heating pad back over your lap and get as cozy as you can with your hellish cramps. As nice as your bedspread may be, however, you know that you would be a lot more comfortable with Spencer cuddled up next to you.

"When are you gonna be back home, Spencer?" You ask.

"Well, we haven't gotten very many good leads, so we're a little stuck right now. It might be a few more days. I'm sorry, honey," He responds apologetically.

"Oh... That's okay. I get it."

You did get it. It wasn't uncommon for Spencer to be gone for days, sometimes a few weeks at a time. But the searing pain and high estrogen levels just made you want him near you even more.

"I'm sorry. You know I would so much rather be taking care of you right now," Spencer follows.

"Ain't no rest for the wicked."

"Exactly." Spencer pauses for a moment, lets out a sigh, and shuffles around in his room. "You should get some rest. You may feel better tomorrow as your hormones decrease."

"I know. I love you, Spence."

"I love you too, darling. I'll see you soon. Hang in there."

"I will. Bye."

You hang up the phone and sigh dramatically. It was only Friday night, and without work to prepare for or Spencer to spend time with, you were forced to entertain yourself for the weekend.

You start by putting on an older show to rewatch, but don't make it through much before you fall into an uncomfortable sleep.

You wake up the next morning to your phone ringing. Rubbing your dry eyes, you pick up your phone and see Spencer's contact flash across your screen. You pick up, clearing your throat before you speak.

"Morning, love."

"It's eleven AM, darling. But good morning to you, too," Spencer responds. In the background of the call, you hear what sounds like a turn signal.

"Whatever. Where are you?"

"I'm in the car," He says uninformatively.

"Okay, then where are you heading?"

"To my destination."

What a turd. You groan in exasperation.

"If it makes you feel better, I have something for you,' Spencer tells you.

"Like what?"

"It should be arriving just about now, actually."

"What do you mean?" You question.

Before you could ask him anything else, you hear a knock at your door.

"Hang on, Spence. Someone's at the door," You say, placing your eye to the peephole.

To your great surprise, you see a tiny image of Spencer smiling outside your door with his phone up to his ear. You fling the door open and affirm that he is, in fact, at your door.

"Spencer!" You exclaim. He greets you as he throws his arms around you, lightly squishing you against his chest.

"I thought you weren't gonna be home for a few more days. What changed?" You ask, pulling away from his embrace to look up into his sweet brown eyes.

"The unsub basically turned himself in, so we all got to go home early. I would have came here earlier, but I had to make a stop," He says, gesturing to his right hand.

You look down to see a shopping bag. He smiles and walks into your living room, urging you to follow.

He slowly unpacks the bag, announcing every item as it appears.

"An array of candy -- fruit flavored as well as chocolate --, electrolyte drinks to keep you hydrated, a new bottle of Midol to help with the pain, and..." Out of a separate bag you hadn't noticed before, he pulls out a bouquet of fresh flowers. "Flowers because I thought you would like them."

He hands you the flowers and you smile up at him before enclosing him in another hug.

"Thank you, Spencer. You're so sweet."

"I'm just trying to make you feel better," He says, placing a kiss on your forehead.

"You're doing great."

He smiles into your hair before pulling away.

"What do you want to do? We can watch movies in bed, I can draw you a bath, we can go for a walk..." He trails off, looking to your for an answer.

"Let's go watch movies. We can find that new one we wanted to watch."

"Sounds good to me, love," He says, following you into the bedroom, snacks in hand.

[artsekey]

I'd been seeing videos on Tiktok and Youtube about how younger Gen Z & Gen Alpha were demonstrating low computer literacy & below benchmark reading & writing skills, but-- like with many things on the internet-- I assumed most of what I read and watched was exaggerated. Hell, even if things were as bad as people were saying, it would be at least ~5 years before I started seeing the problem in higher education.

I was very wrong.

Of the many applications I've read this application season, only %6 percent demonstrated would I would consider a college-level mastery of language & grammar. The students writing these applications have been enrolled in university for at least two years, and have taken all fundamental courses. This means they've had classes dedicated to reading, writing, and literature analysis, and yet!

There are sentences I have to read over and over again to discern intent. Circular arguments that offer no actual substance. Errors in spelling and capitalization that spellcheck should've flagged.

At a glance, it's easy to trace this issue back to two things:

The state of education in the United States is abhorrent. Instructors are not paid enough, so schools-- particularly public schools-- take whatever instructors they can find.

COVID. The two year long gap in education, especially in high school, left many students struggling to keep up.

But I think there's a third culprit-- something I mentioned earlier in this post. A lack of computer literacy.

This subject has been covered extensively by multiple news outlets like the Washington Post and Raconteur, but as someone seeing it firsthand I wanted to add my voice to the rising chorus of concerned educators begging you to pay attention.

As the interface we use to engage with technology becomes more user friendly, the knowledge we need to access our files, photos, programs, & data becomes less and less important. Why do I need to know about directories if I can search my files in Windows (are you searching in Windows? Are you sure? Do you know what that bar you're typing into is part of? Where it's looking)? Maybe you don't have any files on your computer at all-- maybe they're on the cloud through OneDrive, or backed up through Google. Some of you reading this may know exactly where and how your files are stored. Many of you probably don't, and that's okay. For most people, being able to access a file in as short a time as possible is what they prioritize.

The problem is, when you as a consumer are only using a tool, you are intrinsically limited by the functions that tool is advertised to have. Worse yet, when the tool fails or is insufficient for what you need, you have no way of working outside of that tool. You'll need to consult an expert, which is usually expensive.

When you as a consumer understand a tool, your options are limitless. You can break it apart and put it back together in just the way you like, or you can identify what parts of the tool you need and search for more accessible or affordable options that focus more on your specific use-case.

The problem-- and to be clear, I do not blame Gen Z & Gen Alpha for what I'm about to outline-- is that this user-friendly interface has fostered a culture that no longer troubleshoots. If something on the computer doesn't work well, it's the computer's fault. It's UI should be more intuitive, and it it's not operating as expected, it's broken. What I'm seeing more and more of is that if something's broken, students stop there. They believe there's nothing they can do. They don't actively seek out solutions, they don't take to Google, they don't hop on Reddit to ask around; they just... stop. The gap in knowledge between where they stand and where they need to be to begin troubleshooting seems to wide and inaccessible (because the fundamental structure of files/directories is unknown to many) that they don't begin.

This isn't demonstrative of a lack of critical thinking, but without the drive to troubleshoot the number of opportunities to develop those critical thinking skills are greatly diminished. How do you communicate an issue to someone online? How do look for specific information? How do you determine whether that information is specifically helpful to you? If it isn't, what part of it is? This process fosters so many skills that I believe are at least partially linked to the ability to read and write effectively, and for so many of my students it feels like a complete non-starter.

We need basic computer classes back in schools. We need typing classes, we need digital media classes, we need classes that talk about computers outside of learning to code. Students need every opportunity to develop critical thinking skills and the ability to self-reflect & self correct, and in an age of misinformation & portable technology, it's more important now than ever.

[sophrosynesworld]

Just Friends?

actor!Katsuki x actress!Reader

The studio lights cast a warm glow over the set as the host welcomes everyone back from the commercial break. I stand in the wings, nervously fixing my hair. Katsuki stands beside me, unfazed by the upcoming interview. The audience buzzes with anticipation, eager to hear from us about our latest movie.

"Welcome back to the Midnight Mic, everyone!" Late-night talk show host Hizashi Yamada greets the crowd, his voice bouncing around the room, riling everyone up. "We have a great show lined up for you tonight, so don't leave your seats!" Hizashi walks from center stage over towards his desk, pulling out the chair before directing his attention towards the second camera.

"Tonight, we have some amazing guests. Please join me in welcoming two of the biggest stars on the silver screen, Katsuki Bakugo and his leading lady!"

The applause is deafening, and I can't help but smile. Katsuki gestures for me to walk out first, my heels clicking as I wave to the audience. It's instantly twenty degrees hotter as the stage lights beat down on me. I don’t have to look back to know when Bakugo follows; the crowd’s excitement peaks as he steps out, giving a casual nod, his usual confident demeanor softened by a playful smirk. He glances at me as we sit, leaning over to adjust my dress.

"It's great to have you both here," Hizashi begins, turning towards us. "You two have been the talk of the town with your new film. How's the stardom feel?"

Katsuki leans back in his chair, clearly relaxed. "It's been a wild ride," he admits, a hint of amusement in his voice. "Most of us have done fine with the publicity. My co-star, on the other hand," he jokes, nodding towards me, "couldn't handle the heat at first."

I laugh, covering my red cheeks before nudging him playfully. "Yeah, this is just my first major hit. I wasn't used to the more persistent fans. This has been a wonderful experience though. The entire crew has really bonded over the last twenty weeks.

Our host raises an eyebrow, intrigued. "You seem to have a great dynamic, both on and off screen. What's it like working together?"

I glance at Katsuki, who gives me a look that says, "Go ahead." I smile and turn back towards Hizashi. "It's honestly been amazing. I don’t think Katsuki liked me very much in the beginning—"

“I didn’t.”

"—but I finally wore him down enough to tolerate me." I laugh, swatting his arm away while crossing my legs. "He’ll never admit it, but we clicked right away. It'll inflate his ego, but he's won three Oscars for a reason." I laugh lightly, smiling at the memories.

Katsuki grins, crossing his arms. "She’s being modest. I've won 4." The crowd laughs as he changes the conversation. "Honestly, she's the best costar I've had in a while. She's going to kill me during the nominations this year. I mean, there was this one scene where she just—"

"Oh, no, not this story," I interject, laughing.

He chuckles, ignoring my protests. "We're filming this one scene with all these seasoned professionals, folks who have been in this business for decades." He pauses, looking at me. "They had to rewrite the first version of the scene because her acting was so horrifyingly raw and realistic that it traumatized the crew. They thought she was actually dying."

Our host leans in, clearly shocked. "Are you going to tell us more? You can't leave us with crumbs!"

Katsuki shakes his head, his crimson eyes sparkling with mischief. "Definitely not. You'll have to see it in theaters to find out."

I shake my head sheepishly. "I don't even know if they left it in or not. They told me to act, so I did."

"This is why I love you guys. You're always so honest about your lives." Hizashi grins. Now, I hate to gossip, but there's been a lot of questions about your off-screen relationship. Care to clear up the rumors?"

Katsuki and I exchange a knowing look, a silent agreement passing between us. I decide to answer, leaning forward slightly. "We have a really close friendship. We're both super passionate about our work and love what we do, which makes working together even better. We definitely have a flirty friendship, but it's all in good fun."

Katsuki nods, his expression softening. "Yeah, she's great. We just get each other, you know? It's easy to be around her, whether we're on set or just hanging out."

Hizashi smiles, clearly enjoying our interview. "Well, it's clear that you two have a special connection. Before we go, is there anything you'd like to say to your fans?"

I turn to the camera, feeling a wave of gratitude. "Just a huge thank you to all the fans for their amazing support. This entire experience has been mind-blowing, and I can't wait for everyone to see it. We hope you love it as much as we do."

Katsuki chimes in with a grin. "Yeah, thanks for sticking with us, extras. Our new movie comes out in theaters September 22nd!"

The audience laughs and claps, clearly enjoying their money spent. Hizashi wraps up our segment, and as the band leads us to commercial, Katsuki leans over, nudging me gently. "You did great," he murmurs, a genuine smile on his face.

I grin back at him. "You weren't too bad yourself," I tease, standing up and heading back towards the green room, waving goodbye to some of our fans in the audience.

Katsuki is quick to follow, his steps only a few paces behind mine, practically pushing my bodyguard out of the way. I open the door and sit down on the oversized couch. Katsuki follows my lead, plopping himself close to me. His large hands almost instantly wrap around me, lifting me up and pulling me into his chest. I straddle him, our bodies dangerously close together.

"Just friends?" Suki whispers, his lips grazing mine as he looks at me.

"Just friends," I reply, the words soft and delicate as my freshly polished fingers wrap around the fabric of his shirt, closing the distance between us.

Authors Note: I'm obsessed with this idea and could probably write 200 of these little one shots.

[chrlvctius]

clandestine meetings

Alexia putellas x williamson reader!!

It was late afternoon, probably around 5 p.m., and the sun was setting. It was October, the fall season. The air smelled like leaves, almost like pumpkin. I was so focused on people walking down from the rooftop that I didn't notice someone joining me.

I didn't have to turn to see who it was since I knew who it was right away. Just by her hair, her height, and the vibes she radiates. I couldn't be wrong, I knew it was her. Memorising those small details about her makes me hate her because I can't seem to get over her.

She moved closer to me, leaving a small distance between us. She took out a cigarette, lit it, and went on about her business while I was at a loss for what to do beside her. I don't think starting a conversation with her would help either, so I just stood quietly, admiring the view and watching the sun set as the wind blew through my hair.

There's something about that comfortable silence. We didn't have to say anything to one other or anything like that. Or, if we did talk. We didn't have to worry about running out of topics or being awkward since simply being with her in silence is plenty; her presence is enough. Being together felt like home; it made us feel complete.

Leaning over the rail, I turned my head to check on her, and she was as lovely as ever. She was always beautiful. She was the first person who caught my attention when I moved to Barcelona. I've kept an eye on her ever since.

She continued smoking and admiring the view, while I got lost staring at her. She sighed and smiled, "You know I can see you staring, right?" she asked, turning to face me.

I couldn't think of anything to say so I just chuckled and shrugged it off.

She turned to face me, tossed her cigarette in the trash can, and moved closer to me.

"Why did you stop smoking?" I asked as she approached me.

"I don't want you to smell like smoke, plus i don't think you like it when people smoke near you" she went on to say

"That's very thoughtful of you, ale," I comment, laughing at her.

She was taken aback for a moment because she had never heard me call her by her nickname. It was my first time addressing her as such. I usually refer to her as "alexia" or "cap"

She paused for a bit before clearing her throat, "Is your sister okay?"

she said, seeming nervous

She seems to have gathered up enough courage to ask that question. Leah and Alexia weren't on the best of terms, so hearing her ask this makes my heart melt.

"She'll be fine; I'll be back home once the breaks come," I reassured her.

"I know she was against you going to Barcelona," she said as she drew closer to me than she had ever been.

"Um, yeah. She was," I answered nervously, hoping to keep it hidden because she was closer than ever right now.

"I'm pretty sure you know why she didn't want you to come here, right?" she asked, with a slight smirk on her face. She was clearly having a good time.

"Of course," I answer, trying to cover up my nervousness. Having her so near to me makes my knees shaky, like jello. Her stares make my knees wobble.

"She didn't want me coming here because she'll be alone, and we've never been separated this long, it'll be new to her, to me as well," I reply, looking wherever I can to avoid facing her because I know it'll be a dead end for me if I do.

"Come on, that's not all of it, isn't it?" she nudged me

"I'm not blind, I know the main reason why williamson doesn't want you to come here is because of me" she said with that annoying smirk on her face that I desperately wanted to erase

I just nodded and tucked my lips because she got it right

"What does she say about me? I bet she told you I was bad influence" she said and laughed

“You should surely take your older sister's advice, don't you think?"

"Like the good girl you are," she said, smirking.

We fell silent and let the breeze wash over us.

She drew nearer as I walked toward the doorway, placing both of her arms on either side of the rail to enclose me.

"Do you think I'm a bad influence? Do you agree with your sister?"

I look at her and see her eyes piercing at me, green with a tint of brown, she looked breathtaking. I felt like I could drown in her eyes.

"I don't think you are," I responded, swallowing hard.

"I'm your sister's rival, and yet you still stick with me?"

"I don't think you'd like it if I ignored you, though," I muttered, glancing down because just looking at her makes me want to pass out.

She tilted her head in such a way that it gave me butterflies. Lord, when will this end?

"Why so?" she inquired, completely teasing me.

"Would you like me to ignore you for the entire season, ale?" I said back.

She pouted at me, seeming to think about what she was about to say.

"Hmm, no. It would make me sad," she teased, smiling.

"Sad, why?" I inquired, still smiling.

"Because if I were to ignore you, that would make your sister feel relieved that I'm not circling you. I want her to be mad at me and for her to feel annoyed because it makes me happy." She grinned and moved closer to me.

"You're really messed up in the head, ale," I joke, pushing more against the rail because if I don't, you know what would happen.

"I want her to be annoyed, I want her to be angry at me, I want her to feel all the emotions," she said as she locked her gaze on mine. Her eyes seemed to want to express more, as if there was more to what she said.

"Which is why i won't be leaving you"

She whispered and stared at me for what seemed like hours. She was just staring at me, as if she was trying to memorise my face. I felt very vulnerable.

"Is that the only reason you don't want me to ignore you?" I asked, leaning closer to accept her challenge.

"Do you think there's something more?" she replied, edging closer to me until our faces were almost touching.

"I know there is"

I'm so sorry for leaving u w a cliffhanger 😭😭 i promise you there is a part 2! THERE WILL BE A PART 2 👹👹

Dm me if u wanna know some bits of the next part 😎

[tobiasdrake]

Hi! Absolutely adore your DBZ analyses, thank you so much - just spent a delightful time reading them all. I was wondering, since you've commented on Chi-Chi and Goku's marriage, what do you have to say about Vegeta and Bulma's relationship? (I've always been entranced by it - mostly because as with all his romances, Toriyama had the wisdom not to show any of it onscreen. But I'd love to know your thoughts about it.)

Bulma and Vegeta are a match made in Hell, and they deserve each other. (Which is to say yes, I love this ship.)

Hooking Bulma up with Vegeta was a hell of a narrative swerve. Generally speaking, stories rarely do this; They rarely let characters break up once they're already invested in a romance, unless it's supposed to be like a love triangle thing.

And Bulma? Bulma was invested. At least, to a degree.

This was the birth of the original Bulma romance that ran through about half of the manga. Two teens interesting in the opposite sex suddenly realize the availability of the other and a relationship is born.

Toriyama says he's bad at writing romance but to be honest, this has always hit me as more believable than your typical drawn-out five-seasons-of-pining Will They/Won't They affair. I'm a girl. You're a boy. Wanna go out and see what clicks?

And these two... these two do not click. We only really see their relationship from Bulma's perspective but it's clear that these two are miserable together.

The manga sorta takes Bulma's side, in that we never really get to hear Yamcha's opinion about their relationship one way or another. When he's around, all he wants to do is talk shop about martial arts. Since Toriyama doesn't like to write romance, we simply don't see much of it from them. What little we do hear about it comes from Bulma complaining about how miserable she is.

Bulma is pretty much always pissed off whenever the relationship is in focus at all.

Anime filler tends to take Yamcha's side instead, portraying him as a put-upon victim of Bulma's jealousy and abuse. A nice guy who doesn't deserve the way she treats him.

It's not hard to buy into this interpretation of their relationship since, as noted, we rarely get anything from Yamcha with regard to his relationship to women or Bulma specifically but we know Bulma's a lot. It's easy to accept Bulma as the "bad guy" of this relationship because. Like. Remember that time she enslaved a sentient being? Good times.

Though one particular moment from Yamcha later on kinda stands out as a bit of a retroactive Yikes.

Yeah. Uh. Threatening violence against a woman for rejecting his bro is a bit of a Yikes. Is this who we were supposed to see Yamcha as all this time? Because, if so, it might have helped to let him opine about the relationship more. Just saiyan.

According to Toriyama in interview, Yamcha and Bulma ultimately broke up because she caught Yamcha cheating on her. I guess that's what him being "popular with girls" was supposed to mean: Once he got over his gynophobia and found confidence with the opposite sex, Yamcha became a player.

But that doesn't necessarily come across from the statement, "Bulma can't stand that Yamcha's popular with girls." A lot of fans took that to mean girls just like him for no reason, and Bulma's unreasonably jealous about it. The anime took that position too.

Note that the "Yamcha is popular with girls" thing isn't helped by the fact that we never see it on-panel because he's only ever talking shop when he's around. But we do see a wandering eye from Bulma often enough.

There's nothing wrong with enjoying the aesthetic appeal of another party even when you're in a monogamous relationship, but it doesn't really present the "Other party is a womanizer and cheater" case when you're the only one ever seen doing this.

So it feels like there's a lot about Yamcha and Bulma's relationship that never made it to print yet influenced later decisions. Those decisions ended up being controversial because the foundation for those decisions was never laid. Here, Toriyama's disdain for writing romance worked against him.

But ultimately, regardless of whose side you take, it doesn't really matter. It doesn't matter who the "bad guy" is. A healthy relationship does not have a "bad guy" in it.

Whether or not Yamcha cheated, whether or not Bulma's just an unreasonably jealous hell-beast, it doesn't actually matter. What matters is that once you reach the point where you're taking sides over which party is the most obnoxious asshole and I hate you and I wish we never met... this relationship is not working for anybody.

It doesn't matter who the bad guy is. It doesn't matter who deserves the blame for this relationship being a toxic shithole. That there is blame to throw around in the first place is the problem. Every relationship has its ups and downs but if one party is constantly miserable for years and has possibly been looking for an escape hatch since year 1, that's not a little tiff.

What matters is that these two are not working out. Any time we see their relationship in focus, they are miserable together. The anime tried to do some patchwork on that with audience reception by giving them some cute moments as well, but because those moments aren't canon the pair remained miserable.

And then this happened.

Despite everything, I think we all assumed that Bulma and Yamcha were going to work it out. Fictional relationships are often portrayed as tumultuous. To a writer, nothing says true love like being constantly miserable and despising every waking moment you spend with your awful, nagging ball-and-chain of a spouse. That's just. Like. What the straights think romance is. It's weird.

I think we all thought that was going to be the deal here too. And then Trunks came along and said, "Nope, actually, they finally severed the cord."

Again, Toriyama says he's bad at writing romance but holy shit, the toxic and miserable relationship actually ended. The two characters involved who only got together out of loneliness and desperation later found they were incompatible with each other. That's so real. Much moreso than a lot of fictional romances.

Instead, we got the absolute crack ship that is Vegeta and Bulma. What a wild-ass revelation for Trunks to drop.

Like. Until the end of the Namek arc, this was the only time these two characters even met.

She also saw Vegeta for like two seconds here.

That was it. That was their entire history together until Goku defeated Frieza while Kaio sent everyone to Earth. But that's when everything changed for Vegeta.

Stranded on Earth with no ship, no affiliations, no ability to leave the planet and nowhere to go or be and no obligations to anyone but himself, Vegeta's circumstances were wildly different than they'd ever been before. He had become one of the Namekian refugees.

And Bulma was offering refuge.

Hard to resist, indeed. That moment is absolutely hilarious in retrospect. Bulma rolled a Nat 20 on that charisma check. It's pretty clear who the instigator of this relationship was.

Like. It needs to be stated that at this point, the only thing Bulma knew about Vegeta was that he tried to kill them all multiple times, and also he's kinda hot. But. Like.

It's Bulma. Anyone who doesn't expect this from her by now either hasn't been paying attention or started watching the English dub of the anime when they did Z first.

So, naturally, Vegeta is a kind and loving man and became a phenomenal husband and fa--

Wait. No. I got my notes mixed up. It says here Vegeta's a rotten dirty bastard. Like. Chronically. He has Supreme Dickshit Syndrome. It's genetic.

Most of Bulma and Vegeta's developing relationship happens offscreen. From what snippets we get, Vegeta has a tendency to vanish during the day, but he still lives at Capsule Corp so Bulma sees him around.

By the end of the three-year timeskip, it's official. Or semi-official. Yamcha and Bulma broke up at some point during that timeskip and Bulma's given birth to Trunks.

As for Vegeta, he's evidently moved out of Capsule Corp and into his own place.

I guess he's still keeping contact with Bulma since she knows what his intentions are. Not to mention he found his tranquility during these three years, though it's somewhat ambiguous as to what exactly brought that peace to his heart.

But the relationship is off to a rocky start nonetheless. Clearly something went down between Vegeta and Bulma that drove Vegeta out of Capsule Corp. To. Uh. Somewhere.

I like to imagine Vegeta living in some shitty West City apartment he rents off a stipend Bulma's sending him that he refuses to openly acknowledge. Like, room 101 is a down-on-his-luck tax accountant, room 102 is a couple with a kid trying to make ends meet off two retail workers' salaries, and then room 103 is Vegeta, Prince of All Saiyans. Sometimes he goes to community events and pretends he isn't having fun.

No lie, I would absolutely watch that as a sitcom.

As for Vegeta himself, he's still a rotten dirty bastard.

Worth noting that Vegeta's saying this as a Super Saiyan which means he's drunk on the form's enhanced aggression. But. Still. Vegeta is an absolute monster being dragged kicking and screaming into a pleasant life that he'll one day resent himself for enjoying. This is his arc moving forward.

It's not so much a redemption arc as it is a domestication arc. The uniquely evil even by Saiyan standards Vegeta is gradually being changed by his new terrestrial life. He doesn't want to own up to how much he enjoys it here. Seven years later, he's still desperate to avoid owning up to it.

He doesn't want to be happy here. He doesn't want a loving wife and a son who looks up to him and the most lavish home wealth can afford him and easy, comfortable days spent with friends and loved ones by his side. He doesn't want a happy ending.

But it's like Bulma warned him: Dragon Ball's queen bee is hard to resist.

Welcome back to Capsule Corp, Vegeta. We hardly even noticed you were gone. Honestly, Future Trunks deserves a lot of the credit for this; Watching him die at the Cell Games was what flipped the switch in Vegeta's head that he wants the family he and Bulma have spawned together.

Sure is a good thing we have Dragon Balls because this is a hell of a time to suddenly decide you love your son. But we see the consequences of that seven years later, since Vegeta moved back into Capsule Corp from... I don't know, wherever he went. They're gonna miss him at the next community poolside summer BBQ event for all tenants.

Part of what makes Vegeta and Bulma work, I think, is that they're on the same page about one crucial point. For Bulma, there is one person who will always take precedent in her life above all others. Romance comes and romance goes, but this is the relationship that matters most to her.

Especially when it comes to martial arts and fighting. Bulma doesn't know a lot about the subject, but she knows that Son Goku is her #1. She has no reservations about saying that to her lover's face either.

When fists start flying, Bulma knows who she's rooting for. If Goku's involved, then it's not her guy. That's. Just. Something that anyone who wants to be with her has to be willing to understand. The single most important relationship in Bulma's life will always be her friendship with Goku.

And the thing about Vegeta is... He kind of agrees? Like. See above, re: I wanted Babidi to destroy my feelings for Bulma so that I could become the warrior that can fight with you, Kakarot.

As much as Goku will always be Bulma's #1, he'll also always be Vegeta's #1. He even gets included into Vegeta's fond farewell to the family he loves.

Goku is basically the platonic third in a two-person polycule. This is the second marriage that this poor ace plays a vital role in despite having no real interest in romance whatsoever.

Bulma is selfish, spiteful, petty, and vain. At one point, DBS: Broly directly compares her to Frieza; A comparison that manages to be unbelievably unflattering to both participants.

They're the same picture. A revelation that would probably be horrifying to both.

And Vegeta. Especially Vegeta. But. Like. She warned you she was irresistible. You didn't take her seriously and now look where you are. Married to the She-Frieza. Maybe you should think about your life choices.

This is just. So much fun. As I said at the outset, Bulma and Vegeta are a match made in Hell who make it work because they're both similar brands of awful.

As for Yamcha, it's a little known fact but Yamcha rebounded and moved on with his life. He stops having much story relevancy after he leaves Capsule Corporation so we see very little of his private life from there. After retiring from martial arts and splitting up with Bulma, Yamcha's left without any story hooks to keep him involved.

But there was this interesting moment, when he realized they had a Shenron wish to spare.

After Krillin comes up with something better to use the wish on, he takes it back and claims it was a joke.

This is, surprisingly, a point of contention in the fandom as some of Yamcha's fans prefer the idea that he died miserable and alone after Bulma ruined his life by leaving him. This takeback gets pointed to as proof that he made up his girlfriend entirely. However, in context, it's clear that a) he's trying to brush off his earlier attempt at making a petty wish and b) the thing he's transparently pretending was a joke is the necklace wish, not the existence of his new girlfriend.

Like Bulma, Yamcha moved on with his life after the break up of their miserable relationship. And that was the final word that was ever uttered on Yamcha's romantic prospects, because this was the last time he was ever meaningfully involved with anything at all.

[yesterdayiwrote]

I think George has not given any public reason to hate or like him in an over the top way. Like he is just there. His comments are harmless, he is not problematic, he is not doing over the top community work, he keeps it to himself, and his car all year has been top midfield, etc. People often dont put him on top bc he is forgetable, not in a bad way. He is PR trained, but so are the other 19 drivers.

I mean, let me be totally clear, I think George is probably a menace. He probably IS annoying in a bit of a devious and cheeky way, but he's not hurting me when he's doing it, and if he's only using his powers for evil against the other vroom vroom millionaires then... fine. Doesn't bother me in the slightest, because honestly it's of no real consequence to anyone. It's all a game and it's not that deep.

I think the post about George seeing the stewards room as an extension of the race track is spot on and to be perfectly honest, if he's using his knowledge of the rules to make persuasive cases to the stewards then I have no issue with that. Its no different to Max using his knowledge of the rules to report other drivers, George has just extended the usefulness of that skill. All good drivers do have a level of cunning that they employ to their advantage and its honestly funny that the two drivers who seem to have made the most noise about him doing it - Max and Fernando - are the two drivers who themselves use shithousery to their own advantage.

That's personally why I've always been drawn to George, because he IS a bitch, he does fight his corner, he's not afraid to get his elbows out but he's not an asshole with it. The only time I've seen him really lose it - with Valtteri that time - he's apologised profusely for since and taken ownership for.

I think he doesn't get his flowers enough, and that's why it was so nice to hear so much positivity about him after Vegas. I'm not saying he wasn't on one in Qatar, he probably was high on his own supply a bit, but it's been a long season and I can't fault him for wanting to win.

I don't know why some people hate him so much - the criticisms he gets levelled at him are such a contradiction it just feels like he can't win. He's too fake and PR, but he wears his heart on his sleeve and is overemotional...? So we're just hating him for not striking the perfect balance of composure are we? He seems to trigger a very specific type of toxic masculinity within certain F1 fans?

But as you say, for now he seems utterly harmless. Genuinely enthusiastic about racing, eager to please, up for a laugh, even if it's at his own expense. Maybe he doesn't get it right all the time, but none of them do, and despite weird journalists claiming otherwise, he does genuinely seem to get along with all of the other drivers, or at least make an effort too?

[avelera]

I’m dying for your thoughts on what is going on in Dubai with the triangulation of Armand and Daniel in Dubai because nothing in 2.05 explain ms what they(beddeath vampires) could want him to tell them as referenced earlier in the season or warrant all the Rashid pageantry. Especially not with how Armand looks at Daniel like he just got home from the wars.

Your takes are exquisite and I’d love to hear them.

Ok, I THINK you're asking what the hell is going on with Daniel and Armand and Louis and the longing looks Armand keeps shooting Daniel and I might be missing some nuance to your question but that is the question I'm gonna answer because I can't stop thinking about it.

Ok. Ok, ok, SO!! The biggest question I think we're facing as of 2.05 is did the Devil's Minion chapter of Queen of the Damned ever happen?

For the uninitiated (LOTS of BOOK SPOILERS but like the books have been out for decades, sorry): Louis/Armand is like... not a thing. At least, it's not one of the big love affairs of the series compared to Louis/Lestat. I mean they've had a situationship but they're definitely not a long devoted love affair going right up to the beginning of the events of Vampire Lestat/Queen of the Damned, which is where the show seems to take place. They traveled together for a bit after the events of Interview with the Vampire but then parted ways because What Happened In Paris changed Louis irrevocably.

The big love of Armand's life in the books is Daniel.

And we learn this in the chapter of Queen of the Damned called the Devil's Minion.

Because Armand stumbles upon "The Interviewer" and falls in love and they have this fucked up whirlwind torrid romance where Daniel teaches Armand about the modern world and basically "how to be fascinating" and Daniel begs over and over to be made into a vampire.

Lots of stuff happens between them but short, TRAGIC version is that Armand does make Daniel into a vampire and it breaks Daniel's mind. He's not a cool powerful vampire once he's turned, he's basically a vegetable, he loses his mind and becomes a hollow husk of himself. (Ironically, insane-new-vampire!Daniel is left in the care of Marius of all people lol)

SO, from the book reader perspective, I shot upright on my couch when I saw old Daniel. Because Old Daniel means we're in... some flavor of happy AU? We're in an AU where Armand did the "responsible" thing and didn't give Daniel the Dark Gift, so Daniel got to grow old and actually be a person instead of being the Devil's Minion where Armand became his whole personality and then he lost his mind.

Thing is, since S1, I've been assuming, like others I think, that we're in an AU where the Devil's Minion didn't happen at all. That Daniel did the interview, he and Louis parted ways, and now he's back to finish it. It seemed neat, clear, if a little confusing for book fans because Daniel/Armand is one of THE great love affairs and it seems like it just got skipped entirely, which kind of makes sense since no other film version has really delved into it, right?

WRONG. OK, so with the longing looks that begin RIGHT when Armand finally reveals himself, the whole mic drop moment of "Armand, the love of my life" while Armand stares at Daniel, almost seeming to plead with his eyes "GET ME AWAY FROM HIM" and looking at Daniel with such longing, going into SEASON 2 where we learn that ok, the 1970s beat was WAY more complicated than it seems, Louis' memory is very faulty, Armand has actively tampered with both of them and we DON'T KNOW HOW MUCH....?

So my current theory is: the Devil's Minion DID happen.

Armand and Daniel had their love affair, but instead of turning Daniel, which by the way he had to be talked into doing because of Daniel's suicide attempt basically, Armand set him free. But CLEARLY he continued to stalk and pine after Daniel, if he was there at Daniel's fucking engagement reading his girlfriend's mind enough to tell Daniel what she was really thinking then. Armand was definitely still OBSESSIVELY IN LOVE. And, IMO, has been the whole time.

Now, what does this mean going forward? What do I think is going on?

Armand wants out of his relationship with Louis but he's chronically, pathologically, incapable of breaking up with anyone. He used Lestat to break up the Children of Darkness, he used Louis to break up the Theatre des Vampires, and now he's using Daniel to end this fucked up marriage he and Louis are in.

Armand is doing this first by consenting to renew the interview, Louis gets a walk down memory lane, remembers how much he loves Lestat. Not to solidify their bond with how good things are now, but to break it up with nostalgia.

Armand is also going to reveal things he's hidden from Louis, I think. Like the fact Armand killed Claudia. I think right now they're both operating under the excuse that Santiago and the coven did it in defiance of Armand but that is simply not true, Armand ordered her death to get Louis all to himself. But (book canon) her death broke Louis so basically Armand destroyed what he wanted in Louis in the gaining of him.

Armand also misses Daniel. He's doing the classic passive lover thing, using the next lover to get rid of the current one. That's why he picked Daniel specifically as the vehicle of his liberation. Boy wants to get white knighted in the most fucked up way possible. Evidence: every single painfully longing, puppy dog look he shoots Daniel's way and how those looks only get more intense the more Louis waxes poetic about how great the Loumand relationship is.

Armand appears as Rashid in order to establish for plausible deniability for Louis that he DIDN'T have a relationship with Daniel OR, if Louis knows about it, that he really did do as promised and wiped Daniel's mind. Look, Daniel doesn't even remember him! When he's standing right there! Pretending to be Rashid! He definitely didn't summon his former lover here to break up Louis and him, obviously this is JUST about Louis' desire to do the interview haha, definitely not trying to bring his old ex to break up his current relationship the guy doesn't even remember who he is.

In conclusion: Armand still wants to fuck that boy old man. And he wants to get rid of Louis by making Louis break up with him because that's how Armand rolls. And that's why this whole ridiculous pantomime is happening, because Armand will never, ever be the active party in the breakup because the boy is way, way too fucked up by his supremely fucked up life up to this point to ever be the initiator. Instead he will always, always manipulate those around him to do what he wants.