#I don't know if I ever will either. I've discussed it a LITTLE with a friend but it's nothing canonical.

[odd-chips]

You know... Thank God no one's asked WHY Cap'n became an eyeless weredog yet, because I do NOT have an answer for that HDGDJGSJKL

[imwritesometimes]

ok. Just to show I'm not a complete asshole all the time. I am gonna fill out a polite little ~feedback~ form but. you all have got to understand. I've been dealing with agencies and companies and state departments almost my entire goddamn life. you almost never ever ever get anywhere when you go through the polite and established channels. but the second you get even a little upset in public down at the welfare office, well, they sure can find paperwork and documents and are able to remember rules a lot better.....

[soaps-mohawk]

Cherry Red, Crimson Blood

Chapter 36: To The Sea

Summary: It's time to move on. You're not sure where you're going exactly, but anywhere is better than Texas

Pairing: Poly 141 x reader

Word Count: 7,816 words

Warnings: ANGST, injuries, medical stuff, descriptions of pain and injuries, brief discussion about strangulation, mentions of PTSD and nightmares, so much crying, Alpha/Beta/Omega dynamics, Alternate Universe, angst, a very little sprinkle of comfort, language, mentions of medications, still very heavy emotionally

A/N: Not actually a lot of warnings for this one. It's a lot of dialogue and inner monologues. Not a lot happens, just mostly setting the scene for the next chunk of the story. Bring tissues though, the last part of the chapter emotionally wrecked me but also might be the best thing I've ever written.

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It’s warm outside. 

Not even the shade from the building can completely shield you from the dome of heat that seems to surround the base. It seeps into the concrete and asphalt that lock it into place, trapping everyone in a bubble that may as well be an oven. It’s always hot in Texas, though. You hate it. You’ve been spoiled by the cold, rainy seasons in England. You’d gladly take that over Texas. 

You’d take anything over Texas. 

The heat prickles at your skin, your arm starting to get sweaty in the sling. It had been Dr. Keller’s idea to keep your shoulder as still as possible so you don’t continue to cause yourself pain when you move. It still hurts, but at least you won’t instinctively try to use your left arm now.

Despite the warmth, there’s still a chill deep in your bones. The warmth of the pain medicine has worn off and you’ve been left with the perpetual ice that has seemed to coat your insides. Dr. Keller says it's the stress giving you a fever. Every nightmare, every flashback sends your body temperature spiking, your heart beating right out of your chest. You’re not out of the woods yet. It can take a long time to recover from that level of distress and the omega taking over. You almost regret it, but there was no guarantee you would have lived either way at that time. You did what you had to do, and it did work out in the end. 

But at what cost? 

Dr. Keller’s phone buzzes in her pocket and she pulls it out, staring down at the screen for a moment. “Kyle wants to come by.” 

You don’t want to see him. You don’t want to see any of them. 

“I think you should see him. Even if it’s just for a moment.” She squeezes your hand. “I’ll be right here.” 

It’s a predicament. Dr. Keller supports your decision to keep them away, putting some distance between all of you for the time being. Yet, she also says being close to your pack will help your healing. Having your pack around will help your omega settle once again. She needs that safety, that security before she finally lets go completely. 

You don’t want to be close to them, but you may not have any other choice. 

You sit there in silence, picking at the fabric of your sweatpants as you wait for Kyle’s arrival. Sweat has started to bead on your back, the day only getting warmer and warmer as the sun moves higher in the sky. You want to go back inside, back into the cool air conditioned building. You want to crawl back onto the hospital bed and lay there for the next few hours. 

You can’t. 

Footsteps approach, but you don’t look up. You know who it is. You don’t want to see him. 

“Kyle.” Dr. Keller greets. 

“Christine.” He says back. It still throws you off, hearing Dr. Keller's first name. She'll always be Dr. Keller to you. Kyle turns his attention to you, still standing a few steps from the bench you're perched on. “Hi, love.” He says. The affectionate nickname almost makes you wince. You don't look up at him. You don’t want to see his face. “I wanted to stop by and see how you’re doing.” 

You don't move, don't give an answer. You don't have an answer to give anyway. You shouldn't have to give an answer. 

He lowers himself onto the bench, sitting as far away from you as he can. “It’s hot today.” He says, adjusting his hat. Always wearing a hat. Maybe that's why he and Price work so well together. 

He stares at you for a long moment but you don't bother moving, your gaze still on your sweatpants. They're starting to get a bit warm, even with your perpetual chill. 

“I’m not here to apologize.” He says, breaking the silence. “You’ve probably heard enough apologies to last you a lifetime.” He shakes his head. “Words can’t fix what we did. Nothing can fix what we did, how we left you there. All we can do is give you what you need, try and make you as comfortable as possible.” 

Tears burn your eyes as you listen to him. He's not wrong, an apology won't fix what happened. No words will ever be able to fix what they put you through. You're not sure there's anything they could do that would make up for it. An apology still would have been nice, despite the fact you know how guilty he is. Their avoidance of you, their willingness to give you such space in an unknown place just proves how guilty they all are. 

That doesn't make things hurt any less. 

You slowly turn away from Kyle, angling yourself towards Dr. Keller. 

He doesn't say anything further in that regard, taking your movement as an answer to his non-apology. He leans forward instead, resting his elbows on his knees. “I just wanted to let you know that we’re getting ready to leave soon. We’ll be heading somewhere safe, somewhere quiet and secluded. I think you’ll like it.” 

Dr. Keller had informed you of that earlier after she went to speak to them. They've decided what to do, what's best for the pack again. You might have protested, except for the fact it meant you were getting to leave Texas. Where exactly they're taking you, you're not sure. You just know it's not Texas. 

“I want you to know that we’re here if you need us.” He stares at you for a moment longer before pushing himself up to stand. 

If, not when. 

Maybe they're finally getting the message. 

Dr. Keller stands, touching your right shoulder gently before she steps away with Kyle, speaking quietly with him, but you can still hear every word in the nearly silent space around you. 

“In an attempt to remain a neutral, professional party in this situation, I feel it would be appropriate for me to tell you not to beat yourself up too much about this.” Dr. Keller says. “The unprofessional side of me has many words I’d like to say to all of you.” She clears her throat. “That being said, on a positive note I can say you’re all doing the right thing for once, prioritizing your omega and fulfilling her needs, even if her needs require you to leave her alone for now. I know it’s hard, I know every instinct is screaming at you to help her, but just take comfort in knowing you are helping her. You’re doing the best thing you can do for her at this time.” Dr. Keller puts a hand on his arm, squeezing it gently. “Even if it is tearing you up inside.” 

“Thanks, Doc.” He says. 

“I’ll see you soon.” She says, patting his arm before she heads back towards your bench. 

You turn your head just slightly, not missing the way Gaz lingers for a brief moment before he turns his back on you, walking back down the sidewalk. 

It hurts. 

You want to cry with every swallow. No matter how much you chew, it doesn’t ease the pain of trying to swallow solid food. Even the worst sore throat you’ve ever had pales in comparison to this pain. Tears burn in your eyes as you eat, unable to refuse this time in favor of choking down some liquid nutrients. Even liquids make your throat ache, but they are easy to chug to get it over with at once. 

This feels like torture. 

Dr. Keller looks guilty as she spoon-feeds you the soup. Chicken noodle, something simple and easy but still something with some substance. It makes you think back to when you were sick as a child, your mother dutifully feeding you homemade chicken noodle soup until you reached the age you could feed yourself. 

You do feel like a child again, unable to even hold the spoon. Well, you could hold it, but it would have come at the expense of some burns from how badly your hand was shaking. 

So instead you sit here, being spoon-fed soup you can barely stand eating. 

“I know.” She says as a tear finally falls, your inhale shaky from the ache in your throat. “You need something in your system for the sedative. It’s a long flight and you’ll be sick when you wake up if you don’t have anything in your stomach. That’s going to hurt a lot worse than eating now.” 

Yeah. You’ve already figured that out. 

“Strangulation is a tough thing to survive.” She says, dragging the bottom of the spoon against the edge of the bowl to wipe off any soup that might drip on you. “Then again, so is getting shot, and distressing to the point of your omega taking over.” She holds the spoon up to your lips, and you’re tempted to refuse. “You’ve survived a lot, more than most could. And to look this good after...” 

You blink up at her, teary eyed and sickly looking, exhausted and bruised. Your left eye is still almost swollen shut, and your hair is tangled perhaps beyond saving, tied up in a bun at the top of your head. All just reminders of what you survived, all reminders of what happened to you. Of what was allowed to happen to you. 

You’re not quite sure when the last time you had a real shower was either. 

“I know.” She says, spooning more soup into your mouth. “You might not feel like it, right now.” 

“I want a shower.” You say, your voice still hoarse and cracking through your throat. A real shower might solve a lot of problems for you right now. It won’t fix much, but being truly clean would make a lot of things feel better. 

“I wholeheartedly agree.” Dr. Keller says. 

You give her a look. You don't smell that bad. She should know, she’s the one that cleaned the blood off of you and the one who gave you the sponge bath this morning. 

She gives you a look back. “I meant it would be nice to take a real shower. Once we get where we’re going, we can work on the logistics of a shower.” 

Right. You can’t exactly stand for a long time on your own, not to mention the problem of only being able to use one arm without bringing blinding pain upon yourself. That’s where the pack would come in handy. 

The thought of one of them seeing you vulnerable like that, putting their hands on you right now makes your skin crawl. 

A shiver runs down your spine, your body shuddering uncontrollably. You grunt as your shoulder screams in pain, another electric jolt burning straight through your nerves and down through your feet. Fuck. You mouth the word, squeezing your eyes shut. It makes your stomach churn, the soup starting to burn a path back up through your esophagus.

“Breathe for me.” Dr. Keller says, putting a gentle hand on your right shoulder. 

In and out. You focus on your breath, the only thing you can do without feeling like you’re going to go insane from the pain. It’s all you can do in this situation. It’s the only thing you can do at all. Breathe. Just keep breathing. 

Sometimes you don’t want to. 

The pain passes as it always does, leaving behind a subtle ache that will linger until the next flare of pain. It’s a constant, never-ending cycle that you can’t escape from. Weeks, Dr. Keller had said. It can take weeks to heal. You’ll be stuck in this cycle for weeks and weeks. What if it never heals? That is a possibility. It’s always a risk with any injury. 

What if the rest of your life is like this? 

You’re crying again, hot tears blazing a path down your cheeks. They won’t stop, they never stop. There’s a constant stream down your face, even in your sleep. You’ve woken to find your face and neck damp from the never ceasing flood of tears. 

How you can’t wait for the time to come when you have none left.

You’d welcome the numbness at this point, greet it like an old friend and invite it in for tea. Anything over the pain and tears that won’t stop. The depression-fueled numbness that had filled you when Price and Gaz left, then Soap and Ghost would be a welcome relief at this point. Anything would be better than the pain. 

You almost wish you were in a coma right now. Then you wouldn’t feel anything at all. 

Dr. Keller puts the spoon back into the soup bowl before rolling the table to the side. She puts a hand on your head, gently stroking your hair as you cry. The room is silent aside from your sniffles, Dr. Keller not having to say a single word. The silence is almost a blessing. You’re tired of hearing words, of hearing people speak. There’s nothing anyone can say that will do anything to help you, to comfort you, to make it better. 

There’s nothing anyone can do to make it better. 

You’re so tired of being like this. 

The sedative is kicking in before you even reach the airfield. She can see the way your head is drooping further and further forward in the car, your body jostling without any complaint. It had started kicking in before you even got into the car, as you offered very little resistance when Kyle helped her mauver you into the front seat. She chose Kyle out of everyone to help her in hopes it would be easiest on you. Your claimed alpha’s beta is a good place to start in rebuilding the bonds within the pack, and his calm demeanor certainly helps. He is a caretaker through and through, that beta trait prominent above the others in him. He would have made a good medic, had he gone that route. 

Your chin drops to your chest as the car comes to a stop in front of the plane, your body slumping to the side against the door. 

“She’s out.” Christine says, unbuckling her seatbelt. 

“Makes this easier.” Kyle says, getting out of the car. 

They maneuver you into the wheelchair, Christine easing your head onto your right shoulder to avoid aggravating the left. The less pain you’re in when you come out of it, the better, though pain will be unavoidable. Kyle pushes the wheelchair up the ramp of the plane, Christine following close behind. She’s glad she gave you the sedative before you left the med center to avoid as much pain as possible. She almost wishes she had given it to you earlier, as getting you into a sweatshirt had been a battle of its own. Though, the longer it stays in your system, the longer you’ll sleep through the flight. The longer you sleep through the flight, the longer they can delay the inevitable emotional storm of being enclosed in a tight space with your pack. 

If you’re lucky, you’ll be out of it long enough for them to reach the cottage without incident. 

John is waiting near the front of the aircraft, his eyes watching carefully as Kyle helps maneuver you into a seat. Even with the turmoil in the pack bonds, an alpha will always feel protective over their omega. There’s some things that can’t be undone, even in such a fragile state. Some instincts can’t be unlearned, no matter what. 

“I gave her a sedative.” Christine explains as she gets you as comfortable as possible in the seat. “It won’t last the whole flight, but it’ll take a while to wear off regardless.” 

“Is that more for her or for us?” John asks. 

“Both.” Christine says. “Mostly for her. It helps with the pain of moving around, but it will also keep her calm in close quarters like this.” 

“Here.” John says, handing her something. It’s a blanket, brand new by the feel of it. “Johnny made a store run this morning. It’s going to get cold in here, so he got the warmest one he could find.” 

Christine takes the blanket, the fabric thick and soft in her hands. It’s a touching gesture, speaking volumes of their desire to still care for you despite everything, their willingness to do what they have to, to keep the pack together. “Perfect.” She says, carefully draping it over you and tucking it around you before John gets you secured in the seat. 

“It’s going to be a long flight.” John says, taking a step back. 

“It is.” Christine says, pulling out her thermometer. She takes your temperature, letting out a hum at the number that pops up on screen. “I need to monitor her temperature.” She explains as John gives her a look. “It’s been spiking when she gets stressed.” 

“She's not quite out of it yet, is she?” John asks.

“Not quite.” She says, putting the thermometer back in her bag. “I’ve only seen two omegas successfully come back from that point, and I know the number across the board isn’t very high. It takes a long time for the body and the brain to get back to normal.” 

“And on top of everything that happened...” 

She stares up at him for a long moment. “She’s very strong. I knew she was a fighter, but to come out the other side even where she is now...” Christine shakes her head. “I didn’t want to say this at the time, but I was expecting the worst. When that call came in about what state she was in...” She bites her lip, holding the emotions back. “Her resilience and fortitude is what kept her alive. That and Simon’s courage to do what needed to be done.” 

“I know.” John says, looking past her. “We all owe a lot to him.” 

Christine puts a gentle hand on his arm. “You’re doing what’s best for her. No matter how much it hurts, no matter how much it goes against every instinct you have, it’s what she needs.” 

“That’s all that matters to us right now.” John says, staring down at her hand for a moment. “There’s nothing else we can do, so it’s time we start putting our priorities where they should have been the whole time.” 

Christine gives him a small smile. “I’m proud of you for that. It takes a lot to unlearn the things you’ve been told since the beginning.” 

The corner of John’s lips twitch before his face falls into the emotionless mask he’s been wearing for the last few days. “It’s about time we get our heads out of our arses.” 

“I can’t blame you totally.” She shrugs. “We were all just doing what the initiative was telling us to do. We couldn’t have known. There wasn’t any room to question it.” 

“I wish we would have figured it out sooner.” He sighs. 

“Things might have been worse if the truth did come out sooner. If you started digging into the initiative too soon, Shepherd might have gotten antsy and taken more drastic measures to stop the truth from coming out entirely.” She glances down at you. “I think this was all inevitable.” She turns her gaze back to John. “What happened, happened. None of us can change that. All we can do is keep moving forward with what we have right now.” 

He stares at her for a long moment. “The more time passes, the more I’ve come to realize why Kate chose you for this position.” 

The corner of her lips turns up in a smile. “Well, I am rather good at my job, which, among other things, involves advocating on behalf of omegas.” 

John huffs. “Wish we would have listened sooner.” 

“You can’t change the past.” She repeats, looking down at you again. “But you can change the future.” 

You woke from your sedation about four hours from Helston. 

Well, ’woke’ might have been too strong of a word for it. Your eyes opened, but you were still hazy, movements sluggish and entirely unaware of the world around you. You floated between sleep and awareness for an hour before finally gaining consciousness completely. Awareness took quite a while to return, though. Not until they were moving you to the car from the plane. 

Even still you’re groggy, slumped against the door in the back seat of the car. You blink slowly, eyes unfocused as you stare out the window at the blur of green passing by. 

“How is she?” John asks from the driver's seat, glancing up at the rearview mirror. 

“Cow.” You say, blinking slowly as the car passes a field of cows. 

“Still out of it.” Christine answers from the back seat where she's sitting next to you. Your response might have been enough to answer that. “Better than being in pain, though.” 

“How long will it take for her to get out of it?” Kyle asks. 

“Hopefully she’ll be more lucid by the time we get there, but it could take a few hours for it to completely wear off.” Christine says, wiping a bit of drool from your chin. “Probably not a bad thing. This is a big change, and with everything that’s happened, it’s going to take some time to settle in.” 

“Things are going to be rough.” Kyle says. 

“Yes.” She agrees. “Being enclosed in a small space with the people you want to see the least in the world isn’t an ideal situation. It’ll be an adjustment for everyone. I trust all of your abilities to adapt, though. Just don't go in expecting things to be the way they were.”

John's hands tighten around the steering wheel, his knuckles going white. Kyle cracks his window open, prepared for the thickening of John's scent in the air. Christine knows she hit a nerve, but it needed to be said. Even if you were open to forgiveness right now, even if they had chosen to go after you right away, things still wouldn't be the same. Things won't ever be the same. It is their fault deep at the root of it. Those cameras were put up because of them, you were taken because of them. You were chosen for the “initiative” because of them, because Kate thought you'd fit in well with them. Their decisions shaped your life, and will continue to shape your life. 

Can you ever come to forgive them? Christine likes to think so. She has the hope that they can put in the work and regain your trust and earn eventual forgiveness. She knows you'll allow them to try once the initial hurt and emotions begin to fade, once the two of you put in enough work to start processing the trauma around the events that happened. It will take time. Probably a long time. 

She'll be there every step of the way. 

“Ashley did some shopping for us, picked up some stuff to get us until we can get into town.” Kyle says, looking at his phone. 

“Good.” John says, his shoulders starting to relax. “Should wait a couple days before going. Get settled in.”

“She's still working on cleaning up. Probably still be there when we get there.” Kyle says, putting his phone back in his pocket. 

“That's fine. We’ll probably have to utilize her a bit.” 

“Doubt she'll complain.” Kyle says, looking out the window. “Be thrilled to have something to do besides work.” 

You let out a quiet groan, shifting against the door. “Hurts.” 

“I know, honey.” Christine says, carefully adjusting your left arm. “I’ll give you more pain meds once we get to the cottage.” 

“We’ll be there in half an hour.” John says, glancing up at the rearview mirror again before turning his eyes back to the road. 

The half hour seems to take the longest as you continue to become more and more lucid and aware. The pain sets in first, your brain picking up on those signals before anything else. John’s knuckles are white around the steering wheel as you begin to whine and whimper around every bend in the road and turn he has to make, every jostle of the car. Every instinct in his body tells him to pull over and comfort you, but he can’t. It’s more important to get to the cottage, and there’s no guarantee you’d even let him. It might make things worse. 

The last thing you need right now is for things to get worse. 

Christine breathes a sigh of relief as they pull up to the cottage, glad she can finally get you somewhere more comfortable. You’ve been in far too many uncomfortable positions today, moved around too much. She would have liked to keep you in Texas a couple more days, but she knew as soon as you were able to travel, the better. The sooner they could get off the grid, the better. 

The sooner they could get out of Texas, the better. 

Kyle is getting the wheelchair out of the trunk when Johnny and Simon pull up, not having been far behind. They likely took a turn around the back roads to ensure no one was following and to keep things from looking too suspicious. 

Christine keeps you from slumping out of the car as she carefully opens the door on your side. You’re more awake than you were, blinking up at her with almost startlingly aware eyes.

“Crutch.” You pout when she pulls the wheelchair closer. 

She gives you a look. “Honey I'm not sure you could even stand right now.” You may be more aware, but that doesn’t mean your body is working as it should.

You let out a defiant noise as you attempt to get your legs out of the car, trying to hide your grunts of pain and discomfort. 

She's tempted to stand there and let you try, but she knows all hell will break loose if she lets you fall. She's not willing to take that risk, not to mention it will cause you more pain to get you up off the ground. 

“Come on,” She says, stopping you before you can get your feet under you. “Nice and slow.” 

You let out a quiet growl of indignation but you allow her to help you, your legs trembling as she eases you up. Kyle is there with the wheelchair, getting it as close to you as possible so she can sit you down quickly. 

“Ow.” You breathe, eyes pinched closed as you breathe through the pain. 

“I know.” She says, patting your good shoulder lightly. She's glad she put you in the sweatshirt before you left Texas. It's chilly outside, chillier than it was further inland a few days ago. 

It's hard to believe it's only been a few days since you were taken. Barely even a week. So much happened in such a short period of time. It feels like it’s been weeks since everything started, but then again, it had been weeks since John and Kyle first left. It had been weeks since you had been around your whole pack together by the time you were taken. The deep depression you sunk into before the events of the last week had been draining you slowly for weeks before this. It had started before John and Kyle were deployed, back to that day when you revealed the cameras and the secret you had been hiding from them. 

How long you’ve gone in such turmoil. 

How far you still have to go. 

The path up to the door is rocky and uneven, the wheelchair jostling as she pushes it up towards the door. She can picture your face, the way it has to be screwed up in pain. You're silent though, holding it all in. She almost wishes you weren't being silent about it. 

The door is already open, light shining from inside as she approaches. Kyle is in the house already, having gone ahead to greet his sister. John is right behind the two of you as Christine turns to wheel you up the steps into the house. His eyes are on you, focused and ready should you fall.  

Christine would never let you fall, and from the way your hand is gripping the arm of the chair for dear life, you probably couldn't anyway. 

She wheels you through the entryway, the inside warmer thanks to a fire that's burning. It's a nice cottage, far nicer than she had been expecting judging from the outside. 

Johnny lets out a low whistle as he enters behind John, looking around. “Yer parents own this?” 

“It was given to our mum by our grandparents. They did some...renovations before they passed it on.” Kyle says. 

“Yer tellin’ me.” Johnny says. 

It looks new inside. New wood floors, freshly painted walls. The furniture looks like she would expect to find in an English seaside cottage, though. Kyle’s parents went to France for summer vacation instead of utilizing the cottage, and none of his siblings had wanted to use it, he told them. It looks almost perfect, like it came right out of a home renovation show. Kyle’s sister must have worked some sort of magic to get it this clean. 

It is a very nice cottage. It’s small, the door opening right to the main area. There’s two couches and a chair in the middle of the room around a coffee table. To the left of the couches is a fireplace, the fire already lit and crackling. It looks original, likely having been untouched in the renovations. There’s a door to the left of the fireplace closer to the main entryway. A bedroom maybe? To the right of the front door are two doors, one on the far wall and one facing the front door. 

The stairs are in the middle of the house, leading up to the second floor where there’s likely more bedrooms. On the far side of the main area is the dining area and beyond that is a sliding glass door. Around the corner on the far side of the stairs is likely the kitchen. She can see the fridge from where she’s standing. It’s new. Very new. Makes her wonder just how long ago it had been renovated. 

“Everyone, this is my sister Ashley.” Kyle says, introducing the other woman in the room. 

“Hello,” she says, giving everyone a wave and a dazzling smile. 

She’s dressed simply in jeans and a t-shirt, her medium box braids pulled up into a bun on top of her head. They look a lot alike, her and Kyle. Tall and slender and stunning. They have the same smile and the same soft brown eyes. She's wearing scent blockers, but Christine can imagine her having a soft scent like lavender or something fresh like mint. 

“There's two rooms down here, and two upstairs.” Kyle says. “The main bedroom is through there.” He points towards a door to their left. “I figure we'll give that to our omega. The bathroom in there has a walk-in shower.” 

“Perfect.” Christine says. That will make getting you in and out of the shower easier at least, and you won’t have to go far to use the bathroom.

“You should take the other room down here.” John says, looking at Christine. “So you can be close in case of an emergency.”

And so you don't have to be too close to them, so you won’t feel like they’re hovering.

He doesn't have to say that part out loud. 

“I put new sheets on all the beds.” Ashley says. “I also picked up everything Kyle sent on the list. Food, some clothes, some other necessities.”

You let out a quiet groan, Christine patting your head gently. You have to be exhausted and sore after the day. She should give you another dose of pain medicine like she said she would. You’re going to need it tonight. 

“Let's get you laying down for a bit.” She says, wheeling you towards the door. 

Kyle opens it for her, revealing a spacious room with a big window looking out towards the sea. You're going to spend a lot of time in front of that window, she thinks. The bed is in the middle of the room, and there’s two chairs facing the window. She’s almost tempted to sit you in one of the chairs, but laying down will be more comfortable for you right now. 

You're still too out of it now to care much as she wheels you to the double bed. With Kyle's help they get you horizontal, Christine draping the blanket at the end of the bed over you. It’s not very soft, but it will do for now. She’ll have to get the guys to pick up some soft blankets for you when they go to town. She has a whole list of things starting in her head she needs them to pick up.

She leans your crutch against the end of the bed just in case you might need it for an emergency. She hopes you’ll yell first, but you always have been stubborn. Being mostly bed-bound has only made that worse. 

“I’m going to go look through the things Ashley picked up.” She says, patting your leg gently. “Get some rest.” 

Christine leaves the door open a crack as she exits, wanting to give you a little privacy as you nap, or at least she hopes you’ll nap. It’s going to be a rough adjustment, and you’re going to need as much rest as you can get. 

“I’m assuming you’re Christine.” Ashley says, walking up to her. 

“I am.” She says, giving Ashley a smile. 

She can’t help but get lost in Ashley’s soft gaze for a moment. The Garrick siblings seem to share the same magnetic energy. There’s something almost ethereal about them. She could easily imagine them with glowing halos and angel wings. It’s almost like she’s being blessed with the opportunity to look upon her. She could spend an hour staring at Ashley’s face and not grow tired of looking at her.

“I picked up the items Kyle said you needed.” She says, motioning to the bags on the coffee table, pulling Christine out of her daze. “I couldn’t find the exact nutrient powder you asked for, so I got one that was as close as I could find.” 

Christine glances through the bags. She was thorough, getting at least two of everything. 

“I got warmer clothes for her too, since it can get chilly out here this time of year. Just some simple things for now until you guys get into town.” Ashley says. “I did some research too and I read that omegas like comforting things so I picked up some extra blankets and pillows” Ashley says, motioning to a couple bags sitting on the couch. “I also picked up this,” She pulls a stuffed dog from one of the bags, holding it up. “It was the softest one I could find. I thought it might help.” 

A small smile forms on Christine’s face, her heart fluttering in her chest from the sweet, thoughtful gesture. Ashley doesn’t even know you, nor did she know exactly what happened to you, and yet she went so far as to pick up some comfort items for you. You have nothing right now, only the borrowed clothes on your back. All of your belongings are still on base, all of the things that you had built to make your perfect nest. Would you want any of them still? Or have they been tainted by the events of the last few weeks? 

That Ashley thought to do this has warmth flooding Christine’s body. You can have some comfort now without having to wait for their trip to town. She almost feels the urge to cry. She wants to hug Ashley, thank her over and over for her kindness. Ashley has no idea how much her small act of kindness means, how much it's going to mean. 

A smile forms on Christine’s face as she stares at the stuffed dog. “It’s perfect.” 

You can hear it. 

In the distance, the quiet roar reaches your ears as you’re dragged from the sweet arms of sleep. It must be a dream, or perhaps the sedative is still clinging to your mind, making you imagine things. 

No. 

You’d know that sound anywhere. 

The effort to push yourself up to sit is a momentous one, every cell in your body protesting after a day of being moved and jostled. The last thing you want is to move right now, but you have to. 

The pain meds have done little to help.

The crutch at the end of your bed must be a thousand miles away as you sit there and stare at it. The ache in your body only increases as you become more and more aware of the pain, almost as if it can tell what it is your mind is planning. 

The door is cracked open, letting in a slit of light from outside. It’s dark in the room, the curtains pulled over the window. It’s a blessing compared to the bright yellow light outside the door. You welcome the darkness as your head begins to throb. You could call for assistance. You’d get more help than you needed. More help than you want. 

No. 

You need to do this. 

The effort it takes to get standing nearly sends you back onto the bed. The pain nearly blinds you as your feet touch the floor, your body leaning against the side of the mattress out of desperation. If you fall, you’ll never be alone again. You can’t afford that. You don’t want that. 

If you fall, you’ll never get up again. 

The breaths out of your nose are short and sharp as you reach for the crutch, fingers trembling in the effort to fight the pain threatening to blind you. You’re trembling like a leaf in a storm as your fingers finally wrap around the cool metal. The rubber bottom drags across the floor as you tug it over to you, holding it against your chest for a moment. 

Breathe. That’s what you need to do. Breathe. 

In and out. 

Nice and slow. 

The pain is only a memory. The pain is nothing. The memories forming at the edges of your mind will take over and wipe out the pain and the misery. You just have to be sure. You just have to be certain.

You push yourself upright using the crutch, tucking it under your arm. You should go back to bed. You should rest. 

No. 

You need to know. 

You need to be certain.

The first step you take nearly makes you sick. 

It’s like watching a baby deer walk for the first time, knees wobbling, feet shaking. You lean heavily on the crutch, your determination the only thing keeping you from tumbling to the floor in a heap. That might almost hurt worse than forcing yourself to stand upright. 

If you fall, you’ll never get up again. 

Inch by inch you move across the floor, silently grateful for the socks on your feet. They allow you to slide across the hardwood, but they also pose a threat. Slide too far and you’ll lose your feet. 

If you fall, you’ll never get up again. 

The determination and your desire for certainty is what keeps you sliding inch by inch across the floor towards that strip of blinding light in front of you. It’s hovering before you, threatening you. How do you know there’s not one of them standing guard, waiting for you to try and leave? You can’t know. You don’t have a clue what’s waiting on the other side of that door. It could be nothing. It could be your entire pack. 

Breathe. 

In and out. 

You take a moment at the door, resting your aching feet. Your body is throbbing from the effort to keep yourself upright, the sedative still numbing your brain and your movements. It’s like treading through honey, everything twice as hard as it should be. You can walk. You’ve done it before. You did it in the medical center. 

You can do it here. 

You use the crutch to push the door open more, your free arm still tucked in a sling to keep you from moving it. Reaching for it with that arm would have put you on the floor, would have caused more pain than you needed, would have made you fall. 

If you fall, you’ll never get up again. 

Breathe. 

The light burns. Explosions of yellows and whites erupt behind your eyelids as you screw them tight against the sudden onslaught. The sun is in the room, shining its rays directly into your sensitive eyes. Your stomach churns, your fingers tightening around the crutch so tight your knuckles begin to ache. The oppressive light makes you want to recede back into the darkness of the room behind you like a vampire shying away from the light of day. 

No. 

You won’t be defeated by the harsh artificial lighting. You need to know. 

You need to be certain.

The others are moving around. You can hear voices around the corner, voices upstairs with thudding footsteps. The air is thick with a mesh of scents, cleaning chemicals, and the burn of scent blocker. Your nose wrinkles at the sudden onslaught against your senses, your sedated brain making it all seem so much worse. 

You need to know. 

The hardwood floors continue and you use them to your advantage as you shuffle your way across the main area. The fire crackles as you pass, the popping of a log making you startle. Your feet slide again, your body pushing up against the crutch to hold yourself steady. 

If you fall, you’ll never get up again. 

Your target is dead ahead, a mile away but so close you can almost taste it. Just past the dining table and straight on till morning. 

Despite your snail’s pace, no one seems to notice you shuffling your way across the house. It should make you upset, the fact that none of them notice you moving around, but instead it makes you glad. They’d try to stop you if they noticed you, turn you around and shuffle you back to bed. Or worse, they’d carry you. 

How easily you could slip away, though. 

Well...in theory. 

Perhaps that’s why they ‘re not paying you any mind. How far could you really go in your current state? 

Why would you want to stray from the only safe space you have? 

The world outside is more dangerous with the state you’re in. Not just because of your injuries and your status, but also because you know Shepherd is still out there, and for all you know Graves is as well. 

He could be waiting right outside the door. 

No. 

They’d know. 

They’d protect you. 

They failed. 

You push past the fear in favor of certainty as you push forward, passing the dining table in your slow crawl towards the sliding glass door. 

It poses an entirely new threat as you stand before it, staring out the darkened glass. You have to get it open. Getting it open takes strength and you’re down to one hand that’s trying to keep you upright. 

You have to know. 

You have to be certain. 

You lean your weight on the crutch, ignoring the way it digs into your armpit as you reach for the handle. You click the lock, wrapping your fingers around the plastic before pulling. Your body screams with pain as you tug, the door sliding in the track as slowly as you had moved across the small living area. It’s almost as if it's mocking you. 

It’s open only as wide as you need to crutch your way through, doing your best not to knock your left shoulder against the frame. 

If you fall, you’ll never get up again. 

Breathe. 

You can smell it. 

The salty sea air invades your senses, slipping up through your nose and straight into your brain. Memories come flooding back of childhood vacations back when things were simpler. Back when nothing mattered but the sand and the water and avoiding getting chased by your brothers carrying the piece of seaweed they found. 

Polkadot bathing suits, bright red to be seen easily. Toes in the water, sand everywhere. The nap in the silent car home. 

How simple life was back then. How easy life was. 

Your heart aches for those days again. The days when you could exist without a care in the world, trusting your pack would keep you safe, trusting your family would care for you. Your mind yearns for that sense of safety and security again. 

The world is grey as you hobble across the porch, the grey seeming to go on forever. You missed it, the chill in the air, the gloomy grey overhead. How you yearned for the gloom of England while stuck in the heat of Texas. 

Anything is better than Texas. 

Your forward shuffle pauses at the edge of the deck, your eyes looking out into the grey. Your breath catches in your throat as you stare out into the distance, the ache in your chest intensifying. It blocks out the pain in your body, numbing you to everything else as you stand there, legs trembling from the effort of going the short distance from your room to the end of the porch. 

You can see it. 

Emotions swirl inside of you like a hurricane as you stare out where the grey water meets the grey sky in the line of the horizon. Those emotions threaten to choke you as you stand there trembling at the edge of the porch. There’s a breeze, a cold one that bites through the fabric of your sweatshirt and into the skin below, but you don’t care. 

You can’t care. 

Your legs shake from the exertion, the neverending exhaustion that’s settled deep into your bones. It’s not just a physical exhaustion, but a mental one as well. It’s been a long week. 

Only a week. 

So much has happened in a week. 

You want to sit. You want to sink down onto the porch and rest. 

If you fall, you’ll never get up again. 

There’s a pain in your chest as your breath catches in your throat. The emotions are whirling, tightening around your chest, squeezing your lungs until they feel like they might pop. 

Breathe. 

In and out. 

You needed certainty. You needed to know. 

You can hear it. You can smell it. You can see it. 

A single tear rolls down your cheek as you stare out at the sea. 

NEXT ->

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[luveline]

jadey!! would you ever write something for spencer where reader gets tipsy/drunk and is all over him? i just think he would be so cute and flustered, especially if she isn’t usually this forward with him (either established relationship or mutual crushing!)

thanks for your request lovely♡ —you really want spencer to be your boyfriend. fem!reader, 1k

The smell of your lip balm is the very first thing Spencer acknowledges, rather than the soft press of your lips to his cheek, or your hand on his neck. When he does realise you're kissing him it's like a shock to the system; Spencer hadn't thought about what his neck might feel like to a new hand until you're cupping it sweetly, hadn't worried about the neatness of his hair before you ran a hand over it with reverence. 

"Thanks for coming to pick me up," you say, wrapping your arms around his neck. "Best boyfriend ever." 

Which is a great sentiment and all, but Spencer isn't your boyfriend. He holds your back in one arm, the other busy strangling his shiny car keys, his mind racing. He isn't your boyfriend. Right? You have to ask someone for it to be official (according to Derek, Penelope, and Emily) (JJ was a little more lax about it) and Spencer's been too scared to ask you. 

"Are you okay?" he asks softly. You're wobbly. 

"Super drunk," you say, like it's one word, a diagnosable affliction. "Sorry." 

"Hey, it's okay. You don't have to be sober for me to drive you home. I'm really glad you called me." 

You're drunk enough to miss his confused tones. "No,  I'm sorry 'cos I knew you'd say yes even though you hate driving. I honestly didn't even think you had a car." 

Spencer pulls you closer as a couple stumbles out of the same bar you'd been inside of, though when he arrived you were sitting on the cold sidewalk with your knees pulled up and your dress slipping out of place. He adjusts his grip to put an arm under yours and begins leading you toward to the parking lot. 

"Next time, I'll come inside to get you, okay? I don't think I need statistics to remind you that it's not safe to be inebriated by yourself in the city, especially now." It's pitch black outside, stars like a scattering of tint salt grains visible to only the most dedicated of eyes. "It's dangerous for you. I don't mind coming in to find you." 

"You're the nicest," you declare, letting your head fall onto his shoulder. 

He's fitter than he used to be, but Spencer doesn't have a chance of getting you to the car if you're not conscious. "Hey, keep your eyes open. It's not far, okay? Work with me."

"Will you call me something nice if I do?" you ask. 

Spencer helps you down off of the curb and across a naked stretch of asphalt shining like grease in the light from the lamppost. "I'll call you whatever you want me to." 

"You called me pretty on Thursday." 

Spencer feels the heat of a blush blooming at your slurred proclamation but doesn't back down. "You looked pretty on Thursday. You look pretty every single day. Watch the curb." 

"What about, uh, pet names?" 

"Like what?" he asks. 

"Like honey, and sweetheart. Angel, doll, dove." 

"Is that what you want?" he asks, trying to sneak a look at your face. You're concentrating hard on your footsteps, your tall shoes slippery on the wet ground. 

"If we're together…" 

"Are we together?" Spencer asks. He shouldn't ask while you're drunk, and it's not like he's going to take your word for it now over any sober discussion in the future, but he wants to know. 

"You don't think we're together?" you ask, frowning. He's horrified to see the crushed tremble in your lip. 

"I haven't had the chance to ask you yet," he says quickly. 

You sniffle, looking at him with a wide-eyed hope. "But you're going to ask me?" 

"Yeah, I'm going to ask you." He lowers his voice. He's not afraid of other people hearing him. If anything, he's afraid you will. He's afraid you'll hear him and reject him, despite every sign that says you won't. "I've wanted to ask you for a really long time, but you're– I was scared. You're beautiful, and kind, and you make me feel like I've found something I was missing, now. I guess I thought holding off would change the odds." 

"I thought you got banned from all those casinos," you say, clinging to his arm. 

Spencer's nose wrinkles. "What does that have to do with anything?" 

"You count cards and pr… probability," —you sound it out— "right? Have you not been doing that with me?" 

Spencer stops walking to help you pull your jacket back onto your bare shoulder. It's too cold to stay out here long. "It's different. You're different." 

"Oh." You smile at him dreamily. Eyes squinting until your lashes kiss in the corners, you smile like your lips have been stuck together with honey. You pout at him very gently, and he thinks you might want a kiss.

Spencer pats your back. "Come on. I'll take you home. You can sleep it off." 

"Can I come home with you?" 

He sees his car in the distance, a beacon of hope. "Yeah, if you want. But I don't have any pyjamas or anything for you." 

"Not yet," you say. 

Spencer goes pink to the ears, and unfortunately for him, you notice. You refuse to walk a step further, throwing heavy arms over his shoulders to beam at him eye to eye. Your fingers tangle gently into the ends of his hair and twist in circles that have butterflies exploding in his stomach. His breath catches when you tug on a strand, clearly bemused. 

"I really want to be your girlfriend." 

"I–" He swallows roughly. "I really want you to be my girlfriend." 

"Will you ask me?" 

"Tomorrow?" he asks delicately. He might be shy with you, but he has no qualms now showing you how vehemently he returns your affections, his arms curling slowly but surely behind your back. 

You fall into his arms for another hug. "Yesssss," you cheer under your breath. 

He sneaks a kiss against the shell of your ear. "Wanna go get something to eat first?" 

You gasp like you've been offered the world. "You really are the best boyfriend." 

[directdogman]

Hi, I hope you're having a decent day! I'm sorry if this is an invasive set of questions - feel free not to answer - but do you still actively like DSaF as your own creation, or is it more of a "it was fun while it lasted but i outgrew it and it's for the best to leave it behind" kind of project? Do you ever regret making the games? If you knew they would get so popular, is there anything you would have changed about them? Is there anywhere I could read more of your writing.

It fluctuates a bit. These last couple of years, I've really just been sorta nostalgic for it. I've seen a lot of people discuss those games being a source of comfort during bad times in their lives, people talking about how much the characters mean to them and it's hard not to smile when you see that.

It's a funny thing for close friends of yours to see people WITH fanmade DSaF merch out in the wild, or to watch a random youtube video and being hit with a DSaF reference outta nowhere. It happens from time to time, even today. On a few occasions, I've even had a person reference my work to me in real life and not realize who they were talking to, believe it or not. It's really fun to play dumb and get someone to explain your work to you like you don't know what it is.

I certainly didn't think any of that would happen when I first made the series, or even during development. I think the normal assumption would be to look at DSaF as it exists now and assume its release was a peak for it, but believe it or not, the official discord only had 30 people in it shortly before 3 dropped! The archive listing of the series (reposted to a single page after the series ended) is now sitting at over 1.1 MILLION downloads.

People kinda assume the true heyday of something is when it's new, when it's fresh and novel. For instance, some people look back at when FNaF itself was new and see that time as its peak because it had a lot of internet cultural relevance as big new indie thing on the block. But, raw numbers don't lie. The series has been continually growing since its conception and that growth has similarly bled over to its fan projects. This explains why DSaF, despite not having a new series release in almost 6 years, seems to be inexplicably growing.

Just recently, I saw someone post footage of a scene from DSaF 2 on Twitter, which got over 16k likes. People praised its writing and largely celebrated the scene. The ironic thing about that particular scene is that I remembered being unsure if it was good or not, so I showed it off in one of the FNaF community hubs. The response was broadly lukewarm to negative. Now, it's held up as one of the best scenes in those games. That's kind of the point I'm trying to make, my thoughts on the series have certainly changed with everyone's else with years of hindsight.

Heh. I'm not sure if I've talked about this in a long time, but y'know, the very first scene I implemented in-game was actually the very first Phone Guy scene in DSaF 1, more or less exactly how it appears in-game today. This was before I'd even written the bulk of the game. I was pretty unfamiliar with visual novels as a whole, pretty unsure if something like this would be palatable to a fandom that was really just used to sit 'n' survive stuff that were far more gameplay than text. I mean, there wasn't any FNaF fangames really LIKE DSaF before that point. Closest was FNaFb, a jokey turn based RPG made in the same engine.

The engine I made the game in is also not exactly fit for VNs out of the box either, and I wasn't 100% sure the idea would actually work. But, the very first time I added the image of the prize corner, Phone Guy, the audio of that iconic cheesy stock track and booted up a test screen, I had a little moment where I said "Oh. I think I'm onto something interesting here." I kinda remembering instantly realizing in that single moment how much potential the idea had. Over 8 years later, I still remember that moment like it was yesterday.

I think lately, that's the sort of stuff I think of when I see people coming to me and asking about the series. Yes, it's really rough around the edges, yes, there's jokes that've aged poorly. But, it is a source of comfort for people and entertains tens of thousands of people each month. And that's gotta count for something, right?

[goldenwilliamson]

hard conversations | leah williamson

pairing: leah williamson x reader

summary: another angsty one featuring the game of 'we're not really strangers'. reader and leah end up having a fight about different feelings towards having kids and getting married. it turns out alright in the end but. does discuss poor relationship with parents/family.

word count: 1.9k

You and Leah sat down on the lounge, crossed legged and facing each other while you sipped on some wine. Leah's phone played music through the speaker and you had decided to play a little game that Leah had bought called 'We're Not Really Strangers'.

"So it gets us to ask each other thoughtful questions?" You asked, flicking through the red cards in the box.

"Yeah, it's supposed to help people feel more connected," Leah explained.

"Fun," you said, always happy to engage in a deep conversations.

You leant back on the lounge as Leah rifled through the cards, pulling out the first one.

"Alright, in one word, describe how you feel right now," Leah flicks the card with her other hand as she watches you expectantly.

"One word?" You sigh with a smile on your face, "Grateful."

"Grateful for what?" Leah asks.

"For a night in with you," you say, taking a sip of your wine. Leah lifts her glass off the coffee table and holds it out towards you.

As your glasses clink together Leah says, "I'm grateful for this too."

You're already enjoying this game, feeling excited over what questions might come up.

Your first question to ask Leah was 'How would you describe me to a stranger?'. She smirked as she let her mind wander.

"Well, I would say that you're the best footballer I've ever seen. You are the most loyal friend. You're the smartest person I know, and I learn so much from you daily. I'd say that you're the most beautiful girl in every room, and probably that you're great in bed," Leah says, making you laugh with her final statement.

"I mean, I hope you wouldn't tell a stranger about our sex life, but I'll take the compliment," you say proudly.

It's Leah's turn to pull a card again, this time asking 'What dating advice would you give your younger self?'. The question makes you both laugh, your dating history being almost a joke in your relationship.

"Stop dating boys, you're not attracted to them," you say with a laugh.

"Easy one for you," Leah shakes her head, tucking the card in the back of the pile.

It was your turn again and your eyebrows raise as you quickly glace over the question, "Ooh, deep one. What fear do you think holds me back the most?" You ask, unsure about what Leah might say.

She looks at you, as if weighing up how best to say what she wants to say.

"Honestly?" She raises her eyebrows, and you nod, urging her to continue.

"I think your fear of the future might be holding you back a little bit," she says, and you look into the wine in your lap while you process the words.

"What do you mean by that?" You ask, trying not to let your defences come up.

"Um," Leah rolls her lips together as she tries to find the best explanation.

"I just think whenever I try to bring up the future of our relationship you can shut down a bit," she says, and you nod.

You know she has a point. You being a few years younger than Leah, you struggled to envision those big life events like getting married or having kids. For you, all those events seemed rather inconceivable, especially since your own parents had gotten divorced and you don't have the best relationship with either of them. But for Leah, these were things that she desperately wanted, so when they came up in conversation, knowing it might cause friction, you tend to stay silent.

"You mean when we talk about getting married or having kids?" You question.

"Well when I talk about getting married and having kids, yeah," Leah affirms.

"I mean, that's just not really something I think about," you shake your head, not sure how else to explain that at this stage of your life marriage and children isn't a priority. Of course you love Leah and want to spend the rest of your life with her, but you have never felt like you need a ring on your finger or a marriage certificate for that to happen.

"But see, that upsets me Y/N," Leah places her wine glass back down on the table and you see her eyebrows knit together, frustration building. You sigh and copy her motions, placing your glass down as well.

"I see my future with you, and when you say that you don't think about it, it makes me feel like you don't want me to be a part of yours," Leah explains and you instantly reach out to grab her hands, rubbing them soothingly with your thumbs.

"Lee, I want you in my future. I love you so much, and I don't want to be with anyone else."

Leah gently tugs her hands out of yours, "But you don't want to marry me, or start a family. Those things are important for me!" She stresses.

You rub your face with your hands, "I understand they're important for you Leah, but right now at this stage of my life I don't want marriage and children."

"You don't want them now, or you don't want them ever?" Leah asks, crestfallen.

You pause, not knowing what how to respond without breaking Leah's heart, but it seems that you do that anyway. She sucks in her bottom lip and shakes her head before storming out of the lounge room and up stairs, distantly slamming a door as you stay seated with your head in your hands.

You're overcome with emotion, not knowing how such a lovely night could turn so sour. Wiping tears away you stand from the lounge and take the half full wine glasses to the kitchen and pour them down the sink, knowing your nice evening together was well and truly over. As you give them a rinse you try to collect your thoughts and work out how to approach this topic with Leah.

After setting the glasses down to dry you walk tentatively up the stairs, feeling nervous for how Leah might respond to you. Your bedroom door is shut and you knock lightly before turning the handle and pushing it open slowly. Leah is laying in bed, turned away from the door, giving you no response.

"Leah, darling, can we talk this out?" You ask, staring at the back of your girlfriends head and stepping into the room, closer to the bed.

"There's nothing to talk about," she says sharply.

"There clearly is," you respond as you sit down by her feet at the end of the bed. You reach out to squeeze her leg through the duvet but she scoffs and pulls away, sitting up so her back is resting against the headboard. She crosses her arms as she looks at you, waiting for you to continue.

"I'm sorry for upsetting you," you say, feeling genuinely sick to your stomach that Leah has gotten to this state. She just shakes her head.

"I just need you to know that while I don't see myself as a mother or married in the next couple of years, that doesn't mean it's off the cards for me," you say.

"But what if you're never ready for those things? I can't wait my whole life for you to want it Y/N," Leah sighs.

"Well, what if I don't want it?" You ask now, eyes welling with tears, terrified of what this conversation could lead to.

"I know how badly I want kids of my own one day, and how I want to start a family with the woman I love. But if you're not sure that you will ever want that, I'm not sure if we're right for each other," Leah says, voice breaking as she talks.

"See this is why I shut down when this comes up," you are unashamedly crying now, "I just need time Leah! I'm only 23 years old, how can you expect me to know this just now?"

You sob into your hands and Leah moves on the bed, crawling beside you to hold you against her. She wraps her arms around you and guides your head onto her shoulder, rubbing soothing circles into your back.

"I'm so sorry," Leah sighs into your ear.

"I don't want to lose you," you cry even harder as you vocalise your biggest fear.

"You're not losing me, I'm right here," Leah says, stabilising herself to comfort you in your obvious state of distress.

"You deserve someone who wants what you want," you say, gasping for breath between words.

"Shh, it's okay," she leans back to hold your face between both hands, trying to look you in the eyes. You pull your hands between Leah's, covering your face. She grabs your wrists gently and lowers them before wiping your damp cheeks with the cuffs of her jumper.

"I'm sorry, baby, you're right. I shouldn't expect you to give me an answer right now. I think just because I've always known what I want, I find it hard to imagine that it might be a more difficult decision for other people," Leah says, and you nod, knowing where she's coming from.

"It's just hard for me, you know, obviously you're close with your family so it's different. I've always been scared to get married and have kids because my parents had such a hard time with it all, and I'm not very close with them because of it," you say honestly.

"I know, baby, I understand," she says.

"But if I was to build a family with anyone, I'd want to do it with you, Leah. Do you know the first time I met your whole family I went home and cried," you admit, thinking back on that first Williamson family lunch where you'd felt so embraced by them.

"You cried! Why?" Leah says with concern.

"No, it was more happy tears. I'd just never seen a family that loved each other like you guys do, I guess I was crying for younger me who wished I could've had that type of upbringing."

"Oh, my girl, you'll always have that love from me and my family," she assures you.

"I hope so. And it brings me comfort knowing that any child of ours would be loved like that too," you say.

"Of course they would," Leah nods, pressing her forehead against yours.

"I just need you to know that I do want that with you Leah. Just probably a bit further down the line," you say.

"Okay, I can wait for that," she says.

You press your lips against Leah's and she kisses you back gently, apologetically.

"I love you," you say, and she says it back.

"But we're not playing that bloody card game again," you say, making Leah laugh.

"Hey, it did bring it closer didn't it?" She smiles and you shake your head. In some strange way it did.

You and Leah decide to call it a night, crawling under the sheets together. She holds you tightly against her, kissing you softly on the back and side of your neck as you both calm down from the heightened emotions. For the first time you do actually let yourself think about being a mother, and it isn't the scariest idea in the world. You fall asleep with ease in Leah's arms, feeling your future together stretching out before you.

[mythicmanuscripts]

Could you talk about pegging for Jace, aemond and aegon? I’d love to hear your hours about each of them with that!

Brilliant question anon!! So I've received quite a few requests about pegging, some with ideas and some just asking to discuss it. I'm gonna use this ask to just discuss some brief thoughts about pegging before I begin the other asks :))

Obviously, NSFW sub!characters below the cut.

AEGON:

So Aegon is one that definitely knew he would like pegging before it came up with you. He had dabbled a bit in fingering himself before but he had never mentioned this to anyone and he had never used a toy on himself either. This was something he was too scared to tell the brothel workers because he didnt think he'd be able to take being humiliated or made fun of for it.

This comes up during one of your favourite things to do with Aegon: give him a teasing handjob while asking him about his fantasies and what he'd like to do in future. Aegon gets so flustered so easily and watching him trying to form full sentences while you stroke him is so so hot. He eventually mentions that he likes to finger himself sometimes, and obviously you just have to ask more about this.

Once you try pegging, aegon is absolutely obsessed. The moment you have the strap on all thoughts go out the window.

AEMOND:

For Aemond you definitely have to mention it to him because he'd never ever bring it up himself. You suggest it because he knows how badly he wants to feel safe and... small? He LOVES when you manhandle him and position him and make him feel small.

You suggest pegging for this reason, and while he's hesitant at first once he tries he really likes it. However, it's definitely a rare thing because he needs SO aftercare after pegging. He's is so so prone to subdrop after pegging, sometimes even when you're right there holding him he can still start to slip into subdrop because he just feels SO vulnerable afterwards.

Also I think maybe he likes plugs? You get the idea when Aemond is starting to slip into subdrop. You catch it luckily and some praise and comfort helps him feel better. As he first drops though, he keeps on saying he feels empty. Next time, as part of aftercare you put a plug in him and it just makes him feel so much better. The plug only gets removed when he's 100% recovered.

JACE:

Pegging is something Jace didnt even know existed. He knew he liked fingering, and he let you know that pretty early. (Jace might seem all noble and innocent but the moment he's turned on he turns into a whiney little slutty thing who can't stop babbling and easily reveals his fantasies, truly no thoughts only horny)

You also don't suggest pegging, not at first anyway because you know how shy he is already just about fingering.

But.... Aegon tells him, the little fucker.

It's at the dinner with the whole family. You're sitting next to Jace of course and Aegon is taking great pleasure in teasing him. He gets to pegging somehow, asking him if he fucks you or if you fuck him. It's meant as a joke, and of course Jace blushes and tells him to stop being so crude. But then that night, you check in on him before bed to make sure what aemond said didnt get under his skin and to your shock he actually gets all blushy and squirmy and tells you he might want to try it.

[thezombieprostitute]

The Arrangement - Chapter 1

Summary: Jake's done a lot of things to keep his sister, and then his niece, safe from his parent's influence and manipulation. If he wants to keep them safe, he has to marry you.

Warnings: Bad parents, Discussion of murder and physical abuse. Let me know if I missed any!

Prologue -- Chapter 2

Series Masterlist

Jake made sure to put on a suit he knew was "nice enough" for the meeting. Clay would be going with him, helping him secure the deal he needed to keep Sarah and Jadah, his real family, safe, never to be messed with again. The rest of the Losers were keeping an eye on them to make sure his parents didn't try anything while negotiating. Aisha and Cougar were some of the best fighters he knew and Pooch could easily drive his family to a secure area.

"So why did you think you needed to get your sister out of the marriage," Clay asked. "I get your parents are pieces of shit, but wouldn't a marriage get her away from them?"

"Nope," Jake shook his head as he drove. "Not only would it further embed them into her life, the guy she was engaged to was a monster. I did a deep dive on him when the engagement was announced. He had a bunch of arrests for domestic disturbance, but his parents, his lawyers, got him out and always settled out of court. Apparently his parents figured marriage would help him calm down. I tried to call bullshit, got shut down, and took action."

Clay nodded, silently filing away the information, before continuing. "And you're now going to marry his sister?"

"Yup."

"What do you know about her?"

"Very little," Jake confesses. "Graduated with a Master's in Ecology with a focus on Conservation Studies. Doesn't seemed to have used it so either her family refuses to let her do anything or she just wanted to waste her parents' money, or something else."

"Going for a Master's doesn't indicate an interest in wasting money," Clay pointed out.

"Agreed, but I've got so little information on her I'm inclined to just go ahead and think the worst."

"Are you expecting to meet her when we get there?"

"Negotiations with the parents first," Jake tells him. "If that goes well, then...yeah, it'll probably be a family dinner or something."

"Alright, lets get to it, then."

"Jacob!" Cordelia, Jake's mother, was using her fake happy tone as she held out her arms for a hug. He purposefully avoids the hug and goes for a handshake instead.

"Don't be rude, son," William chides. Jake holds back from glaring at his father and focuses on maintaining his composure.

"Let's just get to business," Clay offers while taking a seat at William's desk.

"And who are you?" William raises an eyebrow at Clay.

"For all intents and purposes, I'm your son's advocate here to make sure he gets what he wants outta this deal. And that it gets put into writing and notarized."

"And what is it that you want, Jacob?" Cordelia's tone was now icy. "We're setting you up with a wife from a good, rich family. You should be grateful to us for that after nearly destroying our future."

"I want a written, notarized guarantee that, so long as I am married to this woman, Sarah and her family will be left alone. You will not look for them. You will not include them in your machinations. They will never have to worry about you or your people bothering them ever again."

"I'm sure we can work something out," William nods. "Good thing I've already got my lawyer here to go over the marriage documents."

The next several hours are spent with Clay and the family lawyer going back and forth over the wording of the official document. Jake is increasingly grateful that he brought in Clay for this part. He's a quick thinker but Clay is a tactician. He can see the loopholes, the workarounds that Jake can't. His parents attempt to engage him in conversation but Clay had advised Jake to keep quiet during the negotiations so he did. Occasionally texting the team with updates.

Finally, Clay and the lawyer shook hands. The deal is typed up and printed. Jake, his parents, Clay and the lawyer all sign. The notary had arrived an hour before, called by William. They looked everything over and added their stamp to the documents.

Jake took the contract, put it in an envelope and gave it to Clay before turning to his parents. "Okay, let's go meet my future wife."

Prologue -- Chapter 2

Series Masterlist

Tagging: @alicedopey; @ashdoctor; @delicatebarness;@ellethespaceunicorn; @icefrozendeadlyqueen; @ronearoundblindly

[hopesangelsprite]

Illumi HCs I feel No One Else Has

(btw why does it look like he's about to put in work on a bi- nvm 💀)

Illumi is deffo either a genius or really good at hiding the fact that he has zero thoughts behind his eyes-

has a rock hyper fixation (istg he's a literal penguin give him a pebble and he'll be satisfied)

when he's in a silly goofy mood, he's in a silly goofy mood and there's no limit to the number of shenanigans he'll get into

He's definitely pulled some of the wildest pranks you've ever seen when he feels like it

He's a biter. That's it, he will definitely nibble on you when cuddling (and will bite at random times simply bc he could).

Will sit in your lap when he wants your full attention.

Has no gauge of his strength bc he's always around strong mfs

Therefore, him getting his licks back are horrendous-

Ass or boobs? Thighs. He's a thigh man for sure (but yeah ass too lol)

Will and has used common phrases you say to relate more to you so expect random slang terms

Is a fashion icon with zero filter so expect heavy criticism "There's no way you'll be seen with me looking like... whatever that is." "You tacky little shit- Go change immediately." "I've never wanted to kms, but your outfits are making me reconsider..."

Has a potty mouth and has definitely called both Hisoka and Chrollo "bitch", "fuck boy", and "hoe" on several occasions

Is the perfect driver but prefers to drive like a bat outta hell for the aesthetic (also bc he and the speed limit don't see eye to eye)

Will sometimes grin and release a little bloodlust to spook you

Is very babygirl and girly pop but hates it when you call him either of those.

When he's away on longer missions, he'll horde gifts he's bought for you to have unboxing days when he gets back

Keeps his nails long bc he likes the look (manipulates them to be shorter for... extracurricular activities 😉)

Color coordinates your outfits when y'all go out so everyone knows you're with him

Not big on PDA but won't let you out of his grip when behind closed doors

Is INCREDIBLY touched starved and has to have a hand on you when you nap together (mostly your chest and crotch idk why idk idk idk)

Remember when I said he was an ass man? And when I said he doesn't know his strength? Yeah, he'll smack your ass and damn near send you flying AND THE MF FINDS YOUR PAIN FUNNY

Most definitely a sadist. End of discussion.

Has broken several beds of yours during extracurricular activities.

Favorite petnames for you: wife, my love, liege, little thing.

Favorite petnames from you: pretty boy, lover boy, doll, honey.

Often when you think he's staring he's actually thinking about the most random shit known to mankind-

[END of pt. 1]

[sematarygirls]

stop i’m literally so in love with your acc, it’s gorgeous!!!! missed you sm. need to start writing or creating something again tbh but idk what.

anywaysss had this super cool drummer!rafe idea where they’re all like mid-20s and were suspected of murder (maybe a roadie died or an ex bandmate??)

buttt there you are interning with the local police department (aka nancy drew nerd) and go poking around (woah somehow you end up in rafe’s arms what a coincidence). maybe he did it or maybeee he didn’t, who knows. ur just a silly little inter.. right?? unless ofc this wasn’t the first time you met and you both did it together?

anyways do what you wish with this, feel free to let it rot. ur a genius mastermind either way. ily mwahhh

(here’s some drew pics mini moodboard bc why not)

Partners In Crime — Rafe Cameron.

pairing: drummer!rafe x policeintern!reader

summary: your internship at the kildare county sheriff's department proves extremely useful after ex-bandmate of local rock sensation, morphine animals, is found murdered.

warnings: smut! semi-public sex, unprotected p in v, murder, inaccuracies regarding police work

word count: 3.6k words !

a/n: this request is AMAZING omg!! your mind is literally so incredibly brilliant. i am so incredibly jealous. i just want to scoop it out and study it because your plots are always so genius it's insane. also, i got a little freaky with this request. i don't know where it came from, but i hope yall enjoy. side note, i know nothing about police stations or internships beyond what I've seen on tv, so this is most likely very far from anything that would happen in real life.

✶ . ࣪ ׅ   You cursed quietly, swatting a mosquito away from you as your fingers danced along the collection of files, skimming through the box of evidence labeled "Ryder, Elliot". It was July, and the summer was in full swing. the air was thick and heavy, causing a layer of sticky sweat to cling to every inch of your body. The cramped storage room seemed to be at least 10 degrees hotter than the rest of the police station, and it had the added bonus of recycled air that smelled of dust and mildew.

Your gaze flickered between the door and the police report in your hands, readying yourself to be caught any moment now. Technically, you weren't supposed to be looking at anything in this room. You were simply an intern, and as such, your jobs mostly consisted of clerical work like running the front desk, answering phones, and filling out the occasional police report—typically for some misdemeanor offense that they had granted you competent enough to navigate your way around.

On a normal day, you did not have clearance to be in this little room with all the important documents pertaining to cases ranging anywhere from vandalism to first-degree murder. However, on this particular day, you had been instructed to organize and clean the records room, ensuring that everything was dusted off and placed in alphabetical order.

You knew you weren't really supposed to take a peek into any of these boxes, but when you saw the name Elliot Ryder on one of the boxes, you simply couldn't help yourself. It was the biggest case your town had seen in the last decade.

"Local rock legend Morphine Animal's ex-band-mate found murdered" had been splashed across headlines for weeks, each news site ranging from local to national discussing the case and their theories, but surprisingly much of the case had remained a mystery.

Morphine Animals had been practically untouchable ever since they skyrocketed to fame. It was truly fascinating how quickly they went from small-town rockstar wannabes to household names. They became a national sensation practically overnight, and it all started when Elliot Ryder was fired as the band's drummer and replaced by Rafe Cameron.

You remembered it vividly. Elliot went around telling everybody who would listen how he was cheated out of fame. The other three band members had been his childhood best friends. The band was their passion project and they had vowed to do it all together, but then, one night, they just dropped him out of the blue, and Rafe Cameron took his spot.

People couldn't help but wonder if the band's colorful history had anything to do with the murder. The whole situation would've made more sense if Rafe was the one murdered. It would be open and shut. Elliot killed Rafe to get back at him for taking his spot and stealing the fame that was "rightfully" his, but revenge just doesn't quite sit right with the case being turned around.

Rockstar drummer that has it all kills small-town drunk nobody? It just doesn't fit.

You turn your attention back to the police report in hand. You didn't have much time left before someone inevitably needed a file or came to check on you, so you needed to focus, read it, and put everything back where you found it before that happened.

Case Number 0608

Responding Officer: Sheriff Susan Peterkin

On 06/28/2023 at approximately 2100 hours, I responded to a noise complaint at 2971 Shorecrest Drive.

I knocked on the front door, but there was no answer. I announced myself as the police and knocked once more, but again, received no answer. I looked into the window for signs of life, and saw Elliot Ryder laying prone on the living room floor with a pool of blood around him. I immediately radioed for assistance and kicked down the door. I checked his pulse and discovered that Ryder was deceased. While I waited for assistance, I secured the scene. At approximately 2110 hours, Deputy Victor Shoupe, Officer Danielle Lyonne, and Officer Franklin Hewitt arrived on scene. Officers Hewitt and Lyonne canvased the surrounding homes and took their statements to find out if anyone had seen or heard anything. Their individual statements are enclosed. Deputy Shoupe called for the coroner and cordoned off the area while I began assessing the crime scene in a spiral method. Pictures included document the blood patterns and shattered glass discovered at the scene. No murder weapon was discovered.

I instructed Deputy Shoupe to stay at the scene and await the coroner's arrival while I headed back to the station. At approximately 2330 hours, I left the scene.

Your eyebrows furrowed in concentration as you read over the report. You used the back of your hand to wipe the beads of sweat that had formed on your forehead—created from a mix of the unbearable heat and your growing nervousness as the moments ticked by—stopping them from dripping down your skin.

Your gaze darted to the door once again before returning to the files, pulling out a series of pictures that documented the crime scene.

He was found on his stomach, the hair on the back of his head matted with blood. The cause of death was blunt force trauma, and it was very evident from the crime scene photos.

You turned your attention from the photos documenting his body to the ones showing the state his living room had been left in. There was broken glass from a shattered mirror near the front door coating the carpet, and the living room looked like it had been hit by a tornado. Furniture had been turned over, his belongings strewn about in a disorganized fashion. It seemed like whoever had been there was looking for something.

Something in one of the photos caught your eye. It was small, almost imperceptible, but the flash from the camera reflected off something imbeded into the cream colored carpet just beneath the table that Elliot's body was found beside.

Your brows furrowed as you brought the photo closer to your face, squinting to get a better look.

The sound of footsteps approaching made you jump. You quickly folded the picture and shoved it into your pocket before placing the photos and police report back into the box and hauling it onto the shelf.

"Hey, kid," Deputy Shoupe peeked his head inside, the sound of him chewing his gum seemingly reverberating off the walls. You turned, your face flushed, and your heart practically beating out of your chest. You had managed to get everything in order moments before he opened the door.

"Uh, yes, sir?" You cleared your throat, brushing away a strand of hair that had gotten stuck to your sticky forehead.

"Boss lady needs the Ryder files," he informed you, still smacking his gum. The sound filled your ears, somehow louder than the beating of your own heart.

You nodded, swallowing hard as you turned and grabbed the box, the piece of paper in your pocket feeling like it weighed a ton as you carried the heavy box over to him. "Can I ask why?" You worked up the courage to ask, handing him the files, your palms sweaty as you pulled back.

"Just got done interviewing Rafe Cameron," he told you, propping the box under his arm. Your eyes widened a fraction. Why was Sheriff Peterkin reinterviewing him? Was there new evidence to connect him to the murder? "So, she wants to take another look at the evidence."

"Oh," you simply said, the room seeming to grow hotter. "Whew, god, it's hot," you huffed, fanning yourself. "Are you hot?" You asked, clearly not doing well at playing it cool.

"You alright kid?" He asked, quirking an eyebrow curiously at your odd behavior.

"Yeah, I think I'm just gonna step outside and get some air," you nodded, suddenly feeling very suffocated in the stuffy atmosphere.

"Sure, whatever," he shrugged, clearly not all that interested in you or your actions as he turned on his heels to deliver the box to Peterkin.

You hurried down the long, grey corridor, pushing the backdoor open harshly when you arrived at it. Outside wasn't much cooler, but the small, shaded alleyway provided reprieve from the sun's unrelenting rays. You took a few deep breaths, feeling better now that you were breathing fresh, clean air.

"You look like shit," a voice piped up. Your head whipped to the side, eyes finding the source. Rafe Cameron was leaned up against the wall, a lit cigarette dangling from his lips. He was wearing a white tank top that clung to him like a second skin. the heat was just as unforgiving on him, his muscles glistening and his hair sticking out in all directions, a few strands clinging to his slick forehead.

"Excuse me," you scoffed, crossing your arms over your chest. Truthfully, you knew you probably did look like shit. You were sweating like a pig, your clothes clinging to you uncomfortably, and after hours of running your hands through it and being subject to intense humidity, your hair was undoubtedly frizzy and wild.

Rafe pushed off the wall, taking one last drag before flicking the cigarette onto the ground and crushing it under his boot. His blue eyes locked onto yours, amusement dancing in them as he approached you. "I'm just sayin'," he drawled, his voice a low rumble.

"Yeah, well, you don't look too hot yourself," you rolled your eyes. It was a lie, of course. Somehow, he even made sweating to death in the sweltering July heat look sexy. It was utterly infuriating.

He grinned, amused at your attempt to insult him, but he could see right through you. "You mad at me or somethin'?" His hand reached out and wrapped around your wrist, his grip sending shivers down your spine.

"You just said I looked like shit," you glared at him. The heat was making you irritable, and it didn't help that his stupid fucking earring—that you'd told him twenty goddamn times to take out—had showed up in a crime scene photo.

Rafe's thumb began to trace circles on the inside of your wrist, his touch sending electric jolts through your body. "C'mon, you know I was just teasing you, baby," he murmured, his voice soft and seductive. He knew how to play your body better than he knew how to play his drums.

You stubbornly pulled away from him, ignoring the way your body reacted to his touch. "You're lucky I got saddled with file room duty, asshole" you gritted out, pulling the picture from your back pocket and shoving it into his muscular chest.

Rafe wore a silver stud in his ear, a staple of his rockstar persona, and that little glimmer of reflected flash in that crime scene photo was that stud, which had fallen out during the murder.

Thankfully, it hadn't been logged into evidence and had been completely overlooked by the bumbling small town crime scene techs, so you only had to take the photo to keep that little piece of incriminating evidence from ever being discovered.

Rafe glanced down at the photo, his expression unchanging as he took it in. He looked back up at you, his eyes narrowing slightly. "You worried about me, babe?" He asked, his voice laced with mockery, but there was a harder edge to it that betrayed his unperturbed demeanor.

"No," you shot back, your brows furrowing in frustration. God, the heat was making you bitchy. "I'm worried about myself. I mean, I covered up your little fuck up perfectly. The last thing I need is for you and your lame ass jewlery to fuck me over."

Rafe's hand snaked out and wrapped around your throat, his grip tight but not painful. He backed you up against the brick wall, his eyes boring into yours. "You think I can't take care of my own shit?" He asked, his voice a low growl. His patience was clearly wearing thinner and thinner by the second. He was already agitated at being ripped away from band practice to do this little song and dance with the police. The last thing he needed was you bitching at him and challenging his capabilites.

"If you could take care of your own shit, you wouldn't have called me in the middle of the night panicking because you fucking killed someone," you retorted, not backing down. You weren't afraid of him in the slightest. You knew what he was capable of, but it didn't scare you. In fact, there was a twisted part of you that liked knowing about his violent side.

Rafe Cameron had been the one to kill Elliot Ryder in cold blood, and he'd called you up moments after because he knew your experience as a police intern would come in handy. You had rushed over and helped him stage the whole thing as a burglary gone wrong. Unfortunately, Rafe hadn't realized his little wardrobe malfunction until it was too late to go back and retrieve it.

His face darkened, his hand tightening around your throat. "I had it handled," he hissed. "Until you showed up and decided to play detective." His other hand reached down, gripping your hip possessively. "You're supposed to be on my side, not throwing my mistakes in my face."

"Then stop making dumb fucking mistakes," you spat, your jaw clenching in annoyance. You could feel your panties growing wetter by the second, which only fueled your frustration toward him. You hated how he could still make you want him even when he was being a complete asshole.

Rafe's face twisted with anger, but beneath it, you saw a flicker of something else—desire. He leaned in close, his breath hot against your lips. "You know, I should just shut you up for good," he muttered, his grip on your throat unyielding.

"Yeah?" You asked, your voice almost taunting. "You gonna kill me, Rafe?" You looked him in the eye, not backing down. "Who's gonna clean up your messes then, huh?"

His expression turned grim, and for a monent, you thought he might actually do it. But, then, without warning, he crushed his mouth to yours in a rough, bruising kiss. His hands tightened further on your hip, pressing against your body and pinning you in place.

He bit down hard on your lip, drawing blood. His tongue darted out, lapping up the blood and soothing the wound as his thumb rubbed over your pulse point, feeling the way your heartbeat quickened with desire. His mouth tasted of nicotine, stale beer, a slight hint of mint, and then the metallic taste of your blood on his tongue. If it were anyone else, you would've recoiled in disgust, but something about him was intoxicating.

He was so close you could feel his bulge pressing into you, and it only made you want him more. You didn't care that you were pressed against a wall in the back alley behind the police precinct, in fact, something about it, the potential thrill of getting caught, turned you on more.

Rafe's hands moved to grip your ass under your skirt, roughly palming the fatty flesh with his rough hands. He broke the kiss, his lips moving to your neck, where he bit down hard enough to leave a mark. "You drive me fucking crazy," he growled.

"Yeah, well you're fucking insufferable," you said breathlessly, tilting your head to the side and threading your fingers into his hair as he continued his assault on your neck.

He grunted in response, his hands squeezing your backside painfully before he pulled away to fumble with his belt, the buckle clanking loudly in the otherwise quiet alley.

As he fiddled with his belt, you took your opportunity to latch your lips onto his neck, the salty taste of his skin mixed with the thin layer of sweat coating him danced on your tongue as you sucked and nipped at the areas you knew would drive him wild.

Rafe's breathing hitched as you marked him, his body stiffening. He finally got his belt undone and his pants unbuttoned, shoving them down just enough to free his hard length.

He gripped your thighs, hoisting you up and pressing you hard against the wall as your legs wrapped around his waist. "Think you need to learn your place," he said darkly, pulling your panties to the side.

With one swift movement, he thrust deep inside you, filling you completely. He held you pinned against the wall, his hips rolling into yours in deep, punishing thrusts. "You're supposed to worship the ground I walk on," he muttered, his voice ragged.

You gasped, your fingers digging into his shoulders as he began to move, his powerful hips snapping back and forth as he pounded into you. His blue eyes, darkened with lust, locked onto yours, watching your face intently.

"Answer me," he demanded, his voice low and menacing. He slowed his pace, his hips rolling leisurely, his thick length stretching you wide. He knew his slow pace was like torture to you. "Tell me you worship me, baby."

"Fuck," you moaned, your face scrunching in a mix of pain and pleasure as the brick wall dug uncomfortably into your back. "I worship you, Rafe."

A smug grin spread across his face at your words, his pace quickening as he continued to slam into you, his hips rolling in that way that always hit that spot inside you, making you practically see stars. "Good girl," he praised, his lips finding yours again.

Your arms snaked around his neck, fingers curling into his hair and tugging slightly as his mouth swallowed your little whimpers and moans.

He released your mouth, his head tilting down to watch where you were joined. He let out a low groan, his body tensing as he watched himself disappear inside of you. "Look at you taking me so well," he gritted out, his pace quickening.

You gasped when you felt his thumb begin rubbing tight circles on your clit, drawing you closer and closer to the edge. "Such a dirty fuckin' girl," he growled. "Letting me fuck you in an alleyway, behind a police station no less." His lewd words only served to heighten your arousal.

His other hand reached up to wrap around your throat, applying just enough pressure to make you dizzy as he continued to pound into you. "I'm going to fill this pretty little cunt with my cum," he snarled, his voice echoing off the brick walls.

His words paired with his grip on your throat and the way he was pounding into you sent you over the edge, your eyes rolling back as you moaned his name.

His hand on your neck tightened possessively as you came apart for him, his own release following shortly after as he felt your walls squeeze down on him, milking his cock. He buried his face against your neck, his breathing hot and ragged against your skin. "That's my girl."

You panted, your head falling back against the brick as you caught your breath, your mind reeling as the weight of what you'd just done crashed over you. It was reckless and stupid to have let that happen, especially behind the police station you worked at. If anyone saw you, it could raise some serious red flags.

Rafe slowly lowered you back to the ground, pressing one last kiss to your swollen lips before tucking himself back into his underwear and pulling his jeans up, refastening his belt. He leaned against the wall beside you, lighting a cigarette as he looked you over with a lazy smirk. "Try not to look so guilty."

"Don't be an asshole," you shot him a sharp look, fixing your skirt and blouse. Now, you had to go back to work and act as if you didn't have a murderer's cum leaking out of you.

Rafe took a long drag of his cigarette, blowing the smoke out in a slow stream. He watched you intently, his eyes glinting with amusement as he observed you straighten your hair and adjust your collar, trying to regain some semblance of professionalism. "I'll pick you up after your shift. We've got a few more things to discuss."

"You can't pick me up here," you said, crossing your arms over your chest.

Rafe raised an eyebrow, pushing off from the wall and taking a few slow steps closer to you. "And why not?" he asked, his voice low and dangerous. He knew very well why not, but he wanted to hear you say it.

"Don't play dumb, Rafe," you rolled your eyes. He could be so very infuriating when he wanted to be.

"Say it," he insisted, his voice firm. He took another step closer, towering over you. "Tell me why I can't pick you up here." His hand reached up, his fingers brushing against your cheek in a deceptively gentle touch.

You huffed frustratedly, narrowing your eyes at his insistence. "Because you killed Elliot Ryder, and I'm your fucking accomplice," you relented.

Rafe's hand tightened, gripping your cheeks firmly, his touch bordering on painful as he leaned down, his lips brushing against your ear. "Shhh," he whispered, his voice dark and threatening. "You shouldn't go around saying things like that, baby."

You glared up at him, your annoyance evident in your gaze. Everything always had to be a game with him, and sometimes it utterly maddened you.

Rafe's lips curled into a smirk as he pulled back, his hand falling away from your face. "I'll pick you up around the corner," he said, as if the matter was settled. He took another drag of his cigarette before tossing it to the ground and heading down the alleyway to his car.

You watched him leave, your gaze burning holes into his back for a moment as he retreated before you shook your annoyance away, pulling the back door to the station open and heading back inside.

[thehorrorsoftheblackbunnymask]

We need facts about YANDERE CREEPYPASTA ZOMBIE APOCALYPSE AU!!! Only if you want to and take your time. I just got really excited hearing this as I love zombie movies

Something Short (Zombie AU Introduction)

Author's Note: I've had this AU idea for months, but I just never got to it.

Warnings: Murder, Torture, Sexual Harrasment, Kidnapping, Human Trafficking (Mentions), Mental Abuse, Sexual Abuse, Human Experiments, Gore, Physical Abuse, Manipulation, Dehumanization, Sadism, Being Held To Extremely High Standards, Dictatorship, And Obession

Ok, so. I picture the virus that caused the whole outbreak to be a mixture between the walking dead zombies, and the Train to Busan zombies, you know.

Now, you're pretty much one of the few who survived the outbreak. You and your two brothers are wondering around looking for a permanent place of residence. You found one society, but it was destroyed soon after you got there.

In this AU, EJ is the leader of a cannibalistic city. They live in a heavily fortified town somewhere in Pennsylvania. EJ is the doctor and leader of this colony. One day you and your brothers get kidnapped by a few of their members, and you only survived because EJ took an interest in you. Your brothers were kept alive as a way to keep you in line, but you knew they were barely surviving.

One day, your brothers escaped, leaving you behind. Once you escape, your main motivation is reuniting with your brothers, or at least find out what happened to them.

You were trapped with EJ for about 8 months, and those months were hell. Unlike my other AUs and Canon were EJ puts up a fake mask of kindness and care, Zombie AU EJ is heartless right off the bat. It's the end of the world, you either do what he tells you, or you're tonight's dinner. So, you're now labeled as his pet, even the other civilizations know about you, the poor pet of Cannubal King. You would constantly be a victim to his twisted experiments, but after each one he'd comfort you. His constant switched in personality and behavior is what makes you have a blurred perspective of him. In this AU, EJ is the one you're most terrified of, not the Proxies.

Now, the Proxies are opportunist. They are the people in the apocalypse to kill, kidnap and sell people as a way to make it buy. They're the most dangerous to look for because they're doing anything to survive. After 8 months past, you're able to escape. You end up wondering around for about 3 days before you find a little shed in the woods. When you get there, the shed is filled with a decent amount of food and water. However, as you inspect a small can, you're whacked in the head with a crow bar. When you wake up, three men are standing in front of you. They all discuss what their going to do to you before they agree to keep you. The Proxies are no stranger to keeping pets, but each one of them have died in someway, and you're just another replacement. Out of all the proxies though, Toby ends up becoming completely in love and obsessed with you, while Masky and Hoodie have a more possessive, sexual obsession with you.

Ben is the leader of a tech society. His society was able to keep electricity and tech running, making the most advanced civilization. However, getting in is extremely hard, and being a citizen there sucks. Ben is a dictator. If you hold no use to him, you're getting sent out into the heard. You disobey or betray him, sent to the Cannibal Colony. And not to mention, he had eyes and ears everywhere. Everyone in the city has to do their part if they want to stay, and if you don't, Oh well. Also, being one of Ben's favorites sucks even more. If he likes you for your skill or talent, he holds you to an impossible standard, and he enjoys to watch those people try so hard to meet it. No one is ever good enough for him, and he'll gladly torture those who can't obey. If he likes you for his sexual desires, you're running on his schedule. He expects you to do your own work, and fulfill his desires.

So, how do you two meet? You actually met back when you were with EJ. Just like in every AU, Jeff, EJ, and Ben are all really close friends, and EJ paid a visit to Ben in order to collect new Tech. There you caught Ben's eyes. Ben joked with EJ, saying that if he ever got bored of you, he'll gladly take you. He would never hide his stares, and always made his intentions with you painfully clear. He would never do anything to you physically since he likes and respects EJ to much, but he meant what he said when he told EJ that he'd take you if he didn't want you anymore.

LJ is a loner, but what he does is kinda weird. LJ stays in a abandoned fair ground. Rides and attractions are still up. Thanks to Ben, LJ is able to keep the tech working, and it often attracts wonders. LJ collects walkers and uses them for his circus shows. Anyone who stumbles upon his grounds are welcomed to stay. So, there's often people hanging out there because, 1, free food, 2, fun rides, 3, protection from walkers, and 4, entertainment. Once there's enough people, LJ holds a circus show. In this show, LJ summons a gas that drugs everyone for a short period of time. During this time, LJ takes some members of the audience, steals everyone's weapons, and ties them down to their chairs. Then, he uses the people he kidnapped for his twisted little show. Some people would be eaten by walkers, others would be forced to do extremely dangerous stunts, and the rest would just be brutally tortured. But at the end of the show, everyone in the tent would be dead. Now rinse and repeat, and that's what LJ does.

You and your brothers came across LJ's circus, but you guys left after a short while, not aware that you almost lost your lives.

Liu are kinda like mercenary. Liu gathers Intel for other groups, kidnaps people, and sells people just to get by. He's never in one place for too long, and many fall for his charm and charisma. His most consistent client is Ben, and Ben considers him a member of his city, even though Liu begs to differ.

How did you two meet? Jeff had dragged Liu to the proxies place due to the Proxies not keeping the end of a deal they made. You were watching from a top the stairwell when Liu noticed you. Liu is a hard-core sadist and doesn't really care about love or sex, violence his thing due to Sully's influence. But I can see him instantly falling for you. I feel like before Sully manifested, Liu was such a lover boy, but I can see him always being a blunt and manipulative bastard. Despite Jeff being Liu for support, Liu just stared at you as you sat ontop of the stares quietly, hoping that he would take his eyes off you.

Jeff is another wonderer. He could deadass care less about the apocalypse. He's normally by himself, in a cabin, either getting high or murdering people he comes across. He's deadass chilling.

Just like Ben, Jeff met you through EJ. Jeff doesn't really have any feelings towards you at the moment since he doesn't pay much attention to you, but that will slowly change.

QNow, last major plot idea. Since EJ is a doctor, and Ben is the tech guy, I can see the two of them looking for a cure to the virus. But, they often use random people as experiments for these. Back when you were with EJ, you were forced to witness them, and in one test, the person starting to develop sores and bumps all over their body, and it got so bad that they ended up swelling up like a balloon.

[antianakin]

Pong Krell. It’s universally agreed that he deserved worse than what he got and I get that. I just wished we got to see what he was like before he Fell. Did he always hate clones, was it gradual? Did he suspect something off and went over paranoid?

I’ll say this one and I’ll say this probably a thousand more times but I wished the creators focused on more details with characters. It’s absolutely fascinating that they created a Jedi that Fell but did nothing with it besides outright evil.

How other Jedi reacted to learning that a fellow Jedi betrayed everyone? How did the Republic?

I just wished they did more with him than just, yeah that dude was a dick and killed clones.

Yeah, it's one of the things I don't like as much about TCW, the extremely episodic nature of it means that there really is never any build-up to anything or lasting impact from anything. Unless it's happening within one of the 2-4 episode arcs, we RARELY get to see any kind of build-up or fallout. It's one of the major issues with Barriss, too, we see her ONCE in season 2 and she's calm, kind, methodical, and selfless. And then three seasons later in season 5 she's suddenly ruthless, selfish, doubting everything and everyone, merciless, etc. There is NO BUILD UP to that radical 180 to her character and there's no real exploration of how Ahsoka really feels about that particular betrayal afterwards, the focus in later episodes after the Wrong Jedi focuses only on Ahsoka feeling betrayed by the COUNCIL and her feelings about that. Nothing since TCW has ever touched it either (Rebels, Mandalorian, the Ahsoka show). Satine's death never really comes up again after it happens aside from Bo-Katan being an asshole. Obi-Wan goes from being totally fucked up about Maul coming back to being chill enough to take on Maul and Savage alone and winning without us getting to see him actually deal with those emotions.

Pong Krell and the Umbara arc IN GENERAL falls into this category easily (so do the Zyggeria and the Deception arc tbh). Krell is such a basic evil character, there's so little nuance to him and we never get to see the Jedi react to the revelation that one of their own turned at all. Dooku turned after he had already left the Order as far as any of them really know, but Krell was still IN the Order when he decided to betray them and it would've been really interesting to see the impact of that on them. It would've been ESPECIALLY interesting to explore that more during the Wrong Jedi arc in particular in how the Jedi feel like they can't trust their own people not to betray them anymore after Dooku and Krell.

Krell is presented with like. Zero nuance. He is just unequivocally evil and despite Anakin greeting him in a friendly way at the beginning, the visuals tell you this dude's no good right from his first appearance. There isn't really any chance that he's going to be a good guy at all. So all we are left with are headcanons.

And I remember discussing my Krell headcanons somewhere, but I think it might've been on a Discord server I've since left, so I unfortunately cannot find them again. So I'll try to remember them and immortalize them here, I guess.

Here's the thing about Krell. NO ONE suspects him. So he cannot be overtly acting like a bigoted asshole from the jump at any point, he HAS to be acting in such a way that it's not trickling out to the other clones and to the Jedi themselves that Krell is an absolute monster. Even Fives takes a moment to decide that Krell is suspicious and only brings up Krell's casualty numbers after he sees Krell's behavior for a minute and combines that knowledge with what he's now personally experiencing and is starting to come to conclusions based on that. He doesn't go into the relationship thinking Krell is worse than any other Jedi already.

And based on what we know of EVERY OTHER FALLEN JEDI (Dooku, Anakin, Barriss), they didn't start out as monsters. Dooku was a highly respected Jedi Master who seems to have had a really positive relationship with Yoda and Qui-Gon and simply became disillusioned with the Senate and his care for the people of the galaxy got twisted into something darker over time. Barriss was kind, selfless, compassionate, brave, and resourceful, and it was the war that caused her to start letting her fears and pain consume her into turning on the Jedi. Anakin was kind and spent years having his fears and doubts twisted into selfishness and greed and darkness that allowed him to justify murder and genocide for power. So it wouldn't make sense to me that Pong Krell wouldn't fall into the same pattern where he was once kind and good and selfless and brave, but that the circumstances surrounding the war caused him to lose faith and fall.

My headcanon is that he lost an entire battalion early in the war, much like we see happen to Plo Koon during the Malevolence arc and that that loss and failure just BROKE him. Krell DID care about the clones, he cared about his men, and he FAILED them all. And I think that he saw all of these clones dying by the dozens in all of the other battalions and instead of choosing to let go of his pain and fear and lean into his compassion, he chose to distance himself from them entirely to make it hurt less. If he didn't care about the clones, if he just saw them as the cannon fodder that the Senate treated them all as, then it would hurt less when they died. Maybe the Senate itself even dragged him over the coals for that initial loss. Or perhaps it was the opposite, maybe most of his battalion was killed, but it ultimately ended in a victory anyway because they were forced to just keep going despite the consequences. And so Krell decides to enter this mindset where he is disillusioned with the Senate and just CANNOT allow himself to care about the clones, because it won't change what the Senate is going to do to them anyway, so he may as well just treat them the same way.

And this wouldn't have happened overnight. It wouldn't have been a sudden 180 where he decided he was just going to treat them like shit. But he maybe decided to put some more professional distance between himself and his new battalion, not get close to them, not use their names (although he still knows them, still remembers them all). Maybe one day they're in a tricky situation and all of his options are bad, he HAS to sacrifice some of his men in order to salvage the situation at all, and it's a choice between a full retreat that he KNOWS the Senate won't take well, or sacrificing the men to achieve the victory. So he sacrifices the men. It's not an entire battalion, it's not even a whole company, but it's more than it would've been if he'd retreated. Maybe next time, there's a choice between going back to save some of the men even if it poses a risk to his own life or the mission or something, and he chooses not to go back for them because the mission is more important, or he rationalizes that his life is more important as the Jedi General. And it's just more and more little decisions like that that add up over time to being able to see the clones as nothing more than tools.

The disillusionment with the Senate leads to him sort-of agreeing with things Dooku and the Separatists have said and he can look at the war and realize that it's entirely possible that the Republic is going to LOSE, and he CANNOT be the one who loses again, so maybe he starts bouncing around the concept of maybe switching sides. And of course initially he rejects the idea. He's a Jedi, he won't just abandon the Republic, he can't be a traitor, who in the Separatist side would ever trust him anyway. But once that seed is planted, it doesn't go away and it keeps coming back up and he keeps finding ways to rationalize why it might be a good idea and then deciding not to do it over and over again. Until one day, he can't convince himself that it's a bad idea or that it wouldn't work. He tells himself it's the ONLY option, if he doesn't change sides then he's dead. But Dooku WON'T trust him unless he can prove that he's not on the Republic's side, so he has to come up with a plan to gain their trust. And what better way to earn that trust than to ensure a Separatist victory in an important campaign by double-crossing the Republic.

And once he's chosen to go down that path, it's even EASIER to stop caring about the clones because, well, they're all dead anyway. The Republic is going to lose, the clones are all dead men walking no matter what, so why bother caring about them or trying to keep them alive? He can't lose so often that the Jedi or the Senate become suspicious of him, of course, but it's REALLY easy then to get to Umbara and treat the clones like crap and turn them against each other and intentionally try to get them all killed. They're dead anyway, he's not the one killing them really, is he, the Senate is, the Jedi are, the war is. They were dead from the moment they were created in that test tube because they were created for this specific purpose. It's not his fault.

And much like Barriss turns against the Jedi in part because she did LOVE the Jedi and was devastated by what she saw happening to them and the pain of seeing her people forced to become something they were never supposed to be, as much as her actions were intended as some kind of message to try to sort-of save the Jedi from a course of action she saw as their downfall, I think that Krell turns on the clones because at some point he DID care about them. A lot. And that care became his downfall, the pain at what was being done to them just absolutely gutted him and it threw him down a path that ultimately led him to turn against the very people whose deaths had hurt him so badly just a few short years ago.

Krell might not have been the most effusive or emotional person prior to the war or anything, he might've been a more reserved person similar to Mace or Dooku or Luminara, but I think he probably was a perfectly good Jedi who was kind and selfless and compassionate once upon a time.

And none of the headcanons above have even touched what his relationships with other JEDI must have been like. It's just as possible that he did have friends and people he considered family among the Jedi. Maybe he had a padawan once at some point. And maybe all of those people had died by the time we get to Umbara. Maybe he had to watch a lot of the people he was closest to just fall like flies, and so it starts feeling like nothing matters. Maybe one of the Jedi who died on Geonosis was a former padawan of his, but Krell himself obviously wasn't there and the pain of THAT loss and the guilt he feels at not having been there (even though this padawan had been knighted for a while and there was a good reason Krell wasn't there that day) just sticks with him, too, and he never quite manages to let that go, either.

I think a lot of people choose to just headcanon Krell as having just always been kind-of an asshole even when he was a Jedi, but that doesn't work for me. If Krell was always an asshole, I feel like the Jedi would've stepped in at some point before the war even HAPPENED and tried to manage that situation. And it doesn't match up with the way pretty much every other fallen Jedi has ever been written, where they were GOOD PEOPLE once upon a time who saw awful things happen that they couldn't stop or had an awful thing happen TO them that they couldn't stop and the pain of that experience consumes them to the point that they spiral into darkness as a result. Krell should be the same way, which means he likely was a perfectly good normal Jedi before the war. He would've been kind, he might've been good with younglings (he's tall, maybe he was the one the younglings went to all the time for piggy back rides, maybe he often taught dual wielding to padawans who asked because of how clearly proficient he is at it), he might've taught a student of his own successfully, he would've been wise and selfless and compassionate, he would've loved the Jedi and the people of the galaxy.

Like, to be frank, if Tales of the Jedi HAD to explore a fallen Jedi story, they should've explored Krell instead of Dooku. Dooku has been explored before, we know quite a lot about him and his motivations and his backstory, but Krell, as you noted, is left a mystery and is stuck in the realm of being just purely evil for the sake of the story they were telling in this one arc. Krell needed more nuance in a way Dooku just did not.

[stariekis]

baby (cat) a board !

🛋️ pairing : 엔하이픈 ot7 + gn!reader . genre : fluff . cw : none ~ pls let me know if i should add smt .

— synopsis : a new addition to the family sounds like an amazing plan so why not adopt a kitty !

— note : bit of a tmi but cats are my favorite animal in the world and i wanted to write something like this bcs enha + cats = everything to me ! so here it is ~ hope you enjoy ! all kinds of feedback and reposts are appreciated my loves <3

heseeung :

— 'what are you talking about what is that cat distribution system'. you came back home one day after work with a little creature hiding in your tote bag. you told heeseung that the cat actually chose you that's how the cat distribution system works and now you have to keep it there's no other option. he let out the biggest laugh ever, you looked so cute with the small ball of fur in your hands. he could say no so when you asked for the second time if you can keep him he just nodded his head.

jay :

at first he might be a little hesitant — 'Honey i don't think it is a good idea, we have very busy lives who is going to take care of him?'. he was right though, but you wanted to adopt one for the longest time so, as soon as he said that to you, you started pouting at him — 'No y/n don't do this to me please oh gosh'. using your secret weapon (that's how you call it) you end up convincing him, telling you to take your cost and hop in the car. even though he wasn't a big fan and kinda allergic too he spent most of his free time playing with the kitty.

jake :

the biggest animal lover i know. he didn't let you say a word, as soon as you entered the house with the kitty he took the small animal in his arms — 'i do not care what you have to say he is our kitty now' he said, running back to your living room and sitting down on the sofa, playing with his new bestest friend. — 'well that was easy'. you thought, looking at your boyfriend who was being bitten by the kitty.

sunghoon :

he wasn't really sure either and, even though he refused a bit at first, he ends up loving the cat more than you. most of the time you would get back home to the sign of your boyfriend sleeping on the couch, the small ball of fur laying on top of him. because of that you teased him a lot, telling him how much he hated that idea of having a pet and now he event cuddle with him — 'he is cute baby what am i supposed to do' he said, signaling at the small kitty laying on the couch.

sunoo :

— 'omg love this is the cutest cat i've ever seen'. you showed him a picture of a baby cat that was up for adoption. you've always wanted a new pet, him being out most of the time makes you feel a bit lonely so why not adopt one — 'yeah we can go and pick him up together if you want to'. on you're way to the shelter you discussed name ideas, decided on what to buy, etc. he ended up naming him so you can think of him every time you call your new pet's name.

jungwon :

we all know that our wonie is allergic to cat's fur but how can he say no to you ?. when you came home all excited with the little creature hiding in your arms, your eyes shining and the biggest smile ever plastered on your face he knew he couldn't say no — 'Fine yeah me can keep it baby'. he even took you to different pet shops to buy toys and everything for the new family member, seeing you so happy makes his heart pound. he has the biggest soft spot on you.

ni-ki :

he would be the one bringing him home this time. remember that -key episode where he played with some kittens ? well, at the end of the day he took one home. he didn't bother telling you if you wanted to keep it or not, he just brought the little kitty home with him — 'You don't understand we need to keep him please babe' he was practically begging you on his knees at this point, putting it straight into your face telling you how cute he is, making you hold it and everything. at the end of the day you accept keeping the small animal, he was pretty cute after all and your boyfriend seems like the happiest man alive.

[sonkitty]

The Food Curse

Here is my currently forming head canon based on little clues from the Good Omens story of seasons 1 and 2.

Crowley either does not eat food at all or Crowley is never allowed to be seen eating on camera.

There's more to it than that because he can eat indirectly, but that's the core thing I'm going to ramble on about in this post. It's going to sound like one of my theories, but that's force of habit from how I come up with questions and check my own theories.

I'll acknowledge that I've seen more than one Good Omens fan post about food being equal to sex in Good Omens and say that you're not going to find that kind of discussion here. It's my head canon, and I prefer my incoming approach to it.

I don't talk about my religious background much because it's personal, so you'll have to make do with me saying I have learned the following from reading Good Omens posts and not being well-versed in biblical references already. I don't remember if any sources I read this information from expressed a similar theory or head canon though you would think that's where I got the idea.

I'm under the impression the GO universe favors the New King James Version of the Bible, and according to a quick Google search, that one says of God addressing the serpent who tempted Eve:

Because you have done this, You are cursed more than all cattle, And more than every beast of the field; On your belly you shall go, And you shall eat dust All the days of your life.

...

An interpretation of this curse is that it means the Serpent of Eden cannot eat food, or, if he does, it will turn to dust.

Let's examine the clues provided by the story, for fun and/or curiosity.

In season 2, episode 1, during Before the Beginning, we see Crowley's wings are graying, indicating to us that his Fall was a process. It was not an instant thing. It started with this questioning and frustration at learning the fate of the universe ending in a mere 6,000 years.

In season 1, episode 5, Crowley is found getting drunk and talking about his Fall. One of his remarks is, "Oh, hey, the food hadn't been that good lately."

These described events would be from before the temptation that caused this curse, but I noticed them all the same because I'm looking for such things.

We catch glimpses of other supernatural beings describing events before the Fall, but I don't think any of them ever mention food for that time period.

From the scenes we have of Eden in the first two seasons, the story skips over God saying such a curse exists to the serpent. We see Crawley slithering on his belly and then able to rise, transforming into a man-shaped demon with black-feathered wings. He's not eating dust.

Well, even though we never see God curse the Serpent of Eden, the story leaves clues that something resembling this curse is active with Crowley. You know, in case you want to form a head canon about it.

In 2500 BC, Crowley successfully tempts Aziraphale into eating food, and he looks very pleased with himself at his success.

My head canon at this point goes that Crowley himself is feeding off the success of his temptation. Crowley feeds off Aziraphale when Aziraphale eats. This feeding does not last for only this one session. It can and does happen from that point onward. Crowley feeds off Aziraphale this way at least when the two are near each other by some unknown distance.

In Rome, 8 years after 33 AD, Crowley says he's never eaten an oyster. Aziraphale quickly goes into saying something about letting him tempt Crowley into...oh wait, that's Crowley's job. Crowley was successful at this job with Eve and later Aziraphale, for getting each of them to eat something while he himself did not visibly eat anything.

In 1601, Crowley shows up while Aziraphale is ordering food at the Globe Theater. The two have a conversation, and Crowley, as usual, expresses no interest in eating the food himself. He can still be feeding off Aziraphale eating.

On and on it goes. In season 1, episode 1, Crowley and Aziraphale reference Paris, 1793. Aziraphale says, "We had crepes." Well, if Aziraphale ate the crepes, and Crowley fed off Aziraphale eating the crepes, that's a way they had crepes. Aziraphale doesn't feel the need to rephrase it in that way. It's a thing they did together nonetheless.

Crowley plans a heist in 1967 at the Dirty Donkey. No one is having food at that meeting. The other three with him are all humans.

When Crowley meets up with Hastur and Ligur at the graveyard for the "11 years ago" of season 1, episode 1, Crowley departs, saying, "Ciao." Ligur asks what that means, and Hastur answers, "food." No one ate food of course, but since we're looking at Crowley with a possible food curse, it's a curious thing to be there, just like him mentioning "food" when drunkenly talking about his Fall.

When Crowley convinces Aziraphale to go with him to the Ritz for the "11 years ago" time period, Crowley does not have a plate of food. He has a cup with a spoon a saucer, presumably for a drink. He strokes his chin to show him enjoying himself, feeding off Aziraphale eating.

In season 1, episode 2, Crowley and Aziraphale go to a cafe. Crowley is not shown to be enjoying himself feeding off Aziraphale eating, but Crowley's side of the table definitely lacks a plate while having a cup. That indicates he's fine with drinking something, not bothering with eating something, just like when they went to the Ritz 11 years ago.

In season 1, episode 3, Crowley meets up with Shadwell at a diner. Crowley has no drink and no food while they meet. Neither does Shadwell.

In season 1, episode 4, Crowley is found mostly alone in a theater with a container of popcorn. We never see him eat the popcorn, but we at least know he was holding it, and Aziraphale is not around. That could be for show since he considers it part of the human experience being in a theater. I could just be wrong, it's just a head canon after all. He may have done it anyway and just eaten the dust that formed once it went into his mouth. Or, maybe he can eat, but the silly rules of the Good Omens story are that he's never allowed to be seen eating on camera due to his food curse.

In season 1, episode 6, Aziraphale, while pretending to be Crowley, orders them some ice cream and passes one to Crowley, while Crowley is pretending to be Aziraphale. We don't see what became of Crowley's ice cream, but it disappears from the framing very quickly once the camera moves away from him, then back to him. During the actual kidnapping, his mouth is even taped shut. Much like the popcorn in the theater, the ice cream could have been for show. He may have endured eating the dust. He may have devoured it very quickly when the camera wasn't looking.

Later in the same episode, at the Ritz, the table has plenty of food though actually both Crowley's and Aziraphale's main plates where you would expect food to be are empty.

Whatever happened to that plate of Eccles cakes in season 2, episode 1? I don't know. We may never know, but this head canon offers something.

Aziraphale is implied to have ordered those Eccles cakes for Crowley in the hope that they will calm Crowley down with the news about Gabriel being in the bookshop. We know that those Eccles cakes are shown untouched and uneaten before Crowley stormed out.

Crowley is shown to angrily walk away in the street after shooting out lightning that traps Maggie and Nina in the coffee shop. Then a scene in Heaven happens. By the time we get back to Earth, Crowley has calmed down. He's still upset, he's tired, but he's calmed down. So, maybe, very very big maybe, Aziraphale ate those Eccles cakes, Crowley fed off it or felt it, and calmed down. Even if that's true, that suggests some allowable distance with thresholds between them for this magic to work.

Obviously, things happen to get Crowley worked up again with being summoned to Hell, but he had calmed down. When Crowley returns to the bookshop, the plate of Eccles cakes is no longer there.

Over the course of season 2, we don't see Aziraphale eating as much as what we saw in season 1. To my recollection, he only visibly eats one time during the present day storyline, and it's a travel sweet while driving Crowley's car. We learn that Crowley can feel his car despite the distance between them. He can feel quite specifically that Aziraphale eats during that drive and even what Aziraphale is eating. My head canon figures that's part of Crowley's demonic power able to feed off Aziraphale when Aziraphale eats.

In season 2, episode 5, Aziraphale passes a platter to Crowley saying, "Have a vol-au-vent." Crowley is left speechless and eventually drops the platter in annoyance, never shown to have eaten any of the food on it.

Aziraphale sometimes seems aware of this curse and sometimes doesn't. That would be part of the curse's own magic. The more caught up Aziraphale is in what he is wanting or doing, the less aware he is of the curse itself being there.

Another thing about this curse is that if Crowley touches food or the container holding the food, it's usually a bad omen for him. When he has the popcorn in hand, Hastur shows up on the screen to threaten him. When he's holding the ice cream, he is kidnapped. With the plate of Eccles cakes, he is confronted with Gabriel being n the bookshop. For the vol-au-vent platter, that one's a little different since a threat is already known with him on alert, and it takes a longer amount of time for something as dramatic as the brick through the window.

So, with all these little clues that Crowley can feed off Aziraphale eating food, the next question for a silly fangirl like myself is, "What does that mean for all of humanity?"

Crowley tempted Eve into eating the apple. Did he feed off that? Does he feed off humans whenever they eat anything or just apples or just giving into temptation?

Well, the story doesn't say so much as it leaves room for something to be imagined. If Crowley is on screen, humans might be seen drinking and they might have food near them, but I am yet to find any scene of them putting actual food into their mouths to confirm that they can and will clearly eat when the camera is watching as Crowley is on screen with them.

So, what do I imagine?

Well, my instinct is that Crowley himself would flicker in visibility if the camera were watching since we're not allowed to ever see it.

That's just my instinct.

From there, I just go with what I like of fantasizing him as a powerful demon. He feels it. It affects him. And yes, he feeds off it. We're not allowed to see it happen, but he does. He is a very well fed demon.

...

Oh, and another little oddity with this idea is that during the big food fight for Warlock's birthday, party, the food definitely does not land on Crowley, even if it gets on the kids, on Aziraphale, and some of the other wait staff. That could be Crowley's own magic in guarding himself, just not wanting to get messy, as some other explanation, if I wanted to venture that way with this head canon. I'll stick to it being part of this food curse since it's part of the broader group of little clues.

...

I have a generally good memory of events in the show by now, but things still slip between trying to remember it all. So, if I remember something worth adding or noting or correcting, I will do whatever seems best for those options.

[jetii]

Event Horizon

Chapter Fifteen: Memory

Chapter WC: 8,365

A/N: I hope you enjoyed the fluff from the last chapter because....

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Coruscant, 21 BBY

Meet me in the Archives. I think I've found something that could be of interest to you.

You read the message from Obi-Wan for the fourth time, your brow furrowing as you study the words. It's short and vague and frustratingly unspecific. t's not like Obi-Wan to be so cryptic, and you can't help but wonder why he's keeping this particular discovery a secret.

You lean back against the wall behind you and glance around the hallway, searching for any sign of the man in question. There's no one here, the halls empty and quiet. You've been waiting for almost twenty minutes now. 

Obi-Wan isn't usually late. In fact, he's often the first one to arrive at meetings, and the only one who consistently comes on time. But today, he's nowhere to be seen. You frown, turning back to the screen in your hand and rereading the message once more. It doesn't make any sense.

Something that could be of interest to you.

You can't help but roll your eyes. Obi-Wan can be so dramatic sometimes. You're half tempted to go looking for him. Maybe he's gotten lost in the Temple somewhere, or maybe he's decided to take the scenic route, and you've been standing around like an idiot waiting for him to show up.

It's been a long week, and your patience is wearing thin. The Council has been pushing hard, sending you all over Coruscant on assignment after assignment. It's been a struggle to find time for anything else, let alone the mystery that Obi-Wan has been keeping under wraps.

Your jaw clenches at the thought, and you sigh heavily. You're tired and cranky and frustrated, and the last thing you want to do right now is wait around for Obi-Wan Kenobi. 

The two of you haven't spoken much lately, not since the battle on Saleucami. Things have been...strained between the two of you, and it's left a tension in the air that neither of you are willing to address. 

You don't blame him for it, but you can't help but wonder why he chose now of all times to contact you. To ask to meet with you. It seems strange, considering the circumstances, and the last thing you want is to put yourself in a position where things become even more complicated than they already are.

It's not that you're avoiding him, per se, but...well, maybe you are. Maybe you have been. A little. You're just not ready to deal with this. With him. Not yet. Maybe not ever.

You don't know what's going to happen between the two of you, or if there will be a resolution, or if things will simply remain as they are. For now, you're content with letting the situation play out, and seeing how it unfolds. It's better than making any rash decisions.

And besides, it's not like Obi-Wan wants to talk about it, either. He's been just as distant and guarded as you have. There's no indication that he's thinking about what happened, or what might have happened, or where the two of you might end up. If anything, it seems as though he's just trying to pretend it didn't happen. Or, at least, ignore it. 

Which makes sense, really. That's what the two of you have been doing for the past ten years, after all. Pretending that nothing's going on between the two of you. Avoiding any sort of confrontation or discussion.

But, things have changed.

The war has changed.

You've changed.

The both of you have.

You're no longer the naive, idealistic younglings that you were when the two of you started this...whatever this is between you, and the reality of the galaxy has come crashing down around you. It's not the same anymore. The innocence is gone, and the illusion of peace is shattered, and everything has become infinitely more complicated.

Maybe it's time for the two of you to acknowledge that.

To confront what's going on between the two of you, and what could happen, and whether or not either of you want it to. Maybe it's time to put an end to the secrecy, and the dancing around the topic, and the pretending that things aren't the way they are. 

Maybe it's time to accept that the two of you are never going to be more than friends.

The thought fills you with a strange sense of relief. 

It would be a weight off your shoulders, and the constant worrying about what might happen would be gone. There would be no more wondering if things would change, or what could happen. It would be over, and the two of you would go back to the way things were. You would just have to figure out how.

A familiar presence fills the space around you, and your eyes snap open to see Obi-Wan striding toward you. He's dressed in his robes, his cloak billowing behind him, and his hair is messy, his face flushed. You can tell by the way his shoulders are tensed that he's upset, and you have a pretty good guess as to why.

"You're late," you call out, a small smirk pulling at the corners of your mouth as he draws closer.

"Yes," he replies curtly. His brows are drawn together, his lips pressed into a tight line, and his expression is hard. "My apologies."

Obi-Wan doesn't stop walking until he's standing directly in front of you. He stops a few inches from you, close enough for you to see the creases in his brow, the faint shadows under his eyes, and the worry lines on his forehead. He looks like he hasn't slept in days.

"Everything okay?" you ask cautiously.

"Of course," Obi-Wan sighs, though his expression betrays him. "What makes you think otherwise?"

"Because you look like shit, and I can feel your unease from a mile away," you deadpan. He glares at you, and you raise a brow. "Seriously, what's going on?"

"Nothing important," he grumbles, looking away. He turns his head and glances at the doors leading to the Archives, his brows drawing together. "Just a disagreement with the Council."

"About what?" you ask, frowning.

"Nothing," he replies firmly, his tone final.

"Really," you mutter. "Because it's never nothing with the Council."

He looks back at you, his gaze boring into yours, and he shakes his head. "It's not important."

"Okay," you agree slowly.

You stare at each other for several moments, neither of you willing to break eye contact first. He seems determined to avoid talking about whatever is bothering him, and you're not about to force him. Especially not in the middle of the hallway.

"Alright, fine," you relent, dropping your gaze. You turn away from him and start walking back down the hall. "Whatever. If you don't want to tell me, I'm not going to push it. But if you're going to drag me here and then act like this, I'm not sticking around."

"Wait," Obi-Wan calls out, catching up to you. He grabs your arm and turns you around, and his grip is surprisingly gentle. "Please, don't go. Just..."

"What?"

"I didn't ask you here to argue," he says softly, releasing his hold on you. His eyes drop, and he runs a hand through his hair, his voice weary. "And I apologize if I gave that impression. I didn't mean to upset you."

"Apology accepted," you reply, and you give him a small smile. He returns the gesture, and his shoulders sag. "So, what did you want to talk about?"

"There's something I need to show you."

"What is it?"

Obi-Wan pauses, and his gaze drops, his voice hesitant. "It's...difficult to explain. It's better you see it for yourself."

"Okay," you say slowly, raising an eyebrow. You're not sure what to expect, but you're intrigued, and the tension has melted away from his posture. "Show me."

"Come on," he says. He turns and begins walking towards the door again, motioning for you to follow. "Let's go."

The two of you make your way through the Archives, winding your way through the maze of shelves and stacks. You can hear voices drifting through the aisles. People talking, laughing, mumbling under their breath as they browse through the rows upon rows of data pads, scrolls, and other ancient artifacts. It's always crowded in here, especially during the afternoon, but it's not as busy as usual today.

You follow Obi-Wan, keeping pace with his long strides. He doesn't look back, and you don't ask him any questions. You just let him lead the way, content to simply watch his back.

You can sense the tension in his posture, the stiffness in his stride. Through the bond, you can feel his frustration, his anger, his fear. His emotions are raw, unrestrained, and they hit you hard, like a wave crashing into a cliffside, threatening to break through the surface. He's trying to control them, but he's struggling.

You can't imagine what's causing it. He's been through worse, fought harder battles. But this is different. It feels more personal, somehow. Like there's something weighing on his mind, something he's not sharing with you.

"We're almost there," Obi-Wan murmurs, glancing back over his shoulder at you.

"Almost where?" you ask curiously.

"The Vault," he replies. He stops in front of a set of massive stone doors, and he turns to face you, his expression serious. "Don't touch anything."

"I won't," you assure him, holding your hands up in mock surrender. He stares at you, his eyes narrowed, and you raise a brow. "I'm serious. I won't. You know me."

He nods, satisfied, and reaches out, his palm resting on the stone surface. He closes his eyes, and a second later, the doors begin to slide open, revealing the dark interior of the Vault beyond. You stare, wide-eyed, as the entrance yawns open. The room is enormous, at least three times larger than the Council chambers, and the walls are lined with shelves upon shelves of glowing holocrons.

The sight takes your breath away. You've never been inside this vault before, restricted to only the twelve members of the Council, but you've heard stories. More than once you've tried to convince Obi-Wan to tell you about its contents, but he's always refused. And now here he is, opening the door and inviting you in.

"This is incredible," you gasp. You feel giddy, like a child on Life Day. You can't keep the excitement out of your voice as you turn to him. "I can't believe you're letting me do this."

"I can't let you touch them," he cautions, his tone low. "But, I can let you see."

"Oh, I understand," you reply quickly, nodding eagerly. You glance at him, and the serious expression on his face gives way to a small, amused, smile. "I won't touch anything. I promise."

He chuckles and steps aside, allowing you access. You hesitate, not quite believing this is happening, and then, with a deep breath, you step forward, the doors closing behind you.

Your eyes dart around the room as you walk, taking in every detail. The energy radiating from the collection of knowledge is intoxicating, and you find yourself drawn in. You can't resist the urge to reach out and touch a holocron sitting on a nearby shelf.

"Don't," Obi-Wan warns sternly.

You yank your hand back and turn to him, your eyes wide, your cheeks flushed with embarrassment. "Sorry."

"It's alright," he sighs. He runs a hand over the back of his neck, and his lips curl into a small, weary smile. "I know you're curious."

"Always," you agree. You glance around the room, taking it all in, your gaze wandering across the various shelves and displays. It's fascinating, the sheer amount of knowledge that has been stored here, and you're overwhelmed. You could stay here for a hundred years and still not uncover all there is to know, and you suddenly find yourself jealous of the Masters who have access to this place, the endless hours spent researching, learning, studying. It's a shame the war has cut their time short.

"This is incredible," you say to yourself, your voice barely above a whisper.

"I'm glad you think so," Obi-Wan says softly.

His voice pulls you back, and you turn to him. He's watching you closely, his expression guarded, his arms crossed over his chest. You can feel his trepidation, his uncertainty, his concern, and you wonder if he regrets his decision.

"If it's too much, I can leave," you offer, feeling a pang of guilt. "I don't want to make things harder for you."

"No," he interrupts as he holds up a hand. He shakes his head, and his shoulders relax slightly. "Stay."

"Okay," you agree, giving him a reassuring smile. You cross the room and stand in front of him, reaching out and gently placing a hand on his shoulder. "Thank you."

"Of course," he replies, and there's a warmth to his voice, a hint of the old Obi-Wan beneath the tension. He takes a step closer and lifts his gaze to meet yours, his eyes soft. "Now, if you'll follow me."

You nod, and he motions for you to follow him, leading the way deeper into the Vault. He guides you through the aisles, and you can't help but marvel at the sheer size of the place. There are hundreds, maybe even thousands, of holocrons in here, all arranged neatly, the energy buzzing in the air. You can feel it pulsing through the walls, seeping into your skin. You have to force yourself to hurry after his quick steps.

"I've been working on something," he tells you, his gaze fixed ahead of him. "After our talk, I decided to do some research."

"Research?" you echo, frowning, and then your eyes widen. "You mean about Yaddle?"

"Yes." Obi-Wan stops and looks at you. "And I think I may have found something."

Your jaw drops. He's done what?

"Seriously?" you ask incredulously. You blink rapidly, trying to process the information. Blood is pounding in your ears, and your palms are starting to sweat. "What did you find?"

"It's complicated," he says, turning and walking deeper into the room. "But it's a start."

"A start to what?" you demand. You grab his arm and spin him around, your eyes searching his face. "What are you talking about?"

"I was reviewing some older files when I came across her logs," he explains. "There was an entry dated the week before she went missing."

You draw in a sharp breath, and your stomach flips, your mind racing.  Yaddle had a habit of recording her thoughts. She did it to help her remember things, and it was her way of making sure she wasn't missing anything important. It was a habit she'd tried, and failed, to instill in you, though she'd made a valiant effort.

You'd scoured her quarters for her logs and any other clues the day you returned to Coruscant after her death, knowing how important the device would be to you. Despite nearly tearing apart her quarters, you'd found nothing, and you'd assumed it had perished along with her, lost forever. But now, according to Obi-Wan, he'd managed to recover the very thing you'd been searching for.

"Where is it?" you ask quickly. Your grip tightens on his arm, and your eyes widen. "Is it here?"

"It is," he says, nodding. "I haven't listened to it yet. I thought you might want to do that first."

You stare at him, speechless, and you feel tears pricking the corners of your eyes. A lump forms in your throat, and a warm, overwhelming, wave of gratitude rushes through you. Obi-Wan's expression remains stoic, but his eyes are warm and sympathetic, and he gives you a small, encouraging, smile.

"Obi-Wan," you choke out, and then you launch yourself at him, wrapping your arms around his waist and hugging him tightly. "Thank you. Thank you so much."

He stiffens in surprise, but after a moment, he relaxes and wraps his arms around your shoulders, his grip loose and gentle. He sighs, and you can feel his breath tickling your neck.

"You're welcome," he murmurs, his voice low.

"I don't know how I can ever repay you for this," you whisper, pulling back and looking up at him. Your gaze locks onto his, and his eyes search yours, his brows furrowing.

"You don't have to," he assures you. He takes a step back and clears his throat, his voice returning to its normal timbre. "Just...listen to it, and tell me what you think."

"Okay," you agree, swallowing hard. You nod, and he motions for you to follow him across the room to a large, metal case. You watch as he places his palm against the side of it, and it clicks open, the lid swinging upwards. He reaches inside and pulls out a small, metallic disc and offers it to you.

You recognize the device immediately. It's an audio recorder, the kind Yaddle loved to use, and seeing it makes your chest ache. You reach out, taking the object gingerly in your hands. The metal is cool, smooth, and familiar, and the sight of it brings back memories of the last time you held one.

"She gave me one just like this," you say softly.

"Really?" Obi-Wan asks.

"Yeah," you confirm. You turn it over, running your fingers along the surface. "She said she wanted me to keep it so I could practice recording my thoughts."

"You still have it?"

"I think so," you tell him, and you smile sheepishly and shrug. "I'm sure it's buried somewhere in my quarters. Never used it once."

He laughs, and you turn to him. "That doesn't surprise me."

"Thanks," you grumble, rolling your eyes. You hold the device out to him. "Can you play it?"

"Yes," he confirms, reaching out and taking the recorder. He turns it over, inspecting it closely. "Though, I'm not sure how loud the volume will be. We'll have to get close."

"That's fine," you reply, moving closer. You stand beside him, leaning in until your shoulder brushes against his, and look at him. "Let's do it."

He nods, and a moment later, the air fills with the sound of static. It crackles loudly, and the two of you lean closer, straining to hear. There's a burst of white noise, and then silence. For several seconds, nothing happens. The only thing you can hear is the sound of your breathing, the beating of your heart.

"Come on," Obi-Wan mutters, and then the static stops. A bright blue light flares to life, and the image of Yaddle appears, hovering in the air between you.

She's sitting in a chair, her hands resting on the armrests, her legs crossed. It's been so long since you've seen her, your heart aches, and you can't stop the tears from forming.

"Begin log," she says, her voice smooth and clear. Her eyes are closed, her expression serene, but there's a tightness around her mouth, a crease in her brow. You know that look well. She was upset, agitated. Worried.

You can feel Obi-Wan's eyes on you as Yaddle speaks, her soft and steady voice reciting the date and location of the recording before she launches into her message.

"I've been thinking about the future a lot lately," she begins, her eyes still closed, her tone contemplative. "About my life. About my purpose. I've lived a long time. Longer than most."

The image flickers, and her lips press together.

"I've seen many things. Seen them through the eyes of others. Learned what they've learned, experienced what they've experienced. But now, I find myself wondering if it was worth it," she continues. Her voice grows quiet, and her eyelids flutter open, her gaze drifting across the room. "These are troubled times. I can feel the darkness growing stronger, threatening to overtake everything I've worked so hard for."

You frown, exchanging a concerned look with Obi-Wan. 

Yaddle had sensed the Dark Side before the Republic had even known of its existence, before the Clone Wars had begun. She'd warned the Council of its presence, of its intentions, and no one had believed her. You'd seen the disappointment and frustration on her face when they'd dismissed her words.

It had hurt her deeply, and you'd hated it, but she'd brushed aside your anger, insisting it wasn't important. That they would learn the truth eventually. You suppose she was right about that.

"The Jedi Order is strong, but it's not strong enough," Yaddle continues. "I fear the end is near. And it is up to us to decide whether we fight against it or embrace it."

Her eyes fall to her lap, and her shoulders slump. She looks exhausted, defeated. You've never seen her like this before. She's always been confident, steadfast. Unshakable. Now, she seems so small. Fragile.

“Today, Master Qui-Gon Jinn appeared before the High Council. He spoke of an encounter with a Sith lord." Her voice lowers and her face contorts into a scowl. "He claimed that this…being was trained in the Jedi arts, and that he possessed a great power, a power which could only be wielded by one who knew the true nature of the Force." 

She pauses, her eyes drifting towards the ceiling, her lips pressing into a thin line, her brow creasing as she continues, "The Council believes this to be a falsehood. They have dismissed the idea outright, claiming that the Sith have been extinct for millennia, but there is no denying that something has changed. Something dark has come over our galaxy."

Yaddle lets out a long breath and her shoulders slump, her body sinking into the chair as she returns her attention to the camera. "I spoke with Dooku today. He expressed his frustrations with the Council and their reluctance to consider the possibility that this Sith Lord is real and that he is a threat to us all. It is nothing I haven’t heard from him before. We've had this conversation many times over the years. But today, it was different. Today, I felt the conviction of his words. The depth of his belief."

The mention of Dooku catches your attention, and your eyes widen. Your hands clench into fists at your sides as you find yourself leaning closer to the hologram, hanging on her every word.

"Dooku has a point. He always does. If there is even a chance that the Sith are alive and well, we have to take action. But the Council is not listening. They won't even consider the possibility."

Her voice is rising, anger entering her tone, and you feel the same frustration bubbling up within yourself. You know exactly where this is going, and you have to bite back a growl as her expression darkens. 

"They're too busy worrying about their own affairs, about maintaining their positions of power, their influence over the Senate, the courts, and the public. They've forgotten their oaths, forgotten their duty."

You can feel her eyes on you now, and you shift uncomfortably, feeling exposed. She's looking right at you, her eyes piercing through the years and across time and space. 

"And they've forgotten the people they serve. We've become a broken institution, corrupt and ineffective. I can no longer abide by the Order. The time has come for me to leave. To do what I must."

You close your eyes and exhale a long breath, her words washing over you, sinking in. It's not a surprise. You'd expected it, and yet, it still hurts. There's no bitterness or anger. Only sadness.

"I'm not sure when, or if, I will return. I have much to reflect on, but one thing is clear: I can no longer stand idly by and watch this tragedy unfold," she continues, and she straightens in her seat, her expression softening. You can sense the warmth in her gaze, the pride and love she feels for you.

"As for my Padawan, I hope she will forgive me for leaving her behind. She's young and impulsive, but she has a good heart. I trust that she will find her way, no matter what path she chooses. She has always been capable of so much more than anyone gives her credit for. I can only hope that she will remain true to herself, and that her journey will bring her peace."

Her eyes shift from the camera, and she smiles faintly. You can almost see her now, the memory of her vivid and clear in your mind. Her small, wrinkled face. Her soft, kind voice.

"May the Force be with you," she whispers, and the image dies in the dark.

The room falls silent, the sound of your breathing loud in the emptiness. You stand frozen, staring at the space where Yaddle had just been. You're trembling, tears streaming down your cheeks, and you're not sure if you're going to laugh or cry.

It's not fair. It's not fair.

You know that, but the anger, the sadness, the guilt is still there, and it hurts. The weight of it is crushing.

"I'm sorry," Obi-Wan offers softly, his voice far away.

You shake your head, unable to speak, and the room spins around you, your vision blurring. You pull away from him, staggering backwards and clutching your chest.

"I need to go," you choke out. You turn and walk towards the door, ignoring his calls.

You're barely aware of him following you. You're barely aware of anything except the ache in your heart, the pain that threatens to tear you apart. It's too much. Too much.

You run out of the Vault, pushing past a group of younglings, muttering an apology. You make your way through the hallways, ignoring the looks from the other Jedi, the confused and worried stares. You just need to get out. Away from the Temple, away from Obi-Wan, away from everyone.

You push the front doors open, stumbling out into the cold air, the chill biting at your skin. It doesn't stop you. You race across the courtyard, towards the entrance of the Temple. You have to get away.

But the further you run, the more the memories flood back. Her smile, her laugh, the way she would tease you. She'd always been so gentle, so patient, so understanding. The only one who had never lost faith in you.

And now, she's gone. And it's all because of him. Because of Dooku.

You stop in your tracks, breathing hard, tears streaming down your cheeks. You're furious, and you want to scream. You want to rage and throw a tantrum and curse the world for taking her away. The dark, cold rage builds inside you, filling every inch of your being, and you grit your teeth, clenching your hands into fists.

You feel Obi-Wan approaching before you see him, and you turn to face him, your eyes blazing, your hands shaking.

"No," you snap. "We're not doing this. I'm not doing this."

You start walking again, heading for the edge of the courtyard. You can feel the eyes of the temple guards and the other Jedi on you, and it only makes you angrier. How dare they look at you like that. They have no idea what it's like to lose someone like this. To have your entire world torn apart.

"Where are you going?" Obi-Wan asks, his voice strained, his concern radiating through the bond. "Slow down."

"Go away," you mutter.

"I'm not leaving," he insists, quickening his pace to keep up with you. He's trying to stay calm, but his voice is tense, worried. "Let me help you."

"Leave me alone!" you shout, spinning around and glaring at him.

Obi-Wan freezes, his eyes widening, and you feel a pang of guilt, but it doesn't last long. You can't think straight. Your emotions are overwhelming, drowning out everything else. You're angry. Sad. Scared. Confused. And you have no idea what to do with all these feelings. They're tearing you apart, ripping you to pieces.

You've always known, deep down, that this was how it was going to end. That you were going to lose her. It had always been inevitable. But knowing doesn't make it hurt any less.

You take a deep breath and close your eyes, focusing on the Force. You try to reach out and connect with it, but the energy is faint, distant, and it slips through your grasp.

"Just go," you plead, your voice cracking.

"No," he says, and he takes a step closer, his eyes locked onto yours. "Not until we talk."

"I don't want to talk," you say through gritted teeth.

"I know," he replies gently. "But, you have to."

You shake your head and turn away, refusing to meet his gaze. Your whole body is shaking, and you're fighting the urge to lash out, to break something, to scream until your throat is raw.

"Talk to me," Obi-Wan coaxes, reaching out and placing a hand on your shoulder. You stiffen, the contact making you flinch.

"Fine," you snap, pulling away from him. You spin on your heel and march away from him, heading for the gates. "You wanna talk? Let's talk."

He sighs, and you hear him running after you. You keep walking, your feet pounding against the cobblestones. You're not sure where you're going, but the idea of standing in the shadow of the Temple is more than you can bear.

You pass through the gates and head down the street, ignoring the curious glances from passersby. You're not in the mood for them. All you can focus on is putting one foot in front of the other, trying to stay calm.

"What's going on?" Obi-Wan asks as he falls into step beside you.

"I don't know," you admit. You stop and turn to him, your chest heaving, your fists clenched. "I don't understand."

"It's okay," he assures you. His voice is low and soothing, and you feel the tension in your shoulders relax a little. "Just breathe."

"I'm breathing," you huff, glaring at him.

"No, you're not," he retorts. He puts his hands on your arms and you bat them away, but he ignores you, gripping you firmly and holding you in place. "Take a deep breath. In through the nose, out through the mouth."

"Stop telling me what to do," you grumble, trying to pull free, but his hold is strong, his grip unrelenting.

"Then stop fighting me," he shoots back. He sighs, his tone softening. "Please, just breathe. That's all I'm asking."

You hesitate, then comply, inhaling slowly, the cold air burning your lungs. You let out the breath, and then another. He nods approvingly.

"Better?"

"Not really," you mutter.

"Come on," Obi-Wan says, gesturing towards a nearby bench. "Sit down."

You glare at him, but do as he says. He sits next to you, and the two of you fall into a heavy silence.

You're still fuming. Anger is coursing through your veins, making your pulse race, your muscles tense. Your leg bounces uncontrollably as you stare at the ground, trying to process what's happening.

You've had a lot of emotions since Yaddle's death. Pain, grief, guilt, regret, shame. But the anger has always been the most persistent, the hardest to let go of. It's the only thing that's kept you going, kept you fighting. It's the only thing that's made you strong.

You need it. Without it, you'd have given up long ago. Without it, you'd have fallen apart.

But now, in this moment, sitting next to Obi-Wan, surrounded by the beauty of the Temple, the serenity of the gardens, the anger is fading, leaving you empty, hollow. 

It's terrifying.

"How am I supposed to deal with this?" you ask him quietly, turning your head to look at him.

"What?" he asks, his eyes darting towards you.

"This," you clarify, gesturing between the two of you. "How do I deal with it? How do I move on? How do I keep going?"

"You're asking the wrong person," he tells you, and he looks away, staring off into the distance. "I haven't figured it out yet."

You huff a bitter laugh. "Some comfort you are."

"Sorry," he says, glancing at you. He smiles wryly. "I'm trying."

"Well, try harder," you grumble, and he chuckles, nodding.

The two of you fall silent again, and the sounds of the city wash over you. There are people shouting, laughing, talking. Vehicles whizzing past, horns blaring. The sun is starting to set, and the air is growing colder, a chill wind blowing through the streets. You shiver, wrapping your arms around yourself.

It's peaceful. And it's strange.

The two of you have rarely spoken about her, or the loss. You've never really shared this moment together, never had the opportunity. The wound left from his initial dismissal of your suspicion was deep, and though he's apologized and you've forgiven him, since then, it's always felt like an unspoken rule between the two of you to avoid the topic altogether.

But, now, sitting here, in the quiet, it's all you can think about. The anger, the sadness, the regret. It's all too much, and you don't know what to do.

"Can I ask you a question?" Obi-Wan murmurs, looking over at you.

"I suppose," you sigh as you lean back against the bench, looking at him warily.

He turns and looks at you, his eyes meeting yours, his brow furrowing slightly. "What do you want?"

"What do you mean?"

"You know exactly what I mean," he says, his gaze narrowing. "You said it yourself. You can't go on like this. So, what do you want? What do you need?"

"I..."

You trail off, unsure of what to say. It's not a question you've ever had to answer before. It's not something that's ever mattered.

"I don't know," you admit.

"Think about it," he suggests, his tone gentle.

You look away, staring at the ground, your jaw clenching. You've spent so much time trying not to think about these things. Trying not to think about what you want, or what you need, or how you feel. It's easier that way. Safer.

But the truth is, it doesn't make you feel any better.

The truth is, the only time you actually felt better was when you told Rex the truth. When you told him everything about what happened after Yaddle's death and the reason why. When you opened yourself up to him, allowed yourself to be vulnerable. To feel.

And it helped. More than you could have imagined.

What does it mean, then? What does it mean that the only time you've actually felt better was when you weren't trying to suppress your emotions? When you were allowing yourself to experience them, to feel them?

What does it mean that the only time you've felt happy was when you were with him? When the two of you were alone, exploring the city, enjoying each other's company, forgetting about the war and the galaxy and everything else that comes with being a Jedi.

When the two of you were together, you didn't have to worry about the future. You didn't have to think about the past. You didn't have to pretend to be something you weren't. You didn't have to pretend to be anyone or anything other than yourself.

And it was the most liberating thing you'd ever experienced.

Maybe that's what you need.

Maybe that's what you want.

To feel. To be yourself. To stop pretending.

You sigh and close your eyes, taking a deep breath. The sun has set now, and the courtyard is quiet. A few birds are chirping in the trees, and the air is crisp and cool.

It's beautiful. Peaceful. And it reminds you of the day Yaddle died.

That night, the air had been cold and clear. The moon had been bright and full. You'd stood on the balcony outside your room on Naboo, staring at the stars. You'd felt the same way then. Alone. Confused. Lost.

Now, here you are again, feeling the same way. But this time, it's not the loss of Yaddle that's causing it. It's the realization that you want something. Something you can't have. Something you've never allowed yourself to even consider.

Obi-Wan shifts next to you, his expression guarded. He's waiting for an answer. An answer you're not ready to give. Not yet.

"I've never had a choice," you say instead.

It's the first time you've said it out loud. The first time you've admitted it to yourself. And it's not a lie.

The life of a Jedi is one of service. Of sacrifice. Of duty.

You've never had a choice. Never had the luxury of deciding who you want to be or what you want to do. You've always been forced to choose between the Order and yourself. Between the Jedi and your own desires.

And that's a burden no one should have to carry.

You open your eyes to find him staring back at you, his brow furrowed in concern. "There was never a chance for me. The Order took that away the second I was born."

"That's not true," he objects, shaking his head. "You have choices. You can choose what to do with your life, where to go, who to be. You have more freedom than most people."

"Yeah, I have a choice between following orders and being punished," you snort, and he frowns.

"That's not—"

"Don't," you warn. "Don't lie to me."

"I'm not—"

"Yes, you are," you insist. "You know as well as I do that this is all there is. The Order is my life. The Order is all I have. Everything else is just...not possible."

He doesn't reply, and you shake your head, letting out a frustrated sigh.

"Look, I know you want to help," you tell him. "And I appreciate it. Really. But there's nothing you can do. This is the way it has to be. What I want doesn't matter."

He opens his mouth to speak, but closes it, his jaw clenching. You can feel his frustration, his helplessness. He wants to argue, to tell you that it's not true, but he knows it's useless. He knows that it's pointless. That you're right.

The two of you sit in silence, the only sound the rustling of the leaves overhead. It's getting colder, the temperature dropping quickly, and the night air is beginning to bite at your skin.

You're tired. Exhausted, really. The adrenaline has faded, the anger replaced by a deep weariness. But the idea of heading back inside, of returning to the Temple, is too much. Too soon. You don't move, and neither does Obi-Wan.

"Do you think about it?" he asks after several moments. "The life you could've had."

You huff a humorless laugh. “All the time.”

Obi-Wan starts, his head turning toward you quickly, his eyes wide. He stares at you, a shocked expression on his face. "Really?"

"What?" you ask, and you shrug. "It's true. I think about it a lot. It's impossible not to. Don’t you?”

"I used to," he admits. "Before my Knighting. Now, I try not to."

"Why not?"

"Because it doesn't matter," he tells you. He sighs heavily and shakes his head, running a hand over his beard. "It doesn't matter what I would've done or where I would've gone. None of it matters. Not now. What matters is who I am, and what I've done. Where I am now."

You stare at him, and you feel a pang in your chest, an ache in your heart.

"It's easy to get caught up in the past, to think about all the things we could've done differently, the choices we could've made," he continues, his voice quiet. "But the truth is, there's nothing we can do. We can't change the past. All we can do is move forward. Accept the present for what it is. Try to make the best of it."

You nod slowly, absorbing his words. They resonate with you, but a part of you wonders if they're directed at himself, if he's trying to convince himself as much as you.

"Besides, even if I had a chance at another life, I'm not sure it would be worth it," he adds.

"What do you mean?"

He looks at you, a sad smile tugging at his lips. 

"If I hadn't joined the Order, I would've never met you,” he says softly, his gaze searching yours. “I would’ve missed out on so many incredible experiences. On so much joy. So much happiness. And, selfishly, I can't imagine a world where I don't have you in my life."

"Obi-Wan," you breathe, a lump forming in your throat.

“I know,” he laughs, and you can see his cheeks turn pink. He turns away, looking out at the garden. "I'm not very good at this, am I?"

You chuckle and lean closer, pressing your shoulder against his.

"Maybe not," you agree, and he lets out a snort. "But, for what it's worth, I'm glad I have you in my life, too. Even if you are a pain in my ass."

"Oh, please," he scoffs. "You love me."

"I do," you muse. You smile and close your eyes, enjoying the moment. The silence stretches on, comfortable and familiar, and you let out a contented sigh. Obi-Wan leans against you, resting his head on yours, and the two of you remain like that, sitting side by side, lost in thought.

After several minutes, he speaks.

"Earlier, when I asked you what you want," he says quietly, breaking the silence. "I was hoping you'd tell me the truth."

You shift, leaning back and looking at him. His eyes are closed, his expression thoughtful.

"What are you talking about?" you ask.

"I think we both know what I'm talking about," he says. He opens his eyes and turns to you, a sad smile on his face. "You deserve to be happy, and I want that for you. If that means stepping aside, if that means letting go, I will."

You stare at him, your eyes widening, a knot forming in your stomach. You swallow hard and look away, your gaze falling to the ground.

"Obi-Wan," you start, but he holds up a hand.

"No, let me finish," he insists. He takes a deep breath, and then continues. "I care about you. More than you know. And, if the war wasn't happening, if we were just two people, living normal lives, I would ask you to be mine. Because you deserve a chance at a real life. You deserve to be loved."

Your chest tightens, and your throat burns. Tears well up in your eyes, and you blink them away, shaking your head.

"But, as things are, that's not an option," he continues. He turns his attention back to the garden, his voice soft. "I don't know how this will end, but I do know one thing: it's going to hurt. Whether we win or lose, whether we survive or not, it's going to hurt. So, whatever choice you make, just...don't wait. Don't waste any more time. You deserve happiness, and I want you to have it."

"You can't ask me to do that," you say, your voice strained.

"I can, and I am," he replies, turning back to you. "You know I'm right. There's no sense in dragging this out."

"What about you?" you ask, your eyes searching his. "You deserve happiness, too."

"I know," he nods. He gives you a rueful smile. "But, that's not up to me. I can't choose who I fall in love with. But, I can choose to put your needs above my own. And, right now, I think that's the best thing for both of us."

You stare at him, your eyes stinging, your throat aching. He's right. He's always right.

"Before," you start. "With the Council..."

"Yes," Obi-Wan sigh, rubbing his beard. "They're concerned. And, they're right to be. They've noticed the way I've been acting lately. The way we've been acting. I don't know what they'll do if it continues, but I suspect it won't be good."

"I'm sorry," you apologize.

"It's not your fault," he assures you, and his expression is serious. "We were careless. Both of us. We've always known it could never last, and yet, we let ourselves get carried away."

"You were a little more careless than I was," you point out, and his cheeks turn red.

"I'll admit, I may have been a bit reckless," he admits sheepishly. "But, you were the one who started the whole thing."

"I did not!"

"Oh, please," Obi-Wan scoffs, and a smirk plays on his lips. "You were all over me the first time. Don't think I didn't notice."

"You're the one who kissed me," you retort, and his smirk grows.

"And it was a good kiss," he declares. He nudges you with his elbow. "You have to admit, you enjoyed it."

"Fine," you grumble. "It was a good kiss. Satisfied?"

"Yes," he chuckles.

You roll your eyes, and the two of you share a laugh. The tension eases, and a heavy weight lifts from your shoulders. You hadn't realized just how much pressure had been building, how much you'd been carrying around. You'd always known it wouldn't last. Always known there would be consequences. But, hearing him say it, admitting the truth, somehow makes it easier.

"So, where does this leave us?" you ask.

"Honestly, I'm not sure," he sighs. He leans back against the bench and gazes at the stars, his brows furrowing. "We're still friends. That hasn't changed. And, I still care about you. More than I should. But, whatever this is, whatever it could have been it's over. For both of our sakes."

You nod, biting your cheek, and you glance at him out of the corner of your eye. "And the bond?"

"We can still use it," he replies. "But, we have to be careful. No more emotional outbursts. No more impulsive decisions. We need to keep our distance."

"Yeah," you sigh. You look at him and smile. "I'll try. No promises, though."

"No," he chuckles, and he returns your smile, a hint of amusement in his eyes. "I didn't think so."

The two of you sit together for a while longer, talking, laughing, reminiscing. It's good, and it's exactly what you need. A reminder of who you are, of who he is, of the relationship the two of you have shared for so long. It's comforting. Familiar.

When the air turns cold and your teeth begin to chatter, you decide to head inside, back to the warmth and safety of the Temple. Obi-Wan walks with you, his arm wrapped around your shoulders, a smile on his face.

As the two of you reach the entrance, he stops and pulls you into a hug, holding you close.

"Whatever happens," he whispers in your ear. "I'm here for you."

"Even if..." You trail off, thinking of Rex, and he nods, giving you a knowing look.

"Even if," he promises, and his arms tighten around you, pulling you closer. You hug him back, burying your face in his shoulder. The two of you stand there for a moment, wrapped in each other's embrace, and a wave of relief washes over you. It's not the same. It's not the same, and it's never going to be. But, it's enough.

You pull back and look up at him, a smile on your lips. "Thank you."

"Don't thank me," he tells you. He releases you, stepping back and placing his hands on your shoulders. "You'll always be important to me. No matter what."

"And you're important to me," you reply. "Even if we're not together, we'll always be family."

"Always."

"I'm sorry," you add.

"Me, too," he says, his expression pained. He closes his eyes and shakes his head. "I don't know what I was thinking. This was a mistake. It shouldn't have happened. We should've—"

"Obi-Wan," you cut him off. "It's not your fault. We were both to blame. And, for what it's worth, I don't regret it. Not for a second."

"Neither do I," he murmurs, and his eyes meet yours, his gaze soft and affectionate. "It was good while it lasted."

"Yes," you agree, and the two of you exchange a small, sad smile.

You look away, your gaze drifting towards the sky. You watch the clouds drift across the horizon, and your eyes trace the lines of the buildings, the speeders, the faint glow of the stars. It's so beautiful, so peaceful. 

You’ve never felt more at home anywhere than you have on Coruscant, for all its flaws and problems. This is where you belong. This is where you were meant to be. And, even if you can never have everything you want, you have this.

"Are you going to tell him?" Obi-Wan asks, drawing your attention back to him.

"No," you answer without hesitation. "He doesn't need to know. It wouldn't change anything."

He frowns. "You don't know that."

"No, I don't," you agree. "But, I can't. I can't do that to him. He deserves better."

Obi-Wan studies you for a moment, then nods, his expression serious. "You're a good person."

"So are you," you reply. You take a deep breath, and you step back, moving out of his grasp. "I should go. It's getting late."

"Yes," he agrees. He reaches out and squeezes your shoulder, and his eyes search yours, his brow creased in concern. "Will you be alright?"

"I think so," you tell him. You force a smile and shrug. "Eventually."

He smiles sadly and releases your shoulder, and you turn, heading back into the Temple. You can feel his eyes on you, his worry, his guilt. It's a struggle not to look back, not to break. But, somehow, you manage. You keep moving, and eventually, the weight of his gaze fades, replaced by the comforting hum of the Force.

It's a comfort, but it's not enough. You know it never will be.

Still, it's better than nothing. It's better than being alone.

And, for now, that's all that matters.

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[ethelschapel]

do you have any idea about the story of willoughby and ethel and logan and can you explain it?

We don't know much about either character, especially Logan as the only real source material we have about him is the song Western Nights. However, I'll start with Willoughby as he's been hailed Ethel's first love. House in Nebraska is about him, the song clearly stating Ethel's extremely strong feelings for him but also outlining his departure or death or whatever happened to him that caused his split from Ethel. There's speculation that he died, that Ethel did something that caused him to leave her. A lot of what we know about Willoughby is purely conjecture, however in one way or another, Ethel and him separated before she met Logan and long before Isaiah.

There's an excerpt from a page of "Diary of a Preacher's Daughter" which Hayden posted herself saying, "As for me personally, I lost Willoughby that night. The only thing I've ever truly loved in this wretched life and I left him curled between the couch and the coffee table when it all got too loud. "Be mean" is what he'd tell me, every time I'd start my shaking. What he didn't tell me is that you can be mean and still be a coward. Some things you have to learn on your own."

You can read the full thing here.

Again, we don't know the full story surrounding Willoughby and probably never will until the book is published but that excerpt could lead us to believe that he died in the tornado. There's also another piece of source material, a fictional magazine called "Thoughts and Prayers for Ethel Cain," available to read here where the question "What about Willoughby Tucker? I know you two seemed pretty close before he moved away, have you kept in contact at all?" is asked. There's another interpretation here that he moved away, that Ethel could've done something to drive him away etc. I have to reiterate though that it's not confirmed what happened to him.

You may have also heard about the "B-sides" which are said to be all about Willoughby. You can find some collected information about them in this Reddit post. Note that although some of these things have been "confirmed" the artistic process is unpredictable and a lot of what's been discussed in asks and lives may not make it to the final project. The B-sides are also probably not coming for a while but Hayden has not scrapped the project as when saying her next project will have nothing to do with Preacher's Daughter she said, "no this doesn't mean b-sides are scrapped."

There's a lot to be revealed about Willoughby Tucker however he is a very important and frequently mentioned character by Hayden and the fandom.

Now, Logan is a different kettle of fish. He is Ethel's second love interest but is abusive, supposedly using Ethel for sex if you were to interpret the lyrics of Western Nights.

There's little known about Logan and he's very rarely mentioned by Hayden so just like with Willoughby, most of his lore is speculation. He is however a criminal, outlined by the line "Breaking in to the ATMs," and Ethel is dragged into the lifestyle alongside him. If it helps you visualise him better, Hayden has said before that Logan is a "hunky daddy." So...do with that what you will!

Either way, the relationship between the two is short-lived as he dies in a police shootout after robbing a bank causing Ethel to go on the run, ruminating on her relationship with Logan and how the abuse is a mirror of her relationship with her family, shown through the song Family Tree.

The most recent piece of lore we have was posted by Hayden on tumblr where she summarises the plot of Preacher's Daughter. See that here.

As I've said, it's not likely that much will be revealed until the book is out. I'm not Hayden and I don't have access to her head so understanding every detail is hard to do. I've tried to give different interpretations, piggy-backing off asks and source material that Hayden has posted herself, because the particulars are unknown and there's lot of contradictory things spread around. Art is meant to be interpreted though so do with this information as you wish.

If you want to do some of your own reading/listening, here's some other sources that could be useful:

. The lore page on Reddit

. Preachers Daughter document

. Thoughts and Prayers Mag

. Alt Press Mag

. The Line Of Best Fit Mag

. Artist Decoded

There's also another document which gives the basic interpretations of the story rather than lyrical analysis.

I hope this was helpful! And I hope I've made it clear that literally most of this needs to be taken with a grain of salt lol.