#I don't have a netflix subscription :(

[godesscall]

Looking forward to play this game one day :)

[steakcreature]

The game is fire

[miasanmuller]

I miss sense8

[just-an-enby-lemon]

I think the thing about creatives moving for their own subscription based plataform for me is that: it is a gringo issue. Not in a bad way but more like my favorite brazilian youtubers are not going to do that or if they ever do it'll take a while!

This means I'm mostly just losing my favorite foreing channels. Said channels are of course for english speakers wich means subscrition fees are dollar based. So the acessible 5 to 6 bucks becames 25 to 30 bucks for me (not even conting the conversion fees) and I just have no way of paying that much.

[niofo]

rewatching absolution rn. i wanted to do it before dav comes out at some point and i think now is a good moment.

[gie-gie-gie-gie]

maria clara at ibarra

started watching from the beginning again since the series premiered on netflix. also following the tumblr tag mehehehe. how to fight the urge not to type in taglish? 

[psychotantei]

It's even more powerful to say "I don't have Netflix"

the ability to say "i dont have a tiktok" in social situations makes me feel so powerful. like the general reaction is "shock, confusion, then this weird 'thats probably a good thing' response" its so fun

[franciya]

Today Adam Sandler's releasing a movie that's being marketed as "this one is not supposed to be funny*

I thought that was already what all the others were about

[joemerl]

So, I said that I wasn't going to watch Disenchantment season five. But now that it's officially ending, the completionist in me is wondering if I really can't slog through just ten more episodes?

Weirdly enough, though, I feel like the trailer made me less enthused. It's trying so hard to hype this up, but instead it reminds me of how much I don't care.

[guardianspirits13]

I think one of the most overlooked factors in Netflix's cutthroat approach to deciding wether to renew a show is that they wholly underestimate the power of fandoms.

They seem to think that unless a show is record-breaking or award-winning it will not be profitable to renew but they fail to recognize that most people don't give a shit about the accolades as long as a show is good.

And even then, it is normal to take more than one eight-episode season to pick up real cultural traction. Plenty of now-beloved shows did not reach mainstream popularity until they were multiple seasons deep.

Netflix fails to consider the longevity of their IPs over the initial peak of interest, and have thus cultivated a self-fulfilling prophecy as people avoid starting new shows because they don't want to become invested in something that is more likely than not to be cancelled, and thus these new shows don't reach the ludicrous viewership standard they have set to justify a renewal.

Sure, they get new subscribers for new shows but what keeps them there? Maybe they'd actually stay subscribed if a new season of something they are invested in is on the way (barring the cost itself, which is a whole different can of worms).

Plenty of people subscribe only for one or two shows- I remember people cancelling their subscriptions when they took The Office off because that show alone was keeping them on the platform.

Supernatural did not get 15 seasons because of its exceptional writing or cinematography (ha), they got 15 seasons because of devoted fans who wanted more. Who kept rewatching and buying merchandise and paying for con tickets.

Daredevil is one of the best shows I have ever seen, and that was at the time where the "early" cancellation was common after three seasons (with 12+ episodes). Inside Job is one of the only adult animated series that I have ever thoroughly enjoyed, and it was lucky to have two seasons. Shadow and Bone had the potential to be a franchise based in the extended Grishaverse, and yet it also ended after two seasons.

Finally- not everyone watches shows the day they release! We don't all have that sort of time, and it's ok to discover a new show a week, a month, a year after it releases! Word of mouth and fan culture/communities have been the rock upon which lasing series are created, from Star Trek to Game of Thrones.

All this to say, @netflix yall get your act together and renew Dead Boy Detectives before you lose your captive audience 🫠

[probably-an-alien]

piracy for the win

yarrrrrrrrrrrrrrrrrrr you greedy fucks

[saltpepperbeard]

Be a Lighthouse - Fight For OFMD Season 3

Hi everyone. The news of our cancellation is both incredibly devastating, and quite shocking considering the trajectory of the show and its fanbase. Everything looked like it was lining up in a positive fashion...only for the rug to get yanked out from under us.

I cried. I went numb. I stared at the wall for a while.

But then, something sparked. Like Ed who was resolved to his fate in S1Ep4 only to rocket back upwards, I was struck with a realization: we need to be a lighthouse!

Fanbases have campaigned before, and have gotten results. Sense8 was able to get a two hour finale to properly wrap everything up. Lucifer was able to get picked up by Netflix after being cancelled by Fox. Brooklyn 99 was able to get picked up by NBC after being cancelled by Fox. And many more examples.

Be it a proper renewal, a finale wrap that entails Ed and Stede's wedding, or the attention from another network, I say we fight that good fight. So, here are some ways we can be heard; if you think of any additional points, please feel free to add them!

If you don't cancel your Max Subscription, continue watching the show and leaving feedback on Max's online feedback form. I had a kneejerk reaction when cancellation was announced and pulled the plug...only to sit back and reconsider. I want them to still get my metrics. I want them to still see the show means something to me. And whether that's through words or statistics, I feel like that's something.

2. Follow @renewasacrew and keep up with their resources/campaigns. They're very active and passionate, and have already come up with different ways to fight for our show.

3. Sign the petition to give us just that little bit more of a chance to have our voices heard.

4. Stay active on social media, and stay positive. Continue sharing how much this show means to us. Continue creating. Continue loving. Use hashtags like-

#RenewAsACrew

#SaveOFMD

#RenewOFMD

#BeALighthouse

#OFMDSeason3

or anything equivalent on any and all OFMD-related posts. Keep the buzz about it going on social media. Comment on posts, keep spreading the word, and get the light burning.

5. Renewasacrew has given us another outlet; an official HBO email address. Write an email detailing your personal experience with this show, and how significant a third season would be.

6. Tweet/email other platforms to pique their interest. Be it Amazon Prime, Hulu, Netflix, or whoever else, let's see if we can't catch someone else's attention. A romcom with iconic LGBT representation seems pretty enticing if you ask me!

This show means the world to me. Y'all mean the world to me. So let's show them why. Let's show them why, and get the proper ending we, the cast and crew, and the characters all deserve.

[specialagentartemis]

Genuinely: For people who are angry and frustrated at the limited number of movies and shows available for streaming, at the way streaming services pull or cancel movies and shows at will, at the way every media corporation under the sun is pulling their stuff onto their own streaming service and balkanizing access to things behind a dozen different monthly subscriptions? For people who miss Blockbuster and want to be able to just rent a DVD again?

See if your local library has a DVD collection.

If I want to watch The Mummy (1999) with Brendan Fraser? I can't stream it on Netflix, but I can borrow it from my local library.

If I want to watch The Mummy (1932) with Boris Karloff? I can't stream that pretty much anywhere, but I can borrow it from my local library.

I want to watch Star Wars or Iron Man or my favorite Disney movie but I refuse to sell my soul to pay for Disney+? I can borrow these from my local library.

Do I want to finish watching Star Trek: Deep Space 9 or check out Star Trek: Picard but resent that it's all on yet another streaming service I don't want? I can borrow season box sets of DVDs from my local library!

Obviously, available circulating collections vary a lot between library systems. (My hometown's library has all of Star Trek DS9 on DVD, for example, but my college town's library only has TOS, Picard, and Discovery.) And of course it depends on whether things are released in physical media form at all, and you won't be able to keep up with new episodes of new series - it takes a while for many things to come out on DVD.

But there can be a lot of good stuff there too. For example, I missed Nope in theaters, but I still really want to see it. So I have it on hold from my local library. I'm 73rd in line on 50 copies, so it'll be a while.

So check to see what DVD collections your library does have - it might surprise you what you can get access to, for free, in a manner that no greedy corporation can yank away.

And by checking out DVDs, you are telling the library that you use and want them to maintain and grow their AV media collection. Which is an encouragement we could really use these days.

[glowingapricity]

I am so sick of (fantasy) shows getting cancelled after one or two seasons. It's tiring. It's frustrating. It happens all the time with Netflix.

I am so tired of them buying the adaption rights for book series, when they never have the intention to actually adapt all of them to begin with. It's starting to feel as if they just want to own the rights so nobody else can have them.

I want to see characters that are intended to develop over the course of multiple seasons to actually develop over the course of multiple seasons.

It's just: "We'll release 100 shows a year to keep people invested, but we only ever continue 10 of them." That's horrible and tiring.

I don't even care whether a show is 'actually' good. The stories of those shows deserve to get told, not cancelled just because.

For me, Shadow and Bone was my last straw concerning Netflix. This has happened many times before, I was just genuinely hopeful it would be different this time. It wasn't. I'm personally not interested in activating my subscription again any time soon.

[eloise-t-g]

i think for me, the watcher situation comes down to this:

it's absolutely respectable that the watcher team wants to grow and produce better quality content. it's respectable that they don't want to stagnate and end up pushing the same content out over and over again. that's not satisfying for them creatively, i get that.

however, if higher quality, more heavily produced content is not what your fans are asking for, then you can't ask them to fund it.

this all-or-nothing method they've gone for is frankly bizarre. it feels like they leap-frogged all other alternatives to improving their finances and ended up here, alienating and frustrating the majority of their fanbase (the fanbase they thanked for getting them to where they are).

i think this could have gone a lot better if they:

Hadn't hyped up this video for a week.

Hadn't announced the worth it successor just beforehand.

Hadn't put out a wishy-washy, "boo hoo we're so sad about this", over-produced video.

Hadn't made it $6/month (more in a lot of countries given exchange rates).

Had considered that this means fans in specific countries literally cannot pay for the subscription due to geo/region-locking.

my ideas for improving their funds, aka things they could have tried before blowing their brand up: create their own website with two options - a free version with ads and a paid version without ads, OR make better use of their patreon/make their website extra content, not all their content, for example:

Put the ghost file debriefs on there.

Put shows like survival mode on there (or even shift that show from pre-recorded video to live-stream - live stream access to patrons and VOD access to everyone, maybe).

Put episode commentaries there.

Do reaction videos to their old buzzfeed content, talk about memories and BTS, and put that there.

Put one/two episodes of each show, per season on there (and ONLY there).

Put the episodes up there a few days early.

Make specific, website only content (that's not your main and most popular series aka ghost files and puppet history).

Record the live, in-person shows and put those VODs up there.

EDIT (thought of something else lmao): put extended or even uncut versions of ghost files on there. Paranormal Detour on Detune's twitch channel has shown that people will willingly sit through 6+ hours of a ghost investigation.

EDIT: idk, do livestreams once a week where you watch scary movies with fans on discord or twitch.

(side note: the fact that they're not taking down their patreon and instead shifting all of their podcast content on there, something the patreons who have been loyally giving them money for years didn't ask for, is ridiculous and greedy. add to this the fact that they don't even get a free sub to the new website, instead get 40% off - a measly 10% more than anyone else who subs before the official launch).

the thing for me is that they're claiming they want to make "television" and "television-grade content". that's completely fine. what's not completely fine is acting like your four episodes a month is equal to netflix's entire catalogue.

this really felt like it should have been something they told us they were progressing towards, not something they revealed to be on the imminent horizon. idk, it just feels out of nowhere. no, they don't owe us all of the info about their company. but something had to be better than this.

final thought - it's okay and valid to be upset at the team for this. for a lot of people, it's a complete betrayal (especially the comment that $6 a month is something "anyone and everyone can afford", i mean yikes). i do think some people's anger got the best of them, and some of the comments i've seen across youtube, twitter, and tumblr are plain bullying, racism, and harassment. until we have the whole story, we can't decide that one founder (aka steven in a lot of people's minds) is solely responsible. i know a lot of these awful things are only coming from a small minority of the fandom, but they still get seen.

at the end of the day, all three of them got up in front of a camera and made this video, together. that can only lead us to the conclusion that they made this decision together. acting like these men in their 30s couldn't stand up against it if they truly wanted to, is so strange and parasocial lmao.

tl;dr there were much better ways of going about this announcement, if it even needed to be made at all. however, that doesn't excuse the hateful shit being spewed at the team. for now, all we know is the three founders decided they were done with youtube, and done with their loyal youtube audience.

(i have so many more thoughts on this but i need to stop lmao. however i do wonder how different things could have been if 1. they had hired someone with actual business experience as their CEO from the jump, and 2. this video was more of a "hey we're broke! this is a last-ditch effort to save our company!". guess those questions will remain ... well ... you know ...).

[bookshelfdreams]

I know it has been said before, but really, what do streaming services even want?

Dead Boy Detectives didn't flop by any measure. It did perfectly fine. The numbers where there. The reception was overwhelmingly positive. It had potential, and it was successful.

But I guess that's not enough. I wonder what would be enough; overwhelming numbers aren't, innovative storytelling isn't, a preexisting fanbase isn't. So what is?

Generating new subscribers? It seems that Netflix, and other streamers, are still trying to figure out how to make infinite growth happen in an inherently finite market - audience retention does not seem to factor into their calculations at all.

I have had a Netflix subscription since 2015. I have always kept it out of nostalgic fondness if nothing else, even when the prices rose and the quality of the offered media declined.

But I'm done. I don't see the value of the service anymore, when most of what you find on there nowadays is sloppy "documentaries" and half-finished stories that will never be allowed to go anywhere. Why would I continue to pay for that?