#I don't even know what would help

[deathricedrawn]

i'm ready to try

[egophiliac]

(breathing into a paper bag) FRALIO....

can't believe they gave us another guy. oh my god. so I guess Kelka is more, uhhh, more OOO then, and Fralio is Ankh? not that it matters too much, although they do seem to be doing something with the connected Riders so. who knows. anything goes! or if I may, anything gOOOes! god. of course they're the Ambition parallel. of course they are. oh my god.

fortunately there's nothing else they can throw at me right now that could possibly --

AHHHHHHHHHHHHHHHHHHHHHHHHHHH

[clownowo]

🤨

bonus:

[greencarnation]

eleven is fascinating to me because he came right off the back of tens horrible traumatic breakdown after he lost everything and he immediately tried to establish himself as the opposite of that. he is funny and goofy and almost childlike, and he bulldozes on in his adventures with amy like nothing happened at all. but then something happens and his masks slips and it's like oh! the core of this man is still anger. he is so so angry all of the time and this façade is the only thing stopping him from being consumed by it. he isn't over any of it and he hasn't moved on. he is wearing a fez and laughing but under that all that exists is age old anger and grief and it is going to consume him

[aq2003]

has anyone gotten the idea that odysseus' storyline in hades 2 is a depiction/exploration of trauma over his SA and how he's blaming himself for things that were out of his control? because that's the impression i'm getting from what i've seen. he talks about "goddesses" as his "greatest weakness" and that "he's not one to say no to them"...

when mel invites him to the bath, he brings up mortals having different standards for intimacy than gods and how it usually has a more romantic/sexual connotation. she then asks if he's uncomfortable and he has a startled reaction and brings up circe and calypso again (but never actually by name)

(this isn't ship/romance bait btw. odysseus knew mel as a kid and they're stated in-game to have a sibling/uncle-niece relationship)

also he grew apart from penelope after his return, but the game makes a point of showing that his love for penelope and telemachus is what drove him on at all so that element of his character isn't brought into question

[rawliverandgoronspice]

Always a bit puzzled by people saying that anyone who wanted long-term consequences for TotK Zelda's sacrifice are "edgy".

I'm not even particularly in the camp that she should have remained a dragon forever (I think this should have been Ganondorf's fate, it would have been sooo much more impactful than to explode him and move on but anyway). To be honest, I wish the rules for turning back would have been 1) clear 2) active gameplay on the player so that it feels like it's something we have earned, and 3) not make her have amnesia about it and/or at least having her gain some crucial insight because of the experience.

(also: doesn't she crave knowledge? isn't that insanely mean to have her watch over every civilization and every bit of history ever and then take it away from her? kind of dislike how totk privileges the comfort of the player's feelings over what the characters would actually want or need tbh)

To be perfectly honest, I fully expected us needing to turn her back before engaging Ganondorf so we would fight him together, especially since Zelda as a compagnon exists in the game code already (though in a very subdued state). It feels very very strange to me that all of this mechanic of Sages following us existing and yet we never have the very climactic cool Zelda-staple moment of facing Ganondorf or Ganon together (OoT, WW, TP, ST and probably more that I'm forgetting all did this in some way --even BotW had Zelda more involved than in TotK). I'm not sure Mineru was a compagnon that was needed over Zelda honestly, especially given the kind of non-insight she gives us on the zonai (even if the idea of the mecha is cool, it really could have been Zelda using her zonai + sheikah knowledge to pilot one for us or something).

But anyway: yeah, even if this isn't what I would have wanted personally, I think wanting Zelda to remain a dragon is kind of arguably more respectful of her relationship to Link, in a way, that what the game ended up doing. When she enacted this sacrifice, Zelda decided to trust him to such a extent that she lost herself, reciprocated his trust in her and his devotion to her, and now the future of Hyrule exists beyond her and beyond what Hyrule once was, but she trusts them to follow through and be happy and she will watch over them from the stars moving on. It's fine if we manage to save her from that fate, but even if we don't, honestly this sounds like a beautiful story/tragic romance to me, if you want to read it that way. Tragedy doesn't necesserily involve edginess. Fictional pain isn't always mean, or out to get you.

[canisalbus]

I imagine Vasco and Ludovica have a big painting (portrait but with two people) in Vasco's house (probably his father insisted of getting one of these, people used to do it in the old days, especially wealthy ones). While it's very serious and formal, in the way all these portraits were, it is also very intimate (at least it's implications). I imagine Machete just staring at it sometimes, feeling small while looking at the big painting. And sad, maybe jealous but I don't think he'd resent Ludovica. He, most of all, understands.

.

[regina-del-cielo]

Maybe it's a 'study finds water is wet' type of thought, but

considering it's an action movie whose overall plot is "immortal warriors Fuck Shit Up™️", I think it's significant that in The Old Guard the thing that makes Copley pull red strings through his Murder Conspiracy Board and say "[Merrick] doesn't care what [Andy]'s done with [her immortality]" is the people they save, not the ones they kill

Most of the Conspiracy Board is him circling random newspaper headlines and faces on old photographs to (more or less realistically) follow the immortals' treck through the world and big historical events. Which is, in-canon, not much different than putting portraits from different centuries next to a picture of Keanu Reeves and saying "they look the same, clearly Reeves is an immortal!"

But then there are the connections. A little girl holding Joe's hand in WW1 becoming the youngest (and first) woman to be awarded a Nobel Prize for Medicine (suck it, Kozak). Or the grandchild of a family that Andy saved from [something] helping people escape from the Khmer Rouge genocide in Cambodia.

They are warriors. They have fought and been in the midst of countless wars, major or minor, throughout history. They must have killed as many people as they saved... and yet.

It's not them taking out a random warlord or dictator or rabidly hateful politician that has tangible repercussions in history. It's the children and families they get out of war zones, save from accidents, protect from natural disasters. People to whom they give a second chance at life, and grow to change the world (or even just their own world), like a mysterious stranger once changed theirs just by holding out a hand or patching a wound.

I don't know I just think it's particularly neat

[starry-bi-sky]

realizing i have. a lot of untapped trauma potential for clone^2 danny because i just Fully Processed Four Months Late the fact that his parents were capturing and torturing ghosts in the basement before he became Phantom. and the fact that he was on house rest for 2 weeks. during that time period. and he wasn't really leaving the house. he could hear their screaming through the floorboards

*points at clone danny* i can give you suuuuuuch a bad time babe ahaha. i've got two untouched years before you meet damian what fucks you up before then

[theobliviousunluckybastard]

Cale's idea of being trash!!! 🤡

C..cale...!! 😑🤦‍♀️🤦‍♀️

.. Please..just....Why???

How?!!... Just what kind of logic is this?!!! 🤣🤣🤣

You were supposed to be smart !!!💀💀🤦‍♀️🤦‍♀️

[torchstelechos]

People be like, how you doing? And I'm like, Loop is never going to see their family again.

[moongothic]

You know I wasn't going to post about this, but the more I think about it the more it drives me up the walls

So when Luffy and co release Crocodile from jail, it's specifically under the threat that if Crocodile tries anything funny, well, Iva-chan has a trick up their sleeve to put Crocodile back in-line.

So what the fuck was that actually about? What is Crocodile's secret weakness? I'm specifically looking at the way this is phrased in the manga, because the anime's added dialogue kinda messes with what's implied here. But what Iva specifically says is that Ivankov in particular holds the key to one of Crocodile's weaknesses, but they'll stay quiet about it as long as Crocodile behaves himself ("Vataashi wa koitsu no yowami wo hitotsu nigitteru", a very clunky but literal translation could be "One of his weaknesses is within my grasp". The way Viz translated the line is a bit different so I'm not bothering with getting a cap of the panel, you wouldn't be able to tell how these lines were phrased in Japanese based on Viz's translations anyways) (The dialogue Toei added was Crocodile furiously shouting at Iva-chan, telling them to not say anything and Iva-chan reminding Croc to watch his tone or else they'll reveal Croc's past to everyone. A lot of people don't remember this was in-fact added by Toei, hence I wanted to clarify/remind what happened in this scene originally)

And now. Obviously. When Oda went out of his way to introduce a brand new character whose entire personality is being queer and their power is giving people magic HRT. And then like five chapters later re-introduces Crocodile. And tells us that these two have Secret Beef. And never proceeds to fucking tell us what the hell that was about. Yes, the natural conclusion one would come to would be that Crocodile is stealth trans. That is basic, good storytelling. You (re)introduce two characters, tell us they have beef, one has a very specific ability; you're supposed to connect these dots in your mind. So that now, if Oda revealed to us tomorrow that Crocodile was canonically trans, it would not surprise anyone because it's already been set-up in the story, by this very scene. It's a logical conclusion.

But. I'm becoming more and more convinced that Iva-chan's blackmail might actually not be about Crocodile being trans.

Like the general fandom assumption for the past 15 years has been that Crocodile's stealth trans, but we actually don't know he's stealth. He could be openly trans, and between that being a borderline requirement for Crocodad to be real (since he would've been a Shichibukai for years before Luffy was even born) and the possibility that his earring could specifically be a gay earring, like. Yeah. Crocodile could be openly trans. If Crocodile's perfectly happy to let the whole world know he's gay, then him being trans shouldn't have to be a secret either. We the readers could just be unaware of it because it wasn't relevant information to us, and his transition would be old ass news in-universe and not worth bringing up.

And thus, if Crocodile isn't stealth, then Iva-chan can't blackmail him by threatening to out him, becaus he can't be outted.

Now for a while I did considder that Iva-chan could've been actually threatening to detransition Crocodile if he tried anything funny. Surely he would hate that, so much so that he might not have wanted to even hear Ivankov suggest it. But thinking about it. Unless Iva-chan can use Armanent Haki or get Crocodile moisturized, they shouldn't be able to hit Crocodile actually. Like Croc's Logia makes him impossible to hit unless he specifically allowed himself to be touched. So even if Iva-chan tried to surprise attack Crocodile with Estrogen, Croc should just turn to sand automatically, the attack should not land.

Meaning Iva-chan shouldn't be able to detransition Crocodile against his will, at least not without Haki and we don't know if they can use it, so that can't be Crocodile's weakness either.

And so we have to ask the question. What the fuck is that weakness then that Ivankov mentioned?

All we really know is that Crocodile doesn't want this weakness to be brought up, it's a secret. And for all we know Iva-chan might be the only person in the world who knows about it.

And I just. Like.

There is one weakness, kind of a universal one that many people could have, one that has been brought up time-and-time again post-timeskip, one that has become more and more relevant in the story, especially now at the begining of the Final Saga.

A secret weakness.

If pregnancy is what cracked Crocodile's egg and he transitioned immidiately/soon after giving birth, then it's entirely plausible Iva-chan could know Crocodile had a secret child. And surely he'd want nothing more than for his child to be safe, not end up in trouble because of him. And Ivankov most certainly could put that child in danger, especially now that Crocodile was officially no longer on the World Government's side, there'd be no protection for the baby. All Ivankov had to do was leak the information out, that Sir Crocodile had a child, and anybody who had beef with him could get their revenge by attempting to find the child.

Like I'm just saying. This could line up nicely, actually

[anti-marauders]

Its funny remembering that in a way Mulciber and Avery are more respectful than The Marauders.

Cause The Marauders bully Lily's ex best friend Severus, despite James being in love with Lily and them claiming to be the good guys. Like bro if you want the girl befriend her best friend, damn.

And Mulciber and Avery, who are friends or acquaintances with Severus which is said by Lily, apparently don't do shit to Lily cause when she tries to get Severus to see how bad they are she only brings up the shit Mulciber did to Mary, someone Severus doesn't even know. Avery & Mulciber are clearly blood purists so they would obviously talk shit and I really think they'd talk shit about Lily wether they were friends with Severus or not cause she's a muggleborn and a gryffindor.

Yet Severus still hangs out with them and has no other issues with them especially cause he'd throw a fit if they talked shit about Lily. And if he did they'd clearly hex him cause they won't take shit from a half blood. Like wether they left Lily alone in an effort to keep Severus on their side to recruit him or not, they seemed smarter then the marauders. Cause while they didn't try to befriend her obviously, they knew if they wanted Severus on their side they didn't target the one person he truly cares about.

Now wether Mulciber and Avery were really close to Severus or not they still didn't target Lily or say shit cause I feel like they would considering how much James goes after her so they'd hear a lot about her. I feel like they'd attack her out of annoyance or berate her incase they thought she believed she was all that but apparently not cause Lily doesn't bring anything up and I know damn well she would have. Severus probably would have left them if they did.

[queerofthedagger]

One thing I think about a lot is that when Nargothrond falls, it is heavily implied that as good as everyone perished or, if not, got captured. Like, unlike with the Fall of Doriath, there is no mention at all of any refugees removing to the Mouth of Sirion - and yet, I assume that is very likely where Celebrimbor, at least, went? I definitely think he would have fought, but clearly he survived and neither Doriath nor Gondolin really were an option for him, and I doubt even more that he would have gone back to his family.

And there are a lot of implications to all that, but maybe the one that keeps me up most is that this means he would have likely been there when the refugees of Doriath arrived, when they told of what his family did. That his father is dead. What would he have been thinking? What would the survivors of Doriath been thinking? Like, I know there were technically several different camps to some extent, but I doubt they would have been wholly separate, especially upon arrival. What kind of horror to find someone who looks just like one of those guys who just slaughtered your friends and family. What kind of horror to look like someone who just committed such horrors.

He also would have been there when the third kinslaying occurred, or at least very close to it. What an experience, to end up on the other side of it. To see exactly what might have become of him had he not foresworn his father years ago, and also to see yet again what became of his family. Like yeah, everything before/during the Nargothrond Disaster would have already been formative for him and his future choices, but I do feel even being in the vicinity of all of that would have been such a dire reinforcement of all those convictions and reasons that made him disavow them in the first place. And especially in terms of the third kinslaying, it's also why I personally really doubt that there is a chance at any kind of reconciliation with any of the brothers, whether it's his father or I don't know, Maedhros or Maglor. Like, I just don't think there is any coming back fromt hat, really, if there ever was.

[spocks-kaathyra]

do u think that um. yk Julian was having a rough time in the later seasons. and ofc he wants to talk abt it, wants someone to help him process it, wants someone to just listen. but it's not easy to talk abt. and he wants to talk to Garak, wants Garak to know what's going on in his life, wants to be vulnerable and be met with support and care. but Garak is so emotionally unavailable and so unwilling to break his pleasant facade and so unwilling to deviate from their little social script. he was taught never to show care or vulnerability. and Julian gets so tired of playing their little game when, god, there's a war going on, his life is falling apart, can't Garak even acknowledge how bad things are for both of them? he doesn't need witty retorts, he needs sincerity. and Garak can't give him that. so he withdraws from their friendship. and it's not that Garak doesn't care. it's not that he doesn't want to help. but sincerity and vulnerability were beaten out of him a long time ago, and he doesn't know how to take off his mask. even just acknowledging genuine emotion is practically impossible for him. and maybe that's why ASIT is the apology that it is. it's saying, here, I've learned to be honest, I've learned to be vulnerable. I know the harm I caused you by refusing to acknowledge pain, so here's a whole book of me acknowledging pain.

[milolovesbmc]

The Dream (The Angel's Kiss)

Based on the sculpture by Auguste Rodin (1905)

(Censored just in case even though it's nothing explicit, uncensored under the cut)

"I remember you, something about you... coming to me, and sinking into me, and giving me breath again. . ."