#I don't even have the strength to hit it all

[hanasnx]

Hop hop 🐇 hiya bugs :). Can I use my super special Donnie privilege and request 6'11 Jason Todd and biting, Like, just absolutely sinking his fucking teeth in, borderline primal, while that fat cock bullies your pussy. The bites could be anywhere, everywhere, but especially the neck cause he wants to suck on your pulse while his dick fucks an orgasm outta ya and makes ya go limp. Im 4"11 and the size difference makes me dizzy. Work your indy magic if ya wanna but you don't even have to take this if ya dont cause it's um... it's January. My bad for being indecisive tbh. Bye imyyy 👋 🐇 hop hop

MINORS DNI 18+

NOTES: DC is for December Event! | IMPORTANT: do not use my 6’11!jason au without my explicit permission.

“What the fuck is wrong with you?” you spit, determined to get 6’11!JASON TODD to hear you even while he fills the room with the sounds of skin smacking skin. His monstrous hips plow into you from the back so hard it stings against yours ass, rippling the globes while he’s pinning you to the mattress with his strength and weight. Futilely, you’re bearing that weight, holding yourself up with your claws in the sheets, arching your back to keep your head raised—anything to try and be taken seriously right now. Yet, you flinch with every violent sheath, getting speared on a length so insane it’s unfathomable for it to bottom out without an ache.

You squeeze your eyes shut, choked noises releasing from your throat in pained chuffs, unable to decipher whether you hate it or love it. Your cunt certainly does, sopping around his dick, getting cream all up in his pubes. He has yet to say anything to retort, his teeth having sunk into your neck and remained there. If you think anything is painful about the way he’s fucking you, it’s nothing compared to the concentrated pressure in the most vulnerable part of you. Your exposed jugular latched onto like he’s some animal, fangs sinking into your skin to pin you while he uses you. His massive body spans you nearly twice over, blanketing you in an escapable landscape, having plowed you into a prone bone position from doggy. When you try to turn your head, an attempt to get him to release you, a rough growl of frustration releases from his nose.

For one second, his jaw unlocks, and relief floods in, a breeze hitting that wet and fresh dental print. You can’t see them, but you can feel how deep the indents of his canines are. As quickly as it came, he bites back down for a better grip, and this time you cry out in a moan. The new angle hitting a spot inside you that makes you see stars, while the sensation of the pain heightens the pleasure. You’re not talking shit anymore, instead your cunt is drooling around him while he’s got your life in his mouth.

[thatbitchery]

HOW TO SCHOOL ; A COMPREHENSIVE GUIDE BY A CHAIN SCHOOLER.

Given I've been in school for 21years continuously now I'll say at this point I'm a professional in the art of schooling x studying, at least the ADHD ver. Random tips;

Go to your strengths and align with them. If you're a thinker go to the thinkings the math the Eng Lit or Lit the Calculus the classes that require for your to think. If you're a knower go to the knowings the history the Geography the Religion the Biology etc. If you're a doer go to the doings the Math the Physics the IT the Business. Go where your strengths are why suffer.

Your reputation does, in fact, proceed you. Teachers are just people and like people they are biased. School is for networking 190000× more than it is for education. And teachers are people too that can and should be networked with. If you need me to teach you how to build a reputation in school I will.

All rounders make it farthest. My formula is - one sport that does what I need it to (volleyball for cardio) and do everything in my power to be captain (I've always been). Two, a club that ticks my boxes. This has always been journalism club for me I knewww I wanted to be in journalism and communication early. Being part of the school paper (was chair in high school and editor in Uni). Leadership of student body (House captain for me. In high school. Wanted Library captain so bad but heh. Could be just being in the student council. My tip, high rank low responsibility) and take part in the most mediocre activity around (for me was Christian Council. All we did was nothing). It's the basis of- Who are you? And in life who you are is more important than what you know. Or better - what do people know you as? Keeping in mind it follows you. How people see an ex beauty queen isn't the same way they see an Ex head of student council. Also the busier you are the less time you have for all that. Alll of that. That drama thing you keep getting caught up in. + Your networks are wider so you skip the loneliness tax ie the number of things you do because you're lonely. The scrolling. The getting clingy and attached to random people that give you attention for 6 seconds. The dating people you don't even like. The over eating and over spending and- loneliness tax. We know it. Some of y'all on Tumblr rn paying it.

Always. Always. Alwaysss look your best in the most natural way possible. The world does not take kindly to unkempt women and it also doesn't want to know you pour energy into being kempt. What does this have to do with school? If you're below 25 likely you've spent 3/4 of your life in school. That's a lot of time for people to be taking jabs at your appearance or bullying you or talking hell behind your back or not coming into your space because there's no value attached to it (bc girl to girl, before you hit 25 your only value is your beauty. Again why I don't want you to date). Just make your hair and skin and nails and steam your clothes and don't look homeless it's that easy. And don't wear the eyelash extensions that look fake or the fillers or the red lips or- as natural as possible. It's school. Unless you want slaaat treatment .

Use your syllabus. I can not explain enough how much this is the way to study. Every start of semester your professor is required to release the syllabus. It has topics, subs and objectives. You see the objectives? Use those as study guides. By the end of that topic you should be able to answer the objectives if framed as questions.

Pre- during- post. You study the material pre class, on the day you'll have the class. Just go through it try answer questions. During class you listen and make side notes. After class you make the notes in writing and then go to the questions. If there are YouTube or Video or Audio explanations listen to them after making the notes and make sure you know what they're on about. DO NOT SLEEP if you know for a fact you can not recall it all. Scary hour night ver- get a pen and blank paper, offhead use objectives to write all you remember, go through the notes one more time. Thank me later.

Brown Noise White Noise- this is bs. Do what works for you there's no study noise that's standardized. I need to listen to cars and people talking noises to study some people need to listen to white noise I know someone that listens to Kpop some need no background noise so no one cares. The one rule is- IT CAN NOT BE IN A LANGUAGE YOU UNDERSTAND. The background noise CAN NOT BE IN A LANGUAGE YOU UNDERSTAND.

Niche. The niches are where it's at. Don't know what language to learn? Norwegian. How many people you know have self taught Norwegian. Exactly. If I said I speak french and someone says they speak Norwegian, automatically who sounds more disciplined and interesting? See the class that has 5 kids? Take that one for extra creds. Swimming? Deep sea diving. Stand out. Stand out.

Information retention happens in activity. Study sitting recall walking around or running or cleaning etc. The science is when you're active you need to be 10× more alert because your body id constantly scamming for threats and when you're sitting you signal to your body you're safe sooo why would it be that alert? Do your active recall on your morning jog. not yoga not activities meant for relaxing. (PS biohacking is a whole superpower and I'd teach you but I don't agree with the popular methods {when have I ever} and given my autism they probably only work for me so find your ver. Andrew Huberman is so extensive on this)

Have a signature. Sit same spot daily , have a same scent, have things that make you memorable and are associated with you. Why does it matter in school - for the exact same reason it matters everywhere, coupled by under 25 that's where you spend 3/4 of your life?

Mind the business that pays you. Stay in your lane, do your thing. Never commit to one group of friends and talk to everyone. Don't play social justice warrior matter of fact if you have to play a role move all the way over to Blair Waldorf Alison De Laurentis kind of bitchy but without being queen bee that's. Lmao. What is that. Do your thing and go home. Hang out with as many people as you can. Don't commit don't pick a side mind the business that pays you.

I'm begging you to be financially smart. Unfortunately there's no standard for this so we can work it out one on one I have all the time in the world pre August we can do it.

Boys. Stay. As. Far. Away. From. Those. I don't want you to date girls either I don't want you to date at all idc where you swing but generally I want you to know what ever a man does the women closest to him will pay for it. Even just *friends* yes be acquaintances yes hang out but NEVER let a man be a part of your identity all his problems will be yours but ×10 by associations. You see how Rihanna said 'your wife in the backseat of my car' when it's the man that messed up? that's life. THATS LIFE. Whatever a man does, the women around him will pay for it 1000×, and it's almost impossible to shake out a man's social imprint on you. Even just by vicinity. In the least literal sense of the phrase, fuck all these men.

[greenleaf4stuff]

As a fellow “Celebrimbor is secretly buff/has a sleeper build” truther I’m Screaming at that one pic you reblogged lmfaoo. Poor Adar won’t know what hit him. Adar can pick up whole elves one handed he’s probably used to being the strongest person in the room meanwhile Brimbs got enough muscle to give Adar princess treatment and is just too polite to use it. Or waiting for the right day to surprise Adar with it lmao

Yaaay and hello, fellow "Celebrimbor is buff, actually" truther, thank you so much for your ask, I fully agree! :D <3 (It's this pic, isn't it?)

I actually love that idea so much and it's been stuck in my head as well; I have a WIP that makes use of such a scenario because it has *so* much potential, but I am sadly nowhere near posting it. I really like the idea of a surprised/flustered but ultimately very intrigued Adar reacting to Celebrimbor's muscles.

But you know what, it's not like I have multiple WIPs to finish and several things to edit, have a little snippet of how that concept could go that I just cooked up. I love the concept too much not to use it. Enjoy!

Hidden Assets

Celebrimbor made to side-step the uruk in front of him, only for Adar to take a step as well, landing him right in front of the smith again.

The elf paused. "Would you kindly step aside so I can continue to work?"

Adar only narrowed his eyes in response and remained as he was. "No. You haven't taken a break all day and are clearly exhausted. If you want me to move, you will have to move me yourself."

The smith heaved a sigh. The other's concern was certainly touching, but he did wish to get that last piece done before he retired for the day.

Also, well. Adar clearly thought this was a challenge that Celebrimbor would - could - not take up. The chance to surprise the other a little was just too good to pass up on.

A smirk spread over the smith's lips. Judging by the uruk's resulting expression, he had not expected that kind of response. Before the uruk could even open his mouth again, the smith had stepped up to him, reached down-

and grabbed Adar by the back of his legs. Only to then hoist him up in one smooth motion. The uruk was too stunned to even make an attempt at stopping the elf.

Which was how Celebrimbor ended up standing in the middle of his forge, grinning rather smugly, with a very bewildered looking Adar in his arms, legs dangling alongside the smith's hips.

The uruk's eyes had widened comically as the elf picked the other up, and he'd had to extend his hands and wrap them over Celebrimbor's upper arms to make sure he didn't lose his balance.

There was a moment of perfect stillness, and then the elf began to walk over to a table he wasn't currently using, onto which he deposited the uruk in his hold - albeit gently.

Perhaps he should have known the other would use the positon to cross his ankles behind Celebrimbor's knees and keep his hold on the smith's arms. The uruk had no inhibitions about fighting dirty after all.

"Don't tell me you have been hiding all that strength from me until now?" The other sounded almost incredulous.

Celebrimbor batted his eyelashes in a show of innocence. "Well. Just because I do not carry a big sword and scary armor doesn't mean I am only a politician. First and foremost, I have always been a smith, who tends to engage in rather physical work. As you know."

He leant forward, and now his grin turned almost sly. "I might not have your rather powerful physique, but I can still handle myself just fine."

"Indeed," the uruk breathed, and squeezed Celebrimbor's muscles as he looked at the other appreciatively.

[thebreakfastgenie]

Who do you think would have done worse if the other one had died in Korea, Hawkeye or Trapper?

This is a juicy question and I wanted to give it the proper consideration! After much pondering, I think my gut instinct was right.

I think Hawkeye would do worse while still in Korea. I think Trapper would do worse after he got home.

We see Hawkeye break down quite a few times in the course of the show. He's sensitive to the horror of it all and sometimes it overwhelms him. Losing Trapper would send him into a tailspin and Trapper is usually the one who pulls him out of it. He'd cry and drink and probably lose it for a few days. They'd probably call Sidney, as a friend as much as a psychiatrist. But Hawkeye actually knows how to cope with grief. Even when he breaks down in Sometimes You Hear the Bullet, he pulls it together pretty fast. He's also experienced. He may have lingering issues with his father's lack of communication about his mother's illness and death, but he seems to have fully processed it by the time we meet him. He's experienced with grief from a young age. Hawkeye's dad is portrayed as taciturn but emotionally intelligent and they have a warm, close relationship, so Hawkeye has at least some model for dealing with grief and he aso has support at home. I think the reality of existing in Korea without Trapper would compound the damage of Trapper's actual death. Hawkeye needs an improv partner. If BJ or someone came along I think it might take Hawkeye longer to warm up, but ultimately he'd give into his need for social support, and getting that need met would help him a lot. Either way, once he gets home the acute absence of Trapper would no longer be such a big problem and he'd process the grief and be able to move on with his life.

One of Trapper's strengths is his ability to compartmentalize to get through a crisis. Hawkeye's death would really shake him. He'd probably drink more, at least for a while, and I think he might withdraw a little bit. He'd be less friendly and outgoing and just have less fun because Hawkeye wasn't there to make him laugh. I don't think he'd make another close friend. He wouldn't be mean, but more focused on work, in survival mode. He'd probably keep going out with the nurses but I think it would become more physical and lose a lot of the playful romance because he just wouldn't have the energy. But he wouldn't have the luxury of breaking down, so he wouldn't. Until he got home and it all hit him, like how sometimes you get sick right after a period of high stress, because your body pours all its adrenaline into fighting it off until it's safe to be out of commission. I think he'd just kind of fall apart. Trapper also comes from a working class background where masculinity is a little bit restrictive and he'd be surrounded by people who weren't in Korea and didn't understand. I think Louise would try, but wouldn't really know how to help and Trapper wouldn't know how to be helped. I think he'd probably learn to deal with it eventually, but delaying the break until he got home would make him break that much harder.

Of course the only way to find out is to write both fics ;)

[opheliaintherushes]

I told myself I was done tormenting my kind and non-Riverdale-watching mutuals, and besides, I am too old and weathered for this fandom anyway, but really, the final, final thoughts on this finale and season as a whole:

First, and separately, does anything that happened after the characters got their memories back make sense? What was the point of it? They seemed completely unaffected by anything and happy to roleplay 50s teens. Were they even teens? Were they twenty-somethings sticking around high school like the vampires from Twilight for no explicable reason? Also, I'm sorry if you want to play the sentimental card, but if I was one of a handful of people who had traveled back in time and was stuck living in the past for 60 years or what have you, I would not lose contact with the others who also had. You would go insane! What did Archie tell his Modesto wife and child? Was Veronica picking up options on scripts she already knew would win Oscars? Did Jughead and Betty rewrite old issues of Mad and Ms. they might have read in the past? And is Gloria Steinem okay??? Also Betty and Jughead should remember they kind of hated each other in the future after the cheating and the voicemail, and Veronica should be so jealous of Betty for getting Archie, and Jughead should be so jealous of Archie for getting Betty, and my brain is hurting -

Almost more irritating were a) this idea that Archies are fundamentally stuck in the 50s (I owned the decade collections as a kid and the 60s and 70s were by far my favorites - very groovy), and b) the presumption that they did anything to address, expose, and or/fix actual problems of the 50s. Let us recap:

The school is already desegregated and this is never, ever discussed. The Black students are allowed to compete in beauty pageants, form their own literary club, dance on an integrated TV show, and join cheerleader squads, and this all happens with zero fight from the villains of the season. Fake Ray Bradbury and Fake Ray Bradbury's sweet but stupid wife think they could have settled in the south as a married couple in the forties. But? This is Riverdale, you say? They fixed everything? Sorry, you don't get to use Emmett Till to open the season and then eat your cake too.

Homophobia seemed to be the writers focus this season - except that every other episode someone would threaten Cheryl or Kevin, and then the next episode it would be an open secret at school with zero repercussions. Also, of course only the bad guys are homophobic (sorry Evelyn); our heroes are as forward thinking as they come. Hell, even Buffy had a moment to be wigged out by Willow and this was 1999! Anyway, look up what Lou Reed's parents did to him ('don't you know they're gonna kill your sons')

Let us not even discuss Reggie, who conquers racism through the power of athletics. Look up Richie Allen. Heck, watch the actual School Ties. It doesn't work out so well for David Greene in the end.

And then there's Fangs and Midge: first, rock and roll was seen as a huge menace, Fangs should've been on the school's hit list. Second, the writers obviously never read up on rock and rollers (who were generally older) and teen girls if they thought that was a good storyline. Third, they definitely never read any memoirs written by women in the 1950s, which all feature back alley abortions, slimy lovers, and shady doctors. (We don't even have time to get into Betty's idea of feminism being about sex all the time, everywhere, and becoming a burlesque dancer rather than, like, equal pay. Who knows, maybe she could have been the one harping on non-stop about the Beats and seen the cold face of her future there).

They didn't change anything. EC (sorry, Pep Comics) shut down. The Comics Code Authority won. So apparently all those artists who never worked again were just fine, right Tabitha?

[poorly-drawn-mdzs]

The Odyssey would have been a lot shorter if Odysseus gave the Cyclops weed instead of wine.

[t-u-i-t-c]

"You actually were alive?"

[sysig]

Hazing (Patreon)

[bitegore]

if your ocs were bosses in a video game, what do you think their boss fight would be like?

[daxite]

are people really mad that of all things shadow is actually kicking ass in the movie trailer, come the fuck on lol

[selfinflictedgunshotwound]

how do terfs grapple with the fact that they're white supremacist losers who think that women are weak essentially like adult babies but that they also bear the apparent brunt of all human pain... liiike ok which narrative are we going with

[gu6chan]

My hot Drakengard take of the day is that after playing it for like 110 hours and counting im very much convinced that ppl who still complain about the gameplay being a "slog" just aren't playing the game correctly. you can hate me for this but you will not change my mind

[insaneillusionist]

Me when I realize that I'm dying of anxiety.

[red-dragon-archfiend]

I don't have enough time or experienced with enough classes to write a detailed multiclassing guide, but for D&D players, especially new players, wondering if they should multiclass, the simple answer is "probably not". Multiclassing is, in general, bad. The game was not balanced with it in mind, and it's very easy to muck up your character if you don't know what you're doing. I'm not just talking from an optimization perspective, either; it's difficult to justify it narratively in a way that doesn't cheapen the significance of what class levels represent. You don't become a Bard by practicing the lute for a week. You can't become a Wizard without years of study. If you plan to multiclass, my advice would be to find some way of tying it narratively into your primary class somehow; an Eldritch Knight becoming a Wizard is sensible, because they already have an understanding of how to work arcane magic, they just need to spend some time focusing on that over improving their martial abilities to learn enough to start filling out a spellbook. Of course, that still takes a long time, but the Eldritch Knight's previous experiences mean they already know how to cast multiple spells already. If you want to multiclass for story reasons, ask yourself two questions: Is multiclassing really the best way to convey this change in my character, and, if so, do they have the adequate time, experiences, and resources to practice the skills necessary (physical training, study, spiritual attunement, etc.) to even START being that class? The reason I put so much weight into class levels is because the Player's Handbook itself makes a point to clarify what sets a member of each class apart from others who seem similar on the surface; not every soldier in a given army is a Fighter, chances are most of them aren't. And Paladins are even rarer! To achieve even one class level is a strong indication of skill and effort, and I as your DM would expect you to consider how your character achieves levels in a second class. My campaign features a Fighter/Warlock multiclass, and her patron is both the supplier of her occult magic, and her instructor, personally training her in her dreams, so she can level up in either class and it'll make sense. My favorite combination, Paladin/Sorcerer, can be explained by latent powers emerging in response to their experiences and the holy power they channel within themselves, perhaps a gift from their deity or the result of them or their ancestor slaying a creature like a dragon or vampire whose blood imbued the Paladin's bloodline with arcane magic. Maybe a Monk/Cleric comes from a monastery that reveres a specific deity, and that Monk caught their deity's attention, choosing the Monk for a holy mission. If multiclassing is part of your character's backstory or projected future, having a plan for it is key to making them still feel like a cohesive, singular character.

[weaselle]

it was too much i had to make my own post

line cook here. ACCURATE

if you don't get the hate, here's what you don't understand.

it takes up to 2 hours to close down the kitchen.

The last 60-90 minutes before closing time you do almost no cooking because the restaurant doesn't have many people in it and you've already cooked most of their diners.

So if someone walks in during, like, the last hour, the cook is in the middle of an industrial deep clean of the kitchen.

(these numbers can vary quite a bit from place to place but i have worked several restaurants with these actual times and the concept remains the same)

Say the place closes at 10. If you wait til the restaurant is already closed to start all your cleaning duties, you'll be there until at least midnight.

More than that your boss knows that on an average night you can start your clean up as soon as the last rush ends and get out of there around 10:45, even 10:15 on a slow night if you get lucky. That means there are plenty of restaurants where if you do take until midnight the manager is going to come up to you at some point that week and ask you what went wrong that night, and you'd better have an answer.

So this example restaurant closes at 10 pm. The dinner rush ends around 8:30, and shortly after that the cook is going to start getting every single dish possible over to the dishwasher because the dishwasher always gets hit hard and late, and the machine runs for 2 full minutes and only holds so many dishes, so the way that works out is if you wait an extra 30 minutes to give the dishwasher all your stuff it can mean adding like 60 minutes to the end of his shift. And you're gonna KEEP finding shit to send to the dishpit right up until you leave probably.

all these little square and rectangle containers in this cold table have to be pulled out and changed over into new containers, replaced by new full ones, or in some cases filled from larger containers in the back, which can result in even more empty containers to send to the dishwasher.

while it's all pulled apart to do this, you have to clean up all the spilled food and sauce and juices and stuff from the joints and ledges and shelves and drip trays

Once you get your line changed over in this way, and fully stocked, anytime someone orders something that makes use of a bunch of that stuff, you have to restock and re-clean it some. It might already be covered in plastic. Some of it might already be stuck in the back to make room to take apart your cutting board counter to clean. To cook a dish isn't TOO much of a problem at this point, but you're really hoping for zero orders because you still have so much other cleaning to do.

Meanwhile the salad bar and appetizer section and server station and everybody are all doing the same thing. Even the bartenders are stocking olives and lemons and sending back whisks and stir spoons and shakers and empty 4quart storage containers that used to hold the back-up lemons and olives and things. Every section is dumping their must-be-cleaneds to the dishpit as fast as possible because early and fast is the only thing they can do to to help that dishpit not absolutely drown into overtime.

The poor dishwasher is always the last to clock out, soaking wet and exhausted.

Around this time you probably scrub the flat top, which has turned black from cooked on grease and is still about 500 degrees. Line cooks are divided in opinion on water-based or oil based cleaning methods for this, but they all involve scrubbing with (usually) a brick of pumice stone using every ounce of your strength while you try not to burn yourself

you scrub it from fully blackened to gleaming silver and now if somebody orders something that needs the flat top to cook, you can either fuck up your cleaning job or fake it in a couple frying pans and pass that tiny fuck you down to your dishwasher (who usually understands, especially if you help them take the garbage out or clean your own floor drain later)

If there's deep fried stuff on the menu then the fryers have to be cleaned out, which includes straining the oil out into enormous and super-heavy pots full of oil so hot that if you spill on yourself then it's probably a hospital visit and if you slip and fall face first into it it'll be the last thing you ever do.

Then you gotta scrub out the fryer. Like you gotta take the (hot) screen out and reach your arm down into the weird rounded pipes and curved areas (so hot, burn you if you brush against them hot) and scrub off whatever is down there

Depending on your kitchen you might have to do up to four of these. Then you'll have to pour the (dangerously hot) oil back in

oh, and if you didn't dry the pipes and get ALL the water out of the trap and tank?

water reacts with hot oil in a sort of mentos and coke way that can send a tidal wave of oil past the open flame of the pilot light ...HUGE dangerous mess and/or burn down the kitchen if the oil lights up.

Unless! If the oil has been used too hard and needs to be changed, it's time to carry those open topped super heavy pots full of will-kill-you-hot oil and dump them in the barrel outside by the dumpsters so you can put room temp fresh oil in the fryers. whew!

The clean up is not just some light wiping down that can be easily interrupted, is what i'm saying.

You might have to do some kind of walk-in duty (moving around 50lb cases of lettuce and 50lb bags of onions to get to the stacks of five gallon buckets full of salad dressings and sauces to move so you can reach the giant metal pots and bus tubs full of prep and get it all organized and make sure it's all labeled and i have to stop now i'm having flashbacks)

THE POINT IS

by 15 or however many minutes to close, the line cook is doing an intense deep clean and probably has the whole stove taken apart to detail.

For some industrial stoves this means lifting off large cast iron plates that weigh like 20 lbs each and are still quite hot. Whatever metal burners are on there, you gotta take off and clean, you can see here the lines that indicate the large thick cast iron rectangles that sit on top of the burners to allow heavy pots to rest on. Those five (each has one front burner hole and one back burner hole, see?) have to be lifted off and cleaned with soap and a wire brush usually, and then the underneath area also has to be cleaned because a lot of shit falls through the burner holes on a busy night.

if you didn't do it when you did the flat top you have to do the grease trap (which can be like a full five minutes and is always disgusting).. You gotta clean out all the little gas jets in each burner with a wire or something so the burners all flame evenly, and sometimes you have to remove some of the natural gas piping that connects the burners to access where you have to clean.

you gotta clean out the bottom of the oven and the wire racks, and, oh gods, you gotta take down the filter vents from the hood fans above the stove.

See all the lined parts along the top of the wall?

those are hood vents, and as they pull air up they also pull a lot of grease and they have to be taken down and cleaned, then you gotta climb up there and scrub where they go before you put them back...

And then there's the mopping and floor drains and...

Anyway, that's what the line cook is doing when you walk in fifteen minutes before closing and order something that needs to be cooked on that stove. They are doing an entire industrial cleaning of a professional kitchen.

In some restaurants maybe one or two of these jobs will be every other night or even only twice a week, but in many, possibly most kitchens, ALL of these things happen EVERY night. You don't want to leave any food mess that might attract insects or rodents for one thing, so a really good kitchen is as close to brand new as you can get it every night.

IF YOU ABSOLUTELY HAVE TO ORDER SOMETHING ANYWAY, HERE IS WHAT TO DO

open with an apology and ask the server to go ask what the cook would prefer you to order.

Any good server will already know what the cook is hoping for and what will make their line cook go into the walk in and scream. If it's significantly less than an hour to close and they say some variant of "oh anything is fine" they are either telling the lie their boss wants them to say, or they actually do not know what their line cook wants, and you can either use human connection and a conspiratorial just-between-us tone to get them to drop the customer-is-always-right act, or get them to actually go ask the cook.

It might be as specific as "the lasagna is easiest on the kitchen" or it might be a simple guideline like "nothing that requires the flat top" or "any of the sautés are easy" but a good line cook will probably have a system for if they have to make a couple of the most popular items after they start their close, so the answer is likely to include something most people like and you should be good to order that.

but for the love of all that's holy, please only do so at great need. Leave that last 30-60 minutes to the truly desperate and the crew's duties.

[chronicdelusionistsart]

So I have been watching Danny Phantom for the first time ever with my friends and I'd kind of previously known about its reputation as a show whose fanbase dives a lot more into the lore than the show is willing to. And I guess I hadn't really understood why until now (I just finished Season 2!). Here's my sort of rambling thoughts on it.

Danny Phantom isn't a show about the horror of ghosts and the dead coexisting in the human realm. It's a show about dropping the most out of pocket lore implications you can imagine on people who in turn say things that would kill a therapist dead equally out of pocket, and then neither are addressed but the watcher has to live with the ghost of the plot that is right behind them but they can't turn around.

DP is a little hit and miss in places, but the very thing that drives people nuts about it is actually I think maybe its greatest strength: it really pulls off show, don't tell effectively. How much of that is intentional is up for debate, but the best episodes kinda leave you wondering, or sputtering like "UH, HEY, BACK UP - HEY BACK UP AND UNPACK THAT -" Is Danny's human body technically alive somehow, or is he a walking corpse? Does Danny have a door in the Ghost Zone? Were Vlad's clones feeling and sentient as they melted into ectoplasm, despite Danny's guess that they weren't? What does it say about Danny that he still erased his parents' memories after finding out they'd accept him as he is?

I think the genius of not answering these questions directly is that it's both funnier AND scarier not to. We can laugh about how fucked up it is and kinda hold our heads like "bro.... did they really just imply that, holy shiiiiiit", and that's really consistent with the emotional core of the show as this knife's-edge dance between teen comedy and horror superhero. Fully explaining the lore or being more direct about how the information is conveyed by and to the characters tips that balance and changes the show into something else, for better or for worse. And I really earnestly like it as it is, even if it's very of its time (sexism.......)! It's a really fun show with some depth to it.

Anyway, I can't wait to watch season 3! I sure hope all these wonderful qualities I like about it hold up!