#I don’t think I should even post it

[kingbeeleth]

i know i just posted something like 3 seconds ago but Whatever. Go forth my besties (ted and teto)

[deltaruminations]

what if gaster in a future chapter calls out the audience for speculating so much about him. the guy canonically has some amount of access to Real Life Social Media. like i started this mostly as a joke but there are definitely some real metanarrative opportunities for a character with recklessly curious impulses, and possibly a fragile sense of self, having nearly limitless access to streams of debate over whether or not he’s a bastard. rude to talk about someone who’s listening etc

[wybienova]

dream visit (nostalgia) - a 2nd anniversary katfl comic

[crismakesstuff]

so from what ive been seeing in the show so far it seems they’re gonna pair off paul with debbie and here’s why I don’t rly like it

btw in case anyone is wondering yes this happened in the comic and here’s comic paul vs show paul for comparasion

(At least they wont have debbie fucking a hospice patient in this)

while im normally all for “yes girl get that dick” in terms of Debbie’s character it just seems ,, cheapening to chain her to another man to show she’s “whole” now. Debbie as a character/person has little to nothing to gain out of this relationship realistically. Women can live without “needing”a relationship to make them complete. Especially after what she’s gone through, like thats a 20 year relationship its gonna leave emotional scars.

Also the show seems to have this AVERSION to giving debbie actual female friends for longer than 1 scene at a time. Like im happy she has Art as a friend but she needs a woman in her life. Like I loved the scene with Olga at the start of s2 and the interaction w Carol of the SOS group but! Olga went back to Moscow and debbie can’t return to the group of bc of alana’s ugly ass ex husband. Like if they MUST pair her off with Paul just like the comic at least idk show that her past trauma is affecting her? Show her being messy and making mistakes or even Paul pointing out like “hey I don’t think you’re in the headspace for this” and breaking it off

Maybe then have debbie realize she’s better off single and begins to focus more on herself now! She could get a good friend group (or at least one female bestie pls) and in that stability of being single and with more immediate support in new friends! Show her taking up new hobbies to occupy her time outside of her job and enjoying life without ‘needing’ a partner, no characters growth should be dependent on a romantic partner!

It will make whenever nolan drags his sorry ass back to earth to see her that much more hard hitting because she doesn’t need him, he needs her. it’ll add so much more depth and struggle to him just trying to regain her trust and then if the show does do them getting back together it’ll actually feel more earned instead of happening off screen which I hated.

Also bc in the comic debbie breaks it off with paul bc after she sees nolan again she says “it didnt feel right being with paul anymore” like,, its so bs. Comic debbie has no self respect.

Ok thats all bye bye

[tennessoui]

it’s like baby gorl there’s no way I, the author who wrote the fic you’re commenting on and who is the intended audience for this comment, am gonna agree with you 😿🙏 some things can just stay on your chest 🙏

[griancraft]

Hi guys, this is sort of my official "please, for the love of god, listen to Skyjacks with me” post because I’m losing my mind and all the content I can find is from the latest stuff right now, and I don’t want to spoil myself. I want to be able to talk about this with people!!!! I will make a watch (listen) party discord if there is enough interest. Just give it a chance; you won’t regret it. Also, some information may be wrong or outdated. I’m on episode 11 out of over 200.

Skyjacks is a ttrpg podcast about sky pirates in a world where there was a catastrophe about 200 years ago that left the sea unsafe to sail and maybe even damaged the entire world to the point where civilization is scattered and in small groups. There is very casual queer rep, and it’s casual to the point where it really just fits into the world perfectly.

A brief summary of the premise of the first episode will hopefully get you hooked. I’m really bad at summaries, but I promise it’s a billion times better than how I talked about it here:

Captain Orimar Vale is dead, and a mutiny will be on Gable, Jonnit, Travis, and Dref’s hands if they are unable to keep up the ruse of him being alive. To do this, necromancy (deeply forbidden magic) is performed by the Dref, the ship's doctor, to turn him into a semi-functional zombie. Captain Orimar is famous for his abilities as a captain; to replicate this will take great skill.

As they run out of supplies, they make a desperate decision: port on the land of one of Orimar’s scorned lovers or deal with the growing uneasiness of the rest of the crew. They haven’t seen their captain healthy in months, and whispers about his health are starting. However, greater danger will await them when they take to the skies again, lurking just beyond the clouds…

And more propaganda as to why I think you guys will like it:

There are unique and interesting gameplay mechanics they use to tell a really cool story, and if you like Hermitcraft or any other sorta storytelling-based SMP, I promise you’ll like it. Like. If you liked Boatem from Hermitcraft 8, you’ll love the characters in Skyjacks. The players are exceptionally good at playing their characters, their humour is unmatched by anything similar I’ve had the pleasure of seeing, and the story is prioritized, which I think is an amazing choice.

Best part? It’s still ongoing after, like, 5 years. Some people have left, but a good chunk of the OG cast has stayed. Not that leaving is bad, because holy crap, 5 years is a long time, and stories have to end at some point! It’s a good way of getting into something and knowing there is still a shit ton of content to be explored.

The music is good. The story is good. The characters and humour are amazing. The lore of the world is sprinkled throughout, and as you learn more about the world, the more excited you get. It’s incredible so far, and if you decide to listen to it, I will actually love you forever and ever. My boyfriend is on episode 190, and he finds it so funny every time I go. Oh my god, this is so cool.

Link to the podcast, but in a playlist (up to 180). So it’s in order and easy to find, since it’s a part of something else from the oneshot network:

[i-may-be-an-emu]

Kiss Stats

decided to count how many times each of the guys have kissed (on stage) that we know of

AJ

AJ + Luke 3 (1 fringe, 1 old show not posted)

AJ + Sam 6

AJ + Tom 7 (2 fringe)

Luke

Luke + AJ 3 (1 fringe, 1 old show not posted)

Luke + Sam 13 (2 fringe, 1 irl show not posted)

Luke + Tom 4 (2 fringe)

Sam

Sam + AJ 6

Sam + Luke 13 (2 fringe, 1 irl show not posted)

Sam + Tom 6 (2 fringe, 1 old show not posted)

Tom

Tom + AJ 7 (2 fringe)

Tom + Luke 4 (2 fringe)

Tom + Sam 6 (2 fringe, 1 old show not posted)

(Fringe means that that’s how many times they kissed at fringe this year and that we don’t have any footage (apart from a couple of photos taken by audience members) of it (yet(?)). Irl show means that someone in the audience at one of their shows saw it, and old show means that it’s something we only have a screenshot of, from a show from early sfth days.)

Note: the stuff in brackets is included in the main number- for example AJ and Luke have kissed three times, and one of those two was at fringe. So there’s 3 kisses, with 1 at fringe.

EDIT:

was looking through my photos and realised I missed two

anyway I missed a Sam and Tom kiss and a Luke and AJ kiss (pictured below because these aren’t really known)

the above stats have been edited with this info.

[fishing-lesbian-catgirl]

I can imagine anything guy image: “I can spiral into tears and convince myself I’m the worst person alive over anything”

[leverage-ot3]

okay I’ve seen a lot of posts about sterling just being crowley and. guys. the implications just hear me out 😭😭😭

bending lore slightly here BUT let’s say crowley’s body was once inhabited by a human and crowley is possessing the body (maybe he kills the initial inhabitant bc he doesn’t care)

but he still has the guy’s memories. he doesn’t bother keeping up appearances with his ‘ex wife’ because he is too busy building up his hell empire. BUT for some reason he can’t quite identify, he still feels something towards his ‘daughter’. he lets the divorce happen and doesn’t feel the need (or desire) to fight for custody, but he can never quite forget her, to cast her out of his mind for good

some hijinks ensue with the leverage team. it’s mostly because even a grind culture demon wants some off time every once in a while, and for him the insurance investigator stuff is more of a hobby. interacting with the leverage crew is very low stakes for him, and honestly, quite amusing. they aren’t on his level power-wise, but that ford character gives him the mental exercise he hasn’t experienced in, well, he can’t even remember

he can feel their frustration and anger when they learn he has become employed by interpol and feeds off it. it’s great, and relaxing in a way he is never able to achieve while conducting hell-related business

one year he gets wind that olivia is in a really bad situation associated with his ‘ex wife’s’ new husband. he’s selling vital hardware to terrorists, and while that might actually be the kind of chaos he would normally support or be entertained by as the king of hell, something feels wrong about letting olivia stay anywhere near that man

he calls upon the body’s adversaries. he wouldn’t admit it, even under duress, BUT he feels slightly fond of them. nate for the three dimensional chess they play, sophie for her ability to charm and disguise, parker for her chaos and slightly unsettling nature (it’s the autism swag and being bad with human interaction but he doesn’t know that lol), hardison for his unapologetic intelligence and eliot for his hardened violent past and take-no-shit persona (he’s fun to tease)

they perform exactly as he expected, right into his carefully crafted plan. and then olivia is under his care and things get more complicated. he keeps her FAR, FAR away from anything related to the supernatural (heh). no one can find out about her, ESPECIALLY not those imbecile hunter brothers (if for nothing else than the embarrassment in revealing he has a weak spot)

not sure how to work it into this post but I also want to add that somewhere along the way he develops feelings for nate and sophie. the frame up job is near and dear to my heart and you can’t convince me that isn’t fighting as flirting behavior. his interpol persona is more of a side hustle so to speak, but he finds it fun (relaxing, even) to fill that role. there aren’t any obligations of other demons, bothersome hunters, or anything like that. nate and sophie are low stakes, except, they aren’t, really. they make him feel things he can’t ever really remember feeling. his heart beats fast when sophie sat in his lap and cradled his face, his hands sweat when nate gives him that certain smug look. he’s exasperated by the way they can run circles around him like no one else has ever before. they annoy him and get under his skin in a way no one else can and it’s infuriating. but also not, at the same time. maybe he likes it

and then the long goodbye job happens

hear me out and suspend your belief here for a second, because I can’t remember if crowley supernaturally knows when ppl die/are dead or not.

so nate is in interpol custody and the interviewer is obviously out of her depth. (most people are, when it comes to nathan ford.) he walks in and pours the man a drink, but he’s fuming. somewhere along the way he came to care about the team. hell and suffering is literally in his (official) job description, but he can admit (only to himself) that he admires what they do. it’s not for him, not anything close to where his passions and interests lie, but he respects their drive and purpose. he is also aware enough to acknowledge that they are a family, a group of misfits that never belonged quite anywhere except to each other.

and nate fucking blew it up, ruined it, because his vice is being so obsessed with the end game that he is apparently willing to let his team, his family, the people that anchor him to reality, die because the ends supposedly justify the means.

not this time. not to sterling crowley

he is enraged. he can admit within the confines of his mind that he cares for nate, for sophie, even for the other three (though nate and sophie have somehow made it a hierarchy where they are more important to him. which he will dissect later in private. maybe.)

nate let them die, he let sophie die, and for what? the black book? hell below, crowley would have made things easier somehow, if he knew that this was where nate’s sights had lied. he would have prevented this somehow. he wants to have prevented this. he doesn’t want any of them dead and is too afraid to check and verify because that would make it real. the idea of sophie (or any of them) somehow making it to hell instead of heaven would probably break something in him he might not be able to reapir fully.

he yells at nate- he’s angry. hellfire burning in his heart because everything is ruined. the deaths aside (however hard it is to set them aside in his mind), nate will not recover from this, not ever. this will be the start of the end, he is sure. a miserable, guilt-ridden existence where he drinks himself to death and nothing will save him. it plays out in crowley’s mind in a thousand different ways that are beyond painful to conceptualize, even in theory.

the story starts to unravel and there is a game afoot. a solemn, miserable, infuriating game because the con is still in session because parker is alive and in the building- which sets another fire alight in his chest. ‘parker even know you got hardison killed?’ he rages for her grief when she finds out. he knows it will double when she finds out eliot has perished, too, because he isn’t fucking blind.

but nate is a brilliant man, lest he forget too quickly. they are all alive, and somehow still the entire crew slips through his fingers. he’s not even angry (he never would have been- he doesn’t actually try too hard to catch them. it’s about the game, not the consequences). he lets them keep the black book because he’s fucking exhausted and honestly, they more than earned it.

‘now we’re even. tell sophie to drive carefully’. they will never be even, not really. crowley would never admit or agree that being human is the superior state of being, but that have made him feel human in a way he doesn’t actually mind. they keep him on his toes and match him in a way unique to them, they remind him that there are other things than the realm of hell. not necessarily bigger than hell, but maybe just as important in a different sense.

watching the van drive away, something inside him settles. when he walked into the interrogation room that day he thought this was the beginning of the end. it’s not the end at all, not an end to anything. it’s a continuation of their story. maybe, he thinks, a beginning to a new era in it

[canon-gabriel-quotes]

thinking of that one "please?" clip. could you or perhaps anyone else reading this make a gabriel soft spoken lines compilation............... like in a similar tone to the ferryman hologram lines or the aforementioned please clip. that shit is like crack cocaine to me

The “please” one is the only one of its kind. This is the premium top shelf once in a lifetime shit and that’s why im so normal- and. wait. chat who keeps leaking my coordinates im going to jail (YES THIS WAS ABOUT THE PLEASE CLIP OUR COVER IS BLOWN. AGAIN.)

Coughs.

But I do have a few that you could categorize as “the ferryman would have this replaying on a loop”. Not a lot but they exist.

As for making a comp I could try but I’d have to post them all separately first and then probably make a post with links to them all. Cause they don’t really fit together for 1 post. Some are like self care and others are blatantly horny lol

I just have to remember to do that (has the memory capacity of a peanut)

[courageisneverforgotten]

need I say more

[jelly-fish-wishes]

My favourite gag for Dimentio

[aquared]

my brain : stop making self indulged designs for your au and calling them “ concepts ” you’re only gonna get attached and use them anyway

me asf :

[starryluminary]

Dating sim where Noah’s the playable main character and the goal is to get with one of a wide variety of campers on the island (to his protest)

[ssruis]

Saw someone say it wasn’t realistic that rui is now liked by more people & he should have to experience more social rejection and be fine with it for an arc because it’s “not realistic” & (extremely loud incorrect buzzer) uh oh! looks like someone failed their rui kamishiro classes.

A lot of Rui’s issues with connecting with others/being disliked by his peers had to do with people just not understanding him - assuming he was dangerous, that he was willing to put people in harms way, that he was just a crazy director. There was a massive gap in maturity, of course - if you put a super genius (autism coded) child in a group with average kids, he’s going to stick out. RMD shows this pretty clearly. He attempted to reach out through using shows as a common ground, which didn’t work.

Now that he’s in high school, and his peers are more mature, those who actually speak to him and spend time with him are able to recognize that he’s actually a good guy. Look at his relationship with Akito if you need an example. Additionally, through tsukasa & wxs Rui was able to realize he could connect to people outside of shows and he stopped acting very… indifferent to everyone around him, which also helped with making friends. The pandemonium crew were a special case because they all thought Rui’s knowledge/inventions/etc were cool from the get go, but other students… did not share that opinion. And still don’t.

There are a lot of examples I could bring up, but the 2nd card story in Rui’s “Brand New Style” 2* (TL Haruka’s penguins) is one of the best:

2nd year (greening) committee member A: Well, I’m still attached to the plants I took care of, so I thought I’d take care of them until I graduate.

3rd year committee member A: That’s understandable. Besides… ever since Kamishiro-kun joined us, it’s been much easier to take care of them.

2nd year committee member B: True, the flowerbeds aren’t getting vandalized anymore!

Rui: I don’t think I’ve really done much… but I’m honored to hear you say something like that.

3rd year committee member B: Yeah, I’m really looking forward to working with you again this year, Kamishiro!

Rui: (The atmosphere of this committee has changed a lot.)

Rui: (When I first joined, the looks everyone gave me weren’t exactly ones of “welcoming.”)

Rui: (Now, though, I seem to have gained their understanding. I’m grateful.)

Rui: (But…)

1st year committee members: Hey, isn’t that the senpai we heard those rumors about? The one from the weirdo one-two finish…

1st year committee members: That problem child who flies drones and conducts dangerous experiments in school? Why does he have to be in the Greening Committee…? I thought it was meant to be a peaceful committee…

Rui: (… Well, I suppose it can’t be helped.)

[rui is asked to be the one to explain greening committee’s responsibilities to the new 1st year members]

Rui: Would everyone please follow me?

1st year committee members: O… okay…

[scene change to outside]

1st year committee members: I never thought I’d end up getting involved with the senpai from the rumors like this…

1st year committee members: My friend’s older brother said to stay away from him because he’s supposed to be dangerous…

Rui: We’re here.

1st year committee members: O-okay!

Rui: All the flowerbeds facing this schoolyard are managed by the greening committee.

Rui: We’re in charge of daily watering duty, but we also work with the soil and plant new flowers during committee time.

Rui: The seeds for the flowers over there were planted a few months ago by the committee members. I’m glad to see the buds have finally sprouted.

1st year committee members: Hmm, you’ve been growing them from seeds, these flowers —

Rui: Ah, please be careful when you go to touch the flowers. It’s difficult to see, but there’s a net in front of the flowerbed.

1st year committee members: Woah, there is…! I didn’t notice at all, but there’s a net of threads like a spider web…!

1st year committee members: But what’s the purpose of that?

Rui: This flowerbed is positioned in quite a precarious place.

Rui: The flowers planted here were often crushed by stray balls from the tennis and softball clubs.

Rui: In order to protect the flowers from such accidents… but also to avoid spoiling the scenery, an almost invisible defense net was made.

1st year committee members: “Was made”… Did you make it, Kamishiro-senpai?

Rui: I did. I felt sorry for the flowers, you see.

1st year committee members: … Someone who’s known for dangerous experiments is working with the flowers…

Rui: … Oh dear. This flower seems to have withered.

1st year committee members: Ah… If it’s withered that much, I doubt it’ll grow anymore. You’ll be wasting the nutrients of other flowers, so it’s better to thin out—

Rui: … No.

Rui: I’ll put this flower in another planter and take care of it.

Rui: When it’s recovered, I’ll return it to this flowerbed. It should be together with everyone else, after all.

1st year committee members: Kamishiro-senpai…

1st year committee members: … I will do my best as a greening committee member.

1st year committee members: Senpai, please teach me a lot!

I think this card story is a microcosm of how he started to be more accepted at school - 1st years are scared of him, then they spend time with him and realize he’s not Some Insane Dangerous Monster but instead a nice guy (… when he’s not being a freak), and are like “oh ok he’s not a bad person we accept him.” Crucially: there are still other students who don’t accept him. & Rui has never really had an issue brushing this off, even if it’s obviously not something he enjoys experiencing.

I could talk at length on how I think this is actually a pretty realistic portrayal of what it’s like when you go from being really misunderstood (and therefore unliked) as a kid and then have an easier time making friends when you’re older, but I don’t think that’s necessary. I will say that I think if pjsk elected to instead constantly hammer in the fact that some people still don’t like rui it would kind of run against the story’s message of improving your life. We don’t need to dwell on sad things constantly in the Hopeful Hatsune Miku Game. But whatever ¯\_(ツ)_/¯.

The thread also mentioned that Rui should have been more upset in BLF over not immediately succeeding, which I don’t have as much to say about beyond. No? It shouldn’t have? Why would it? Rui himself acknowledges that he’s not as well versed in the world of movie directing, and he’s always been eager to learn, which is a sign that he knows there are gaps in his knowledge. Similar to the rest of WxS, setbacks regarding his passions are something he views as an opportunity to improve.

Also. Rui *has* failed before as a director, just not on a massive scale. He mentions regretting type casting Tsukasa up until the torpe show, he mentions being at a loss for how to help Tsukasa in Phoenix, he talks about how his lack of singing knowledge was detrimental to Nene’s growth. I agree that it would be interesting to see him struggle in a big way with directing specifically, but it’s just not true that he’s never failed at anything ever wrt directing.

[chibishortdeath]

Alright I’ve thought about, I’m gonna actually start posting some of my criticisms of Netflixvania starting with the first season. I actually have a notepad document on my computer somewhere that’s just various rants about it that I’m gonna take from lol

Rant under a cut cause it’s long, spoilers, and also cause uh tldr I do not like the show 💀

Ok let’s start from the beginning of the show, episode one.

The first episode isn’t terrible, it’s a bit rocky, some red flags here and there for what was to come, but that’s kinda expected of animations like this. It usually takes them a couple episodes to pick up and grow into their own, so I was skeptical, but not gonna knock it entirely when I first saw it.

My biggest criticism of this episode was the complete missed opportunity to introduce certain characters from this section of the series’s story. Imagine if they had shown Isaac and Hector in the background of the castle or something at this point for foreshadowing later, as they would’ve already been studying under Dracula at that time. Imagine if that old woman Lisa helped ended up being one of Lyudmil’s family members, cementing them as friends of her for later. Alas, Netflix just decided not to use most of the already written backstories for most characters. But eh, that’s getting into nitpick territory.

And then the second episode happens… I honestly genuinely hate the concept of the Speakers and it’s because they completely replace a much more interesting (especially for the tone and themes they were going for) group for Sypha to be a part of: The Church. In the game, Sypha is a witch, something that’s currently not very good to be at this time, however the church employs a bunch of male wizard soldiers. This is already a perfect opportunity set up and ready to go for them to make their points of the church being hypocritical, add some intense dramatic irony with maybe the audience getting to know Sypha is a witch before anyone else does and seeing her interact with a bunch of people who would have her dead if they knew, and create a super conflicted situation where these church soldiers all die during their encounter with the cyclops, but yet they scrapped it for uh random group of magic users that kinda exist entirely for a plot that didn’t need a new device to work. And Sypha just being all hood down and no hiding just takes away something interesting about her character, making her kinda bland in the process. Like it’s one thing to have the Girl™️ who owns the braincell trope and another to have a character with some actual immediate conflicts. They totally could’ve played up the “oh no if Trevor knew would he kill me” dynamic, especially with witches being commonly lumped in with ‘monsters’ in a lot of other media and Trevor being ya know a monster hunter. And already just from this one design choice she completely loses her symbolic putting the hood down scene for much later in the story to show that she actually trusts people and feels safe enough to not need to hide anymore because she’s got people on her side now.

Also the lack of Grant is just a crime in itself. Grant could’ve worked perfectly as like the everyman of the group. Hell, with his background of being a former noble turned thief presumably after hard times to straight up losing his entire hometown to flames and leading a revolution about it, Grant literally has like almost every common not magical vampire hunter person experience. He could’ve given the group any of those perspectives and been told the perspectives of the vampire hunting life he hasn’t had, ya know? And he’d help differentiate the personalities and humors of the group in general. I literally can’t think of a negative to having Grant in the group.

So we were robbed of character development for Sypha and the existence of Grant, what’s next—

The Bishop character is someone that could’ve been interesting if he was written with any kind of nuance, but instead he’s extremely on the nose and blatantly laughably evil. Otherwise this guy is pretty forgettable besides how lame it was that they used Blue Fangs to kill him instead of ya know an actually recognizable enemy. Like the Blue Fangs design wouldn’t be bad if it was in literally anything else, but compared to the designs of most Castlevania monsters it’s just really lame. I’d’ve even accepted a Warg or something, idk. Personally I think having Death walk in taking the form of Zead and going through that speech while eventually turning into the skeleton form we know him as woulda gone hard but for some reason Death isn’t a thing until seasons later which sucks.

I also absolutely hate Alucard and the Cyclops being in the catacombs! Hate it! The Cyclops kinda had like a courtyard area for it and made sense being there since it was standing guard on the way to the castle. Literally what it is even doing in the catacombs 💀💀💀. Standing guard for… eepy Alucard? Why??? And the whole sleeping soldier thing or whatever they called him is just so obviously an excuse to have him appear faster and make it seem like it tied into the plot. Alucard absolutely should not have been introduced to the main group this early on because again that robs him of a bunch of opportunities for background and character development. He got maybe the one oh no dad don’t commit mass death that’s bad scene and nothing else when they had plenty of time to show him initially following his fathers orders and eventually growing to stand against him. And again??? Missed opportunity for anything radio drama related??? Like if there’s any opportunity to get any of that story more known it’s in an animation? And besides, it’s less work to just use whatever materials and supplemental materials already existed for the game!

Dracula’s Curse and CoD have:

Two games

Two manuals

Three manga (TokyoPop and Preorder)

A couple game guides

Flashback sequences in a radio drama

Flashback sequences in SotN AKA: the game everyone knows

A ton of references in later games cause IGA is a big Dracula’s Curse fanboy

Pachinkos

That is plenty of material to make an animation based on, especially because most games don’t get half of that, especially not NES games. They were literally handed like the NES game to adapt lottery and decided not to scratch like half the ticket 💀💀💀.

Alucard also being able to levitate kinda negates a lot of things. Like what the hell is the point of having a bat/mist form and a double jump then? If he can just be flying vampire Jesus immediately or whatever people call him idk. And you can’t tell me Alucard wouldn’t be painfully embarrassed if someone ever saw him shirtless come on this is the guy that wears like 5 layers of clothing in every game he’s in to the point that even in the modern era he’s choosing a suit over casual clothes. Every action he makes in this introduction to him is obviously fanservice for the sake of fanservice with very little thought behind it, except I’m not feeling very served right now. And having Trevor kinda lose that fight is a reoccurring problem this show ends up having: putting down other characters just to make certain ones get the cool fanservice moment. Contrary to what the writers of this show may believe, it actually doesn’t make me go “oh wow, Alucard is so cool and much badas”, it just feels weird and uncomfortable that Trevor is getting cheated out of one of his canon achievements because the writers preferred one character’s tits more than him.

So, basically, the show starts out with missed opportunities, concepts and characters getting cut out, watered down versions of characters that did make it in, cheap fanservice, poor explanations for things, etc etc. this all culminates into a resounding m e h + dread for later seasons being worse (boy was I correct on that fear lol).

Here’s some other things for the first season I didn’t know where else to fit:

None of the humor hit for me at all, like not a single joke. The humor was either a no response at best, but definitely a physically wincing from secondhand embarrassment at worst. Related to this, I feel like most of the dialogue reads like either someone who just learned what swear words are and thinks they’re really cool and funny or genuinely forced. At times most of the characters talk with the same delivery, cadence, personality, etc, it’s really obvious they were all written by the same person or group. And that even goes for background and side characters, too. This is a criticism I’ve never seen said: I really don’t like the voice acting in this show. I’m sure it’s no fault of the voice actors at all, but there were times in this where I either could not hear characters properly or could not understand characters properly and I had to watch it with closed captions on. The clearness and volume of the characters voices varies A LOT even just between scenes sometimes. And that combined with all the characters having really similar speech patterns, there were a lot of times where if I looked away from the screen, I genuinely could not tell if it was Alucard or Trevor speaking cause it sounded like it could reasonably have been either of them (and in some cases it literally didn’t even matter that much which character was saying what). It’s an absolute tragedy that the color schemes in this show are not remotely similar to Dracula’s Curse too. I understand why some color combos wouldn’t make it for eyestrain reasons, but the pixel artwork in all the NES titles is beautiful. Same goes for music, like I am never going to forgive this series for using Bloody Tears for a Dracula’s Curse ‘adaptation’ and not Beginning or Aquarius or Dead Beat or Ghost Ship or Clockwork or— ya know? These are two things that the series are really known for so you’d think with some of the fanservice they did they’d be all kinds of ready to use stuff like that for more of it.

Anyway, past season one is when I started watching the series primarily through clips/episodes reposted on YouTube or elsewhere cause I had completely lost any interest in it. I’ll probably go through synopsises online again for season 2 just to try to better remember what happened in that one because I do remember having very little good to say about season 2 as well and I gotta do that research so I can hate things properly :3.

There’s a certain part of this where I just kinda blanked on things to even say, partially because Season one is kinda bland in general, but partially because I started getting sleepy while typing. So if I feel like I missed anything season one specific I’ll just put it in the beginning of the season two post. d(_ _ )