#I do good work sometimes!

[guardevoir]

In other news, I'm on page 96* of my masters thesis.

So in case anyone was wondering, yes, you can get the actual writing part of a thesis** done in 4 weeks. Would I recommend it? Absolutely the fuck not, but my ADHD hellbrain demands stupid schedules, and at least I actually left myself a substantial amount of buffer for editing and shit and I'm right on schedule, so this is as reasonable and Hinged™ as it's gonna get with me.

Point is, if y'all ever had any questions about the actual "letters" part of medieval manuscripts*** as opposed to the pretty pictures****, now would be the time to ask lmao

I might nerd out about thesis stuff of my own volition some more at some point too, especially because I actually noticed some pretty neat shit here and there, but I need to get the damned thing done first before I throw myself into that rabbit hole. ---

*of 100. About 32k words thus far, not counting footnotes. Haven't added images yet (which count towards my page count), but I'm also gonna yeet a couple chapters so I think it'll work out quite nicely

**of above-average length no less! Standard for most related subjects at my university is 80 pages, I have no idea why my subject in particular wants 20 pages more than that

***(especially pre-11th century but I'm aware of later medieval and early modern shit too I guess)

****I did a bunch of art history too I guess but manuscript illumination isn't my specialty

[cj-the-random-artist]

Is this my best comic ever?? Nope. Do I think I characterized either of these two particularly well in this comic?? Not really. Did I spend an unreasonable amount of time on it to the point that it would be a waste to not post it?? Yes, yes I did.

I really committed to this one, spent a lot of time on those backgrounds and treated myself to ample suffering with the perspective, which is not my strong suit but I am happy with how it ultimately looks. Yay perspective and background practice!!

(Tbh I shouldn't talk like I think this one sucks, I think I've just been staring at it for so long that my brain has decided it's not good and it's actually way better than I think it is, and honestly I am quite happy with it. The artistic process really is something, isn't it?)

The inspiration was basically me reminding... myself... to take breaks sometimes... by drawing for several hour stints during my only little bits of free time. Which totally tracks. Probably. But I've been rolling around in my brain this idea that Lambert is a very uptight people pleaser and anxious workaholic, but Narinder, at least since adjusting himself to the circumstances (which probably took at least a century, maybe two) has discovered the joys of self care, and has made an active effort to chill tf out. This has not made him any less terrifying to the cultists (save for Lambert's closest disciples), nor has it made him friendlier to really anyone but Lambert (and maybe his siblings), but he sure has found some serious peace of mind. That said, I can't place what his motivations are here. Perhaps he is secretly concerned about Lambert's sanity, because he doesn't want them to turn into what he was, or maybe he's just trying to steal away some quality time with his one and only friend, but regardless of the reason, I spent too much time on this for nobody to see it, dang it.

That said. Enjoy this silly little comic that I spent way too much time on, and I hope this silly comic brings you some joy today.

[hinamie]

sry i have chronic only draws megumi disorder the doctor said it's terminal :/

[clownowo]

been replaying the Portal series I think this is where its heading

[howlsnteeth]

24/05/2020

[inkskinned]

i wrote an interactive poem for my girlfriend in 3 parts. she said you need to read it.

go here: take only the final quiz or take all 3. i don't mind. it's sad, though. this is a poem about choice. about fate and mental illness and how love fits inside of all of it. this is a poem about a long dark hallway. mostly this is a poem about mango sushi rolls.

good luck. i love you. despite it all, i'm hopeful.

[obsob]

once more around the sun!! :3

[bamsara]

I love Arson he's my favorite heater but I should really get a cheap laptop one day so I can leave the house to write because the Noise. Is . Too Much. I need to go write in the forest

[turtleblogatlast]

AU where Leo is trapped in the Prison Dimension for months instead of minutes and the only way he gets by with his sanity intact is through recording himself talking to his wrist comm.

When they finally manage to get Leo back and make him rest up to heal, Donnie can’t help but listen to the recordings left behind.

He’s not sure what exactly he’s expecting, only that his subconscious is screaming at him that it has to be heartbreaking, that it has to be torturous.

Instead, what Donnie is subject to is a full thousand hours�� worth of Jupiter Jim and Lou Jitsu crossover fanfiction. More than one part in the series. Spanning well over a million words.

(The worst part is that it’s actually good.)

[lurukifennecfox]

Gotham was welcoming of Amity Parkers.

not as loving as with her own but she was way more patient with the people of her friend that any other outsiders.

so the people of Amity those Liminal and aware of her tried to pay her kindness back, to a reasonable degree of course but they could help and she let them stay so they did.

Paulina took it upon herself to make a nice place in the fashion district, she sold some charms to help with the curses as much as she could.

Sam being Sam opened a surprisingly Ivy Approved community garden and was very hard to convince not to join the Eco-terrorist but they managed to, thankfully.

the Fentons designed filters to help the 'Parkers but it was good for the city too if too little to do much.

Val hadn't moved here (yet) but she visited often enough and each visit volunteered somewhere.

Gotham grown to adore them almost as their own, she even hid them from the bats for a while to let them settle (and maybe help her more before her Knight inevitably got paranoid)

Gotham laughed when her King stumbled into her Red Knight, you could hear it in subtle ways the sounds of the night flowed just a little too much like a giggle.

Hood did deserve more good things she's proud of herself!

[mamawasatesttube]

yknow how sometimes dogs will hunt things and be like look i did so good!!! yayyy i got you this!!! bc theres a comedy story in my mind in which krypto decides he likes kon's friends and wants to give them presents too! and. well.

krypto leaves a dead bird on tim's pillow and tim goes oh shit fuck is this an oblique threat that someone's discovered my identity as one of the bird-themed heroes in gotham? but then why's it a fucked-up looking pigeon and not a robin or a rook (if youre like me and like tim taking on the name rook later)??????? and why is it so mangled and burned what does it mean is this a threat of a specific way someone wants to kill me?!?! who could it have been from?! when did someone even break in and why didn't they trip any of my alarms?!?! fuck i have to cancel my plans with kon and bart later shit i don't even know how i got compromised so i don't dare see either of them in public i don't want to risk them--fuck fuck fuck how did this happen i don't understand and why is it a pigeon and

meanwhile krypto is just like. :3c i did so good i am SUCH a good dog i leave him presents :) yayyy!!! i even cooked it for him. with heat vision! yaaayyy!!

so tim phones up kon like "listen we can't meet up this weekend i'm so sorry i think i've been compromised--" and goes on about how he needs to go on lockdown alert mode until he figures out what happened and who found him out and meanwhile kon's just. go back. the pigeon. describe that again.

tim describes the fucked up mangled burnt pigeon. and kon, who has dealt with his fair share of Superdog Presents and thought they'd come to an understanding about "krypto you can't do that you'll DECIMATE local wildlife" and such, just narrows his eyes. turns to the dog bed next to him. goes ……………………….. krypto.

and krypto's like :) wag wag wag :) yes thats me :) wag wag :) im good dog :) he is SO pleased with himself. thats one mystery solved!

this ends in tim, haunted, sitting at the farmhouse kitchen table while ma frets over him and makes him hot chocolate, kon wraps him in a blanket, krypto licks his feet, and lois is just like. yeah. been there. just be glad it wasn't sea monsters.

[poorly-drawn-mdzs]

Gaslight, Gatekeep, Girl found dead in a hidden room.

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[abby-howard]

I'm going to be asking a lot of artists I follow this question, but how did you develop your style? It SEEMS like most people find their style and stick with it forever, just making improvements and iterations. I tend to work in a lot of different styles because I enjoy doing that, though I know there are things I gravitate towards as well. But I wonder what your journey was and how you got feedback and improved while staying true to what you enjoyed?

Hi there!

I definitely wouldn't say that I've found my style and stuck with it forever-- I feel like each of my projects has asked for a certain kind of art, and has presented new challenges that push me in new directions.

Some of that comes from seeing someone else's work and having something click into place that might fix errors/faults in my own, and then I might try to incorporate that, such as bigger outlines on my characters to help distinguish them from the background, or maybe a way someone else simplifies eyes that can help make mine look less weird.

When I first started drawing, I can see where I encountered certain influences because my sketchbooks suddenly switch to incorporating some new stylistic element that I liked from whatever I was reading/watching at the time. But it was never QUITE right, it was never just copying, there was always something ~wrong~ with it. And that wrongness was my style! As much as I hated it, that was what distinguished my art from being just a copy of someone else's. I hate it less now, and understand that other people see something there that maybe I don't, because it's just what happens when I filter other people's work through my head. My soul, if you will.

There are definitely through-lines with my work, driven by what I like drawing and what comes easily to me-- hatching is almost always a major component, and I like making expressive characters. Here's some of my earliest available stuff, from my old webcomic:

Then not long after that, I started The Last Halloween, which pushed me to challenge myself in both layout and style:

And here's the same comic, years later:

And here's a series I did for kids, where I had to use full color and lay off on the hatching, as well as learn how to reconstruct animals that we have no photo references for, which is definitely a place where style comes majorly into play, whether I wanted it to or not:

Then there was the horror book I did, where I tried to push my work to be less cartoony overall, and to work very hard on improving my hatching:

Then I started work on Scarlet Hollow, where I incorporated a limited/muted palette and had to once again push myself to make less-cartoony art, as well as learn more consistency so I could draw sprite sets. This was a big challenge for me, and has helped me grow as an artist so much!

And most recently, I wrapped up work on Slay the Princess, which required that I go back in the cartoony direction, but in a very different way than I was used to. This took a lot of sketching to figure out, and there's still a decent amount of artistic stumbling in Chapter 1 while I settled into it.

She's drawing on anime/Disney influence, but each Princess required a bit of stylistic variability. Some are more anime, while some are more realistic than even the Scarlet Hollow characters.

So I wouldn't worry too much, honestly! A person's style is often something that reveals itself over the course of their career, rather than something they choose and then try to stick to forever.

Even if you don't think you have a style, you do. It might vary a lot piece by piece, especially if you're trying to closely imitate another person's art, but the more work you do, the more you'll figure out your own strengths and interests!

[non-un-topo]

To the next adventure...

Image description and details under cut

I.D.

[A drawing of Nicky, Joe, Quynh, and Andy from The Old Guard. They are all in profile, walking in a straight line facing the sun. They are dressed in medieval clothing and armour, and each carry their own weapons and bags. Nicky has his sword, a crossbow, a quiver of bolts, a dagger at his belt and another strapped to his ankle. Joe is holding his sword, a bag, and a coin purse. Quynh's bow is over her back, and her quiver is at her hip. Two daggers are strapped to her belt, one of them matching Nicky's. Andy is holding her axe, two bags, and a dagger. They each have serene expressions and closed eyes, as if they're not in a hurry. In the background, the seasons change from winter to spring, summer, fall. There is an old tree behind them, and its branches change with the seasons.]

[dykedvonte]

You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.

-Shrimp Anon

The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.

Get ready cause this is a yap session:

Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.

I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.

The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.

This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.

Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...

These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.

I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.

Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.

It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.

I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.

It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.

There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.

End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.

[that-foul-legacy-lover]

*puts down some SAGAU fluff* come here i have a tasty meal for you :)

Childe often goes to the city to pick up supplies, as you can't wander into a crowd without getting accused of impersonation- he's seen the scars etched over your skin, the lines of starry blood from blades and burns. so even with the cloth mask you always wear, he doesn't push you to venture into any big cities or villages. you are the Creator, after all, and Childe- Ajax- wants you to be as happy as possible. besides, it's always the perfect opportunity to catch wind of any news floating around, both from his subordinates and chatter on the street. the Eleventh Harbinger is oddly quiet nowadays, completing his work in silence and deep thought, yet the agents of the Fatui swear they can see a faint sparkle in his deep blue eyes.

it's during one of his outings that Ajax notices that he has a shadow- a small, fuzzy shadow, a kitten trotting after him as he goes around doing his weekly errands. the tiny thing is determined keep following him, even though one of his steps is practically an entire journey to it, and after the kitten trails after him to every shop he visits, Ajax simply scoops it up in one hand and carries it with him. it clambers onto his shoulder and makes itself comfortable, periodically mewing and nudging his cheek. Foul Legacy is going mad trying to stay silent in the back of Ajax's head, trilling and chirping in delight at the new adorable friend.

you're equally as delighted when Ajax brings the kitten home, gasping and reaching out as he gently sets it in your hands- and just in time, as Foul Legacy takes over their shared body, nuzzling up to you and chittering very quietly so he doesn't scare the cat. he watches your every move and reaction, the warm smile on your face after all that you've suffered making his heart melt. your newfound friend meows, high pitched and squeaky, kneading biscuits against your scarred palms as Legacy gently pulls you into his lap and purrs deeply along with the tiny kitten's buzzing.

the Creator, an Abyssal monster, and their fluffy companion- now all you need to do is think of a name.