#I didn't get to do half as much as I wanted to and we ended up heading back to the hotel early cuz my mom didn't want to be out anymore

[voxvalentine]

HI HELLO WE OWNED ONE OF THESE BOOKS WHEN WE WERE A KID BECAUSE WE GOT IT FOR LIKE A DOLLAR AT A GARAGE SALE LIKE MOST KIDS OUGHT TO

in our case we had monster tales.

The stories are a wide variety of tales about monsters, some of them with relatively happy endings and some of them outright dire for the people involved. This book was also written in 1973 which means it uses some words, inappropriately! Like for example the first story is called Wendigo's Child and takes place in Arizona. But what really brings the whole thing together is the art. The art is structured but loose in places, it has definition that flows and blends and streaks to create a roughness on top of the lines, it's great.

A young kid in Arizona explores an indigenous burial mound to look for arrowheads or other artifacts and instead finds a half-human half-bird mummy roughly the size of a human child. He takes it back to his place so he can turn it over to researchers because "oh shit I found a mummy". It ends. Poorly. This was my first brush with "hey sometimes children will be killed by the monster" in literature, and it's not explicit in the slightest, but it's spine-tingling.

This one's from the Torchbearer. A young boy is taken in by a medieval lord who is a Satanist, and I mean full-bore "sign the Devil's ledger" medieval Satanist, to be the lord's torchbearer. It ends with the lord's castle being raided and the boy escaping.

A young Welsh girl does a little ritual to try and speak to her dead brothers and fathers after a mining accident claims their lives and in the process sees someone else doing much the same with more dangerous results. Had to refresh myself on this one because I didn't remember it well.

After an asshole lord kills his puppy, a medieval peasant boy falls in with a witch who gives him a means by which to turn into a wolf and exact his revenge. Not quite John Wick but a fairly simple story of magic and revenge.

Go werewolf boy go.

All I remember is that this is about a vampire and killing a vampire.

the intro art for this story freaked me out so bad for years but what's notable is that this story is more or less an explicit comedy with some revenge elements. A teen boy is being bullied mercilessly at summer camp by older kids and a shitty counselor, and stumbles across a local woman who's like "hey kid wanna be a vrkolak? It'll let you scare the pants off those guys!" Naturally the boy is like "obviously I want to be a vrkolak" and he hassles them a bit in the dead of night by trapping them in a bathroom and making scary noises and intimidating them.

Million dollar question though, what is a vrkolak?

A GIANT BIPEDAL FROG MAN. And it ends with the boy being like "getting revenge was rad and about once a month I get to still turn into a vrkolak and go hang out in a pond, this was a great choice".

this book rules, check it out if you can.

This is Horror Tales: Spirits, Spells, & the Unknown (1974), edited by Roger Elwood and gorgeously illustrated by Robert Baumgartner. It is, I thiiink, the last in an unofficial 6-volume series of similarly bound and dressed books from Rand McNally (the others are Tales of Terror, Monster Tales, Baleful Beasts and Eerie Creatures, and two volumes of Science Fiction Tales. Most of them are edited by Elwood. I know them from when I was a kid — my local library had a few of them on the shelves. They don’t seem common on the second-hand market, which makes me think they were primarily marketed to libraries, similar to Helen Hoke’s excellent anthologies.

I confess, I have never read this. Honestly, I don’t recognize a single author. Well, one, maybe, I think might be a shitheel who got booted from the Horror Writers Association a couple years back. The rest ring no bells — if you told me they were all Elwood writing under different pseudonyms, I’d believe you.

I’m hear for the art, really. Baumgatner’s stuff is somehow both wholesome and nightmarish. There is a folksy vibe to his style and it mostly feels warm and inviting, but everything also looks like it might melt into horrible goo at any moment, the way the G.I. Joes do in the mindfucking horror cartoon classic, "There's No Place Like Springfield." I particularly like the one of the kid in bed, scared of the shadows and the tree outside, because it reminds me of staring at my wallpaper as a kid in bed and being convinced it was moving and that the toys in the pattern were going to come down off the wall and get me. God. Where was I? Halloween? Horror? Never turn the lights off ever again?

[figurantedefilme]

marry me — sam winchester.

pairing: sam winchester x gn!reader

summary: you woke up and decided that you should marry sam as soon as you could.

cw: just fluff, very cliché, no use of s/n, established relationship, brief mention of canon-typical violence, thoughts about marriage, hugs, kisses, use of nicknames by sam and reader (honey, darling, baby, my love), small appearance by dean, poorly edited.

a/n: okay, this was VERY short, i'm still learning how to write this kind of stuff, i'm not very creative, but i needed to write this to take a weight off my shoulders, i loved so much this shit with sammy ;(( sorry if there are any grammar mistakes, english isn't my first language!! enjoy ;)

(ps: im reposting this because i moved blogs!!)

— send me an request!! <3

It was a day like any other after a long hunt. You woke up, Sam was sleeping peacefully next to you in the shared room. You looked at the time on the clock; it was 7am.

Sam was half hugging you, one of his big arms under your back, another hand on your waist, one of his legs folded between yours, the sunlight coming through the gaps in the curtain, illuminating his face in such an incredible way, and you could see a small smile on his face, he really was at peace. You loved it when he slept so well like that, no nightmares, no worries transmitted on his face, just the peace of a good night's sleep.

You thought a lot about it, about how much you wanted to wake up every day with Sam by your side, like, have a life with him, maybe even retire from hunting, get married, a house further away from the city, or even live in the bunker, it didn't matter, you just wanted to be with him until the end of your lives, be his forever, and have him for yourself too.

Sam started to wake up, a big smile on his face when he saw you there beside him. "Good morning, honey." he said in that sleepy voice. "Marry me." You said simply, admiring your boyfriend's beauty, having barely woken up.

"What did you say, darling?" He turned to the side, propping himself up on his elbow to look into your eyes. "I said marry me, my love." You smiled what was probably the biggest smile of your entire life, then leaned in and kissed Sam on the nose.

"Wait," he sat down on the bed, and you followed his action, sitting in front of him. "What's wrong?" You saw how the expression on his face changed, something like surprise, with a hint of confusion. "Are you serious, baby?" He said, taking your hands and looking deep into your soul, he really wanted to know that.

"I've never said anything so serious in my life, Samuel," you replied, clasping your hands around his.

"Oh, of course I want to marry you, in fact, just wait here." He let go of her hands and turned to get out of bed, and went towards the dresser in the room, opened one of the drawers, and from the bottom, took out a red velvet box. "I've been planning this for a while, I wanted to wait until we had a day off and I could take you out to dinner and do it in a more romantic way."

He knelt in front of the bed, opened the little box, and reached out to take yours, you sat on the edge of the bed, almost crying and held his hand. "Do you want to marry me too?" He smiled big, and you simply started to cry. "Oh my god, yes yes, please, yes."

"I should be the one asking you please, you are the most important person in my life, and I would do anything to protect you from all this shit we keep fighting, just to have you for myself forever, my love." He took off the ring and put it on your finger, kissing your hand. He stood up and hugged you, wiping your tears.

"Oh, I love you so much." You said, and began to shower his face with kisses.

"What's that noise here? Who's crying?" Dean appeared at the door, wearing his robe with a cup of coffee in one hand.

"I did it, Dean." Sam said looking at his brother, he held his wrist and pointed his hand so Dean could see the ring.

"Uh, finally, Sammy, I'm so happy for you." He said with a smile that quickly faded. "But can you stop making so much noise? It's only 7am, thanks." Then he turned and closed the door.

"Typical Dean," you said, laughing.

[fuckyourchampionship]

did you see the comments Stella made about how the wdc was never their first priority, like are you kidding me?? Why the hell did they sacrifice Oscar then? If the WCC is always first priority, why did they need to swap for the sprint? Everyday this team manages to piss me off even more

⚠️My opinion on what's going on in McLaren, if you like Lando please don't read (although this is not hate on him but I prefer to warn). If you have other thoughts write to me the discussion is always open⚠️

Yes I saw it, so it's not that easy.

Let's start at the beginning Stella first said that Oscar is the future of the team then suddenly after winning in Baku he said that half of this win belongs to Norris(where does this sudden change come from?), and at this point let's think about what could have happened.

So the team internally disagrees with itself because Stella sees potential in Oscar and Zak Brown loves his boy Norris.

Brown is the boss so he told Stella that Norris has to be the priority so he did that, he didn't give Oscar the upgrade and gave him worse strategies, and the team orders came in

But this is where the problems begin because as it turns out Norris is not a great driver even though he already has 6 years of experience and Stella probably sees it and let's be honest with ourselves no one would put money on a driver who can't keep the first position on the first corner.

Did the team believe in Norris and his championship? Absolutely not.

Are the people around norris, himself, his family and friends, zak brown, his father who puts a lot of money in mclaren absolutely yes, they believed he would win.

Recently Max F friend of norris cried in the stream that oscar should give up positions to norris so it's quite simple mclaren had pressure from the media and norris' family to have him have a bigger priority.

that's why they told him to give up positions in the sprint, was it stupid of course it was, knowing from the very beginning that norris had no chance of winning, but the media was pressuring and probably norris's father who puts a lot of money into mclaren

And stella sees what the fuck is going on but doesn't have much to say because he could get fired just like oscar, mark sees it too and understands perfectly well that oscar can't go too crazy either(zak brown loves pato so what's the problem with kicking oscar out and putting pato in, none, that's why oscar had to listen to teams orders)

So I'm absolutely not surprised by Stella's statement, the truth is that Norris is not a driver of the caliber of Max, maybe he will be one day but he is not now.

and let's also answer why McLaren didn't use teams orders earlier because they see Oscar's potential and they don't want to kill this potential, he's too good to play the second driver and we have to thank Max for this excellent race because now Oscar doesn't have to listen to team orders.

They have no idea what to do with the drivers because they don't agree with each other

in conclusion something is wrong inside mclaren

You can't believe what they say either, you have to see what they will do, recently there was also an article that there will be no teams orders and right after them there were, ending with McLaren it's one big chaos

Okay, I hope what I wrote makes sense because I'm writing it quickly, write in the comments, maybe you have a different opinion on this topic.This is just my opinion so don't take it seriously because it could be completely different but that's how I see it and because of what's been happening in McLaren lately

[draconicace]

i went to ikea

[invisiblegarters]

Heads up that this contains very light information about the THK novelization.

I can't say I agree with a lot of this.

I feel like this is essentially turning on a romance channel and then complaining about all the romance. I get that it can be frustrating to want more and then not get it, but I don't feel like these shows ever promised us that. Kidnapped trailer made it very clear that it was mostly going to be about romance with some action on the side (as well as taking every opportunity possible to get Ohm half naked, thumbs up show). Only Friends mock trailer basically gave us everything we needed to put the pieces of the ending together, not to mention Jojo said it like four times. Khaotung spoiled the SandRay endgame before the show had even aired, lol. The Heart Killers trailers are much the same.

And Jojo is once again on Twitter telling us exactly what he's doing. If people choose not to believe him or to expect something different anyway, that's not his or the show's fault. This is supposed to be 10 Things I Hate About You with guns. Did you watch 10 Things I Hate About You and get surprised that Patrick and Kat wound up together in the end? That Bianca and Cameron became a couple? That the story mostly focused on the romance between them? It's a romcom. Hell, even the grittier version of Jojo's romance with guns had the main trio all end up together (even if I was so upset that my unexpected fave didn't make it that I couldn't actually enjoy that the first time I watched)! This isn't a phenomenon that happens only with BL - most romances have the main couple stay together even when they really really shouldn't. It's a staple. No one has to like it but it shouldn't be a surprise.

There's also been a lot of chatter about how Jojo wanted to break up the couples in OF and couldn't because of capitalism and the awful fangirlies, but I really don't think that was the case. I have looked for anything where he says that he wanted to work with no couples at all, and all I can find is him saying that he knew he wanted Mark and Neo for Nick and Boston from the beginning.

And considering they were the only non paired couple (despite Neo's best efforts, lol), that makes a lot of sense when you consider that they were also the only couple in the show to break up. I think it's less that Jojo was being forced into using cps and more that there were always meant to be two endgame couples from the beginning. People just took the Nick and Boston casting and Jojo's comments about them and ran with them to fit their own narrative. Now full disclosure, I have had to base this mostly on interviews - I don't have a twitter account so searching there is rough for me. If there is something on there that contradicts me, please bring it to my attention. I have zero problems admitting when I'm wrong. :D

Now as for THK, is it going to be good? This might get me in some hot water which I do generally try to avoid, lol, but I've read the novel so no. I have to say that for me personally I don't think it will turn out to be something I am into, not even as a turn my brain off and enjoy the pretty and ridiculous (which is what I do with Kidnap, incidentally, and I am having a great time even though I've been missing Title and would love him to come back and be hilarious) kind of way. But do I think that's going to be the fault of pair brands or the fangirlies? No. It's more because Jojo plays favorites with his actors, and always has. The ones he likes best get the best characterization and more stuff to do in general. Pretty much without fail. It's something I've noticed about his shows for a while now and it's easier to ignore in a show that is more of an ensemble (unless one of the ones that he's ignoring is someone you personally enjoy), but this isn't an ensemble show. I think there are shades of this bias already in the trailer, and if the novel matches up to the show as accurately as people expect, well. It will be even more obvious from the first episode exactly who this show is a vehicle for, and it ain't a pair at all.

That said, even if this annoys me personally, if it winds up as I expect I will just not watch. That's the only power I have here, and I'm okay with that. It's Jojo's thing and I really don't feel l have the right to tell him he shouldn't be doing it. Not every show is for me, and frankly if I was getting sick of GMMTV as a whole I would just stop tuning in. There are other companies that are rising up and doing their thing, and they are producing content I enjoy. There are other countries producing QL that I love. And I'm lucky I guess in that even though I enjoy a show that explores deeper themes or points out injustices or has something it absolutely wants to say (there are more I'm sure but a few that come to mind off the top of my head are Not Me, and I know you don't like it but The Eclipse (knowing the background of that one makes the anger in it really transparent to me), The Warp Effect (not a BL really but counting it anyway, and actually hilariously this is a great example of a show that I was annoyed with having a pat ending. But my annoyance doesn't change anything, or make what was being done less apparent. It just means that I wanted something else and that's okay but it's not their fault I didn't get it), my bread and butter is actually characters. I love thinking about why characters do what they do and dissecting the shit out of their motivations and reactions. Gimme a complex character over a complex plot any day. Not that we can't have both (and the ideal show does), but even if we do I'm always gonna focus more on characters. So in the end shows like Only Friends work for me because there's a lot to unravel there on a character level, although as I already said a lot more for some than others. Maybe that makes me a pleb or will get me judged as unintelligent but I've looked deep into my soul and decided that's okay, lol. 

And it's not that I think that these shows (or my faves) and what they do shouldn't be criticized or anything like that, that's absolutely silly. People have all the right in the world to criticize. I just think that it sometimes reaches a point where it starts to feel like people are watching this stuff just to get mad. And honestly I just think that that sounds miserable. The best lesson I ever learned was that when it comes to my leisure activities, if I'm not having a good time it's okay to quit.

I'm not expecting agreement; I think the two of us look at things very differently on the whole, and that's fine. I just wanted to add my two cents. I absolutely think that stuff is being done within the genre you would love, I just think that GMMTV is not really the place to find it, nor do I really think they ever promised that.

Hey,

I'm not 100% sure how this works. Also this is more of an opinion than a question. I just feel the need to brain dump. You are under no obligation to reply. 😁

I fear that First and Khaotung are being wasted at/by GMMTV. They're both stellar actors and seem to have the sensibilities to tackle more serious material.

I feel like coming off Not Me, the themes in The Eclipse kinda went over my head. My fear was and still is that I didn't understand all the nuances. And that's why I felt like the show was lacking. Also I think the very first preview set it up as an entirely different show (more supernaturalmystery/thriller) in my head, so there was a disconnect there as well.

Their next project was Moonlight Chicken where both of them shined as actors but negligibly as a BL pairing. Having said that, they seem to be on very solid ground in the BL fandom - I am referring to their fan meets.

Only Friends was a masterclass of acting as far as FirstKhaotung were concerned (i was all about Ray and Sand), but I think the overall reputation as show that fell flat on its face overshadowed or at least took away (for me) from the gravity of FK.

And now we're here. With The Heart Killers and I am very wary of how Ota all going down. I see that the final trailer got over million views and I'm happy for them, but based on I think the absolute travesty that was OF, my expectations for this show are on the ground.

I really want more of an insight into how projects are picked up and distributed inside GMMTV (if you ha e any, I'm dying to know). I feel like they would benefit greatly from being on a show like PS I Hate You or something like Peaceful Property.

It feels like they're backsliding in terms of material given. Which I am sure is a) not their fault and b) me possibly being weird and dramatic in the wee hours of the morning. But I wanted to get it off my chest and I was reading your previous reviews when I felt, and then gave into the impulse to write to you.

Also I'm a MaxTul girly too and somehow, you made me want to give Make it Right another chance.

Have a great week ahead and keep up the absolutely exceptional work! ❤️

NIHILISTIC! It's great to hear from you! And thank you for the compliments!

TW for girlies out there who are not Nihilistic: this post will contain criticisms of The Heart Killers trailer. Read at your peril, delicate hearts!

I'll go backwards to save the biggest stuff for last. If you write anything about Make It Right, please tag me! @bengiyo and I always give a little DJ air horn to each other when we've nabbed another one into the broader cultural reconsideration of this AMAZING show. MaxTul, man. Nobody beats them! (Okay, almost, Tul admits he wasn't the strongest actor, but. We'll let it slide, dahling!) Chemistry, humor, pride representation, everything, they're great. I yelped when I saw them in Triage!

Okay, so you are a FirstKhao girlie, and you're worried about what The Heart Killers bodes. (Out of transparency, I have The Heart Killers tag filtered because of Only Friends PTSD. I'm gonna filter my own post!) For you, Nihilistic, I just watched the trailer for it.

I will get to all your questions about the GMMTV model in a moment.

Now, out of even MORE transparency, I am watching the MESS that is Kidnap right now, and listen, it's NOT GOOD. I'm fucking not even writing about it anymore, I'm just reblogging the sessy gifs. I am watching it to support Ohm Pawat, and am hoping that this partnership with Leng Thanaphon will hopefully lead to better scripts.... somewhere. (Or at least, better scripts for Ohm at a place like One31 or Channel 3. I also hope Ohm keeps up his anti-branded pair stance, but if GMMTV forces him to pair permanently with Leng, it won't be a fucking surprise, and more on that below.)

To focus specifically on THK for a sec: the THK trailer evoked a lot of what's gone utterly wrong in Kidnap for me. I think writing Thai BL/Series Y scripts to be different, fresh, and innovative, is just going to be really fucking hard, especially for stories featuring branded pairs that MUST end up together in the end. Because we, the viewers, KNOW that they MUST end up together in the end, what kind of mystery and conflict can a script convincingly evoke to keep us, the viewers, engaged and interested in the drama?

A few of us Ohm girlies were excited that Kidnap could have had non-romantic plot points (CRIME!!!) to drive concurrently with a romance plot. There are Series Y that have done this BEAUTIFULLY, particularly Sammon's stories of Manner of Death and Triage.

I'm sorry to say that I didn't get that from the THK trailer, and that THK smells a lot like Kidnap to me. The trailer itself is giving an indication that the "jobs" these guys have as double agents are going to be compromised due to them falling in love. And after the debacle that was Jojo Tichakorn's Only Friends -- a show premised on the exploration of mean, icky, really horny humans, a great place to start an interesting show! -- knowing that THK will HAVE to end up in a romantic place, with FK and JoongDunk being in memorable and memeable entwinements... that's a lot to ask of a show that already isn't making sense by drive, emotion, and tone in its trailer alone. What matters more to these characters? Their work, or their need to be in monogamous relationships? Seems like the latter to me by way of the trailer, which makes me wonder what the point of the plot is. (Joong's chest, probably.) (Gahddayum.)

(I haven't watched the latest episode of Jack & Joker, btw, but I understand that THIS WEEK's episode is ALSO going through something similar, with dead-end and uncommitted plot points all to get to a kiss. Oy.)

To summarize these points and to touch at your question about how GMMTV chooses scripts: GMMTV has an economic model to sell in giving happy endings to their branded pairs, which I wrote about at length in my Old GMMTV Challenge rewatch of The Eclipse. No matter where a script goes, the ending must be memorable and monogamous to satisfy the retweeting hunger of the branded pairs' fandoms, in order for GMMTV's artists to increase online engagement and to maintain earned media values to sell products.

The wonderful @flowerbeasblog noted to me recently that Tha Sataporn, the CEO of GMMTV, said in an interview that as the productions of Series Y in Thailand continues to increase, there is a greater need for more scriptwriting talent across this niche genre, creating competition for more excellent writing. (By comparison, in the States, when streaming services like Netflix and Hulu starting commissioning more original series just about a decade ago, the demand for scriptwriters and excellent writing also went up by incredible scale -- only to come crashing down recently with pandemic and strike-related losses in revenue.) GMMTV's recently announced script competition, Y Find, updated itself last week with a notice that the company would need more time to sift through scripts to judge. In other words: the demand for creative plots is so high at this company that they are literally fielding entries from the general public.

At the same time, Tha Sataporn has been blunt in indicating that "good shows" are not the priority of his GMMTV, and that talent, management, and engagement are his indicators of success. So, economically -- as long as a show hits that happy ending, and gets the girlies excited online with commentary and purchasing power, then the studio has won, in GMMTV's eyes.

ULTIMATELY, Nihilistic: what we are dealing with regarding your concern, as fans and/or critics of Series Y shows, is a conflict of values, among critical fans like ourselves, other fans who only watch shows for romance and shipping, and the economic bottom lines of the studios/agencies themselves. Some of us just want narratively good scripts, like Bad Buddy or He's Coming To Me. Others are content with having a show end with their fave pairs confirmed together in the end, no matter the process of how they got there. Those are different values we hold in watching shows. I appreciate that while you're a fan of the FK branded pair, that you want stronger scripts for them. I do, too, but that's not a value that every fan -- and GMMTV itself -- holds. And I believe that's why we've been seeing more and more mediocre scripts from that studio in particular.

I actually want to note maybe something positive about FirstKhao. Other than The Eclipse, it seems like they haven't been locked into high school or university settings. Only Friends, Moonlight Chicken -- these are shows that show First's and Khao's characters as young adults, and THK is going there, too. I hope they can avoid the university settings as they continue to work.

Is stellar acting wasted at GMMTV? Oh, yes. Besides First and Khao, who I truly think are good actors, we have Gun Atthaphan, Nanon Korapat, and Ohm Pawat -- these three guys are on my list of the best Thai actors out there who have done BL, and they haven't had great scripts in years. (Gun, arguably, has had the best pickings of decent shows recently in Cooking Crush and The Trainee, but they weren't high art; and Nanon's Dirty Laundry was the last Jojo script I was truly impressed by.) All three of these guys were in MOVIES at one point. Those ambitions, on behalf of these actors by GMMTV, seem to have gone by the wayside in preference for a huge economic push to boost branded pair-based series insteads, with their plot holes and guaranteed romances.

I hope the genre's tide turns for the sake of quality scripts, especially at GMMTV, but my hopes are low for this agency at the moment. My joy in Thai shows recently has been in watching past shows for my OGMMTVC. I've been on a lakorn kick lately, having watched The Miracle of Teddy Bear and I'm looking forward to watching Khun Chai soon. Other agencies and studios, like One31 and Channel 3, are breathing down GMMTV's neck and producing more interesting shows, sometimes with branded pairs and sometimes not. Triage only came out two years ago, and that show's trilogy (along with Manner of Death) will end with this year's airing of Spare Me Your Mercy, starring the very likely one-time pair of Tor Thanabob and JJ (Jaylerr) Krissanapoom, two gigantic artists in Thailand who are circling BACK towards the much smaller genre of Series Y for SMYM's sake. I have VERY high hopes and expectations for that show -- and that show is well out of the purview of GMMTV.

I think what you're smelling about the THK trailer is right, Nihilistic -- to me, the trailer isn't cohesive, and jumps already to its forgone conclusion of a romantic end. Unfortunately, for those of us familiar with Jojo Tichakorn's work, we know that if he was given more leeway, he'd likely come up with something more interesting. But now that he has to work with branded pairs -- who are shipped in the eyes of their fan beholders -- he's got a lot less room to be creative and interesting, which ultimately stifles the otherwise excellent acting we'd see from these young men.

[phantajam]

my hot take about descendants is that NONE of the core four were ready for a relationship until maybe like, the third movie (rant in tags)

[tardis--dreams]

Some of those doctors make hating oat milk their entire personality. I hate them. Cannot pretend to find them funny or like i give a shit. Fucking pretentious assholes

[icarusredwings]

A review of Puppys pen By Panties on boys

Ive done a previous reviews on

Nasty Dog and Domesticated Wolverine and was heavily impressed so here we go.

Firstly I would like to mention that good gravy. 8 THOUSAND words!?? For a one shot? Holy hell. Props.

"Wade squints in the dark, against the yellow halo that hugs his ankle, as he steps through it." I dont know what this part means but I want to assume it means the Tva door thing for when hes traveling and hes just now stepping into a new dimention.

"Are you there god?" No. Not at all.

Ooohh fangy wolvie!

"What time is your dick appointment sir?"

I love the little note of. "That would be dyscalculia" like uhm actually you little shit- Numbers is dyscalculia and you're aboutta get your ass smashed so its not like that matters

"Sorry daddy" As if you didn't just meet this man 2 seconds ago. But same-

"You're late. Thats rude"

Wade: *dies of horny*

Awww! When it says he was vibrating on the floor like that it makes me think of a really excited puppy with his tail going crazy.

Oh my god. We got a collar. Repeat we got a NICE collar at that.

I like how you describe things but in my brain I can physically see him tripping and struggling to get up so quickly.

I didnt read the tags (why would I, I trust this author not to do anything too uncomfy) but if he dosn't get a tail plug im gonna be a bit disappointed.

Puppy play has to be one of wades absolute favorite things by the way. Do you KNOW how many military brats are pups??? Do you see is ex wife over here?? She definitely was making this man bark.

GUYS! WE GOT COMFORT SMUT

“I don’t want to kill the mood.” Wade replies. “I’m not as pretty as you.” Shut the fuck up right now.

"slowly, so slowly, so Wade can stop him if he has to. “I know who you are, idiot. And what you look like.” AYO!? Does this imply that in this universe Logan gets to be dommy toppy to all his lovers and wade is a usual playmate?

Oh my gooooddd

"horrifying thought, I feel like I belong here.

He should probably run." AAKDNSIDJS And literally as a man who has felt like he never belonged anywhere !?? And he ussually does end up running from people who are kind to him? Jesus christ guys.

Chat are you seeing this shit?

Not only does he know him already, hes kind to him, respectful, and LITERALLY says "my clients dont get to touch me" and then INSTANTLY kisses him and tells him BY NAME that he can touch him.

Im going to explode if we find out that theyre actually together in this universe.

“Realized where you are, huh? Who you’re with, huh, baby?” youre gonna kill me.

"Scared sweetheart?" im dead.

HAS HE HAD HIS RABIES SHOTS? Im deceased.

No because wade starting to ramble absolute nonsense while waiting for Logan to stab him in the guts is so accurate. Bro is like "treat me like a half priced vaccume and let me suck it up!"

And logans just sitting here like ???

TEHEEHEHE the flirting is insane

Oh nooo.. i know those indications. The instant familiarity, the testing, the teasing. It's as if Logan had lost his deadpool. Lost his favorite chew toy and now that he got it back he misses him so much. Between knowing exactly what he likes, knowing precisely where to kiss, telling him he knows him, telling him about his pretty eyes, talking to him as if he knows him on a deep personal level... im gonna cry.

Im sitting here talking about how encouraging Logan is to Wade but wade is laying here with multiple injuries telling Logan to keep going. Telling him to bite him. Telling him that its okay to hurt him because hes into it. Telling Logan that hes allowed to LET GO. To go absolutly nuts.

Nooo because its so sad and cute when he gets up and just.. leaves him there. The way I KNOW wades brain instantly went to "oh no he dosn't like me anymore. I messed up" as hes naked as hell, bleeding everywhere as he sits there.. alone. Only to immediately be told theyre going somewhere else.

"Stop humping me" is top tier comment.

HOLY SHIT HE TOOK HIM HOME.

Like.. HOME home. 🥹

Aww what a good boy. Sitting there like that. "Good mutts get rewards" im seriously going to start deteriorating.

GUYS 😭

Wade: I get wolvie dick so this is heaven

Logan: say something nice about yourself

Wade: Chat im in hell actually. Satan himself was tricking me.

"Be a good boy. Don’t you want to?” and he just CANT say it oh my lanta

"He hears them before he registers that he’s the one saying them, and then his lips drop open wider. Who the fuck just said that?" Its your head room mates <3 dont worry they just want you to be a good boy for mr. Wolvie here.

Oh man the biting. These are love bites. These are not agressive biting this is territorial. This is claiming. This is... god its BEAUTIFUL is what this is.

The way he encourages him. The way Logan tells him that he wishes he could mark him. The way Wade keeps going limp knowing damn well if he squirms then logans prey drive will absolutly destroy him.

"He fucks Wade’s own blood into him as lube." Ofc. Ofc.

Hes litterly fucking him so hard that hes crying and wade is having the best day of his life.

Daddy kink logan>>>

"They sit there for a few more moments before Logan asks, voice rough, tired, spent, but amused, “You dead?”

“Yeah.” Wade answers.

“Shit.” Logan huffs a laugh."

Me fr. My wife asks if im dead sometimes and ill tell her yeah and she'll be like "damn. R.i.p."

AAahh and he brings him home!? Its decided. He brought him home to Al and poor Al suffered the consequences for ever.

This entire fic is just "Wade goes shopping for the wolverine with the biggest dick and heart" and found him.

Im not kidding this was SOOO fucking sweet. Would love to read what happens next and perhaps if wade DOES try to get away from him, a bit of primal play and physically hunting down your boyfriend never hurt anyone.

Im genuinely very happy after reading this, my heart is full my chest is warm, My head is full of things it wasn't about 20 minutes ago. And now if you don't mind Im gonna go take a nap.

Solid 10/10. Thank you Kensy.

Anyway @bougiebutchbinch will love this.

Puppy’s Pen

[Deadpool’s voiceover]: You’d think that finding a new Anchor Being would be easy.

I mean, big dog should be effectively immortal, no…? And yet one is dead, one is Henry Cavill—sadly uninterested—and one’s shorter than Woody Allen… on second consideration, I might go back for him, actually. He was cute. Besides, he held quite the fucking candle to the Logan variant that was crucified on a giant, unforgiving X, which was erected on a mountain of human fucking skulls, so. You know. There’s that thing that I witnessed today.

Fact is, it’s been hard.

This whole multiverse idea, it’s honestly just really confusing. The author doesn’t get it, I don’t get it… Do you get it? If you do, hold onto your fucking socks, because I’m about to shatter your entire understanding. Open your mind, okay? This fic is not for prudes, mind the tags.

[skrunksthatwunk]

just found out rascal (babycat)'s been with his owner this whole time instead of my roommate which is. something. :|

[united-under-skyfall]

.

[opens-up-4-nobody]

...

[britneyshakespeare]

i am like. unreasonably mad right now.

[girlscience]

I don't know if my life is just extremely charmed. but listening to my coworkers talk is so bizarre to me? the way that money is the only measure of success or good life that they care about blows my mind. we are talking about furthering our education and the only thing they are looking at is how much the salary for that field pays. I understand money is important, but that's honestly not something I've given even more than a passing thought to with the programs I'm applying for? I just don't get it? We do science, don't you care more about the work than the money? Am I just blind because I haven't ever had money troubles? I don't know.

[aletterinthenameofsanity]

Y'know, there's this gripe I've had for years that really frustrates me, and it has to do with Love, Simon and people joking about it and calling it too-pg and designed-for-straight-people and all the like. (A similar thing has happened to Heartstopper, but that's another conversation.)

I saw Love, Simon in theaters when it came out my senior year in high school. I saw it three times, once with my friends/parents on opening night, once with my brother over spring break, and once with my grandparents.

On opening night, the air in the room was electric. It was palpable. Half the heads in there were dyed various colors. Queer kids were holding hands. We were all crying and laughing and cheering as a group. My friends grabbed my hands at the part where Simon was outed and didn't let go until his parents were saying that they accepted him. My friend came out to me as non-binary. Another person in our group admitted that she had feelings for girls. It was incredible. I left shaking. This was the first mainstream queer romance movie that had ever been produced by one of the main five studios, and I know that sounds like another "first queer character from Disney" bit but you have to understand that even in 2018 this was groundbreaking. Getting to have a sweet queer rom-com where the main character was told that he got "to breathe now" after coming out meant so much to me and my friends.

But also, from a designed-for-straight-people POV (which, to be frank, it was written by a bisexual author and directed by a gay man, this was not designed for straight audiences), why is it a bad thing that it appealed to the widest possible audience? That it could make my parents and grandparents see things in a new light? My stepdad wasn't at all interested in rom-coms but he saw it with me because it was something I cared about and he hugged me when we came out of the theater. My very Catholic grandparents watched it with me and though my grandpa said he still didn't quite understand the whole 'gay thing,' all he wanted was for me to be happy and to have a happy ending like Simon did. My Nana actually cried when Simon came out and squeeze my hand when his mother told him he could breathe.

And when Martin blackmailed Simon, my mom, badass ally that she is, literally hissed "Dropkick him. Dropkick him in the balls" leading to multiple queer kids in the audience to laugh or smile. Having my parents there- the only parents, by the way, out of my group of queer and questioning friends- made multiple people realize that supportive adults were out there. That parents like those in Love, Simon do exist in real life.

When people complain about Heartstopper not being realistic or Love, Simon being too cutesy, I remember seeing Love, Simon on opening night. I remember my friend coming out and my stepdad hugging me and my mom defending us through this character. I remember the cheers that went through the audience when Bram and Simon kissed and the chatter in the foyer after the movie was over and the way that this movie made me understand that happy endings do exist.

Queer kids need happy endings. Straight people need entry points to becoming allies. Both of these things can come together in beautiful ways. They can find out about more queer culture later, but for now, let them have this. Let them all have a glimpse at a better, happier world. Let them have queer joy.

[seasons-of-death]

bsf!rafe waking up with morning wood

warnings: smut (mdni) maybe somnophilia if you squint i guess? morning wood, me trying something new bc i came up with this random blurb i might try out writing other blurbs like this??? so if you have any ideas or pairings you want me to write for pls lmk because as much as i love writing +2k word fics it's fun to rewind by writing shorter stuff too

wherever rafe went, you followed; and even though it annoyed some of his friends, they didn't dare to say anything about it to rafe, because the one time they did, he got so angry they thought they were getting their asses kicked.

everywhere, also happened to include his bed. it had started after you had accidentally passed out on his bed from how much you drank, and he didn't care if you were there or not, he was sleeping in his own bed. now, it had gotten to the point where you couldn't sleep without him, and vice versa.

but you weren't a couple, of course not. rafe wasn't one for relationships, and you were just his friend since childhood, and even if he fucked you into the mattress a couple of times per week, or the fact that he never allowed any other girl to be in his bed, or that he thought of you whenever he hooked up with someone, it was just friendship.

"come on, wake up pretty girl..." he mumbled into your shoulder as you started stirring awake, rafe holding up one of your thighs up slightly as his hand rubbed his hard cock against your panty-clad pussy.

"come on, rafe..." you mumbled sleepily, and the blonde pressed a small, warm kiss on your shoulder over the fabric of his t-shirt. "why'd you wake me up? can't you see that 'm tired..."

"princess.. i need you..."

"rafe, we already went three rounds yesterday..."

"please, baby..." rafe mumbled, pressing soft kisses to your neck, the action causing shivers to go down your spine, and you could feel your panties starting to get wet, sticking to your puffy folds. "i'll do anything... just need you so much right now..."

you looked at him with half-lidded eyes as he pressed lazy kisses on your neck, "anything?"

"anything for you, princess. including murder."

"will you buy me those vivienne westwood earrings i want?"

"hell, i'll get a matching necklace."

and that's how you ended up with your best friend on top of you, pounding into your already sore pussy from the night before, your face pressed against the sheet as you let out moans that got muffled by the pillow, a handful of your hair around his fist as you closed your eyes in pleasure, your fists gripping the sheets to try and anchor yourself as he spoke in a low tone with every thrust "such a good girl for me... you're mine... this pussy's all mine... no one's gonna fuck this pretty pussy like i do..."

yeah. just friendship.

[kittlyns]

The day I get over traveling alone is the day I'm unstoppable