#I defend a lot of characters be more specific

[mysadcorner]

Hi, I'm your fan , I bother you with Dick Grayson x reader titans , on a mission she ends up very hurt and is in the hospital , dick takes care of her day and night , Dank goes to the hospital to visit where he tells Dick to let reader die to start over and Dick comes out to defend Reader.

Titans!Dick Grayson x Injured!Reader Headcanons

-Credit to the gifs owner - Please be specific about characters wanted and read request rules -

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Dick always worries about you and keeps you in the back of his mind when the two of you are out on patrol, as he always does. He's incredibly protective of his teammates or the people he works with especially as he instinctively falls into a leadership mindset even if everyone is on equal terms.

Seeing you get hurt would be heartbreaking for him, and he would definitely be panicking on the inside. No one was supposed to get hurt, and he's aware that what you all do is dangerous, but seeing it happen makes it feel even more real than just finding out about any injury you may have.

Even if the fight wasn't over straight away, he'd still rush you to the hospital as soon as he could, or to any kind of medical care he'd have ready. Despite the reason the two of you were out on patrol or taking care of some criminals, he'd turn all of his priorities to you.

Whenever he had free time, he'd be sitting by your side while you recovered, even if you weren't even awake to see him there. He might not talk much, but he will mumble little updates about your friends and team when you're awake enough to keep your attention on him just to ensure you're always included.

If the others tell him to leave you or to focus his attention on something else, he will get highly defensive about it and feel quite betrayed that they were so willing to dismiss the way he's been helping you. Not only are you important to him, perhaps more than anyone else, but he would spend his time with everyone else that he cares about in this situation. The fact that they may not realise that hurts him more than just asking him to leave you alone.

Dick is constantly checking up on you, no matter what stage you are in of your recovery. Whatever you need he'll be there to help, even if you just want his company. He's a busy man and has a lot of responsibilities, but even in his tired and irritated state, he'd rather sit with you instead of feeling guilty about not being there for you later on.

[lonelyvampx]

the first time I watched Hotd I was almost with team black, I don't know why, although I personally felt what it means when a father or mother treat their children differently, but I didn't really care cause I wasn't care about team grean and I discovered that I didn't focus on several other details + I always find myself understanding the shows more when I rewatch them, but yes in the first time I knew that Viserys was bad and I didn't sympathize with him completely in any episode, I saw him as a bad father (still)

Alicent is also a bad mother, let me talk about her first because she's not the main topic here, she is a bad mother and some may justify that because of her father, her father was away for many years it was more easy for her to treat her children and I specifically specify Aegon in a better way, and I am not making the topic about him because I love him but because he is the person who was receiving the shouting, intimidation, threats and even slapping, his confidence in his mother's love for him was shaken several times because of her because of that and because she literally said that he is not her son, she wasn't the best mother despite her defense of her children and whoever watched the second season will realize that she is the worst, sacrificing her son after causing him all the horrors in his life, as if she was not satisfied yet or as if she wanted to rid him of the torment she put him through, killing him by the enemy.

Anyway, this topic about Viserys, this corrupt father. who gave Daemon hundreds of attempts and forgave him a lot and loved him so much despite his unforgivable faults, yet he couldn't love his children (alicent's children) like this, especially Aegon, who was also the only punching bag among his children for his anger. He didn't try to love them or get close to them. It is completely illogical that he killed his first wife for the sake of the (boy), then when he had a (boy), and then he began to kill the soul of that boy every day until Aegon no longer felt anything towards him. He kept asking if his father really loved him. He tried to deceive himself before going to the position that would worsen his life more.

Viserys is a bad father who treated his children differently and defended Rhaenyra even though she caused him a lot of troubles. She got opportunities from him just like Daemon, and Viserys tells her that she is his only child. months ago I saw vid on TikTok saying that Rhaenyra is the good daughter among her siblings because she is the only one who grieved for her father when he died! what?!! why don't you say that she is the only one who grieved for him because he favored her and gave her all the affection, love and forgiveness and defended her even in his and her worst conditions, he died and she was sure that he loved her while Aegon was struggling to understand the feelings matter, questioning himself why he didn't deserve love. one of the moments that explained his feelings the most was when he broke his father's model of Valyria, it was a physical expression of his buried feelings for many years, especially after his son killed (the son that Aegon was sure that he wouldn't let him feel what he felt before), Viserys is the one who created the gap and is the reason for the badness of most characters, it was more appropriate for him to ask for forgiveness at that last supper

[separatist-apologist]

You consistently defend the worst characters in every SJM book

It ain't much but it's honest work

[evi-anxiety]

Do you think the paladins regret not spending more time with Allura and get to know her better than just a princess?

Like "do you remember when we were not in mission or training, and she would act totally different. I wish we all could spend time like that back then, not princess or paladins, just friends"

I definitely think there's an interesting divide between "Princess Allura" and just "Allura".

It's clear that the Paladins saw Allura as some kind of leader figure, you know, being the princess of Altea and all that stuff. That being said, I think the loss of "Allura" to the Paladins was a two-way struggle.

On one hand, the Paladins kind of blocked out Allura as being more than a leader pretty early on. We can especially see this in the earlier seasons, where they will do activities and stuff without her present (I think "Space Mall" is a great example of this). I don't think this was done intentionally, but Allura's death forced them to confront this fact.

On the other hand, I think Allura also contributed to this divide. She had a lot on her shoulders, not only being the leader of a dying race, but also the leader of Voltron (in the sense that she was teaching the Paladins how to be Voltron). She was their space guide, their sense of security, and they put a lot of trust on her word.

That being said, she also made a lot of mistakes as a leader, and I think she put the pressure of those failures on herself. So she built this sort of persona of herself to the other Paladins. Leader first, then her second.

To answer your question, I 100% agree that the Paladins regret not spending enough time with just "Allura". They were so caught up in their own needs for a person to fall back that they failed to realize Allura had her own troubles as a person of authority. They cared about her, of course, but I think as a found family a lot of characters had trouble showing that they care.

Idk, maybe after Allura's death they try to come up stories about her outside of missions, and they just. Can't.

[figofswords]

i know ive made myself the #1 izutsumi stan in the eyes of all of my friends and probably some of you online people but what if i became a mithrun stan. there is something about him that compels me. i just want to *clenches fist* put him on the drying rack. lovingly stick him into a tupperware for later. make him into. a broth of some sort. do you understand

[eagerself5000]

me and mentally unwell fictional characters put in stress inducing situations who became angry at the world because of them (bonus point if they're viewed as inadequate by other people who dont understand the position theyre being put in)

[thedevotionaltour]

karen is MY special white woman. my problematic fave. because i understand why she sucks. i think in order to be allowed to be a karen fan you have to actually understand why she sucks. if you don't understand why she sucks then you're a bad karen fan i think.

[jvzebel-x]

"The impulse toward chaos was one he knew. It ran hand in hand with the desire for violence to be done to him. To destroy him because he was not worth saving."

x. "The Vanished Queen", Lisbeth Campbell

[whencartoonsruletheworld]

Hey so like many of you, I saw that article about how people are going into college having read no classic books. And believe it or not, I've been pissed about this for years. Like the article revealed, a good chunk of American Schools don't require students to actually read books, rather they just give them an excerpt and tell them how to feel about it. Which is bullshit.

So like. As a positivity post, let's use this time to recommend actually good classic books that you've actually enjoyed reading! I know that Dracula Daily and Epic the Musical have wonderfully tricked y'all into reading Dracula and The Odyssey, and I've seen a resurgence of Picture of Dorian Gray readership out of spite for N-tflix, so let's keep the ball rolling!

My absolute favorite books of all time are The Haunting of Hill House and We Have Always Lived in the Castle by Shirley Jackson. Classic psychological horror books about unhinged women.

I adore The Bad Seed by William March. It's widely considered to be the first "creepy child" book in American literature, so reading it now you're like "wow that's kinda cliche- oh my god this is what started it. This was ground zero."

I remember the feelings of validation I got when people realized Dracula wasn't actually a love story. For further feelings of validation, please read Frankenstein by Mary Shelley and The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson. There's a lot the more popular adaptations missed out on.

Rebecca by Daphne du Maurier is an absolute gem of a book. It's a slow-build psychological study so it may not be for everyone, but damn do the plot twists hit. It's a really good book to go into blind, but I will say that its handling of abuse victims is actually insanely good for the time period it was written in.

Moving on from horror, you know people who say "I loved this book so much I couldn't put it down"? That was me as a kid reading A Little Princess by Frances Hodgson Burnett. Picked it up while bored at the library and was glued to it until I finished it.

Peter Pan and Wendy by JM Barrie was also a childhood favorite of mine. Next time someone bitches about Woke Casting, tell them that the original 1911 Peter Pan novel had canon nonbinary fairies.

Watership Down by Richard Adams is my sister Cori's favorite book period. If you were a Warrior Cats, Guardians of Ga'Hoole or Wings of Fire kid, you owe a metric fuckton to Watership Down and its "little animals on a big adventure" setup.

A Raisin in the Sun by Lorraine Hansberry was a play and not a book first, but damn if it isn't a good fucking read. It was also named after a Langston Hughes poem, who's also an absolutely incredible author.

Fahrenheit 451 by Ray Bradbury is a book I absolutely adore and will defend until the day I die. It's so friggin good, y'all, I love it more than anything. You like people breaking out of fascist brainwashing? You like reading and value knowledge? You wanna see a guy basically predict the future of television back in 1953? Read Fahrenheit.

Huckleberry Finn by Mark Twain and To Kill a Mockingbird by Harper Lee are considered required reading for a reason: they're both really good books about young white children unlearning the racial biases of their time. Huck Finn specifically has the main character being told that he will go to hell if he frees a slave, and deciding eternal damnation would be worth it.

As a sidenote, another Mark Twain book I was obsessed with as a kid was A Connecticut Yankee in King Arthur's Court. Exactly what it says on the tin, incredibly insane read.

If Beale Street Could Talk by James Baldwin is a heartbreaking but powerful book and a look at the racism of the time while still centering the love the two black protagonists feel for each other. Giovanni's Room by the same author is one that focuses on a MLM man struggling with his sexuality, and it's really important to see from the perspective of a queer man living in the 50s– as well as Baldwin's autobiographical novel, Go Tell it on the Mountain.

Agatha Christie mysteries are all still absolutely iconic, but Murder on the Orient Express is such a good read whether or not you know the end twist.

Maybe-controversial-maybe-not take: Lolita by Vladimir Nabokov is a good book if you have reading comprehension. No, you're not supposed to like the main character. He pretty much spells that out for you at the end ffs.

Animal Farm by George Orwell was another favorite of mine; it was written as an obvious metaphor for the rise of fascism in Russia at the time and boy does it hit even now.

And finally, please read Shakespeare plays. As soon as you get used to their way of talking, they're not as hard to understand as people will lead you to believe. My absolute favorite is Twelfth Night- crossdressing, bisexual love triangles, yellow stockings... it's all a joy.

and those are just the ones i thought of off the top of my head! What're your guys' favorite classic books? Let's make everyone a reading list!

[lenny-link]

TF2 x SU au fusions!

oof this took too long but i finally made it !

I kept @gracefireheart Andalusite (HeavyMedic) and @cariocay ‘s Turquoise (EngieSpy) (that i just realized their account got deactivated just a few days ago im sad now) fusion designs because i just found them perfect and whenever i wanted to try making my own designs i always ended up with making something similar to theirs since i was very influenced so i just kept them! They’re so awesome plz check the original artists!

my designs :3 :

About the fusions:

I tried to choose a theme for every fusion that suits the characters like Spessartite (DemoSolly) is a warrior i put Demo’s sword with Soldier’s shield thing well he doesn’t specifically have a shield but yknow the helmet thing i thought that could work.

He’s very powerful, strong and jump into action without a second thought, while he possesses immense strength and a love for loud and chaotic things, his battle prowess is a double-edged sword since his attacks lack precision. however, this unpredictability often leaves his enemies confused and scrambling to defend. he fights more efficiently when drunk lol

Lepidolite (MedicSpy) is a plague doctor, he is very inspired by Hannibal Lecter (nbc Hannibal lol shout out to that one Anon who recommended it for me to watch it lol) at first i wanted to give him a bistouri as a weapon, since it would suit Medic’s saw with Spy’s small knife, but then i felt the fusion was leaning too much towards Medic than Spy, so i put a cane instead to give that old idk gentleman look :P

He is polished and sophisticated, with a hint of underlying sadism and very precise in his movements, he meticulously analyzes his opponents, exploiting weaknesses with surgical precision before jumping into action and strike right where it hurts the most, the cane appears to be a simple walking stick, but inside is a hollowed core that had a retractable, poison-tipped blade, and his poison isn't fast-acting he enjoys toying with his victims, watching as the venom slowly takes hold, fueling his twisted sense of amusement. they are far from being the strongest fusion but they rely a lot on making their opponent weaker by their ability to attack precise hits as well as poisoning them!

Carnelian (SniperScout) his design was inspired by a equestrian outfit (he was the hardest to design tbh bc i wanted his design to be specifically different from the others since Scout is half human so i wanted this "human" aspect to show in the fusion).

He is a walking paradox, he's got Sniper's calm confidence with Scout's hyperactive energy, he loves a good plan but his execution is often fueled by pure adrenaline, he can zip across the battlefield with incredible speed, dodging attacks and flanking enemies. good at mid range and long range attacks but weak at close range, has internalized monologues with himself a lot, he appears calm on the surface however, his foot constantly taps, he fidgets with his slingshot, he cannot stays in place for too long. enjoys taking challenges.

Rubellite (DemoPyro) is a robot with a 50’s cartoon style but with like a creepy vibe to it, their voice sounds like a broken radio perpetually stuck on a laugh track, is both infectious and unsettling.

They just as powerful as Spessartite but just a bit more agile and lean more on the defense style than offense, their body stretches in a cartoony way and battles become a twisted playground for them, a child's game where they hop and blow things up everywhere. they’re very joyful and loves to have fun while making chaos, they usually make jokes but no one understands their muffled voice so they often laugh all by themselves lol the weapon actually expands where the ball and the shaft of the mace connects there’s a chaine (i didnt draw it cuz there was already too much going on in the drawing lol) which helps them reach target from close to mid range easily, they twist and turn their body in very flexible ways before swatting their weapon at their target.

♠︎ If you want to suggest a pair for the next fusion please just comment here DO NOT send it in my ask box plz !!

And if you want to make your own fusion designs/fanart go ahead ! id love to see other people’s interpretations could be ! just don’t forget to tag me and add the tag ( tf2 x su au) :D

hope you enjoy !

+ early designs :

[ambrosia-vinca]

There's a kind of defensive attitude towards criticism re:Lucanis' romance in many corners of the fandom that I partially understand because Veilguard gets a lot of shit thrown at it, and if you enjoy something you naturally want to defend it. But this type of attitude also rubs me the wrong way when people who loved the way his romance played out say that anyone criticizing it must just not understand slow burns/not like slow burn as a genre/not understand Lucanis' character and his trauma properly/must have been expecting explicit sex scenes and a Zevran 2.0.

Maybe some people criticizing his romance don't like slow burns, or were wrongly expecting him to be a sex god, or ignore his trauma. I've seen a few. But that's not all the criticism there is.

Personally, I love slow burns, it's my favorite genre both to read and write (I'm the type of fic writer to think up 200k words enemies to lovers longfics where they've barely kissed after 100k words). I'm also the type of ace person who's not into extremely explicit sex scenes or super kinky romances (especially with male dom stuff, which I personally dislike). And lastly, I'm the type who picks the angstiest possible romance choice.

All this to say that Lucanis and his romance were theoretically made in a lab for me. Slow burn because the character doesn't trust easily and is traumatized by his past experiences and has many things he must resolve, excruciatingly slow to open up? Unexpectedly very sweet, wet, sad man with puppy eyes? Romance scenes that are caring and romantic instead of outright steamy? Perfect, right up my alley! I keep romancing Fenris in DA2 exactly for that reason because I love him dearly, and he breaks up with Hawke for 3 whole years! Still my favorite!

But the whole point of a slow burn are the steps. It's a slow burn, which means little step by little step, the relationship slowly builds to a conclusion, from tentative acquaintances who don't trust each other, to slooowly evolve into something more, and it's precisely these crumbs that make the trope enjoyable.

To me, Lucanis' romance doesn't feel like it does little steps, it feels like it skips steps. I can see the main story beats of a good slow burn, but not the crumbs that make a slow burn. I don't want him and Rook to jump each other after 2 scenes, I want to see more of the fumbling, the hesitation, the dancing around each other. No, dragon age isn't a romance game, I'm aware, but if romance is an option, and it is written to fit a specific trope, I would like it done properly. They've done slowburns and angsty before, and they were good (even Solas', and his romance is super short). I want the evolution of the relationship shown to me, not told in broad strokes and big steps, and I don't want to have to write half the romance in my head or rely on ao3.

We get nothing between the coffee date and the almost kiss, absolutely no reaction of any kind to the flirting, not even a blink. If Lucanis and Rook were capable of having an entire conversation about coffee and kisses metaphors when they barely knew each other, then I think they can flirt a bit more in the following conversations when you pick the romantic option, dance around each other, have Lucanis fumble a little more like he does with Neve when he actually registers Rook is sincerely into him. Even just a sign that he heard Rook when they pick the romantic option in the following conversations, because as it is he immediately resumes whatever he was saying. And if his lack of reaction is because he's suddenly afraid and thinks it's a bad idea, I would like it shown on his face, or as an actual noticeable pause/hesitation. It didn't look like he thought it was a bad idea at Café Pietra, unless he just thought Rook was flirting just to flirt and wasn't serious, but again, none of that is hinted at in any way.

Then there's the almost kiss that follows and is the first actually romantic moment we get after the coffee date, and suddenly Lucanis is all smooth and confident about flirting again. With nothing in between ever since *Illario voice* he got all romantic about roasts. Was he reluctant before and that's why he didn't react to Rook's flirting/caring concern? We have no idea, because while he warns Rook it's a bad idea to be attracted to him, he doesn't seem scared, more amused at their daredevil tendencies. The first time in his entire romance we get a clear indication he's afraid and won't open up for a long time is at the end of this specific scene, when he pulls away, and the way it happens is like Lucanis himself wasn't expecting his fear to overcome him. He wants, he lets himself be pulled forward, and then he suddenly gets drowned by overwhelming terror, and he pulls away.

The beginning of the romance (the date + almost kiss) reads to me as if Lucanis was trying to forget the Ossuary, letting himself flirt and feel attraction and just simply live again as if nothing happened, believing if he didn't think about his trauma and forcefully moved forward then it would stay buried, and then the Ossuary unexpectedly caught up to him, because you don't just bury things like that, it always comes back up at some point if you make no effort to actually process what happened.

And then there's nothing again for a long while. I can imagine Rook leaving space for Lucanis because they're considerate of his feelings and they can see something is deeply wrong, but still, something big and awkward happened between them! Not even one conversation where they try to gently broach the subject and Lucanis immediately clams up? What about some mentions of how awkward things suddenly are between the two? Even through party banter? We got plenty about Hawke and Fenris' situationship in DA2 after Fenris pulls away. The other companions comment on their breakup and how it's painfully obvious they're in love still, no matter what happened, and there are a few banters between Hawke and Fenris themselves. Surely things are a little tense and awkward between Rook and Lucanis as well at that point, and their friends would notice? They don't spend as much time together as they used to, Lucanis doesn't talk directly to Rook much anymore unless he has to, can't quite look them in the eye, doesn't want to stay alone in a room with them. He is still protective of them because he obviously cares very much, but can't bring himself to have an honest talk about his feelings and fears because he's still completely locked in his mind prison and would rather deal with his problems by stabbing his enemies.

Rook being lost because they haven't been inside his head yet and they're not sure if it's because of what Lucanis has been through, or if they did something wrong to get them rejected, and they're stuck because Lucanis completely refuses to open up. There are so many little things that could have been implemented to actually serve as the little steps for the slow burn. You're telling me even Emmrich or Neve, perceptive as they are, wouldn't have noticed their two friends suddenly being awkward and sad and not try to talk to Rook about it at the very least?

And then there's the mind prison where Rook gets all Lucanis' fears and insecurities explicitly told to them. Immediately followed by the scene where you lock in the relationship as he makes them dessert.

Were they in a relationship?? When did they get together? Do they get together right there in the kitchen by the sheer power of cake (ok, relatable)? You don't know! They almost kiss, things are theoretically painfully awkward between them for a while, Rook discovers the substance of his trauma, and poof. They're a couple. Yes, I know that Lucanis' love language is acts of service, but did they communicate at all at any point about what's going on between them? Surely even if Rook helping him out of his head puts him on the road to eventual recovery, it didn't suddenly erase all of Lucanis' trauma and fears and doubts.

I liked Rook calling out the subtext of what Lucanis says in that scene (“it's nothing, or not enough”/”it is, and you are”), I did think it was sweet and perceptive of them. But still, we go from attraction to pulling away to suddenly committing to a relationship with never actually discussing exactly what goes on between them. Never outright deciding they want to try something serious. There wouldn't have been much actual flirting or sincere conversations between them after the almost-kiss, for obvious reasons, so how does Lucanis know Rook hasn't moved on/isn't angry at him after all this time, considering how they didn't communicate at all afterwards and he's not exactly the best at feelings and self-confidence? He just talks as if it's a given they're attracted to him still, and only worries about not being good enough for them. I wanted crumbs of reassurance from Rook, more than what we got, because Lucanis' probable guilt is never actually tackled in any way – he had perfectly valid reasons to pull away, of course, but considering how much he blames himself for anything and everything, I'm pretty sure he would also blame himself for hurting Rook's feelings, even if they're understanding and not actually angry with him at all.

Idk. I have a lot of thoughts, especially about the middle of his romance. The last big scene we get is one of my favorites through all dragon age games, it was so sweet, but I still felt like the entire middle part of the romance lacked a lot of slow burn crumbs, and I was still hungry when I got to the end.

[butchvamp]

okay i've played a bit more and i have a lot of thoughts about Taash and the way gender is being handled overall in this game...

first i will say the positives which is that i do really appreciate the attempt at incorporating trans characters both in the world as companions and allowing us to make those options in the cc. and as someone who also writes dark fantasy stories with trans characters i do understand how difficult it can be to incorporate these identities into a world that doesn't necessarily have the same language as we do; but overall the way they've approached this feels very... i've seen some people call it unpolished but i actually feel the opposite. it's almost clinical (therapy-speak in general has been a main criticism of this game) and it's way too polished, in my opinion, which is what makes it so jarring to see.

there has been a trans character established in game previously, there is already a precedent for these identities to exist in this world, and they have never used this language before. the way Iron Bull talked about Krem felt far more realistic and integrated into the world of Thedas comparatively. was it perfect? no, of course not, but i chafe at the idea that it needs to be perfect, anyways. this is another problem the game has; past characters have had their flaws completely ironed out (Isabela is now a paragon of friendship and returns cultural artifacts instead of looting them, Dorian has multiple codex entries wallowing about how he used to defend slavery, the Crows have suddenly become a big found family-- on and on and on) and while i have my criticisms of some of these flaws (Dorian's pro-slavery rant in inqusition still makes my eyes roll) i dislike the way they're handling these changes and just expecting us to ignore all of the lore and worldbuilding from previous games. and all of this "political correctness" only for the game to still be so racist.

which brings me back to Taash.... Taash is very strange character, lacking agency around both their gender and their culture. they are simply a mouthpiece for the writer. while yes, it should always be made undeniable that your character is trans or gay or xyz, Taash really does only exist to be nonbinary. and to be clear, a nonbinary character like them could be very interesting, if their writing wasnt so... white. we know that the Qun has different ideas about gender than Rivain (and elsewhere) and this could have been a very interesting exploration of that; however, it is obvious that the Qun (and Taash's mother) are meant to be depicted negatively, and ultimately it ends with the player (not Taash) choosing between their two cultures. their gender is clearly far more important to the writer and the only facet of their identity they seemed willing to explore, which makes me question why even make this character qunari to begin with...

Neve and Rook are also the two that spur Taash into exploring their gender. this, on the surface, is not a problem for me. i'm playing as a trans Rook and while the dialogue was again very overpolished and clunky i found it kind of endearing. but the way Neve is used as this "foil" for Taash really rubbed me the wrong way. this assumption that Neve has no complicated feelings about her gender or being a woman (which i highly doubt considering the world she lives in & how misogynistic it is) and the implication from Taash that she only dresses the way she does for her mother/other people (which Neve doesn't even get to challenge) is extremely narrow-minded. Taash is the Only character that acknowledges gender; so far, even when flirting with other characters, it's only been Taash that i've been allowed to specify with that my rook is trans, despite Taash already knowing that from our previous conversation (i hope that this changes once i lock in with a specific character so feel free to correct me if it does).

but no one else really seems to have an opinion except that Neve drags Taash around to meet Maevaris, and we get the very goofy note that's just a list of modern gender identities and their definitions. i do partly sympathize with the writers here; again i've had to find a way to incorporate lgbt identities in my own writing and it can be difficult depending on your audience. i understand wanting to be very clear and concise. but this is... just goofy. and this desperation to be so correct around gender while simultaneously writing such an offensively racist narrative is really frustrating.

there's also an inconsistency that comes from this with Taash's character-- they are portrayed as this rough but awkward character that is bossed around by their mother, they are bashful with flirting early on and are almost child-like in comparison to the other characters. and then suddenly you get a scene with them where they very directly ask if you want to have sex and suddenly pin you against the wall. this scene was so jarring to me i referred to it as a jumpscare because WHERE has this character been this entire time? i want to see more of this, more of this character who takes what they want and knows exactly who they are (which they even say multiple times when you first meet them... but then need Neve and Rook to hold their hand about it?)

i do really like Taash, i like the idea of them, of this very self-assured and almost cocky character who is also a little silly, this person who is so sure of who they are but has to deal with their mother undermining them while also navigating a culture they feel disconnected from, and i also like that the player can help them through it... but the execution is awful, shallow, and racist. the idea that someone can only choose One culture is so offensive and also a laughable conclusion when compared to their coming out as nonbinary. the writer clearly understands that people don't exist within these little boxes when it comes to gender, but can't wrap their head around it when it comes to someone's culture-- which is also a very important part of a person's identity and often contributes directly to their gender and how they feel about it. all of these different characters have different experiences, come from different places, Davrin and Bellara are Dalish and even have differing opinions on what that means for themselves, but the game doesn't touch on any of it. all we get is a lecture from the writer that is completely removed from the world it's presented in.

i wish i could understand what it was this character was meant to convey. i stand by saying that it doesn't need to be perfect; i know there are people that had problems with Krem in inquisition, but at least Krem was his own person. Taash doesn't even get that here... i harp a lot about character agency when i give writing advice on my other blog but it really is so so so important for marginalized characters-- both gay, trans, and especially characters of color-- to have their own agency around their identities that is completely separate from the player & player choice, that allows them to exist as their own person within the world you've created, and i think Taash's character and story is an unfortunate example of exactly what not to do.

[spicymancer]

So just wanted you to know, "yellow" is a common slur against Asian Americans and so Huang Feng, being a Bruce Lee (whos an Asian man) clone and all could raise some eyebrows to your intentions. And before i get accused of white knighting, i am Asian

Thanks for reaching out! This is honestly something that might be important to discuss and I appreciate your attempt at broaching the subject delicately. More after the jump.

So to start. I am also Asian. Specifically Chinese American.

As an American born Chinese, I have a weird relationship with my Asian heritage. I have a bad accent when I speak Chinese and most of my upbringing and cultural understanding is very American and western-centric. So I have certain biases at play here that I fully acknowledge. My experience is not universal. But these characters are drawn from that experience.

Huang Feng is a reference to Bruce Lee's performance as Kato in the Green Hornet. Dà Huángfēng being a Chinese term for a hornet.

The character is also narratively implied to be a secret moonlighting identity for the Yellow Ranger in my made-up sentai team. (Who, due to my own decision to always refer to the characters by their Ranger color, is literally just called Yellow by the other members of the cast.)

This is also a reference. Specifically to one of my greatest inspirations, Thuy Trang (Rest in Peace), who played the original Mighty Morphin Yellow Ranger. She was one of the first "Cool Asian Characters" that I encountered in media targeted at me as a child, problematic color choice aside. I sincerely adored her and her giant robot Saber-Toothed Tiger.

To be honest I have a complicated relationship with "Asian Themed" characters in media. So often saddled with cliché stereotypes: Martial Arts, dumplings, nunchucks, etc etc.

But the thing is, even as I roll my eyes whenever I see the Fighting Game character that is The Chinese One who wears a rice hat and a qipao. Or when one is literally just Bruce Lee. I do also immediately main that character. It's a bit of a guilty pleasure. Taking what representation I can get with mixed feelings. Similar to my enjoyment of sexy anime girl art even though it's all rooted in pretty uncomfortable sexist and objectifying aesthetics. A lot of my work comes from a place of exploring my own sexuality/identity. These characters are, partly, my own attempt to explore Asian themes and ideas for myself.

I would love to say that I'm trying to "reclaim" the term or something but I'm just some internet artist drawing cute anime girls and monster smut. For me, playing with these clichés is just another way of being self-indulgent.

Not really defending these creative choices so much as explaining my perspective on them. I totally understand if all this turns folks off! I fully respect those who don't vibe with my work and wish them all the best. It's a big internet and I'm sure they can find something super great to enjoy elsewhere!

Anyway, sorry for the long rambly post. Despite the fact that I'm posting this on Tumblr, I am not super mentally equipped to engage in Discourse, so forgive me if I don't respond to the tags on this.

So I'll just leave y'all with a neat article by Kat Chow discussing the history and usage of the color Yellow in regards to Asian Identity.

[hand-face-chan]

Uhhhhhhhh..... I have some........ thoughts.

Whoops! Sorry everyone!

the thomas thorne affair is clearly better than redding weddy. this is not a judgement on redding weddy but the thomas thorne affair is the third-best episode of the show and redding weddy is not

[cheapshrimpysheep]

Meaningful Kiss 4

SUMMARY: Would they make Public Displays of Affection? If not, are they protective instead? And how do they show you how much they truly love you through their kisses? 💋

CHARACTERS: Cater, Trey, Floyd, Rook

TAGS: Fluff; GN Reader; Established Relationship, Kissing, Flirting, Slightly Suggestive

WORD COUNT: An average of 430 words per character.

COMMENTS: The last part of the Meaningful Kisses series. These were the four least voted characters, however, I had a lot of fun writing them.

I hope you enjoy reading it too. 😘

Meaningful Kiss (Riddle, Leona, Azul, Jamil, Vil, Idia, Malleus)

Meaningful Kiss 2 (Ace, Deuce, Jack, Epel, Sebek)

Meaningful Kiss 3 (Ruggie, Jade, Kalim, Silver, Lilia)

CONTEXT: This can be seen as if you were at the beginning of the relationship, or already in an established relationship.

Cater is into PDA for sure! He likes to be lovey-dovey and flirtatious. And especially enjoys showing it on his social media. EVERYONE knows about your relationship. You are "that" couple. Or at least that's what Cater's photos and PDA suggest.

Whenever you two are together, you are glued to each other. He will always have one or both arms around you. Especially if you are on a date. Of course, if you're not that into PDA yourself, he'll respect it, but in that case you'll have spoil him with cuddles in private, kay~?

However, this fact that Cater likes to show his feelings for you in public and on social media will end up bringing you some "hate". People saying he's only with you because your relationship is aesthetic pleasing. That you like to have coordinated clothes is just a facade for an exaggerated and false romanticism.

He gets a little sad and hurt when people say bad things about him in the relationship, like when they imply that he's just using you. But whenever an attack is directed at you, like when saying that a person like you doesn't deserve a boyfriend like him, the people pleaser side of him disappears. And he starts using his social and conversational skills to defend you, even if he has to insult the other person to do so. This is if it is IRL, which rarely happens. On social media, he just deletes the comment and blocks the person. Good vibes only.

But of course you also feel bad when you read or hear things like that. A lot of people criticize the fact that Cater only shows the good parts and that's why it's all fake. Of course he only shows the good things, that's what social media is for. He likes the popularity and all that, but, unlike certain influencers, he knows what limits are. He would never publish anything bad about you, much less humiliating like an argument or you crying. Mainly because at these times, if they happen, he will be more concerned with consulting you or making you feel better to the point of forgetting his cell phone somewhere.

This can lead to his most meaningful kisses. The ones he gives you when these things affect you, to prove that those things people say are lies and they don't know anything. When he is hugging you and saying cute and funny things to make you feel better. Everything he does in public he also does in private, including kissing your cheeks and lips. But this specific kiss is one that is exclusive to the private sector.

It's not extravagant like the ones he usually gives you, this one is soft, sensitive, and slow by his standards. Basically the opposite of what he usually shows himself to be. You feel that they are calm and that he is enjoying the moment.

Trey is not really into PDA. I mean, it's not like he's averse to it, but it's just not his thing. He is a simple man, he shows and knows how to see love in small things. That and he's not, shall we say, the flashy and extra type. Too much attention can embarrass him.

However, even though he's not much of a show-off, he thinks it's fun to mess with you in public without anyone seeing. Like kissing your cheek discreetly and casually when no one else is paying attention to you and surprising you in the process. Beside that, you continue to behave like good friends. Nothing very different from how he would treat any other friend.

In private, it often doesn't change much. Just like I said, he's a guy who likes his peace and quiet. So the two of you end up looking like a long-term couple even if you aren't yet. However, it is also in private that he feels most comfortable hugging and kissing you. He's more welcoming to you doing the same to him.

If there's one type of surprise he's a fan of, it's you hugging him from behind when he's cooking. Many of your cutest moments happen in the kitchen. He likes to have you as a tester to his food and sweets.

The problem is when he feels more naughty and takes advantage of your trust in him to use his signature spell to change the flavor of what you taste to play a trick on you. For example, you're expecting to taste the sweetness of strawberry cake, but instead you taste the saltiness of an oyster. He will laugh at your reaction and your sulky face.

Then he will apologize, without regret for what he did, and that won't be enough for you. By feeling comfortable being himself with you, you'll end up getting to know his cheekier side. He hugs you around the waist with his rare smug expression and his gaze fixed on you. He's "really sorry" but maybe he can redeem himself. He runs his thumb over your slice of cake to remove some of the icing and puts it on his own lips. Why don't you try it again? No tricks this time, he promises.

And this leads to his most meaningful kisses. Not the soft, sweet, affectionate ones he usually gives you in private, but the ones that show that sassy side of him that most people don't think exists.

It depends on Floyd’s mood, obviously. But as a general rule, he likes PDA, more giving than receiving. He likes to be in control of these things, he doesn't like to be the one being "squished", you know.

He does what he wants, if he wants to hug you, he will hug you, if he wants to kiss you, he will kiss you. And no one will even have the courage to look at him the wrong way. No one wants to get in trouble with an Octavinelle student, especially Floyd Leech. This ends up guaranteeing you instant security and a sense of immunity. Everyone will know that you are together, not in a gossip way, but more in a sense of warning other students of the danger of messing with you.

He will hug you and kiss you however he wants, whenever he is with you. This part doesn't differ much from public to private (with one or two exceptions of course, chill!) If anyone can be embarrassed by PDA here, it's you, because he's never embarrassed. If others have a problem with it, that's their problem, and if they upset him... well... let's just say it will be the first and last time.

His affection only fluctuates when he is in a bad mood, and he becomes even more unpredictable. You can never predict whether he's in an "I want to be alone" bad mood or an "I want to hug you like a stuffed animal" grumpy mood. Either way, you don't need to know because he'll tell you. When he's in a bad mood he's not one to make people guess what he wants, he'll tell them directly and specifically.

Floyd’s good-mood kisses range from casual and lazy kisses just because to passionate and cheeky kisses to mess with you. But surprisingly, his most meaningful kisses are when he's in a bad mood and wants to be with you.

Just like he secretly likes to entertain and cheer you up when you're in a bad mood, he loves that you can do the same for him. He can be very clingy when he's in "I want you to hug" grumpy mood. He likes that you let him hug and kiss you however he wants to make him feel better.

This may lead to him starting to kiss your cheeks, moving on to your neck and finally your lips. His kisses are like his mood, in this case, grumpy, but not for long. Kissing you is fun for him, so you'll start to feel the kiss change at the same time as his mood. His pout starting to change into a lazy smile. And if you're not “careful” and he ends up in a REALLY good mood...

If words of affection could be considered PDA, well, I think you know. Rook is a man of words and everyone knows it. Some even know it too well. Prepare to receive the same treatment as Vil.

Surprisingly, he's not much of a toucher. He’ll never think twice before greeting you with charming words and a tender kiss on the cheek, or on the back of your hand like a prince, but never on your lips. At least not initiated by him.

He won't take the initiative to hold your hand or hug you. He will only do so if you ask or in response to your initiative. In this case he will gently hold your hand and caress it with his thumb, or hug you gently as if you were a precious little thing.

And why? One of the reasons is because he likes it when you ask. There's something about the need for his touch that he enjoys. Luring you with words to deliberately make you fall into the “trap” of wanting his touch. And the more “difficult” you are, the more he loves it.

Another reason is that, when hunting, touching the prey is usually the last step, right after finally catching it. He's a hunter, not a pet owner. He uses words because they are his bait, physical touch is the prize. And he likes that each other's touch is as much a reward for you as it is for him. He wants to make you want him as much as he wants you.

And that's why true physical touch only happens in private. He likes to show through words how much he likes something or someone, but he is also a man of secrets, and how he enjoys the prize of having you in his arms is one of the secrets between the two of you. Especially because his touch manages to be as flattering and appreciative as his words.

He likes to run  his hands over you like someone appreciating a work of art. Kiss your neck and lips like someone savoring an exquisite delicacy. And these are his most meaningful kisses. Kisses of appreciation, of care, of passion and at a certain point, of desire, for a prize that can slip out of his hands at any moment because you have your own free will and that is exciting.

If you would like to read more from me, you can find it in my pinned post: INDEX

[psychotrenny]

I don't think "Fascist" is a very useful or accurate thing to call Caesar and his Legion (from Fallout: New Vegas) in the context of the game world itself. Like there are a lot of aesthetic similarities and basically all of their unironic real world fans are some sort of Nazi Nerd, but when talking about their place within the context of fictional post-nuclear Nevada it just doesn't work. Like Caesar's whole deal is that he's a Social Scientist who, living in a world that's been "blasted back to the Stone Age", figures that society must evolve through the same stages if it wants to properly return to modernity. The Legion is basically comprised of "Primitive Communists"* who've been forced into a Slave Society. His criticisms of the NCR boil down to them being a moribund remnant of/reversion to Old World Capitalism rather than something organically adapted to the post-Nuclear world. He repeatedly talks about how the Legion isn't meant to represent an ideal society but simply a stepping stone onto something better (the thesis that will clash with it's antithesis and evolve into a superior synthesis). His interactions with the Courier heavily imply that the Legion's Misogyny, Homophobia, Tech aversion etc. are much more tools of social organisation and control than values that Caesar personally holds. The Legion isn't just some band of mindlessly violent reactionaries but the product of very deliberate Social Engineering; a peculiarly post-nuclear sort of scientifically planned society

Now I'm not defending the Legion as a "good" choice or anything; Caesar's plan has a lot of problems, it's not hard to poke holes into and in terms of unadulterated cruelty The Legion is easily the most morally repugnant of the main factions. But the thing I really love about The Legion is how, within the specific context of Fallout's setting, it makes sense. Like once you really think about it you can understand why someone in Edward Sallow's position would arrive at these conclusions, and there are good reasons why (if you take your roleplaying seriously and don't treat the Player Character as an extension of yourself) someone living in this world might chose to side with him. The Legion may be terrible but it's not evil for the sake of evil; there's genuinely a compelling ideology behind it.

It's why I get sad when I see so many people dismiss them as the "dum dum fascist slavers" because there's so much more to them than that. Like I think the best part about The Legion is how ridiculous they first appear ("These raiders dress like Ben-Hur extras?????) but once you find out more about them then it all starts to click ("Oh I see their leader is trying to assimilate them into a distinct and alien culture in order to maintain their loyalty; severing their previous connections and giving them a whole new identity"). So it sucks to see so many people get caught up in the first part and never make enough connections to reach the second. Like in general, Fallout: New Vegas is very messy and flawed and yet it's full of all these interesting little nuances and I think that's worth appreciating it. It's why, time and time again, I keep walking down that dusty road

*in the very broad sense that Fallouts "Tribals" are meant to represent people who have reverted back to some sort of pre-state society; of course there are countless problems with how Fallout treats this matter (including but not limited to incredible amounts of racism) but in order to understand Caesar we're forced to meet the game on it's terms