#I could talk about that and just my culture in general for ages since I've finally grown comfortable with expressing my heritage

[saucy-mesothelioma]

Apart from movies/series, what would you say is your favourite art medium? It could be digital, traditional, or a combination of these.

Well, I love a good book just as much as the next person with Harlan Ellison, Douglas Adams, Terry Pratchett, Neil Gaiman, and Tolkien being some of my favorite authors. But I also have a very strong love for vinyl records and collect them.

I've got John Denver, Queen, ABBA, ELO, and some soundtracks like Guardians of the Galaxy and Minecraft, but the two displayed in this picture are my pride and joy. They're both from 1966 and are in incredible condition, even playing better than the ones I bought online (these two are from a thrift store). Not to mention that these two artists mean a lot to me: Tom Lehrer is one of my favorite comedic songwriters and Jim Nabors is not only a gay icon to me but was also born close to where I'm from. I've got some new vintage records I've got to pick up from my grandparents house as well, stuff like Hank Williams and Buck Owens as well as a non-vintage Credence Clearwater Revival.

And of course, I'd never forgive myself if I didn't mention my love for Appalachian folk art. Dollywood is a well-loved vacation destination for my family, and although I love the rides and the cinnamon bread (that shit is like CRACK I swear to god it's so good), one of my favorite things about that place is the Craftsman's Valley. They let you see things like glassblowing, woodcarving, and ironworks among other things, but where there's pottery now they used to have a wagon station that used to be my grandfather's favorite since he breaks horses and drives wagons. Here's some pictures of what it used to look like:

Unfortunately I'm too young to remember that specific station, but I've spent hours watching the glassblowing and ironworks. It's genuinely mesmerizing and helps me feel a lot closer to my culture and have a newfound appreciation for it every time I see it.

[red-hot-kick]

Theory: Ryuji was popular, before.

I'm not entirely sure if anyone has really talked about this but I maintain my interpretation that, in the canon of Persona 5, Ryuji used to be very (or at least moderately) popular prior to the events of the story.

This is something I've gotten into before when talking to friends who like the game and the character, but I haven't really considered writing it down until now. The main argument I have is based on three things:

Things Ryuji alluded to in canon (but no one believed him on)

The deliberate choice of making him a track athlete

Typecasting for voice actors

1: "There were girls all over me!"

I don't really have the time to go on a deep dive through all the instances in which he hints at his reputation before the Kamoshida incident, but I think the most clear-cut representation of this was during the scene where he and Ann spend the day with Futaba during her post-palace social rehabilitation:

So here's the thing...I don't think he's lying about this. Nobody in the room would be that impressed to find out whether Ryuji was popular since they are already friends (or in Mona's case, he really just doesn't care), so it wouldn't make sense for him to lie.

Regarding everyone's reactions though, here's my impression: Ann was simply not aware of what was going on with the track team, being predominantly focused on dealing with rumors, her friendship with Shiho, and her modeling career (and eventually Kamoshida's advances once he started doing that shit) and she mentions a few times that she and Ryuji weren't actually close before joining the PT; they were just in the same class in middle school. Futaba hasn't interacted with anyone her age in years and isn't the most reliable source when it comes to what people generally find attractive; just because she doesn't have any interest in Ryuji doesn't mean that nobody her age would. And Morgana is a cat that brags constantly about how cool he is, so he shouldn't be throwing rocks.

There are many other times in the game when you get little glimpses of his social savvy, and from my understanding of Royal (I'm an OG vanilla P5 player and haven't done 3rd-semester yet, so don't kill me) when the track team returns to "how it was", he is getting along extremely well with everyone. Not only was he the team's ace: this kid was also expected to become the captain by his senior year (as briefly mentioned when he bumps into his former senpai at the gym, iirc). That's huge! If his team held him in such high regard, then the general student body of Shujin surely had a similar opinion. This brings me to my next point:

2: Girls like boys that run fast(???)

This is honestly something that baffles me. It's also really difficult for me to substantiate; any source material on this is obviously in Japanese and if I could find any of it, I sure as hell can't read it. The only English-language source I know of I cannot find anymore; I think it was an old Tofugu article? However. If you've watched any romance anime set in a high school during the last 20 years, you might have seen this trope at some point: the school sports festival is happening, and the relay race is kind of a huge deal (it's the final event! a make-or-break moment for the class!). The boy thinks to himself "If I win this race, I'll be able to win her heart/ask her out/etc." Low-stakes drama ensues. Maybe a confession happens.

This is (from what I've been told) based on a long-standing trend of girls and women self-reporting in surveys about how, oftentimes, their crushes in junior or senior high school were simply "the boy who ran the fastest in the races". I have no idea what this means in a broader cultural context. It makes no goddamn sense to me at all. Do not cite me on this. But I think it's worth keeping in mind, even if it's almost entirely speculative (and possibly outdated) information. And even if it's just based on rumors, don't you think it's pretty in-character for Ryuji to go for a track scholarship—despite being adept at other sports like baseball and football/soccer, as mentioned in P5 and P5D—because he was aware of the potential of being more popular with girls? Of course, his priority would be getting the scholarship and paying his way through school to lighten his mother's burden, but hey, getting a girlfriend on the way up wouldn't be half bad!

I think this could also inform us as to why Kamoshida (as a predator who wanted attention from high school girls) felt so threatened by the track team in particular, and why he felt a need to specifically knock Ryuji down a peg and sought out a weakness to do so (as opposed to targeting any of the probably just-as-popular boys on the many other athletic teams and clubs in the school). Just some food for thought on this one! Also, if anyone can find a source or has any insight on the relay race thing, please share. I am so confused about it.

3: Typecasting

So this is something that you really only notice if you are very into keeping up with seiyuu in Japan. I am not one of those people. But I do have some favorite voice actors! One of these being Mamoru Miyano.

So I freakin' love this dude. He's voiced a lot of my favorite characters, sings incredibly well, and has an unreal sense of comedy. He's stated in interviews that his acting inspiration is Jim Carrey, and let me tell you: it shows. He is also quite consistently typecast into certain roles, predominantly as princely pretty-boy types, Coolguys, or complete fucking nutcases. Sometimes all three at the same time (shoutout to my boy Ling FMA!)

ATLUS definitely cast him for P5 because of his comedic chops. But I think they also cast him because having him voice someone like Ryuji is a great way to subvert expectations for the player. I think it's supposed to give you whiplash—"what do you mean the voice of LIGHT FUCKING YAGAMI is coming out of this guy's mouth?" "why does the delinquent character sound like king of the host club Tamaki Suou?" "isn't that Rin Matsuoka's voice?" etc. etc. etc.

(here's a quick list, just to really get the idea across. maybe you recognize a few.)

This is obviously a non-comprehensive list, but something that a lot of the characters he's voiced over the years have in common is that they were considered cool, handsome, or popular. Not just for fans, but within the canon of their stories! So...what does that mean? What does that say about how we should see Ryuji?

I think players are supposed to expect that he will fall into one of those categories too, and then be surprised to find that it's not the case—that he's been isolated and made bitter and resigned by what happened to him the year before.

Speaking of his tone, I think it's very telling that Ryuji actually forgets to keep up the delinquent act a lot in the original JP audio, which unfortunately doesn't really carry over in the ENG translation. The delivery of his JP lines sounds a bit more subdued in comparison too—yeah he's got a lot of energy and is very hotheaded, but when he gets to talking about serious shit, he sounds a lot more regretful and melancholy as opposed to the EN delivery which depicts him as more resentful and outwardly angry. I think before Shit Went Down, he probably had the Coolguy vibe. Still a bit of a rowdy idiot and a showoff, but I think he probably came across to most people as a very friendly, sincere, and popular guy.

So yeah, the girls probably were all over him, at least for a short while.

[lamardeuse]

This is not a Wendy's, and my story is not your burger.

A note up front: the following does not refer to the serious issues of racism, anti-Blackness and white supremacy in fandom spaces, which deserves a much more nuanced discussion than a ridiculous food metaphor could ever hope to express. This is a general discussion of fandom standards around tagging and warnings.

Over the three – now nearly four – decades that I've been in fandom, I've seen a lot. I've seen a lot of foolishness, and a metric fuckton of toxicity, and even some good faith, honest debates about how we should conduct ourselves as we move through fannish spaces and interact with one another. So from the start, let me explain that this is not the old lady crabbing at the kids. None of this is particularly new, and fandom culture ebbs and flows. Heigh-ho, nonny nonny, the wheels roll on.

That said, we need to have a talk. Because some people may not be as experienced as the rest of us, and need to understand some fundamental truths about fandom that they may not have picked up, because no one reads Fanlore from top to bottom for fun. That's not inherently a concern. We all learn from one another – I've learned so much from younger people in fandom, particularly here on tumblr – but there are occasions when younger fans could also benefit from some knowledge flowing the other way.

First, fandom is vast. It was huge when I started in the Dark Ages, and it's increased exponentially in the last fifteen to twenty years, since “geek culture” has gone mainstream. That widening of the circle – and more importantly, the naked commercialization of it by media giants who smell our money like vampires in a blood bank – is both a blessing and a curse, because on the one hand, more people who love a thing means more love for everyone! On the other hand, though, I think it's unmoored us in some senses from the fundamental truth that fandom is unhinged, joyful obsession, the fulfilment of a need for communication, creative expression and connection, and most importantly – community.

Yes, fandom is – or should be, at its best – a community first and foremost. And just like any community, it's filled with individuals who form groups, subgroups and cliques. And none of those groups have ever, in the over half a century since the first Star Trek fan made Kirk and Spock fuck, agreed upon one single, overarching view of what 'community' means. Which means the minute you as a fan come striding up to another fan's little electronic nest on the AO3 or Youtube or tumblr demanding that standard X be applied to their fannish creation in the name of 'fandom courtesy' or 'fandom etiquette'? All the old ladies (gn) in fandom realize that you are desperately, painfully new*.

Does that mean that we shouldn't strive to be a community? Of course not. But I would argue that the single and only “rule” of that community is that we make an effort to treat each other, first and foremost, with kindness and grace, and the understanding that the person you are interacting with is not you. They're not even one of the fifty-two people you interact with on Discord who all agree to the same “rules of fandom” (newsflash: they probably don't). And if you come into their fannish space as a stranger demanding they cater to you, you are probably going to be in for a shock.

Commercialization complicates this issue, because I think one element that's new is that some of us have lost sight of the fact – or never learned – that fans do not place their creations in front of you like a server handing you a bag at a fast food drive thru window. They are not producing a commodity to be consumed for which you paid hard earned money that entitles you to certain rights, such as the right to complain if you ordered a burger with mayo and received mustard instead. You would certainly have a right to demand compensation if you're allergic to mustard and had to go to the hospital as a result.

Fandom is more like a potluck, a gigantic potluck with literally millions of dishes. At some tables, there are agreed upon warnings for certain allergens, but others are not required to be mentioned and if you have an allergy, you will need to ask directly. At some tables, you are told that there may be allergens in any of the dishes and you proceed to eat them at your own risk. That risk and your assessment of it is, for better or worse, entirely your responsibility to manage. And your preferences – level of spice, aversion to certain textures and flavours – those are not allergies and there is no prior agreed upon standard to break down every possible element of a dish so that you will always be able to avoid any contact with the foods you personally don't like. There never has been, and there never will be.

The only thing you can be certain of is that on every single table, there are dishes that people have created for you for free with love, effort, experience and care. If you walk up to that table and take a bite and then politely turn down any more, that's fine. If you take a bite, spit it out and loudly tell that person that is not what you were expecting, you wouldn't have tried it if you'd known what it tasted like, and you are appalled that this person did not inform you of every single ingredient before you tried it? You, my friend, are not going to be welcome at the potluck.

Fandom is not a Wendy's. The stories, songs, costumes, artwork, edits that we put out into the world are not mass produced burgers made in a giant factory and shipped to restaurants where you can rest assured that the burger you eat in London will taste the same as the one in Dubuque. And no, the time you invested in reading a fic, watching a vid or contemplating a piece of artwork posted freely on the internet is not something you have the right to demand a refund on either, because again, fandom is not a fast food restaurant, and our interactions with one another in fannish spaces are not transactions. Every creation you choose to put in front of your eyeballs took that person time and energy, and they are putting that out in the world to make a connection with other human beings.

The next time you leave a comment, choose connection. It's easier than you think.

(*I'm going on good faith here and presuming most people who do this are relatively new to fandom. I'm not counting the people who think it's fine and dandy to hurl abuse at strangers for not obeying their standards – those people should be blocked and excluded on sight. I sincerely hope that they get help for the demons that are chasing them and telling them this is an acceptable way to live.)

[kylesvariouslistsandstuff]

The Subtle British Pop Culture/Timeline In CHICKEN RUN

On occasion, I've pointed out when the original CHICKEN RUN is set.

It's often been written that CHICKEN RUN was "set in the '50s", a sort of vague descriptor of its rather dreary post-war England setting. One could assume that from the technology present in the movie, and the homages to 1950s prisoner-of-war films. The obvious ones being STALAG 17 (the number 17 is on the main hut that the chickens all plot in) and THE GREAT ESCAPE. The character Fowler was of the mascot division of the Royal Air Force during World War II. All that talk about his medals. Chocks away!

The easiest way to pinpoint when CHICKEN RUN is set, at the earliest, is knowing what the songs are.

The chickens, in a hut, dance to a cover of Joe Turner's 'Flip, Flop and Fly', Turner's original was released in 1955, an early example of a rock n' roll song. Britain certainly had rock n' roll in a pre-Beatles era, but it doesn't seem as well-known to the average American as American rockers - you know, Elvis, Little Richard, etc. - are to Brits.

Later in the film, Rocky the rooster is jamming out to 'The Wanderer' by Dion.

The song first appeared in North America in November of 1961 - both as a single and as an album track on RUNAROUND SUE (the title track another big hit for him), and if you look in the opening credits sequence, Mrs. Tweedy works with a calendar that says "November"... However, 'The Wanderer' was first released in the UK in January of 1962. And it doesn't seem like much time has passed since the opening credits and the end of the movie...

'The Wanderer' reached #10 in the UK, which was great for an American rock/pop song over there... If anything, the movie is likely set in November/December 1962, so that was plenty of time for 'The Wanderer' to climb the charts, and then be played on the radio every once in a while. Things took a little while in a pre-streaming age, ya know? *waves cane* *I'm actually not that old, nowhere near lol I just love this kinda pop culture history*

So CHICKEN RUN is still kind of a post-war/pre-Beatles England, and it's set in a secluded location inhabited by a middle-aged couple who likely wouldn't have had any idea what was going in the teen beat scene. The Beatles' 'Love Me Do', the single that really put them on the map in the UK, was released in early October of 1962. Being their first true single (not the 'My Bonnie' recording they did in Germany with Tony Sheridan), it charted at a great #17 in the UK... Which of course was nothing compared to what was to come, the strings of #1s, or at least close to that. 'Please Please Me' was the second single, released in January 1963, it hit #2 in the UK. Beatlemania pretty much becomes a thing in the UK by the middle of 1963... It would take a little while for us yanks to catch the fever...

Anyways, CHICKEN RUN is set in November/December 1962. Or maybe it's 1963, who knows, but I think it's pre-Beatlemania rural England. Yorkshire to be exact.

It's kinda funny how the Disney animated ONE HUNDRED AND ONE DALMATIANS shares some similarities in this regard. That film was released in January 1961, and is set in both London and rural England. Its second half during the late fall/early winter no less. The puppies arrive in October, as stated in the film, and the film ends during Christmastime. Snow everywhere, dreary atmosphere, etc.... And then you have the Tweedys in CHICKEN RUN. Mrs. Tweedy is kind of a combination of Cruella de Vil *and* Jasper. She's got the contempt for animals like Cruella, and is taller and the brains like Jasper. Horace, the shorter, pudgier one in the equation - who is onto what the animals are doing but isn't believed, is totally Mr. Tweedy.

That brings us to the recently-released CHICKEN RUN: DAWN OF THE NUGGET... The sequel swaps prisoner-of-war movies and World War II imagery for James Bond and MISSION: IMPOSSIBLE. Spy movies in general.

One look at Mrs. Tweedy's high-tech new factory shows that in *spades*. But the folks at Aardman Animations did their homework, a lot of the details and background design and such, it legitimately looks like the lair of a supervillain in a '60s spy movie. Much like how Nomanisan Island does in THE INCREDIBLES, another very midcentury modern-inspired movie and franchise. There's also that charming UPA-esque cartoon on how the chickens are processed into nuggets, great stuff there. I also kind of get a bit of a Gerry Anderson vibe here, too. He was known for marionette shows - done in a process called "Supermarionation" - like THUNDERBIRDS and CAPTAIN SCARLET AND THE MYSTERONS. I assume most of the crew behind these movies grew up watching those shows.

And of course, a big indicator... Towards the end of the film, all the chickens - brainwashed by mind-control collars that make them all happy-go-lucky - are being forced up an escalator to a popcorn chicken death. In this pretty creepy sequence, they're all doing this while Cliff Richard's 'Summer Holiday' plays in the background. The bright, pastel-colored set adorned with simplistic countryside-looking hills that these chickens are brainwashed in before they are to be ground into fast food is reminiscent of vintage British and European children's programs. I was thinking of stuff like THE MAGIC ROUNDABOUT and such, which was also a stop-motion production.

Oh yeah, 'Summer Holiday'. That song came out in January 1963, it was the title song for a movie that was *huge* in England when it first came out. Cliff Richard is the prime example of a pre-Beatles British pop/rock star, I feel he's almost synonymous with that period of British pop music before John, Paul, George, and Ringo showed up. So, CHICKEN RUN 2 is set *after* January 1963. Plus, Ginger and Rocky's daughter Molly needed some time to grow up a bit.

Either this was intentional or not, but it strangely adds up. It's pretty chronological, either by accident or they made sure they didn't have too many anachronisms... Other than the cartoonishly high tech of Mrs. Tweedy's Fun-Land Farms, but then again, the pie machine in the original CHICKEN RUN was kind of improbable too. But that's the fun of the CHICKEN RUN movies, so it's a staple.

And even in other Aardman works, there are fun nods to British pop culture and media. For example, in WALLACE & GROMIT: THE CURSE OF THE WERE-RABBIT, Art Garfunkel's 'Bright Eyes' can be heard on the car radio in one scene. Garfunkel is American, yes, but 'Bright Eyes' was composed and recorded for the soundtrack of the British animated classic WATERSHIP DOWN. Just in case you've never seen or even heard of that movie. WATERSHIP DOWN is about rabbits, and in the WALLACE & GROMIT movie, they're dealing with rabbits! Quite clever.

Another favorite of mine is in FARMAGEDDON: A SHAUN THE SHEEP MOVIE. Of course, Shaun the Sheep is spun off from WALLACE & GROMIT, he appeared in the short film A CLOSE SHAVE. The second SHAUN THE SHEEP movie brings in science fiction and aliens, a real 180 from the small-scale first film. At the end of the film, the Farmer accidentally gets onto the UFO and is not on Earth anymore! Before they get him back, a song called 'Forever Autumn' can be heard playing on a radio.

'Forever Autumn' is a rewrite of a Lego commercial jingle composed by Jeff Wayne in 1969, with lyrics by Gary Osborne and Paul Vigrass. The two lyricists recorded the first version of that song in 1972 for an album called QUEUES. A couple years later, Jeff Wayne got the idea to do a musical version of H. G. Wells' THE WAR OF THE WORLDS. A musical album, bringing in several mostly British talents to retell - through story and song - the British sci-fi staple. 'Forever Autumn' was covered for the album, with lead vocals sung by Justin Hayward of The Moody Blues. Of course, another British group... all for the section of the album in which the protagonist - a journalist - fears his wife had been killed in the Martian invasion. "'Cause you're not here." Which is the lyric heard in FARMAGEDDON when they realize that the Farmer went to outer space!

(It takes a special kind of skill to take such a depressing song and make it FUNNY in any context.)

Anyways, those are just a couple examples off the top of my head. Aardman's work is distinctly British, to the core. And the CHICKEN RUN movies give me a fascinating idea of when they are set, a very cartoon British '60s.

[moki-dokie]

since my post about sexuality in bes took off, i've been thinking about making one about gender because people have been even more Chronically Western about that than anything. but the topic of gender has also been talked to death about this show.

still. i've yet to see a single person touch on the actual historical aspect of gender in this period of japan. (weeaboos where ARE yall??? i cannot be the only one left here jfc)

so, more below the cut.

okay. so. before westernization and christianity came in and obliterated and sanitized the culture, there were 3 recognized genders that i know of. there was possibly a fourth but my research only got me so far on that and i gave it up a long time ago. i'm gonna be talking about the 3 i do know about.

male and female were the obvious ones. aligns exactly how you think. cock and balls = male/man, vag and tits = female/woman. yes, there were many crossdressers of both genders. yes, there were people who by today's language and understanding would be considered trans. they, however, did not have these words nor have a need for them. you were either man or woman. or...

then there was a third, which was USUALLY but not always applied to adolescent males called wakashu. the closest thing you might refer it to is androgynous. earlier in edo period it was pretty much a catch-all for any adolescent male, but much later it became far more specific to the exceptional beauty of the young male. a wakashu was a sex icon, something to be desired and lusted after, so beautiful and alluring that even the most stoic and hardened samurai warrior could break and beg for their attention. and yes, we're talking about minors. wakashu were typically in the 6-17 age range. many delayed their coming-of-age ceremony (which would then make a wakashu a man) well into their 20s. and there are records of some who continued to identify as wakashu even into adulthood. a person could decide when it was time to move from wakashu to man, it wasn't so set in stone.

this time in japan did have a lot of strictness but there was also a whole hell of a lot of fluidity that was just so extremely normal for them. choosing to remain wakashu wasn't a big deal. want to go on to be a man? cool, congrats on all your man-related responsibilities now hurry up and find a wife. want to remain wakashu? cool, congrats on all the awesome sex you're gonna be having and the many things you'll be learning. either way was a good path. you were likely to have a bit more opportunities gaining power and land going forward as a man, but as wakashu you'd be expected to be an apprentice and learn more things from your teacher (while also sexually servicing him, extra bonus - most of the time.), so both had benefits. a samurai class wakashu, for example, would very likely go on to be a man since by nature of being samurai they have tons more opportunity. but a peasant wakashu would probably be more likely to remain wakashu and learn as much as possible and earn as much money as possible (since they were often prostitutes or performers as well).

so desirable were wakashu that sometimes female prostitutes tried to disguise themselves as one to attract more clients. they were often indistinguishable from women with their colorful and intricate kimono - sometimes the hairstyle was the only giveaway. and though the japanese didn't give a shit about the gender they were fucking, as i've covered before, true wakashu enjoyed a bit more freedoms with sex than did women pretending to be wakashu. like i mentioned in my previous post how they did have specific terms for who was giving and who was receiving in sex, certain aspects played into this. wakashu were expected to receive when with men, and expected to give with women. this would of course depend a little upon caste heirarchy too but that was the general gist of it. women on the other hand were expected to always receive. (and although straps were very much a thing, you'll find the double ended dildo far more popular amongst w/w relationships - at least in depictions. in reality it was probably an equal mix.)

the concept of wakashu has not entirely left japanese culture and has actually since been divvied up into the two aspects it represented: youth (shonen) and beauty (bishonen). hence why shonen manga and anime is so popular, why there are always always always bishonen prominent in manga and anime, why yaoi often has the strict dichotomy of uke and seme. and why shotac-n remains so wildly popular while the loli opposite has gradually declined with the introduction of censorship laws. the entire concept surrounding adolescent males is still very rooted in the role that the wakashu gender played until quite recent in history. (it formally ended in the meiji era, which was not that long ago.)

now with all of that said, where does mizu fall? she's still a woman. plain and simple. had she been born in late edo, she would have absolutely been considered an extraordinarily beautiful wakashu and lusted after constantly. people would be tripping over themselves to bed her. but being early edo that was not the case and she is still a woman having to disguise as a man in order to survive so she can fulfill her goal. that must be acknowledged. that is a key point that is brought up many times within the show. to ignore that fact is to erase who mizu is. she is masking as a man because she has been told since childhood being a woman would get her killed. because she has seen it far too many times how simply existing as a woman leads to a dead end. because she tried it and it turned out exactly as she was told. being a woman is not an option in her quest for revenge. if she weren't mixed race, though? i'd bet my left hand she would have embraced the hell out of wakashu and used it to her advantage. screw sex as an art, mizu would have made it a weapon. mizu wielding both a sword and the sexuality of wakashu would make her the deadliest thing in all of japan. however, that wasn't the case and we musn't ignore what is ths case. in her world, she is a woman forced to disguise as a man. period.

mizu by today's standard's is a whole different story, though. there is enough ambiguity that she can fit nearly any label you want to slap on her and that's fine. we have a lot more leniency with modern western terms. we have a huge spectrum of gender and you can toss her just about anywhere on it. you are all correct and incorrect simultaneously because any modern terminology applied to her is automatically headcanon. and just as i emphasized on my last post, headcanons, fics, AUs, ect, are exactly where these modern western ideals belong. it's awesome that she resonates with so many different gender identities - few characters in media can pull that off so well! yall should absolutely celebrate that! use her to express your gender euphoria! but do so while remembering who she is in canon. her canon experience is not pure fiction. there are still people in today's world that must disguise themselves out of necessity and quite often that ends up being women of color. there are people in living history who had to do that to survive.

you can respect the source material and also have your own unique headcanons and perspectives. both can be true.

[wrotelovelytears]

Cha cha CHIA!

Girl we going Islam-

🐸Neptune just has to rule over kpop. I mean think about all the use of illusions, talk about love/relationships and the way the fans act like... Fanatics.

🌹If not Neptune, then Uranus. The fans, even the industry itself, having really unpredictable behaviours is a key part of it. Also how it managed to (currently) revolutionize the view on East Asians(mainly Koreans) and the boost to technology due to rapid changes in the country and music.

🐸The Koreas are ruled by Leo. And in no way, shape, or form am I surprised. It's the way South Korea isn't known for idk Samsung (technology) but Kpop, Kdramas/film (arts). So yes Leo and the 5th house make sense as the country ruling because that's what made it truly famous/globally recognized. For the North, they stay in the news mainly due to technological changes and political happenings rather than any cultural/art based things like the South. Both very famous but for opposite reasons.

🐸I'm more convinced Venus rules over classical music over Saturn. Yes Saturn is related to time and strictness. Yet if you listen to classical music it's more about expressions of beauty or lack of.

🌹You could argue that Mars could even rule over it due to the tempos used in most classical songs. They were meant to express the ideas of the time and hence their popularity is mainly with those from the time period OR those looking to see what it was like. (And yes the 1700-1900s were a very.... Interesting time)

🐸Germany is ruled by Aries, again not surprised. Yes it became infamous after WW1, the aggressiveness (Martian) shown is what more people remember it for rather than the arts (Venusian traits). Many painters, composers and even scientists come from Germanic countries but war/aggression is somehow the only thing people remember.

🐸Dracula gives off Virgo vibes. Very critical. A clean freak. Only enjoys the finest things in life and not willing to give up, especially if someone else is the reason why. Very timey.

🐸As much as I'm on Aquarian heads, I feel like Aquarius celebrities show the most human like qualities. I mean they the type to get upset normally, talk as if they don't have large platforms and be generally very open with their lives/fans. They don't follow what it means to be a celebrity but what it means to be a human.

🐸Ever since Jupiter went direct I've been having the most vivid dreams. Like my intuition is a lot better and it's easier for me to explain things. Only issue is I'm more prone to lucid dreaming (especially since it's naturally in my 1st house)

🐸During Saturn retrograde I struggled with feelings of uselessness (more than usual). My natal Saturn is retrograde, however this time around it hit me really hard. It did ultimately push me to stop victimizing myself and get a job.

🐸Jupiter in the first house can also make someone hyper independent. Meaning the person could need help and not ask for it because the ego would rather struggle than be perceived as weak.

🐸Neptune retrograde shouldn't exist. That's it. No observation. Just a statement

🐸Scorpio Venus tend to have better relationships with those of a different age/age group than them. The house can hint to why that is

🐸Venus doms might like fashion from different time periods and/or more soft fashion styles from the current time. Bonus if Saturn and/or Neptune is touch it (regardless of aspects)

🌹I love roccoco dresses so much and Saturn does have a hard aspect with my Venus while Neptune has a soft.

🐸People dominated by more "positive" planets tend to be more egotistical than those with "malignant" planets as their doms.

🐸However people with "malignant" planets as their doms tend sit in negativity longer than those without them.

🪢All in all you either broody or an egomaniac.

🐸The fame degrees backfire more than they actually "help". Anyone with more than 2 had their fair number of struggles and more.

🐸I think the fame degrees are less about achieving fame and more about learning about how societies perceive and treat certain traits. You might be easily recognized for the planet(s) that hold your fame degree(s), yet you are also heavily shunned for actually displaying the planet(s) behavior.

🐸Because I crave stability I tend to favor cardinal signs the most. They represent active change (not begin like the mutables or ending like the fixed). That's mainly due to my chart either being mutable or fixed dom (tropical vs sidereal/Vedic). I want what isn't naturally present in my chart.

🐸Apparently I love Virgo, Scorpio and Aquarian artist. Aquarius for their uniqueness. Scorpio for their emotions. Virgo for their lyricism/word play.

🐸I love how my chart is a walking contradiction. I'm watery with fire houses OR airy with earth houses. No I can't make a decision without thinking on it for five months and just waking up to do it one random day.

🐸Your dominant house(s) can definitely show the people you go after/ the ones that approach you the most.

🌹I get approached by people of different backgrounds/older folks a lot. (10th and 9th house ruled)

🐸You know what's interesting... The fact we have entered the Age of Aquarius and the countries ruled by it are act like complete asses or being shown to the world in a different light. Iran is (just now) being talked about for its Islamist views (Side note Islamist and Muslims/Islam are not synonymous. One is a political ideology the other is a religion). Russia literally wants to fight the whole world. People discovered what Sri Lanka is (and no it's not "India but an Island"). Sweden and Finland both got exposed for being trash with transatlantic slavery and oil money. I could keep going but all the countries ruled by Aquarius are struggling in some way or form.

🐸We just left the age of Pisces. Of course that means I have to speak on the (recent)political happenings of it too. The issue over Jerusalem got highlighted. Egypt had about 5 revolutions in the 2010s alone. The rest of North Africa went through so much political upheaval, I'm pretty sure we won't recover for a hot minute. Scandinavia showed how many neonazis could exist on one part of the planet and how not to treat Indigenous people. The Portuguese Royal Family fell off and the government went broke(r).

(If you learned something new or would just like to support me you can leave a wittle tip via the tip button or one of the links in my masterlist. Kofi: nymphdreams🧸)

[pinkinsect]

can you elaborate on what you mean when you mention the "blue lock sociolect." because the linguistic/social situation that must be developing in this stanford prison ass training center fascinates me endlessly

hello this is going to be a lot. tldr at the end.

for anyone unaware, i use blue lock "sociolect" in this case specifically meaning the dialect that develops in the blue lock facility. i'd classify it more as a sociolect than a dialect, because while they now have a geographic location in common, i would say the speech features show up more in certain characters who've leaned into the blue lock egoist mentality more. the way hiori speaks changes as his view of himself and soccer change. (i also think that bltv enjoyers start talking like this. horrifically)

the blue lock sociolect is a phenomenon i invented in my mind palace to cope with the way i feel when i read blue lock and see phrases like "you're an eyesore, you pink-haired philistine" and "rotten orange." i brought it up in this post on my other blog some time ago, but in short, i've decided that the rather. unique way the blue lockers speak to one another is a result of putting 300 [and lowering] boys age 15-18 from all over japan in a hypercompetitive environment with very little adult supervision.

it's all about the individual, hence many of the insults taking the target's most striking physical trait and combining it with something the speaker decides is negative about the target. with japanese being a language with pretty structured assignments of appropriate politeness based on age, experience, and status, i could see it eroding given the general lack of older adult presence (ego appearing on a screen for like 15 minutes doesn't count, especially since he's rude as hell), and the mentality the players are encouraged to accept. rin isn't the best example given his dedication to hating across languages, cultures, and age ranges, but isagi pretty much comments on how he's rude as hell by social norms once, then clearly gets used to it.

i think the blue lock sociolect starts to diversify a bit once we enter the nel. the blue lock boys are shown studying english, but the nel introduces an environment where a lot of their teammates will most likely be speaking a language other than english or japanese within their teams (except for manshine but that's british english which isn't usually what's taught in japan so even then their contributions to the sociolect will be a bit different).

we don't know exactly how accurate the translation software is, or how it handles the cultural differences in honorific language, but based on some of the things we've seen (ness calling kunigami "kunigami-san" that one time, also ness being shown saying "ja" through the translation, "beinschuss" from kaiser, whatever's going on with charles, etc.) they're not always consistent.

(i haven't checked out the raws for these yet though, so im actually not entirely sure what's coming through in japanese.these could just be translation choices.)

this multi-language environment and the non-translation of certain speech could also have an impact on our blue lock players' vocabulary and introduce other languages' terms and speech patterns. japanese already has a pretty huge collection of loan words that eventually create "foreign" phrases that don't exist outside of japanese, so this facility could make this phenomenon occur more rapidly.

we see otoya say "golazo" during the fc barcha match, and while darai says the same thing during their bowling match, it wouldn't be too far off to assume that otoya picked it up from his spanish speaking teammates.

i could add more but this is getting too long so tl;dr: putting 300 15-18 year old boys in a prison with barely any adult supervision would make neat language shifts.

some features of the blue lock sociolect i think exist:

the particular type of insult we see so much of in blue lock

general lack of/comparatively less importance given to honorific language and polite conjugations of words

shounen protag accent (you'd know it when you hear it.)

increased usage of german, english, spanish, italian, and/or french terms

FAR less subject omission than average japanese, especially when the subject is "i" [thanks aryu.]

[drdemonprince]

oh my god can i get trans masc self infantilization for 500 alex

Quick hate read of this piece:

my relationship to gender was mediated (isn’t it always) by capitalism. I could not meet another trans man who could tell me how to behave, but I could shop for one. I could buy distilled trans expertise, and tell myself I was putting money back into “the community;” I was engaged in political action, redistributing my middle-class cash to support people I had never met, but whose welfare was, nonetheless, my business.

oh my fucking god Jude buying a huge crop of trans books at the local indie bookshop is not political action. I know booksellers who work at beloved indie-progressive bookstores quite intimately so if you haven't heard yet, I'll be the first to tell you: no matter their feminist branding, these places treat their workers like shit and pay them minimum wage. And often these stores are hell to be in for trans femme people.

edit: whoops he didnt even claim to support indie bookstores, it was a chain in a mall wtf

Also, it's baffling to me that a published author like Doyle can claim buying books is somehow redistributing wealth to poor, trans authors. First, wealthy people are widely overrepresented in publishing, and two, the vast majority of published authors never see a single cent of royalites. Over 90% of books never "earn out". You'd be kicking them about $2.50 of a $25 hardcover sale even if they did. stop making your consumption seem righteous dude.

These authors didn’t hate people like me; they didn’t disagree with me or dislike my general aesthetic. These authors literally hated me, me personally, the dude who had recently given them money. 

the ENTITLEMENT!!! How dare these trans authors post openly that they disagree with you and your tepid liberal politics, you bought one of their books and (maybe, but probably not) gave them $3 !!!!

To a shy eleven-year-old boy on his first day of school, which is what I was emotionally and even hormonally at the time, it was devastating. I cried for days. I was on vacation.

a middle aged incredibly well connected man in publishing is pulling "im a little birthday boy -- hormonally" shenanigans. I get that reading critical comments about yourself hurts. I have been there buddy. I've received repeated misgendering, misogynistic criticisms and insults while I was newly on HRT and not even out to anyone! I was also a 30 year old adult man with a career and coping tools. I was not an eleven year old boy. I was not the victim of anything, really, except for my own lack of comment moderation habits at the time.

the amount of real life transphobia i have since lived looms so much larger that little petty online slights doesnt even rank. we're not talking about threats or doxxing here. we're talking people on twitter thinking he shouldnt be the face of trans politics.

because I know who this author is and move in the same circles, I have seen the message of hate that he's talking about. People mostly talk about him sardonically and insult his worst opinions and most hastily-written pieces. That's not even hate. That's just begging him to be responsible in his work and to maybe not write apologia for trans cops (one of the bad takes he was most openly criticized for at the time).

Those guys were my heroes, was the thing. They were the ones I had wanted to teach me how to act. I used to imagine conversations with them, think about what I would ask if I got the chance.

Buddy, you said you literally just discovered these authors mere weeks or months prior, having bought up every book published by a trans guy that you could find. It's not like you had posters of them hanging up on your bedroom wall as a child. And even if you did, youre a grown man in your forties who writes very inane takes. Some critique from your contemporaries comes with the territory and is in fact a compliment. it means people recognize youre a significant cultural voice and they want you to do better!

When I get into conflict with another trans person, when I stumble on the thread where my elders are shit-talking me, I am not looking at my computer. I’m in my math class, after lunch period, hearing the squeak of metal on linoleum as someone drags their desk a few inches away.

your elders??? are you talking about people who are like, three years older than you Jude .I understand that hostile middle and high school experiences bring massive trauma, but holding adults who are intellectually critiquing you, a fellow adult, responsible for the trauma you endured as a teen is so wildly inappropriate and immature that i cant stand it.

It would be one thing if Doyle showed any self-awareness of the disjoint here, and was just talking about being triggered, but he doesnt, not anywhere in the piece. he implies throughout that it's people being mean to him on twitter who are really at fault.

oh my god he likens himself to Isabell Fall later on in this piece i cant

i just cant with this dude hes always taking so many unnecessary Ls and gets hired so fucking much to write about trans experiences when he clearly has next to zero community connections and sense of scale when it comes to the issues we face. its so annoying!!!

[my-castles-crumbling]

hi! can I ask you for a bit of advice?

I'm going on a cruise with my mom, my grandma, and my grandma's friend. The cruise is offering LGBTQ+ meetups and I really wanna go but theres a couple of problems:

biggest one: I'm not out like AT ALL to anyone and I reallllllly don't plan on changing that. Like I won't get hate crimed if I come out but my mom and grandma won't understand and my grandma's friend is a horrific gossip and I don't wanna be the newest hot topic in her friend group, especially since she talks to OTHER people in my family and might gossip about me to them too. So basically I'm worried about getting caught at the meetup and having to explain what I'm doing there/getting outed.

medium one: it's a cruise to countries I've never been to (UK and France) and while I know the queer scene is definitely pretty big in London, cruises tend to attract people from around the world as well as the 50+ age group, which might have... different opinions. so I'm a little nervous cause I don't really know what the culture and acceptance level will really be.

medium one: I'm aroace and tbh I've not had great experiences with queer friends in the past? in my last queer friend group I was the only aroace and also the youngest which probably didn't help but idk I was just really uncomfy a lot of the time cause there was a LOT of sex talk even though I said I wasn't really comfy talking about that. ik it was just that one experience and not everyone will be like that but sometimes I feel like a lot of queer events and communities cater more toward the LGB and sometimes T while leaving out the QIA+.

small one: I'm 19 and I feel like there's not gonna be a lot of people my age there. like I said the cruise demographic is mostly the over 50s and a couple families with young kids. I'm probably overthinking this? You might be able to tell I'm a bit of an over thinker in general haha

anyways thanks for hearing me out!

Hi!

For your big concern: I would hope that you wouldn’t get caught at the meeting because like…anyone who sees you there is also queer, you know? You can also lie and say you didn’t know that it was. I see your concern but I would hope that there’s discretion involved. Is there any way for you to walk by the place it’s being held and see how public it is? Like how easy it would be to see you there? That could help!

For your medium and small concerns: I would hope that a queer space that is purposely queer would be accepting and have lots of different ages. People who aren’t accepting probably wouldn’t go, you know? I understand what you mean about queer spaces being heavy on the LBG, but I think it might be worth it to at least go and see the vibes. You can always leave! I honestly think it’s a cool opportunity, and it’s not like you would be stuck if you went. Drop by, see how it is, and if it’s awkward or you feel caught, have some excuses ready. “Oh, I forgot I have plans” “oh, I didn’t realize what this is, I’m sorry” it’s okay to lie if you’re uncomfortable or put in a difficult spot.

But yeah I’d encourage you to at least check it out!

Naming you cruise anon!

[just-simlish-things]

Jaylan Heller - age: 21, career: Junior in college, Degree: Art. Personality: Creative, Cheerful, Artistic.

Bryson Lyman - age: 21, career: Junior in college, Degree: Business. Personality: Ambitious, Genius, Athletic.

Summer of 20xx - Location: Tartosa, 1 week before the start of Senior year.

Jaylan's POV:

This was the first time I traveled abroad without my family. I decided to spend my summer in Tartosa, soaking up the sun, exploring the culture, and getting inspiration for my senior thesis project. Painting has been my lifeline since I was a child, and thankfully, I was able to obtain a full ride scholarship to Foxbury University due to my hard work. The end of my vacation was coming to an end, and what better way to soak up the last of it than to go dancing in the early morning. The atmosphere was unusually perfect this morning. The calming waves, the sounds of the local wildlife were making, and the smooth jazz that was playing throughout the dance floor had me in a melodic trance. As I was getting caught up in the rhythm, I spotted someone I hadn't seen before. I know Tartosa is a big tourist destination, but it's a small place, so you would know if someone was new or not. I could tell he liked what he saw cause his eyes never left me. Before I knew it, we were locked in this staring contest, and I unknowingly became his personal dancer. I teasingly waved him over, and he approached me with a smirk and confidence. I can't lie. He had me blushing from it. As we danced, it felt like electricity surrounded us. It truly felt like we were the only ones in this bar. I guess that's chemistry for you. Neither of us said a word. We just followed each other like we've been dancing together for years. Eventually we got tired of dancing and decided to go explore the town together. He told me the basics, his name, major, and age. Hanging out with him was honestly the highlight of my trip. Too bad I had to leave the next day to move into my new place and prepare for the semester. As the day was coming to an end, we lay in the sand and talked about our futures. I told him I wanted to own a museum, and he said he was going into the family business of owning apartments. I guess the conversation became too serious, so he decided to lighten the mood by tickling me. I guess I was squirming too much cause he had to catch himself from falling on top of me. At that moment, we locked eyes. He was close enough to where I could make out his features. He had the shortest but most beautiful eyelashes and the smoothest skin I've ever seen on a man. His eyes were the prettiest green, and the sun made them shine ever so brightly. Time froze in that moment cause all I could think about was kissing him. I don't know if my thoughts were loud enough for him to hear because before I knew it, he was gently scooping me in his arms, and our lips finally met. They were perfect and soft. He kissed me with such gentleness and passion. I was swept away in his embrace, and I wish I could stay in it forever.

Bryson's POV:

Today was the last day of my "vacation". I know my parents mean well, but it wouldn't hurt to not talk about business 24/7. Thankfully they decided to sleep in today so leaving the house to get a drink wasn't too much of a hassle. I found a bar by the see that served alcohol early in the morning. I definitely needed something to help take the edge off. I headed upstairs to have a better view of the ocean and Tartosa in general. As I started to approach the top of the stairs, I could hear Jazz music playing and to my surprise, there was someone else up early as I am and dancing nonetheless. She was breathtaking. She had the most beautiful blonde hair that complimented her brown skin. The green see through cover up she had on suited her well...and I mean WELL. I know I shouldn't be staring at someone I don't know, but I can't get over how beautiful she looks dancing and enjoying herself. She had such a carefree presence about her and honestly, with how stressful this summer has been, I couldn't help but be drawn to that. We shared some intense eye contact and I felt like a weirdo but she seemed to like what she was seeing as well. She eventually waved me over and I can't like, I was giddy inside at the invitation. I made my way over to her and placed my hand on her hip and we swayed to music, continuing the eye contact we had before. The air around us was electric for sure. It was inviting. The more we danced, the more relaxed I became. After some time we decided to explore the town. We talked and exchanged basic information. We decided to go to the beach and build a sandcastle and just enjoy each others company. The more I got to spend time with her, the more I hated the fact that I had to leave tomorrow to prepare for school. I wish I had more time to spend with her cause meeting her in this short amount of time, was the best thing to happen on this trip. Some time goes by and we talk about our futures, but too be honest, thinking about post grad stressed me. That was the last thing I wanted to think about. So, to shift the conversation, I decided to tickle her. Her life was so full of life and contagious. I noticed that her two front teeth are a little more prominent than the rest and I didn't think I could be more smitten with her, but that was the icing on the cake. I guess I got distracted by my thoughts cause before I knew it, I was hovering over her, trying not to fall on top of her. We were close enough to where I could see how beautiful her light brown eyes shined in the sun. Her skin was perfect. And her lips...so tempting. I know I shouldn't because of....but in this moment, I didn't care. I gently scooped her in my arms and kissed her. Kissing her was everything I could've imagined. I wish this summer lasted a little longer, cause I want this moment to last forever.

[lostsneeze]

Some Blue Forum Thoughts

TLRDR: It's only going to get worse so keep being sweet to each other everyone, here and discord are gonna be all we have

While not the most active member, I was on the forum for a pretty long time, long enough to notice some of the ways it's changed that I've been thinking might have subtly eroded the culture it fosters. Way back in the day, the Sneezing In Media subforum was used mostly to hunt down clips of shows or movies on youtube and share alerts of when particular episodes were going to come on TV in various regions. Y'know, so you could set your VCR to record them, a thing people used to do.

Nowadays though, movie/show media is a lot easier to find. So instead it's a lot of questions about if clips of particular celebrity individuals sneezing at all exist, and shares of youtubers, streamers, clips off tiktok, etc. That's not surprising, the media landscape has changed a lot since like 20 years ago. But it's...kinda weird, right? Streamers aren't really like movie actors or show characters, celebrity-wise. And most people on TikTok are just, like, regular people.

Hey you know how we have a persistent problem in this community from creepy folks behaving with a deranged sense of entitlement towards the videos and wavs other people make, obsessively collecting them, and even harassing creators for more in perpetuity?

Somewhat of an aside, but if you've seen my age in bio you might've noticed I was talking about 20 years ago on the forum and thought to yourselves "hey wait a minute, wouldn't that have made you a..." YES! Minors used to just be allowed on the forum! Maybe most people know this but until relatively few years ago there was a "youth" subforum where only minors were allowed, and all explicitly 18+ stuff like talkin' about sex and drugs was relegated to the "adult" board. Anything else was just open to whoever. Minors could "interact" as is said here.

And that was an upgrade, btw. Those segregating boards didn't always exist, for much of the forum's lifespan you could just...be 13 years old. And post observations, like about your classmates, in the general board. And click on art topics with full frontal nudity (honor system not to!). And get DM'd by middle-aged adults. Pretty bad!

The point of that digression is to say that the staff, even though it's different people by now I'm sure, has a tradition of moving slowly on even fairly glaring community issues. If something's not technically immediately a problem for anyone, it's probably something they don't feel is their place to do something about, as long as they're taking care of the few "bad apples" or whatever.

Do you feel like it might be a problem, though? Does having an entire subforum dedicated to collating voyeuristic cam footage of strangers seem like it might be...bad? Like the kind of thing that normalizes, facilitates, even encourages specifically one of the worst types of people this community produces? I do, personally! I think it would be hard to prove the exact effect it has, and there's always going to be creepos, but it demonstrates a cultural attitude that I think is a bad omen. The kind of place that just lets that slide without examination or regulation, probably ends up letting a lot else slide too.

So just as I said in the tldr, let's all continue to be mindful about keeping this place a different kind of place than that!

[doberbutts]

Hope this isn't a weird thing to say but thank you for articulating your feelings on the "why would trans men want to be cis" ask, since mine are similar, and I've been feeling a bit alienated by how commonplace it became to either be bewildered by or outright mock trans guys who have a less positive and more stereotypical experience. It's been making me feel extremely lonely and kind of guilty. So it's nice to see someone express some things I'm scared of talking about.

Honestly I really don't know what's happened to trans social media. It's always been a bit of a shitshow and a train wreck but it just seems like nowadays we're so disconnected across generations rather than weaving our interconnected lives together and recognizing that with changing attitudes and culture comes generational changed approaches to trans-ness.

The trans woman who mentored me had such a compelling story, that nowadays I feel if she had her story played out as a movie people would consider her very character transphobic and transmisogynistic. But she's real, that's her life, her past and her present and her future, and she existed during a time that many my age can barely remember and those younger than us can barely comprehend. That was just how trans people existed back then.

And I personally harp on this every pride with my own experience. It took me until 2014 for me to see a trans man in mainstream media. I could go and deliberately seek out LGBT media and find one, sure, but just out there in the wild on a game that I'd bought? On a wildly popular franchise that most people had at least heard of if not played? Seeing him explain who and what he was, was amazing to me. I wish it'd come before I turned 22.

We still have a long way to go, but now there's nonbinary characters on cartoon network and lesbian weddings and gay kisses on nick. Disney announced their first homosexual couple scene or character every couple of months. I accepted, when I decided I wanted to transition, that once I changed my gender marker that I wouldn't be able to get married. Now I can, and I'm still not sure how I feel about it, because I'd made my peace with marriage being a probable impossibility.

My mentor wrote a letter for me that I will never need, to prove that I really am transgender. Instead I walk into a gender clinic and walk out with a new testosterone prescription and a 6-month 12-month plan for top surgery and a hysto.

Transitioning means something different to me than it does to people only a few years younger. To some of them, my life, my perception, my reality is transphobic and misogynistic. I've been told that to my face. I've been blocked over it. I've been harassed over it.

But it doesn't change anything. I'm a binary trans guy who wishes he was cis, who if I thought I could go stealth and actually succeed I would in a heartbeat, and I'm only open about it because I don't think it's possible for me to not be. None of that is shameful. That's just what being transgender looks like to me.

[planefood]

i dont have anything specific to say but!!!!! your robots are sooo soo cool and i love hearing more about them, and id love to know more about the world around them!!!! whats the deal with their setting?

Oh wonderful I was just thinking about this and was considering of making my own separate text post but didn't quite know where to put my thoughts. I'm glad you like my characters :) This is another lengthy answer bare with me I hope you don't mind. SO I don't know if I've actually outright stated this in a more obvious way but all my characters (currently) live in in modern day Auckland, the largest city in my country. It just made sense from a population point of view since about half of our entire population is in that city that that's where most of the robots would be.

and a handy map of the North Island, Te Ika-a-Māui for you before we continue

Tandy lived in the South Waikato for a while before moving to Auckland. Lithium comes from Hamilton, Jay and Phillip both come from Wellington. Cathy comes from around the rural Taupo area. The rest of the (nz) robots are local Aucklanders. I won't go too in depth about city differences and stuff because I only think like... 5 of my followers are from here as well. I know people are definitely more interested in the more 'sci fi' elements of robots living alongside humans, which I'll get to in time, but Aotearoa being the setting for the story is actually pretty important, at the very least in a sentimental level for me and will greatly influence a lot of the writing as we go forward. I want to focus more on that element for this ask sorry if that's not what you were looking for. A little more about me, a huge reason why I put such strong emphasis on my characters living here when I notice other local artists my age don't really tend to do that, is I spent my formative years living in Tokyo, Japan before moving to Aotearoa in like 2008. You can imagine moving from somewhere with 13 odd million people living in it to a city with like a 40,000 population speaking a language I wasn't familiar with was a massive change for anyone let alone a young disabled kid. Originally I was pretty resentful of living here, people at school generally treated me poorly just for being autistic alone only adding with all the cultural and language differences that came from being overseas. If I had simply stayed in Japan in my mind everything would've turned out fine. Now as an adult I do still think about what I would've turned out like if I did stay in Japan, but I still wouldn't trade growing up here for anything. As I get older a lot of cultural influence from Japan slips out of my grasp, I stopped speaking Japanese having nobody else my age who spoke it to talk to and when more things started getting imported overseas to here when I thought I could maybe get that part of myself back it even just a little, it was picked and altered for a more western palette and that's for a country as influential as Japan. I don't want that happening again for the country I live in now. As the internet becomes more commonplace and more NZ artists take the stage they're really starting to appeal to an American audience. It makes sense, it's the majority of your audience. I'm essentially screaming into a void with us making up less than 1% of the world population. I want my art and stories to appeal to a wider audience as well but I don't want to tone down any aspects I feel are important. I'm starting to get sick of writing all my ocs in the states when it's so alien to me just cause it's seen as a blank slate. My story is about robots, yes but it's also about the experience of what it's like to grow up and live here. I want people to really view and experience it like I do whether they've lived here or not, which is super difficult. I have a perspective a lot of people don't and I really want to use that to my advantage. I want to talk about more in depth and more niche aspects of it on here, but I also want to avoid boring anyone or alienating people?

[sophieinwonderland]

Did anyone know there's an Anti-endo mogai-culture-is blog?

They tried explaining what endogenic systems are. It was predictably terrible!

Sorry, anon! If you can't stand being ignorant, you've come to the wrong place!

I've already gone over plenty about how the "systems forming without trauma isn't scientifically possible" is nonsense, right? I mean, even with DID, most academic papers will only say it has a strong association with trauma, but will never make a claim like "it's scientifically impossible for DID to form without trauma." Actual scientists are willing to keep the door open for exceptions however rare they may be. Especially in psychology where there are so many unknowns.

But DID isn't even really what we're talking about, but plurality. And with the ICD-11 saying you can experience multiple "distinct personality states" (which it uses synonymously with alters,) the World Health Organization has acknowledged the existence of endogenic plurality, as have many other psychologists and psychiatrists.

Okay, that "they spread misinformation" line has really aged like a fine... glass of milk... in the sun...

This is embarrassing in every way.

First... endomatrocis isn't a physical condition in anything. It's a completely made-up word.

Second, while this could have meant endometriosis, that's a disease in the uterus, not the spine. Is there a spinal disease with the endo prefix Is don't know about?

And third, endogenic had nothing to do with endometriosis either. "Endo" is a prefix used in countless ways, meaning "within." See endoskeleton, endorphins, endocrine system, etc.

Fortunately, someone is in the comments to correct the misinformation. Unfortunately, they're correcting it with different misinformation.

Again, the "endo" prefix is used in a large number of contexts. Yes, some problematic people used words with a popular prefix in ways that could be harmful, because that's how language woks.

The word "endogenous" is generally used to refer to an illness or condition having internal causes. It's true that this was used at some points in sentences suggesting DID wasn't caused by trauma, as has words like "internal." It was also used by Kluft to speculate that there may be a non-pathological endogenous variant of multiplicity that might exist outside of clinical DID. Which... is actually pretty similar to how "endogenic" is used by the endogenic community. See:

Now, endogenic isn't the same word as endogenous. It doesn't have that same history. But even if it was, endogenous isn't a bad word. It's just a general descriptor for ANY experience that's internally caused.

Freud, who I assume is the controversial psychiatrist being referenced since that's the anti-endo myth, never used either of these words because he's German and instead used a German word with the same very common prefix.

And while mostly beside the point, Freud was endorsing the fantasy theory, not the iatrogenic model which became popularized later. The fantasy theory is that memories of trauma came from fantasizing. The Iatrogenic model suggested DID was caused by mental health professionals and that psychiatrists intentionally or unintentionally implanted trauma memories. In either case, endogeous was never the OG "term" for either.

EVERYTHING ABOUT THESE POSTS ARE JUST MASSIVE DUMPS OF MISINFORMATION.

I feel so sorry for this poor anon who asked a question only to get huge lies that are going to leave them less informed than when they started.

But that's par for the course when asking information of anti-endos. You will usually come out knowing less than you did before asking your question. *grumbles about every anti-endo asked a question about tulpamancy describing it as a spiritual practice.*

Lastly, I'll just leave you with this:

"AEMOGAI culture is not understanding why exclusionists are exclusionists, and why leopards are eating my face."

[fezwearingjellybananas]

i'd love a director's commentary on Meetings in the Mountains, please? really anything you'd want to talk about, the writing, the idea, the lore, or even a particular detail :)

There is so much lore for that little ficlet.

It is a Writer's Month prompt fill, so it was never going to be a very long fic because there is limited time to write and many things to write, but had the idea struck at a different point I could definitely see it as a long fic instead. I've had a few related to that fic daydreams since, I haven't had any to write ideas for it, but it's also kind of tempting to use the wider concept for an original novel one day so it's just sitting in the back of my mind for now.

Meetings in the Mountains is set in a world that has spent most of its time as a high fantasy world, but it's slowly been changing to a steampunk sci-fi world (the steampunk is admittedly mostly for the Victorian style bicycle clothes). The cities have been leading that, and Iris is a city person, but she's heading out into the wilder mountains that are currently mostly untouched by this genre shift, which is where Cisco (a witch and a seer) and Barry (a werewolf) live.

This fic itself only goes into their first meeting, which is the only properly set thing I have, but it does end with them all agreeing to head to the city, where they will become urban fantasy protagonists in a sci-fi world, and if I ever do write anything else there will need to be lots of research via reading to have this almost culture clash and disconnect between the two genres because this world as its changing doesn't really have room in it for magic any more, or characters like Cisco and Barry. Barry especially- Cisco is very interested in science and magic and trying to blend the genres together, whereas Barry is content to fade away.

Which is where his rivalry with Eobard comes in. He takes offence to being mistaken for a familiar, and that's because of his history with Eobard, or as Barry calls him, his "little sorcerer". So, Eobard is a sorcerer and born with magic (all sorcerers are, it's caused by magic being used somewhere between conception and the baby's first breath, something that was actually banned after a particularly bad sorcerer around a hundred years ago at the start of the genre shift, Barry knows a little more about that), he's the sort of person who in the old fantasy world would have been very, very powerful, but his parents live in the new steam punk world and did resort to using magic when convinent, but it's a dying art and hardly something a Thawne should be pursuing, they certainly aren't going to encourage Eobard's natural talents.

Eobard is around ten when he first meets Barry- injured and stuck in his wolf form because of that- in the woods, and he brings Barry home because he's ten and his parents immediately refuse this, and Eobard yells and somewhere in this his wild and uncontrolled magic kicks in and he accidentally binds him and Barry together in a way usually reserved for witches and familiars. Things generally don't go well after this, and Eobard ends up living with a pack of werewolves, basically being raised by Barry (he's a older than he looks. That thing about dogs aging seven years for every one human year is reversed for werewolves. Or maybe not as many as seven, I didn't settle on that either, but Barry is Old).

And things are good for a while, and then Eobard gets older and he resents being shoved out, he wants to fight this genre change, and Barry does not, Barry is fine with it just washing over and slowly disappearing, and they clash over this, Barry's scars come from Eobard hitting him with a lightning bolt, Eobard has scars on his arm from Barry's claws, and Eobard leaves Barry where he found him, injured in the woods.

Where Cisco finds him, takes him home, and helps heal him, and they fall in love. Cisco's seer abilities he might have been born with, that I didn't decide, but witchcraft is learnt rather than innate, and Cisco is very keen on learning more about how to blend magic and science rather than the two fighting against each other, and Barry isn't sure about that either, but he loves Cisco enough to follow him anywhere, and if this S.T.A.R. Labs project sounds like something he's been trying to do for ages, Barry will go to the City with him.

But Cisco has been dreaming about Eobard as well as Iris, and this blending the two does not sound like Eobard's desired outcome...

I do know this would develop into Barriscowest, if it went further. I have a vague idea the evil sorcerer from before is Malcolm Thawne and the magic cast at his birth was the same that turned Barry into a werewolf, but who knows. I think Barry and Eobard are probably still bonded at this point, though it's strained after their fight, but they do both still care about each other even if they're both reluctant to admit it (Eobard especially). There is just so much room to play around in this world, and even if I do leave it as it is and never write anything else about it, I am enjoying the odd daydream.

Thank you!

[Director's Cut Ask Game]

[oxymoron84]

Okay so I've been having this stupidass rant cooking in my head for days and it's getting to the point where I can barely focus anymore so I'm getting this out now.

But before I do so, just a fair warning, I am very biased due to personal experiences and I will most likely say some things some people won't want to hear. Get over it. I am entitled to my own opinion and you really don't have to listen to me believe it or not.

On with the rant.

I've been a cartoonist for about 15 years now. That's almost two whole decades and I'd say that's a very long time. I've been drawing and writing since the age of four. I taught myself how to make cartoons along with pretty rudimentary yet vital skills along with walking, talking, and reading. Though, because I had to teach myself, I admittedly don't perform said rudimentary skills as well as the average person. One thing I can confidently say I can do well, though, is draw. I draw at least every other day if not every single day and consider myself a professional. I'd say I've seen just about everything in my field at this point even though I am still learning and improving constantly. Of course, I've had my fair share of quarrels, some particularly traumatic (which I find the concept of insane) and others minor and just barely inconvenient. One that baffles me still, though, is that, despite all of my experience, some "professionals" refuse to see my fellow cartoonists and I as artists.

Of course, by now, I am well out of my school years but some moments from then still stick with me (a vast majority of such negative.) In middle school, I was constantly berated and harassed by these aforementioned "professionals" for my lack of an ability to draw realistically. A teacher who, honestly, just wanted me to have an outlet to exhaust my creativity so I would stop drawing in her class, had referred me to a talented-and-gifted program for my art, to which I, of course, eagerly accepted. Mind you, I was about 10 years old at the time and in my final years of primary school so I was blissfully unaware of the prejudices my creativity would face in this new world.

I was faced with a test to see if I was worthy of being enrolled in the program that involved reading a story and drawing the scene that the story described. I was immediately discouraged because it was a swamp scene. For context, I was born and raised in the swamp state of Louisiana in the deep southeastern part of the United States. I lived about 15 minutes from the Gulf of Mexico where it was mostly marshland so you can probably guess that I was, for lack of better words, sick and fucking tired of the swamp-obsessed culture. Begrudgingly, I drew out my interpretation of the scene and passed... with a 26/30--- the lowest possible grade you can get. Apparently, they hated my stylized depiction, even though, to myself, it was as bland as could be.

Nonetheless, I was in the program, so now all eyes were on me. My regular art classes a few years later in middle school were about ten times harder than how everyone else had it and I had a particularly shitty art teacher who couldn't even draw, herself. She constantly failed me and belittled me for my "anime art style" which infuriated me because she clearly couldn't tell the difference between anime and general cartoonism. I never got that in adults at the time why they fail to differentiate between the two. Anime had a huge debut in their childhoods and was obviously an entirely different genre of animation. Do they just not care???

Anywho, I was constantly recommended to drop my cartoony style in turn for a realistic one, otherwise I'd get nowhere in life. I look back on those moments in pure hatred.

Truth is, realism doesn't only show a lack of creativity, but a lack of overall imagination. Realistic artists are forever bound to references and reality, thus also limiting their independence as well. Realism is purely the act of taking what you see and translating it onto paper. That takes absolutely no imagination whatsoever and most toddlers can do that. Hell, I believe primates have even done that.

Cartoonism and semi-realism, on the other hand, challenges the artist's brain to warp and translate what they see (if they are even drawing from reality) into something new. We can show you emotion in more than just an expression. We can give you stories in a variety of factors like colors, line weight, sharpness, and so much more. We can depict dimensions that would otherwise not exist without our eyes. People don't understand that cartoonism and semi-realism keeps emotion alive in visual art. They take us for granted and refuse to look at anything that they don't understand immediately. But, isn't the need for deeper interpretation the point of art?

uh TLDR: Realism sucks and isn't creative