#I completely understand if I did cause I’m not gonna lie the last season's plot did kinda lose me a bit

[the-krakens-bitch]

Why is Grace in the final scene of the series?? Like I get that the last scene represented the utopian life that would occur after the “cleansing” and everyone is happy, including the Sweds, everyone in the commission and Agnes, but why is Grace there?? Everyone in the commission kinda makes sense, as far as I am aware we don't know what time frame any of the people from the commission came from, including the Handler, so I get it to say that they exist in this presumed time frame of 2024. However, Grace existed in the '60s, which we found out in season 2 as she was one of the scientists to teach Pogo so why does she exist in a young form now? If the umbrella academy, as well as Reginald didn't exist why would she exist in the presence as young as she is compared to the past??

[fictionissocialinquiry]

FISI’s Favourite Zutara Fics

A lil late for ZFAW’s Saturday prompt, sorry about that! Haven’t had any internet over the weekend. But better late than never!

I’m not gonna lie… a lot of these are angsty af. But I promise you they’re not gratuitous angst! They’re well written, beautiful stories that will make you feel like a better person for having read them. These are my favourite all time fics, ones I’ve read more than once and will continue to read (even though I’m taking a week break from fandom and fic).

 Multi-Chaptered Fics

The Sparrowkeet Series by audreyii_fic

To be honest, this story’s summary doesn’t do it justice so I ain’t including it. Originally a one shot, Sparrowkeet is headcanon for me now. Move over canon, this is where it’s at. Audreyii_fic’s characterisation, world building, and writing is exquisite. It’s incredible. She manages to channel the same fun and whimsical energy from the show while allowing the characters to grow and develop to places I wish they had actually been taken.

This one is a fandom Must Read and one I return to regularly.

 Clothe Me in Seasons, Dress Me in Snow by sadladybug

It is not the memorial she deserves, nor the one she would want. But it can't be helped. He owns no property in the other nations, and he needed to keep her close. Closer than she was in life, anyway.

Zuko's reflections on a life lived and a life that could have been.

This is one of the best written fics I’ve ever read. It’s tragic and deep and will hurt you in all the tender places but you would be doing yourself a favour if you read this. There’s a real bittersweet feeling to it and the love between them is just… urg, visceral.

 Lovable by LadyCharity

Zuko knew that he could not save Azula. He could only try to forgive her. Fittingly enough, those two were one in the same.

I love stories that make Zutara their centerpiece but every now but then a story like this comes along. A story where their relationship builds almost incidentally because the plot and character development straight up hijack your emotions. I got so invested in this story. Zuko is amazingly well characterised and his complicated thoughts and feelings around his father and Azula are incredibly well written!

 One Shots

Lunar Ephemerality by @formerlygoldilocks (goldilocks23)

After multiple failed attempts on his life and years of self-set expectations, Fire Lord Zuko is a shell of the man he used to be. But Katara won't turn her back on those who need her.

I really didn’t expect this to hit as hard as it did. This straight up snuck up on me, fly-kicked my feelings, and by the end I had written an 800 word comment that was too big for AO3 and I had to contact the author directly to send it to her. Awkward. I couldn’t help myself. The side to Katara we see here is so good, her empathy and love for her friends are one of the things I love seeing most in AtLA fanfic. I’m a sucker for Zuko having complete breakdowns and having to piece himself back together too. So sue me. I like it when they suffer a lil bit. The writing is absurdly good and I will be keeping an eye out for any new stories by goldilocks23!

 31 Minutes by @ifyouwereamelodymeg

It's quite astounding, really, how quickly she's learned to translate him. They've spent a grand total of zero time together outside of training, and he's hardly big on chat so she knows next to nothing about his life.

But she knows him, probably better than she knows anyone at the moment – with every tap of his fingers, every crook of his lips, every turn in his voice, he just...

He makes sense to her. It's weird.

I’m a sucker for fic writers playing with style to make the story pop and boyo does this fic deliver. This is one of the rare times that I’ve been dumbstruck at the end of a story— I just couldn’t accept the ending. Because I’m a sucker for pain, (and this story will bring The Pain) I loved it. The ease of Zuko and Katara’s growing relationship in this bowls you over, it’s absolutely beautiful and you find yourself nodding along emphatically when Zuko calls himself an idiot for waiting… “Life’s short, kids, live each moment as though it could be your last,” says this fic as it pulls my heart out and dropkicks it off a cliff.

 i count to five (and life passes by) by @markedmage

Five heartbeats.

I still haven’t forgiven Mage for this one. I think it’s the best thing she’s written to date! I mean, tragic and painful and heart-rending but holy shit is it powerful <3

 The Lake of the Dismal Swamp by @thewhiitelotus

Spook af. Spook (horror) is real hard to do well but thewhiitelotus is coming for your goosebumps and those shivers down your spine. She has a way of balancing beautiful, evocative imagery with action (in this and other stories of her) that just keeps you reading!

 Calloused by @rideboldlyride

Iroh hadn’t been able to watch. The pure horror of a man - a father- burning their child for a slight infraction... He couldn’t do anything to stop it, but he will stop his brother from destroying entirely the kind boy he knew Zuko could be.

This is a painfully underappreciated fic for how great the characterisation is. I know we in the zutara fandom tend to not read stories that aren’t Zuko/Katara centric as often but do yourself the favour of reading this (or listening to it: RideBoldlyRide has done us the gift of recording a podfic for this and it’s stupidly *good*). This story is Iroh confronting Ozai just after he burns Zuko’s face and it kicks.

 four days and three nights by @hinaoyamas (lettersfromnowhere)

Zuko discovers firsthand that nothing is more fleeting than happiness, or more enduring than memory.

Do you like reading stories with a distant, omniscient narrator? The kind that read like a myth from the ancient world? Welp, hit the hyperlink, friend, cause this one’s for you. Not only is the writing exquisite but the characterisation and painful inevitability of the plot is grade A.

 For the Fire Nation by tullyblue12

He falls in love with her for his country before he falls in love with her for himself. A Zuko/Katara AU that explores how love and duty aren’t always mutually exclusive.

There are about 40,000 exquisite lines in this story but here is just one of my favourites: “He falls in love with her for his country first. That’s what his people never understand.” This fic says a lot with so few words, which is something I really look up to! In 2,800 words, tullyblue12 does what some 100,000k fics cant: They make you feel.

 Guide Me Home by Rashaka

To sleep, perchance to dream. Katara and Zuko find a friendship they never expected in a place that seemed impossible.

This is a one shot I will forever wish for a continuation of. The setup is just… so juicy. There’s a real sorrowful innocence to this story that the unique short, dialogue only scenes really punch home. I know some people don’t like dialogue only fics but when done well like in this one, it leaves you with the impression of something deeper than a 1,185 word fic has any right to! 

 Other Favourites!

Hopeless by tullyblue12 — Kids grow up fast when a cruel world awaits them. In times of hopelessness, Katara and Zuko grow together. In times of separation, they hope to see each other again.

Speechless by goldilocks23 — Zuko has a medical condition. Or: Zuko speaks in haiku at inappropriate times.

Don’t Follow Me Down by eleventy7 — Katara is the dread queen of the underworld, ruler of the dead, destined to reign her cold kingdom alone. Until a sun god catches her eye. A Hades/Persephone retelling with incredible writing.

I Don't Speak Meow Language by @botherkupo (Boogum) — In which Zuko adopts a cat and Katara just wonders what spirits she pissed off to deserve this fate.

I have the privilege of being friends with some of these authors (they know who they are) and am in near daily awe and gratitude for the works of free fiction they provide us, the fandom. And not just any old stories: Guys... Really good ones!! Can I ask that if you go check out these fics, can you just drop a kudos or a comment their way? If you’re feeling shy just copy and paste this into the comments box anonymously: “WOW! Loved this! Thank you so much for writing it!”

I know it would mean the world to this talented bunch <3

[peepeepotter]

Hogwarts: New Girl AU

A/N: Warning, some canonical changes were made for plot reasons, the biggest being: Harry and Ginny never dated; Harry, Neville, and Draco are all professors; George has a new WWW store in Hogsmeade. Also, she starts off living with the four guys whereas in New Girl she only lived with all four for about a season. I just thought it would be fun!! Also, when I wrote this it felt a lot longer than it ended up being—so let me know if this is too long or too short or just right!! P.S.: I do NOT condone transphobia (I’m LGBT and will defend trans people until the day I die) and obviously I feel JKR is a shitty person, I write because I like writing and we’ll all agree that 5 year old Daniel Radcliffe wrote the HP series :)

Chapter 1: Who’s That Girl?

Pairing: George x Female Reader

Warnings: Cursing

Words: 3k

Series Masterlist

-

“So, you know in horror movies when the girls are like "Oh my god, there's something in the basement. Let me just run down there in my underwear and see what's going on in the dark", and you're like "What is your problem? Call the aurors!", and she's like "Okay" but it's too late because she's already getting avada kedavra’d. Well, my story's kind of like that.” y/n said, remembering the borderline traumatic moment that happened two weeks ago.

-

Y/N sat in the back of a muggle taxi, on her way to her shared apartment with her boyfriend Cormac McLaggen. Only, incredibly uncomfortably, she was completely naked under a trench coat.

“It’s a surprise for Cormac. I’m just gonna walk in and drop my coat, like BAM. There it all is. He said he has this fantasy that I’m a veela with a heart of gold.” Y/N attempted to whisper into the phone speaker.

“You added the ‘heart of gold’ thing, didn’t you?” Ginny asked, chuckling and knowing full well that McLaggen wasn’t exactly a thoughtful person, and wouldn’t have included that in a sexual fantasy.

“Yeah. I wanted to really get into the character, you know?” Y/N tried to get into the fantasy more, hoping it would make her less uncomfortable.

“Oh really? What’s your veela name?”

“Uh...Fleur?”

“That ones taken, Y/N.”

“Whatever, I don’t need a veela name.”

“Either way, I’m so proud of you for getting out of your comfort zone! Good luck babe.” Ginny encouraged.

As Y/N walked into the apartment, she was trying to position herself sexily in the living room. She laid on her side on the couch. Too cliché. She propped herself on the back of the couch. Too masculine. Eventually Cormac entered the living room from the bedroom wearing only his boxers, making Y/N panic about the fantasy.

“Y/N! You’re back early! I wasn’t expecting you—“

Y/N dropped the trench coat. Immediately after a girl, Pansy Parkinson she recognized, followed McLaggen out of the bedroom. Their bedroom. And she was only wearing her underwear.

“Oh.”

-

“So that’s what happened and why I really need a new place to live. Anyway...what was the question?” Y/N smiled at the four men in front of her. They all looked traumatized by her story.

“Um, do you have any pets?” George asked.

“Oh, no I don’t. Sorry,” She chuckled awkwardly.

“You know what’s funny? When I saw your ad on DumbledoresList I thought you were women.” Y/N laughed. “Crazy, right?”

“Hold up, why would you think that?” Draco spoke before the other two could.

“Just some of the vocabulary used. Like sun-soaked and exposed brick daydream.”

“Draco you wrote exposed brick daydream? Oh my god,” George was nearly in tears with laughter, Harry and Neville following quickly. “Jar, right now, dude.”

“Yeah, jar, seriously. Five galleons.” Harry agreed, pointing to a jar on the mantle of he fireplace with a neon green post-it note labeled “Prick Jar.”

Draco rolled his eyes, getting up and putting the galleons in the jar.

Y/N coughed, trying to refocus the attention. “Look, I really like this apartment. I also really don’t want to live with my friend anymore. She’s a quidditch player...all her friends and roommates are quidditch players. They get into some real weird shit.” Y/N felt like she was pleading with them. Just let me stay here!

“Look I still don’t feel like we know enough—” George was interrupted by Draco.

“Oh, quidditch players? When can you move in?” Y/N grinned, hoping the promise of these three men meeting hot quidditch players would help.

“No, no, loft meeting. Bathroom.” Harry ordered, leading the way down the long hall to the bathroom at the end. When Y/N heard the door shut she quickly and silently followed, eavesdropping on the conversation.

“Come ON guys, she’s friends with quidditch players. Next to veela’s and the girls at Beauxbaton, that’s like the hottest girls in existence.” Draco begged the other two.

“The fact that you’re a professor now and you said that is like...incredibly disturbing.” Harry glared at Draco, George and Neville shaking their heads.

“Yeah, and my sister is a quidditch player so I don’t know about that.” George shuddered.

“I’m not going to lie to you guys, I don’t want a girl living here. Sometimes, I get home from a long day of teaching and I just want to strip and lay on the couch. Let the boys chill.” Harry casually shared. Y/N gagged at the thought, but the other three men in the bathroom made noises of agreement, or at least understandment of his statement.

“I am...actually neutral on this one.” Neville shrugged, causing Draco to scoff.

“You would be neutral on this.” Draco rolled his eyes, but directed his attention toward their fourth roommate. “Alright George, tie-breaker. It’s up to you. Is she in or out?”

“You guys know I don’t do well under pressure like this. Just give me a minute let me think.”

Both Harry and Draco started arguing with each other, putting George under more pressure to make a decision. He slowly backed himself into the stall in the bathroom and locked it. Neville watched everything play out, arms crossed with a smile on his face.

“Oh, now look what you’ve done!” Draco said, gesturing to the hiding George.

“What I’ve done! You started it—” Harry replied.

“Whatever, executive decision—she’s in.” Draco announced.

“YAY! I’m in!” Y/N exclaimed, not able to contain her excitement on the other side of the bathroom door. Draco opened the bathroom door.

“Nobody decided putting a silencing charm on the door would be a good idea?” Harry asked the boys in the bathroom.

“Oh you guys have a stall and urinals? Like a public bathroom? Okay, yeah I guess I can get used to that.” Y/N said, looking around the bathroom that reminded her a little too much of the bathrooms at Hogwarts.

“What do you do for a living anyway? Why do you want to live out here in Hogsmeade?” Draco asked as the group of five made their way back to the living room.

“I just became a professor at Hogwarts! I spent a really long time in both the muggle world and the magical world studying creatures. So, I’m taking over for Hagrid.” Y/N smiled, very excited to be doing her two favorite things in the world: working with animals, and teaching bright young minds.

“Oh, Harry, Neville and I are professors at Hogwarts too. I teach potions, Neville teaches herbology, and Harry teaches...Harry what fucking subject do you teach?” Draco crooked an eyebrow at Harry, purposely acting like he didn’t know what Harry taught.

“Defense against the dark arts.” Harry glared at Draco. “And George here just opened a new Weasley’s Wizard Wheezes shop in Hogsmeade.” Harry said, clapping George’s back. George sheepishly smiled at Y/N.

“Oh that’s awesome! I loved pranks at Ilvermorny. Cormac hated pranks.” Y/N started to tear up, staring off into space.

“George gets it, he was dumped, too.” Draco took his turn to clap his hand on George’s back this time.

“Yeah. Dumped,” George scoffed.

-

“George I just can’t do this anymore!” Angelina pleaded with George as he covered his ears, despite only the one really working.

“LALALA I CAN’T HEAR YOU! WE CAN’T BREAK UP IF I CAN’T HEAR YOU!” George yelled.

-

“Yeah, I was dumped.” George shrugged. “What about it? It was like eight months ago Draco! Move past it. Pfft, dumped.” George got very heated over...seemingly very little, Y/N noticed.

“Ignore him, he’s still fragile. Which, you aren’t too fragile, right?” Draco asked.

“Pfft. I’m so tough. Don’t even worry about it.”

-

“We’ll always have Paris. We didn’t have, we, we lost it until you came to Casablanca. We got it back last night. … And you never will. But I’ve got a job to do, too. Where I’m going, you can’t follow. What I’ve got to do, you can’t be any part of.” Y/N was screaming the words of the monologue from Humphrey Bogart in Casablanca at the television, the four men staring at her from the kitchen.

“Feel like we’ve made a mistake yet?” Harry asked Draco, who rolled his eyes and approached Y/N.

“Y/N, stop.” Draco turned the television off. “C’mon, you can’t be like this! You’re a strong woman! Strong women don’t cry over men who clearly didn’t deserve them in the first place! Strong women go out and hook up with strangers in the bar in Hogsmeade to get over their ain’t-shit exes.” Draco pulled Y/N up from off the couch. “Go take a shower. We’re going to the Three Broomsticks tonight and you’re hooking up with someone.” Draco pushed her in the direction of the bathroom.

“And that gentleman is how you take care of a crying woman. Not that any of you know how to handle women at all.” Draco snipped at the three men, who—to be fair—did not know how to deal with women at all.

-

At the Three Broomsticks, the four men watched Y/N absolutely fail at flirting with any even remotely viable man in the bar. Eventually Draco called her back over to the booth where the four men drank and talked about their days.

“Honey, you’ve got to stop doing whatever it is you were doing out there. In fact, you’re going to stop doing anything. You are going to go sit at the bar and look pretty until a man approaches you, and then you are going to smile and nod and agree to go out with him.” Draco nagged. The three other men were chuckling quietly as Y/N trudged to the bar, hoping for men to approach her.

“Anyway, what is this shit we’re chaperoning on Friday night?” Draco turned to Neville and Harry, hoping one of the two would know.

“I think it’s a school dance but like...not fun for the kids at all. Like I don’t think there’s actually any dancing at all.” Harry summed, confused as well. None of them had ever been to muggle high school, and did not understand what a “homecoming” dance was. The Muggle Studies professor suggested it might be fun for the first Friday back to school, and McGonagall agreed as long as the kids didn’t have too much contact on the dance floor. The Muggle Studies teacher explained to the three men that it was “middle school rules, no touching below the shoulders, room for Merlin in the middle.” if dancing were to be allowed. Neville, Harry, and Draco were clueless as to what that meant.

“Glad I won’t be in on that shit show.” George laughed, taking a sip of his drink.

“We actually signed you up.” Draco said nonchalantly, drinking his beer. George spat his beer out violently.

“Excuse me? I have to spend my Friday night watching a bunch of kids...do what? Drink butterbeer and sit on opposite ends of a room?!” George was clearly pissed off, wanting to have done literally anything else with his Friday night.

“I mean, you’ll see your brother.” Harry offered, which actually eased George’s tensions a bit. He smiled, missing his family.

“Oh, alright. Harry, you charmer, you always know how to get me.” George winked at Harry who waved him off.

“How are things going with you and uh...Loony?” Draco asked Neville. The three other men rolled their eyes, annoyed at how Draco still seemed to live in his own little world.

“Luna. And things are going...they’re going.” Neville shrugged, clueless to his own love life.

“Just as expected, he doesn’t know anything.” Draco shook his head at George and Harry, as if Neville’s cluelessness was their fault.

“Are you blaming—” Before Harry could finish accusing Draco of exactly what Draco was doing, Y/N came back from the bar, squealing about getting a date.

“What did you do?” Draco asked, smirking, just knowing he was right.

“I did what you said! I just smiled and nodded and said I wanted to hookup and he gave me his number and now we’re going out Friday night!” Y/N jumped up and down in tiny jumps, starting to fist-pump.

“This American is so weird sometimes.” Harry whispered.

“It’s endearing, I think.” Neville commented.

“Naive, maybe.” George rolled his eyes, the only one who seemed to notice that she blatantly told the man she would have sex with him.

-

When the night of her date rolled around, the four men found themselves with an unexpected floo guest.

“Ginny, what are you doing—” George stood.

“Who told her it was a good idea to get back out there again? That’s not your job, that’s my job. I’m her best friend, you guys are just some weird adult men living together. No offense brother, dear.” Ginny was in the living room, pointing an accusing finger at the men sat on the couch while Y/N was in her bedroom getting ready. Ginny was clearly ready to go out clubbing for the night, and was dressed in a short dress and very tall heels.

“None taken.” George rolled his eyes, plopping himself back on the couch.

“Now I’m going to go handle the mess you all created, thank you very much.” Ginny glared, walking over to Y/N’s room and walking in.

Y/N laid on the ground surrounded by clothes. Her hair and makeup was clearly done, but she seemed stumped on what to wear. She was currently wearing a witch hat, a crop top, sweatpants, and cowgirl boots.

“Y/N,” Ginny sighed. “What were you going for with this?” Ginny gestured up and down Y/N’s body.

“Witchy space cowgirl.” Y/N shrugged. “It seems like something you’d find in a porn anyway—”

“Here, let’s find you clothes that will actually get you laid.”

After about half an hour, Ginny emerged from Y/N’s room first, dressed in a crop top and sweatpants.

“Now presenting, the new but not improved, still absolutely perfect Y/N.” Ginny gestured towards Y/N’s bedroom, where Y/N emerged. She was wearing the short black sleeveless dress and tall heels Ginny had been wearing when she emerged from the floo. Draco let out a whistle, Harry and Neville started clapping, and George was sat, stunned. Well, until Y/N started fist pumping again, then they all started booing her.

“Don’t let me keep you guys, I know you have plans with a bunch of 11 to 17 year olds tonight.” Y/N giggled, watching as the men stood up at the reminder.

“Don’t worry, we’d rather be anywhere else. Even here watching your weird dancing.” Draco puffed, the other men agreeing.

-

“So yeah, that’s how we got a new roommate.” George explained to Fred, who’s hazy, ghostly form nodded.

“Believe it or not, I actually know her. I was her first friend here.” Fred grinned, pointing to himself. George wasn’t surprised. Ever since Fred died and became a ghost, Fred frequently felt lonely, and George knew that. Besides Peeves, he really didn’t have many friends. He couldn’t interrupt teachers while they were teaching, but since Care for Magical Creatures was not a required class, Y/N had a lot of free time. They bonded over pranks, baked goods, and George. “She’s so cute! You totally would’ve dated her a decade ago.” Fred teased his younger twin.

“Yeah, well, things change I guess.” George felt his phone vibrating in his pocket, and looked at the caller ID to find it as Madam Puddifoot’s store number. “One second.” He told his brother. “Madam Puddifoot?” George asked.

“George dearie, your friend Y/N here was stood up by her date. I figured someone should know, she’s in my shop crying and I have to close in,” she paused, clearly checking the time. “In a half hour. Do you think you could help?” George stood, already walking towards the school’s exit.

-

“Oh hello there.” Y/N sniffled, eyes red and puffy as she looked up to see George taking a seat in front of her. “Don’t you have a school dance you’re supposed to be chaperoning.” She furrowed her eyebrows, pointing a finger at him. She meant for it to be accusatory, but with red puffy eyes, George mostly found it (as Neville said) endearing.

“Some things are more important than watching boys and girls stand on opposite ends of a room.” He shrugged, reaching across the table and grabbing his friends hand. “Listen, real men don’t treat women the way you’ve been treated the past few weeks. I’m sorry you’re going through this. If it makes you feel better, sometimes I still call my ex and leave voicemails in a country accent.” George offered, making Y/N giggled, wiping lone tears.

“Well, you can always call me and talk to me in a country accent instead.” She shrugged, in an attempt to help him the way he’s come to help her. “Do you want to go home and watch—”

“Literally anything other than Casablanca, okay? I will watch whatever sad chick flick you want, but you have watched Casablanca like twenty times this week.” George puffed, standing up and reaching his hand out for Y/N. “Let’s go home and get drunk and cry.” He smiled. Y/N grinned, grabbing his hand and letting him walk her out of the shop. She was still embarrassed, but her heart felt a lot better knowing someone came to help her out of this feeling. She’d never admit it to George, but it was probably the nicest thing anyone had ever done for her.

-

When Draco, Neville, and Harry returned home, their suit jackets thrown over their shoulders and looking rather tired from dealing with teenagers all night, they found quite the sight for their sore eyes. George and Y/N were stood in front of the TV, clearly drunk, singing along to Heath Ledger’s character serenading Julia Stiles character in 10 Things I Hate About You. Draco, Neville, and Harry all looked at each other, shrugging. They dropped their suit coats and joined in, feeding the fire that was drunken George and Y/N.

And that was the end to Y/N’s first week in the loft above the Weasley’s Wizards Wheezes store in Hogsmeade.

Taglist: @yllwtaxi @ememseay

Thank you for wanting to be tagged!! Let me know what you think, feel free to message me any mistakes I missed. If you want to be tagged, message me/comment!! Thanks y’all :)

[sputnikissweet]

Thoughts on “Fate: The Winx Club Saga”

My last Winx related post got good feedback :)!! and i swear i’ll post more on other stuff but there are just some things i wanna get off my chest. this is also lengthy.. oops

also gifs aren’t mine!!!

let’s start off with characters

MUSA

Netflix, do y’all just hate Musa... Her powers are so downplayed. it’s utterly disappointing.

I understand that Musa is the emotional girl out of all of them but they took that and ran with it. I’m just not a big fan of the whole mind fairy thing because every fairy can connect to things that’s based on what kind of fairy they are.

she can do SO MUCH MORE. She can literally control sound waves.. She is Vanya Hargreeves in fairy form yet all she does now is feel others emotions.. cool.

Fairies (regardless of specialties) can also read aura’s and some can connect with their given specialities (Flora w plants) so a mind fairy serves no helpful purpose compared to the others?

STELLA

The reason Stella was popular was because despite being a spoiled princess, she was still the nicest and most welcoming person ever. She never used it against people. ( I mean the Solarians were literally so confused when they were reporting how Stella was evil during Valtor’s reign)

It felt more like Diaspro with Stella trendencies.

Stella was literally the one who convinced Bloom to go to Alfea and was so patient with her. She even had Bloom fake being her friend in the original just so she could attend alfea but this stella willingly put her life in danger.. FOR A BOY???

Yes Stella was a bit boy crazy but she wasn’t really serious with any of them except for Brandon so she would not have tried to kill Bloom for Sky. Who wrote that and for what??

That is not Queen Luna, that’s countess Cassandra 2 seasons early.

Why did they have to give her mom issues like Bloom? Her mom was her emotional support from the little bits we saw her? Her parents not giving her attention on top of upcoming issues with her dad would’ve been interesting enough.

Also the whole ring thing was a major thing and they just touched on it then never again, just don’t mention it then..?

A bit morbid but i think the whole blinding her best friend plot has potential.. hear me out... for her enchantix, especially when she can use the dust. But netflix if you include enchantix, please do not butcher it.. please.

She had such a sunny disposition and it was only ever her teasing that upset the girls at times but she was mostly at the core of each other their problems. She may look exactly how i pictured stella but she is the farthest thing from.

also stella getting her strength from anger? who is this?

AISHA

Please tell me how Aisha would be the teacher’s pet-

She’s the one who literally ran away from a marriage and was breaking all these princess streotypes- She’s very strong willed and would not have kissed ass to authority figures (except for mermaid guards of course)

AISHA WOULD NOT HAVE SNITCHED AND THAT GOES FOR ALL OF THEM I DO NOT CARE

her outfits weren’t bad though, i think she was the best dressed next to Beatrix.

TERRA

Why were they so rude to her-

I still wish she was a WOC because then her brother and dad would’ve been too so just a chance for more representation then netflix just turned a blind eye to

Where did her storyline go- We saw her being insecure in the first two(?) episodes and Musa saying Stella is everything she wants to be and then Riven and Dane just make fun of her for the rest of the episodes then Stella tries to compliment her? I feel like there was so much material to work with and make into a powerful arc or moment but they just swept it under the rug and pulled off something quick.

I like her character though, she’s a huge softie and a lot like her cousin, let’s not hate on her oo much cause Flora would not have condone it

BLOOM

Why is this Bloom so angsty

Actually OG Bloom was too but i feel like they tried making her so seem “mysterious” and if you’re mysterious, apparently you can’t be nicer?

I wish we saw her more vulnerable cause i liked that Bloom was such a badass but always cried HAHAH you know what i mean?

WHY WAS SHE DRESSED IN HER REGULAR CLOTHES WHEN HER WINGS APPEARED PLEASE AT LEAST GIVE HER SMT A BIT MORE FITTING FOR THE LITERAL “ANCIENT” TRANSFORMATION-

Disrespect Vanessa- No.

Okay i think there’s potential in the changeling thing but i think Mike originally finding her in a burning house and saving her is so heartwarming :((

this is related to bloom so i’ll keep it here... WHERE IS DAPHNE!!!

not gonna lie tho, the actress is exactly how i imagined bloom irl

bloomerang... i’ll leave this here.

OTHER CHARACTERS // MISC.

Rosalind and Dowling were two evil and eviler versions of Faragonda. Not even they were just split Albus Dumbledores and one is enough for all universes.

Beatrix is woke ig..? I like her style tho and the actress is pretty good. Also like how by the finale it’s kind of known that she’s a witch and not a fairy so ancestral witches storyline? I’m also not mad they made her one character, it fit better for the story they were going for.

BRING BACK CLOUD TOWER!! NOT ALL WITCHES ARE BITCHES (mainly mirta)

I know Riven is an ass but it was d r a g g e d. Like let’s lead this guy on! Oh and do drugs on campus! I’m 16 btw but let’s get drunk every other scene! Not to shame though.

I just don’t like Sam, he was boring to me and contributed nothing. sorry

Dane had potential to be a great self discovery story but no let’s make him fat shame Terra because that’ll be cute! no.

It’s just weird to think that Sky’s father abandoned him to raise a completely different child.. I don’t- yeah..

Kiko is- oh wait he wasn’t there.

Why are they on instagram? If anything, they would’ve probably had something wayyy more advanced.

Adding more fire fairies just lessened the stakes of Bloom’s whole reasoning for trying to master the powers of the dragon flame because she was the only one left so she had no choice but Fate makes it easier to argue that she was just being selfish when in WC, it had to be done.

I do like male fairies and female specialist, power! but i wish they kept the schools separate.

I know everyone says this but.. their outfits could’ve given us another Euphoria like moment and they wasted that opportunity. I mean seriously, you put Bloom in Brandy Melville?

SHIPS

I wish SkyxBloom was more slow burn and had more build up. It was reasonable but idk the pace still seemed a bit fast.

There should be no world where SkyxBloomxStella would exist. Not in this or any other worlds.

MusaxSam was just boring.

TerraxDane just no.

wheres nabu for aisha? actually, respectfully do not let the same people cast Nabu and Helia because i just don’t trust y’all-

RivenxBeatrix, eh follows the og plot but i wasn’t really a fan of it back then too.

RivenxDane, seems queerbaity? maybe it was intentionally set up that way for development but it rubs me off wrong.

[caranfindel]

Recap/review 15.17: “Unity”

THEN: Chuck is destroying all his worlds. Dean tricked Amara into going along with their plan. Empty!Meg is on Billie's side because she just wants to go back to sleep. (Don't we all, dear.) Billie wants Dean to be ready. Dean finally told Sam the truth and Sam was MAD.

NOW: Amara is enjoying a hot pool and a glass of wine in Reykjavik, Iceland. (She's pretending to read but there's no way she can see that book. Although I guess she could have super vision. Why not? And I'm sure the book itself is significant and maybe I'll look that up later but let's face it, I probably won't.) Her glorious view of the Milky Way is punctuated by what seems to be a falling star. But there are more and more and more and she knows what it really is. "Welcome home, brother."

Title card!

Bunker. Sam is on the phone with Cas, who just found out a possible lead in the "Basilica of Guadalupe" was useless. I wonder if he means the Basilica of Our Lady of Guadalupe in Mexico? A 35-hour drive from Lebanon? "That's all right," Sam says. "We'll find a way." {Sidebar: Eternal optimism or simple bullheaded refusal to accept the inevitable truth? Discuss.} Dean enters and asks if that was Cas, but Sam doesn't answer.

So, this is how it's gonna be? You're gonna give me the silent treatment?

I'm not sure what you want me to say.

That you get it. Like I said, killing Amara, Jack, dying, that's the only way.

Sam huffs and imitates Dean: "The only way. Our one shot. Our last chance. You ever get tired of saying stuff like that?" The guys are interrupted by a noise, and I'm just going to stop here for a minute, because I need to talk about Sam's anger. Sam's delicious anger. Apparently some people thought it was inappropriate for Sam to be so mad at Dean last week. At least that's what I read on the Tumblr. I'm sure no one reading this post feels that way. I mean, anyone who found Sam's anger inappropriate would have stopped reading my crap a long time ago, right? I just don't get it. This isn't an "I can see both sides" situation. Dean withheld information from Sam - lied to Sam - and I know they've both lied to each other before, but this was something catastrophic involving someone he loves. And when confronted, Dean doubled down. He didn't say "sorry, I just couldn't bear to tell you" or "I was hoping Cas would find some other way" or "I was trying to think of a way to break it to you easy." He blamed Sam. He told Sam he wasn't qualified to have that information because he would have done something about it. And after Dean spent the entire episode whining about having no control over his life, being a hamster in a wheel, he sentenced Sam to the same fate - he told him that he didn't have the right to know about Jack because he refused to just accept that this is their destiny.

I mean, I'm not bitter or anything.

Silver lining: Dean treating Sam so horribly at least means I got some tasty, tasty Angry Sam. (Mandatory disclaimer: I love Dean. I love that he is heroic and self-sacrificing but also deeply, deeply flawed.) Moving on.

Wait. I also love that Sam's justification for the silent treatment isn't I'm punishing you or even I'm mad at you, but is literally there is nothing I can say to you. Nothing I say will mean anything to you. All right, now we're moving on. Searching for the source of the noise, the guys find - Amara! Drinking their beer! Wearing pink again, but this time it's sparkly! "We should talk," she says.

Or, you know, we could just look. Looking is good. We have a little time jump in order to gather Jack. Amara tells the boys that her brother is back, and Jack knows this means it's time. She asks how they're going to cage Chuck, and Dean lies that Jack will be able to do it. Amara hopes she and Jack can get to know each other afterward, and Jack lies that they will. He just has to complete one final ritual. Sam doesn't lie to anybody; he just stands there looking unhappy. Amara asks what she can do to help, and they cut away from any discussion of what she's going to do, but then we get this. When the time comes, we can count on you, right? Like I told you when we first met, you and I will always help each other. Awkward! The way Amara is looking at Dean, I'm pretty sure she knows he's lying, and is just waiting for him to break down. (Spoiler alert: why do I even try?) But Dean and his lying, lying eyes do not break down.

But those eyes don't exactly hide any secrets either, do they? Meanwhile, Jack is concerned that Sam is angry at him. Or disappointed. Sam manages to express both support for Jack doing the thing and a strong desire for Jack to not do the thing. "Sacrificing your life for a cause takes a lot of courage," he says."I still think it's wrong, though." OH SAM. YOU WOULD KNOW. AND YOU WOULD DO IT ANYWAY. Apparently Jack's final ritual is taking place in Santa Fe. Dean's ready to go, and says they can be there by morning. (Oh, I hope she tells us if that's possible, they said sarcastically.) Hey, anyone who doesn't want a deep dive into the logistics of Winchester travel can write their own damn recap skip this part. I think the guys actually went to Santa Fe last season? Ouroboros? Anyway, it's 10.5 hours away. 11 hours if you avoid highways, which we know Dean likes to do, although that route would take you on some mountain roads that would probably be a little much for the Impala. So yeah, depending on what time it is now, "by morning" is doable. I know you're relieved. I think the bigger question is when will Cas get back from Mexico City? (Yes, I'm sure he drove - he was standing by his blue truck. Yes, I know no one else cares.) Dean is surprised to find that Sam's not going. He accuses Sam of "taking a knee," but Sam says that's not what he's doing. He's still looking for another way. Sam, you and me, we have to do this; it's in the book. Oh, Chuck's death book, right? Come on, man! Blindly following orders, sending Amara to her death; does any of this feel right to you? It doesn't matter how we feel! You know what? Stay. Stay. But somebody's got to be the grownup here. Yeah, well, someone has to keep fighting for Jack. He knows what he signed up for! Last I checked, we don't give up on family. Jack's not family! I know how you feel about the kid, okay? I feel for him too. I do. But he's not like you. He's not like Cas. He's just not. I have to confess, I maaaayyyybeee haven't been keeping up with the A plot as much as I should have, because I wasn't aware they were actually operating from a book. (Or I was and I forgot. Stranger things have happened.) I thought this was just Billie's plan. But if it's a book, that means it was fated to happen, right? Um, like the Ma'lak box? And why isn't Sam pointing that out? Why isn't Sam saying "we've already changed one of Billie's unchangeable endings, what makes you think we can't change this one?" But, you know. That's not important. What is important are two things: 1, the way Sam reacts when Dean says "Jack's not family," and B, the fact that Jack has entered the room at some point and heard some of that. Again, awkward! How many times has Jack come up behind someone and overheard something like that? Why don't they put a bell on that poor kid? Jack says he's ready, Sam gives him a sad, broken little smile and Jack and Dean hit the road. Boy, that's gonna be an uncomfortable 11 hours.

Whatever you think about this scene, you have to admit Jared is acting the hell out of it. Bunker. Cas is back, so I guess it's been 35 hours since that phone call. "Stayed behind to find another way, huh? I would have done the same." They research together. Wooded park. Amara. Chuck shows up. A title card weirdly informs us this is Amara. Yeah, we know that. I don't really care that much about their convo. All you need to know is he wants to do a "hard reset" - another Big Bang? - and can't do it without her. But she cares about this world now and wants to protect it. He thinks humans are lame and boring, and she says "what about your first children?" and zaps him into Heaven. He's welcomed by a small, adoring group of angels, but Crystal (an angel named Crystal?) annoys him so much that he snaps them all away. Amara offers him balance, darkness and light, here on this Earth, but he's not interested. So she zaps him into the bunker, which she has made into a trap for him. Impala. Dean, says the title card, unnecessarily. (Now that I've figured out what they're doing, I'd say the odds are 50:50 that Sam will have a title card.) Dean starts to talk about what Jack heard - not necessarily to apologize, but Jack says he understands that he's not like Sam or Cas. Okay then. Morning. They show up at a jewelry store and are greeted enthusiastically by the man and woman inside. "I'm Adam," the man says. "You know. God's primo. First dude off the assembly line." The woman with him is not Eve, but a hippie angel named Seraphina. I guess that means she's a seraph? Get it? (Sorry, I have to amuse myself sometimes.) She proclaims Jack's aura is "like Skittles," and of course it is. What else would it be like, other than something sweet and rainbow-colored? {Sidebar: Or should it be like nougat? Discuss.} Adam and Seraphina are very into Jack and also very much into each other. They separate long enough for Adam to take Jack for a "pop quiz." Seraphina says she knows Jack will pass because she saw it in a dream, which annoys me because angels don't sleep, but it turns out she means a mushroom-induced hallucination. She tells Dean that so many things had to happen for Jack to end up here, it was obviously "meant to be." Which doesn't sit well with Dean. Meanwhile, Adam explains to Jack that because of what God did to him and his sons, he's been wanting to kill him for a very long time. Billie is working with him, and kept him alive so he could finish the job. They've just been waiting for Jack. Adam shows him a tray of crystals and tells him to pick the one that was touched by God. Jack points to one, and Adam is disappointed. That's your choice? Yes. And... the others. All of them. They're just rocks, but their existence makes them divine, because God is in everything. And that's the right answer! Jack and Adam return, triumphant, and Seraphina celebrates by plunging a knife into Adam's chest and prying out a rib. Ew. "Everything can contain the spark of the divine, but this puppy? Is packing enough punch to create life. Or in this case, destroy God." With the power of the rib, Jack will turn into a "metaphysical black hole for divine energy" that nothing can escape. Not Amara, not God. But once is starts, it can't be stopped, so Jack shouldn't use it until "game time."

I'm pleased that Adam is a Middle Eastern guy. Back in the Impala, some hours later, Dean pulls over right before they get home. He apologizes to Jack for hearing what he heard. Not for saying it, but for Jack hearing it. He tells Jack that he hasn't been free his entire life. "But now, now me and Sam, we got a shot at living a life. Without all this crap on our backs. And that's because of you. So, I want to say, I need to say, thank you, Jack." Well, that's a nice emotional moment, but isn't Jack doing this to save the world? Not just to get Dean off the hamster wheel? Dean's phone buzzes. It's time. Jack takes the rib out of its baggie and absorbs it into his hand and oh, Jack, I don't think I'd have done that just yet. Bunker. Is this Sam's section? Yes, it is! \o/ Sam hurls a book to the floor in frustration and is comforted by Cas. Guys, Sam and Cas tend to do some crazy fucked-up shit when they're left together unsupervised, and I am here for it. Sam wishes he could talk to Billie about her plan, and Cas immediately assumes he's going to kill himself and puts his foot down. But Sam suddenly remembers what Sergei said about the key to Death's library. "Oh, is that why I invited Sergei here to the secret bunker," Cas says, "because now that makes sense." They start digging through old wooden chests and I'm fairly sure these are boxes full of cursed objects, although all they find are a large novelty chess piece, a gold leaf cross from Hobby Lobby, and the Holy Grail.

Tell me you didn't think the same thing. But Cas eventually does find the box with the key. The box has an inscription in Latin, which Sam reads out loud. By the way, Sam Latinating is always hot, even though he looks like he doesn't understand what he's saying. As the guys watch in amazement, a portal and keyhole appear in the wall. Cas wants to go with, but Sam asks him to stay and buy him some time if Dean comes back before he gets out, even if that sounds crazy. "Sam, for what it's worth, I don't think you're crazy," Cas says. "I think your internal compass is functioning perfectly." And Sam's all, aw, that's the nicest thing anyone's said to me in a long time.

"Donde está la biblioteca?” He puts the key in the keyhole and opens the door into the W section of Billie's library. I want him to start pulling books off the shelves and reading versions of his death, but he's distracted by a dead reaper on the floor. And more dead reapers. And the sound of one begging for her life and then noisily dying. He finally sees Empty!Meg (\o/) sitting at the circulation desk, as another reaper pleads for his life. "Please," he cries, "she won't come!" He prays unsuccessfully for Billie to come, and gets his neck snapped for his trouble. Sam immediately tries to nope the hell out of there, but Empty!Meg snaps her fingers and he appears in front of her. Sam Winchester? Meg? Sorry, she's still dead. Just borrowing the queen's pretty face cause really? I'm empty. {Sidebar: Why would Meg's meatsuit go to the Empty with her? Discuss.} Empty!Meg is trying to get Billie's attention, and she drops a bombshell on Sam. Billie intends to become the new God. "Classic narcissist, right? So tingly for the rules, the good old days. Everyone back to where they belong. Realities, dimensions, graves. What should be dead dies, angels off Earth, demons back to Hell, and I go back to sleep!" Oh, wait. Graves? So anyone who was dead at some point, and was brought back to life, would go back to the grave? She tells Sam that he's in God's book - the ornate book in front of her that only Billie can read. "She always talked about how you should be so dead, except she needs you." Empty!Meg decides that hurting Sam might get Billie's attention, and well, y'all know I'm not opposed to that. (If you're new here, hi, my name is caranfindel and I have a problem.) She brings Sam to his knees, but he finally manages to say "Billie sent me." Oh, Sam. He claims Billie sent him to get the book, because she's trapped on Earth. Empty!Meg can't go to Earth unless she's summoned (hmmm, wonder if that will come up later), and Sam says he has a message for her, from Billie. "Billie will honor her promise. God, Amara, they die. And you, you can go back to sleep." Empty!Meg decides to believe Sam, even though he didn't even know who she was or why she was there when he got there, or that Billie had even made any promises, but I'd have a hard time saying no to that face too.

I'll believe your lies. When Sam comes back through the door into the bunker, Cas greets him with "finally" as if he's been gone a long time, so time must flow differently in Billie's library. Cas tells him Chuck and Amara are here, and it's time. "We can't let that happen," says Sam. "We have to stop it." In the trap, Chuck narrates what's happening elsewhere in the bunker. "You hear that? Dean. Brought to the edge of doubt. His sense of duty, his rage, winning out in the end." As Dean drags Jack through the hall, Sam tells him about Billie's plan to take advantage of the power vacuum and become God. Dean doesn't care - he doesn't mind being duped as long as it's not by Chuck. "And poor Sam," says Chuck. "Always gotta know everything. Can't leave well enough alone." Poor Sam stands in front of Dean, trying to stop him. Dean yells that Jack already "lit the fuse" and they can't wait any longer. "This is my ending," Chuck says. "My real ending." And just as I'm wondering if he means his preferred ending, where one brother always kills another, Dean pulls his gun out and points it at Sam's heart. "Move, Sam. Move!" Sam's horrified. Cas and Jack are horrified. I'm horrified. And also, I'm ashamed to say, very entertained. I mean, I don't want the brothers fighting, and yet for Dean to lose the plot so badly that he'd actually shoot Sam in order to get off the hamster wheel? That's some gloriously messed up stuff, friends. Amara is shocked that Chuck orchestrated all of this. "What part of omniscient do you people not understand?" he says, and YES. THIS is something that has long needed to be said. He says that even though he can't read his death book, all he had to do was plant a few visions, mess with a few outcomes, bada bing bada boom! Nobody's killing him! Hallway. Sam pleads with Dean. "I don't want to do this," Dean says, "but this is everything!"

THIS is everything. Trap. Amara tells Chuck they're going to cage him, not kill him. Hallway. Dean does that thing you do with a gun when you want someone to know you're serious. Clicks off the safety, or whatever. Sam makes a have we really come to this? face and yanks Dean's gun hand away. Dean punches him and he drops to the floor. Trap. Chuck tells Amara that TFW is planning to kill both of them. Hallway. Dean drags Jack toward the trap and Sam tackles him. Dean punches him again. Cas just watches all this. What the hell, Cas. Trap. Chuck says the Winchesters are using Jack to destroy them. Amara says that can't be, because Dean can't hurt her. "No, but he can lie to you. He can send you into the meat grinder with a wink and a smile." But isn't that hurting her? Hallway. Dean orders Cas and Jack to go. Sam yells for Jack not to do it. Cas asks why not, because... Cas has suddenly forgotten what side of this argument he's on? "Because if Billie takes over, then everyone goes back to where they belong!" Sam says. "That means everybody from Apocalypse World - Bobby, Charlie - they get sent back to a place that doesn't exist any more. And everyone we saved! Eileen, she just dies, again! And that's just the beginning!" Trap. Amara is devastated. Hallway. Dean yells that they don't have a choice, and Sam says "we always have a choice!" Trap. Chuck tells Amara "the only ones who ever really get us is us." Hallway. Dean says there's nothing they can do but get out of the way, and he doesn't care if Billie becomes God. I'd trade it all, I'd trade 'em all, for Chuck! In a heartbeat! What about me? Would you trade me? Okay, is this Sam pointing out that if Billie becomes God, he dies? Because it's awfully subtle, and I think he just needs to come right and say "that's fine, Dean, but when I told you everyone we saved would die again, I meant everyone, and that includes me!" And Dean would probably also want to know that angels will be banished to Heaven, don't you think, Sam? Anyway. I saw this on Tumblr, and I can't get to it now because Tumblr is being a little bitch, but basically: Sam Winchester may have low self-worth, but he absolutely knows what he means to his brother, and he does not hesitate to use it. Trap. Chuck offers Amara the balance she said she wanted. "Us, starting fresh, creating something new, something beautiful, peaceful, together. And we can finally forget about all this pain. No baggage. Only balance." He extends a hand. Amara takes it and dissolves into smoke, which is absorbed by Chuck, who now has one demon-black eye and one angel-blue eye. And a sadistic grin. Hallway. Chuck has to die. He has to! Otherwise he'll keep us tap dancing forever, and I can't live like that, man! I can't live like that; I won't! I know you feel like that right now, okay? I know you do. But you gotta trust me. My entire life, you've protected me. From Dad? From Lucifer? From everything. I didn't always like it, you know, but it's the one thing in the whole world that I could always count on. It's the only thing I've ever known that was true. So please, put the gun away. Just put it away. We'll figure it out, Dean; we'll find another way. You and me. We always do. Gotta admit, I'm torn about this scene. I mean, on the one hand, it's beautifully done, so much emotion and angst and anger and teary-eyed, shaky Sam. Once again, Jared is acting the hell out of it. (And Jensen too, but come on.) And yet, on the other hand... how bad is Sam's Stockholm Syndrome? "You protected me from Dad?" Have we seen any evidence of that? I'm sure Dean was forced to be the referee sometimes, but have we seen any evidence that Dean ever said "no Sam, you're not disowned just because you want to stop hunting and go to college" or "no Dad, I'm not even going to pretend I'll kill Sam," rather than consider it an option until he was actually faced with it? It seems like "protecting Sam from Dad" mostly meant "trying to get Sam to do what Dad wanted, so he'd stay out of trouble." And Lucifer? When Sam told him he was Lucifer's vessel, and the Devil was coming to him in his dreams, Dean basically said "sucks to be you, now pick a hemisphere." Now, I'm aware that Dean has actually protected Sam from many, many things. In good ways and in bad ways. And yet he's also hurt him in some pretty awful ways. I mean, he just now threatened to shoot him for refusing to accept his destiny is to help Dean escape the slavery of his destiny. So for Sam to say "you protect me" is one thing. Dean absolutely does that. But to say it's the only thing that's true, and to specifically mention John and Lucifer, well. Hmmm.

Let's just concentrate on the pretty. Anyway. Dean puts the gun away, Sam sighs a tearful shaky sigh of relief, and then the door to Amara's trapped room explodes. Chuck walks out dramatically - not nearly as hot as Demon!Demon dramatically walking through his own destroyed door - and yells at them. "Are you kidding me? After everything, after all that, you did it again!" He tells them he absorbed Amara, mocks Castiel (which is kind of funny), and says they're all stupid, stubborn, and broken, and he's done with them. "You know what you do with broken toys? You throw them out. So, kill each other, don't kill each other, I don't care." Then he tells them to have fun watching Jack die, and zaps on out of there. Jack collapses, and bad things are clearly happening to him. Well, it's hard to get worked up over Jack dying again (what would this be, the third time?). After all, as Dean said, he's not Sam. I'm more interested in finding out if Dean understood he was sentencing Sam to death when he said he didn't care if Billie became God. {Sidebar: Would Dean die too? Or would everything that happened because Sam was brought back be erased? Discuss. And maybe fic.} And now Amara is gone. But, conveniently, destroying Chuck will also destroy her, so. Balance! Unity! Hugs and puppies all around! Oh, friends. The end is near, and I don't feel good about it. I'm anxious about a lot of things happening next week, and the third-to-last episode of Supernatural is one of them. How do you feel? 

Please help me stay unspoiled, including episode titles and casting info, thanks!

[dragimal]

now that s5 is over and I’m starting to wind down from the high of the finale, I think I can finally grasp *exactly* why I have mixed feelings on s5. to be clear, I absolutely ADORE TMA as a whole, and still consider it one of the best pieces of horror media I’ve consumed. but s5 left me feeling... not bad, but off, even when there’s plenty I still rly like abt s5

it mainly comes down to 2 things for me: 1) the severe tone shift, and 2) Martin being Fucking Weird for a lot of the season

a lot of ppl have talked abt how s5 just wasn’t as scary as the previous seasons for various reasons. one kinda inevitable reason was simply that a lot of the mystery of the horror had been revealed at that point, and a monster is never as scary once you can see it clearly. but I think the bigger reason is that the format shifted from horror anthology to.... sociology anthology. like, every statement of s5 felt like a sociology paper on fear and systemic abuse, rather than something meant to chill the reader

this isn’t necessarily a bad thing, honestly-- like I said, much of the mystery had been revealed, so I think it was an understandable move to try to shift the narrative somehow. also, I love sociology papers! I think they’re interesting to read, and s5 gave us some rly creative frameworks for some of them (the poetic carousel, Oliver’s professional assessment, Jared’s garden--)

however, I do think the tone shift was still a bit jarring, esp considering what the audience was used to up to that point. perhaps that’s an appropriate move, to match a plot point as game-changing as the literal apocalypse. BUT that doesn’t mean the tone shift still wasn’t a bit of a let-down, in terms of horror and tension

like, yeah a lot of the mystery was gone, but Hill Top Road ended up being the big mystery of s5... and we weren’t even fully aware of it til almost the end of the season? sure, there was plenty of fan speculation, but we were also considering SO many other possibilities, Hill Top was never rly a core theory until VERY late in the game. like, the mystery seemed to take a backseat to the sociology papers, if that makes sense, lmao

literally the ONE episode to give me chills down my spine like the good ol’ days pre-s5 was MAG196: This Old House. Annabelle vaguely threatening Martin, and ending on, “You have no idea who’s listening, do you?” fucking SUPERB, I was absolutely DELIGHTED by the possibilities of that one line! like, what did it mean? were we gonna go full meta??

but the last few eps after that were... frankly kind of a letdown from that spike of tension? I think those last eps are what rly cinched this idea for me-- that s5 was literally like reading a sociology paper. it rly all was just, arguing about the possibilities, considering the consequences, and making decisions. which, again, isn’t necessarily bad, but it’s not horror-- it’s a thought exercise with an apocalyptic garnish

EDIT-- I forgot to say, I think this is part of why MAG200 simply didn’t hit me the same way it hit others. it was intellectually satisfying-- it tied up loose ends, closed character arcs/relationships, left some delicious ambiguity-- but not emotionally cathartic, if that makes sense? like, I was expecting to cry, but I didn’t even rly get teary? I was grinning and delighted by all the satisfying conclusions, but I didn’t feel that emotional RELEASE that I was expecting and hoping for

as for jonmartin, I want to be clear here. I am NOT one of those ppl that thinks jonmartin came out of nowhere in s4-- I think the buildup pre-s5 was excellent, and their finally being together at the end of s4 was so so earned and rewarding. I’m also NOT one of those ppl that thinks arguments = abuse. I think when I briefly criticized jonmartin in s5 in the past, ppl got this impression that like, I think that jonmartin miscommunicating and having bad coping mechanisms... means that they’re bad for each other and abusing each other? and that’s just not the case?? 

I admit that my initial response to some of the jonmartin weirdness may have been a bit harsh, but even at the time I still loved jonmartin and was simply looking at their relationship with a critical but loving lens

what I have a problem with is that Martin pulls just as much bullshit as Jon in s5, and NEVER gets called out for it

this post I made a while back gets more into the details that bother me, but essentially, there’s always been this rly uneven “accountability scale” (idk what else to call it) for Jon vs. a lot of other characters-- in that, Jon always gets called out for his bullshit, while a lot of other characters don’t. now a lot of this is perfectly explainable as Jon being the main character, so we simply see his fuck-ups AND the subsequent consequences more often than any other character. and there are plenty of characters that I absolutely do NOT blame for going a bit overboard (I give Melanie and Tim in particular a ton of leeway here, given their respective situations. they more or less have full rights to bully Jon imo)

but, the problem is, there are also a LOT of moments where other characters say something absolutely horrific to Jon (namely Basira and Georgie in s4), like imply that he’s responsible for problems he had absolutely no control over, or fucking blame him for literally being groomed into an Archivist by people/powers he couldn’t even grasp... and those accusations are just left to sit and fester in Jon, completely uncontested

the nice thing abt s5 is that most of this is addressed-- like Basira’s completely unfair double-standards for “monsters”, and Georgie unknowingly blaming Jon for his trauma, etc.-- in very satisfying ways.

.... except for Martin.

without rehashing that linked post too much, Martin’s main problem in s5 is that his go-to response to trauma is denial. he denies the fact that he wants to kill avatars for his own satisfaction (which is a completely reasonable desire on its own tbqh!), and instead continues to lie to himself (for quite a long time) that killing avatars is actually helping anyone but Jon and Martin. he denies that Jon’s become a real full-fledged “monster”, and refuses to acknowledge all the baggage that comes with that

this denial unintentionally projects a lot of rly fucked-up messages at Jon, like: Jon is now a freaky horrorshow (even when he’s doing something completely innocuous, like talking casually about his powers); Jon’s fears over losing his autonomy/identity to the Eye, and his fears over his proven abilities to hurt others, are invalid; monsters inherently deserve to die, despite Jon technically being one; Jon not being able to use his powers “well enough” is some failure on his part

now, none of this is to say Martin’s characterization on its own is a bad thing-- I actually think it could’ve been interesting! it’s a perfectly reasonable trauma response, it tracks for Martin’s character pre-s5, and could have been a rly interesting perspective to explore.... if it was ever actually challenged by the narrative or other characters

I think the closest we got was Martin’s conversation with himself in his own domain, when his double calls him out for fantasizing a happy ending where Jonah is dead and Jon and Martin kiss (OUGH.... JONNY YOU HURT ME..), but that still never rly addresses the hurt that Martin’s denial causes Jon

and god, I was rly holding out-- Martin seemed to chill out on the denial a lot after the first third of the season, and I was hoping it might go a similar route as Basira, where it would just take a while to rly address Martin’s issues. but then Jon and Martin have their argument in MAG194, and I was fully on Martin’s side of it, UNTIL he said, “You weren’t meant to enjoy it this much!” (in reference to Jon killing avatars), and when Jon calls him out, Martin just brushes over it! 

BOY when I tell you I went BALLISTIC.... FUCK YOU Martin, YOU’RE the one that went all Kill Bill and PUSHED Jon to feel the same way!! JESUS. like I get that that wasn’t the core of the argument there, but oh my god that one bit...

and once again, to make myself perfectly fucking crystal clear here, this is coming from someone who relates heavily to both Jon and Martin. I can see exactly where Martin is coming from for many of his decisions, and the trauma that’s led him to mentally protect himself like this. so it only makes me more frustrated to see him refuse to face his own issues, while still (understandably) expecting Jon to face his issues. yes, Jon pulls a LOT of bullshit in s5 that he deserves to be called out for (and called out he is!), but accountability goes both ways, Martin! you can’t demand responsible behavior from others if you’re not willing to extend the same courtesy!

[musical-chick-13]

And Theon bc I love him

WHAT A COINCIDENCE I LOVE HIM TOO (this answer is gonna be a combination of books and show)

Send me a character and I’ll tell you the following:

• Did they live up to their potential? / In what ways was their potential unachieved?

-I would say yes. The only negative I have about his general arc is his death (which, see below). But Theon from the very beginning was, though not a particularly nice person, still relatable. Feeling othered, wanting to be accepted by an immediate environment that doesn’t accept you, isolated from and ostracized by your family, and the tension that comes between serving the different types of familial relationships in your life. Theon has no idea who he is, tossed aside by his blood family for not growing up with them and being “soft,” aka sort-of moral and having emotions that aren’t selfish rage or smugness (which, yep, that second part is a mood, see: my entire childhood and how no one wanted to be around an “emotional” “soft” child). And from there, he spirals out of control in a way that, while certainly not admirable by any stretch of the imagination, is still understandable in the context of the narrative and his characterization. And from there, after going through hell and quite literally losing himself (even to the point of straight-up denying rescue), he builds himself back up gradually, to the point where he expressed extreme regret for what he’s done, helps an innocent woman escape a truly horrifying situation, acknowledges that his family is generally garbage, and (in-show b/c again books aren’t finished), helping to restore his sister to power, rescuing her after his PTSD relapses while confronting Euron, and ultimately opting to protect the Starks come hell or high water in order to genuinely atone for what he’s done. He is no longer conflicted because he wants to do the right thing, and that right thing is defending the kingdom from the White Walkers and making sure Sansa and Bran are safe. And it’s no longer about fulfilling a duty or finding a family to fill the void. Because now he has found himself. I will contend that Theon has one of the best, most nuanced, most organic redemption arcs of all time. I will forever be grateful that I got to see that piece of storytelling unfold.

Although, I would love to know what he thought of Dany. A missed opportunity, that.

• How they negatively and positively affected the story.

-Positive: His arc of identity and finding where your loyalties lie ties into the overall theme of “How do you find yourself in a world where goodness, authenticity, and honesty are often punished and increasingly rare?” And it proves that governmental politics aren’t the only defining factors in decisions: familial politics can be just as difficult and dangerous, which adds yet another rich, complicated layer to the overall story. He has a genuine, honest-to-Drowned-God redemption arc, which is...not really present anywhere else in the story (no, Jaime is not on a Redemption Quest, I will die on this hill). But I think the biggest draw of Theon’s presence is that it deconstructs the whole “Character Revenge Fantasy” idea. He does bad things. We want him to be punished. But not like that. No one deserves that. How far is too far? What does retribution really look like? Given how easily that idea can be abused and go off the rails, is retribution even something to strive for? What is the point of using extreme violence/torture/mutilation/breaking someone’s psyche when it doesn’t really accomplish anything? Isn’t atonement and genuine justice a better option? It certainly was for Theon. He could only piece himself back together and do anything meaningful once he was out of his abusive environment. All of these are imporant questions that are posed by his existence in the narrative.

-Negative: Idk if I have much to say here. My biggest problem is his death (see below), but that’s not really a negative story effect so much as...being disappointing and narratively irrelevant. I gotta say, his introduction via his sister was...really weird. I genuinely have no idea why GRRM wrote that. It never came up again or had any kind of narrative ramifications and kind of cast a strange, uncomfortable light on his relationship with Asha/Yara for the remainder of the story. I can ignore and enjoy their later relationship it if I don’t think about it too hard, though, so I guess I’ll chalk it up to GRRM having a Bad Idea.

• What my favorite arc for them is.

-All of it?? Theon’s journey is kind of...one big arc, which is why I think it works so well. He has this overarching redemption plot which spans the entire series and informs every decision he makes (for good or for bad, depending on where in the aforementioned journey he is). The redemption arc isn’t bogged down with side plots or other pieces of narrative clutter, meaning it has time to grow and, thus, be gradual and realistic. If I had to choose a specific point, it’s probably when he tries to reintegrate back into society via supporting Yara. Gaining the Iron Islands’ support for her ruling, spiriting away with Euron’s fleet, and ultimately rescuing his sister after her capture. He can’t just go back into society. He’s scared. He has really bad PTSD. But he recognizes that putting his home in good hands is something bigger than just him because it’s Yara’s home, too. I just...I really love family relationships, y’all.

• What I think of their ending.

-I’m not really sure how I feel about this one. I get that the series is GrimDark™ and that people who make the right choice and fight for good die all the time, but Theon dying just felt...wrong. To me.

And, like...I get it. It makes sense to parallel his original descent into villainy (cemented by executing those two boys and pretending they were Bran and Rickon) with him dying to protect Bran himself. It ties into the whole very common trope of completing a full redemption arc by committing a completely selfless act at great personal cost. It’s kind of like the whole Missy thing in Doctor Who (which...hoo boy, that post is coming, make no mistake), where selfishness is directly opposed by making the ultimate sacrifice with no motivation for personal gain. And the fact that the last words he ever heard were “You’re a good man?” I cannot even begin to describe how much that makes me sob. But...honestly, I’m really tired of this idea that redemption has to end in death in order to be achieved or “complete.” I think it’s much more poignant to have a redeemed character live to help build a better world. Because what’s the point of telling people to be better if the “reward” is death? No one’s going to want to reform themselves if they think that’ll be the result.

I think the thing that Bugs Me™ the most is that Theon never really got to have a moment of peace when he was alive. Sansa gained the North’s love and at least had a secure childhood. Ned and Cat were happily married for years. Arya had parents who loved her and a good relationship with Jon. Jon fell in love with Ygritte and found his Night Watch Bros, and Robb (in show verse) had some very happy moments with Talisa. Davos put great stock in what he considered fulfilling friendships with Stannis and Shireen; Brienne was treated respectfully by Renly, Catelyn, and Sansa; Missandei and Grey Worm had each other and their friendship with Dany, who herself had many personal successes in her quest for the Iron Throne and saw the death of her abusive brother. Cersei even had moments with Jaime (who himself had several notable military victories and at least some time with Myrcella, as well as being gladly and deeply in love, however dysfunctional that love was), times when she successfully fought off enemies (including her dad), and some sweet moments with Tommen, as well as a huge victory via blown-up sept at the end of season 6. Theon was treated as a second-class family member by the Starks his whole life by being “traded” to them as a condition of war resolution AS A BABY, is immediately disparaged and mistreated by his immediate family when he tries to return to them, makes terrible decisions that almost cost him his conscience completely, is brutally tortured by Ramsay, is on the run with his sister from Euron almost immediately after, and has a PTSD attack that ultimatly results in him having to launch a rescue mission. And then he fights ice zombies. And then he dies. He never really...got to be happy at all? There was never any kind of “win” for him. Not even survival. The narrative couldn’t even give him that.

TLDR: Theon’s death seemed less shock-value-y than others (like, for example, Shireen or Missandei or, heck, Melisandre even), and it isn’t the worst thing I’ve ever seen. It’s narratively-informed and it makes sense as an emotional through-line, but, ultimately, Redemption Cemented By Selfless Death is a tired trope, and I honestly thought this story (which...you know...serves as a deconstruction of common fantasy tropes/book tropes in general) was better than that.

• When I wish they had died. / If I think they should’ve died.

-So here’s where we get personal™ kids.

So, it’s no secret that I am...severely mentally ill. I’ve talked about expression/presentation of mental illness in regard to Cersei a lot on this blog, and how that (as paradoxical as it may seem) helped bring a sense of comfort and emotional resonance to me. Theon, post-Ramsay, has, I think, a very clear case of PTSD. Theon is one of the few characters I’ve seen where his mental illness isn’t the cause of the bad, violent, dangerous choices he makes. It only takes root after he has made the decision and conscious effort to better himself, and it, rather than demonizing him, serve to humanize him. His trauma didn’t define him. And although a PTSD attack led to him unintentionally losing Yara to Euron’s capture, he makes every effort to rescue her, a goal he does end up achieving. It is so rare I get to see a character who goes through these things, successfully fight them and come out with positive qualities at the end. Like...switching topics a bit here, Jaime going back to King’s Landing to (try to) escape and ultimately die with Cersei made sense to me because, as Jaime says, he is a hateful man. He never made much of an honest effort to be anything else. And he never truly wanted to be good; he just wanted to be liked. He wanted to adopt some personality that would make him feel less disconnected from the rest of the world. But Theon...genuinely feels remorse for everything he’s done. He makes a concerted effort to do everything in his power to improve the lives of people he believes are good and deserve to be safe. So, just...killing him off in a Completely Selfless Sacrifice (like...you know how a lot of mentally ill people put themselves through suffering-like OCD rituals, bottling feelings, self-harm, even suicide-in a misplaced attempt to “help” or “protect other people”) seemed antithetical to everything we saw of his arc.

Ultimately, with such a humanizing, empathetic portrayal of trauma and mental health struggles, seeing Theon be killed off just...pissed me off. I am so tired of seeing mentally ill characters die. I really want to believe that I can live through and thrive in spite of the things that afflict me, and I get example after example of characters not being allowed to do that. It feels awful, quite frankly. And it makes hope that much harder. 

I also just feel like...there was nothing the story gained from his death? I get the thematic parallels as mentioned earlier, but it didn’t really move the story forward in any significant way. It didn’t motivate other characters to do anything, it had no political ramifications, it didn’t serve to contribute to any kind of happy ending or commentary on society, it just...was sad. Again, I thought this story was better than that.

[malepresentingleg]

is it 2013 again? cause i have a rant about teen wolf coming and i feel 16 y/o.

so due to dome heavy procrastination I've consumed a lot of teen wolf content, i skipped a bunch of episodes and a lot of scenes in the ones i haven't but i still have some Thoughts TM

it's good??? i had a Good Time watching, it was funny but intense and dark and i felt Feelings watching, some of the plotlines were meh (or maybe i just skipped them heh) but a lot were interesting and i loved the characters and their interaction

scott. my sweetheart. my baby. such a cutiepie, such a great protagonist 10/10 i love him and would die for him. he's so pure and cute and his little smile melts my heart. i love how he's fundamentally Human no matter how non human he is. he's a great character all around and i kinda wish they didn't do that shit to him at the end (imma get there) or treated him like he ISN'T the protagonist for such big parts of the shows

people KNOW. Stiles knows from day one, allison finds out soon, his mom finds out in season 2! the sheriff in 3, and they just become part of the gang and can help them with stuff bc they UNDERSTAND. shows like that get really tiring when the teens constantly lie to everyone around them and it was very refreshing. the running gag with the coach ruining things tho was funny and I'm ok with it.

Ok this is mellisa appreciation time. she's SUCH a great, complex and unusual mom-of-hero character. i absolutely love her and her attitude, i love how she's not simply being used as a tool to cause scott pain (just.. sometimes) and their relationship is parenting goals.

also isn't it fucking hilarious how she's a nurse but she just knows everything medical. she's also a surgeon and a mortician and a doctor. ik it's for plot reasons but it funny af.

in general women on the show.. had a lot of potential, i love them, but i hate how they were treated.

allison was all around great imo, her and scott's relationship was built very well and was two sided from the start (unlike... yeah), she has emotions, she's smart and brave, but also human and scared, she kicks ass and, again, exists outside of Scott's GF status (mostly). andddd they killed her. idk if the actress had to/wanted to leave or it was a pure writers decision bc they needed to keep just her father or something, but that would have been ok if not for all the other things

we have 3 main kickass ladies with powers- lydia, kira and malia. lydia spent close to FIVE whole seasons not knowing anything about her abilities/not knowing how to control them. cmon, it gets old. scott masters his powers after a season or two (and had control a lot sooner), parrish finds out what he is like half a season after it becomes relevant etc.

malia- do i need to explain? she was CONSTANTLY struggling controlling her abilities, no matter how badass she supposedly was. and kira oh boy, they did her dirty, didn't they?

kira was such a cute adorable character. i loved her and her little crush on scott and wanting to make friends and being freaked out about relationships, i love her discovering her past and heritage and learning to fight and gaining control and becoming a badass. but. what? they just undid all this? oh no the fox is taking over she has no control no agency of her own she needs to disappear for years now bye :( again, idk if the actress needed to leave but it was so unsatisfying and was insulting to the character. she wasn't even mentioned later a bunch like allison was, just they needed her mom for a plot tool and didn't even acknowledge it was her sword they were breaking. uhm rude?

LET WOMEN HAVE POWERS AND BE AWESOME WITH THEM. and not just minor/bad characters thanks.

i love the concept of a pack on the show and how you don't have to be a werewolf to be a part of it, how scott becomes a true alpha and how he cares about his friends. i kinda feel like in later seasons him being an alpha was more talk than show which like /: meh. like i said, he stopped BEING the main character, just talked about as if he was.

i love how friendship is valued, but i think it could be more.. i mean the scene in the motel, all season 3b, scott and lydia, all the girls with each other.. i love it. too many times tho it "wasn't enough" and only romantic love worked which SUCKS. in 6a i was so happy scott went in to try and remember stiles and the memories hit me right in the heart. then when it "wasn't enough" i was SO pissed and frustrated goddammit. i guess that leads me to the next point-

ships, should i talk about ships? i don't want hate in my asks but oh well it's been a few years maybe there's no fandom to care. I'll start with the end

malia and scott. what. the. fuck. when, out of fucking no where, they had like a lingering look or something i was just "nope. no thanks". and then every scene they had together i had to cover my eyes bc it felt so wrong and bad and awkward. jesus. no build up at ALL, they're like family, i just. ew. no. it felt way too much like "oh we gotta pair off the leftovers" or "the main character can't end up single" well guess what, he fucking can. it was. god. i can't even explain the disgust. when he needed to heal and all she had to do was kiss him ugh. it felt so fake and empty of meaning. i would 100% prefer for it to be stiles (I'll get there) or his mom who snapped him out of it.

melissa and chris, i could get aboard with that. def cute, def weird af since his dead daughter was dating her son but, well.

stiles and lydia is a ship i have conflicting feelings about. i absolutely hate the concept of "the nerd" is in love with the popular girl since freshman year and he's borderline being a creep ("oh but it's stiles! he's a dork and he's harmless" no.), completely obsessed with her and she ignores him but then they end up getting together.. i mean, it sends a bad msg to obsessed boys about how it's worth it in the end, and it makes the whole relationship feel unbalanced from the start, makes her reciprocation feel unatural. BUT, i have to admit the show did kinda make me warm up to this ship by the end, curse them. it was kinda cute. i wish there was more mutualness before it became such an important part in 6a tho.

just gonna put it out there: malia/kira and lydia/allison. i wish we saw more girl on girl interactions in general but the ones we had were very good, great dynamics.

i won't get too much into it but i.. i don't ship st*rek. i understand why they're the biggest ship (two white hot boys that interact with each other, i mean.), and i see the couple of fan service-y moments the show throws at us but just. they don't have my heart, i don't really care about them. not the characters, the characters i absolutely love! (tho this watch i skipped most of season 1 and 2 and 3a and i think that's where derek is the most asshole.. didn't he do really bad things? idr) idk if you want a bad character on the way to redemption with someone you should ship liam and theo who had way better shippy chemistry imo, even tho their ship probably wouldn't be healthy given their dynamic history, huh.

the ship that does owns my heart? scilies. I'm a softy when it comes to best friends to lovers, and their bond and relationship is just. so. pure. don't get me wrong, i love me a good platonic relationship, but there was just one to many homoerotic interactions between them for me not to ship it, hard. (not to be that person but my guess is that if Scott was white it would have been a way bigger ship, but who knows?) i love their love, i love they would do anything for each other, and i feel like there were a bunch of very missed opportunities for them in later seasons :(

so representation. this feels like a show that is trying to be Woke TM but it's not going so well. the main character is supposedly latino but it's never ever addressed. idc about "oh we want a world without prejudice" you can still fucking address it. i mean they went to Mexico a couple of times, stiles keeps saying "Mexican cousin" i mean. god. give us something. did i mention scott was told he'd make a great "nazi youth" ..

and you don't need to be a genius to see the most characters are very white or at least very white passing. and when you don't address their non whiteness they might as well be..

i already mentioned how poorly i feel kira was treated, but also mason, who is a wonderful character, gets no depth? we know nothing about him other than being gay and smart pretty much.

i also spoke about the women already but, they were really really great women characters, but not enough of them, not enough that lasted.

there's not much to talk about disability bc it just wasn't on the show. the only blind character was healed which. /: same with epilepsy and asthma..

i think the show is probably very proud (ha) with their LGBTQ+ rep bc they're like "oh let's make this insignificant couple gay bc hey nbg". examples are lydia's grandma, La Bete and marcel, i think nolan and jiang were exes and then nolan and gabe were a thing? idr if it was explicit. the couple of girls in the tent.. probably a couple more. it's nice, def better than all random couples being straight but that's not satisfying as rep.

Danny was great. i think he and ethan were.. cute? i think he was awesome, i loved danny so much and was very excited to learn he KNOWS at the end of season 3 and was waiting to see him join the pack. instead he fucking disappeared?! wtf. #WhereDidDannyGo

brett was cute rep, especially being bi but i feel like it could go into the insignificant pool which, again, is better than nothing.

mason and corey i just don't have strong feelings about. they were definitely cute and I'm glad they were together, i love mason A Lot. i think this relationship could be explored more, or at least the characters could be explored more to give this relationship more depth.

very interesting how there's no wlw canon couple, not even hinted. just fan servicey hot malia kira dance which /:

not to mention transgenderness. god can you imagine the interesting plotline of transitioning while being a werewolf 0:

i think the rep i was most happy about was ethan and Jackson. even tho i don't think there was build up or clues in the first couple of seasons, I'm happy for the actor who i know was struggling with coming out publicly, and it was very fun and refreshing for the ending. even if we got very few scenes with them the dynamic was 10/10

the biggest problem is obviously stiles. i just don't understand why, if they're so supposedly progressive, they went to that length to queerbait without following through. the whole gag of wanting to be attractive to danny and to gay guys, the whole "aww danny want to have sex with me that's so nice", the whole "do you like guys too?". it's a gag. his alleged bisexuality is the butt of a joke, and it pisses me the fuck off. they don't have to make it a big deal or have him get a bf for it to be official. it wasn't subtle subtext. it was a CHOICE. to put a spotlight on his sexuality but not deliver. -100/10 would not recommend.

also they could talk about his mental health more.

and about Scott's, please and thank you.

and everyone's.

i had some more feelings, like villains changing sides without getting a proper redemption and having no consequences, the wholesomeness of the sherriff and mellisa being each other's kids second parent eichen house (wtf??), and more, but i think i wrote enough for now.

tl;dr- good show with A Lot of problems, will always have a place in my heart bc I'm a nostalgic gal.

[alexiaugustin]

pls give your honest opinions on eliola friendship / relationship 🤣

Okay so I think that most people already know that I'm not found of it at all so at the beginning I just wanna say that I do not hate it simply because I want to hate it and everything that happens on that show, but because I was thrilled and had high expectations when they first announced that they would have a brother- sister relationship this season. So everything I'm gonna say now isn't coming from a place of hate but complete and utter disappointment because that's what their storyline was. Also disclaimer; everything I'm gonna say isn't me hating the characters but me criticizing the writing and how the writing made both of them quite unsympathetic at times.

So let's begin with the first lola/eliott clip I ever really liked and that was their first meeting at the funeral. I just like how Eliott noticed that she was all alone and decided to talk to her because that's probably smth he wishes people would have done for him when he was lonely. I loved their bickering n how Eliott was the second person who made Lola genuinely smile that season and just like Maya he didn't let Lola's cold attitude throw him off. So being the naive clown I was I actually believed that they might do something good with them and that their storyline could live up to my expectations but oh hell no.

The opportunity of them getting closer n talking at the urbex party was right there and skam france just didn't use it. I actually thought that they would drop a clip after midnight as the first clip of ep3 where they would start making conversation because they were all hanging out with eachother anyway and then maybe start following eachother on instagram or smth. But no. Eliott and Lola meeting eachother at that urbex party wasn't there to develop their friendship and make them have a natural connection in the clips afterwards. Eliott being an urbex legend wasn't there to actually give his character more depth, it was just there so Eliott could lie to Lucas and Lola knowing about it so she could manipulate Eliott in ep8 but we're coming back to that plot later.

Well yeah wasted potential on that urbex party let's talk about the next party where they meet again: Daphné's birthday party. Again I know that it's a party and it's likely for people to just talk to everyone so I wouldn't say that Eliott and Lola talking there was coming out of nowhere. What did come out of nowhere tho, was their dialogue: "We're the same you and I" I'm sorry but first of all what teenager talks like that??? And second of all what exactly do you even know about eachother. Ah yeah right nothing because you never really talked to eachother before. I know that in interviews they have made up a whole background story as to why Eliott felt so cOnNeCtEd to her but none of this was ever brought up on screen so for me there's no explanation why he would say smth like that. Then the whole urbex lying to Lucas convo yada yada I pretend not to understand french and we're just gonna skip over that part of ep3 now. Next clip of the party Lola feels lonely and left out because Thierry acts like Daphné is his only daughter and for some reason Eliott looks @ Lola from across the room like that: [I'm to lazy to put a screenshot of the scene but y'all know the shot I'm talking about] and I remember the evening they dropped that clip and everyone was yelling and thinking that this look means that he's gonna fall in love with her. Yeah at best I would think that this looks like falling in love, at worst this look reminds me of Joe Goldberg. And I know that the scrip wasn't like: Eliott side eyes Lola like some penetrator from across the room but it really looked like that and it's the director's job to correct Maxence's acting because that really really wasn't it.

Next eliola clip is Lola going to Eliott's video shop. How she knew that he was working at that exact place at this exact time will forever stay a mystery. If only skam france would remember that they are a transmedia show and Eliott and Lola could have just texted after Daphné's birthday party??? But no she was just completely out of nowhere visiting him at his workplace and don't get me wrong the clip itself was good and them watching a movie together cute but I still wanna know where it suddenly came from. She didn't even seem to like him that much before so her going there when she wasn't feeling well just threw me off and I was like okayyyy whatever. It truly feels like they either deleted clips in between or forgot to upload some text messages.

Aymeric plot: I was kind of torn between liking the clip n disliking it because back when they dropped the clip I was just glad that Eliott got Lola out of there and I knew that he would bring her to his flat so she would feel safe but on the other hand I'm not a huge fan of this whole savior trope in general even tho I do get that it made sense for her to call him in that situation. But now that the season is over I don't even have to feel torn and can just say that I absolutely hate this whole storyline because they used sexual assault as a plot device so they wouldn't have to come up with some complex writing ideas to build up their friendship. So the next day skamfr acted like sexual assault isn't something traumatizing and never brought it up again it truly just existed so Eliott could play hero and Eliott and Lola could be friends. It was never brought up again not even in one single fucking conversation. How fun😑😑

I've said it before and I will say it again I will always hate that Lucas was allowed to have many friends and hang out with them whenever he wanted n be affectionate with them while Eliott's only friendship was actively written to cause problems in their relationship. I'm not even blaming Lucas' for his reactions this season because I'm sure that I would have reacted the same way if I were him but they could have just written the eliott/lola friendship in a decent way and left lucas out of it. It would have been really simple but instead they chose to make almost every Lola n Eliott interaction a problem between Lucas and Eliott and then they never even solved their relationship problems, not even off screen so that's truly a whole next level of skamfr being one hell of a stupid show.

Apart from that I really really liked the Saturday clips and they were the only clips I ever got sibling vibes from. Eliott being ready to run with Lola so she wouldn't have to face Daphné and Lola saying that she's gonna take responsibility and Eliott looking at her like a proud big brother> very cute also the way Eliott and Lola both got to speak for themselves about their mental health was one of my fave convos this season even tho- and call me a petty bitch for that- they even ruined that clip for me when Lola used everything Eliott told her in that clip against him later🙃🙃

The whole movie plot is ridiculous and I'm actually too tired to bring all of it up again so I'm just gonna say that Eliott asking a girl with zero acting experience and a crew with zero filming experience to shoot his uni project with him still has me laughing until today. No way in hell that this is something realistic to happen but #ohboy #nicetry for trying to sell that storyline. Eliott and Lola should have never kissed n they should have either changed the script to a friendship version of L&O for Lola and Eliott or let Maya take over Eliott's role when she showed up. This way it would have actually had a meaning for s6 and it would have made sense to end the season with a screening for that movie project. But what the hell was skamfr tryna tell us with that eliola kiss storyline?? The moral n the message where????

Ughhhh my favorite storyline: episode 8. Well I was gone over one weekend and this is the shit I came back home to. Let me tell you it really wasn't fun to watch these four clips in a row I literally had to pause the videos the entire time just to yell n question if I was hallucinating that shit. If their friendship wasn't written badly before then this was definitely the last straw for me. We all know what happened I'm not gonna explain it again let me just say that if I were Eliott I would have felt so damn betrayed and would have never just forgiven that shit in a week. Imagine trusting someone that much with your past and stories about your mental illness and relationship n even your relationship issues and all this person does is using everything you ever told them and even more (still wanna know how she knew abt the houseboat story) against you to manipulate you into drinking which then triggers you into a depressiv episode. Who wrote this and thought that we would still be rooting for this friendship?????

And well yeah that pretty much was it for the eliott/lola sIbLiNg storyline this season. Eliott didn't get to speak for himself about what happened and Lola only apologized for having called him and making him stay at the party but they never actually acknowledged what happened at that party and Eliott just took the blame n happy ending!!! They didn't even get one scene in the last clip together so that already shows us how the writers really didn't give a damn about their friendship this season and it solely existed to serve the mc and to get us to watch the new season n not because they actually cared and let's just say that one could really really notice that🤷🏽‍♀️🤷🏽‍♀️

[cindersnightmare]

‼️ON MY BLOCK SEASON THREE SPOILERS‼️

sorry for putting spoilers out the day it came out but i really need to rant

i expected soooo much out of this season. i was so excited for it. but i’m not gonna lie, i’m soooo disappointed. there were a lot of moments and scenes i liked, but most of it felt rushed and there were a lot of plots that weren’t explained or were unfinished. imma make a list of everything that didn’t make sense.

1.) that first episode. i get that they were trying to be funny, and i was laughing at some points, but i mainly just found it weird and like they were taking the funny/weird element of the show and bringing it to a whole new level. it completely changed the vibe tbh. it kinda felt like everyone was out of character and they were trying to make the show into something it wasn’t but idk.

2.) that whole kidnapping thing was wrapped up real quick 💀

3.) monse and cesar basically getting back together instantly. don’t get me wrong, i love this couple, but they always get right back together instead of really working out their problems and taking time. it’s predictable.

4.) MONSE KISSING OSCAR. i get that she was drunk and emotional and he was comforting her, but she literally spent that whole episode trashing oscar (for literally no reason) and then she kissed him??? that didn’t need to happen AT ALL and it literally had no impact on the story. cesar didn’t even care.

5.) jamal and kendra. i like that we saw jamal get a love interest, but she just showed up and they had sex and we didn’t even get to know her?? like literally who is this (cute/weird) bitch and where did she come from?? it was all rushed and unexplained and didn’t make sense. it felt more like the writers wanted to please the fans but didn’t give us a good storyline about jamal’s first “relationship”.

5.) oscar and cesar’s dad. we got no explanation for why the santos/cuchillos turned on him, why he was in jail, none of that. i wished we could’ve gotten to know him and seen him with his kids more.

6.) lil ricky. okay we been knew he was alive, but we never REALLY found out why cuchillos wanted him, and we didn’t even find out who he was or where he was hiding!!! like don’t advertise a whole season about something and not follow through with it.

7.) jasmine and ruby. in season two, they had an amazing emotional connection and then in season three they made it VERRRRYYY sexual and that’s basically the only reason they got together. also those porno visions were super unnecessary.

8.) the 19th street gang. who are they, why are they all 15, how could they “take down” spooky (a grown man), and why were they so important even though we didn’t know shit about them??? they caused a major problem for oscar but we didn’t even get to understand this gang and what they wanted. it’s like the writers were trying to replace the prophets but that doesn’t make any sense to get rid of a gang just to bring another one in.

9.) monse’s mom dying. even though i hated this bitch, i think monse (and all of us tbh) deserved to see real closure between them. because monse’s mommy issues didn’t stop when she cut julie out of her life. it seemed like they just wanted wrap up that loose end and add some drama.

10.) THOSE ENDINGS. bruh i could talk shit about this for hours. as soon as i saw that “2 years later” shit i was like...wtf?? i hate when shows do that because all it does is make the audience confused and pissed off

11.) i understood monse’s ending and i wasn’t that mad about it. sure, i was sad to see that she obviously didn’t care about her old friends as much as her new friends, but she still had that picture so i wasn’t too scared. and she seemed happy so that’s a good thing.

12.) THEN we saw jamal. wearing a goddamn football jersey and talking to the football guys. HE LITERALLY HATES FOOTBALL. how could that have changed??? and he’s too weird to be in any other friend group like it doesn’t make sense. and it’s obvious him and ruby aren’t friends anymore which SUCKS because those two are like brothers.

13.) ruby and jasmine are still together (which surprised me tbh) and he turned emo. i ain’t mad but i think we deserved to see more of his ending.

14.) oscar’s ending was a good one and i was happy to see him be himself and get the life he deserved. it just doesn’t make sense how in the last two seasons and the beginning of this one, he was a die hard santo. i understand he wanted out when he found out about cuchillos, his dad, and the whole 19th street thing. it kinda happened fast and unexpected tho. his ending should have come later in the series, and cesar should’ve been with him. which leads me to...

15.) CESAR’S ENDING!!!! how could he (supposedly) lead a gang at 16/17??? why would he fully emerge himself in a gang he didn’t want to be in??? boy can’t even shoot a gun at someone so how could he take over los santos? and why would oscar allow that?? he spent his entire life trying to keep his brother safe and now he’s living the good life while cesar is in more danger than ever? he’s living the life he never wanted and it’s not fair. it makes ZERO sense.

okay i’m done. i just think this season was rushed and a lot of it didn’t make sense. we need explanations. it feels like a whole different show. they could’ve gone on for soooo many seasons but that ending fucked it up. if we get a season four, it better explain everything and fix it.

also i loved seeing oscar in every episode and seeing him as a main character. even though i feel like they didn’t use his full potential, he was literally one of the very few good parts of this season. i wish we got to see his life more and get to know him though.

so yeah that’s where i’m at, what about you guys??

[wo-wann-was-wer]

EPISODE 5:

I'm so sad Regina got buried in the woods

these fucking comparison shots are amazing

someone just tried to text me and I low-key flipped out because I was like you need to leave me the fuck alone

What if he just took her jacket and was like this is mine bitch

Katharina looks so dope with glasses

I'm so into her being the rock of this family by the way which I was never surprised by because women have the strength of 6 million men but

we've literally never seen Charlotte and her dad interact (like for reals)

That's one of the problems of this show is that some relationships fell by the wayside and I'm not a fan of that

did Charlotte drop herself off on the stoop

That's Tannhaus baby is somewhere because they never found the body of that infant so that infant is somebody.

yeah I literally can't imagine finding something like this out I'd lose my fucking mind

"who am I?" "I don't know" wow that's a fuck of a thing

Wow Claudia from the other universe That's fucking me up

Also what if Claudia from the other universe is the fucking bitch who has been fucking with us this whole time AKA the white devil

Also when are we going to see Noah again because I need to see Elisabeth and Noah together falling in love because I stan

worried about her Please tell us what happened to her I'm concerned

This actress has to be at least partially deaf and or hard of hearing because number one her ASL is fluent and she even emotes some words right? Idk

I do not trust this other Claudia as far as I could fucking throw her

This show is like the debate between Democrats and Republicans every fucking party is trying to convince everybody else that they are the ones that's trying to save the world and both of them behind closed doors are like all right how do we fuck the people in the asshole

I can't help wondering if this wouldn't have happened if we understood the half-lives of radioactive materials

so is all of this coming back to 1986 Is that the the origin time

And then do what What are you going to do with fucking 250 radioactive barrels The fuck you talking about

The scratches on the other side of her face and I don't know why it's on the other side of her face but it's on the other side of her face and it's concerning me

does that mean something's going to go different like

Jonas is out here like why did the adults lie to me

Oh my God after three seasons he's finally realizing not to listen to other people good boy

Oh Peter and Charlotte bonded over having fucked up families

Peter's mom is dead and he didn't know who his father was

Also babies

Also the way that he embodies Peter is fucking insane

I'm so into Charlotte with this curly hair

Oh my God who is this

Elisabeth run baby girl. too late. we've gone this long without sexual assault if they touch this child I'm going to lose my damn mind

Peter is going to kill this man

Elizabeth kill him Peter kill him if Peter dies is the hands of this dude I'm going to lose my fucking mind get back from my baby get back from my fucking cinnamon roll I'm going to kill you Elizabeth stab him the back stab him the back Elizabeth your daddy has a knife at his neck NOOOO PETER NOOOOOOOOOO NOOOOO FUCK

I literally will never forgive them for killing Peter why are the dopplers the most important and most tragic family

he never did anything to anybody

Katharina please kill your abusive mother She deserves it

everybody on this show is super into bludgeoning nobody likes shoots anybody else everybody fucking bludgeons everybody

No can I watch this abusive fucking bitch is going to hit you No Don't let her kill you Don't let her kill you

Is Katharina dead why are they taking my favorite people

she doesn't even get justice for how her mom treats her it's not fair. and now Ulrich is still stuck inside the asylum

oh thank God Noah is here because I was so worried about my baby

Wait what is going on. Oh Jonas has never died before This is exciting

oh wait there's only one Jonas damnit

EPISODE 6:

Even though it's not working for everyone I do really love the 1888 look on Jonas

I did not expect that Aleksander was going to tell Bartosz about his real identity

This shit is so uncomfortable.

Ulrich needs a real stop telling the women that he's fucking to stop coming to his household

It's like the penny traveled through time GASPPPPPPP

Jonas What the fuck did you come from

all my fucking pussy friends are bothering me from finishing this show YALL GOT STUPID PROBLEMS STAND UP FOR YOURSELF AND THEN THIS WONT HAPPEN

I'm going to say this every single time he's on screen but this beard is too good

I think that bartosz may be the most scorned member of this entire group he never gets any pussy and it's so sad

I'm super over this really creepy really ugly fucking dude I want him to leave I also kind of don't believe that he's the child of Martha and Jonas

Oh I absolutely love love love them holding hands and then going back to a shot of them holding hands as kids

why are they such a good couple I really like them but I also always have

I'm not super sure I understand why they had to leave bartosz behind

I don't trust a single of these fucking adults I'm just any of them including themselves when they become adults

This is like a suicide squad. This is the weirdest collection of people What is this team. What are they doing. since when are these people are working together. omg

Oh shit a child born of both worlds takes both worlds energies to destroy it. But that's what causes the apocalypse

Well this is super fucked up

everything that's happening in this final montage sequence is bad news

all of it

why do I Stan Noah and Elisabeth so much

omg Hannah is giving birth is NOW the time

wow this is a lot

EPISODE 7:

our perspective is what makes definitive reality

I'm confused about the gravestone that says Charlotte on it

Also yes give me more Elizabeth and Noah please please please

This is absolutely crazier than any shit doc Brown ever did But he was also trying to build a time machine in the 1890s so that's fun

Oh is this how he gets all the fucking scars

My goodness what is happening What is going to happen I'm getting stressed.

There's only two episodes left I feel like they're not answering my questions I'm worried

What happened to wöller

What is silja doing here

This is bullshit she's like drawing him in

Oh that's a surprise so silja is a tiedemann

why is it always like I feel like I know what's happening and then around episode 6 or 7 I just completely lose the plot

oh wow Jonas almost straight up died but Noah saved him

‘you can't die’ points a gun at him

Oh my God you can't kill yourself because you've already grown

oop well after that birth happened I had to take about 5 minutes to pause my brain and factor that in

yo I knew Tannhaus was going to figure in fucking more than he did

Is he the one who builds the cage

does this seem like a good idea or does this seem like a bad idea

shooting yourself What do you think that feels like

everybody's on a different team there are too many teams It went from like a presidential race to a March madness bracket There's so many fucking people involved everybody's got their own goddamn plan

folks I just want to emphasize here that we have an episode and a half to tie all this up

Oh shit universe A Claudia infiltrated universe B Claudia

I love what they did with the place after the fire It looks really nice It's a different vibe but it's good

so Eve made the plans for the machine

Wait what She died. 

I can't believe that Elizabeth and Charlotte have to be the ones to drop off Charlotte as an orphan

Oh noooooooooooo Jonas didn't do it!!!!

Oh my God don't make me feel sympathy for Hannah

he looks so fucked up 

bye hannah we won't miss you

but also hate leaving a child without their parents

Tell us what's on the last page and tell us what happened to woller's eye

All right now we're seeing how everybody got to where they were like the first fucking time

I love this walk down memory lane it's literally just the stylized recap of the show right before the final episode which is 10/10

watch your face girl

too late

Omg what does this mean 

THE FINALE:

This show is just Claudia Tiedemann Lurking: the TV show

Also the bullshit that he had to live through all of this in order to get to the end makes me really sad

yeah wait who's the fucking father of Regina

been way too sucked in

also. WE LOVE TO SEE A TIME TRAVEL TACKLE

WAS THIS THE MOST BEAUTIFUL DAY IN STUTTGART

How many times are going to burn this place down

how many versions of this fucking machine do they have they're always like oh God we don't have a way here or there FUCKING LIARS

I can't believe that the thesis of this show is teenage hormones cause the apocalypse

Adam and Eve are such fucking children it's so stupid. 

reunion nnnnnnnnnnn

Oh shit he fucked up your plan huh

No I don't want it to end

I wish everybody didn't cry so much everybody so sad all the time

yup what in the actual fuck is happening

yo this is fucking wild

these baby Martha and Jonas are so cute

Not sure where we're going with this folks what's happening here wrap it up shit

I'm really obsessed with this golden snitch

It's just making me so sad

oh they're becoming stardust together

this is a weird cover but I'll take it

everything is going back to normal

but without Jonas and Martha and Claudia

if they don't tell us what happened to his eye I'm gonna flip out

I CAME HERE TO FIND OUT WHAT HAPPENED TO WOLLER’S EYE WHAT THE ACTUAL FUCK

Also what does this ending line mean its stressing me out

Well thats it. Three years of my life. Damn

[mittensmorgul]

Y’all know I don’t speculate, right? I mean, I’m always saying I don’t like to speculate on specifics, because I really honestly CAN’T answer specifics. But there is the shape of the story, and the type of story they’re telling, and understanding how stories work. That’s... not speculating. That’s just assuming the people telling this story actually understand their jobs and aren’t totally incompetent, or outright dicks who are just screwing with us. For the record, I do not believe Dabb, Bobo, Meredith, et. al. are dicks. And I do believe they know exactly what they’re doing, and how to craft a well-told story.

So this is not speculation. This isn’t about specifics. This is about narrative shape, the structure of the overarching story of s15. This is my assumption of Good Faith on the part of the writers to tell the story as they’ve set it up as of 15.03, in genre. This isn’t so much speculation as it is story architecture 101.

When you read the opening chapters of a novel, knowing the genre and the author’s storytelling style, you have Expectations based on the premise and setup, right? If the hero of the story is presented with a seemingly impossible challenge, you expect them to have achieved a resolution to the challenge by x point in the story. ALL stories SHOULD work this way, barring edgelord asshats who think writing nonsensical plot twists 3/4 of the way through the story is somehow “outsmarting” their audience rather than just being a terrible storyteller who can’t be bothered to write a narrative that makes sense and holds together. Anyone can slap on a random ending. It takes skill to write a cohesive story where everything builds to a satisfying conclusion and retains narrative integrity throughout.

Based on that, what’s been set up in the opening salvo of s15 (since 1, 2, and 3 worked together as a single functional setup to the rest of the season) are The Problems that must be overcome by episode 20. That’s just how stories work.

I was talking to someone last night, and laid out my personal expectations-- not specific plot points so much as narrative emotional beats-- based on the setup we’ve been dealt. I copy/pasted my comments to @angstphilosophy​ this afternoon because we ended up talking about the same things. So since I’ve shared these thoughts with two people in the last 12 hours, I figure others might be interested to read it. Again, this isn’t a guarantee of these things happening, and I’m not gonna get more specific about details, because the details aren’t even interesting or important to me to try and guess at. I’m far more interested in this larger Shape Of The Story.

And again, this isn’t speculation, but more an assumption that they’re telling a genre-conforming narrative within a known structure. This is how stories work.

mittensmorgul I was chatting with someone else earlier and I laid out what I expect to happen over the next 6 episodes or so... lemme see if I can find what I wrote

mittensmorgul okay, I'm just gonna paste in my comments, so it's coming to you slowly...

mittensmorgul mittensmorgul But I think at least 4, and probably 5 are going to include some rather intense Chuck POV scenes... and yeah, I am POSITIVE we're gonna see him reacting. (AN: we were discussing before this whether we’d see Dean reacting to Cas having left)

angstphilosophy 👀 mittensmorgul mittensmorgul Probably in the standard Dean denial mode in 15.04

pretending everything's fine, especially if he's convinced himself that Chuck really is gone (which we know is a lie, and HE know's it's flim-flam to believe that, but it's EASIER to believe that for now, and allows himself to begin "reassembling" himself psychologically from his complete fracture) but I also think that Sam's wound is going to become more of a concern, and it will become obvious that Sam is lying about it being fine... and that will in turn force Dean to admit to himself that he is not fine at all and lying about this stuff isn't helping anything and that will lead him to admit to himself that he massively fucked up with Cas especially once the Big Problems of the Season resurface... because we've been told that what they did to "fix Hell" in the beginning of the season is only a temporary fix... I think Dean will begin to really accept that he needs to talk to Cas honestly during 15.07, and that episode will end with his intent to do so, but the events of 15.08 will somehow interfere with that good intention, and being the midseason finale, will lead to Circumstances Getting In The Way of their conversation

angstphilosophy Pls Use Words Dean mittensmorgul yeah, thing is, I think they're gonna bring Dean to the point where he's ready to use words, just in time for Major Plot to happen

and prevent him from doing it because that's how the show works :'D

angstphilosophy Which is frustrating but RIP mittensmorgul we still have a midseason hellatus to make us feel hopeful for a minute before crushing us and leaving us all as lil squashed bugs on the floor for a month and a half :'D

happy holidays!

angstphilosophy Hooray~ mittensmorgul this is the last season, they're gonna wring us for all we're worth

angstphilosophy Can’t even stuff my face with ice cream cause winter lol mittensmorgul right now is the time to stock up on half price halloween candy. just fill your freezer and you'll have a constant supply through Angstmas!

***

The above conversation took place long before the Last Question at the cockles panel at DC Con today, but just hearing Jensen reply that in 15.09, Dean will have a quiet moment alone, and will pray to Cas with an explanation for how he’d behaved and why... well... that just furthers my belief in what I’ve said above. That Dean will be ready to talk to Cas around the end of 15.07, will intend to do so (think: Cas deciding at the end of 14.17 to go right home and talk to Sam and Dean about Jack, only to get the call before he can get back to the Bunker that something had gone horrifically wrong... this is the sort of interruption in Dean’s plans to talk to Cas I’m talking about here... it’s gonna be horrible... I mean, why else would Dean feel the need to PRAY to Cas, vs just... talking to him in person, you know? All I’m saying is Gird Your Loins).

What will happen beyond that point? I’d like to have more information about the Main Plot, all the Chuck stuff, what Michael’s role will be (because I think he’s gonna be dealt with in just a few episodes and won’t be a Rest Of The Season problem), and what Cas’s status will be following 15.08 before guessing about how the rest of the season will play out. But for now, I think getting us at least through the winter hellatus and into January is a good start.

Buckle up, sweeties, it’s gonna be a rough ride.

The line I’ve used the most recently is, you’re gonna suffer, but you’re gonna be happy about it. :’D

[shy-of-the-cool]

Jaime is a good man!

So like everybody I think, these last few days have been spent in a blur wondering what the hell happened on GOT on Sunday. It's taken a few days of venting, thinking and researching and I have to say I'm still on Jaime's side. After rewatching all of season 7 and then season 8 ep2 and 4 multiple times I can completely understand his aim.

This is a man who for years has loved only one woman, somebody he came into the world with, somebody he bore children with and somebody who ultimately brought out the arrogant, obsessive dark side of him. His entire life from the moment he was deemed Kingslayer has been a war between him wanting to be the best and most honourable man he can be in a situation that expects the very worst from him. His goal has always been his family, namely Cersei, Tyrion and his children. Keeping them safe and protected no matter what the cost...The things I do for love. The last line he muttered at the end of episode 1 season 1 and still he lives by that quest. Every atrocious, evil act he has done has had Cersei at the basis of it, to either get back to her, protect her or impress her.

We have to remember that Jaime and Cersei have been in a romantic relationship since they were young and they are both in their 40's now. That's a hell of a long time to be devoted to somebody. Now I wanted to research season 7 because I wanted to see the foreshadowing of them breaking up and obviously Jaime could see that slowly the power was overtaking Cersei and she was beginning to show signs of madness, but still through it all he remained loyal and when she announced the pregnancy and said she wanted people to know he is the father you could tell that was all he had ever wanted, but still even that moment was ruined by Cersei's viciousness. Now looking at the last episode of season 7 when Jaime leaves I wanted to work out the exact point you could see he completely gave up on Cersei. Of course he was not happy with her decision to not let him and the Lannister army go north but I don't believe that is what decided it for him. The moment when Cersei tells Jaime that she and Euron had plotted behind his back to hire the Golden Company and she planned to be his queen, you can see Jaime's heart literally break in 2. This was the woman he had given everything to, had broken oaths for, murdered for, betrayed people for and she was treating him like he was despensable. Like he was nothing, a subject that was stepping out of line. And I think that was the moment he thought, I've lost her, she is no longer my reason to die. When he threatens to leave she doesn't beg him to stay or show him any loyalty, she actually threatens to kill him for treason. I thinks that when Jaime thinks I made a pledge to go north and fight for the living and that's exactly what I'm gonna do. I think Brienne is an important factor in this as he remembers her statements to him in the dragonpit, and he wants to make her proud by honouring his pledge he made to her and the others.

To go north was ultimately a very brave decision on Jaime's part as he knew the welcome he would receive would be unkind and he would not be wanted there but still he is willing to face death to honour the pledge he made. To be an honourable man! What i don't think Jaime was prepared for when he got north was how he would feel seeing Brienne, as I stated in a previous post, s8 ep2 is basically Jaime pining over Brienne and I believe this stems from their first meeting again in his trial. You think, he has literally just left a woman he had loved for years without her showing any kind of affection or loyalty back to him, always let him take any fall he needed to for her and now here is,in a room full of judgement and Brienne has no qualms about standing up in front of those people and vouching that he is a good man, an honourable man and she would without a doubt fight beside him! She defends him knowing it puts her in a position to be ridiculed and possibly turned against but she does it. And in that moment I think he lets these buried feelings begin to surface. He admires her, he adores her, he wants to be good enough for her. He knows she would never ask him to do anything unjustly or unknightly like Cersei did. She has never judged him since sharing that bath at Harrenhal. She has respected him, as a knight and as a noble man. Throughout that entire episode he wants to be near her cause in his mind he doesn't plan on making it through that battle. He wants his last few hours spent with a woman that for a long time he has harboured feelings but because of the toxic hold Cersei had on him he could never admit it or even contemplate and still even now he doesn't want to dive in because what if he dies or worse what if she does. So they stand together in battle and fight for eachother. Not leaving each other sides for fear of not being there to save the other. But then they do survive, they make it through a battle where death is probable.

Now i also want to mention that I think for years Jaime's path in life was being prepared to die for those he loves, he puts himself in harms way numerous times to keep Cersei safe, Tyrion, Tommen, Myrcella and Brienne. He has never been afraid of dying, in fact I think in some way he hoped for it. Hoped for the torture to end, the feeling of failure, to die for a worthy cause so the world finally knew he was an honourable knight. He pledged to fight for the living and I think that's important to remember going into s8 ep4.

Now like everybody I had issues with this episode, I was so angry to begin with, what have they done to Jaime, why are they changing him, but then i watched again and again and actually i realised, they haven't, he is the same way he has always been. With Brienne, he is nervous, he feels unworthy, because all his life he has loved one woman loyally and even she threw him aside, and brienne is 100x the woman Cersei is so how could he ever be good enough, yet after the battle they both realise I think that they both long to be loved by somebody that loves them back, somebody they trust, in that moment just before they make love, Jaime looks at brienne with such awe and admiration and love quoting "I've never slept with a knight" I took that as he has never slept with anybody he deemed noble or honourable or loyal as Cersei is none of those things, and obviously Brienne has never given herself to anyone as she has never trusted anybody enough to let her guard down with but in eachother they have found missing parts of themselves and it's actually a truly beautiful moment. Too short though! And then when Jaime wakes up the next morning for the longest time I could not understand the look he had on his face, he appeared scared, and I thought why, then i realised in that moment he has found something to live for, he can see a future with Brienne, he truly loves her and she makes him happy. And that bloody terrifies him because when do Lannisters ever get happy endings! Even Tyrion can see how happy he is and not once did Tyrion ever say that about him and Cersei. Jaime even tells Brienne he will stay in Winterfell with her instead of going back to KL to help defeat his sister, that's a huge deal for him, he wants a life with Brienne.

But then of course he plummets back to earth with a bang when he finds out what Cersei has done to Dany’s Dragon and Missandei being captured and he realises, he can't just run away from this problem. I think Olenna Tyrell said it best in Season 7 when she was with Jaime during her last moments. “If she has driven you this far, it’s gone beyond your control....she’s a disease, I regret my role in spreading it...you will too” I think finally, Jaime is seeing Cersei as the disease and how he finally needs to put a stop to the spreading of it. This woman controlled him for years, manipulated him, and yet that has helped him know Cersei, know her mind, know what lengths she would go to and the people she would hurt to get what she wants. The north wouldn't be safe, KL wouldn't be safe, Brienne wouldn't be safe not while Cersei still rules. So he makes one of the hardest decisions he ever will, he pledged to fight for the living so that's what he's gonna do, when he leaves without waking Brienne that night I think it's because he literally can't bear the thought of having to saying goodbye probably for the last time. But then she comes to find him and he wasn't prepared for her reaction. Now remember Cersei never begged him to stay when he said he was leaving, nobody has ever ever begged him to stay, to ask him not to put himself in harms way to save somebody else. But Brienne does, she loves him so much the thought of him going to KL and probably sacrificing himself pains her and Jaime can see that in her eyes as she begs him to stay. Jaime didn’t see this coming, he doesn’t anticipate it and you can see in those long moments when he’s clutching her hand, he doesn’t want to go of course he wants to stay, but he knows if he tells her why he has to go to KL, she will follow, she will pledge to stay by his side no matter what, and Jaime can’t bear that, to let Cersei even have the chance of destroying Brienne is not an option. So he breaks her heart, he reminds her of he is, who Cersei has made him become, what hateful things he did to love that hateful woman. Even though this isn’t who he is now, he’s actually hoping for the fact that Brienne will think the worst of him and let him go. It’s awful because you can tell it absolutely breaks Jaime to do this, but he loves Brienne more than the idea of living happily ever after with her, her safety is all he cares about. And what I actually found quite poetic about this moment is that Tyrion had to do the exact same thing with Shae when Cersei found out about her, he had to lie and say she was nothing but a whore to break her heart in hopes she would run and get safe. I find it ironic that the two great loves in these Lannister’s lives have been destroyed because of Cersei. This is why Jaime will not return to save Cersei, or because he loves her. They came into the world together, of course he has to be there when she leaves it, they have unfinished business. But this is not the end of Jaime and Brienne. Their love story is probably one of the most important in GOT. It’s lasted over 7 seasons and I can’t see it culminating in Jaime dying, I think that would be too obvious. They have finally after all this time given him something to live for and I can’t see him not doing everything in his power to get back to the one he loves.

[canonicallysoulmates]

Supernatural 15.05

I don't care for this episode. I’m not mad at it, and I can understand why some would like it I just don’t care for it. 

This episode was written by Steve Yockey and it's his last work for spn, I feel like once you know this the rushed pace make sense.

I found myself surprisingly dissapointed considering it's about the brothers like this was a brothers only, angel-free episode for all intents and purposes I should be happy as a clam with it but I just can't get over the bad pacing, sloppy writing, just ok fight scene, and - no offense to Richard - uninspiring directing. Ok, those last two things are nitpicks, but the first two are a real problem.

I hate the pacing of this episode so much that no joke it can be considered the #1 reason I probably won’t be rewatching this episode in the near future, maybe ever; it's like the whole epi is on fast forward to the point where an entire spn epi happens in the first half hour, that's not a lie, the boys get a case, go undercover, find out what it is, go to the motel, save the girl, confront the monsters, all in the first 30mins of the show.

The first half of this epi could be it's own episode!

Then unsurprisingly, and I say unsurprisingly cause it's all written and played out so weird that there's no other explanation other than something else going on, it's revealed something else is going on- is it really a reveal if you saw it coming? I think confirmation is more fitting, it's confirmed something else is going on.

Which is when the second biggest problem I have with this episode appears: Lilith.

Lilith....Lilith really took away any fucks I was giving; Chuck apparently brought Lilith back from the empty, don't know how thought he couldn't bring back from the empty but i don't care enough to question it right now just like i'm not gonna question why he would bring back Lilith when surely the empty is full of more interesting, powerful monsters he could have brought back like maybe Zachariah idk I think he would have made more sense but whatever, point is Lilith is back and now working for Chuck I guess but she apparently doesn't like it but she still does what he ordered her to when she could have just idk joined forces with the boys told them what she knew about Chuck and let them kill her or something, I guess she hates the boys more than Chuck....whatever i don’t care enough 🤷‍♀️

Bringing this character back is in my opinion pointless and unnecessary and I'm going to tell you why; Lilith had a complete arc from beginning to end and she had a definite end that fit perfectly into the plot of the first 5 seasons. When a character has such a closed ending there's really no reason to bring them back imo, it can actually be a mistake sometimes; Lilith had no unfinished business, her being back doesn't add anything to the story unless they use her to bring back Sam's powers which I doubt they'll do and it would be kind of insulting to her character to bring her back just for Sam to regain his powers and then discard her. And you and I both know Dabb & co. are probably not going to use this character, they brought her back because well a. bringing back characters from the dead is their shtick, it's minimum effort that gets them praised and lets them sucker fans by saying stuff like 'an old fan favorite is coming back. somebody that hasn't been seen in years’ and b. s15 is Dabb’s version of s5 and Lilith was a big piece on the board to getting s5 rolling. 

I don't care for the actress that played her, I'm sure she was trying her hardest but I don't think she's a good actress and I found her portrayal of Lilith annoying but to be fair it is probably in part due to the script she was given; same with the werewolf brothers, I'm sure the actors were trying their best but they weren't that good and that's probably once again in part due to the script. 

Speaking of the werewolf brothers real quick they were a parallel to Sam and Dean and let me just say if the ending comes down to one of the brothers shooting the other they better do what the wolf brothers did cause I’m ok with both brothers dead, I am not ok with only one dead and the other living and I’m sure as hell not ok with one shooting the other then continuing on with their life that to me would be completely out of character for these two. 

Back to what I was saying...

I feel like I'm alone on this but I found the interactions between Dean and Lilith when he thought she was a civilian weird. It came across as - and I mean no offense to those who write this content - but their interactions came across as a badly written Dean x reader fic with the whole instant connection thing, which i found very OOC of Dean like I guess you could make the argument that it was Lilith controlling/manipulating Dean but honestly if she had that power she could have just gotten him to give her the gun.  And i think the whole connection was meant to be in a fatherly type of way but sometimes it came across as something else and....it was just done very weird. Like where were you going with this show? It's like they couldn't decide what they wanted that whole thing to come across as; I don't know the way it was executed was just weird to me.

I also didn't like that this episode puts it as if Lilith died because she let Sam kill her (you killed me because i let you), to me that takes away from Sam's story, yes he was manipulated into killing her but he killed her because of the strength of his powers, he became a demon blood addict so he could kill her that's basically the whole plot of s4. So implying that he killed her because she let him is pretty much saying he went through all the manipulation, the addiction, the pain for nothing because she could have just let him kill her at any moment. And you could argue she meant she let Sam kill her because of the manipulation but that's not how it comes across especially considering that she said she let Sam kill her as response to Sam saying he had already killed her once. 

I hope the writer didn't mean for this episode to be full of surprise reveals cause if he did he failed. 

The fact that it’s not a normal hunt and something was going on was made obvious from the start.

Sam and Chuck being connected because of the bullet wound has been suspected/known since the season premiere, this episode just confirmed it.

Sam's dreams being glimpses into possible endings has been speculated about since last week (perhaps earlier but last week is when i saw it).

The gun being destroyed is par for the course cause item that can help the boys always gets lost, destroyed or stolen.

By the end of this epi I was so done, not even the final scene made me feel something, I should be feeling for the boys and their situation, for Sam when he asks how they fight God but instead of feeling his pain I'm just thinking: 

How do you fight God? I don’t know Sam maybe: 

See if Death!Billie can help. 

See if you can bring back regular Death. 

Try to contact Amara. 

You are surrounded by books of lore Sam! 

Use the connection you have to Chuck to gain the upper hand.  

You've gone up against Pagan gods and won you can deal with the Christian one.

(As a sidenote how cool would it be if they brought back Death, and I mean original Death to reap God)

I won’t deny, there are good things in this episode, I of course like that it’s just the brothers and j2's acting is great as always. The ghost pepper jerky scene was really funny (tip! water won't actually help if you do eat something super spicy it might make it worse actually, instead drink milk or consume another creamy dairy product back to the post:), Sam and Dean look cute dressed as Fish and Wildlife, I loved Dean pleading asking Lilith not to kill/hurt Sam cause I'm a sucker for that shit, I'm glad Sam finally told Dean about his dreams, Sam still looks hot af in a white suit so there were a lot of little things and moments through out the episode that I actually did enjoy and were good but there were no true highlights, it's just little moments that are scattered throughout this mediocre episode. 

Like I said at the beginning of this post, I don’t hate this epi, I’m not mad at it, in this season alone - and keep in mind we’re only on episode 5 - we have gotten way, way worse epis, if you liked it that’s great, I just don’t care for it and as much as I like the little moments scattered through out they’re not enough for me to consider the overall of this episode anything other than bland and mediocre. 

[ettadunham]

A Buffy rewatch 6x12 Doublemeat Palace

aka (too) real life horror (comedy)

Welcome to this dailyish (weekly? bi-weekly?) text post series where I will rewatch an episode of Buffy and go on an impromptu rant about it for an hour. Is it about one hyperspecific thing or twenty observations? 10 or 3k words? You don’t know! I don’t know!!! In this house we don’t know things.

And today’s hot take is that Doublemeat Palace is actually fun? Let’s talk about it.

One of the many things that I love about Buffy, is that when you ask people to pick a favorite or least favorite of the show, whether it’s an episode, season or character, the answers you’ll get will vary a lot. Well, alright, there’s usually a general consensus, and yes, Once More, With Feeling is most people’s favorite episode; but ask someone to pick their favorite season, and their answer may surprise you.

This variety is probably most apparent when it comes to generally disliked Buffy episodes. No matter how hated it may seem, how its rating is by any metrics, there is no Buffy episode without its fans. And those can come with or without the guilty pleasure label.

I’ve already planted my flag by episodes like I Robot, You Jane and Beer Bad. I especially got a lot out of the latter, not even gonna lie. Meanwhile I was genuinely surprised to find that some people really like Go Fish, an episode that’s about at the bottom of the barrel on my own list. But isn’t that kind of fascinating? Someone looked at the same episode I did, and got something completely different out of it. And we could probably see and understand each other’s points of view on it as well if we got right down to it. What a concept.

I know, I know, art is up for interpretation, shocking revelation made by Tumblr user ettadunham, and I am so not here to get into a rant about that right now. We’ll have plenty of opportunities to fire up that discussion later on, especially as my original intention here was just to lay back and appreciate the delicious weirdness of Doublemeat Palace.

Rolling back to that earlier point, this is for a lot of people is exactly that type of bottom of the barrel episode we mentioned before. Which means that it’s already had that underdog status going for it, as I sat down for my rewatch.

Well, actually, when I sat down I didn’t really remember that I was about to watch Doublemeat Palace, because somehow I’ve yet to memorize the complete Buffy episode list. Not gonna lie, I was mostly just expecting a general downer. Something focusing on Buffy and Willow’s misery with minimal Scoobies interactions, and so I was already thinking of how to compare that with season 5… But then the episode started with a scene between Xander, Anya and Willow discussing the Trio and the capitalist values of demons vs. supervillains, and I was already delighted.

And it only gets weirder from there. Buffy’s new job at the local fast food restaurant is presented as a horror story, and sure, there is eventually murder and monsters involved, but my favorite thing about that is that most of the horror comes from the actual life scenario itself. I’ve never worked at a fast food place, but the high turnover rate, the menial job, the manager who is trying to sell you on the company lines and brainwash you to believe that you actually want to work there 5 years from now… That stuff should be familiar for anyone ever working at a low-end corporate job.

I just love how the directing heightens that effect, as the camera tilts and focuses on the machines and the repetition, and the people spacing out. It’s a bit of quasi-horror comedy that also comes from the absurdity of life itself.

Buffy’s weird co-workers for instance? They all have their own distinct characters and I actually find them completely believable. If I was the guy who worked by that grill machine, and at some point had to go to the doctor to remove the grease from my ears, I’d probably think that that was a fun work story to tell too.

Buffy having at least five theories about what’s the “secret ingredient” in the burger - one of them being cats I guess – is also just the kind of morbid humor I’d expect in a place like that.

I guess if you go into this episode for the first time, you could get lost in the red herring of it all, or just wait for the demon reveal to explain the extremely high turnover. But for me, I found that the most enjoyable experience was to focus less on the literal meaning of Spike’s “this place will kill you”, and more on just how depressing the meat grind of corporate culture can be, especially for those at the bottom of its food chain.

Haha, see what I did there. Although as we learn from the plot twist, Doublemeat Palace was actually selling Impossible Whoppers before it was cool rather than an actual meat product. The real hipster of fast food chains.

I also just want to appreciate Buffy’s Captain America-like shirt (but with a heart!!) after she’s fired, and is about to start a corporate revolt. Bless her heart.

By the end of the episode of course, Buffy gets her job back and decides to stay on. Because money. Now there’s some real horror for you.

In other news, Amy has truly established herself as Willow’s Ethan-like foil for the series. She has all the angst, the grudge and chaotic energy for it for sure. It’s honestly a bit of a bummer that she didn’t get a lot more to do on the show from this point on. (I think she’s in the comics though? Again, it’s been a long time…)

Willow’s last words to her though. “If you’re really my friend, you better stay away from me. And if you really aren’t… you better stay away from me.” The change in her tone of voice by that last part! I’m scared and this isn’t even Murder Willow. Yet.

I also feel like pointing out that the whole eyes going dark phenomenon came up before in season 5 when she went after Glory and the whole magic trip she went on in Wrecked… But also in 6x04, when she and Tara were doing a spell to help Buffy fight some interdimensional ghost demon. At some point, Willow let go of Tara’s hand, her eyes went black, and she just said “solid”.

And the spell suddenly worked.

Based on that, and also some season 7 context, the whole black eyes thing seems to indicate whenever Willow is tapping into some greater, more volatile power. Or – especially in this case, where magic was clearly transferred to her – something that is outside of herself. More on that in season 7 probably.

Meanwhile Halfrek responded to Anya’s wedding invite in an insanely memorable scene of the show, and is now that friend who’s only relationship advice is “dump him”. Not that I can blame her per se...

Xander is clearly not over his own fears, and visibly reacts when Willow makes a comment about his impending happily ever after with Anya. Halfrek passive aggressively pointing out to Anya Xander’s attitude towards her feels a bit petty, but there’s truth to that as well. Anya may be weird, but some of Xander’s comments actually question whether or not he even likes her as a person.

That being said, that isn’t always the case. Xander is extremely sweet with Anya, including all her quirks throughout most of their relationship in season 5, I think. I would need to go back to those episodes to confirm this, but my running theory is that Xander’s fears regarding their upcoming wedding might have caused him to regress a bit in that regard. And as we know, Xander being the emotional one of their group tends to fail at introspection when it comes to his feelings.

Again, I’m not quite confident in that assessment of regression, so take that with a grain of salt. I would really need to rewatch season 5 again and keep more of an eye on their relationship, so this is mostly just a hunch for now.

Somehow, in the midst of all this, Dawn ends up being my lowkey MVP for the episode. She shows a lot of understanding towards her sister, as she laments that Buffy will probably be stuck in minimal-wage jobs for most of her life, because of her Slayer and other responsibilities. Meanwhile Dawn has much more freedom to choose – and that’s largely due to Buffy’s own personal sacrifices.

I feel like this is probably also the first instance we see Dawn truly interacting with Willow post-Wrecked, and it’s her walking up to Willow, asking her if she’s okay. Dawn Summers is precious, and good, and you can’t change my mind.

Now, who’s ready to get really fucking genuinely disturbed with our next episode?

[venus-says]

Symphogear G Episodes 01-04

Now... Let's begin.

And the symphogear marathon continues! Today was very busy and I thought I wouldn’t be able to watch symphogear today, BUT HERE I AM! THE STRIKE CONTINUES!

We’re starting season 2 and like I’ve mentioned this is a very special season to me. G was the first season I got to watch weekly and from all seasons It was the one in which I was the most active in the fandom, so I’M EXCITED.

Granzizel bilfen Gungnir zizzl

So, Episode 1 starts weird. Not because of the flashback, I actually like it being played there it peaks up your curiosity because we've never seen those characters before and we see a new symphogear and everything, it's really great. But from that, we go to a fighting scene that's is happening in the middle of a mission so it's a bit confusing. 

But if we put this awkwardness to the side this beginning is actually pretty strong. Dark Oblivion playing in the background while is random it still serves a purpose cuz it raises the tension of the situation. Hibiki and Chris show amazing chemistry together, is really great to see how their relationship flourished and even though Chris still show signs of reluctance in a few moments we see that both of them are very comfortable in this friendship and they like each other quite a lot. And the climax of the battle with Hibiki's plan to defeat the "boss" noise is just incredibly amazing.

ALSO,

WE GOT PROPER TRANSFORMATIONS THIS TIME! YAY! The ones from season one have some nice aesthetic to it but I’m not gonna lie, these ones are way better.

Going in the second half we have the traditional duo live on a stadium that is always magnificent. I don't know if it holds the same iconicness (?) as the live from season one, but this one sure jumps to the eye and is pretty beautiful. I especially like those mic/swords/torches, they're an amazing prop and the way they integrate it with the performance and the dance is just gorgeous.

The revelation of Maria being evil and all, I don't think that it really works. Even if I was watching this for the first time, since we already got hints of it before with that phone call scene we could already have some suspicions on her and it weakens the moment, if instead of that we had only Mom talking without having a good visual clue or something I think this could've worked better.

AND SPEAKING OF HINTS, that moment when they drop Professor Ver and he gives that psycho laugh is just... C'mon guys.

Regardless, a great episode (not as strong as S01E01, but still great).

Not a lot happens in Episode 2 so I don’t have a lot to say. It picks up from where the last episode ended and most of it was just Maria and Tsubasa, who later get aided by their companions fighting. There’s nothing so special about the fight but is worth to point out that Tsubasa’s new fighting song is probably one of the greatest in the hole series, and that both trios are parallels to each other to some extent and that’s a pretty neat detail that I never picked up in the past 6 years (which is a shame).

Again this episode tries some revelations but none of them really work. Like I said, in the last episode, Ver already dropped major hints that he’s evil so seeing him with the Staff of Solomon at the end doesn’t tickle me. Kirika and Shirabe in their gears could’ve been an interesting moment but since we got a scene earlier where Shirabe just puts her pendant ou like if it was no big deal there’s no surprise when they come to aid Maria (ALSO THE OPENING SPOILED THAT A LITTLE BIT SO).

I think the more important thing about this episode is seeing how easily Shirabe got to break Hibiki. I personally don’t think Hibiki should’ve gotten so shaken by those words but from a character standpoint it that reaction makes sense for her. It is the start of a new emotional ark that I’m excited to revisit.

A last note, about the S2CA Tri-Burst, Chris keeps saying that the technique isn’t complete yet but like... how are you supposed to even train this thing? How you gonna hone this technique to perfection? HOW THE HELL DID EVEN THIS BECAME A THING WHEN THE SUPERB SONGS ARE KINDA LIKE DEADLY???????? Questions, so many questions.

Episode 3 is pretty boring for the entirety of its first part. A lot of that is just exposition done in the less creative way possible.

Things get interesting in the second half, but being honest I didn’t care for most of the “symphogear” plot and was more interested in seeing the girls at school. We got a really nice moment of Chris and Tsubasa bonding and I wish we could’ve seen more of that in this episode. As much as the fight brought interesting elements like Nephilim and that gas that lows their compatibility with the gears, everything went so fast it didn’t leave an impression.

Another problem to me is Ver revealing himself so early, it took what? 9 episodes to Finé to finally show her face and say “I’m the boss yall gonna fight later” and Ver is here in episode 3 already flashing himself out. It seems dumb.

I also don’t like the “new Finé” thing, but I remember this causing some interesting conflict later on so it doesn’t bother that much.

Episode 4 makes me so confused. Not that there’s something in the episode that is too hard to understand but is the way the narrative changes that bugs my mind.

We have such a big shift from the first half to the second that is like watching two different shows. I think they wanted to spread out both the action and the more light-hearted stuff to create some balance but what creates is just confusion.

If they had gathered all of the “gear plot” from last episode and this one in a single episode, then grab the school life elements from episodes 3, 4 and probably 5 and made that it’s own thing we would have better episodes that would have the time to develop properly what they want to develop and would take away this awkward feeling that it causes. Yes, most people would then consider the school festival episode a “filler” but honestly, I think is better than having comedic moments right after such a tense fight. Comic relief is good and is needed, but everything has its time and the way they handled in this episode wasn’t right.

But hey, we got to see Chirs singing Kyoshitsu Monochrome in one of the most beautiful live scenes I’ve ever seen so, I think I’ll be able to sleep and have nice dreams tonight. See you guys tomorrow (if I don’t take too much time in the bank with my grandma, PRAY FOR ME).