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#I can't find the original tweet
seedofjoseph · 2 years
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bixels · 3 months
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I'm not getting into The Giving Tree discourse...
#personal#delete later#idk i just saw a post of the “alternate ending” comic on my dash and everyone praising it as an improvement and “fixing” the original#which i kinda resent#while tulli and i was taking my nephew to a book store we walked around the kids section and found the giving tree and we read through it#and i was so stricken by how profoundly sad it is. it's not a happy story#in the end both versions tell the exact same lesson. but one flat out tells you and the other makes you sit with a pit in your stomach#and work to find the answer#i dunno it's kids literature but kids literature is important. i don't wanna discredit anyone's bad memories with the book but also i think#sometimes it's ok to make kids a bit sad and upset with fiction.#tweet that goes “what if romeo and juliet didn't kill themselves and explained to the audience that family feuds are bad”#idk you can't seriously read the original book as an adult and say it's glorifying self-martyrdom#when the final drawing of the book is of an old tired man sitting on arotting stump with his hat fallen to the ground#again i don't wanna invalidate people's feelings if they enjoy the alt version i think it's really nice too. but the original has its#purpose too. imagine if at the end of the lorax they show that the boy did it and replanted the world happy ending#wait they did that in the movie shit#i dunno i just love somber children's literature. tulli and i are talking about moomin right now and how the series ends with the moomin#family just leaving. and nobody gets to say goodbye to them. their friends have to find ways to live with the emptiness they've left behin
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reunitedinterlude · 2 months
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summer phantasy: the album
tracks 13-16 (x)
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graciousdragon · 10 months
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I FINALLY FUCKING FOUND IT I'VE BEEN LOOKING FOR THIS TWEET FOR AGES
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spandexual · 1 year
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fried-fuzzy-pickles · 22 hours
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shoshiwrites · 3 months
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x
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why is he like this
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narrie · 2 years
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when will buzzfeed unsolved cover mullingar 2010
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sexhaver · 11 months
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i can't find the original tweet and when i google it all i get are transmisogynists circlejerking over how awful it was on talk shows, but i think about that one tweet that's like "i want to get a uterus transplant so i can be the first trans woman to get an abortion" at LEAST once a week. her MIND
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neverendingford · 1 year
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Dear Mom,
thanks for raising me
your taught me so many things
you taught me to be independent
I don't even ask anyone for help anymore
I've learned how to achieve more,
to push myself harder
I don't even know when to stop until my body hurts
I've learned to trust people
to have faith
and I don't even mistrust people until they're already hurting me
you taught me so many things
and your words live in my heart.
"I'll bet you could run faster if someone were chasing you with a knife"
your words inspire me every day
"you have to try harder so you don't become lazy"
I tell you that you are just like me
and you say neither of us need help
"I know what you think, but everyone is just like this"
recently I changed my life.
I took steps to get help.
to choose my identity.
to allow myself to thrive.
I put myself in the hospital first-
only after I was out of options did I admit my needs
would it have been better that way?
for you to love an idea?
for you to love someone who made the ultimate effort?
I tried
I tried for you
am I lazy for giving up?
"medicine is the easy way out"
I think about you every time I take these pills
adhd and antidepressants.
am I weaker for trying?
not like this.
I should have tried a better way somehow.
how do I write this in a stanza?
encapsulate your culture in verse?
-
independence in body
isolation of soul
dependence of spirit
desolation in my bones
gold in His mansions
dust in your home
love in that future
scorn in this now
blessed are the meek,
for they shall accept the yoke
cursed are the headstrong,
for they shall go their own way
raise up a child in the way he should go
and when she is grown she will curse your name
I always wanted to be just like you
and now I guess I am
.
sincerely
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blackpearlblast · 10 months
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a rundown on the listed e-sim platforms from this tweet from mirna el helbawi. visit esimsforgaza to learn about this effort. (they also have a tutorial on how to purchase an esim and send it to them)
update v12 (5/21/24) holafly (israel and egypt), nomad (regional middle east), simly (palestine and middle east), mogo (israel), and airalo (discover) are currently in the highest in demand. if it has been more than 3 weeks since you initially sent your esim and your esim has not been activated, you can reforward your original email with the expiration date in the subject line. you can see gothhabiba’s guide for how to tell if your esims have been activated. if your esim has expired without use, you can contact customer service to renew or replace it.
troubleshooting hint 1: if you are trying to pay through paypal, make sure you have pop-ups enabled! otherwise the payment window won't be able to appear. (this issue most frequently seems to occur with nomad)
troubleshooting hint 2: if you are trying to purchase an esim using the provider's app, it may block you from purchasing if your phone does not fit the requirements to install and use their esims. use their website in your browser instead and this problem should go away.
nomad
for the month of may, first time referrals give 25% off for a person's first purchase and 25% off the referrer's next purchase! it's a great time to use someone's referral code from the notes if you are a first time buyer.
you can use a referral code to get $3 off your first purchase and also make it so the person whose code you used can buy more esims for gaza. many people have been leaving their referral codes in the replies of this post and supposedly a referral code may eventually reach capacity so just keep trying until you find one that works! BACKPACKNOMAD is another code to get $3 off your first purchase, it's been working for some people but not others so try out a referral code instead if you can't get it to work. NOMADCNG is a code for 5% off any middle east region nomad esims posted by connecting gaza. it can be used on any purchase, not just your first but is generally going to give less off than the first-purchase only codes, so use those first. it can be used in combination with nomad points. AWESOME NEW CODE: nomad esim discount code for 75% off any plan, NOMADCS25 do not know how long it lasts but this is an amazing deal esp. since they are really low on esims right now! (nomad promo codes do not work on plans that are already on sale, unlimited plans, and plans under $5)
weekly tuesdays only code on nomad web, PST timezone! it gives 10% off plans 10gb and above. NOMADTUE
nomad also seems to be kind of sluggish sometimes when it comes to sending out emails with the codes. you can look for them manually by going to manage -> manage plans -> the plan you purchased -> installation instruction and scroll down to install esim via QR code or manual input then select QR code to find the QR code which you can screenshot and email to them. often just the act of logging back into your nomad account after purchase seems to cause the email with the code to come through though.
mogo
mogo's website is fucking annoying to navigate and i couldn't find any promo codes, but their prices are massively on sale anyway. you have to pick if you want your esim to be for iphone, ipad, or android for some reason. according to statcounter, android makes up approx. 75% of mobile markets in palestine while iphone represents approx. 25%. so i would probably recommend prioritizing donations of android esims but if you can afford multiple, try buying an iphone one too? if i can find any official direction from the connecting gaza crew on this i will update with it.
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a good referral code to use for mogo is 8R29F9. the way things are worded are confusing but as far as i can tell, if you use it we both get a 10% discount on your first purchase. (the referrer gets a 10% voucher that allows them to top up in use esims, they are someone who i know has bought a lot of esims and will be able to make good use of the top-up discount vouchers!) also upon signing up it automatically generates a password for you which you can change by downloading the app. (check your email to find your account's current password)
holafly (also looking for holafly esims for egypt now)
holafly is pricier than the others and the only promo code i could find was ESIMNOW for 7% off. someone in the tags mentioned GETESIM7 as another 7% off code they had received, so if you have already used ESIMNOW or can't seem to get it to work, try GETESIM7. another 7% off code is HOLAXSUMMER7 which is valid until june 2nd. referral codes only seem to give 5% off and they don't stack. (i don't remember the source, it was on some sketchy coupon site i don't want to link to and only can recommend because i tried it myself) you can also use my referral link for 5% off if you can afford the 2% worse deal on your end, it will give me $5 credit which i can put towards buying more esims. connecting gaza has also posted the promo code HOLACNG for 5% off but since it is less than the 7% off codes and as far as i can tell does not give credit towards others to buy esims like the referral links, i would consider it lower priority for use.
simly (note: simly must be downloaded as an app to be used, the website link is to help people confirm they are downloading the right app)
i have not personally used simly so i am going to be going off of the sixth slide of mirna el helbawi's instagram guide, with some corrections from someone who has successfully purchased an esim from simly. after downloading the app and making an account, search for palestine or middle east and purchase your preferred package. the page the app takes you to after your purchase should have the QR code to send to the esimsforgaza email, it won't show up in your email receipt. someone kindly left her referral code in the tags of this post, it gives $3 off your first purchase and will give her $3 credit to put towards purchasing more esims for gaza. the code is CIWA2. (if this referral code doesn't work, try one from the notes of this post!) according to someone in the notes, ARB is a simly promo code for 25% off esims that is still working as of march 3rd.
airalo
some people have noted issues trying to sign up for airalo using the browser version of the website, it worked for me but if you are struggling you can give the mobile app a try and that should work. you can use a referral code to get $3 off your first purchase and give the code suppler a $3 credit for buying more esims. KARINA9661 is a code sourced from this post which is also a wonderful example of how using people's referral codes can really make a difference. if for some reason that referral code isn't working, you can find more in the notes of the original esim post i made here.
@/fairuzfan also has a tag of esim referral codes for various platforms!
(note: mogo and holafly both link to israel esims as there are no general regional packages for the middle east like on nomad and the esims for gaza website specifically linked to the israel package on mogo, so i linked to the equivalent on holafly.)
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porcelana-r0ta · 1 year
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let the mourners come
Title: let the mourners come
Ao3 Link: Only available to Ao3 users
Word Count: 3045
Summary:
It started, as most things do with Danny Fenton, as a joke.
It ended, as most things do with Jazz Fenton, with things better than they were before.
xxXxx
When Danny finally gets a Twitter, it’s during Elon Musk’s shit show takeover. He’s able to secure a good Twitter handle thanks to people leaving en masse and fleeing to Tumblr. He knows about things that happen outside of Amity Park (he is terminally online rather than chronically, after all), but he still doesn’t think anything of using @TheJoker as his handle, even knowing about Gotham City’s clown troubles. It’s just going to be a shitpost account, anyway, one that dances in the chaos of Elon’s electronic graveyard. Nothing will come about him using @TheJoker when he’s merely posting things like, “Just grew a new row of teeth!!! very pointy but can’t go to the dentist anymore bc they might turn me in to the giw.”
So Danny honestly never foresaw The Actual Real Joker breaking out of Arkham Asylum all the way in Gotham City, New Jersey, and deciding to get a Twitter account to terrorize people online as well as offline. And he definitely never foresaw The Joker @’ing him on Twitter, demanding that Danny change his Twitter handle. But, well. Here he was. 
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[Image Description: A screenshot of a Twitter reply chain, starting with the real Joker @'ing Danny's Twitter account, which uses TheJoker as his Twitter handle. The Joker, who has a verified account, demands that Danny "change your handle", and Danny replies with a simple "no" followed by red heart emoji. The Joker Tweets, "Kid you don't know who you're fucking with," to which Danny replies, "Ye I do ur some dude w/ poor fashion sense and lame jokes. Maybe try badjokesbyjeff bc originality is ugly on u" followed by a shrugging emoticon. The Joker responds, "Check your DMs." Danny then responds, "Perf [happy emoji surrounded by hearts] I've sent you a time and place. Can't wait to beat the shit out of another disgrace of a clown." Someone with the username "Gregg rulz ok" responds to Danny's last Tweet, "Bro is absolutely RATIOING the joker but the clown keeps responding [three skull emojis] embarrassing frfr too bad he's gonna die for realsies".
End ID]
Danny is quick to respond and then makes even quicker work of roasting The Joker. This soon results in The Joker DMing him his IP Address and a creative threat. Still, Danny isn’t about to cow to a clown with no respect for the art of clowning. He replies to the DM: 
Cool, meet me at the Nasty Burger parking lot in Amity Park IL on tuesday at 2am
The response from The Joker is quick:
Fourteen year olds are too confident these days
Danny rolls his eyes and ignores the influx of notifications from Twitter, and instead makes another Tweet.
Imagine beefing with someone over a Twitter handle lol acc so embarrassing for him
He blackens his screen and stretches in bed, letting his spine pop more than what is humanly possible. He runs his tongue over that second row of teeth, his lips curling into a grin. 
xxXxx
Gothamite Twitter is blowing up over The Joker’s social media beef with a faceless shitposting account. Jason, upon finding out about it, has a series of reactions: first, he looks up the shitposter and follows them. Then, he finds the actual chain between the poster and The Joker, and his vision goes vibrant green when he sees that The Joker’s profile picture is of the second Robin, beaten and swollen in an abandoned building in Ethiopia. 
When his vision clears and he can breathe without wanting to kill, he likes the shitposter’s replies, and he calls the Replacement to see if the other Bats know already.
“We know,” Tim says in lieu of a hello when the ringing cuts out. “We’re working on it.”
“What, you think anything’s gonna come of it?” But even as Jason asks, he already knows the answer. The Joker is unhinged and once he’s threatened something, he’ll follow up unless he comes up with a “funnier” option. 
Tim’s breath hitches, and he says, “I’ve hacked their DMs. Joker knows the kid’s IP address and sent it to him. He knows everything from that address alone.”
He pauses in the middle of suiting up, “Kid?”
He hears Tim swallow, “Yes, kid. He’s fifteen. And he gave The Joker a specific time and place to meet up to fight. In his own hometown.”
“Are— are you fucking kidding me?” 
“No. B is already calling Nightwing. We’re taking the Batwing to Illinois.”
“Jesus fuck. I’ll be there in twenty.”
“Hood, I—”
“Shut up, I’m already in my gear.” He hangs up without waiting for a response. 
He refreshes the Twitter feed and barks a laugh at the newest Tweet:
Jason Todd votes, and the Red Hood leaves his safe house. 
xxXxx
A commercial flight to Illinois takes around two and a half hours. In the Batwing, they get there in an hour, and don’t even have to worry about the drive from Chicago to a small speck of a town like Amity Park. They spend the quick flight learning everything they can about Daniel James Fenton, the owner of the Twitter account, and they can all sense the growing tension from (and between) Bruce and Jason.
But, well. Jason doesn’t care. Let them be uncomfortable. It doesn’t compare to being ripped back into life and finding out his dad didn’t even get justice for his death. 
When they reach town, it doesn’t take long to find the Fentons’ home. This is in part because Amity Park is a very navigable town, and because of the giant neon sign proclaiming FentonWorks on the side of the building. 
“Is that a blimp?” Dick asks. “Why don’t we have a blimp?” 
“Where would we keep it?” the Demon Brat counters practically. “Goliath takes up all of the Cave’s extra space.” 
Jason rolls his eyes and knows veins would be popping out of Bruce’s forehead if it weren’t for the cowl. 
“Let’s go,” Bruce says instead, and they all make their way to the house. 
Nightwing, predictably, goes for the front door approach. Jason rolls his eyes as he takes one of the second-story windows and finds his way downstairs.
He gets down at the same time that a redheaded girl answers the door and nearly slams it in Dick’s face. Jason has to suppress snickers at the sight. 
“Wait, wait, wait, are you Jazz Fenton? We need to talk to your brother!” 
“...We?” she asks, then tenses and turns around to see the rest of the Bats in the hall behind her. Dick takes the opportunity to step in completely, closing the door behind him. “Wha— what’s going on?”
“Where are your parents, Jazz?” Bruce makes every question sound like a demand. Jason rolls his eyes from behind his mask—way to put the teenager at ease, B.
“Why do you need to know?” Her voice has a defensive edge to it. “What do you want with Danny?” 
“Hey, it’s okay,” Nightwing comforts. “He didn’t do anything too bad, just said some dumb things online. It’s not his fault.” 
This relaxes her, and her shoulders begin un-hunching. “Oh, s-so what’d he do?”
“He foolishly challenged The Joker to a battle in a ‘Nasty Burger’ parking lot tonight.” 
“You could’ve had some more tact, Robin,” Nightwing scolds. But the Demon Spawn just crosses his arms. 
“He did what?” Jazz shrieks. “Like, The Joker from Gotham? That Joker?”
“Are there others?” Red Hood comments dryly. 
Her face goes through several different emotions—disbelief, rage, fear, and then rage again, “DANIEL JAMES FENTON! GET DOWN HERE RIGHT NOW!” 
There’s a thumping noise, and then frantic footsteps down the stairs. 
“Wha? Who died?” asks the figure of a tiny fifteen-year-old, smaller than even Jason had been when he was alone with The Joker. He’s tiny and lanky. Zero muscle definition. Eye bags to rival the Replacement’s. Something ripples in the Pit, deep and distinct, but he can’t name what causes it.
Oh, this kid is so dead. 
“Danny,” says Jazz calmly while Danny blinks uncomprehendingly at the heroes in their hallway. She is solemn when she says, “I’m afraid I’m going to have to kill you now.” 
“What did I do?” 
She stares at him, “Why have you scheduled a fight with The Joker?” 
“Oh, that.” He rubs the back of his neck, “Is he taking that seriously?”
“Of course he is, Danny! It’s The Joker! That’s what he does! He can’t differentiate between a joke and reality! He would tear off his own face for the bit!” 
“Oof,” is all Danny can muster. He digs his phone out and starts typing before Jazz yanks it out his hand. 
“You’re fucking TWEETING about this?” Jazz asks incredulously, and Hood’s hackles rise. She even reads the Tweet aloud, “‘Just found out @TheJ0ker is being fr about fighting me. Sad but i can take a clown.’”
“I was gonna add ‘i’ve done it b4,’ but like the letter and the number four. But yeah.” 
“You’re grounded forever.” Danny opens his mouth to protest, but the look Jazz cuts at him is so scathing that he shuts his mouth. Hood is reluctantly impressed—she had what could be cultivated into a fantastic Batglare. She pockets the phone, “You’re never getting this phone back. Taunting The Joker to Amity? Have you any brain cells? What if he brings Joker gas with him, huh? Or any of his goons? What if he starts hurting other people? Have you thought any of this through?” 
Danny’s face goes from tired to chastised, his lips drawing into a frown, especially at the mention of other people. 
“I’m sorry,” he says. “I didn’t think that he’d take it so seriously.”
“He sent you your IP Address.”
“I thought that was just a random string of numbers?”
“Oh my god,” Jazz despairs. “Oh my god. Grounded forever. See, I know you're lying to me. I know you're lying because Tucker, the nerdiest tech nerd to have ever been born, is your best friend.”
He rubs the back of his neck, “I tune him out?”
“You’re still lying to me?” Jazz scoffs and turns to Batman, “Do whatever you want with him. I’m not going to defend him from this.” 
“Hey!” complained her brother, but Batman just continued on, “Where are your parents?”
“They’re in Sweden for a science convention,” Jazz answers. “They left this morning.” 
Damn, Jason curses to himself. 
“Jazz, seriously. You’re not gonna let Batman kill me, right?” 
“Do you want to be cremated or buried, Danny?” Jazz asks blasély, and Danny gulps, refusing to meet anyone’s eyes. 
“It’s my Twitter handle,” he mutters petulantly, and Jason can’t believe the gall of this kid. Or maybe stupidity. Audacity’s a good one, too. “If he wanted it, he should’ve gotten it first. And he gives clowns a bad name.” 
“Not the clown thing again.” Jazz digs her palms into her eyes, sighs, then turns to the heroes. “He has a whole clown thing ever since Circus Gothica came to town and robbed a bunch of jewelry stores.” 
Danny gestures wildly with his hands, as if demonizing clowns was the real problem and not the egomaniacal mass murderer who wanted to murder him for his Twitter handle, “Clowning is an art form, Jazz, and people like Freakshow and The Joker make a mockery of the very serious societal statements that clowns make!” 
All of the Bats very carefully Did Not look at Nightwing, who has made very similar rants on quiet patrols.
“You are never leaving this house again,” she says serenely. “And I’m unplugging the wifi router.”
“You would punish even yourself?”
“Oh, little brother. I would watch the world burn if it meant knocking sense into your thick skull.” 
“Okay, Christ,” Red Hood finally interrupted the siblings’ melodrama. An unyielding redheaded girl and a mouthy black-haired, blue-eyed boy? They’d fit in a little too well back at the Manor, so Jason needs to cut this shit out before Bruce’s bat-doption instincts start tingling. “Stop. Just… Christ. Stop. Is this how you always interact with each other?”
“Sometimes there’s explosions,” Danny pipes up, a cheeky grin on his face. 
Jazz doesn’t dispute it. 
Fucking hell. God damn it. I can’t. I just can’t. 
Batman doesn’t give anything away, “Robin and Red Robin will be staying here with you until Nightwing, Hood, and I apprehend The Joker. First, we’re going to check the perimeter.” 
“Oooh, I get to give the lab tour!” 
Lab?
“No lab. You’re grounded. You’ll only be in there for cleaning duty now.”
“Wh– hey! No fair!” 
“What’s this lab you two are talking about?” Red Robin asks before Jazz can rip into her brother again. 
She sighs, “Our parents’ lab. I’ll show you, but someone needs to stay with Danny.” 
“You act like I’m gonna run off and start World War III….”
“I wonder why,” she says sarcastically.
Batman nods to Robin, who nods back, and the rest of them follow Jazz out of the living room to a metal reinforced door. She types in a code—Jason catches the numbers 03-14-99. There’s an assenting beep, and she opens the door, flicking on the lights and leading them down into what is apparently a basement lab. 
A stone settles in Red Hood’s stomach, cold and heavy. 
The basement is large, likely the floor size of the entire building. There are several work tables, filled with miscellaneous blueprints and spare parts and weapons and tools. Against the farthest wall is another armored door, but what draws Hood’s—and the entire Batclan’s—attention is the south wall, where a circular hole in the wall was glowing a toxic Pit green. 
The stone shattered in his stomach, splintering into his body. Is it harder or easier to breathe? Jason can’t tell. 
“Wow,” says Nightwing. His voice is cheerful, but Jason can feel the stress beneath it. “Do I even want to know?” 
Wasn’t this supposed to just be typical Joker bullshit?
“Our parents are ectobiologists,” Jazz explains nonchalantly, walking further into the lab. “As in, ghost biologists.” She pauses at one of the work tables, picking up a green and white thermos. Pretty boring, considering the rest of their surroundings. 
“Ghosts.” Red Robin’s voice is carefully neutral. 
“Ghosts,” Jazz reaffirms. “I know. I thought they were crazy at first, too. But I can prove it, if you like.” Then, without waiting for a yes or no, she untwists the thermos, and there’s a bright flash of white, and a whole entire body sprouting out of it. 
“WHOO! I’M FREE!” cries the…being, pale and floating and lanky and entirely too big to have fit into a fucking thermos, of all the fucking things. “....And not in the Realms? Wait.” He stops stretching, descending to rest closer to the ground, but still hovering a few inches from the floor. He’s got green eyes and lifeless (ha) blond hair. He’s wearing a trenchcoat and a green skull necklace. Overall, he looks like the type of thug he’d arrest in the Bowery. 
“Hello, Johnny.” The man’s—ghost’s?—eyes flicker around each person in the room, his gaze becoming more and more confused and panicked as he takes in each Bat, before settling on Jazz Fenton. 
“Why are the fucking Bats here?” 
“The Joker’s coming to Amity,” she says. The ghost’s eyes widen. Jazz tilts her head, “How many ghosts would you say passed away in Gotham, Johnny?” 
As Jason and the Bats tense, this Johnny guy lets out a wicked laugh, “Oh, Doll, you have the best surprises. Why did we break up?” 
“You did try to have my body possessed. That ruins any good relationship.” 
“Man, but Kitty’ll love this. Thanks for letting me out of Soup Time, Doll.” He floats higher, “Any advice?” 
She throws him the phone she’d confiscated from Danny and he catches it easily, “Everything’s on here. Have fun.”
“What exactly are you planning?” Batman scowls. 
Johnny laughs, “Aww, don’t worry, Bats. Peace and love on Planet Earth, or whatever. We’ll make it quick.” Then, as the Bats leap into action as one, Johnny turns invisible, the Batarangs passing harmlessly through where he’d once been floating. 
“Where did he go?” Batman turns his scowl, angrier than ever, to Jazmin Fenton, who stares back unflinchingly. “He’s going to solve the problem.”
“You mean he’s going to kill The Joker.”
She shakes her head, “Oh, no. That’d just be asking for him to come back as a ghost. Could you imagine a Joker with powers like invisibility, intangibility, flight, and more? Johnny can be impulsive, but he’s smart. None of them will kill The Joker.” 
“Then what are they going to do?” Red Robin asks. 
“My parents are ectobiologists,” Jazz repeats from earlier. “But I am more of an anthro-ectopologist. I am concerned with the study of ectoplasmic beings’ societies and cultures. And while it is very ancient, there is protocol in the Infinite Realms—that is, where you go when you die, should you remain after death—to prosecute living criminals who have killed a certain number of Realms citizens. So you don’t have to worry about your moral code, Batman. The Joker will be tried by a much fairer court than Gotham can ever hope to have. No offense.” 
Jason stares at Jazz Fenton, who he’d pegged as the sane sibling. He’s not so sure now, but he can’t say he hates it.
“And how do we know it’s a fair trial?” Nightwing asks. 
She waves her hand, “Oh, as Gotham’s Knights, you’re key witnesses. I’m sure you’ll be summoned to testify. You will see then. And don’t worry about your secret identities—the dead don’t care much for that sort of thing.” 
“So if this is a ‘fair’ trial or whatever, The Joker’s going to be locked up forever?” Jason asks. “I mean, that’s the only option for shit like him.” 
Batman sends him a look, but he ignores it. 
“Well, there are several different punishments that could be deemed appropriate, but he’ll never be able to set foot in the mortal world again, yes.” 
Jason Todd grins, “Oh, I’m glad your brother’s stupid, kid.” 
She sighs, long-suffering, “Well, that makes one of us. Still, there’s more important things we should discuss now that you’re here.”
“More important than The Joker trying to kill your brother over a Twitter handle?” Red Robin asks doubtfully. 
Jazz smiles, sharp and dangerous, and asks, ”Have you ever heard of the Anti-Ecto Acts?” 
xxXxx
Several months later when Danny is finally un-grounded, he Tweets his last three Tweets before Twitter can become the foolishly named X: 
Imagine bullying the Joker so hard that it not only lands the Joker in ghost prison BUT it also leads to major law reform in the US lmao someone make the domino effect meme about this pls
Y’allre replying to me with thanks like i did anything other than be an internet troll. My sister literally manipulated local, federal, and interdimensional law so you should be thanking her. 
i just a babie 🥺🥺🥺
xxXxx
Thanks for reading! This is the whole fic, so pls do not ask for tags! Thank you :)
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starcurtain · 15 days
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Hey! I apologize if this question has been asked before since it seems like a pretty obvious one, but where do you think the idea of Aventurine being a sex slave came from? Other than the obvious factor of it being something fun for the fandom to mess around with, I mean.
It's something I kind of took for granted as being true before playing his quest, but after finishing it I realized there wasn't really any indication. The only thing I can really think of is his master's comments about him having a good body. Is there anything in his behavior you can think of that would lead to this conclusion if it wasn't a popular fan interpretation already/kind of just an easy conclusion to reach with a slave character?
(also kind of related but what do you think of the idea that he sleeps around/with his clients to make deals? he's obviously willing to sexualize himself with the boob window, but that doesn't necessarily mean he goes further.)
As far as I can tell, the idea that Aventurine was involved in sexual slavery comes from three (maybe four) places:
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First, the comment from the master about Aventurine's appearance. People were holding this comment up as refutable proof that Aventurine was used in sexual slavery on top of being tossed into the Hunger Games; however, the response from other players on this interpretation, especially the Chinese side of the fandom, was very mixed, with a lot of people pointing out that the context in the game probably meant the slave master was talking about Aventurine's ability to attract attention from fans watching the literal Sigonian Hunger Games, rather than having a direct sexual-slavery connotation.
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Second, the comment from Sparkle about stripping naked and getting on his knees for Sunday. This one has way more implication in English than I think it might for an Eastern audience, actually. In English, this pretty much sounds like Sparkle saying Aventurine trades sexual favors for success in his gambles. However, I suspect the original intention in Chinese was more about humiliation. Western audiences don't have as much history with honor-based prostration, i.e. accepting corporal humiliation as a form of reconciliation that Eastern audiences might be more familiar with. And in any case, Sparkle is Sparkle. She probably just went for the lowest blow she could think of here.
Third, the general assumption that if Sigonian slaves were being chained, branded, beaten, sent to death matches, etc., it seems logical that they would also be taken advantage of in other ways. I honestly think this is probably the fairest take--many, many real slaves around the world faced (and still face!) sexual abuse, so if slaves from Sigonia were treated so poorly you could make them fight to the death for entertainment, it stands to reason they were probably also not safe from other forms of assault. We also have no idea what happened to Kakavasha in any of the years between his being a tiny child fleeing the massacre and then being purchased as a slave as a late-teens-early-twenties person. That's a very long time for a child to have to survive on their own on an extremely hostile planet and not face risks of all kinds or end up needing to do unspeakable things to survive. So I think this is at least not that far-fetched, although it's important to say there's nothing in the game that directly confirms this.
And fourth: I read a tweet semi-recently that stated that one of the Chinese (or maybe it was Japanese) names for a quest Aventurine was involved in was actually a reference to a book about a teenage sexual assault survivor. However, when I tried to verify this myself, I couldn't find any quest Aventurine was in that was based on a book about sexual assault in either English, Chinese, or Japanese. It's possible I just missed something, but I'm taking this one with a bit of a grain of salt currently, since I can't confirm it personally.
Regarding your other question, about whether I think Aventurine sleeps around to make deals...
I definitely think he does not, for one major reason.
First, I will admit that Aventurine is definitely willing to use his appearance to his advantage. This is pretty obvious. He wears incredibly flashy clothes, baths himself in cologne, overloads on glittering golden jewels, and absolutely calls attention to his appearance when working with clients.
We see him actively doing this in his Moment Among the Stars video, where he is clearly using his looks as an equal tool (to his wealth), to daze his target.
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It's not an accident that he says things like "Use me as you wish," with all the explicit connotations preserved. The implication is there. However, unless he was absolutely backed into a corner, I think that implication is all it will ever be.
The reason I think this is that the devs go out of their way to give Aventurine three fairly noticeable physical behaviors in his in-game scenes:
For one, he has some of the most closed off body language of any character in the game.
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Aventurine's default conversation pose is arms crossed directly and tightly in front of himself. This is like "Defensive Body Language 101." By crossing your arms, you put a symbolic barrier between yourself and the person you're speaking to, and also ensure that your hands are up and available in case you actually need to physically defend yourself.
Virtually all of Aventurine's conversations take place from this stance, no matter who he is speaking to (from the Trailblazer all the way to Topaz). He deliberately closes his pose off and tightens up his silhouette, which just sends a glaring "Don't touch me" message.
This closing off is also blatantly apparent when you compare it to the deliberately open poses he strikes while trying to make himself seem accessible to others (like tempting clients) or seem powerful (to intimidate):
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Complementing this habit of closing himself off is a second noticeable aspect of his body language: He frequently avoids eye contact to the point that he even holds conversations while entirely facing away from the person he's speaking to.
I might be a bit lenient and say maybe he's doing this to on purpose to be mysterious, whoo~~ But... in all honestly, he just does this with everyone, even with Ratio while trying to talk about an actual important issue (wanting to look into Acheron's real identity). Hell, even the fake Aventurine does it to himself!
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We can even say that wearing the rose-tinted glasses in the first place is another intentional barrier, one Aventurine deliberately removes in specific moments to give people the (false) impression that he's "letting them in" to his circle:
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Now, this might be a bit more complicated in Aventurine's case, because eye contact has a whole extra meaning when eyes are the defining trait of your species and come with particularly challenging racial stereotypes. So it may be that Aventurine is simply used to conducting conversation while looking away to minimize racial prejudice against his eyes' unique appearance.
However, I'd also argue that the devs deliberately turned his entire model away in cutscene after cutscene to create a clear sense of being inaccessible, unapproachable, and unwilling to engage in the physical intimacy of standing closely, directly facing, and staring at his conversation partners.
While he faces away, he controls both the figurative and the literal direction of conversation, forcing people to keep their eyes on him while he is free to move as he pleases. Over and over again, it just says "I want to be the one in control. I'm not afraid to show my back to you, but you are not welcome to come near me."
And, in fact, that's a third aspect of his character's body language that I am sure the devs did not include accidentally: More so than other characters, many of Aventurine's conversations are conducted from weirdly far distances. Like, half the time he's talking, he's standing all the way on the opposite side of the room!
This habit of speaking from a-larger-than-normal distance is apparent in the first scene with Himeko...
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And then in just about every other conversation too:
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The bubble is twenty feet in every direction.
Like yes, he does approach and have conversations like a normal person... sometimes... But it is significantly more noticeable with Aventurine than with other characters that he often conducts whole conversations--even with his allies--from a distance. Just genuinely weirdly far apart.
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Leaving space for Gaiathra, I guess.
And it's because these significant decisions were made with Aventurine's in-game body language that, when he deliberately alters his own behavior, it is instantaneously noticeable.
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In 2.0, he closes the distance, the glasses come off, and he gets directly up in the Trailblazer's face.
It's uncomfortable not just because the player is suddenly being loomed over, but because this behavior has already been subconsciously established for the player as out of character for Aventurine.
The barriers the character himself was putting up are deliberately stripped away so that he can use physicality and demanding eye contact to intimidate his target. He has to reverse his own normal body language in order to come across as domineering (and, I guess if you're into that, appealing in a domineering manner).
And ummmm, just a tiny aside here because I can't resist:
This does mean that when the game goes out of its way to demonstrate Aventurine altering his own normal habit of distant and defensive body language, it is absolutely intentional.
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Yes, this is a Ratiorine post in disguise. There literally isn't any other character in the game that Aventurine is shown being comfortable standing so close to and interacting with in this manner. This doesn't occur in every one of their scenes, but Ratio is the only character that this happens with repeatedly. It's not an accident that the devs literally added "They were walking side-by-side" as flavor text.
But look, I'll be fair: There's a great example of this in Aventurine's scene with Acheron too, where he closes the distance and attempts to make eye contact with her--seeking her guidance and closeness--and she is actually the one stepping away, speaking with her back turned, demonstrating her power and control (and issues with connection!) in that scene.
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Anyway, this was a whole longggg tangent into analyzing Aventurine's body language, but my point is that, overall, the devs deliberately adjusted his model's actions in-game to give the impression of a person who clearly wants to be in control of every interaction he has with other people, who insists on distance over intimacy, and whose stances and habits suggest that he is significantly less accessible and open than his "Use me as you wish" motto might suggest.
Long story longer, I think that there is almost zero chance Aventurine is willingly ceding control over himself or the actions expected of him to anyone he isn't 100% comfortable with, and I think that using physical intimacy of any kind would be an absolute last resort for him. Frankly, he comes across as more likely to shoot himself in the foot than let someone he doesn't trust lay hands on him.
To me, he reads very much as "You may look, but you may not touch."
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empty-movement · 2 months
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Yasha I can't find it for the life of me -- do you have the story of how y'all found/fixed up the full kiss image from the Virtual Star ED? I swear I remember you talking about it.
(I'm so sorry I'm bad at messages and tumblrs and socials)
This is a tweet thread you're looking for, but I'll repost here also in full, because god, Twitter.
#UTENA STORY TIME!
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This image circulates pretty readily on account of being beautiful and gay af. However, keen observers notice that only a fraction of it appears to have been used in the closing credit sequence. So how, you ask, do I have this small image of the actual cel???
In 2010, this cel sold on Yahoo! Japan for what was, at the time, a pretty obscene amount. The auction closed at 244,000Y, or about $2,250 US. This is comical amount to an insane Utena fan now, I've seen people pay this for batches of douga. I've tried to pay this for batches of douga.
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The image I have in the gallery is from the auction. However. That's not how the story ends... https://togetter.com/li/60425 According to widely circulated but now I think? deleted? tweets by Ikuhara, the faces were never drawn for the ED credits, and the image was finished digitally.
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*HOWEVER.* He does confirm that this cel was made in house, not for the ED credits, but for a magazine or some other thing that requested the picture of them kissing from the ending, where there was never a complete image. So the question is....is it 'real?'
The answer is of course hell yes, if it was made in house it's legit, even if it wasn't used for the purpose we thought, imo. Oh, and before you compare it to the ED credits to check, keep in mind that the remaster you're all familiar with itself cleaned up this image:
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It's most noticeable on Utena's gem and epaulet, and the curve of the bottom of Anthy's open sleeve, and that in the original, they screwed up the background so that parts of it have the blue sky and other parts do not.
In other words, three 'legit' iterations of this image exist. The OG (that Ikuhara asserts was at least partially digital?), the full size cel that was made in house and sold, and the digitally remastered version that is now the default. And that's the tale of the canon kiss!
Hope that helps and was fun! <3 - Vanna
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genericpuff · 9 months
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All That Glitters is Not Feminism - An Analysis of LO's Brand of "Feminism" and What Remains of its Fanbase (The Twist)
Alright y'all, I've been waiting a hot minute to talk about this because I wanted to see how it fully panned out before saying anything about it. And it's not even specifically about LO, but I do think it's very adjacent to it in a way that I'm sure you'll be shocked to hear. Much of it speaks to how we prop up white writers even at the expense of POC.
This is 'the twist' attached to my first post that I made just a couple hours ago that concerns an entirely other topic but I feel ties into this subject very well.
If you haven't heard, there's this author who recently fucked around in the Del Rey publishing scene.
Her name is Cait Corrain.
In the original tweet calling this person out, names were not dropped, but it was made very clear that what Cait did was unacceptable behavior.
You can read the entire thread that started it all from Xiran here:
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There's also a GREAT recap thread from one of the affected authors, Bethany Baptiste:
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I want to make it clear that Cait Corrain isn't just a debut author.
Cait Corrain is - or now, was (foreshadowing is a literary device that-) - a debut author who had an agent, a publishing deal with Del Rey (an imprint of Random House which is a MAJOR publisher) and even an upcoming Illumicrate deal - meaning, her book was going to be packaged in a monthly loot crate subscription shipped directly to people's doors, quite possibly one of the best marketing deals a debut author could ever get, usually unheard of in this industry. All the pre-reviews were strong and positive.
Cait's book was literally set up for success. All she had to do was sit back, relax, and watch the fruits of her labors roll in. She had written the book. It was ready for release. The hard part was technically over.
But I guess the racism brainrot got to her because as it turns out, since April - for EIGHT MONTHS - she's been making alternate accounts on GoodReads to review bomb the indie and debut works of her friends and peers, most of whom were POC and did not have the same opportunities set up for them as she did. There are loads of receipts to back this up that you can find in those above threads ^^^
To say that this is appalling is an understatement. This was an intentional and deliberate act of racism by a white queer writer who claimed to be "jealous" - of what, I can't imagine - so much so that she deliberately sabotaged her peers, people who had supported her and her book.
And then when she got caught? She doubled down on it and claimed it was a "friend", also an alternate account she made up.
The exchange between her and this made-up person is actually the funniest shit out of this entire thing, it's so poorly written and as soon as people noticed the time stamps were out of order, that was when it truly cemented her newfound clown status.
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"oooooh he's standing right behind me, isn't he?" energy right here LMAO
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yes keep expositing cait, that's really selling the "this is a genuine conversation that really happened with a real person" bit 🤡
Anyways, it became abundantly clear that Cait was just going to continue to dig her heels in over something she caused.
This has been a hot topic in the UnpopularLO Discord, not just because of how crazy of a situation it is that we had to talk about it - and we have people within the community who work in the literature and media sector - but because we noticed one very telling thing in the list of series that she had review bombed in her very own personal act of wrath.
You see, Cait made one fundamental mistake that led to her undoing - she didn't just review bomb the works of her peers, she positively reviewed her own book and others.
What's her book about though?
It's an Ariadne x Dionysus retelling set in space.
It's literally another "modern retelling" of Greek myth.
And wouldn't you know it, guess who else created a modern retelling of Greek myth that she included in her positive review raiding while she was sabotaging the work of her actual peers?
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Now, I think it goes without saying that what I'm about to say should be taken with MOUNTAINS of salt, I'm sure a lot of you are reading the headline and going, "Ugh, really? You're gonna make this about LO? Could you give it a rest already???"
I need you to understand, with the current state of Rachel's fanbase and 'modern' Greek myth literature as a whole, at this point Lore Olympus - and the works that are literally inspired by it such as A Touch of Darkness - has basically become the shopping cart litmus test of basic decency. It's like when someone says they like Harry Potter - you can't take it automatically at good faith anymore, because there isn't a whole lot separating someone who simply liked Harry Potter as a kid and still rewatches the movies from time to time from someone who fully supports the politics and agenda of J.K. Rowling. No, not everyone who still watches the movies or reads the books fondly is a TERF by default, but it's justifiably a reason for suspicion when the consequences are often too dire to risk.
There's this thing that's been happening in the LO fanbase that I frankly saw coming, but has really recently started to hit its peak. It's what I call the "Kanye Effect", where the comic has become so absurd and backwards in its misogyny and white feminism that the only people who seem to be left supporting LO are the people who are legitimate white feminists and misogynists - because all the normal level-headed people fell off the comic ages ago (or transitioned into the critical side of the community).
I mentioned it in my last post, but it bears repeating - Rachel's fanbase has literally been shipping Hera, a victim of abuse, with her abuser, Kronos. I'm really hoping a lot of them realize how fucked up that is now that Hera herself has called it what it is - abuse - within the comic, but I also can't count on the LO fanbase picking up on that or even noticing it with how quickly people swipe through it each week, it's very apparent at this point that most of LO's readers don't know how to chew their food and don't pay attention when Persephone and Hades aren't onscreen.
But I'm digressing. Or am I? We're talking about Crown of Starlight after all. The debut Dionysus x Ariadne sci-fi/fantasy romance that was quite literally advertised using Lore Olympus as its baseline-
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This. This is what the ongoing cultural erasure and white feminist uwu-fication of Greek myth is doing to the literary zeitgeist surrounding Greek myth as a whole. This is why we criticize Lore Olympus and works like it that are created by disingenuous people who only seek to use the assets of Greek myth material as a way to shoot themselves up into fame and stardom. This is why we demand better standards in the literature and webcomic industry, so that people like Rachel and Cait can't use their privileges to quite literally erase the source material that they used to make themselves famous in the first place.
If anything, Cait's actions didn't just affect the people she negatively review bombed, or the people she was affiliated with, but also the people she positively reviewed. While I don't support what Rachel creates, she wasn't the only one who Cait went out of her way to review positively from her alt accounts, there were many others as evident in the Google Doc - but all this really does is tarnish the legitimacy of these books and their ratings by artificially jacking up their numbers that are advertised to others.
Making Greek myth fanfiction or fun creative retellings was never the problem, but it's now being sabotaged alongside so many other genres and mediums by toxic white individuals who can't even keep themselves from committing hate crimes, let alone create something purely for entertainment that's transparent in its illegitimacy, lest it destroy the illusion that these people are qualified to speak over those whose voices are being stifled, often by these very same people. Many of these writers get caught and are still allowed to continue what they're doing - that was certainly what we feared with Cait.
Until today.
It was revealed today that Cait's book will no longer be featured in the Illumicrate May 2024 box.
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Del Rey has dropped Crown of Starlight from their publishing schedule.
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Daphne Press will be hopefully following suit.
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And, most telling of all, Cait's own agent has severed ties with her.
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For anyone not familiar with the inner workings of the publishing industry, Cait has essentially been blacklisted. Without an agent or a publishing house, she'll have to entirely rely on her own resources through self-publishing. Unless she manages to sneak her way back in under an alias (which I wouldn't put it past her to try) she no longer has access to the mainstream publishing industry that was already guaranteed for her before she let her 'jealousy' get the better of her.
Her career was already made for her. She had a red carpet laid out for her debut. Her book was getting good pre-reviews and she had quite literally nothing keeping her from her success. The best thing she could have done was nothing. Somewhere in her head, she made up a threat that didn't exist, and sealed her fate in acting on it, a self-fulfilling prophecy.
I think in these situations such as with Cait Corrain, Rachel Smythe, and - also recently and relevant - James Somerton, we need to become increasingly aware of how white voices are still overpowering POC voices, not just in their actions, but in the opportunities they're given over others which they then use to further stifle the voices of those they feel "threatened" by or feel entitled to speak over. While neither James nor Rachel have used sock puppet accounts to "take out the competition" (at least as far as we know lmao) James did quite literally steal the words and voices of queer writers who were deserving of their time in the spotlight, and Rachel's work is being quoted as "rewriting Greek myth" as if its blatant gentrification and appropriation should be marketed as some sort of positive.
It's all too common for these deeply-rooted prejudices to rear their ugly heads and for the people who carry them to act out in this way while justifying it as "jealousy" or "a mistake". This isn't jealousy. This isn't a mistake. This isn't someone "starting drama". This is genuine, targeted hate, with the intention of snuffing out the voices of others who should be empowered, not silenced.
All that time and effort, and for what? Racism and petty jealousy? It just goes to show, it doesn't matter how many opportunities you're given, how high up on the ladder you already are - it won't fix the deeply-rooted insecurity and racial pettiness that spurs people on to do such horrible things.
I've spent enough of my time and words today talking about Cait, and James, and Rachel. So to end this off, I want to join in with all the others who have highlighted the books that were review-bombed by Cait, and help in uplifting them so they can have successful debuts. I'll be pre-ordering a few of them, so I'll be happy to make dedicated posts for them in the future after they release. Please consider purchasing them for yourself if you want some new reading material <3
The Poisons We Drink by Bethany Baptiste:
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So Let Them Burn by Kamilah Cole:
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To Gaze Upon Wicked Gods by Molly X Chang:
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Mistress of Lies by K.M. Enright
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Voyage of the Damned by Frances White:
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(I'm sure there are plenty others so if I missed any here, please let me know so I can add them here and check out their books!)
If there's any silver lining to this, I hope that it makes people aware of the media they consume and who it's being created by. I hope it makes people more willing to seek out the books that aren't getting the same opportunities as Cait Corrain and Rachel Smythe. I hope it's a wake-up call to the industry that matters like this need to be taken seriously and that POC writers are still being silenced under their own noses. And most of all, I hope it's a reminder that we shouldn't even need at this point that this behavior is not okay, no matter what level a person climbs to - that just because someone is part of one minority doesn't mean they're not capable of sabotaging another. It sucks that that has to be said, it sucks that despite these groups being so intersectional there are still people within them who submit to their deeply-rooted insecurities and find ways to feel threatened that they use to justify hateful behavior.
Having a platform is a privilege. It should never be weaponized against your own peers or those who you simply feel "threatened" by for no reason beyond your own imposter syndrome or doubts or internal struggles. Because as much as you may feel like you've earned where you are, that never gives you the right to weaponize your opportunities against others who were never given those same opportunities in the first place. "Feminism" is not using your power to crush "other women". "Progressiveness" is not exclusive to the progress that only benefits you.
I wish only the best to those who were affected by the actions of Cait Corrain. You deserve to be heard and seen and appreciated for the work you do and the abuse you've had to tolerate. I look forward to your debuts in 2024 <3
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