#I apologive for having read it

[throesofincreasingwonder]

"A story doesn't need a theme in order to be good" I'm only saying this once but a theme isn't some secret coded message an author weaves into a piece so that your English teacher can talk about Death or Family. A theme is a summary of an idea in the work. If the story is "Susan went grocery shopping and saw a weird bird" then it might have themes like 'birds don't belong in grocery stores' or 'nature is interesting and worth paying attention to' or 'small things can be worth hearing about.' Those could be the themes of the work. It doesn't matter if the author intended them or not, because reading is collaborative and the text gets its meaning from the reader (this is what "death of the author" means).

Every work has themes in it, and not just the ones your teachers made you read in high school. Stories that are bad or clearly not intended to have deep messages still have themes. It is inherent in being a story. All stories have themes, even if those themes are shallow, because stories are sentences connected together for the purpose of expressing ideas, and ideas are all that themes are.

[umblrspectrum]

nevermind i figured out how to draw her

[cattnipt]

Fucked up looking dog you got there

[elliethefroggy]

Buck doesn’t let his jealousy get the better of him, doesn’t body check Eddie at the basket ball match, Tommy doesn’t go over to his apartment, there is no kiss, Tommy does not ask Buck out on a date.

What happens instead is this:

Tommy becomes an honorary 118 member, starts hanging out more and more with everyone from 118. By extension, Tommy starts spending more and more time around Buck. Tommy finds it very inconvenient when he starts crushing on a supposedly straight Buck (Tommy tries to resist but that resistance crumbles every time Buck smiles at him).

Queue Tommy secretly pining over Buck, and sighing longingly whenever he catches a glimpse of Buck.

Now in my mind, Tommy and Chimney remained pretty close after Tommy left, close enough for Tommy to drop everything the moment Chim calls to steal a helicopter. Chim also undoubtebly knows about Tommy’s sexuality.

This means that Chim is witness to Tommy’s pathetic pining. This also means that Chim is there to catch Tommy spending far too much time looking longingly at Buck’s various assets.

“Buck’s going to remain straight no matter how long you stare at his ass,” Chim reminds Tommy. This is not the first time Chim has had to remind Tommy of this.

Tommy sighs despondently, “I know. Doesn’t mean I can’t admire the view.”

“This wouldn’t be nearly as difficult if Evan didn’t have both gorgeous looks and gorgeous personality,” Tommy says one night at a bar. Being a good friend, Chim has started taking Tommy out whenever Buck’s straightness becomes too much for Tommy to bear.

“He’s just so adorable,” Tommy continues.

“I know, buddy,” Chim says, patting Tommy on the back (Chim has also had to pat Tommy on the back a lot as of late).

“Are we sure Evan’s straight?” Tommy asks after the first beer.

Chim, with absolute certainty, says “Yes, now get over yourself, you sad, sad man.” And then Chim buys Tommy another beer because he’s a good friend.

And because Chim is such an amazing friend, Chim can’t help but pay attention whenever Buck and Tommy interact, mostly to make sure Tommy doesn’t make too much of a fool of himself.

Which means he’s also watching Buck, and he’s watching Buck watch Tommy.

And that’s when the doubt creeps in.

Chim’s known Buck for a few years now, has seen what Buck is like around women he’s attracted to, knows what Buck’s pining face looks like.

And he’s seeing that face now whenever Buck looks over at Tommy.

At first Chim doesn’t believe his eyes, figuring that listening to Tommy compliment every single aspect of Buck from his eyelashes to his laugh has corrupted Chim’s brain, making Chim see things that aren’t there.

Because Buck’s straight.

Right?

The more Chim watches, the less he’s sure. Because there’s Buck being somehow both endearingly awkward and seamlessly smooth around Tommy. There’s Buck spending way to long gazing into Tommy’s eyes, and staring at Tommy whenever Tommy’s not looking. There’s Buck zeroing in on Tommy every time Tommy enters the room; There’s Buck holding onto every word coming out Tommy’s mouth. There’s Buck laughing at every one of Tommy’s jokes (and, sure, Tommy’s a funny guy with a real dry sense of humour, but he’s not that funny).

If Chimney didn’t know any better, he would say that Tommy’s not the only one who’s got a crush.

All signs are pointing to Buck wanting to hold Tommy’s hand, go on romantic walks along the beach with Tommy, as well as do more than PG13 things to Tommy.

Does Tommy actually stand a chance?

Chim doesn’t want to get Tommy’s hopes up straight away. He needs to make sure that his hunch is correct. He needs to gather more data.

So Chim starts inviting Buck and Tommy everywhere he can think of, and then pretends to take a really long time in the bathroom so that Buck and Tommy can have some alone time while Chim is hiding behind a bush or a potted plant depending on the location, spying on them.

Tommy, because he’s a very observant person, notices Chim in the bush with binoculars pointed at where Tommy and Buck are seated, and confronts Chimney after Buck has gone home.

And Chim can’t keep a secret for shit, so of course he tells Tommy about his doubtS even though he really doesn't want to disappoint Tommy if it turns out that his hunch is wrong.

“I’ll keep investigating,” Chimney says, once again patting Tommy on the back, watching hope bloom on Tommy’s face.

Chim continues inviting Tommy and Buck to hang out, sometimes inviting others as well to avoid suspicion (Buck isn’t suspicious at all, but Hen has start narrowing her eyes at Chimney).

Tommy calls it torture, Chim call it science. Oblivious Buck is just concerned about the amount of time Chim spends in the bathroom. He asks Chimney if Chim’s having any any bowel problems. Chimney insists he doesn’t, but Buck figures Chim’s either putting on a brave face or is too embarrassed. Buck doesn’t bring it up again, but he does leaves some pamplets regarding bowel problems and their causes in Chim’s locker as well as sends Chim links to various medical websites.

Chim is mortified. Tommy finds it hilarious. Chim decides to attempt a different approach.

To try and throw Hen off the sent and to further advance his research, he gets Karen to drag them all to a gay bar to see how Buck reacts around other queer men (Karen is very amiable once Chim tells her of his suspicions; she always enjoys gossip).

Chim and Karen sit opposite Tommy and Buck, the better to observe them. Eddie, poor confused Eddie had to be discretely elbowed aside when he tried to sit next to Buck, and has been dragged next to Karen, supposedly so that Karen can arrange a play-date between Christoper, Denny and Mara. Though Karen is paying much more attention to Buck’s every micro-expressions than any word coming out of Eddie’s mouth.

Unfortunately, the gay club is a bust because Buck’s too busy learning about monster trucks from Tommy to pay attention to any other attractive man at in the bar. It’s hard to tell if Buck’s attention is due to an attraction to Tommy or if he’s just really interested in soaking up new information in that spongy brain of his.

Chim starts leaving queer memoirs scattered around the fire station (Karen gives excellent book recommendations).

Chim starts commenting on attractive men they see on the tele when it’s a particularly slow day at the station. He does this to such an extent that some of the members of B shift are wondering if Chim’s the one with a case of latent bisexuality. That thought is strengthened in their minds when Chimney starts bringing some those magazines with the romance quizzes in them: ‘Best guy for you’; ‘Your ideal guy’; ‘What your celebrity crushes say about your love life’; ‘Take this quiz to reveal your partner’s star sign’; etc.

Then Chim very loudly goes on about how gay and single Tommy is whenever Buck is in earshot (and now some of B shift think Chim’s planning on leaving Maddie for Tommy).

The first time Chim brings up how gay and single Tommy is, Tommy takes him aside to ask him what the hell that was about.

Chim says in response, “Listen, if Buck isn’t 100% straight, he needs to be aware that you’re on the market so that he doesn’t go check out all the other male fish in the sea.”

Buck doesn’t make a big deal out of Tommy being gay, acts his usual self. Though he does manage to slip into conversation that he’s an ally. And when Buck does that, Tommy feel his hope to one day hold Buck’s hand during a romantic sunset walk along the beach shrivels up a little inside him. Chim gives Tommy yet another commiserating pat on the back, and takes Tommy to a bar later that night so that Tommy can drink his problems away.

Meanwhile, Buck knows that Tommy being gay isn’t a big deal, but for some reason Buck can’t stop thinking about it.

It’s not like he’s ever had a problem with anyone’s sexuality before, so what is it about Tommy?

And representation really does matter. Here Buck is, being confronted with a Man, a big, muscular man like himself, who enjoys going to the gym like himself, who’s in a similar profession to him. And this man is gay.

And that’s going to cause something in his mind to shift. Maybe he doesn’t notice that shift at first, maybe it’s only subconsciously.

Maybe he’s going to start picking up a few of those memoirs that Chim’s been leaving around; Buck’s always been fond of non-fiction after all.

Maybe he’s going to ask Hen and Karen about their experiences figuring out their sexuality, their coming out stories (during this conversation, Karen will be staring intently at Buck, looking for any signs of the queer thoughts Buck may or may not be having).

(Chim is very happy with this because pointedly asking Hen and Karen about their queer experience was next on his game plan.)

Buck doesn’t ask Tommy about his sexuality though, not yet at least. Buck can’t seem to bring himself to ask Tommy. Though he doesn’t know why.

Then Buck does as Buck does best and goes on a research binge about all the different sexualities, but more specifically bisexuality (I imagine there is at least one sexuality quiz during that research binge).

And, at the end of that research binge, the results are conclusive. Buck is bisexual. Maybe he says that out loud in his empty apartment “I am bisexual” and it feels right and it feels so very exciting.

Once he realises that he’s bisexual, a lot of things start making sense. Including Tommy’s ass. Tommy’s very fine ass that Buck can’t help but stare at. And Tommy’s eyes. And Tommy’s hands as well. And Tommy’s laugh; And definitely Tommy’s smile. Basically all of Tommy.

Buck keeps his newly discovered sexuality to himself for a bit, wanting some time to himself to live in this new reality of his, basking in this new part of himself.

Also so that he can spend a few days staring at attractive guys without any knowing looks from his loved ones.

Turns out he spends most of those few days staring at Tommy which, again, makes sense.

Because he is such an open book, it doesn’t take Buck long to come out.

He decides to tell everyone at the next get-together. They’re all outside, having another barbecue at Bobby’s and Athena’s. Tommy is also present for this.

Everyone is of course supportive and happy for Buck. Chim is forcing himself to stay still, even though he really wants to jump up and down, high-five Karen, high-five Tommy, and then shove Tommy in Buck’s lap.

Meanwhile, Tommy is in his chair, having a deer-in-the headlights moment, staring up at Buck, wide-eyed, slightly pale, a forkful of potato salad halfway to his mouth. Tommy is so frozen that Chim has to nudge him so that his fork continues its journey to his mouth.

Tommy chews on the potatoes mechanically, no longer paying attention to the delicious taste that he’d been previously enjoying, too busy trying to act normal and trying to rein in his growing hope. By Chim’s side-eyes, Tommy isn’t doing a great job.

As the night goes on, Tommy forces himself to not approach Buck no matter how much he wants to, mostly because has forgotten how to act like a normal human being.

But then Buck is right there, in front of him.

“Hey,” Buck says.

“Hi,” Tommy replies. So far so good.

Buck is looking at him, and Tommy is trying to remember what he’s meant to do with his hands.

“Congratulations,” Tommy forces out because congratulations are definitely in order, “How are you feeling?” He asks, genuinely curious.

“Good,” Buck says in that sincere way that comes so naturally to him.

“Yeah?

“Yeah, great. I feel, I don’t know, lighter I guess. I mean, I’m still me, but now I know why I spend so much time staring at men’s asses.”

Tommy snorts, “Yeah, I know the feeling.”

There’s a pause. Buck’s staring at Tommy, and Tommy’s staring at Buck, and neither want to look away.

“Hey,” Buck finally says, “tell me if I’m completely off base, but there’s this little Italian restaurant I’ve been meaning to try, and I was wondering if you’d want to come with me.” Buck stops, swallows. Tommy watches his adam’s apple move. Buck continues “Like, as a date.”

Tommy forces his eyes back up away from Buck’s neck.

“A date?” Tommy repeats, the hope inside him soaring.

“Yeah.”

“Okay,” Tommy says, smiling, not sure if he can believe what he’s hearing.

“Okay,” Buck says, smiling back. It’s a smile so soft that Tommy wants to trace it with his fingers, but they’re definitely not there yet and Tommy’s trying to act normal.

“Okay,” Buck repeats a little breathlessly, that soft smile still in place.

(During this whole interaction, Chimney is hiding in a bush, binoculars in hand. Karen is at his side, asking him what they’re saying.

“I can’t read lips!” Chim says, though he tries anyway with mixed results.

But then, Hen comes along and puts a stop to it, dragging Chim and Karen out of the bush and confiscating Chim’s binoculars.)

[chiscribbs]

Grown Apart AU - Musical Style ✨

What is This Feeling from Wicked pretty perfectly encapsulates GA Donnie and Leo's first impressions of each other, so the musical nerd within me couldn't resist doing this (lol).

Context within the plot: After saving Mikey's life (by total coincidence), Donnie manages to infiltrate the Hamato residence as a spy, planning to capture the oozesquitos and hand them over to Big Mama, thus gaining her favor. Leo, however, sees through his act easily and has been keeping an eye on him since he arrived. Due to circumstances outside of their control - i.e. Splinter's decision - the two of them are forced to share a room with each other, which neither party is particularly thrilled about.

----------------

I just found out that, apparently, Grown Apart has made into the @tmntaucompetition preliminaries!!!! ASDFGHJKJH;!! Thank you to anyone who sent in a nomination! I guess we can officially call this "propaganda" now, so look forward to seeing much more in the very near future!

[ohnonotthehorrors]

You know, if any of the bats are going to kill the Joker: it should probably be Dick or Duke.

Like, I get it. 'Jason kills the Joker' sounds like the most obvious solution. But the thing is: Jason literally does not care about the Joker.

"But he's the man that killed him-" Sure. But that was a While ago. (At least if you ignore all the rebooting of the universe). Sure, Joker is a big symptom of what Jason sees as the problem. Which is: Crime needs to be controlled. Because more than anyone, he knows it won't be stopped. (It especially won't be stopped if no one is allowed to kill the bad guys).

But here's the thing. Jason's arc does not, and Should Not, revolve around Joker at all. Jason's story really never has been about revenge, and he should be Allowed to Move On from this one of the many people that hurt him. This isn't a: 'Oh Jason should learn to forgive and let go and not take revenge' this is a: 'the Joker is pathetic. Killing him just straight up doesn't do anything to Jason's arc or character.'

But Dick? Dick whose TRIED to kill the Joker? Dick who first donned the mask and tights to take revenge? Who wanted to make up for not being there for Jason? Yeah. This is the character that Would benefit from killing the Joker.

The first Robin has been around almost as long as the Joker has (both made in the same year) and it would be nothing more than divine justice for him to finally be the one to end him.

Well that's all well and good, you say. But what about Duke? What does he have to do with this?

You mean other than Duke being Awesome and he deserves to?

Duke's parents were hit by Joker gas. Pretty famously part of his character's back story. Duke has already killed a 'mirage' of Joker in the comics, which I think would be neat foreshadowing.

And think about it. The guy with light powers, the guy that works the day shift, by all means the Proof that Gotham really does care. Really does take things seriously. Why Shouldn't he get to kill off the personification of apathy?

Now the other point, and this is really just a personal vendetta, I would love Love the character that is Constantly ignored (at least by fandom) to kill off DCs 'specialist awful white man.'

The other person who should get to kill the Joker is Barbara Gordon (for self explanatory reasons) except I don't trust any writer to do it.

(She should get to beat that Thing into a white and red Pulp and shred his remains. No 'pull a trigger' no 'hire a swat team.' She gets to do it with her Bare Fists)

[poorly-drawn-mdzs]

Average Drama Enjoyer observes some peak drama.

[steviesummer]

inspired by and as a direct follow up to this post by @strangersteddierthings:

Eddie is horrified. He remembers the day Steve is referring to, though clearly not as well as Steve does. He calls out as Steve raced up the stairs and hears his door slam.

“Fuck.” He stares blankly at the wall in front of him. He can’t believe things went so bad so quickly. He’s been trying to get to know Steve better, get closer and damn if he didn’t just blow the hole thing. He’d shown up early, told Steve he needed to prepare as an excuse to spend some time with him. Despite everything that happened over spring break, Steve had remained guarded, standoffish no matter what Eddie tried. At least now he knew why. He’d fucked things up before he’d known there was something to fuck up.

He feels even worse about calling him a bully. Sure, Steve had looked the other way and even laughed at some of the mean jokes others had made, but he was far from the worst. That dubious award went to Billy Hargrove, but even without him, there was plenty of people who did far worse than Steve did. Especially because Steve is right. He did hit first, metaphorically at least. He can justify it all he wants as trying to protect himself, but that doesn’t make it right. Steve all but admitted that as he said the same thing. He feels nauseous at the realization that maybe he was just as bad as those he decried. That for all his talk about accepting outcasts and defying convention, he was just as prejudiced. Swallowing hard, he heads back to the dining room and looks at the clock. There is no way he is going to be able to run the campaign today. He’s not going to be able to focus or even play without thinking about how things might have been if he hadn’t driven Steve off all those years ago. He grabs the phone and dials Gareth’s number. “Emerson house, Sheryl speaking.” “Hi Mrs. Emerson, it’s Eddie.” Eddie is proud that he manages to keep his voice even. “Is Gareth there?” “Oh, yes! Let me go get him for you.” “Thanks Mrs. Emerson.” Eddie focuses on breathing while he waits. “Eddie? Hey man, what’s up?” Eddie breathes out. “Hey Gareth. Look, I know its last minute, but we’re gonna have to postpone Hellfire. Something came up.” He could hear Gareth’s frown through the phone. “Postpone? What happened, did Harrington do something?” As if he couldn’t feel worse. “Nah. I’ll explain later, but can you call Jeff and Frank, let them know? I gotta call the freshman, too.” “Alright, but I’m going to hold you to that.” “Fair enough. Talk to you tomorrow.” Eddie promises before hanging up. He weighs his options for how to tell the Party. Eventually, he decides on calling Mike, know that the younger teen won’t push too much. He’s dialing the Wheeler home before he can second guess his decision. “This is Mike.” Eddie feels a rush of gratitude that Mike is the one who answered, rather than Nancy or one of their parents. “Hey Mike, it’s Eddie. Listen, Steve’s not feeling great and having Hellfire here isn’t going to help. Can you call the rest of the Party, let them know we’re gonna move it to another day? I’ll keep an eye on Steve.” Eddie knows Mike is a confused, given how adamant he’s been in the past about not canceling or moving Hellfire, but as he expected, Mike accepts what he says at face value. “Sure. Need us to bring anything?” “Nah, I’ve got it. Pretty sure he just needs some peace and quiet so he can rest. But thanks.” They say their goodbyes and Eddie puts the phone back on the hook.  With that done, he checks that the door is locked and faces the stairs. Now for the hard part. He’s not sure what he’s going to say, if there is anything he can say that will fix this, but he has to try. Even if doesn’t change things between him and Steve, Steve deserves at least that much. Every step feels like it takes effort, chest heavy with guilt, but it only takes him a few moments to get to Steve’s door. It’s closed, which doesn’t surprise him. He takes a moment to gather his thoughts before knocking. Nothing. “Steve?” If it wasn’t for the quiet sound of Steve’s breathing he could hear through the door, Eddie would think he had left. He glad that he at least didn’t drive Steve out of his own home. He rests his forehead on the door. “I’m sorry.” Eddie hopes Steve can hear how much he means it. “You’re right, I fucked up. I made an assumption and took out my anger at other people on you. And that wasn’t fair and it’s not okay. But I want you to know that I’m sorry. Even if it wasn’t you, I shouldn’t have done that.” He lets out a hysterical laugh as he realizes - “And despite that, you still humor the kids when they talk about D&D and agreed to let us play here and didn’t punch me in the face, which makes you a better man than I.” He falls silent, listens as Steve’s breathing slows. He isn’t sure how long he stands there. He wonders how many other people he hurt this way, without even realizing. Knows he wants to do better, be better. He sighs, feeling his shoulders slump. “Anyway, I canceled Hellfire for today. I told everyone something came up, don’t worry about that. I’ll make up some story, make sure they know its not your fault. And uh,  let me know if you want to hang out again or something. I know I’ve been around a lot; didn’t realize that I was making you so uncomfortable, which is probably another thing I should apologize for. Anyway. Yeah. I’ll see you around, okay?” He waits a moment for an answer, but when none comes, he backs away from the door and walks downstairs to gather his stuff. It hurts, but he knows Steve deserves space and to be the one to initiate contact. He has some thinking to do, anyway.

[pokeberry5]

inspired by those textposts about dick rocking up to the rest of titans with tim for the first time and kori et al. being like: is that the stalker kid???

bonus:

warm ups:

[foxtatodreams]

!! I got THAT "Dekarios" dialogue !! (thanks to this post on X)

Although this line makes everyone melt (How could it not? Look at him!)...

Can we talk about this other one for a moment?

Tav: Gale Dekarios... I like him more. Gale: You like so many things about me I'd have sooner discarded... Your generosity is quite wonderful.

Why does he always have that sad look when he talks about himself? (In the boat scene, too) Gale, stupid wizard, you are good enough as you are. It's not 'generosity', we love you very, very much too.

If you allow me another consideration: I think it's a very well made character development that Gale in this dialogue refers to 'Gale Dekarios' in the third person...

Gale: Though let's keep his existence between ourselves for now.

... instead in the epilogue 'him' becomes 'Gale of Waterdeep'.

Gale: Oh, him. I've been thinking a lot about that 'Gale of Waterdeep' sound a bit pompous...

Eventually, Gale accepts himself.

[anna-scribbles]

reading old journal entries is like. i take myself firmly by the shoulders. you are not fundamentally evil you are just fifteen

[jiaxxnscribbles]

got inspired by this post

[zuzu-draws]

So after the spoilers for Chap 257 dropped, I saw some tweets clarifying the meaning of the Kanji Sukuna used in the chapter when referring to his mother, and the overall reveals in the chapter got me thinking.

I’m making this post as a way of gathering my thoughts, personal speculations and where I think all of this connects to Sukuna’s character and the information Gege has given us over the years. Nothing I say is by any means new information, but like I said, I’m just collecting my thoughts here. By the way, just a warning, this post contains SPOILERS for the JJK Manga! If you don’t like that, please don’t read this!

Something I’ve noticed is that the theme of “Hunger” and symbolism of “Cooking/Food” is heavily referenced with Sukuna throughout the Manga. Gege in a previous Fanbook has disclosed Sukuna’s favorite Hobby to be “Eating”.

This theme is again very much ingrained within Sukuna’s cursed techniques and even his Domain Expansion, the “Malevolent Shrine”. With his two main techniques being “Dismantle” and “Cleave” are cutting-type attacks. He is also able to use a Flame-Arrow, and Fire is essential for making Food. The Shrine in his Domain Expansion literally has mouths on all sides, looking eager to chew down anything in-front of them!

This symbolism also heavily influences Sukuna’s own manner of speech, and the way he speaks to other characters in the series as well. With his post-fight chat with Jogo before his death, Sukuna mentions Jogo lacking the “Hunger” to take control of his desires, preventing him from reaching the heights of Gojo Satoru. Before the Start of their fight in Shinjuku, Sukuna called Gojo a “Nameless Fish on top of his cutting board”, and that he was going to start by “Peeling off the scales”(refering to Gojo’s infinity). There’s also further symbolism that supports this by analyzing the Kanji and meaning of Sukuna’s “Malevolent Shrine” but I’m not very educated on that so I won’t be opening that point here.

What all of this points to is that Eating and Food……is extremely important to Sukuna, to the point that it literally affects him in manners innumerable.

Eating is an instinct, a necessity for the survival of every single living being.

And In the face of extreme Hunger and starvation, even those with the strongest will could lose their Humanity and revert to the basic animalistic side of their existence. (The Heian Period also had a Famine, although I believe the timing to be a bit off, but do with this info as you see fit)

In JJK Chapter 257, it is revealed to us that Sukuna and his Twin were most likely starving in the womb of their starving mother.

On the brink of starvation, Sukuna had to consume his “other self”(his twin), so that he could survive.

Btw, this tweet and this thread gives additional characterisation to Sukuna:

Link to the original thread: Link.

More context (and reactions :P):

Link to original thread: Here

This reveals to us that indeed, Sukuna was born a twin. And as we all know, “Twins” are seen with extreme scrutiny in Jujutsu Society, they’re not well liked. This too in a period where Cursed Spirits and Jujutsu Sorcery was at its peak, it is not far-fetched to assume that his Mother may not have been treated very well by the people in her surroundings, especially as she bore twins.

When Kashimo asks if Sukuna was born the Strongest or if he made himself the Strongest, this is the response Sukuna gave to him:

When you think about it, how do you think the people around them would have reacted when the woman: who was supposed to birth two twins, gave birth to a single child instead? and that child had consumed his other twin in the womb itself?

No doubt people would’ve been horrified, disgusted and even revulsed. With the woman and her newborn child.

This would’ve led to their further ostracisation in the already very close-minded society. Unable to fend for herself and her newborn child, it must’ve been difficult for Sukuna’s mother to survive. I feel like somewhere along the line, Sukuna was left alone to fend for himself at an extremely young age. To protect himself from both Curses and Society alike.

This is why I believe Sukuna knows what true starvation, weakness and hunger feels like. Both in the emotional and literal sense. He was left without another person caring about him or his well-being, in a cut-throat period where it was “Fight or be killed”.

Powerful curses roamed all across Japan, nowhere was safe. Simply be strong, or you'll die. There's no room for weakness. And initially, a kid!Sukuna was weak, as anyone would be in the beginning when they're just starting out in this world. (and maybe, he didn't have much to eat, leading to long periods of starvation? :') )

I believe it is this debilitating hunger, and feeling of weakness that eventually led to Sukuna’s current Hedonistic mindset.

He’s essentially traumatised by it, and believes that it was his own weakness that led him to experience this sheer starvation. That he deserved to feel this way because he was weak then. Perhaps, the people around him were right, that as long as they have the power and strength to overcome anything, they’re free to do as they please; And there is nothing anyone else could do about it.

I feel like the irony here is that Sukuna himself, must’ve been a “weakling” before eventually rising the ranks to become History’s Strongest Sorcerer. This is also why he values Strength so much.

Ultimately, Sukuna has decided that there was nothing more important than being strong enough to fulfill your own desires. And “eating” is one of his most important desires. It’s his favourite thing to do, the one he derives the most pleasure out of. And like an animal, whose main focus is to consume, consume and consume. He too, simply consumes.

Most morals likely have no meaning to him. He doesn’t care who he hurts, what he does, as long as he’s able to get what he wants. And this isn’t limited to eating.

This is why people referring to Sukuna as a “Natural Disaster” is so befitting of him. Because Natural Disasters also don’t care about what or who they’re destroying, they just come and go, wreaking havoc appropriate for their nature and magnitude.

I believe Sukuna himself has said lines similar in nature, when talking to Kashimo:

Now I’m not sure how Sukuna perceives or even experiences this “Love”, because I think he has a rather very warped idea of it. I do think that this definition of love is similar to the one that Gojo also understands, but I don’t think he knows what “love” truly is. I’m not sure how I could comment on this, but I do think that Sukuna’s emotionally starved, whether he realises that or not.

Because, like Kashimo himself asked Sukuna “What is the point of dividing your soul into 20 different parts and then traversing across time if you’re satisfied with this?” we do not know the answer to that yet.

But many people have speculated that “Black Box” panels in JJK manga represent a curse (either self-inflicted or put by someone) on the speaker. Like, take a look over here where Sukuna reiterates the same dialogue, except it looks like he’s trying to reassure himself:

This once again shows that Sukuna has only ever strived for himself, in the same hedonistic fashion, to a very very extreme degree. It is possible that he's been lacking something, and he himself does not realise that he’s lacking it. Maybe it was this subconscious feeling, that led to Sukuna agreeing to Kenjaku’s plan of dividing his soul into 20 different parts, and to traverse across time as a Cursed Object.

Sukuna’s an incredibly complex character, and I’m excited to see where this goes. Gege has put extra care in the way he characterizes and depicts Sukuna, and again, I’m really sad that a lot of that characterization gets lost in translation. Still, I’m going to try my best to understand and get the most accurate feel of his character as I possibly can.

If you made it this far, Thank you for reading! And if you would like, please do leave a comment in the tags or replies because I would love to read what other people think of this and just Sukuna in general. I do not see a lot of people doing critical analysis of him, and a lot of his actions are seemingly swept under the rug. I don’t like that, so hopefully this contributes to people focusing more on Sukuna and his character. (/^v^)/ <3

[a-s-fischer]

Antisemitism and the Nazi Worldview: a Guide for the Perplexed

While most people know the Nazis hated Jews, few people understand just how integral Jew-hate was to the Nazi philosophy. This leads into many of the misconceptions about Nazis and the holocaust that regularly pop up, so it bears discussing what Nazis believed about racism and the Jews.

The Nazi conception of "race" was much narrower and "scientific" than we think of it today. The Nazi conception of race was that humans were split into subgroups with distinct traits, that set them apart from each other and gave them advantages in a great and bloody contest of the races. These races pattern on better to ethnicities, nationalities, or even language groups, than race as we think of it today, which is why it would make sense in a Nazi framework to talk about an Irish race, or a Polish race, for example. And of course in the Nazi mind, these races were a real biological reality, and not a social and cultural construct, and the strength and purity of a fit race might be lost through race mixing.

And of course races were differently fit or unfit, superior or inferior, and through the races warring against each other in a battle of the fittest, the superior race would rise above the rest, and subjugate the earth. Hitler came of age in a time of scarcity, war, and famine, and he believed there was no way to feed the entirety of the human race, so eliminating the lesser races through this perpetual struggle of races against each other was the only way for humanity to survive. It was all very Darwinian except that it completely misunderstood how the Darwinian model of evolution actually works, since the unit of selection was the nonexistent race, not the individual.

This struggle of the races was in Hitler and the Nazis' conception not only natural and necessary, but good. Conquest and the slaughter of inferior races was good. The state of the world with nation states and silly notions like laws, and morals, this was bad and unnatural. Humanity, or the strongest race, needed to do away with this system, or humans would all perish of starvation in a degenerate race-mixed scrum. The Nazis were heros, looking to save humanity from this foul unnatural state it had been tricked into adopting.

Tricked by the machinations of one race. One race had broken away from the others, and learned how to hack the system, to survive over under the rule of other races, when it should have been destroyed as a weaker lesser race. This race figured out how to lie and cheat, and live off other races as a parasite, while controlling them from within with fake, unnatural, vile concepts of laws, ethics, notions of justice and compassion, human rights, and international cooperation. And also with money. That race was the Jews.

In the Nazi mind, other races might be lesser, weaker, worthy only of a slow starvation under Nazi rule, but Jews, Jews were unique, special. Weak but cunning, only the Jews had figured out how to subvert and pervert the noble struggle of the races. The Jews were not only especially hated in the Nazi mind but they also served an explanatory purpose. The Jews were the reason humans were not in what the Nazis viewed as a state of nature, and the reason that the areas hadn't eliminated all the other races and taken over the world already. And anything that went wrong for the Nazis was of course caused by Jewish manipulation. The Jews had to be stripped of their unnatural power and control, and eliminated quickly, to keep them from continuing to undermine the strongest race, the Aryan Germans.

Early on, there was some discussion about how this was to be done. The mass slaughter of Jews under this philosophy might have been inevitable but it wasn't obviously inevitable to all Nazis. The important thing was to reduce the Jews to a state of nature, to take away their unnatural control, and leave them in the position of any other lesser race. This is where ideas, like sending all the Jews to Madagascar, to "build their own state" but really to inevidably die in the wilderness, came from. If Jews were separated from their stronger hosts, the logic went, they would just be one more weaker race and they would die just the same. This was also why so many Nazis took a special delight in simply denying captive Jews the means of survival, leaving them to starve, freeze, and die of disease in a state of nature, without the resources they had parasitically leached out of their host races.

But that process took too long. There were simply too many Jews, and too many (to the Nazi mind) Jewish controlled enemies. As Germany and the Axis' began to lose the war, and then as that loss became increasingly only a matter of time, the Nazis ramped up their efforts to kill Jews, by bullet and by gas, because if they could kill enough Jews, surely that Jewish control over their enemies would break and the Aryans among those enemies what recognize their racial interest, and join with the Germans, giving them victory. Instead the resources poured into the wholesale murder of Jews were resources stripped from the Nazi war machine, hastening the Allied victory.

Antisemitism wasn't simply one more bigotry for the Nazis to tack onto their general racism. It was foundational to the Nazi conception of how the world functioned. It was the explanitory mechanism in the Nazis' conspiratorial framework. And with this philosophy at the core of Nazism, the Holocaust became not only inevitable, but the highest calling of the Nazis, their sacrifice for humanity, or at least what was left of humanity after the strongest race had triumphed over all the others. Very little about Nazism is unique. Their militarism, their glorification of violence and struggle, their racial pseudo-Darwinianism, certainly their conspiratorial antisemitism, all had plenty of precident long before they came on the scene. It was their particularly potent combination of these existing elements that made them Nazis. And in this combination, it was the Jew-hate which held everything together and which provided the energizing force.

[waterlilyvioletfog]

See the thing is, you read HtN and like yeah, obviously lobotomizing yourself so a dead girl’s soul doesn’t get cannibalized is completely fucking wild and you probably have to love someone at least a little to do that, but Harrow has spent the whole book having tension with Ianthe and fervently claiming to be in love with the Body— and then you get to Act V and Harrow is literally weeping wailing feral about Gideon, constructing Prince!Gideon AUs (which, she doesn’t know about Gideon’s paternity!! She is simply drawing upon a (romantic!!!) genre trope!!!) and role reversal AUs and fucking coffee shop AUs about Gideon, and she’s refusing to go back to her own body, and Abigail and Magnus and Dulcie so obviously and completely believe that Harrow is in love with Gideon because they directly compare them to Abigail and Magnus, and she says she’s saving the last dance. Agh!!! Aggghhhhh!!!!!!

[boyhood]

I have a new episode of my podcast All Miracles Are Strange. It's about hysterical weeping, Margery Kempe, EM Cioran, and two ceramics work by the artist Carolein Smit (above).

It's also about how I cry a lot.

In this episode, I referenced Tears and Saints by Emil Cioran, The Crying Book by Heather Christie, Cry Baby: Why Our Tears Matter by Benjamin Parry, Interior Castles by Teresa of Avila, the Book of Margery Kempe, Afterlives of the Saints by Colin Dickey, and the essay “Tears and Screaming: Weeping in the Spirituality of Margery Kempe” by Santha Bhattacharji, which appears in the book “Holy Tears: Weeping in the Religious Imagination.” I tried very hard to put in some bits from Margery Kempe by Robert Gluck, but couldn't make it work this time around.

If you would like to support my work or read more of what I do, you can find me on Patreon and Substack. If you want to see my studio work, you can see it on instagram and on my website.

This episode, along with all the others, can be found on both Spotify and Apple Podcasts