#I am not a big creator or popular or anything but it’s fun sharing the love and maybe you’ll find someone new

[myokk]

Trick or Treat!! 🍬

Here’s a 5 minute sketch of Elsie!!🫶🫶

She’s writing a fic, I haven’t had a chance to read it yet but it’s about Elsie💓💓 & on her blog you can see a lot of excerpts!!

[spacecasehobbit]

After seeing yet another popular tumblr post with thousands of reblogs bemoaning the state of comments on fanfics these days - more specifically, the supposed lack of commenting these days, as opposed to The Good Old Days - I have decided that this is in fact a hill I am willing to die on. I'm making a separate post about it rather than reblogging the latest iteration, though. This is hardly the first time I've seen these types of discussions, and my issue is with the mindset in general, not any of the specific people who hold it.

In the most recent version, the entire post with all its various arguments and assertions was plenty frustrating across the board, but it included one line in particular that cut beautifully to the heart of my issue with this type of discussion. The line in question:

"fanfic authors now are treated like content mills, and not like valued members of a creative community who thrive on interaction."

Once I read this bit, I had to stop, take a few deep breaths, and then go make my own post before I imploded over the sheer level of NOPE this line inspired. And okay. The thing is... I want to say this as gently and kindly as I possibly can, but I need to be real blunt for a minute, too.

That line I quoted sounds like a wannabe social media influencer.

It sounds like a person who thinks fandom is - or should be - comprised of fanfiction writers, aka Valued Content Creators, and their respective communities of readers, aka Content Consumers, a strictly distinct group from fic writers, for whom they create fanfiction content and who in turn pay them back with attention and validation in the form of comments and praise.

It does not sound like a fanfiction author who enjoys the creative hobby of writing stories based on characters and worlds from existing stories, engaging in their hobby within a community of other likeminded creators of fan content.

Frankly, fandom has always been worst when it starts obsessing over Big Name Fans who wind up treated like elite fandom social influencers, instead of hobbyists engaging in a fun hobby together based on mutual interests. A shift towards the idea that every fanfic writer should be effectively a social media influencer whose community consists of fans reading the content they oh-so-lovingly create (but only if they get enough positive attention from passive consumers, presumably readers who don't write their own fic or expect comments back from the author in return) sounds like an absolutely awful direction for fandom to take.

I don't want fanfiction and fandom spaces to turn into another social media space full of Our Valued Content Creators, all fighting to build the largest "community" of passive consumers turned devoted followers.

Again, that sounds frankly fucking awful.

The people who only read fanfiction are not your fanfiction community, because they are not engaging in the shared community hobby of writing fanfiction. Your fanfiction community is, perhaps, the other people who are also writing their own fanfiction based on someone else's original work.

So perhaps if comments really are declining on fics these days, instead of asking why passive readers aren't heaping praise on every fic they read and making sure it all happens where the Valued Creator can hear it, you should ask yourself how many other fanfics you've commented on recently, and then go comment on another one if you're still feeling down about your own work.

Or, I dunno, find a fic author you admire and send them a message on tumblr, if you've already commented on all of their fics that you read and enjoyed.

Or start your own discord for likeminded fans, or find a way to set up your own fandom forums centered on your personal fandom interests and invite other fic authors to come join.

Or, like, anything that involves reaching out to the actual community of hobbyists you can reasonably consider to be a community you are actually a part of.

Aka, other fanfiction writers.

[rayshippouuchiha]

Hi Ray,

Have you ever had a ship that you are a hundred and ten percent sure nobody but you ever shipped before? Either because the show/book/other is far to small, because another ship is so much more popular, because it might be a crossover, or any other reason as to why ships might not have been though about.

Because today my day of reckoning has come, all the years I've been sitting happily in my big fandoms, with some of the most popular (or at least middle popular) ships (platonic or otherwise), and now I am devastated that, apparently, only I ever thought about this.

To be fair; there is, for both of these characters, a ship that has basically the same dynamic, that is endlessly more popular (actually the most popular ship for both of them) and also makes way more sense. They have and never will share a screen time as they are are both from different universes. And the only reason I have even come to ship it in the first place, is because they have apparently the same favorite movie (and a somewhat similar outlook on a few brought different topics, but that's as brought a statement as they come, if one of the few is; "You shall not be Judge, Jury, and Executioner").

I have to write for this ship. I can not write – at least not a coherent story – but I have to now. I am also much to anxious to put anything out in the world aside from an occasional anonymous message, but if there is only one person out there like me searching the internet far and wide and not even finding a single crumb (not even in another language) of that ship then, hey, it might be worth to get over my fear and panic... also maybe if I get the stone rolling someone else follows and I don't have to do it again.

Wish me luck, and I hope you have/had/will have? a nice Halloween!

Oh I have absolutely been there and it's a special kind of fandom hell. And you should absolutely write for it!! And have FUN with it because if it's basically only you right now and there's no other ship content? That means you're that pair's Creator God.

[savethegrishaverse]

Here is the Transcript to the Questions Answered by Eric Heisserer!

Recently, we were very fortunate that Shadow and Bone showrunner Eric Heisserer agreed to answer some fan questions! Below is the transcript of the screenshots that have been previously shared—not an entirely new interview. The transcript in this format should be much more accessible and convenient, particularly for anyone using a screen reader.

To make it easier to read through Eric’s responses, we’ve nested his answers below coordinating questions.

Okay, taking these one at a time -- because some of these will have very long answers, and I may have to return at later intervals to answer them: (note: questions will be in bold)

"I'd like to know if there's a way to liberate the pre-written scripts if Netflix doesn't plan on using them" - Asked by Christian Thalmann, the creator of the Fjerdan language.

"There is a way to liberate the Crows scripts from Netflix, yes, and in fact that would be part of the buyout for another streamer when acquiring the rights to Leigh's novels. It would be a package deal."

"In my view, "The Crows" have the potential to revitalize the Grishaverse. Unlike "Shadow And Bone," this new show could rely less on elaborate visual effects and offer a fresh narrative angle. Heist-themed shows are currently in high demand, adding to its appeal. Am I mistaken in thinking that our focus should primarily be on "The Crows"? The likelihood of "Shadow And Bone" returning seems slim, but l've always believed that "The Crows" had a greater chance of success." - asked by fellow fan Joleen

The focus on the Crows is helpful in two ways -- first, those scripts are written, which lets us get a running start at production, and second, just from casual analysis of book sales, it's far more popular worldwide than other Grishaverse titles. So it will be a bigger draw for viewers.

The trap though is the cost. It's more grounded than S&B, sure, but the Ice Court is a unique location that either requires a really costly set build, or set extensions and VFX work to make it look authentic, which means nearly every shot of the heist once our crew gets there could be a VFX shot.

My guess is the budget would be on par with S2 of S&B.

"If/when the spinoff is back (finger crossed) was there anything he had planned that would completely surprised, for good reasons obviously, the audience. And we should hold our breath for that twist/turn?" - asked by fellow fan Rti

​​Yes, there is a surprise or two in the Crows spinoff season, but overall it's as close to the novel as we could make it. And Leigh's novel is such an amazing story with natural cliffhangers that work as episode "out" moments, etc. I think the biggest move we made was to feature every single Crow's backstory to go with their episode. So that was fun/sad/exciting.

"What was the difficulties you mentioned about filming Season 2 in that Reddit comment? Don't want to sound negative but what went wrong?!" - asked by fellow fan Mitra

S2 kept throwing challenges at us, and it started long before we got to production. Like months earlier, when we learned the location we used for the Little Palace in S1 was closed to us due to the pandemic. So right there we lost out on a ton of S&S scenes, because it wouldn't be a match. But we also had written a compelling side arc for Ivan and Fedyor in S2, these two Grisha trapped on either side of the civil war. Each of them played a big role in the story, but Simon (Ivan) had a feature film that overlapped with our schedule and couldn't move, which meant we lost him. So Daegan worked to revise the season keeping Fedyor and leaving Ivan as most likely dead from the end of S1. He was Kirigan's right-hand man for the season. But poor Julian caught COVID just when we were to shoot out most of his scenes, and after trying to make the schedule work, we had to come to the brutal truth that there wasn't a way to keep Fedyor in the story. Our only option was to bring him in at like episode 8, which would've been too little, too late.

COVID continued to be a monster all through production, requiring us to juggle schedules and miss out on days, and it was madness for the cast, who had to pivot with almost no notice whenever someone was ill and quarantined. This isn't unique to our show of course -- it happened with everyone. It's just a challenge.

Beyond that, we had been given the go to write a special standalone story, The Demon in the Wood. This would have been released on its own around Christmas, like a BBC special but for Netflix, and would help bridge seasons 1 and 2 by showing a little of what Kirigan was doing before we see him in 52, and also provide more character context, etc. Christina Strain wrote that and did great work adapting Leigh's short story. But it never went the distance.

There was a lot more to 52 as well, scenes and side stories and little interactions that were lost due to budget or time restrictions. Again, not unique to our show, but agonizing all the same, since what you get is not what we had written, or in some cases even shot.

I'm incredibly proud of the cast and the team, and Daegan did the heaviest lifting while I was off finishing the Crows writing room. But we had a lot more thrown at us.

"How long was the sizzle reel ready to go but he had to keep it secret?" - Asked by members of the Discord Team

That sizzle reel was put together about four months before the second season dropped.

"I would love to know his perspective on the impact of streaming on storytelling. Would we have had to launch a campaign like this 10-15 years ago for a show like this? What are the main pain points when it comes to streaming models & telling unique, diverse stories?" - asked by fellow fan Acorn_Bri

Streaming is a challenge to serialized storytelling in that it looks at 'content often with a different agenda and uses metrics that can take a creative issue and exacerbate it. Like in broadcast, if viewership and thus ad revenue has slightly declined, the show will need to find a way to make their 22 or 13 episodes on a proportionally smaller budget. What is not done is reduce episode order. But if a streaming series underperforms or doesn't meet expectations, and the streamer doesn't cancel it outright, the go-to budget reduction idea is to reduce episode order for the next season.

When you just have 8 episodes and continue to deal with notes to compress, pace up, or omit for what you'd scripted for a longer season, reducing further to six or four episodes is exhausting.

This happens due to a slide in autonomy from what the showrunner position had been. What the chatter on the picket lines revealed to us is that most showrunners today don't get to see their own show's budget, and thus don't get the freedom to make budgetary decisions that could better protect the story they're telling. More and more, showrunners not at a legacy network aren't the final say or at times even involved in hiring key roles. I don't have any ideas that aren't already in a contract language, I just see how the job on this side has gotten harder and there isn't much of a way for us to make it easier for each other like we could with having writers on set or in post production, because the streaming model has made that impossible.

—

Once again, we would like to give a big thank you to everyone who asked their questions, and an even BIGGER thank you to Eric Heisserer for answering them!

[sitp-recs]

hiya liv! for the ask game, if you feel like it ☺️

- how long have you been in the drarry fandom? (could be the first time you read a fic, or your first interaction, or anything you think counts!)

- how did you get into drarry tumblr? (bonus optional question: what made you decide to have a reccing account?)

- lastly, what is a side ship you’d like to see more of in drarry fics? or one you think is underrated?

(feel like there’s definitely more than 3 here but hope you enjoy)

Thank you so much anon, these are great!

1. I started reading HP fic shortly after movie 2 was released so it’s been over two decades now! I can’t remember my very first fic but I moved onto English fics around 2005, which is when I found fandom classics like Underwater Light, Irresistible Poison, DDG and others. I should add that I was a certified lurker back then, it took me ages to start interacting with creators and readers beyond the occasional comment. It was thanks to Tumblr that I joined the fandom in a more active role and built my confidence to reach out and make friends 🥹

2. I’ve been on Tumblr since 2014 but I didn’t create this blog until 2020. Back then I was on a major HP break (2013-2019) and mostly involved with other fandoms. I didn’t feel the urge to use a side account for fandom stuff but that changed when I started to read a quite controversial MCU ship and decided to protect my main blog 😂 I did a few rec lists here and there, nothing consistent like I do here (and for a much smaller fandom) but it gave me the confidence to officially join the Drarry community. This blog was created as a temporary project during COVID because I was getting back into Drarry (thank you for WWAITS, @quicksilvermaid!) and I really wanted to connect with people and share my love for fic. I didn’t plan too far ahead, but here I am still 😂 it’s insane to think it’s been four years, so much has happened between then and now, and the blog certainly doesn’t look like what I initially had in mind but I’m planning to stay around while I’m still having fun!

3. Oh I can’t babble enough about rare pairs, I love so many of them! My favorites include Harry so they can’t be considered a side ship to Drarry, but I’d love to see more ships with Blaise, or Ginny/Hermione instead of the more popular wlw ones (Ginsy, Linny). But I’m a big champion of all side ships, the more the merrier! What about you, any particular favorites?

Ask game

[7grandmel]

Todays rip: 18/08/2023

Rainbow Baroad

Season 7 Featured on: Os Bar​õ​es da Qualidade

Ripped by Pan

An early Season 7 rip? That can only mean one thing - its time to go to Brazil!

A very underappreciated yet always fun part of following SiIvaGunner is just how many different kinds of people are part of the team, and how many of them are able to share their unique culture to the rest of us. A lot of SiIva tends to sway toward pretty "global" experiences, like video games released worldwide or featuring celebrities and memes known all over the world. Yet there's always been exceptions to that, more niche jokes and more culture-specific rips not made to appeal to a global audience. During Season 1, for instance, we had the album Hatsilva Muku: Ripping DIVA, catering specifically to the Japan-centric Vocaloid crowd, and althroughout events such as the two King for a Day tournaments we saw South American music and memes represented through the Dancing Alien Team. Althesame, I don't think there's ever been anything quite like the Felipe Barão's Birthday takeover.

Felipe Barão and his brother form the band Os Barões da Pisadinha, which translates roughly to "The Barons of the Pisadinha". What's the Pisadinha, you ask? Put simply, its a very distinct rhythm of notes that's applied all over Brazilian Forró music, which is what the band performs. These guys, along with Forró music in general, are pretty damn popular in Brazil, a bizarre phenomenon wherin their music seems to be beloved despite being fully acknowledged just how much of it sounds the same.

Part of what made the SiIva takeover in their name so funny was just that effect - that it made EVERY rip sound the same, with the same opening progression of notes, same instrumentation, same jolly tone...yet at the same time, it was really amusing to follow! Everyone already knew each rip's joke to a tee, and the focus now became on discovering if the song ripped would sound good or not in that new instrumentation. For my money, Rainbow Baroad takes the cake as my favorite of the event. Rainbow Road Wii is already quite a nostalgic and happy-go-lucky track, and the kind of summery vibe that forró music brings just heightens those feelings more. Its hard to listen to this one without getting a big ass smile on your face! Every part of the original song is recreated perfectly in Os Barões da Pisadinha's style, with excellent layering of instruments on more impactful parts, great use of backing, and a surprisingly natural implementation of the Pisadinha rhythm.

This entire event and others like it fascinate me with just how unfamiliar I actually am with the source material. In a way, SiIva has always been a sort of gateway into discovering new kinds of music, new games, new everything - its an outlet of every creator on board to let others know whats dear to them. For some its a game franchise, and for some its a silly band from Brazil - hell, for the creator of the channel it was Maroon 5 with rips like Everyday Goodbyes (SiIvaGunner Band Cover). Even if you try describing SiIvaGunner as a celebration of video games and "pop" culture, you're never gonna be able to truly capture everything the channel's able to provide.

[bruciemilf]

First off the Wayne family content you've been posting recently is so fun, absolutely love it. Secondly, help what do I do when one of my posts becomes more popular than other stuff I post (less than 70 notes but I'm used to not being interacted with on tumblr at all) like how do I handle being perceived as a fan content creator (sorta????)

Hello!! First of all that's so kind aaaaa, second of all!! I'd say try not to compare your popular posts to your less viewed content. Depending on the fandom you're in, engagement can fluctuate.

I used to be into riverdale for a time and had like, 500 followers. Now that I'm switched to DC, I have like, 4K. It's a pretty surreal experience, because I haven't had engagement like this in any fandom before.

But my posts are like that, too! Generally, my "big" posts are dedicated to headcanons with established popularity already (ex, Jason and Bruce's relationship, Bruce being a batdad in general, batfamily stuff)

but my Thomas and Martha, Bruharvey, and singular Bruce posts don't get traction that much, which is fine, since they're not all that big in the fandom anyway.

Most importantly, I'd say do it for yourself and do it for fun!! While validation is certainly nice, I don't necessarily think it should be the only nourishment source for your self esteem, nor should it be treated like something serious.

While a lack of engagement can be disheartening sometimes, you WILL make friends!! Blogging is fun when it's treated like a potluck or a boo club; everyone brings something and we all enjoy it together because overall, it's a hobby and a source of joy, not a job.

I will be honest with you, -- when I AM losing followers, there's definitely some anxiety that comes from it. I try not to take it personally. Some people follow blogs for a specific genre of content, and if they don't see it anymore or simply aren't interested, it's more than okay to leave!

At times it has more to do with " did I do something wrong?" But most often than not, it's really due to incompatibility. They're there to have fun and so are we.

I feel like content, especially on a site as socially destitute as Tumblr, is wholesome and precious because really, no one really gains anything from it; It's just a beautiful thing people share because they want to. It makes them happy and they want us to be happy, too. Weather consciously or not.

Your ask just now!! Im someone who thrives over fandom interaction and I've got to know many amazing, creative people due to it. I'm MORE than sure you'll make friends, too :>>> but really, just have fun with your blog, bestie

[temporarilyunstable]

Hi, I like your cover pic. Are you a fan of ShizuAka? Do you think the show is pushing them as a couple? Since they have a not so big age gap? Compare to Kogami?

Hello! Yes I am a HUGE fan... I shipped them since this scene when PPFI premiered:

I was alone for a bit and was a little afraid to talk about them and then a few months later some fans started to notice it too (@oatbrew answering a bunch of asks a few months after PPFI aired, one of which was anon sent by @shikkokans who is probably my closest sounding board when it comes to shizuaka these days whoops I went on a tangent). Anyway, Jay's answers and the awakened interest in it gave me a bit of courage to be embarrassingly annoying about them and began using the tag shizuaka (chose that over akashizu bec it sounded weird lol), then I began writing fics and shoving it down everyone's throats (this is mostly on twitter but i do occasionally do it here as well 🤪).

To be honest I think it's too early to say anything about shizuaka, but I'm not gonna lie, the possibilities are there— I can talk about them so much especially the supplementary materials (novels, deleted script, profiling 3) that I think were purposely removed from the show (OR intentionally added bec these were published after the show aired— could be either) but for now it's nothing. And, well I always like to say there's nothing there, but there's everything to jump off from, if that makes sense. Doesn't take a lot for me to ship but for me to ship this hard it's because there's solid potential and I can't unsee the connections... sorry for being vague! It's because shizuaka is such a small ship right now and I have so much fun with it, I have already seen some fans who mock it because it's a threat to koaka if it does happen. I never stopped shipping koaka, just been shipping them differently from before and with shizuaka I truly don't mind sharing with people who are genuinely interested and not here to yuck my yum, know what I mean?

I will say this. If last March 27, 2020 I called it a crack ship, I cannot, in all my capacity as an audience and a PP fan be able to say the same about them with the information I have now. I'm sorry for the long non-answer but you got me started and I just love them so much so sorry if this is annoying to read... if you're still interested please send me another ask and I'll be happy to elaborate 😊.

As for the "pushing", I think that anyone who walks into psycho pass expecting romance and specially those really seeking validation through "canon status" is setting themselves up for disappointment (not saying you are by the way, this is just a general observation). PP is really not that kind of show. The best any ship fan could hope for is screen time - and meaningful screen time at that. This is why koaka is the most popular ship (in non-JP speaking countries), because despite the fact that creators can say what their intentions were (eg koaka are platonic comrade buddies) and the audience absolutely refusing to see otherwise, the story has already established koaka's relationship to be the most important of the series so far. The audience can make of that what they will, the creators are not stopping fans from doing so buuuuut I also get this feeling they're the kind of team who do not want their intentions to be brushed over by fans hence the "course-correcting" that happened in the midst of promoting PPP (note: THIS IS JUST MY INTERPRETATION).

In any case, PP never explicitly depicts romance, and you can count with your fingers ON ONE HAND the actual romantic scenes—by this I mean literal canon— not romantic as interpreted by fans. So no, I don't think the show is pushing for any ship at all, regardless of any age gaps. What I can guarantee is that the marketing team will sure as hell use that sweet sweet shipping fuel to earn a bit more money from merchandise sales 😉.

[rhoeysama]

Few things are as pretentious and arrogant as putting a watermark on AI-compiled "art" and post it as your own. I see this lately on DeviantArt (an artist community/ art sharing and hosting platform I've been a part of for 15+ years). As if you made it. As if you thought it up and made 10-20+ sketches before you found a composition you actually liked. As if you spent 20, 50, 100+ hours making it. As if you lost sleep making it. As if you sat on your ass for so many hours that your ass got flat and numb and your back aches, your wrist aches, you're hungry, you have to pee, and you're running on coffee just to function, and just realized that you haven't eaten or showered or even been outside all day.

Unless you have dedicated your life and sacrificed yourself - i.e. chosen your ART for years over hanging out with friends, partying, dating & hooking up, lying on the beach, clubbing, binge-watching Netflix or gaming, etc etc - you don't get to call yourself an artist and claim you MADE anything. Sorry, not sorry. This isn't me gatekeeping art; this is me calling out art theft.

I've "made" stuff with AI too. It literally took me less than 5 minutes. All I had to do was type some words into a program and wait for it to compile some images. THAT'S. IT. It takes existing artwork from the internet and pretty much mashes it together. It's not new. It's not original. You didn't make it. Honestly, I'm so sick of seeing it. DeviantArt is almost nothing but AI art anymore, and some people are blatantly posting AI images and calling them "digital art", deliberately not tagging it or disclosing it as AI. What's even more infuriating is that some have "subscriptions" and "take commissions", as in you can pay them to type some words into a program and have it steal art from around the web so they can call themselves an artist. Wow, that was easy! So glad they didn't have to WASTE years of their lives practicing their craft and honing those skills, am I right??

What comes cheap has no value. If anyone can be an artist by the press of a button, then art has no value. True value is the sacrifice - the energy that went into creating the work. The time and attention it took, the LOVE, and YES, the SACRIFICE. I know that's not a popular word these days. Everyone wants to have everything, but nobody wants to compromise and sacrifice for it and do what it takes to get there. Do the hard work without the guarantee of success.

Yes, I am salty. No, I don't care if you're offended. This is such a big fuck you to artists like myself, who have worked our whole lives to hone our craft. It's taking narcissism to a whole new level.

I'm not making art for praise or attention and recognition. I'm making art because I'm passionate about it, I LOVE it, and because it's my way of honoring God, my creator. It gives me purpose and meaning, it's my way of prayer and meditation and healing. It's fun and makes me feel alive and like a child.

AI is fun and all, don't get me wrong. But it isn't YOUR art. It's actually other artists' work that's being stolen and used to render "your" art. Let's not forget that. Be very mindful of this when using AI.

Humility is out of fashion and narcissism and hubris are the new normal. Welcome to Clownworld.

[oc-beehive]

Do you associate your magical girls with any songs/musicians or specific musical movements from the eras they were based off of? Other than Etsuko being grunge ofc (but if you have songs do share)

I hope you don't mind that I'm answering this as a textpost and not a drawing!! It seems more directed to me as a creator + i want to include links and you can't do that on an image. lol

I'll go in chronological order in terms of inspiration! This got REALLY long because I am insane so please excuse the paragraphs.

Disclaimer that I am American and thus my perception of music trends is pretty warped through the lens of what was popular in the US around these times.

Aimi - It's hard to mention the 50s music sphere without mentioning Elvis Presley. That's just a given. The 50s was the major rise of rock and roll, and there's a bit of that inspiration in Aimi's character. But her biggest association for me is no question Doris Day. Specifically songs like "I didn't slip -- I wasn't pushed -- I fell" and her version of "A Bushel and a Peck" (you know, the song from Guys and Dolls!). "Candy Lips" too. Very much the tail end of big band music that pervaded the 40s. I won't include more links because it would just be her entire discography. All those saccharine flowery metaphors about love??? Totally up her alley. I like to imagine that her magical girl transformations are similarly accompanied by those jaunty string plucks.

Hikari - The 60s! The British Invasion! Hoo boy. Initial honorary mention here goes to Roy Orbison's "Oh, Pretty Woman". Outside of that, though, she's definitely a Peter, Paul, and Mary typea girl. "If I Had a Hammer", "Weave Me the Sunshine", so on. A bit more folksy than one might expect, and completely ignoring the elephant in the room, but I think it fits her well! Throw in a couple early Beatles hits if you really must - "Love Me Do" and "I Want To Hold Your Hand" come to mind. Anything simple but upbeat, with a focus on guitar in the instrumentals. "Lemres," you say, "that's every single fucking pop song from the early 60s". Yes. Yes it is.

Akane - Time to get your groove on. The 70s kind of exploded in variety for popular music, and Akane leans heavily towards the disco side, but it's not exclusive. Immediate picks are anything by Earth, Wind and Fire - "Shining Star" and, of course, "September". I am legally obligated to bring up the Jackson 5. "Blame It on the Boogie" is a good pick. Don't tell me you can't imagine a planning montage to these bass lines. Lots of pop and rock acts emerged around this time, but most of them don't seem her style. She'd love David Bowie though. We all love David Bowie. Specifically Diamond Dogs. Shoutout to "Rebel Rebel".

Izumi - Listen man, I had to save writing this blurb for last. The 80s spans so much music. Izumi is a clusterfuck. I guess that makes this appropriate? AC/DC is definitely up there in terms of artist inspiration, with some Journey and REO Speedwagon on there too. I think they deserve a little bit of power ballad, as a treat. Also glam metal/rock, like Poison. You know what? I'm just gonna throw a bunch of songs out there and make you figure it out. "Back in Black", "Walk this Way", "Nothin' But a Good Time", "Once Bitten Twice Shy", and so on. They're having fun and that's what matters.

Etsuko - As mentioned, Etsuko is chiefly inspired by grunge bands! The good old Seattle Sound. Nirvana are obviously the poster child band for that - Pearl Jam and Soundgarden coming in a very close second and third. The latter two of those bands hate(d) being called grunge, by the way. Song examples are "Lithium", "Even Flow", and "Outshined". It's like if you took punk rock and played it through speakers submerged in molasses. Good shit. Mudhoney is also a GREAT example, especially songs like "Good Enough". This is the perfect genre for Etsuko because most of it is composed of complaining vaguely about Society™ and relationships, which is all she does in life.

This has been a glimpse into my sick and twisted mind. If you'll excuse me I have about 40 tabs of YouTube to go and close now.

[userdjarin]

omg?? omg!!! this blog isn’t even a year old yet and i’ve already reached my first big milestone!! i’m so! amazed!! thank u so much!!! most of all i am so grateful to have found a community where i feel safe and have so much fun in :’) i’ve made so many friends and learned so many new content creating things along the way so pls accept this as a celebration and an expression of my joy and appreciation!! 💞

RULES: - as this is a celebration for my followers, pls follow me to participate! - reblog this post - send me an ask with your emoji and request (options below) - anonymous requests are a-ok but only one request per person pls! - all requests and related asks will be tagged with #djarsdin1k, pls blacklist this if u don’t want the spam

GIFSET REQUEST - any fandom! send ur request anyway and i’ll let u know if it’s not my fandom or i’m not familiar enough 🎲 - this or that (make me choose between movies, shows, scenes, characters, tropes, ships, actors, anything!) ❤️ - favourite (ask me my favourite movie, show, scene, character, trope, ship, actor, anything! u can be as specific or as general as u want) 🃏 - wildcard (request a gifset of anything of your choice and i’ll do my best even if i haven’t watched it or i’m not a part of the fandom, as long as i can find it in good quality and it’s within my comfort zone!)

DRABBLE REQUEST - for reader x any of pedro’s characters, pls specify if u want sfw/nsfw! ✒️ + choose a character + sfw/nsfw + 1-3 prompt(s) from (feel free to mix+match and add a few of your own details!): things you said..., kissing prompts, dialogue prompts, protective prompts, hurt/comfort prompts, romantic prompts

pls understand i might not be able to accept ur request depending on familiarity, quality, or comfort. feel free to ask/clarify or send me your request anyway and i’ll let u know if it isn’t possible and to try again! u can also send a couple options for me to choose one from if you’re not sure! also pls be patient as it may take me a while to fulfil your request!!

OTHER 💌 - send me any kind of asks! share any of ur watch/listen/read recommendations, headcanons, un/popular opinions, or ask me for mine, tell me about ur day, tell me a story, shout out a favourite blog/creator, ask me questions, anon or not! my askbox is always open to this (as long as we remain respectful and kind) but this is just a reminder!!

tagging some mutuals below:

i’d like to especially thank everyone below for making the last year so beautiful for me by providing content that has amazed and inspired me, and by warming my heart with your kindness, support, and friendship! everyone here makes me so happy and i wouldn’t unfollow any of u even at knifepoint ❤️‍🔥

@theredviper @silksaddle @skyshipper @buckybarnesj @phantomviola @michaelcorleones @kenoobiwan @300mirrors @leonardbetts @mattbellamy @zzizzigom @din-djarn @sith-maul @thernandalorian @sirtadcooper @trashcora @mandalores @ivypoiison @pankratzjulian @bobasbook @pascal-djarin @darksber @pascalsky @lordsmaxwell @dindiarin @pedrorascal @steveroger @javierian @wexlers @hoeberynmartell @javierpcna @javier-pena @di-n @bestintheparsec @emcgregor @joel-millerr @keanurevees

[mcmoth]

Dream SMP fandom etiquette

So. This post is probably too little, too late, considering the fandom and the issues I'm about to talk about have existed for so long now, and a lot of the people who need to hear this probably aren't on tumblr anyways, but I just wanted to dedicate a quick post to talk about fandom etiquette. Mostly pertaining to discourse, and interactions with people outside of our circle. These are just going to be my own personal thoughts, of course, but I felt it could be good to bring some of this to attention. So without further introduction:

Where to (not) talk about discourse:

Don't go into other streamer's vods to only focus about a different character. If you want to analyse, for example, c!Techno, do it in Techno's stream. Don't go into unrelated streams, like Tommy's, Tubbo's etc. to do it, even if they were a part of the event in question. This is, of course, with the exception if the character in question didn't stream their own pov. But otherwise, stay in your own space. This is to prevent cluttering a streamer's comments about unrelated discussion. To give further example: Tubbo's vod comments should primarily focus on Tubbo's character. Not Tommy's, Ranboo's, Techno's or whoever else's.

Don't start discourse in the comments of animatics. Seriously, stop that. Animatics aren't discussion boards. The comments are there to analyse and appreciate the video presented, not argue. It's especially rude if you pick a small detail, that wasn't even the focus of the animatic, or even a completely unrelated issue to rant out your frustrations about. To give examples: starting disc discourse in an animatic of Tommy talking to Wilbur, or rambling about how tragic Techno's character is in an animatic focused on clingy duo, etc.

This applies to fan songs as well.

Video essays are the exception to these rules. I think it's safe to say they're the place to bring your hot takes, if you really feel so inclined to argue in youtube comment sections (Though I'd personally advise to still keep the topic relevant).

Keep negativity out of fanfic comments. This isn't nearly as big of an issue as the last points, but I've seen it happen a couple times, so I'm deciding to mention it. Fanfics are written for fun. Even if you disagree with the characterisation or something else, unless the author is clear in accepting critique, keep criticism to yourself. And definitely don't rant about how you dislike a character unrelated to the fanfic. Sharing your thoughts on the fanfic itself is of course fine and welcomed, but when it turns from discussing the author's story to talking about how you dislike a character in canon, that's when it crosses a line. Example: comment talking about what you don't like about c!Tommy on a Bench Trio fanfiction.

When commenting on art, keep the feedback positive. Even if you dislike any presented character, keep that to yourself. Example: Don't say things like "I hate x character, but this art is good". You might think the author would feel honoured, but it's actually just hurtful.

How to deal with discourse:

This is gonna be a shorter section, because I think we all chose to do it in different ways, and that's valid. Also, it's just that I, myself, am still learning how to do this well, but I thought it could be good to try to lay it out anyways.

Try to scroll past takes you disagree with instead of arguing if you don't think you'd be able to keep your cool. Noone likes a random person yelling at them through a screen, and if you rant, you'll get an equally frustrated reply back, and noone will be happy. Either explain your point in a calm manner, or scroll past/ unfollow/block.

On the keeping cool thing, remember to just step away. Take a deep breath and calm yourself down before proceeding. To minimize the frustration you feel on a daily basis, filter tags, block people, avoid videos and youtube comment sections that you know will upset you, and leave certain internet spaces if you find yourself unable to escape negativity even with all those steps. Remember: in the end, it's all a game played by friends, a story, and your enjoyment of it lies in what you take from it. Abandon what makes you unhappy. Marie Kondo your fandom experience.

Also, here's your reminder, to whom this is relevant, to take care of yourself. Hydrate, eat, sleep, clean up, get fresh air, remember the things outside of all this. There's plenty to do outside of this fandom, and what you can do here can wait. There is no pressure, or obligation. Not for the content you create, not for the discussions you bring, not for responding to discourse, not for anything. Fandom is meant purely for fun, so take care <3

Interacting with people outside of the fandom:

This is something that I've seen a bit of talk about, and I thought I'd drop in my own thoughts on this as well. No matter the differences, we're all just trying to vibe, and I think these are important things to keep in mind to leave both sides better off:

Don't interact with hate posts. Just don't. You don't want to see them, they don't want to see you. Even if your response is lighthearted, their animosity is not. They will feel frustrated regardless, and the grudge will only grow. And if they're being agressive, calm discussion most likely won't happen even if you're being polite. Just leave it, please.

Correct misinformation calmly. I completely get how it can be frustrating to see blatant lies and all, but with our reputation, people will not listen if you're being antagonistic. Provide sources, explain, and leave it at that.

Don't be hateful, send death threats, or assume privilege or whatever else. That's stepping into the same shoes of the people you hate. Misunderstandings go both ways, and the fact of the matter is, I think most people who dislike DSMP, even the ones who are agressive about it, don't have their stance rooted in maliciousness. To expand on why the situation became what it is today, taken from a discussion on discord:

I think it's just a combination of Dream growing so insanely quickly + how internet spaces have changed over the years. When ccs like jackstepticeye or pewdiepie etc. grew popular, activism wasn't as prevalent and held to such importance. Now it's thankfully more talked about, but that also leads to Dream being more scrutinized in comparision. Add twitter trends and the general prevalence of the fandom, and you've got everyone feeling tired and frustrated and paranoid. People also tend not to fact check stuff, especially when it comes to celebrities and stuff they're not really interested in, so rumors spread fast.

And actually, I think there's absolutely valid reasons to be made uncomfortable by Dream SMP, either in it's creators, content or fandom, and there is, of course, stuff to criticise in general. The problem is the hate and misinformation and overexposure, but we are not going to solve any of that by being aggressive in return.

(This is, by the way, not talking about more serious cases. Like doxxing, or leaving gore images in hashtags, or similar instances. That's a whole different complicated issue that I don't feel qualified to tackle.)

And finally, don't overwhelm outsiders who merely mention the Dream SMP. Don't send asks asking them to watch it, don't write paragraphs explaining the lore, don't confuse them with inside jokes, just... Don't jump on people like that. Unless they're explicitly clear in wanting interaction and getting into the fandom, that kind of thing will just drive them away. This is in no way exclusive to the Dream SMP fandom, pretty much every fandom has people enthiastic to have more people involved, but since there are so unbelievably many of us, it's especially easy to go overboard with this stuff. Just... be polite, and don't pressure anyone. Be nice, please.

So.... ya! This would be it for this one, I think. Sorry that it's kinda long, thank you if you read it at all. Hope y'all have pleasant days ^^

[skaylanphear]

Hi there! Do you have any advice on improving traction towards a fanwork/fic? I love writing—and it's not for notoriety by any means—but having validation and feedback also feels nice (I hope that's not conceited). What would you recommend to someone without a large audience/follower base? I do "advertise" on tumblr when my work is written/updated on AO3. How did your journey start? Thank you!

This is an interesting question and I doubt most people are going to like the answers, but here we go:

So, first and foremost, you need to be realistic about why you're creating in the first place. If you're doing work in a fandom that is older, where content has stopped coming out, or that is simply smaller, you're not going to get much engagement, period. There will, of course, be activity in these fandoms, but it will be far less and the people involved—while they may view your work—will be less likely to comment/spread it around simply because there's not much going on. So if you're creating in that sort of environment (which can be a really good environment if you're looking for something chill with no pressure), then you have to be prepared for low engagement, even if the people you do meet and who are willing to talk about your work are more regularly in your sphere. You can probably make better/closer friends in these sorts of fandoms, if you're willing to try.

But, on the other end of this, if you're coming into a huge fandom late, it's also going to be harder to wade through the massive following to get your stuff out there. For example, in both the Miraculous and Sk8 fandom, I started work pretty early on, when the shows were still gaining traction, and so my "name" as a creator gained traction parallel to that growth, as opposed to when I started writing in the Voltron fandom. With Voltron, I came in super late and so what few fics I had that did gain traction took a lot longer to get there because people already had their fav content creators in the fandom, etc. It's not impossible to get popular in this situation—far from it—but it does take longer.

You'll also benefit from having finished works early on in a fandom's lifespan, at least with writing. This is because there's less competition for views and so more people will be filtered to your work, initially. This means that you have a better chance of getting those comments and kudos. Having a finished work increases this engagement because people look for finished works before works in progress. Generally, the length of a fic doesn't matter much for popularity, so long as it's DONE. When I was writing in the ML fandom, quite a few of my earlier fics were shorter, and they compete in popularity with my longer fics, because people care more about having a finished story, not a long story. That's why when it came to Only Practice Makes Perfect in the Sk8 fandom, I worked hard to get that shit done, because it was the most popular story I had in the fandom and I decided—like an idiot—to make it a long fic. Which, yeah, means people probably love it/remember it more in the long run, but if I hadn't finished it in 2 to 3 months, I'd have lost considerable traction as far as making a name within the fandom.

This leads into one of the most important points, if not THE MOST IMPORTANT point in gaining an audience—consistency. If you do want to be a successful creator, you Have To Be Consistent. This is the most difficult hurdle for all creators, and it is oftentimes impossible to make happen. If you want to aim for professionalism, which a lot of fandom creators don't care about (which is fine), then consistency is how you get there. Nobody wants to read a fic or follow an artist who doesn't stick to creating what they start (RIP all my unfinished works and the people who left me as a result, LOL). Using my most recent works as an example, I very, very, very consistently updated Only Practice Makes Perfect multiple times a week. To the point where people got comfortable expecting it, which is the key variable here. When people become comfortable that you will regularly create content, they not only stick around, but will be more interactive with you and your work. Nobody likes the disappointment of getting involved with a work only for that work to rarely get updates. Most people don't have the attention span to care. I'll admit, if I read a fic that's not finished and the writer takes one week to update, then one week, then THREE weeks, I probably will, like, forget about it. That's just life.

The best thing you can do is schedule. And again, this is the HARDEST thing to do, because it holds the creator to a deadline. Most people who create in fandoms don't want that kind of pressure—and that's fine. I go back and forth on when I have scheduled releases and when I don't, depending on what I'm aiming to do. But if you to retain your audience, telling them that you will update a work regularly on such and such a day and such and such a time, it creates something for them to remember. If they're invested in your work, they will think, "oh, it's Friday, that means such and such is coming out with something new." But, with that in mind, you also have to commit to a schedule that people will remain invested in. Which basically means you can't put things out more than a week away from each other, unless you're really, really famous, lol. If I told people I was going to go on a two week update schedule, I would lose most of my audience. But a week is long enough for people to both still remember and anticipate. That's just how the scheduling of the world works. And if you're an artist that's working on a big project, then you have to share progress, or pieces of what you're doing on a regular basis. That's what generates "buzz" and keeps you relevant. And, yeah, that's a really hard schedule to commit to, because it's a lot of work. BUT this consistency is where you see people being successful. Popular youtubers may not have gained their popularity by being consistent, but most sure do retain it that way. And again, there are outlying exceptions, but they generally ARE exceptions.

Speaking of hard work, here's probably the second hardest thing to accomplish—you have to be prolific. Especially as a writer. You have to write A LOT if you want to gain an audience. And yeah, that means you have to work, a lot. I love my work, so I enjoy that "grind," and I also have developed a lot of strategies to work around writer's block and every other obstacle that tends to catch people up. I work in a very professional manner—I do outlines, and drafts, and plan. I do a lot of stuff that people who do this kind of thing for fun can't be bothered with (and that's fine), but that's because I find it to be what works best in creating an efficient environment. I'm also very, very NOT lazy, lol. I was raised in an environment where you have to work for everything that you want. My parents didn't buy me my first computer, or snowboard, or what have you. We were tight on money and if I wanted something, they couldn't help me—I had to get that shit on my own. And I also grew up on a farm, where hard work was a staple of how you did things. You did things the right way, even if it was the hard way. You can't cut corners and it's the same with this. If you want it, you have to actually do the work, that's it. Some people get lucky with popularity, most don't. Most famous actors didn't become well-known off their first efforts, they had to keep trying and keep working and then they have to continue to do that to stay relevant. So if that doesn't sound great to you, then you might want to not focus on your audience and just create because you enjoy it, lol. Sometimes that's what I do too, when I don't wanna deal with the pressure.

Moving on, here's another point that nobody is going to like. Simply put, you also have to be good at what you do. I think some people don't realize that I've been writing fic for over fifteen years. I currently have nearly 2 millions words worth of fics on AO3 and that doesn't include a majority of the stuff I've ever written. I practice A LOT. I write every day. And I'll tell ya, when I started out in middle school, my stuff was not good. But I worked hard, I ignored the hate, and I kept going. That is the only way you will ever get better at anything. There's no quick way to become a better writer, or artist. And a vast majority of people are only going to pay attention to your stuff if it's quality work. Getting to that point is a process, on top of then creating stuff that fits into popular molds. Not only am I good at what I do (and I don't care how arrogant that sounds—I've worked my ass off), but when it comes to fandoms, I rarely write "rare pairs" and "crack ships." Generally, if it's popular, that's where I am. That makes a big difference and I honestly don't have sympathy for people who write rare pairs and such and then complain about lack of engagement. You knew what you were getting into (it's mostly the Miraculous fandom that gave me this bitterness). If you're not writing what people WANT to read, then your audience is simply going to be smaller. And that audience doesn't owe you their attention, no matter how frustrating it is or how good your work is. I could be the best writer in the world, but if I'm writing RekixCherry fic, I have nobody to blame but myself when nobody reads it. BUT if that's your passion, and writing a certain unpopular thing makes you happy, then, again, you need to not be concerned with traction and your audience.

The last point I'll make is that it matters HOW you present yourself online. A good chunk of the well-known creators in any fandom are, simply put, older people. And those that aren't, and are able to connect with those older creators, have generally created a bubble around themselves of maturity and, like, of being nice, lol. A lot of creators are skittish these days, and if you're an asshole (anti) or fight a lot over stupid shit, you may get a bigger audience, but you will isolate yourself from other creators. And this is important because oftentimes it is your exposure to other creators that will get your work circulating. The reason I got popular in the ML fandom? I wrote a short angst fic and a really popular artist shared it/talked about it and the rest was history. But if I'd had a habit of being an asshole, probably wouldn't have happened. And, granted, I'm not saying don't voice your opinions, but if you're loud all the time, it does turn people off. Especially creators because they are oftentimes the ones being attacked. They don't want to pull more of that negative bullshit into their lives. I'll admit, when I was in the ML fandom, I was down for a fight, but then that's what people came to expect, and it probably did turn others off, and then when I didn't fight, or didn't think the way my audience thought I should, it, again, turned people off. It's really not worth it unless being that type of person IS your platform.

So, that's all the advice I can give, I suppose. And even if you do all this stuff, that still doesn't mean you're going to be popular. At the end of the day, the thing that I stick to is this—I do what I want, I love what I do, and I work hard. If I'm in a position to worry about all that other stuff, then sure, I do, but otherwise… There's no easy way to become popular and, quite frankly, it's better to just "live" working hard and being a decent person than it is to focus on all this bullshit. I've created a working environment where I function within these "points" quite naturally, so it's not something I think about (except for schedules, lol). Sometimes I get popular in fandoms, sometimes I don't. At the end of the day, it comes down to how much work you're willing to do, because you will always be giving more than you are getting back, so you have to at least enjoy what you're doing.

Seriously, just do it because you love it. And if the pressure of everything above is something you don't love (I like a good, high pressure situation, lol), then don't do it that way—it's not worth the grief.

[plague-of-insomnia]

I find it amusing all the “anons” weighing in about that meme re: the fandom dying. (This message will be my only response to those asks.)

The fandom IS dying.

It has been for the past year or more. But it’s definitely gotten worse in the last few months.

Creators of all levels have been leaving, especially lately.

I (and others) have been remarking about this long before some of the “famous” creators decided to leave or take hiatuses.

I’m not the only one who has noticed a significant drop in support/interaction/notes for all creators—from the “famous” ones to the smaller, less known ones.

I tag dive a lot to fill my queue, so I see more than just the people I follow, and I have noticed such a drop in content it’s hard for me to even fill my queue now unless I reblog old content or include things from other fandoms/interests.

Also, fame doesn’t equal talent.

And I would really appreciate if you would take your attitude disparaging smaller creators somewhere else.

This isn’t Hollywood, and everyone has to start somewhere. Plus, one of the great things about fandom is that people can produce and enjoy their specific niche content even if it diverges from canon. That won’t always be “popular,” but that isn’t what the goal is. It’s supposed to be having fun (with like-minded people).

A fandom can be perfectly wonderful with a small group of people who support each other. Even if none of them are “famous” in particular. You don’t need “big” names, as long as you have like-minded people excited about a piece of media enough to make and share content for it.

The problem right now is that lack of support is wearing, and pushing people away, especially when most aren’t that interested in the current Bard arc of the manga.

If you have something to say, you can say it off anon or imo you’re part of the problem.

~#~

1. This isn’t to say that there aren’t ANY supportive people in the fandom. Ofc there are. Some fantastic ones. And that’s why I’m still here, for one. But I still love Kuro more than anything else and I don’t want to see it crumble into dust. Especially when there’s so much amazing talent out there.

2. Also, I wanted to note here that I am working on a morale boosting “event” of sorts with someone else in the fandom. The goal won’t be to promote specific pieces or people, but rather to encourage fellowship and camaraderie. (If anyone has any genuine suggestions, or if you have things you would like to see improve/change in the fandom, feel free to leave them here or in my ask box. Anon is fine, if that makes you more comfortable, but things nice or it defeats the purpose.)

[glassedplanets]

ok i have some time so now i can finally fill out that full ask meme

1. Art programs you have but don’t use

paint tool sai and firealpaca -- i used sai for yeeeaaaars and years and years after starting out in photoshop

2. Is it easier to draw someone facing left or right (or forward even)

neither, honestly? i go through phases where one thing suddenly becomes dramatically more difficult than anything else but i don’t think that among left/right/forward any one of them is easier than the other two

3. What ideas come from when you were little

uhhhh man. idk. cats? i don’t remember what i drew when i was little tbh

4. Fav character/subject that’s a bitch to draw

i feel like each blorbo goes through a phase where they’re a bitch to draw but for subject... indoor settings are currently my big bitch to draw

5. Estimate of how much of your art you post online vs. the art you keep for yourself

hmmmm. 90/10 post/keep, i think? i’m interpreting “post” generously to include just sharing w/ friends too

6. Anything that might inspire you subconsciously (i.e. this horse wasn’t supposed to look like the Last Unicorn but I see it)

oh man this is a really broad question but like. i think everything is a subconscious inspiration, you know? my friends’ art, that post i just saw, the way the sunset looked yesterday, anything. but more specifically than that... idk lol, i’m not particularly self-aware, i think, so someone would have to say something to me

7. A medium of art you don’t work in but appreciate

pixels!! pixel art is so cool but idk anything about it, and quilting too

8. What’s an old project idea that you’ve lost interest in

i’m preeeetty good about finishing things so i don’t generally abandon them out of lack of interest

9. What are your file name conventions

answered!

10. Favorite piece of clothing to draw

shirts generally (t-shirts and button-ups), but i’ve been enjoying pants recently too (jeans, slacks, leggings)

11. Do you listen to anything while drawing? If so, what

literally anything from neil cicierega to video game osts to asmr

12. Easiest part of body to draw

golly! everything has the potential to be a challenge. i feel like the thing i struggle with least often (in the sense that i don’t need to use refs quite as often and/or it needs adjustment less often) is hands, i really enjoy drawing them

13. A creator who you admire but whose work isn’t your thing

hmm. i feel like this is an easy one to be Mean about so i’ll just go with naming a style that isn’t my thing, which would be 90% of drawn and quarterly’s catalog, or, the litfic (derogatory) of graphic novels

14. Any favorite motifs

man. idk. do i have Motifs? people touching subtly. late afternoon.

15. *Where* do you draw (don’t drop your ip address this just means do you doodle at a park or smth)

home! i don’t like drawing outside of home but i am also a massive homebody in general

16. Something you are good at but don’t really have fun doing

answered!

17. Do you eat/drink when drawing? if so, what

yes......... lmao whatever meal intersects with whenever i happen to draw is what i eat, and i hydrate like a pro

18. An estimate of how much art supplies you’ve broken

probably some when i was a child, but i take good care of my stuff! i’ve never broken anything as a teen/adult, unless it was something inevitable like charcoal breaking

19. Favorite inanimate objects to draw (food, nature, etc.)

nature! bob rossin’ it ALL day, i am fortunate to live in a very beautiful area and i’m very deeply inspired by everything i see as i’m out and about

20. Something everyone else finds hard to draw but you enjoy

i think hands qualify for this, idk if it’s still popular to hate on hands but i really enjoy drawing them

21. Art styles nothing like your own but you like anyways

so many... i feel like i don’t follow a lot of artists with a style similar to mine? or maybe i do and i’m just unselfaware about it, idk

22. What physical exercises do you do before drawing, if any

i’ve got a pinchy ulnar nerve so i have to do nerve glides for that sometimes, and if i’m very stiff then i do wrist stretches

23. Do you use different layer modes

absolutely the fuck i do

24. Do your references include stock images

yes! stock images, stuff i find by googling, pose books, awkward photos of myself, anything

25. Something your art has been compared to that you were NOT inspired by

i am genuinely not sure anyone’s ever compared my art to anyone or anything...? this is an invitation if anyone reading this has ever been just burning to tell me that my art looks like [thing]

26. What’s a piece that got a wildly different interpretation from what you intended

i mean... i draw fanart. so usually it’s pretty clearly what it says on the tin.

27. Do you warm up before getting to the good stuff? If so, what is it you draw to warm up with

not really, i use my sketch layer as a warmup

28. Any art events you have participated in the past (like zines)

i’ve never participated in a zine but i would love to someday....... and i tabled at an artist alley one (1) time at a convention that where the AA was more focused on commissioning (traditional) art than selling merch

29. Media you love, but doesn’t inspire you artistically

uhhh wow. lots of stuff, i guess? even with very visual things there’s a lot of stuff i read/watch/play where i’m like, this is beautiful, but it’s not something that i want to be able to do

30. What piece of yours do you think is underrated

i’m gonna take this as a “plug something shamelessly” question and say this one

[nostalgicatsea]

Common questions about and excuses for racism in fandom

I noticed that the same excuses, justifications, and questions that have come up in response to racism in fandom over the years appear in the notes for my post, so here’s a FAQ of sorts to address them. Hopefully, this will help people understand why these arguments don’t stand up to scrutiny and have something to refer to in lieu of writing a new reply every time someone says these things. 

Due to the length of this post, I made a Google doc for easier reading. Please note that several points are specific to the Marvel fandom and to the post linked above and are often M/M-focused (I explain why in that post), but generally speaking, the following can be applied to any fandom and various relationships. 

TABLE OF CONTENTS 

I can ship whatever I want. Stop being the fandom police!

Shipping isn’t activism. 

Fandom is supposed to be fun. Being told what to do or not to do isn’t fun.

I put a lot of different people in my works, and I do research about the groups they’re in. For example, I have a *marginalized group here* character (e.g., disabled), and I did research to represent them accurately. It’s not fair to say that I don’t care about diversity.

I don’t think people should write about POC if they’re white, just like I wouldn’t want anyone to talk about *insert topic you’re passionate about or interest group you’re in here* (e.g., the BDSM community) if they didn’t know anything about it.

I really don’t have any knowledge about what it’s like to be a POC, though, so maybe I’m not the best person for this. If POC want to see themselves represented, they should make their own works.

I’m not comfortable with writing POC as I’m unfamiliar with the struggles they experience. I don’t want my writing to come off as inauthentic, inaccurate, or offensive. Why are you saying it’s harmful to use this as a reason for abstaining from writing POC?

It doesn’t make sense to include every single POC in my work.

What you said and the data you have don’t necessarily point to racism. It might just be individual preference. I prefer certain ships over others, and it has nothing to do with race/I don’t see color.

A big part of what informs my shipping is physical attraction or interest in the characters.

I don’t ship _____ because I see them as brothers/sisters/siblings.

Some white characters and ships are popular in the MCU fandom because people bring in canon characterization or material from the comics to the character(s)/ship. Your MCU-only examination fails to account for ships with one character from the MCU and one from comics (e.g., MCU Bucky/616 Clint or Spideypool).

Some subfandoms just have fewer POC which means there will naturally be fewer ships featuring POC. To say that the Marvel fandom is racist as a whole is disingenuous; you can see how more diversity in the cast leads to more diverse ships in fanworks.

Some of the characters and ships are popular because white characters get the lion’s share of screen time and development or they appeared in canon earlier.

Is it racist to racebend a character?

Racist language in fics is more important than fandom representation.

My fanworks tend to focus on one ship and don’t really include other characters in general. When they do, the others mostly talk about that relationship. Am I falling into the trap you mentioned? 

I feel guilty about not including or writing about *character of color’s name here*.

How do I ensure that I don’t offend anyone if I include POC in my work?

What should I do to examine myself for any implicit biases?

The rest of the post is under the cut.

I can ship whatever I want. Stop being the fandom police!

As explicitly stated several times in my post, I agree that you can ship whatever you want. I’m not targeting a specific ship. I’m not telling you to stop shipping what you ship. All I’m asking is for everyone, including myself and other POC, to regularly examine ourselves for any implicit biases. If you’re a multishipper, are all of your ships in the fandom white? If you only have one ship and it’s white, are most or all of your ships in your other/previous fandoms white? Is the only media you consume predominantly or all white? 

Shipping isn’t activism. 

No, it isn’t and in many cases, shouldn’t be seen or treated as the same thing. However, by responding this way to POC who want to see themselves represented in fanworks more and not be ignored or written stereotypically, you’re telling us that our mere existence is a “political issue.” 

Fandom is supposed to be fun. Being told what to do or not to do isn’t fun.

It should be fun for us POC too, and it’s not when we’re consistently misrepresented or we don’t exist in this fandom. By using this as an excuse to exclude POC from your works, you’re saying that only some people are allowed to have fun or that having fun is conditional. Also, no one is forcing you as an individual to do or not do anything. See two paragraphs above.

I put a lot of different people in my works, and I do research about the groups they’re in. For example, I have a *marginalized group here* character (e.g., disabled), and I did research to represent them accurately. It’s not fair to say that I don’t care about diversity.

Just like you do research for those groups, you can easily do research on POC. Also, please be aware that this statement is similar to the “I’m not racist because I have a ___ friend/have a ___ person in my works” argument that many people use to prove they’re not racist, homophobic, sexist, etc. We aren’t interchangeable with other groups. 

I don’t think people should write about POC if they’re white, just like I wouldn’t want anyone to talk about *insert topic you’re passionate about or interest group you’re in here* (e.g., the BDSM community) if they didn’t know anything about it.

Something like BDSM is a lifestyle and preference. It is a choice. Being a POC isn’t. We can’t take off our identity every time we leave the house, the way you might keep it secret at work that you’re in the BDSM scene. 

I really don’t have any knowledge about what it’s like to be a POC, though, so maybe I’m not the best person for this. If POC want to see themselves represented, they should make their own works.

We do. Also, all of us fanwork creators make works with characters who are different from us all the time. Fandom is largely composed of people who aren’t straight cis men, yet the bulk of works on AO3 features characters who are canonically or implied to be straight cis men even if we end up changing that in our works. Most of us aren’t billionaires, but we don’t have a problem writing Tony. We don’t know what it’s like to be a WWII-soldier-turned-brainwashed-assassin who was kept in cryo for decades except when deployed on missions, but we don’t have a problem writing Bucky. The list goes on.

I’m not comfortable with writing POC as I’m unfamiliar with the struggles they experience. I don’t want my writing to come off as inauthentic, inaccurate, or offensive. Why are you saying it’s harmful to use this as a reason for abstaining from writing POC?

Your concern isn’t harmful. Reducing us to our trauma is, and you’re doing that if the reason you’re not comfortable with writing POC is that you don’t know how to write our struggles. We’re not only our pain. We’re more than that.

Not every fic has to be about the trauma of being a POC. We deserve to have fun, silly fics in addition to serious, plotty drama. We’re not thinking about our suffering 24/7 even if we do think about or are affected by it a lot. It’s not like if you write a Sam/Bucky fic, Sam is going to randomly lecture Bucky about the history of Black people in the U.S. and modern enslavement through the prison industrial complex while Bucky is trailing kisses down his neck in bed. We don’t need everyone being racist to MJ in a Pride and Prejudice AU. If you do want to include their struggles because that informs the way the characters think or act in your story, you can do so in ways that feel organic. 

Additionally, this is an excuse that we hear often; you may have heard it as people in Hollywood have used it to explain why they don’t have any, or at least any major, characters from marginalized groups in their works. If we allowed this excuse, an overwhelming majority of who we see in the media would be straight, cis white men considering who has power in the film and TV industry—and we would have to say that’s okay. We would have to say that the only people allowed to write about a certain group are members of that group, e.g., only women can write women. That’s not acceptable especially considering the gatekeeping, oppression, and high barriers to entry and success that make it difficult for marginalized people to even be in the room let alone make a name for themselves.

Fandom is no different. You’re saying that you can’t relate to POC because you’re white, but none of us POC have any problems making fanworks with white characters even though we don’t know what it’s like to be white. There are straight women who write fics about gay men and don’t feel uncomfortable doing so when they don’t know a single thing about being a gay man and the struggles of gay men (M/M can include bi or pan men, fics about gay men by straight women can sometimes include problematic portrayals, and straight men, queer women, and non-binary people write M/M too, but this is just an example).

You should be more careful when writing a POC if you're not a POC. The same goes for men writing women, cis people writing trans people, straight people writing queer people, able-bodied people writing disabled people, etc. However, there ARE ways to go about it, and while I understand the fear of messing up, the truth is everyone is racist, sexist, etc. Everyone including people in marginalized groups. Being a white lesbian doesn’t mean you can’t be racist. Being an Asian man doesn’t mean you can’t be sexist. You can see that within groups themselves. POC are not exempt from racism against other POC or from internalized racism against themselves or their own group. Women aren't free from internalized misogyny. The best we can do is to not make that prevent us from making inclusive works; if you make a mistake, which may happen, all we can ask is that you try your best to be open to feedback and grow. 

It doesn’t make sense to include every single POC in my work.

No one is telling you to. Choose characters who make sense for the story. Don’t choose them just so you have a POC in your work. We don’t want them to be tokenized. 

What you said and the data you have don’t necessarily point to racism. It might just be individual preference. I prefer certain ships over others, and it has nothing to do with race/I don’t see color.

This argument is identical to the “not all _____” rebuttal (“not all men,” “not all white people,” etc.) which places the blame on a few lone individuals and shifts the conversation away from an existing widespread problem. When there’s a consistent pattern and there are many examples of it both within the fandom and in other fandoms, it no longer is about individual preference. 

I urge you to consider the following:

If most people say they don’t write about or include a POC in their work because it’s too difficult or they’re afraid of making that character inauthentic, but they don’t seem to have an issue with writing other characters from groups they’re not in (e.g., if you’re a straight woman who writes a lot of M/M fics despite not knowing what it’s like to be a bi, pan, or gay man), doesn’t that say something?

If most people have the same reasons you do about not being interested in POC (e.g., “they’re not fleshed out enough” while being interested in or fleshing out minor white characters who get the same or even less development as those characters) or ships with POC (e.g., saying “they’re like brothers” while being interested in a white ship with similar dynamics and tropes or seeing why other people might ship it if you don’t), doesn’t that say something?

If most people give characters of color the same roles in their works even if that makes them OOC and/or the role reduces them to a (frequently stereotypical) trope, especially if they’re never fleshed out beyond that trope (e.g., the funny sidekick, wise friend who always helps or gives advice/free therapy, or responsible, mature, and sometimes stern friend who “parents” the protagonist), isn’t that saying something?

If race truly isn’t a factor for you when it comes to liking characters and ships, then this isn’t about you and you don’t have to distract people from the conversation by announcing that. That said, we should all look at characters and ships we like anyway instead of assuming that’s the case as that’s good practice. How much of your list is white? If it’s mostly or entirely white, why is that the case and why do you feel differently about ships of color?

A big part of what informs my shipping is physical attraction or interest in the characters.

What characters and actors do you find attractive or interesting? Are they all or mostly white? If they aren’t, are you drawn to any ships that include those POC? Refer to the section above.

I don’t ship _____ because I see them as brothers/sisters/siblings.

Part of this is preference as it comes down to perceived chemistry and relationship dynamics. However, POC are often not seen as romantic leads both in fanworks and the media and are just friends or “brothers/sisters” (this is why Crazy Rich Asians was a big deal). Sometimes, people even argue against POC being or having love interests in the name of diversity. You see this a lot with WOC in the media where the explanation against a love interest is “she’s a strong, independent woman who doesn’t need a man”; yes, they don’t and sometimes the story doesn’t need a romance, but WOC deserve love too and it’s strange that while white women can get the guy and be independent, WOC can’t and it somehow belittles or reduces them if they do. 

The way you can gauge whether it’s just preference at play or biases you may not have been aware of is to see how many relationships featuring a character of color fall under the “just friends/siblings” category for you, what you need to ship something, and how you feel about white ships with the same type of relationship or same lack of chemistry. For instance, you may say that there needs to be enough interaction for you to ship something and that’s why you don’t care much for Rhodey/Sam. Do you feel the same way about Clint/Coulson then, which has much less interaction (actually much less than Rhodey/Sam in this case)? If it’s about chemistry, are Steve and Sam just “brothers,” but Bruce and Thor aren’t or, if you don’t ship Bruce/Thor, you still “see it” and get why other people might be into it?

What do you ship, or what ships do you understand even if they’re not for you, and how is that different from ships that follow the same beats? Why are Steve and Bucky not brothers, but Rhodey and Tony are (there are many parallels between the two relationships—and one can argue the latter is more nuanced—than appears at first glance, and Rhodey/Tony can be just as sweet or angsty)? If you like the rivals/enemies-to-lovers or meet-ugly aspect to Steve/Tony, Sam/Bucky, Scott/Jimmy Woo, and M’Baku/T’Challa have that dynamic. You like that superior/subordinate-to-lovers dynamic that Clint/Coulson has? Coulson/Fury. Flirty meet-cutes or love/trust-at-first-sight? Steve/Sam.

Some white characters and ships are popular in the MCU fandom because people bring in canon characterization or material from the comics to the character(s)/ship. Your MCU-only examination fails to account for ships with one character from the MCU and one from comics (e.g., MCU Bucky/616 Clint or Spideypool).

I explained why I focused on the MCU here and that most of the fics that feature an MCU character and comics ’verse character tend to be heavily or entirely MCU-influenced here.

Also, characters of color exist in the comics, cartoons, and games too. By this logic, Steve/Sam and Rhodey/Tony should be juggernauts in the MCU fandom considering the depth and history of the characters and relationships. Ask yourself why people are happy to ship MCU Spideypool, to draw on the comics for that relationship and even bring a non-MCU character into the MCU and write him based on his comics history and characterization. Ask yourself why people are unhappy with MCU Clint’s terrible writing and lack of characterization and decide to give him his 616 (usually Fraction-era) characterization. And then ask yourself why people don’t do that for characters of color and then use “___ is a minor character/doesn’t have much development” as an excuse for why they’re uninteresting or not shippable with others.

There are many strong and interesting relationships in the comics, but only a few make it to the MCU fandom and almost all, if not all, of them are white.

Some subfandoms just have fewer POC which means there will naturally be fewer ships featuring POC. To say that the Marvel fandom is racist as a whole is disingenuous; you can see how more diversity in the cast leads to more diverse ships in fanworks.

It’s more important to see how many fanworks there are for ships of color in a fandom than how many ships of color there are in that fandom. See how few works there are for POC ships other than MJ/Peter in the MCU Spider-Man fandom despite the diversity of the cast. See how the most popular ships are white and three of them involve white characters from the Iron Man fandom (explain to me how Harley/Peter has over 1,000 works, but Ned/Peter has 436). 

And sure, you can say almost all of the Black Panther ships feature a character of color so there’s “more” diversity, but see how few works there are for them and how works with a white character fare compare to POC-only ships (almost all have 100-200 or fewer fics, with many having so few that I didn’t include them in the post, while BP ships with a white character have more works despite little to no interaction between the characters). 

Both of these, by the way, are critical and box office hits with characters who are clearly supposed to be the faces of the MCU now that the OG6 are gone. Black Panther is an award-winning critical and box office hit, and it is, more than any other film in MCU history, a huge cultural phenomenon with tremendous impact. It broke so many records and milestones, and it’s STILL breaking and making them. It has the most nuanced and balanced ensemble cast with side characters just as three-dimensional as the lead, a rarity in MCU films. Yet, its tag only has 3,966 works, fewer in total for the whole fandom than some of the white M/M ships on this list. Even if you account for BP fanworks that may have been tagged as MCU instead of BP, the number is paltry as you can see in this post. People simply do not want to make fanworks for characters of color (in this case, specifically Black characters) and don’t. It’s not about how diverse or successful a film is.

Some of the characters and ships are popular because white characters get the lion’s share of screen time and development or they appeared in canon earlier.

Yes, that’s true, but fandom has no problem catapulting white ships with minor characters into extreme popularity. See Clint/Coulson. See fics prioritizing Happy and having him show up more than Rhodey in Steve/Tony fics. 

It’s not about chronology. Many ships of color came before white ships as a whole and before white ships with the same white character they have. See Bucky/Clint vs. Bucky/Sam. 

Lastly, please don’t tell me how certain white M/M ships came to be to explain how they’re exempt or how I’m failing to consider other factors for their popularity. I’ve been in the fandom since 2012, and I’ve seen almost all of the white ships in the fandom be born or boom into popularity. Don’t try to explain, for instance, that Clint/Coulson is big because Coulson has his own show and his fans followed him from the show (this logic falls flat when you look at something like Luke Cage); that ship became huge way before that happened and way before Agents of Shield became “big.” Also, see the section above regarding screen time, development, and fame. 

Is it racist to racebend a character? 

People’s opinions differ on racebending—and often that comes from personal background and on the situation—so I can’t speak on anyone’s behalf. However, I think everyone can agree on the following:

Racebending a white character is not the same thing as whitewashing a POC. For example, making Tony Stark Indian vs. turning T’Challa white or as canonical examples, making Fury black in Ultimates and the MCU vs. making the Ancient One or the Maximoffs white. The latter (whitewashing T’Challa, the Ancient One, and the Maximoff twins) is racist for various reasons. There’s a long history of POC being erased and white people taking roles from POC, a huge imbalance in representation between white people and POC, the unfortunate perception by the public and media that “white = neutral/standard” (Bruce’s whiteness doesn’t define his characterization and development), and the way race plays a role in influencing the way POC feel, act, and are treated.

Racebending a POC from one ethnicity or racial group to another is also problematic as we’re not interchangeable. Hollywood often does this and goes, “But they’re still a POC! We’re being diverse!” 

In general, people who racebend white characters to POC want to see more POC in canon and in the media! These aren’t mutually exclusive.

Sometimes people racebend because they’re not represented at all in their works. (This happens with other marginalized groups too; for instance, some people make cis characters trans in their fanworks as there are few to no trans characters in the canonical source.) For example, there are, as of now, no Latinx superheroes in the MCU films. Even if people wanted to, they can’t make works with an MCU Latinx superhero unless they bring one from the comics or the one Latinx superhero from Agents of Shield (if they know the comics or AoS), make a minor Latinx film character like Luis a superhero, or racebend their favorite white character and put a fresh spin on the character, drawing from their personal experience and background.

There’s a massive difference between fans racebending a character and a creator taking credit by pretending they viewed a character as non-white or didn’t see race all along when it’s clear that the character is canonically white (this is different from a creator saying they support anyone, POC or white, playing that character onscreen or onstage). 

Racist language in fics is more important than fandom representation.

We don’t have to pick our battles. Both are important! I focused on fandom representation as it’s much more quantifiable and easy to find and analyze data for than racist language on a fandom-wide scale on my own without any tools. You’re right that the latter is a problem as is racist representation in fanworks, though. 

My fanworks tend to focus on one ship and don’t really include other characters in general. When they do, the others mostly talk about that relationship. Am I falling into the trap you mentioned?

If the story is about a relationship (examining that relationship and the feelings of the characters in it) and there isn’t much of a plot outside of that, then that makes sense. However, even in situations like this, consider how much time you dedicate to characters of color vs. white characters. If the story is about a ship featuring a POC, do you spend more time on the white character of that relationship? Their white friends and how they feel about that relationship? If it’s about a white ship, do white side characters appear more than side characters of color even if the latter have a closer relationship with the protagonists? For example, does Wanda show up more than Sam or play a bigger role than him in a Steve/Bucky fic? Do you have Pepper show up all the time (or even Happy), but Rhodey is chronically absent? Do only the white characters get to be more than the tropes you’re using, if you’re using any, while the POC don’t get to be nuanced? Are there any stereotypes that you’re reducing the POC to?

I feel guilty about not including or writing about *character of color’s name here*.

See “It doesn’t make sense to include every single POC in my work.” Include the character(s) who make sense for the story, perspective you’re writing/drawing from if applicable, and central group or ship if this is a ship-specific work. For example, if you’re drawing the Avengers and you include the newer Avengers, Rhodey and Sam should appear too, not just Wanda, Scott, Bucky, and/or Carol (this happens a lot). If you’re writing a Tony POV fic that includes other characters, depending on the story, it may make sense that Sam doesn’t appear much as he and Tony aren’t close whereas he would in a Steve POV fic.

How do I ensure that I don’t offend anyone if I include POC in my work?

You can’t ensure anything as POC aren’t a monolith, but you can try to be as informed as possible and avoid common pitfalls while writing. You can do research, just the way you might research anything you’re not familiar with. You can ask if anyone is willing to do a sensitivity read while you write or before you post. You can look for betas. There are a lot of resources out there, but these are good places to start if you’re looking for more information and help:

Writing with Color - resources

Writing with Color - Stereotypes and Tropes page

Reference for Writers - POC tag

What should I do to examine myself for any implicit biases?

We should all take stock of:

our feelings about different characters and relationships, both platonic and romantic, who we prioritize in our works, and how much they’re prioritized

our decision whether or not to seek or make content with characters of color. This includes content for white ships because sometimes every white character in the MCU shows up as a side character, but characters of color don’t or all of the white characters play bigger roles than the POC despite how close they are to the protagonist(s)

the way we interpret and write/draw those characters. For example, is Sam a yes-man? A figurative or literal therapist for white friends? The bro who only cracks jokes and/or gives sage advice but seems to not have any flaws, struggles, or life of his own outside of his white friends? The BFF who thinks his white best friend is being ridiculous about another white guy and wants them to get their act together already? Does the character of color talk in the way you perceive everyone of that race to talk rather than the way they personally do (e.g., does Luis randomly and awkwardly switch into Spanish when he talks just because he’s Latinx despite never speaking Spanish with Scott? Does Sam use AAVE with Steve, Bucky, and Natasha when he doesn’t do that with them?)? 

Also, here’s a Google doc with more anti-racist resources.

Even well-meaning people can slip up or not be as proactive as they hoped they would be so it’s just good practice to check in with ourselves every once in a while and see if there’s anything we missed or didn’t notice.