#I am going to be here a while >:|

[transmasc-rose]

Ah. Ok. Hm. They did another major retcon and I'm not sure how I feel about this. (< story of Every Game after ac1)

In Brotherhood, when Desmond kills Lucy, you take control of him. He steps, very slowly, each action forced by the player, while he asks Juno (/you/himself) to stop.

In Revelations, when Desmond thinks back on killing Lucy, he says "I'm so sorry... it wasn't me.... it was that voice... Juno... she made me..." and collapses on the ground, either stuck in that memory or maybe desyncing with himself(?)

In ac3, Desmond says he DID choose to kill Lucy. Juno showed him Lucy taking the Apple to Abstergo, raising it into the sky with the satellite (a plan the Precursors had tried and failed, but the Templars don't know that), and failing, causing the world to burn. so he made the choice to kill her.

I think you COULD argue that the discrepancy between ac Revelations and ac3 was a mirror of the Apple's use in the ac2 DLC, with most marks confessing on their deathbed that they'd been the ones to choose, though a few maintained their innocence to their last breath.

But even the Apple has been wildly inconsistent. Whether it works on temptation or its Just Straight Mind Control differs! Pretty regularly! I don't think, for example, you could call Ezio's use of the apple in Brotherhood (forcing enemy forces to kill each other) or Altaïr's use of the apple in Revelations (forcing a man to kill himself) or Bloodlines (convincing a crowd to leave in a zombie-like state) to be a matter of "temptation".

The most obvious explanation is that the apple can do both/either (depending on what writer wrote that particular scene, or even maybe intentionally. Maybe) and that the scene in Brotherhood was written with the direct use in mind, until it was retconned to the temptation use in ac3.

And I don't inherently have an issue with Desmond willingly killing Lucy. If. You know. They wrote it like that. But I genuinely believe they didn't, and the plot makes LESS sense for it.

[egophiliac]

was this anyone else's first thought, or

[hinamie]

shhhh

[inkskinned]

the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.

capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.

now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.

and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.

and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.

and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".

it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"

[bixels]

Just gonna have to wait and see, right? Just wait and see! Just gotta wait and see! Who knows, we'll just have to wait and see! It's anybody's guess, we'll just have to wait and see! The future is exciting, we just gotta wait and see!

[vaguely-concerned]

the more I play the more I think lucanis basically knows it's illario who betrayed him right from the beginning (he's had a year in the ossuary to think. not that many people knew where he was going. when you ask him 'did Illario know you'd be on that ship' his only answer is the hardest flattest 'yes' you ever heard). so it's not so much about figuring out who the traitor is (because that's ludicrous. we all know. immediately. they didn't really bother to hide it lmao) as about methodically closing off every single avenue of denial lucanis has clung to that whole time with as much or little gentleness as you might prefer until he has no choice but to admit it. because the moment he has to admit it, he'll have to do something -- feel something -- about it. and that's such a catastrophic event in lucanis' inner landscape (he has had TWO people in this whole entire world up until now and will do anything to hold on to them with a heartbreaking child-like desperation, even at and especially through the detriment of his own self) that he'd rather just. not. what if we quite simply. didn't. what if we just stayed here in the emptiness where we can both pretend you didn't hurt me in a way I should never forgive. I have so much practice in that with caterina already it's always worked out great for everyone so far. (press x to fucking doubt but that's trauma logic for you lol)

after everything illario did, so much of the storm of lucanis' emotions around it is 'what the FUCK did you get yourself tangled up in this time and how do I get you out of this mess safely'. what's worse: the fact that your brother murdered you, or that he put himself in horrible danger doing so and thus exposed you to the risk of losing him forever. lucanis' heart certainly has an opinion here and it's fucking unhinged (affectionate)

the themes of dissociation in lucanis' character in general makes me feel nuts. allllll these contradictory messy things he needs to cut off from each other because they can't coexist or be easily reconciled inside him. but all remain stubbornly true separately anyway and will have their due one day. love and resentment. tenderness and fear and rage. terror and longing. love and freedom don't coexist. the burned out golden child anthem is playing in the background. he was always caterina's favourite and he has to keep striving to deserve that dubious honour with every breath he takes and then, presumably, mercifully, some day he will die and be excused and can rest. and until now he's suppressed all the -- natural, healthy, protective! -- negative feelings that threaten the few attachment relationships he actually has, at the cost of ever actually having his needs for connection and safety met and leaving his core self imprisoned and compromised. and spite goes 'what. no. that's dumb fuck that' (*spite voice* I do not understand that and even if I did I would not respect it) and does not allow him to fall back into that, which I think is what saves his life, ultimately. it took being possessed by a demon for lucanis to even contemplate telling anyone he loves 'no' in any way, but hey. whatever gets you there right lol

lucanis is dealing with the freeze response allll the way down baby. and he was even before the ossuary, that just turbo powered it and brought it to a breaking point way before it could happen naturally. but something was going to break eventually no matter what, and I'm just glad that in the end, through the power of friendship and also pure spite, it doesn't have to be him

[starscream-is-my-wife]

Ik it's a bit early but I can't believe it's been almost one year since this post

Btw yeah its real

[rynli]

when Kim asks what happened to your badge (and gun) (and MC)

[prommytheus]

me: im not a asoryu divorce truther, but i AM an asoryu taking a break & eventual unlabeled-long-distance-situation truther. they ABSOLUTELY needed to go on different paths at the end of the game. i totally get people who rewrite them to go back home together after 2-5, but it misses the point IMO. their split is a bittersweet thing & a testament to their devotion to each other as people and friends more than it’s a toxic split and a tragedy. it’s not ryuunosuke leaving in bitter anger at kazuma’s deceit, or kazuma being idiotically self punishing. rather, it’s them mutually saying “We need to exist outside of each other for a while for our own development as people. But i would never leave you in anger. You will always be enough for me, but you also need to learn to be enough for yourself. And ultimately we will meet again at the crossroads. When we need each other the most, and we are finally ready, and we will walk our paths side by side. Unbroken, and never having been broken. And that bond is stronger than both of our deceit, violence, shyness, and ignorance combined.”

their physical split is a show of their assurance that they could never spiritually ‘fall off’ from each other. no matter what happens, they stand together in a cosmic sense. they need to be apart so that kazuma can find a self that will live past 24, and so ryuunosuke can develop the self he found in his own journey— the self that sees its value at all. basically, ryuunosuke is leaving for himself to prove that he has a self, and kazuma is staying for himself so he can learn to care about himself enough to put his struggle in the hands of the people offering to him— so he can learn to stop running. do you get me?

you, tied to a chair and actively being waterboarded: BLBLBLBLBLLBLUBUBU—

[teaboot]

you're so like. inspiring. or i wish i could be inspired. you reblog that post with the blue critter and you're like "im glad i was born on this planet". how do i manage to get that mindset. how do i manage to not want the pain to stop at any cost and enjoy what's still possible to enjoy

It's my first time here and I'm never coming back

[elsecrytt]

okay but jjk somnophilia is like

gojo "please please pleaaaaase let me put it in while you're sleeping PLEASE i swear i'll make you cum i proooomise please let's try it once pleeaaase. YOU can put it in ME whenever you want!!! any time any place anything you want in any of my holes!! wake me up with it!! it'll be soooo hot" satoru

vs

nanami "i have kink charts for both of us and they have sliding scales and notes section for each one. we can mark hard boundaries for what state of consciousness we want for ourselves or our partners, giving or receiving, what sex acts, etc. we'll set up a safe word and a safe gesture and then we can start trying things out" kento

vs

geto "sorry i fell asleep while eating you out, it will happen again. no, i won't stop eating you out when i fall unconscious. just tear me off your pussy if you don't like it" suguru

[yukipri]

For curiosity's sake...

[egophiliac]

Do you have any final theories/desires for Book 7 Part 12?

(slamming fists on table) I DEMAND MORE CHE'NYA

[gunstellations]

boop! 💙🤍

[amphibianaday]

day 1421

[vaguely-concerned]

on the one hand I think inner demons could stand to have a bit more romanced rook specific content, but on the other hand the underlying in-built implication that 'yours is the one true voice of comfort and safety in my inner world' is a sentiment and intimacy so way beyond the romantic or the platonic or any secret third thing you could care to name that it makes me lose my entire poor little mind a bit. it's so big and fundamental — near-existential — that in that exact moment at least the distinctions kind of seem irrelevant.

all the people lucanis' mind conjures up along the way are relationships he has that are unavoidably mixed and fraught in some ways even when they're also full of love (they are fraught BECAUSE they're full of love) — the good in them inseparable from things that hurt him at the same time. (it's about: the basic disorganized attachment patterns this poor guy is dragging around with him. careful with those, they're dellamorte heirlooms. what you love also inevitably hurts you and you won't be allowed to have one without the other, you have to surrender parts of your soul to hold on to what little you have left: this is the story up until now.) and the idea that rook isn't that to him — that beneath the fear of wanting them when romanced (which is more its own separate thing because within this psychology, actively wanting something and not just clinging on for dear life to even a meager status quo lest you lose it is in itself dangerous bordering on catastrophic), this is a relationship where there isn't resentment, or guilt, or shame, or dread, or rage, or self-hate, or any of the other emotions that keep him paralyzed, unable to move this way or that. no debts, nothing owed of yourself and your soul's substance except what you can freely and safely and happily give. love and freedom don't coexist — but, I mean, you're almost starting to make me think........... unless...👀👀👀. the unconditional and undramatic 'you are here and I am here with you, you can be exactly how you are right now with me and it's safe for us both even though you're afraid it won't be, I'm not going anywhere' acceptance rook shows him here that he returns to them in the big romance scene, when it's rook who needs it. the way he's just. standing there in the center of it all, like a child desperately helplessly waiting to be found, hiding in the place he hopes you'll know to look first. (rook does know. it's one of the first things they say in there.)

in short the most important room in his little mind palace for the romance is the very first room — the one where rook isn't. where, in fact, rook cannot be, because they disprove the entire structure of the place with their existence and presence in his life. with everyone else he's putting words in their mouths about what they think of him, and rook is the one who actually gets to come in to speak their own words to him — and have him listen. ('he'll listen to you, he always listens to you', 'your voice is a comfort'.) of course rook isn't present anywhere else in there — at the risk of stating the obvious to a tedious degree, they aren't one of the locks, they're bringing the key. in the very finest 'the messenger and the message' sort of way.