#I am by no means an expert but these helped me level up from a lurker to a yapper

[uchiha-gaeshi]

I’m going to be reblogging some posts on how to use Tumblr. I thought I reblogged them before, but apparently I made them private posts :/. I must spread the good news

[thevillainswhore]

New Tricks: Celestial Heavens

Pairing: Virgin!Bucky Barnes x F!Reader

Word Count: 9.4k

Summary: Life couldn’t seem any better — your life long crush, and the football star of your fantasies is now your boyfriend, and your relationship is running smoothly. It’s a dream come true. But when Bucky admits he’s ready to take things to the next level, you’re anxious to make sure losing his virginity is an experience he won’t forget — for all the right reasons.

Which means, a first date is in order.

A night beneath the stars brings the two of you closer together, where emotions run high and confessions sit on the tips of tongues.

Warnings: College AU, Smut, kissing, grinding, dirty talk, praise, reassurance, fluff, fluff and more fluff, pet names, swearing, teasing, first dates, Bucky is a smooth little shit, cute astronomy puns.

Author’s Note: Happy Valentine’s Day my loves 🥰 here is the highly requested part two for New Tricks 🥹 the support I have received for part one has been so overwhelming and I want to thank all of you who expressed your love 😭

Beta and divider graphic credits go to @rookthorne - I can’t thank you enough for spending hours of your time helping me bring this AU to life, you’re incredible — this one is for you ❤️

I hope this follow on lives up to your expectations and does our favourite college babies justice. Once again, from the bottom of my heart, thank you. Happy reading my lovelies 💜

New Tricks Masterlist 🌼🐾

New Tricks Playlist 🎵

‼️ Small disclaimer ‼️- while I have done some research, I in no way consider myself to be an astronomy expert. If any of the facts or information I have included are wrong, I apologise profusely.

Standing outside of your brother’s apartment, you hum a tune to yourself while waiting for the door to open. 

The impulse to knock again after only a moment of waiting is overwhelming and your impatience begins to wane. You grip the canvas strap of your tote bag which is full to the brim with notepads and books, when the door suddenly swings open to admit you.

“Hey–! Oh, it’s you.” Disappointment sours your tone upon seeing Steve in the doorway. You push past his broad frame and enter his apartment to look for the true reason you are there, paying no mind to the scoff that falls from his lips. 

 

“Yes, hello sis. So good to see you, too!” Steve stays by the door, unmoving and starts conversing with himself. “How am I? I’m great, thanks for asking—how about you? Come on in, we’ll have a drink.” 

You shake your head, huffing a laugh while you scold him playfully, “Oh hush, Stevie, don’t be so butthurt.” From down the hallway, you see a light casting shadows along the floor — the source coming from a slither of an open door. A flicker of red hair disappears around the door frame. “Huh,” you muse, a smirk dancing on your lips. “You should know by now I’m not here for you. Where is he?” 

Steve sighs. “He’s–”

“Buttercup!” Bucky’s shout from his bedroom interrupts Steve, and it snaps your focus towards the direction of his voice. “Baby!”

The heavy thud of his rapid footsteps echoes down the hallway towards the living room, where you currently stand waiting for him, and you can’t help but giggle with amusement at his excitement. 

He appears in a blur, skidding into the room with grace akin to a drunken swan — a pink blush dusts over his cheekbones and the boyish charm of his eager smile makes your stomach flutter. His Adam’s apple bobs up and down when he swallows, and he covertly attempts to catch his breath from the sudden burst of excitement. 

“–There,” Steve finishes, lamely. 

The bright, pretty smile on Bucky’s lips and how his eyes grow wide when he sees you makes you feel like you’re floating on cloud nine. “Hi, Buttercup,” he breathes, and the pure innocence of his greeting melts your heart.

You can’t help but copy his smile as you make your way towards him, where he positively vibrates in place. “Hi to you too, handsome.” The cotton of his shirt is soft under your palms, and you meet his lips with a small kiss. The brush of his plush lips against yours makes you sigh against his mouth, and his hands sneak around your waist to grip your hips, keeping you in place against his chest.  

He wasn’t going to let you sneak away with just the one kiss — he never does. 

A more insistent press from his lips makes you part your own, and he runs his tongue over your bottom lip.  

“Guys,” Steve whines, “Get a fucking room — I don’t want to see that shit!” 

The effort to pull away from Bucky’s lips is beyond tolerable, but you refuse to turn and look at Steve as you say, “Sorry, bro,” with little to no remorse for his fragile disposition as the older brother. Bucky does not tear his focus from you, rather, his lips quirk in a playful smirk at your snark. 

Unbeknownst to you and behind your back, your brother’s mouth upturns in a smile; the two most important people in his life finally together and so sickeningly in love. 

As of a few weeks ago, Bucky and you started officially dating after a shy, whispered question during the late Sunday morning of your first weekend together. 

Bucky’s small, timid question of what the two of you were once he dragged you back to bed — after the clean-up from a spilled gift basket in his haste — set the butterflies in your stomach aflame. 

Of course, there was no other answer but to rid the doubt in his mind and reassure him. 

From then on, the two of you lived in your own bubble of bliss. You, over the moon to finally be with your long-time crush; Bucky, unbelieving of the reality that he has and is deserving of the girl of his dreams, who loves and nurtures all aspects of him. 

The only way to describe you both during this honeymoon phase is inseparable — spending every single spare moment through college life with one another. 

But no matter how badly you wanted to be with him, and spend more time staring at his handsome features, your art finals were also crucial business — as was keeping Bucky’s GPA intact. The scholarship he revered depended on it. 

Steve’s voice brings you from the torrent of memories and back to the present where Bucky held you fast against his chest still. “Yeah, yeah, whatever.”

You reach around Bucky’s neck and twirl your fingers through his hair before whispering loud enough for only him to hear, “Ready to go, Puppy?”

The red flush of his cheeks and the part of his lips has you trying to hide the satisfied smirk that threatens to pull at the corner of your mouth — his new nickname borne from a quick-witted quip you thought nothing of, truly is one of your greatest accomplishments to date. 

You remember it perfectly.

Bucky leaned against the headboard, his lips in a full pout, and arms crossed tightly across his chest. The bare expanse of skin was shadowed by the low light of your bedside lamp. “No,” he grumbled, furrowing his brows with his sudden, foul mood. 

“Bucky— come on, we have to eat something,” you reiterated for the umpteenth time. 

“No.” The dramatics of his brooding had you struggling to rein your laughter in. 

“We’ve been cuddling for three hours,” you insisted, deciding to reason with the stubborn idiot. “I literally heard your stomach rumble an hour ago. You need food.” 

Bucky sulked. “No. Only need you.” 

“Oh my god,” you giggled, “you look like a kicked puppy, Bucky.” 

There was a deep, impatient huff, and then he stared at you, an expression of longing covering his features. It only exaggerated his puppy eyes. 

A bright idea came to you then, the comparison may just be what you needed to make the boy move… “Here, boy,” you called, patting your thigh with one hand and snapping your fingers with the other. “Come on, who’s a good boy? Huh? You want a treat, baby? Do you wanna be a good pup for me?” 

Bucky’s reaction was more than you could have ever hoped for — his entire body became deathly still for a moment, then his arms slackened to fall onto the bed and a deep flush of blotchy red trailed up from his chest and up to his neck. 

You would have been worried about overstepping if you hadn’t spotted the dazed, glassy look in his eyes, darkening the cerulean to an Aegean blue.  

Bucky liked it. 

The praise, humiliation, spliced with a pinch of demand — the entirely accidental recipe for how to break him. 

Ever since then, Bucky’s new nickname causes the most visceral reaction he so desperately tries to hide, with very little success. The quiet hitch of his breath has you trying to keep your composure, and if only to tease him a little more, you wink at him. 

In the present, he chokes on a sharp intake of breath and coughs. 

There’s a quiet, short bout of laughter behind you from Steve, but you focus on Bucky while he catches his breath, still beet red. “You ready to go, Buck?” you repeat, squeezing the back of his neck.  

The rapid semblance of composure did nothing to hide the effect your words have. He blows out a breath, and stutters a determinedly stoic, “Y–yeah— almost, just gotta— um— run and g–get my jacket.” 

You hum and bump your nose against his before stepping back to let him breathe, “Okay, Buck. I’ll be waiting by the door.” 

Bucky wastes no time in spinning around before taking off like a shot down the hallway towards his bedroom. As he disappears, you chuckle to yourself and wonder how embarrassed he will be when he realises that he is already wearing a hoodie.  

“You’re wicked.” Steve stands with his arms crossed and a raised eyebrow. But by the small smirk upturning his lips, you know he’s just as entertained with Bucky’s fumbling than you are. “He’s so whipped.”

Before you have a chance to retort, a honeyed, feminine voice calls from your brother’s room. “Steve, stop hounding your sister and leave her be! You promised me a foot rub.” 

“Oh?” It's your turn to cock your eyebrow, and you watch, all too righteously, while his cheeks turn bright red. “Remind me who’s the whipped one again, hm?” 

Steve flounders in place, his mouth opening and closing while he searches for the words to no doubt put you back in your place, but another voice beats him to it by calling out to you from the hallway. “Flower, you have no idea! Last week I got him to–” 

“Okay! That’s enough of that,” Steve interrupts, quick to shut down the reveal before it knew the light of day. He stalks down the hallway towards his bedroom, and as he goes, he yells over his shoulder at you, “Enjoy your time with Buck, sis, please don’t break him, we’ve got training tomorrow. Love ya — see you next week!” 

The door slams shut just as Bucky appears around the corner, clad in both a hoodie and a jacket, and his eyes dart everywhere around the room but at you. The realisation must have hit him, and he was far too stubborn to come back empty handed. 

Decidedly, you don’t question him on it. Instead, you hold your hand out to him and say, “Come on, handsome, we’ve got some studying to do.” 

And just like that, Bucky’s face lights up and he bounces towards you to interlace his fingers with yours. He follows you with ease while you lead him out his apartment to the elevator, the doors opening for you instantly for the both of you to step in. 

The floor numbers descend on the screen, and a companionable, comfortable silence floats in the air. Until you turn to the side when you feel the stare of your boyfriend. 

Bucky’s blue eyes shine brightly while he looks you up and down, taking you in once more, and your heart flutters against your chest with the soft smile pulling at his lips. “You look beautiful today,” he whispers, a line of worship that makes your stomach flip. While holding your gaze, he lifts your hand up to his mouth and places a kiss to the back of it. 

If the heart eyes from the cartoons were real, then your boyfriend takes the gold. 

You barely fight the urge to squeal out loud with the show of heartfelt adoration. “Thank you, baby.” 

The elevator doors open with a swoosh as you reach the ground floor. Squeezing his hand gently, you begin to lead him out the lift and towards the exit. “Let’s get going — we gotta make sure you ace this test.”

In the beginning, it took a while to process that you were Bucky’s girlfriend — an ease unlike any other helped you both fit together so seamlessly, as though you had been dating for far longer. 

That same ease also makes itself known in your shared sexual compatibility.

Ever since that fateful movie night back in Steve and Bucky’s apartment, the two of you went no further than making out at every opportunity that presents itself (or that you make) and grinding against each other until you both came — though it didn’t stop you both from doing it a lot. 

Sex for the first time is a big deal. Bucky’s admission of still being a virgin, and his comfort being your priority, you take every old and new venture into pleasure at his pace. But your hesitance is met with an unprecedented hunger that leaves you breathless with need, every single time. 

Bucky’s eagerness to feel you against him, the heat of your bodies intermingling as best they can between the layers of clothing always made him feral with want, and each time he ventures closer, further than he did before in his exploration of your body, it grows with such passion it scorches your skin.   

You were going to wait on his signal no matter how long it took. But a few signs were telling you, however, that Bucky wants it. 

Recently, your boyfriend has been a little more desperate, more so than usual. 

His whines and whimpers turn from breathy and high, to deep, animalistic sounds that send shivers up your spine. Bucky was already putty in the palm of your hands at the best of times, and to witness him let go of his inhibitions was addicting — you wanted more of him, and you have the inclination that he longs for the same. 

And although the both of you swore to one another that you would head to the campus library to focus on your studies, somewhere along the way, your feet took you straight back to your dorm room and into your bedroom. 

Your giggles and sighs echo off the walls, along with the rustling sound of your bed covers. “That tickles!” 

Bucky, the clever, sly boy he is, figured out far too quickly where the sensitive spots on your neck are. “‘M sorry, baby,” he whispers against your neck, his breath hot and fanning over the delicate skin. His sweet, tender kisses start to turn heated — more passionate and intense as his hands begin to wander over your body. 

“Fuck,” Bucky breathes against the curve of your jaw. “You smell so good, Buttercup — could jus’ eat you up.” 

You softly moan in reply. The sudden hunger in his tone makes a shiver run down your spine and settle heavily between your thighs.

“C’mere,” he growls, and he rolls his body over yours, forcing you to lay flat against the mattress. You quickly wrap your legs around his waist as he trails sloppy kisses from the curve of your mouth and down the slope of your neck. “Atta girl, good girl.”

The feel of his lips against your skin makes your eyes flutter closed, and it’s entirely impossible to withhold your upper body rising with the arch of your back, pushing your covered breast up against his chest.

You can’t help but think of how confident Bucky has grown in such little time — his boldness only adding fuel to the fire.

Bucky firmly grips your waist in his hands with a thready moan, and he slowly, torturously inches them up towards the bottom of your tits. You feel the brush from the tips of his thumbs through the fabric of your bra and shirt, the pressure of them indescribable. 

“God, you’re so fuckin’ pretty.” He squeezes his eyes shut as he tests a roll of his hips into you. The high moan that tumbles from your lips jolts him, and he thrusts forward with a small, disjointed groan — the heavenly pleasure of grinding his cock against your clothed cunt almost too much for him to bear. “Feel so good, Bee — holy fuck.”

You grin up at him, squeezing your knees against his hips. Another thing Bucky grew confident in: being vocal in the bedroom. His litany of curses and range of vocabulary comes to life if he loses himself enough; bold in his actions, he takes charge more and it leaves you a wreck every single damn time.  

“Gotta keep going, baby,” he pants into the juncture of your neck and shoulder, “don’t make me stop, please don’t make me stop.” The desperation in his voice is as addicting as the pleasure he so freely gives, and you moan loudly to the ceiling. His pure, feral need to take what he wants only sends you closer to the edge. “Fuck–”

Your whines and pleas for more mix with his deep grunts on every grind into you. “Bucky, don't you dare stop,” you gasp, grabbing at his shoulders and wrinkling his shirt in your grip. “Oh my god, please don’t stop.” 

“Not gonna stop,” he promises as he pants against your neck. “Not gonna stop till you fuckin’ cum for me, Buttercup.”

You grab onto the back of his thighs, forcing him to rock against you faster. Harder. 

Bucky’s whimpers only serve to drive you crazier and with wild abandon, you buck your hips to meet his thrusts. “So close, baby. Almost there— oh, fuck,” you cry. 

Bucky bites the skin of your neck, causing you to gasp loudly and moan. 

“Fuck, doll,” he groans, and he swallows your whines with frenzied need, his tongue laving over yours. The harsh pants for air when he pulls back to speak send you into a whimpering mess. “Drivin’ me crazy, Bee. Need you so bad, you got no idea—” 

“Keep going, please, keep going!”

“—Gotta have you,” he grunts. “Need these fuckin’ clothes off — wanna see your perfect body.”

It’s hopeless to keep your moans at bay. His ferocity has you on the edge and your thighs shake as you balance on the precipice. “Gonna— gonna cum.” You tangle your fingers into his damp hair and pull. “Bucky, baby—”

“I know, pretty girl,” Bucky coos. “I’ll get you there, don’t worry—” 

“Please, please, please!” you frantically beg. The knot in your stomach is wound tight; the fast rhythm of Bucky’s thrusts pushing it to the point of shattering. 

With a slight shift in angle of Bucky’s hips, the tip of his cock rubs against your swollen clit through your leggings, and you scream from the sheer ecstasy that flows through your veins with your climax. “Cumming! I’m cumming— oh my god, I’m cumming!”

Bucky’s hips falter, and he chokes out a raspy moan, “Fuck!” 

The shattering of built-up tension rushes over the two of you; harsh moans fall from Bucky’s parted lips while he rides out his high, his hips continuing to grind against you. 

It all falls on deaf ears while fire still runs through your veins.  

“Holy shit,” Bucky whispers, finally slowing down his breathing and stopping the faltering, aborted thrusts of his hips. The growing wet patch that stains the crotch of his sweatpants no longer makes his cheeks flush with shame. 

Quiet whimpers and gasps for breath leave you unable to speak, to utter just how wrecked you feel beneath him. 

“Holy fuck,” Bucky repeats, and he gently rests his lower half against yours while carefully keeping his upper body propped up on his elbows. “That was–” Hot breaths fan over your lips as he rests his forehead against yours. “So fuckin’ good.”

You laugh breathily and squeeze his shoulders, the press of your fingertips meeting hard, strong muscle.

It’s a peaceful moment; a serene bliss you only find in the comfort of Bucky’s arms. It feels right to be cocooned in his warmth — your boyfriend always making you feel safe. 

“You’re so beautiful,” Bucky says softly, placing a quick kiss to your nose, then a lingering, passionate one on your lips. “I can’t– fuck, can’t believe you’re mine.” 

You smile brightly up at him, lost for words, and with a tired huff, he rolls off of your body to lay beside you. Your chests rise and fall in a soothing sense of synchronisation. 

The slow drain of adrenaline from your body erupts in a sudden fit of giggles.  

Bucky blinks, then smiles hesitantly, a confused quirk of his lips. “What’s so funny, Buttercup?” 

“I just–” You bite your lip in an attempt to stop your laughter so you’re able to respond to him. “Sorry– it’s just a little crazy to me how you’re not as shy as you used to be.” A teasing smirk pulls at your lips. “You’ve gone a little rogue, Pup.” 

Heat creeps up Bucky’s neck and covers his cheeks with an adorable red flush. Even if your man has gained a lot of confidence, he will never be able to rid the bashful puppy inside of him. 

“I should be worried,” you tease. “You’re giving me a run for my money.” 

“Right, that’s it.” Bucky suddenly shoots up and climbs over you, pinning you in place with his hips and thighs. One of his hands snakes up your arm, then the other, and you shiver with the ghost of sensation, only, he smirks. “I’ve got you now.” 

Your wrists are suddenly together, unable to move from the top of the bed and in the grip of his hand. “Hey–!”

There’s a wicked, playful glint in his darkening eyes as he looks down at you. “You’ll learn, Bee, that I’m not a man to be teased.” The hand he has free begins to flit over your ticklish spots. 

“Bucky,” You warn as you nervously chuckle, trying to edge away from his touch. “Don’t you even think about it.”  

That doesn’t deter him though. He runs the tips of his fingers, a feather light touch, underneath your tank top. “Oh, no– no, no,” he tuts. “I have the upper hand now, baby.”

“No!” you loudly squeal, trying to kick your feet to dislodge the weight of Bucky’s athletic build over your lower half, but it’s of no use. 

You burst into an uncontrollable fit of laughter — tears start streaming down your cheeks while your boyfriend watches in cruel amusement above you. “Where did all that fighting talk from earlier go, huh, Buttercup? Where did it go?” 

“Okay, okay! I– I lose, you w–win!” 

With a satisfied sigh, Bucky yields and lets go of your wrists to bring one hand down to your waist, closely following with the other as he starts to gently stroke the exposed skin of your middle. 

“You’re too easy, baby,” he chuckles, fondness bursting over his features. 

“Yeah, well,” you sigh in defeat. “You played dirty. Best believe I’ll get you back, big guy.”

A comfortable silence stretches between you both while you breathe heavily and close your eyes against the exhaustion overtaking your limbs. The rush of endorphins and all manner of happiness still flowing through your veins.  

Until, “Did I go too far?” Bucky asks suddenly, his voice timid, small. 

The tone of his question indicates a sense of duality — he’s not just asking only about the tickle fight. 

You open your eyes to the view of his long hair hiding the two of you from the world; your room obscured by the curtain of it. The bright, shining blue of his irises steals your breath with the depth of emotion swimming in them — keeping you firmly within the bubble the two of you created in your passion.  

“Oh, Bucky,” you whisper soothingly, bringing your hand up to cup his cheek — the soft strands of his hair against your fingertips sends an unprompted shiver down your spine. You move your hand from his cheek so your index finger could press against his nose, then up to smooth over the furrow between his brows. “Not at all, handsome.” An effortless smile pulls at your lips, one that he hesitantly returns. “It was perfect, I promise.” 

Though he doesn’t seem to settle. Something is on his mind, that was obvious — his tells are easy to decipher from the time you spent studying his expressions. When he is unsure, hesitant, the tip of his tongue runs over his bottom lip; when anxious, his shoulders hunch inwards in an attempt to make himself smaller. 

Bucky swallows thickly. 

You frown. “Are you okay, Puppy?” 

The soft lilt of your voice soothes his worries, and he takes a deep breath before responding with a wavering, “I think I’m ready.” 

The implication of such a comment makes your eyes widen slightly — while the possibilities are endless for what he could possibly be referring to, you’re almost certain you understand exactly what he means. 

As though he suddenly realises how it could be interpreted, he barely whispers, “I w–wanna have— have sex.” There’s a slight tremble in his voice despite his courage to confess. 

You blink once, twice, hesitating only for a second before opening your mouth to reply, to question him, but Bucky rushes to add, “With you.”  

It’s your turn to swallow — despite the harsh dryness coating your throat. In the past, you had partners, summer flings. Few stayed, and even fewer were worth the trials and effort of a proper relationship. And through those couplings, sex became something that didn’t faze you. 

With Bucky it feels different. 

The connection is far more meaningful to you than any casual hookup from a club, and to know he is in a space where he is comfortable enough to place such vulnerability in the palms of your hands… It is not lost on you, the importance of his choice. 

You look deep into his eyes while you seek his full consent — if only just to quell the doubt that swells within yourself. “You’re sure about this?” 

“One hundred percent,” Bucky confidently assures. “I want all of you, Buttercup. And I wanna give you all of me.” 

Fuck, you curse to yourself. You didn’t deserve him. 

You nod, then say, “Alright, baby.” Bucky grins at you, and this time you rush to add, “Let me do this properly though, okay? I want to take you out; treat you like you deserve.” 

A sudden sheepishness clouds his expression, and his eyes dart downwards to your lips while he licks his own. “Mhm,” he mumbles quietly, “Y–You can do that if— if you like.” 

You take both of his cheeks in your hands, and you tilt his head up to place a soft, loving kiss to his swollen lips. When he makes direct eye contact with you, you whisper against his mouth, “You deserve the world, Pup — nothing less. So yes, I would love to.” 

The night of the long anticipated date night arrived faster than you realise — after classes, study sessions, and accompanying Nat to the boy’s football training to cheer them on, time flew by in a blur.

As much as Bucky begged you for a scrap of a hint or clue for what you planned, you kept it under tight wraps; a lock and key that will not budge for even the sweetest of pleas.  

It hasn’t been an easy task to stay strong against his wide, puppy eyes — on more than one occasion, you almost let slip. But with severe determination, you successfully keep it a secret. 

And by god are you proud of yourself for such an achievement. 

You know for sure that Bucky is going to enjoy himself tonight — every last stop pulled, and with the help from your brother for the venue, you feel confident in the plan.

That is, until you smooth over the invisible wrinkles of your dress for the umpteenth time while you make your way down the hallway towards their apartment, your stomach roiling with anxiety of the unknown. Will Bucky truly like it? What if he hates it–?

A hand with perfectly manicured, blood red nails grabs yours, and pulls your fidgeting fingers away from the seam of stitching to the pockets of your dress. “Babe, please stop panicking.” Natasha’s soothing tone brings you back down to earth. “You look incredible — Bucky isn’t going to know what hit him.”

After hearing of your plans from your brother, she was quick to offer her help with your makeup and hair, which you graciously and gratefully took her up on. You were desperate for some feminine support, and Nat came in the form of an angel sent from the heavens.  

The way she worked her magic left you unable to believe it was you staring back at yourself in the mirror; hair flawlessly styled and makeup ethereal. A shaky sigh escapes you. “You really think so?”   

All in all, as you walk down the hallway to the door that hides your date from view, arm in arm with your guardian angel, there is not one reason for why you are so anxious — though the pressure you place on yourself to make sure this date is perfect is among one of the chief suspects. 

You meant, wholeheartedly, what you told Bucky before — he deserves the world, and you crave to hand it to him. “I mean–”

“Listen to me,” Nat says fiercely as she steps in front of you, blocking your path to the door of the apartment and stopping you in your tracks. Her hands grip your arms, tethering you to reality. “I know for a fact that boy is going to positively die when he sees you.” 

The tension releases from your body with her comforting words, but Nat still goes above and beyond to bring you out of your spiral. “Hell, if I wasn’t already with your brother, I'd have snatched you up myself.” 

You can’t help the small smile that quirks your lips for her instilled confidence, and she winks. 

You’re grateful that Steve has found someone so genuine who you easily get along with. Natasha is a beautiful woman both inside and out, faultlessly honest and loyal — traits that are hard to find in a person, yet here she is, extending her help with little thought or expectation of it being returned.  

“Thank you,” you murmur, trying to convey how much you appreciate her. “Y–You didn’t have to do all of this.” 

“Maybe not.” Her hair bounces as she shrugs. “But us girls gotta stick together — especially now that we’ve got two helmet heads stuck to our back.” 

“Come on.” Her arm hooks around yours, and she pulls you along. “Let’s go get your boy.” 

Before you can blink, you are standing outside your brother’s apartment, and with a deep breath and moral support of the redhead on your arm, you bring your closed fist up to the wood. “Here we go.” Three, firm knocks ring through the silence, and you step back to wait. 

The anticipation doesn't last very long at all before the door swings inwards with a flourish. 

Steve stands in the entryway, his back turned towards you while he shouts into his apartment. “Hurry your ass up, Buck–!” You lightly switch your weight between your feet, waiting for him to turn around. “They’re at the door!” 

There’s a clattering bang and more curses from inside the apartment, when Steve finally turns around to greet you. “There’s my favourite girls—” He freezes in place, mouth slack from shock, and his eyes trail up and down your body. “Flower,” he gasps in awe. “Oh sis, you look so beautiful.”

The sincerity in his words immediately brings tears to your eyes, and Nat hisses at her boyfriend, “Hey, don’t ruin her makeup!”  

“I’m sorry,” Steve says slowly, still taking you in. “I just– you’re so fucking beautiful. Look at you.” 

Nat hums happily while her hand rubs your shoulder. “Isn’t she? I said Bucky’s going to die when he sees her.” 

“Guys,” You whine, the hot flush of embarrassment leaves you feeling utterly flustered.  

Steve ignores you though, readily agreeing with his girlfriend as he opens the door wider to let you both enter. “She’s right, Flower. It suits you perfectly.” 

A surge of giddiness hits you — after a time of intense deliberation of your wardrobe, you chose one of your favourite sundresses to wear for the special night, a spaghetti strap in a soft, cornflower blue. A small surprise and homage to someone special. “Thanks Stevie, I really appreciate–”  

“Okay, okay, wait–” Bucky rounds the corner from the hallway as he enters the living room, interrupting you. “What about this one?”  

The cufflinks on his navy blue button-up steal his whole attention, while his long, chocolate hair conceals you from his view. He struggles fastening the cuffs with the subtle shake of his fingers, and you can almost hear his inner frustration when he huffs an annoyed breath, blowing strands of hair from his face. “Dammit, I swear–”

You stand there with thin lips to contain your laughter while waiting for him to look up.  

“Steve?” Bucky asks frustratedly after he doesn’t receive an immediate response. “Do you think Buttercup will like this outfit or not–” His head tilts upwards, hair falling either side of his handsome face that is painted with exasperation at being ignored, and his words falter.

Blue eyes widen in surprise to find you standing there next to his best friend. 

“Oh– fuck,” Bucky gasps, and his jaw slackens with the gravity of your presence; truly awe stricken by the sight of your opulent outfit and appearance. His Adam’s apple bobs as he gulps uselessly around his inability to speak. 

The click of your shoes against the floorboards doesn’t snap him out of his daze let alone register in his mind, so deep in his fixation of you.  

You take the chance to admire his appearance. 

The navy, button-up shirt clings to his broad shoulders, accentuating the definition of the muscles all the way down to his forearms, and with each movement, the material tightens sinfully. The top few buttons of his shirt are left undone — a choice you’re most thankful for because of the tease of his bare chest. Black slacks fit snug to his hips and grip his thick thighs. 

On any normal day, when Bucky wasn’t out in the field in his football gear, he normally stuck to his casual clothing of an old t-shirt and sweatpants — comfort over presentability, not that you ever complain about the sight of him in sweats. But this is the first time you’ve ever seen him remotely dressed up.

You walk towards him and grab his hands with yours, stopping his absentminded fidgeting — gravity keeping him routed in place. 

“I think you’re absolutely gorgeous, Bucky,” you say, gazing into his eyes while you wonder how lucky you are to hold his attention in a room of his favourite people. “If that answers your question.”

“My god, Bee,” he whispers, finally able to give a voice to the flock of thoughts circling his mind. “You look stunning, baby — ethereal.” He laughs, a little deliriously. “You’re kinda killing me here.” His large hands encircle yours, bringing them up to hold against his chest. 

There’s so much emotion in his eyes as they dart over your figure like there’s not enough time in the world for him to take you in. 

“Give us a spin!” Nat calls into the charged air while she clings onto Steve’s arm, who watches on teary eyed. 

Bucky takes one of your hands and lifts it into the air, encouraging you to twirl. The skirt of your dress fans out around your thighs, and you can’t help but grin wide as your boyfriend whistles low. “You're a goddamn dream, Buttercup.”

He guides you back into his hold, before gently gripping your chin between his thumb and pointer finger to bump his nose against yours. “And all mine.” 

The way Bucky’s stare burrows deep into your soul and makes a home where he rightfully belongs — it takes everything you have to not blurt out the three words residing on the tip of your tongue, but something has you biting your lip against the impulse. 

Instead of declaring aloud what your mind and heart feel, you settle with another truth, “And you, Bucky Barnes, are a sight for sore eyes.” 

A dusting of pink spreads high over his cheeks, and you take pride in being able to fluster him so easily — your adorable Pup would never lose his bashfulness. 

“What did I tell you, honey?” Natasha bumps her hips against Steve’s as she snickers into her hand. “He’s practically drooling over her.” 

You join in with their laughter while Bucky pulls you close and buries himself into your neck, even more flustered from the insistent teasing, and he grumbles low into your ear, “Great, now there’s two of them.” 

Leaning back to better look at his flushed face, you assure him, “I think you’re adorable, baby.”

His eyes twinkle with a spark only you could ever bring out of him. “I’m excited for the night, Bee,” Bucky declares, honest and sweet. 

“Me too, handsome,” you readily agree while you step back, the small hops of uncontainable excitement making Steve and Nat chuckle. “Are we all set to leave?” 

“Oh!” Nat cries, “Before you forget—” She slips out of Steve’s hold and rushes into the kitchen, coming back a second later with a wicker basket full of food, the very same that she insisted on when she first found out about your date. With a wink, she hands it to you. “You can’t leave without this.” 

“You’re an angel,” you praise, walking towards her and holding your arms wide for a hug. She readily accepts it and kisses you on the cheek. “Thank you so much for this.”

Just as you step back from her embrace to grab her offering, Bucky swoops in and grabs the basket before you can even touch the wicker handle. “Hey! Excuse me, Barnes,” you scold, frowning at him. “I am more than capable of carrying that.”

“I know,” Bucky teases while he walks backwards towards the apartment door, a devilish grin on his lips. “But I don’t care for a picnic basket gettin’ in the way and ruinin’ the view of my girl in a pretty dress.” 

Your jaw drops from his suave words, and you stand there, flustered as you watch his retreating form. Without looking, he opens the door with his free hand and bids farewell to his best friend with a nod, then he smiles at Nat. 

Bucky then looks to you. The flick of his hair as he nods towards the hallway pulls you from the reverie. “Come on, beautiful. The night is young; the possibilities endless.” 

Where the hell has he gotten his silver tongue from? your mind questions. 

“He’s gotten too smooth for his own good,” Steve comments as though he read your mind, a smirk playing on his lips. 

“You don’t say,” you reply easily. To get to the door, you walk past your brother, and he slips a folded piece of paper into your hand while Bucky is walking into the hallway, his back turned. “I’ll be back tomorrow.” 

Steve grins. “Have fun, Flower — you deserve this.” Naturally, it wouldn’t be a traditional sibling farewell without a departing shout of, “And make sure you wear protection, shithead!” 

The Brooklyn streets are aglow from the overhead lights while the moon creeps up the horizon, watching over you and Bucky holding hands. He blindly follows you towards your best kept secret.  

“Let me get this straight.” Bucky swings your arm with his gently. “You’re telling me I can’t have any clues about where you’re taking me?” 

“Nope,” you respond, staying strong to your oath of silence. “We’re a couple of blocks away, you dummy. You’re going to find out in five minutes — be patient, I know it’s hard.” 

“C’mon, Bee,” Bucky begs. “You don’t wanna put a poor man out of his misery?” He lightly tugs on your intertwined hands to spin you into his chest. 

“Hey–” You look up at him to find his eyes hooded with barely restrained lust.  

“I almost died already after seeing you in that dress for the first time, and now you’re torturing me, I have to watch you walk in front of me in the damned thing.” 

Oh, you laugh to yourself. He’s really turning the charm up. 

“Puppy,” you whisper breathily, intentionally running a hand down his chest. The action and your touch makes Bucky shudder. “Believe me when I say I could make you do a lot worse.” 

A deep flush of red paints his cheeks and spreads blotchily down his neck, and his breath hitches when you cup his jaw in your palm. “Be good for me, and be patient,” you warn, the fan of your breath over his lips only worsening his flustered state. “I promise the wait will be worth it.”

“Y–Yeah, okay–” He clears his throat and sets you back onto your feet, though he does not release your hand.  

A flash of mischief darkens his eyes when you pull him onwards, and you look over your shoulder at him when he says, “Yes ma’am.” 

That is something you could get used to hearing. “Atta boy.”

The rest of the walk is quiet but calm — a mutual contentment stretching between the two of you where words aren’t needed. 

You know that around the next street corner lay your surprise, and Bucky still has no idea what is in store — the piece of paper that Steve gave you begins to burn a hole in your dress pocket.  

The exclamation of surprise that falls from Bucky’s lips when he lays eyes on the museum makes all the effort worth it, though it grows to a state of clear confusion from the furrowing of his brows. “Wait, it’s late — isn’t it closed?”

“Come on,” you say in reply, and instead of going to the main entrance, you lead Bucky towards an alleyway where Steve told you the back entrance for staff is situated.  

The crinkle of paper is louder than the cheering crowd at a football game, and you grip the invaluable information as you near the locked door. Steve’s offering rings in your mind: It will get you into the main foyer, from there, you’re gonna need to get sneaky.

Bucky’s hand squeezes yours in an attempt to get your attention. “Bee?”

You’re too homed in on the memory of Steve talking to you about your plan — one of their teammates works within the museum, and he was able to pull a few strings and call in a couple of favours for the gold mine in your hand. 

You determinedly walk towards the keypad built into the wall next to the door and unfold the note. In the process, you let Bucky’s hand go — you instantly feel the loss of connection.    

“Um— Buttercup,” he chuckles nervously, glancing over his shoulders to spot any onlookers. “I think this is classified as illegal trespassing right now.” 

“I mean,” you say, then you stick your tongue between your teeth as you work the six-digit code from the piece of paper to the keypad. The low tone press of each digit covers up the shuffle of feet behind you. “Bucky, it’s okay — it’s safe.”

“But–” He hesitates when the mechanism clicks to signify it's open. 

You look at him and suddenly grasp the idea that he is anxious — his football scholarship and prospective future could be ripped away from him within the hour should the two of you get caught by the authorities.

“Hey, hey, we’re good — no one’s gonna catch us, I swear,” you assure. Though he still looks on edge. You don’t want Bucky to feel apprehensive for the sake of his headspace or the rest of the evening, and your only option is to offer him your most sincere form of faith. You hold out your hand, palm up. “We’re gonna be okay. Trust me?”

  

There’s a small, nervous twitch of a smile on his lips, and then, finally, his tense shoulders and posture relax as he steps forward and sets his hand into yours with an ease that shocks you, only strengthening the solid connection you have. 

“Come on.” Bucky follows behind you, a slight laugh on his breath as you all but run into the museum. 

Different eras of evolution pass by in a flash; hundreds of exhibits dedicated to all corners of the world go ignored in lieu of taking Bucky to one place that, normally, was not an easy area to walk through and explore, given how popular the exhibit is. 

By the time you reach the doors hidden behind a set of double, velvet curtains, you’re out of breath. “O—kay,” you pant, hands on your hips as you slightly bend forward. “We’re — we’re here.”  

Your boyfriend, the teasing bastard he is, chuckles while he extends a hand to your shoulder, “Are you okay?” 

The bastard hasn’t even broken a sweat. 

“Fine — I’m fine,” you gasp, and you gesture at the curtains. “Come on, I can’t hold it in any longer–” The heels of your shoes click over the floor, and you push aside the curtains to reveal the door — only then do you turn around and smile at Bucky. “Here we go.”

The doors fly open with a flourish and reveal a domed planetarium with the signage above a giant moon: A Journey Through The Stars. 

It is a coveted event within the science community, and only after you hear of it through whispers in the halls of your dorms and classes did you realise it was perfect. 

Darkness cloaks and envelopes the two of you as you step inside — Bucky moving slowly in his daze of amazement. On strings and platforms above and lining the dome ceiling are twinkling lights and stars, the only source of lumination to show the wonderment in his cerulean blues. 

You watch from a distance with bated breath while Bucky stares to the ceiling, mouth agape, taking in the moving three-dimensional hologram above him and everything it has to offer. 

The galaxy, with its swirls of pinks, purples, and blues among millions of stars, are brought to life before his very eyes. Planets thousands of times bigger than the two of you cross and circle one another above your heads, closer than either of you could have ever thought possible, and yet, still only just out of reach — the concept achieves the impossible. 

In the end, you realise as you stare at Bucky, your heart swelling with the love that courses through you, that you have gone beyond the very goal you were desperate to attain; to give Bucky Barnes the world. 

He spins on the spot, eyes bright with a childlike awe you have only ever seen on the mornings you've woken up in his arms. The glow of the celestial wonders captures in that second, a memory that will last forever — the sight of your man, the centre of your world, underneath the stars. 

Ever so slowly, Bucky delicately brings his gaze back down to earth, and notices the distance between the two of you. His voice echoes across the room, off of the planets and stars as he asks with a waver in his voice, “H–How did you know?” 

You smile. “That you’re kind of an astronomy nerd?”  

Bucky only nods his head, still at a loss for words. Strands of his neatly tucked hair fall over his eyes, and you take a deep breath and steady your own voice. “Do you remember our first movie night with Stevie and Nat?” 

There is a small hum of acknowledgement from deep in his throat. 

“Well,” you continue, “I remember the two of them were arguing, it took them ages to settle on a film choice. I was beginning to lose my tether.” The recollection of the memory — their voices and banter make you chuckle. “Anyway, a trailer came up on the TV for an upcoming film about an astronaut getting stuck in space — the Martian, maybe? I’m not too sure.” 

He is purely focused on you as you speak, and you begin to recall your favourite part of the memory with a fond smile, ignoring the slight lump in your throat from the overwhelming flood of fondness and adoration. “But I watched– I watched as your head snapped up instantly. You were enamoured, Bucky — I’ve never seen you so hooked into anything more in my life.”

Time freezes as Bucky stands there, unmoving and speechless. The lack of reaction from him makes your stomach twist with nerves, and you rush to fill the silence, rambling on, “Then I noticed the smaller things. Your stack of astronomy books on your nightstand, the NASA merch I find when I steal one of your sweaters.” A small laugh escapes then at his incredulous expression. “And so, I went out on a whim, piecing everything together, and I– well, I thought I should try my chances.” 

“You really—” Bucky swallows the lump stuck in his throat. “You noticed all of that?”

“Of course I did, Bucky,” you tell him with reverence. “How could I not notice something you’re in love with?” The colours of the night sky shimmer over his face and over the sheen in his eyes as he stares at you. Hesitantly, you ask, “D–Do you like it?” 

“Do I like it?” He repeats, huffing a breath. “Do I– do I like it–?”

There’s a thud as the basket he was holding falls to the floor, and you gasp while he storms towards you and picks you up around your waist to spin you around in the air. 

His grin is wide while you squeal with shock. “Damn right I like it!” he shouts with pride. “My girl is the fucking best!” 

“Ah–! Bucky!” The skirt of your dress flutters over your thighs as you hold onto his shoulders.

He whoops and yells his happiness, and after a few rotations, he carefully places you back down onto the floor, only he doesn’t stop his persistent touch — kisses scatter over your face, never lingering in one place for more than a second. 

“You’re — so — amazing.” His lips move downwards from your face to your jaw, then your neck. “Can’t — believe — you’re — actually — mine.” 

The ache in your stomach flutters from your laughter, though you are on cloud nine and find it difficult to care when the boy you’ve had a crush on for so long is kissing your face like there is no tomorrow. 

Eventually, Bucky begins to calm down, settling his forehead against yours while wrapping his hands around your waist. “This means everything to me, Buttercup.” He grants you a slow, final kiss to your lips. “Thank you.” 

“You are more than welcome, sweet boy.” You move closer into his chest and peck him on the lips. “Now let’s have that picnic.”

The two of you sit under the largest planet, and you dive into the contents of the picnic basket to find Natasha has packed a whole range of finger foods from sandwiches, mini cakes, to strawberries and grapes. A small bottle of your favourite drink is tucked into the side of the basket, next to two glasses.  

After a toast, “To what the universe has planned for us,” you both bask in one another’s company — two tiny specks of the universe coming together as one. 

You listen intently as Bucky excitedly rambles about the different planets, as well as his love for Mars in particular. The gesticulation and smile on his face is priceless, and you only wish you had thought to bring a camera. 

Bucky continues endlessly — listing interesting facts about each planet and star he knew, and he goes into detail about any active NASA projects or upcoming ones he’s been keeping track of. 

Not only is he an avid storyteller, he makes sure to involve you in the conversation, engaging you with silly questions on whether you believe in other life out there, and any of your thoughts you have about historical space ventures. 

It is easy to fall into step with his passion, and you know that you could stare all night as his whole face lights up, especially his eyes, while he talks about something he thought no one noticed before. 

But you did. 

The highlight is when Bucky begins to talk about star constellations — his love and adoration surpassing that of anything you had heard from him before.   

He sits behind you, legs resting either side of your body while he holds you to his chest with one arm, the other pointing up towards the dome ceiling. “You see that one there, Bee?” There’s a cluster of twinkling stars in the direction of his gesture. “The large rectangle one — that’s Orion.”

The soothing rumble of his voice against your back is remedying — home.  

“It’s also known as Orion The Hunter,” Bucky explains further. “A Greek name, but its true origin is believed to come from the ancient times of Babylon.” 

“It’s beautiful, Bucky,” You sigh happily. The cluster and the whole of the night’s sky is truly beautiful — once they were just a pattern of lights in the sky to you, now they hold far more meaning. 

“Yeah,” your boyfriend agrees. You don’t see how his eyes flicker down to you, rather, you only feel his cheeks rising in a smile. “It is.” He clears his throat. “The constellation includes two of the brightest stars in the sky.” 

“Really?” You hunch forward a little to look upwards. 

“Mhm,” Bucky confirms with a hum. 

With a huff of effort, you push yourself up onto your feet, and walk closer to the constellation until you are directly underneath the pattern of stars. It’s with a new appreciation you stare up at the twinkling lights that you didn’t have before — admiring the complexity of the placement but the simple beauty of it. 

The reflection from the dome ceiling illuminates onto your skin, tattooing patterns of a realm that will never be discovered for its full existence. 

Bucky, however, focuses entirely on you — his girl, in a reality the two of you once never thought possible. 

A shuffling of feet comes from next to you, and Bucky stands and makes his way towards you. He places both of his hands onto your cheeks to tilt your head back down, to be back in the present with him. “Maybe not the brightest. But that’s okay, because that one is only meant for me anyway.” 

It’s sudden, but it consumes you whole — mind, body, and soul — of the realisation that Bucky Barnes is the love of your life. 

You fight the tears threatening to bubble to the surface, though it’s futile — a few escape and trail down your cheeks to collect on Bucky’s thumbs. Those three pesky words fight to spill from your heart and out into the open, to hang in the closing distance between Bucky and you. 

But somehow, it doesn’t seem like the right time. A fragile moment that while you know could truly never break, uttering those words feels like it will shatter the last of your resolve. 

And so, you save them; sealing your mouth closed with a sworn promise to let them go soon. 

Seconds go by as you collect yourself, and then you manage in a choked voice, “My, my — What have you done with my Bucky?” 

“He’s still here,” Bucky vows. “You just make me so dizzy — so goddamn fuckin’ dizzy — that I’ll spill whatever comes to mind.” 

That makes two of you.

You place your hands over his, still encapsulating your face. “Well, you certainly know how to make a girl swoon, handsome.”

His lips turn upwards in a lopsided grin that shows a slither of his pearly whites. “I would find a way to pull the moon out of the sky if you asked me to, Buttercup.” 

There is no doubt in your heart over that — Bucky would go to the ends of the earth for you. But you didn’t need that, you have everything you could wish for already in the palm of your hands. “Lucky for you, I’ll only ask for a dance underneath it.” 

Bucky’s lopsided grin turns into a thousand-watt smile, as bright as the stars above you both. “Now that is something I can make happen.” 

There’s no music, no beat for the two of you to follow, but that doesn't stop Bucky from gathering you closer to his chest — his arms cross over your back to pull you flush with his front. 

You turn your head to the side and lay your cheek against him, wrapping your arms around his neck to better hold him. 

The steady rhythm of his heart guides the steps to your dance, the slow sway side to side of your bodies. You feel the brush of his lips at your temple, then he mutters something under his breath; a barely there string of unintelligible words that do nothing but add to the peace of the moment. 

Bucky sighs and hugs you tighter. 

The night is only just beginning. 

Part Three

[submalevolentgrace]

Hi! I'm very interested in attempting to write a disabled character (not for this blog, I assure, for an book I'm writing) in which the story doesn't fetishize/objectify her prosthetic limb. I'm in many writing circles and have been for a long while, but I've never seen this issue brought to light which I realise is a very important one. I have much to change in my thought process, and thank you for bringing this issue to attention.

I'm curious, and I apologise if this has been asked before, but what sort of design could you see for a functional prosthetic that doesn't go for a plainly aesthetic appearance, or is soully to please others? I do note that you said prosthetics are generally... not that helpful. So is there a way that it could be? Or do you think it would always generally be better to not use a prosthetic, as its mostly for aesthetic purposes, as you said?

I apologise if this ask is too outright or anything, and I don't mean to intrude. Thank you for your time and have a beautiful day!

okay, i want to answer this as in depth as possible, because whenever i talk about having a prosthesis, someone will always tag some variation of "#writing reference" and i do wonder what message they're taking away, and i want to get as much of my experience out as possible to maybe help shape how this is all portrayed in the future. and yeah… this is gonna be one of those rambly smg posts that the expand feature was invented for, so i'll start with the very abridged TL;DR:

if you're writing a character with an upper limb prosthesis; don't. arm amputees are unicorn level rare even compared to leg amputees, and i've never interacted with or even heard of an upper limb amputee that regularly uses a prosthesis, let alone relies on one. fiction has lied to you for the sake of cool aesthetics, don't repeat the cycle. more in depth writing advice including nuance and "but i waaaant to" will follow.

that said, grab your donning parachute and let's get started...

context for everyone involved: i am an upper limb amputee that rants a lot about how prostheses suck, i lost my right hand roughly five years ago at roughly the age of 30 after a very rough decline in health… it was pretty rough. this question is being asked in the context of a previous rant post of mine, and i checked that the ask is about an upper limb prosthesis in particular.

the situation regarding the usefulness of lower limb prostheses is totally different; i am definitely no expert, but by all accounts, prosthetic legs are incredibly useful for many people. getting a good leg can be absolutely life changing and more or less necessary for day to day life for some; mostly because infrastructure and society is just so fucking hostile to wheelchair users. being able to walk - at the cost of pressure sores and rashes and increased residual limb pain - is a preferable option to many people than being unable to fit through a doorway or in a bathroom stall or find out that the key to unlock the only elevator is in the admin office up three flights of stairs (true story).

but upper limb prostheses… see, the thing is, hands are incredibly complex organs that rely on a lot of immediate haptic feedback to work at all. hand dexterity is all about control, you need fine granular movements of the digits yes, but you also need the subtle sensations of pressure and proprioception in order to adjust your movements on the fly. i speak from experience, in the years leading up to the full loss of my hand, i was slowly losing function of it, usually swinging between numbness that made it clumsy at best, or screaming overstimulation from moving it at all resulting in unpredictable spasms… and let me tell you, a half working hand is infuriating to try and deal with. you can never know if you have a good grip on something or if it's slipping because of the wrong amount of pressure, and there's only so many smashed bottles of pickles on the floor before you give up using it all together… so amputation wasn't a great loss there, i had time to adapt.

a prosthetic hand of any kind has all of those issues and more. they're heavy and bulky, the cosmetic faux fingers or gripping claw have crude movement at best, and there's zero feedback (put a pin in this). 100% of the time you're using a prosthetic hand you have to keep your eyes on the grip and visually guesstimate whether or not the thing you're carrying is held tight enough but not too tight, that is if your "heavy duty" prosthesis can even support the weight without the servos disengaging or the wrist attachment socket just busting loose. i dropped a whippersnipper on my foot last week when my socket couldn't take the weight and i think that was the final straw in me desperately trying to prove to myself that there is a single task my prosthesis actually helps with.

this is usually where fully two handed people start talking about bleeding edge DARPA tech, and how we just need to invest more,research more, develop more. better tech, more tech, neural integration, more more more. okay i promise the writing advice is coming! for starters on tech, my experience is already with a mid-to-high end ottobock terminal device: i've got a myoelectric nerve-signal operated proportional control heavy duty greifer; about the only upgrade left for me to get would be a rotating wrist joint if i could coflex. it's not military, it's not "rockclimber that owns a prosthetic company", but it's quality tech. it still fucking sucks. secondly, that high level military tech exists primary for PR purposes so they can say they treat their discarded casualties well, "we can rebuild him, we have the technology" style. every war vet i've read about or heard from that's been gifted that high level tech also abandons it for the same reasons; it's imprecise, there's no feedback (or the haptic interface has to be fully recalibrated every time they put it on), but mostly they're more capable without one.

okay, the transhumanist ableds say (i should know, i used to be one), what if we did more ~research and development~ and got that neural feedback working? then we could have fireproof superhumanly strong robot arms to fix up everyone! here's where i take out that pin we put up before and i tell you that a class of prosthetic arms/hands already exists that has perfect proportional control, fine motor control, and physics perfect pressure feedback piped directly into the patients' existing sensory systems! they're called body-powered prostheses, and they were invented in like the 1600s. you strap a whole bunch of stuff to your arm and shoulders shoulders, and control the operation of the terminal device and elbow through cable tension by flexing your shoulders. they do take a considerable amount of training to operate - though hell i spent 18 months training to use my myo - but based on everything i've read, body-powered prostheses are the best option if you're an upper limb amputee and absolutely need a second hand for some reason.

but they don't look cool and futuristic, and according to my prosthetist, most people give up on using them too. we all give up on our prostheses, no matter the type. my rehab OT was impressed i lasted the 18 months of my training. towards the end, they even asked if the clinic director could drop in to one of my sessions to see my progress; he expressed genuine amazement at me casually using my bulky robot claw to use a brush and dustpan, and made an offhanded (hah) comment about what someone can achieve "if they stick it out to the end", implying it was somewhat of a rarity for me to have done so. several years on, and yesterday i wedged the dustpan between my ankles to sweep up into it, awkward but exponentially less effort than putting my dusty robot arm on. which, by the way, is a whole thing. look up some videos, they're all awful to don. i don't actually know the official technical name of what my clinic calls a "parachute" but it's a bitch to use! have you ever tried to pull back with your arm whilst also pushing it forwards at the same time, and simultaneously lean in to and away from an external force pulling on you? that's how you get a myo socket on.

bare with me, i promise writing advice is coming, and i promise it's more than the tl;dr. but. remember when i said a half working hand is infuriating to deal with? any prosthesis, from fancy myo tech to pirate-era body powered, will only ever be half as good as a working hand, and being juuuust within capability to do something but not quite able to is maddening! but you know what works way better than a half working hand? no hand at all. using whatever residual/vestigial limb you have - whatever "stump" you have, i hate that word - is pretty much always better than trying to use a prosthesis. i can use the inside of my elbow to grip and carry things, i can use the nub of my arm to apply pressure to hold things, open doors, use a computer mouse, turn on taps and lights, if i put a glove over it i can use it to prep for cooking. i have full proprioception and pressure feedback with skin contact, i don't think i've ever dropped and broken anything from my elbow, unlike countless things slipped from my greifer - which, by the way, absolutely will start clenching as tight as it can if i get even slightly too sweaty around the electrodes, which has both broken things i'm holding and also injured me, because surprise surprise but servo operated robot claws have pinch points on them right near the "emergency disengage" lever for some reason!

but i am exponentially more capable without it on than with it. no, i'm not fully independent, i rely on housemates and loved ones to help me out with some tasks that simply just need two handed dexterity, but none of those tasks are things a prosthesis makes me able to do anyway. i used to imagine my prosthesis would be like a bra; a bit awkward and uncomfortable, but i'd wear it throughout the day because it's helpful and take it off in the evening to decompress. in reality it's actually exactly like a bra: an absolute bitch to put on one handed, unbearably uncomfortable because it never sits right, ugly af unless you're a millionaire, and absolutely useless except for the fact that i get gawked at and judged by strangers if i leave the house without it on.

and if you really want to discover how far "no hand is better than a half working hand" goes, brace yourself, and look up the patient's stories (not medical system stories) of people that have had hand transplants. the first man to receive one hated it, he was promised a return to normal function, and what he got was a nightmare worse than being one handed; he wanted it removed again but the doctors refused because it would undermine their grand achievement of the first hand transplant. the doctors and society wanted him to be fixed, they wanted him to be normal, they wanted him to be abled. they failed. they made him less able to do things, denied his autonomy, and left him with someone else's hand slowly rotting on him, prioritising the idea of "scientific progress" and "two hands good" over the physical health, mental health, and ability to function of this man.

he's not alone; every story from the patients' perspective about hand transplants that i've read goes this way, including a woman who was born quad limb different and was promised hands would improve her life, pressured into a double hand transplant, only to find herself after the surgery essentially experiencing disability for the first time ever, because she had lived her whole life getting by just fine with her 'underdeveloped' limbs, but half working hands are worse than useless. you can try to find these stories yourself, but i'm not going looking for sources on any of these cases, because if you look back through enough of my posts you'll get a glimpse of the horrors and abuses that i too was put through by doctors who prioritised trying to "fix" me at any cost, rather than providing me the best quality of life, and in turn traumatised me and left me more broken than any loss of limb on its own could. dear goddess, i promise the writing advice is coming.

so. why do upper limb prostheses exist at all? if they're so terrible and useless, what is their function? i want to borrow something someone else left in the tags of a previous rant here, from someone who i believe works in prosthetics and/or rehab, cleaned up and anonymised at their request:

"upper limb functions are wildly more complex than: 1) bear weight static, and 2) bear weight moving. but every single upper limb amputee i know has a fancy expensive prosthetic just gathering dust in the closet because there is literally nothing it can do like a few years of adjustment and if needed non-dominant hand retraining can't do. the existence of forquarter prosthetics to begin with is just kind of silly and useless and entirely to make OTHER people feel comfortable, especially considering they universally are UNcomfortable for the amputee. i hate the notion that as soon as you get the amputation the prosthetic is The Thing That Will Fix You And Make You Feel Normal again because it universally isn't! but every forequarter person i know had like this ideal of Being Fixed By Magic Prosthetic that they were then obviously wildly disappointed by and had to do yet another grieving process with, versus if the dominant narrative were just one of: yeah. it'll take time, there is no magic fix."

and i think that really nails down what the actual purpose of upper limb prostheses is: they're not for the user, they're for the sake of other people. and not just their comfort when looking at our bodies, although based on the pressure for both amputees and people born limb different to get functionless cosmetic plastic hands, there is a lot of that. but it's not just that.

i fully believe that the reason prosthetic hands exists is to comfort the fears of the two handed. "don't worry", they say, "we can fix you again. you don't have to fear becoming Disabled, you don't have to worry about adapting or your life changing. we can make you Normal™ again."

you would not believe the number of people that have approached me to shower me with pity, to tell me how horrific my life is, how they can't imagine it. people have told me, apropos of nothing, that they'd kill themselves if they lost a hand. indirectly, that my life isn't worth living. unless, of course, i happen to be wearing my cool as fuck looking robot prosthesis! then they tell me how wonderful it is, how lucky i am, how glad they are that we have the technology to fix me. that's what a prosthetic hand says, what all the happy fishing photos on limbs4life posters at the rehab clinic say: don't worry, we can fix you. that's what the bleeding edge DARPA flexi-whatever fully articulated neuro-feedback hands say: don't worry if you get IED'd while hunting civilians for us to drone bomb, if you get hurt, we will fix you, we will fix the fuck out of you, we will motherfucking adam jensen you into a cool as fuck cyborg that your son will idolise; come on boys, don't you wanna enlist just for the chance at being as cool as this? join the bomb squad for a ticket to the upgrade lottery.

and so we arrive at fiction. as much as his dialogue options protest, adam jensen loves his robot arms, they punch through walls, turn into fucking swords! they make him the most special man in the world. what would he do without them? learn to cope? grieve? practice acceptance? take up poetry? just, be disabled? there's no power fantasy for ableds in that.

in fact, can you think of a single fictional character that's an upper limb amputee that's, well, just an amputee? they all have robot arms. not realistic prostheses, not medical devices; robot arms. sleek or bulky, top of the line or broken down self built, steampunk or nanomachines or magitech automail; they're never without them. never just an amputee. never born limb different either! there's always that element of tragedy to overcome, always suffering and misery porn, always focus on the pain and the helplessness without the absolutely vital robot arm that makes them Normal and Whole. the closest amputee example i can think of is furiosa from mad max, who iirc fucking punches max in the face with her residual limb like a motherfucking badass! i can barely lean on mine wrong and she punches a guy! but she still apparently needs a dieselpunk robot hand to drive a truck, something you can do one handed so easily most drivers don't even notice they're doing it! please don't, by the way

and so many disabled fans love to point to robot armed characters as disability representation; the winter soldier, luke skywalker, edward elric, misty knight, that genderswapped furry girl from ratchet and clank, jet cowboybebop, finn the human, and yes, adam jensen…. these are all characters that someone disabled i know has told me they love because they "represent disabled bodies"…. and i know nobody wants to hear this, because i've been screamed at for saying it before, but… they do not. they are not disabled, functionally or within fiction. they are either perfectly able bodied Normal people with chrome paint on an arm, or tortured misery porn we are supposed to pity and feel lucky we're not them. sometimes both!

also you ever notice how it's basically always arms? lower limb amputations are orders of magnitude more common than upper, my prosthetist said i was probably only the 4th or 5th upper limb she'd worked with in her career, with literally hundreds of lower limb fits. but fiction doesn't seem to reflect that, huh? or any other part of the reality of disability. it's always cool as fuck robot arms, never cool as fuck wheelchairs or crutches or dialysis machines or colostomy bags. a fair few "i was blind but now i can see with Robot Eyes and also infrared and xray" around, which again, plays into that "we can fix you and make you cooler" propaganda.

by the way, up above when i was describing body powered arms, if you wondered to yourself why i went with a myoelectric one instead when i clearly believe body powered is better… yeah. i am not immune to propaganda! i too wanted to be cool as fuck. i spent years with deteriorating function in my hand for reasons that are still unknown, was misdiagnosed and medically neglected to the point that removing my hand seemed to be the only option left to offer some relief, and even that was a clusterfuck that left me worse than ever… of course i wanted to believe in the power and prestige of a cool robot arm that fiction promised me.

but fiction promises fantastical lies. and so.

we get to the writing advice portion of the novella that is this post. you asked for advice on how to write a disabled character with an upper limb prosthesis. you've read the tl;dr, you've read everything above i assume, you know i don't want you to do it. the obvious twist is that it's been writing advice all along, me trying to share my perspective on what it's like being an amp with a robot arm and how shitty it is, implying how almost any fully realised and realistic character that's missing an upper limb would give up on a prosthesis at all. you can already tell that every value judgement in me says "don't give her a prosthesis, no matter how functional or cool you make it. don't try to make the tech better to justify it, just let her be one armed, one handed. just let her be disabled, but not helpless. let her show off her elbow or underarm carry strength. let her love interest appreciate how soft and squishy her residual limb is in a moment of tenderness. let her natural disabled body be respected and valued."

but that's a personal value judgement from me, and you are the author of your own work. i know it's trite to say, but you are! even the act of deferring to someone with lived experience in the hope of doing a better job at representation is a value judgement, a good choice in my opinion, but one you needn't necessarily take. maybe you do want to write a character that has a cool as fuck unrealistic robot arm as a power fantasy, or a comfort blanket… i did.

i've been slowly writing my own probably terrible scifi epic for over a decade now, and when my arm was giving me hell back then, i'd take great comfort in this fantasy of my protagonist with her chunky robot arm, the terrible traumatic suffering of her loss, overcoming, the power and ability her advanced prosthesis gives her over others, that she alone has access to, because others are not willing to make the sacrifices required. inspiration porn. awful stuff to me now, but empowering to me then. as i grew and gained direct experience, i slowly reimagined her, rewrote her, ship of theseus'd her into an entirely new character; a reflection of me now, bitter at the whole thing, spiteful that her natural flesh arm evokes fear and distrust, but unwilling to suffer the pain and frustration of her unnatural prosthesis just to make others comfortable and respect her as "whole", however artificial that whole is. and as with the ship of theseus being two ships, once i realised the transformation, i re-added the old protagonist back in whole cloth as a separate character; proud of her robot arm and its power, but in new context, as a foil and antagonist, an in-universe military prosthesis propaganda figure to reflect how i now feel characters like her exist to us, the readers.

i'm not just sharing that as egotistical self promotion, but to highlight that, even if i sit here begging you all up and down not to write characters with robot arms for how bad and unrealistic they are; there's still something genuine and true that their inclusion can say. the great thing about the story that you're writing is that only you can write it, as they say. but i whole heartedly believe that to write to your best, you have to be aware of what you're writing and why. as tempting as it is to feel these characters form naturally in us and therefore we're averse to changing traits about them that feel organic and self evident; as authors we have omnipotent control over the text, every trait and detail is a reflection on us, so we'd sure as hell better understand why we're choosing to write a character with this trait. because anything you write without being aware of intent will take on its own meaning in the space between.

and on that note, if i don't say this, i'm leaving it to be inferred: i definitely don't want to appear to come down on the side of saying "you cannot write an amputee unless you are one", because we are rarer than single young bisexual unicorns! and it would be a tragedy if anyone read through all this and then turned away in fear, deciding to never write an amputee character (with or without robot arm) because they feel they can't do it justice… believe me, no matter what anyone says, some hack writer somewhere is going to keep writing adam jensens and winter soldiers. don't let them be the only voices in fiction! just try to do your best.

so my ultimate advice on the topic of writing a character with a prosthetic limb is to ask yourself one question in two different frameworks, and meditate on what you feel the answer is:

why does she have a prosthesis?

from a doylelist perspective as the kids say, as an author with omnipotent control, why are you choosing to write about this topic? why are you choosing to give this trait to this character? what does it say about how you view ability and disability, what makes a person normal, and what our society values? will you let her be in her natural body? or will you give her a prosthesis, force her to wear it by authorial fiat, or author her a meaningful reason to choose to? if yes, be sure you know; why did you give her a prosthesis?

and from a wastonian perspective, diegetically, inside the story, why does she choose to wear a prosthesis? what does it say about her inner character, and how she interacts with the world? how does she feel about doing it, is she prideful and loves the attention she gets, or does she resent whatever necessitates its use? how do people in this world view ability and disability, what does this society value? and above all, whatever the answer to these questions, whether or not she uses a prosthesis or is badass without one, how does she deal with the eternal freezing cold that every amputee ever feels constantly in their residual limb and why does nobody make a heat pack that fits over a nub without drafty gaps???

i can't outright tell you how to write a good upper limb amputee, but if you at least know why you're writing one and for what purpose, you're on track to write the best character that you can. that's the best advice i can give… other than, like, this whole rambly mess.

and, as a reward for reading this far, please have a very blurry cryptid photo of my cat doing his old man sit:

[everlastingdream]

The first time it happened, all agents took their weapons out the moment Lena entered the building like she owns it.

Alex considered firing everyone who let her past the guard post and then shoot her. In the leg. Maybe.

"Take it", Lena threw something at Brainy, who somehow was completely calm. It relaxed Alex too, since Brainy was an expert on calculating danger level of everyone.

And then Lena just turned around and exited the DEO, like she was dropping of their lunch or something. And she was still fighting with Kara!

"What the hell, Luthor!?" Alex shouted to her back, only to recieve resolute "Shut up!" in return.

Alex sputtered, because: excuse me, but you came to the secret underground goverment facility like to your own office! Brainy muttered something, tinkering with the thing Lena brought.

"It's anti-kriptonite suit", he said in wonder, already running some simulations on his tablet. "She shouldn't has figured this out for ahother five years".

"Brainy, test this thing in every way you can, and if it's safe, take it to Kara immediately", Alex grumbled, but her sister's safety was more important than Luthor's strange wims.

/ / / / / / / / / /

Next time everyone still grabbed their weapons, but wasn't ready to shoot just yet, as Lena angrily stormed into the building. Perhaps it was because despite her stare she complied with every security measure guards asked of her.

Which didn't stop her from slamming thick file into Alex's chest.

"What the hell, Luthor!?" Alex saw how Brainy grabbed Nia's hand to stop her from standing up.

"Shut up", Lena returned, as she went back without any explanation.

Alex was left with papers and strange sense of deja-vu.

Looking through evidence on their resent villain and drafts of some devices to counter his powers, Alex thought about how Lena always choose time when Kara was absent from the building.

/ / / / / / / / / /

When they reached fifth visit like that no one was surprised anymore. Because everytime they would be stuck, Lena will miraculously appear with what they need. But she still stubbornly refused to talk with anyone besides Brainy and only about science behind her inventions.

This time she confidentely walked into the building, but Brainy instantly stood up. Everyone around them tensed, powers and guns ready. Lena opened her mouth to protest but he forced her to sit under bewildered eyes of everyone in the room.

"She's injured", was the only thing Brainy said, as he pried another helpful thing from Lena's hands.

"Am not", Lena replied, and Alex noticed how she slurred her words a little. "Take this shit and let me go".

Nia was already out of the room, fetching medical supplies, when Alex moved Brainy to the side to check on her.

"Left side, one inch lower than her ribs", he told Alex. Nia, who put Alex's medical bag down, gently rubbed his back, even if it was almost invisible that he was worried.

Alex pressed her hand under Lena's jacket where he instructed, and her fingers returned covered in blood.

Lena was still swearing, when Alex cleared her wound - bullet hole - and dressed it.

"You need medical attention, Luthor", Alex said quietly. After everything she was still angry at the other woman but it didn't mean she wanted her dead.

"If I show it to someone, I'm as good as dead", Lena chuckled, cleary half-delirious from pain and pain-killers. How she managed to get there on the sole willpower was beyond understanding. "Even if you want it, I would like to live a little longer".

Alex didn't answer. Couldn't. Even if she knew it wasn't true, some part of her wanted Lena to believe it. To suffer.

It was a shameful, selfish thought.

/ / / / / / / / / /

"Lena?" Kara's weak voice sounded incredibly loud in the quiet of their usual exchange.

Lena stiffened and promtly turned to flee in the middle of her conversation with Brainy.

"Lena!" Kara could catch up to her in the blink of an eye, but somehow near Lena she always forgot she has powers.

Lena spent too much time talking over some sort of mathematical models and Kara wrapped up her mission early.

"Please, wait!"

"Leave me alone", Lena gritted through her teeth, but even Alex saw tears in her eyes, as she sped up.

"She's hurting", Brainy supplied from Alex's side, as they both watched this strange chase.

"She's injured again?" Alex asked with small pang of guilt.

"No, she's hurting emotionally. More than she shows."

He didn't add anything else. They watched door slamming into Kara's pitiful face.

/ / / / / / / / / /

"Why are you helping us?" Alex asked her about a month after Lena and Kara's dramatic meeting.

"Shut up", Lena answered, tired as hell after three all-nighters they pulled to rescue Kara from another dimension.

"It's getting old, Luthor. Spill the beans".

Perhaps it's exhaustion, perhaps it is somehow sisterly look in Alex's eyes, but Lena is silent suddenly, before almost pushing words out.

"You said you will turn over the world for your sister, didn't you? I had someone like that once. My big brother, who would be the only one to treat me like a person in the place that was supposed to be my home. Who protected me from everything he could. And whom I admired so much I wanted to be just like him".

Alex tensed, as always when talking about Lex. But Lena's voice was quiet, and her face already wet from tears she seemed to hold for so long, and Alex shut her mouth this time.

"When he did all that he did, I was disappointed. But I still loved my big brother. But when he first tried to kill me? I was heartbroken. The person who withstood father's beatings in my place tried to kill me", Lena chuckled through her sobs.

Alex never allowed herself to think about Lex past his atrocites. She couldn't afford any pity for the person who tormented her sister and her family. But right now there was another little girl beside her who lost her only family.

"You said you will turn over the world for your sister, didn't you?", Lena turned to her. "I killed my brother for her".

She didn't said anything after that. Just cried herself to sleep. And Alex was just sitting there, left alone with shocking news and even more shocking realizations. Lex was dead. Lena was the one who killed him. He told her Kara was Supergirl and she still killed him.

/ / / / / / / / / /

"Don't pity me, it makes my skin crawl", Lena said the next day, when she was given her own pass to the DEO. She threw it on the table right in front of Alex, and agent considered asking 'what the hell, Luthor' just for the fun.

"I'm not. But after what you did for my sister and what you continue to do, the least I can do is to give you free entrance".

Lena sat beside her, tired and feverish from overwork.

"Don't care about me either".

"When will you talk to Kara?" Lena scowled when Alex ignored her, but still took the pass.

"Never, perhaps. I look at her and see the dead body of my brother. It's not something a little talk can fix. And she will blame herself, burdening me with another endless boundle of her apologies".

"She will learn of his death eventually, and then she'll found out how he died. It will happen anyway. And yes, of course, nothing will be fixed just because you too will talk. But maybe you can relieve some of your burden, and maybe several small talks will help you both".

Lena didn't lift her head from the shiny surface of the table. But she nodded tiniest bit.

/ / / / / / / / / /

Lena kept coming to help. Kara kept trying to talk to her.

One day Lena conceded, and then she screamed at Kara for an hour in the empty conference room and stormed out.

They had reverse situation later, when Lena came injured once again. Kara screamed about her being reckless, and they eventually reached her past sorrows.

They screamed, then talked, then whispered. And slowly started to smile again. Later came tentative touches, lunches and game nights.

So when almost two years later Alex found them in the kitchen doing something she would prefer to erase from her mind, everything finally became as it should.

[slowd1ving]

STRESS, STRAIN: THE TALE OF YOUNG MODULUS AND A FORLORN PHYSICS STUDENT ゜゜・BLADE DRABBLE

Dealing with a stalker roommate? No problem, Kafka's got the perfect solution: staying with the unapproachable and cold Blade. Teetering the thin line between sleeping on the streets and facing his rumored wrath, it sure is hard keeping your balance when the engineering student is anything but civil. gender-neutral, physics major reader paired with college au + band au (will come into play in another part I swear) see here for some basic designs for them warnings: some violence? consumption of alcohol, arguments, blade being a dick, college au wc: 6.3k

HONKAI STAR RAIL MASTERLIST

MASTERLIST ・゜・NAVIGATION

✧ Perhaps it’s lucky that your acquaintance Kafka finds you at your most dire of moments, or perhaps it’s your Achilles-level misfortune finally catching up to you. Dorm changes aren’t particularly infrequent, sure—but dealing with a stalkerish, obsessive roommate is definitely story-material for when you’re downing shots. Literature major Kafka isn’t one to turn her magnanimous back on whom she considers a friend, even if said friend is currently wallowing their sorrows away by complaining about the lack of available dorms to make the switch and drowning in hard liquor.  ✧ Saviour Kafka, who plays for notorious metal group Stellaron Hunters (she’s a suave electric violinist), finds this a perfect opportunity to help out the cute guitarist from the rival Trailblazers! Her deft fingers are already sending a message to her pinned contact and drummer: Bladie, finally found you a roommate. Respond. It should be okay to put two college students (in bands infamous for their tense rivalry on– and off–campus) together in the proverbial lab rat cage; after all, neither of you are aware of who the other is behind the elaborate masks. It’s not like there’s a deficit of music groups at the Astral Institute—so who will ever know? Don’t ask how she knows the face behind the pretty Venetian mask. She won’t ever tell.   ✧ Honestly, she’s not sure how the bad blood started (she helped spread the rumours). All she cares about is doing you a solid!

“You think the streets will accept me for who I am?” Even with your head slumped over your forearms and the smell of cheap vodka clinging to your clothes, Kafka thinks you look naively charming in the dim amber lights of a bar pretending to be upscale. And by naive, she means very naive—for real, how can a physics major be so gullible as to not question their roommate’s deranged tendencies until it’s far too late? It’s hilarious. 

She’d dissect how this mood is perfectly, pathetically fallacious to your situation; yet her mind is too honed in on the buzz of her phone as Blade finally replies to her text. 

“Kafka,” you bawl into a stack of papers you’d salvaged from your ransacked dorm. “What if the asphalt doesn’t like me when I’m sleeping in the streets?”

21:48 > ok. 

Kafka, being an expert at metaphorical and allegorical interpretation, translates Blade-speak easily: let’s discuss this tomorrow, please and thank you. 

“Found you a roomie,” she murmurs delightedly, watching with her hawk-keen eyes as you sit up drunkenly. 

“That was fast, even for you,” you wipe your eyes cautiously—still wracked with the occasional hiccup. “Who is it?”

“Blade. You know him?”

✧ That sobers you right up.  Of course you know him. Nicknamed Blade for how cold and unfriendly he is, you’ve personally seen him in engineering lectures: making people shiver from just his gaze alone, and on one notable occasion, making his project partner cry after his infamously harsh criticism of her proposal. It’s common knowledge that he practises various martial arts, but the rumours that circle around him like vultures whisper of how he uses them on the streets. But whilst you doubt the reliability of the latter talk, it’s hard not to picture his hands dripping sanguine when his eyes glint the same shade.  ✧ Honestly, how bad could it be? It’s not like you have any other options unless you want to wake up with your roommate standing over you while you sleep again. After her, you doubt he’ll be any more of a walking nightmare.  ✧ Perfect!—Kafka is a bit too enthusiastic at your reluctant nodding, but you cast it from your mind as you pack your stuff with Caelus and Stelle standing behind you like a pair of twin guard dogs. One good thing about this is that you can finally take your guitar with you (rather than storing it safely at Dan Heng’s room) to the apartment—because of course he’s too good for the dorms. Though, after experiencing your batshit roommate, you really can’t blame him for avoiding this area.  ✧ Maybe, just maybe, the rumours about him being insane too are false and you can finally have a peaceful night’s rest without fearing for your life. 

Yeah right. You hate him. You genuinely hate the man over in the room next door. The passage of time on your phone indicates it’s only been a week since you showed up with five boxes of belongings and a nervous smile on your lips—but the agony you’re going through prolongs this mental period to eternity. 

Sisyphus embodies futility for evermore; as do you when you’re knocking on his door for the nth time to beg him to quiet down on his drums. The timings are so meticulous and calculative that you’re sure you could work out a linear sequence to this situation if you tried. 

Exhausted from the laboratory job you’re juggling on top of band practice and reading on Dirac notations? No problem—Blade’s busy expressing how you feel in terms of loud crashing and banging that you hate to admit is (very technically) skilled.

Recalling your first encounter—your nervous smile and his cold indifference as you moved into the room next to his—it’s not hard to imagine that he’d be inconsiderate of you. Those red eyes had slid right past you like oil on water: judging you to be not worth his time to even greet properly. In fact, it’s like he’s trying to chase you out so you leave him alone for good. 

The deep mahogany door swings inward, and you’re left facing an unimpressed, scowling Blade. With the way he’s clutching those drumsticks, you’d think he was about to skewer you—but you’re a bit too preoccupied with how he’s only sporting a pair of loose navy trousers that cascade languidly from his hips. 

“What do you want?” Laconic as ever, he gets straight to the point with his question—as if he can’t possibly fathom why you’ve come knocking. Just like this morning, just like last night, the night before, the night before yesterday’s—every damned night is a problem. 

“For you to invest in soundproofing,” you scowl back, too tired to keep up the fragile facade of politeness. At least when you practise with the electric guitar, you can easily hook it up to a pair of headphones and protect the sanctity of silence elsewhere. Actually, you don’t think he even knows your guitar exists with how considerate you are of your asshole roommate. 

“Why should I?” he crosses his arms, looking directly down at you. If you looked closely, the slight stretch of his lips resembled a smirk—but you’re definitely mistaken, since the man never so much as smiles. The cold expression accompanying his crude words sums up his thoughts: if you don’t like it, beg Kafka for whatever other solution she has. 

His inky hair sways from where it’s tied back, and you resist the urge to yank it until he sees sense. 

“For better quality of life,” you grit out. 

Those eyes turn into sardonic crescents. “I’m good.”

And the door is shut. 

✧ Fortunately, you’ve managed to fall asleep in the middle of the practise room before on countless occasions; tuning the heavy thumping comes easy after a while when you’re exhausted and practically dead on your feet. The problem is during the day—doing your assigned reading and writing up results from practical work comes much harder when you’re constantly accompanied by the rhythmic percussion of a madman who favours metal. It gets so rowdy that you seriously consider whether he’s part of the Stellaron Hunters and knows you’re a Trailblazer—it would make sense, after all, if he was just feeling extra spiteful. However, from the trembling students claiming to be his previous roommates, this is just common treatment: him basically telling them to beat it and never return.  ✧ Two can play at that game. Upon complaining to Kafka of his (rage-inducing) musical tendencies, she suggests that you get back at him with your electric guitar. Don’t ask her how she knows, no she’s not trying to instigate and watch the chaos—Kafka attempts to reassure you. You don’t trust the shady writer one bit, but both Data Analysis major Dan Heng and Environmental Studies student March 7th give the plan the go ahead. If you’re not mistaken, you can hear a touch of personal grief in the normally composed Dan Heng’s voice—something so poignantly irritated you wonder what the story between them is.  ✧ Contrary to his nonchalant attitude, it’s clear he’s annoyed by the loud chords that buzz through the apartment. As soon as he picks up his drumsticks, you plug the guitar to the amps and thoroughly mess with him. You know enough from Caelus’ repertoire to place each genre of music Blade starts to play (which is limited to metal). No problem—you play various styles that decidedly aren’t metal and are so discordant with his own tempo you can’t help but keep a grin on your lips. He’s much too stubborn to knock on your door, but the irritated twitch of his eyes in the kitchen belies just how aggravating this is. And when you know he’s scrawling down notes for his classes, that’s when you’re practising your metal riffs and playing around with the fretboard. If you’re feeling particularly nice, you’ll play along to some darkwave gothic music—something relatively more calm—but these occasions are few and far between. 

Chromatic eyes pierce your back while you deftly chop vegetables for your dinner. Really, now’s the best time to do work: when you’re busy with cooking and not insistent on plaguing him with jarring melodies. For someone so logical when it comes to his meticulous classwork, he sure doesn’t seem it as he leans against the counter on the other side of the kitchen—sipping water and just staring at you while you Julienne an onion. 

You shoot him a withering glance as you toss the slices into a bowl on the side, and he glares at you with a matched fervour. If it weren’t for the fact that you literally don’t have anywhere else to go—Caelus doesn’t even have a couch for you to sleep on—you’d have moved out a long time ago. 

It’s a rustic space: sage green cabinets filled with charming, mismatched plates and cups; glossy white counters that house various herbs and the occasional plant; a lacquered table in the middle that has a vase holding a singular dried flower. An orange lily—still retaining a vibrancy that conceals just how long it’s been there. You wouldn’t have expected this style of decor from him, but at the same time, you doubt it’s his influence so much as Kafka’s. 

“Do you have a problem?” you probe icily, turning back to where you’re slicing a carrot into thin matchsticks; if there was a god somewhere, you’d hope it could transfigure the man behind you into the root vegetable you’re enthusiastically chopping. 

“No.” And when he speaks again, he’s right behind you. There’s a sink to your left, but he’s much too close as his breath ghosts over the nape of your neck. Affronted, you turn around; only to watch as his eyes widen minutely, glass of water slipping out of his grasp and spilling down your front. 

“You dickhead.” Your hands angrily grab at his collar—unheeding or perhaps uncaring of his reputation for violence as you feel the cold seep into your skin. You’re seething; for someone with such good reflexes, this is a new level of low in attempting to chase you out. Or perhaps it’s revenge for finally getting under his skin. “You did that on purpose, didn’t you?”

It’s a little too late when you realise the position you’re in: skin showing through the translucent material, breathing shallow from your infuriation, face glaring right up at his. 

“Sorry.” His voice rings out insincere—and there’s that damn faint smile still toying at his face as he looks directly at you with that heavy gaze. “My hand slipped.”

You shove him back, too disgusted to acknowledge him any further. Maybe if you turned back around, you’d see the tiniest pricks of red on his face as you tossed your soaked shirt into the washing machine—leaving you in a damp vest while you continued cooking for yourself. Maybe if you looked back at least once, you’d see the amusement in his eyes as you maul the bok choy on the cutting board. 

Those are maybes.

There’s particular things you know for certain. One, you despise him and his existence. Two, he abhors you and your entire being—because why else would he be so insistent in making you leave out of your own volition?

✧ It’s the time of year that you hate: joint engineering classes so you can cover the materials aspect for your physics studies. Well, it’s not like you hated it from the very beginning—you’ve hated it ever since you realised that once again, you’d have to be in the incorrigible presence of Blade. While he did finally install some soundproofing in his room, he’s taken it upon himself to linger wherever you’re present. Typing up your notes on the deep maroon couch with a mug of lavender tea perched on the coffee table? He’s in the window seat, looking over a thick reference manual for tensile strengths. Going to meet bassist Dan Heng so the two of you can play around with various lines for your next song? He’s at the convenience store you briefly stop at, gazing at you before he glares at your friend. Practising a slow solo in the living room (it’s really got the best ambience)? He’s tapping out a beat that you can very faintly now hear—one that surprisingly goes with the electrifying chords.  ✧ Point is, you’re ignoring him and his presence—while he’s inching ever closer. It comes to a head at the lecture hall; you decide to sit in the third row, since it’s both far from the back (where he usually frequents) and it doesn’t make you look like a beg. When you glance at his predestined seat, it’s empty—unsurprisingly as he’s there usually a minute before the professor—while the seat next to him is taken by a girl you’ve seen before. Despite his horrible personality and the (probably true) rumours surrounding him, there’s a few stragglers who genuinely want him. And you genuinely want those people to seek help because it’s clear something went wrong in their lives for them to be thirsting over a man who looks like he eats cigarettes for breakfast.  ✧ He comes in late, as you expect, but you freeze as he places his bag down next to you. Aghast, you can’t help but stare; yet for once he’s not meeting your eyes, and it’s far too late to make a scene and move elsewhere—not when the professor’s just arrived and is keen to start the lecture for materials. He doesn’t talk much, but you’re so distracted by his presence pressing slightly into your sides that you forget that today the professor’s deciding on the pairs for your projects—mouth agape, you stare in shock as she assigns them based on who’s sitting nearby. To be generous, she says, yet there’s nothing generous about this arrangement as his mocking eyes meet yours. He knew, you seethe, storming out of the hall right as the class wraps up. 

“I hate him.” Your molars grind bone-against-bone as you harshly press angry chords into the fretboard. “I hate him so so so so much.”

“Who are you talking about?” March 7th—in charge of the synthesiser—glances first at the bassist to your side, then back at you. Her eyes are wide in sympathy, yet it’s useless in the face of your despair. 

“Blade.” Poetically, the word is accompanied by the deep twang of Smoke on the Water as your fingers move mindlessly on your precious baby. What, your roommate?—she queries. No, a pet fish—Caelus responds, but you tune them both out. 

“He knew the professor would assign groups like that,” you groan. “That’s why he sat next to me.”

“He’s definitely trying to get you to leave his apartment out of your own will,” Dan Heng’s smooth cadence is somewhat soothing—and his conjecture is one you’ve come to yourself—but the accompanying baseline he’s playing to the song makes his theory sound comical. “But he won’t screw up his own project like that.”

You sigh, and the melody falls apart as you bring it to a grinding halt. 

“Believe me, I know just how much he values his projects.” Your head throbs upon thinking about that poor girl sobbing, and the bassist coughs to stifle a laugh. 

“What did he say that one time? ‘Your vapid idea would be better used on death row than as a functioning building’,” Stelle—the vocalist and also the only Psychology major you know who doesn’t unnervingly stare at you—imitates the deep reverberations of his voice, and you’re astonished at how it’s recalled verbatim (down to the exact adjective).

“I’m surprised it got round that far,” you suppress a smile—after all, it’ll be your head on the chopping block next. “You should’ve gone into theatre like Caelus did.” 

What a waste of talent, you shake your head mock-ruefully, which quickly turns to true woe as you realise just the predicament you’re in. 

✧ It’s not a complicated assignment. Well, it shouldn’t be: designing a sound structure based on the whims of the architectural class (whom you loathe); except that Blade is notorious for being a severe critic for civil engineering partnerships—like seriously, out of all hills to die on and it’s civil engineering. You begrudgingly create a new contact for him in your phone; a digital space just for him, which almost makes you throw up at the thought.

(+2 unread messages) <Dickhead> (new contact) 10:11 > library.  10:11 > east block, 20 minutes.

You stare incredulously at the chat, which is neither phrased as a question nor a request but an encrypted demand. The fuck? Infuriated, you take the break between your reps now rather than later, swilling down water while you irritably type out a reply. 

No can do. < 10:15 I’m busy. < 10:16

The reply comes less than a minute later; three dots animating themselves into existence while you wipe the sweat off your face with a towel. This prick. Well, it’s not so much a reply as an acknowledgement of your words—because he doesn’t reply, but rather your phone starts buzzing and you fumble while looking at the expletive lit up brightly on the screen. 

You’re sorely, sorely tempted to press the red receiver on the device. 

“What do you want?” you scowl, and you hope it translates through your voice that you’re revolted by his mere radio presence. 

“Where are you?” He ignores your question; voice vibrating low through your headphones, and you can’t help but shiver, just a little. Even through the thick towel, you can still feel crescents being formed in your palm from your nails—you sincerely wish you were throttling him instead. 

“None of your business.” 

There’s a budding migraine blossoming to life in your temple as you finally hang up. You think that’s the end of it—after all, it was literally yesterday that the groups were assigned. 

But when you shoulder the gym door open—skin still damp and warm from your shower, clean clothes sticking ever so slightly to laved skin—there’s a sleek car parked outside, and you frown when Blade opens the driver’s door. 

“I’m going to report you for stalking,” you grit out, pressing your body to the cool glass of the building. “How the fuck did you know where I was?”

“Kafka,” he replies simply, and of course, that crazy woman was the one who viewed your private story and sent it to him. “I’m picking you up.”

“No you’re not.” Seriously, he thinks you’re that easy to convince—

“I’ll shut the fuck up with the drums for these two weeks.” 

It’s almost miraculous how quickly you slide into the passenger seat. 

✧ You’ve never been in such close proximity to him before (if you don’t count that day in the kitchen). At least, voluntarily. When you close your eyes and lean back against the headrest, you can smell the faint, woody scent of his cologne. It’s different from the putrid tide of Axe the average engineering student drowns themself in—rather, it’s got the deep undertone of oud and something sweeter. You don’t expect it; maybe if he smelled like first impressions, he’d stink of blood and a dumpster fire.  ✧ Don’t fall asleep—he remarks, and you can feel his eyes on you briefly. Eyes on the road, prick—you retort, but your own lids are still tightly shut. Therefore, you don’t see how his gaze traces the remaining water droplets from your shower: how his hands linger on his gear stick so he can feel the emanating warmth from your damp thigh.  ✧ He freezes. Gross. He doesn’t like anyone, and only tolerates the rest of the Stellaron Hunters since they’ve seen him at his lowest and yet still find ways to bug him. And you. He wasn’t expecting you to last as long as you have. He certainly wasn’t expecting you to irritate him in your own way, and actually manage to aggravate him enough to force him into soundproofing his room. Actually, he still doesn’t know why you did that. He doesn’t know why his heart picked up slightly at the sight of you in that soaked shirt. And in the end, he still doesn’t entirely know why he chose to sit next to you for that lecture instead. It’s to annoy you, he decides. No point in deliberating too much about it.  ✧ It’s surprising that the two of you don’t immediately argue over the project; some eco-facility for sports that surprisingly was chosen unanimously by the pair of you. Eyes flitting to each other and back, it was a miracle you both had the same idea somehow. And it’s surprising when despite your lack of experience in civil engineering like this (you usually opt for mechanical on projects like these), you carefully consider the missing parts in his outlines—security cameras, sound systems, and tiny edits to the structure to really amplify the architecture.  ✧ He doesn’t mind your presence. That’s what shocks him. As you doze off with your head pressed into the crooks of your elbows, he doesn’t reprimand you like he would with anyone else. Instead, he places the material reference guide down and stops considering cement foundations. Before he gets the chance to poke your forehead, your phone buzzes against the table—lighting up with a name he didn’t think he’d see.  ✧ Dan Heng. He knows you’re friends with the guy, but there’s a burning sensation as his eyes watch the pop-up turn into another message, then another. What does he want? In real time, there’s a particular irritation that blossoms with each new notification. 

<Dan Heng> 20:19 > Are you still up? 20:19 > My roommate’s going to move in with his girlfriend, so you’ll be able to…

The message is cut off, but Blade isn’t stupid. He knows exactly what the implication suggests, and there’s a certain coolness in his eyes as he stares the message down. Isn’t this what he wanted? Yes, this is precisely the ending he hoped for: you moving out and him getting his space back to himself. 

But the issue stems from Dan Heng. He can’t have that. He can’t have you moving in with that man of all people. Anyone else would be fine, he insists to himself. 

Dan Heng. Dan Heng. Dan Heng. 

There’s a certain hypothesis he’d like to test. With your guard down like this, he snaps a photo of you with the drool leaking onto your sleeve—sending it directly to you. Just like clockwork, your phone lights up once more with a message. It’s not ‘Blade’ that’s texting you. 

<Dickhead> 20:20 > [photo.jpeg attached]

He grits his teeth, clutching his textbook until his fingers ache from the strain. No, he won’t give that bastard the satisfaction of taking his roommate like this. 

He’ll play nice. When you find someone who works this efficiently with you, while managing to hold their ground under his intimidating gaze, it’s hard not to want them to not scurry away. 

Eat shit, Dan Heng.

✧ Somehow, mercifully, you manage to complete the project with that weirdo. It’s strange—he’s surprisingly more cordial than ever. And with his inky hair pulled into a loose bun, glasses perched on his straight nose—it’s hard to imagine he’d ever made that poor girl cry in front of everyone like that, but you’d witnessed it yourself. So with a sigh, you remind yourself that he’s just as much of an asshole as the rumours say. But, staring at him so relaxed like this, these two different Blades are hard to ever merge.

“Something on my face?” He’s still writing with his glasses sliding down his nose. He sounds irritated, as per usual, but the tiny smirk painting his face lets you know that no he’s not irritated, he’s just being an arse just as always. 

“Yeah, pen,” you mutter, looking away as he finally glances up at you. When you glance back at the desk where your laptop precariously shows the still-unfinished presentation slides, he’s gazing up at you with an indecipherable look in his eyes. 

It almost puts to rest the image of a dickhead. 

“There’s no pen, though,” he purrs, voice low while he rests the manual back on the table. “I’ve been reading all morning.”

Nevermind—he’s as much of an asshole as he regularly is. 

“Who knows,” you comment offhandedly, slowly sliding a blue biro your way as soon as he looks back down. There—you attempt to inch forward to draw on his face, but he catches your wrist from across the table between you. 

You freeze. Shit, you screwed up. With how relaxed he is, it’s getting easier and easier to forget the rumours of his bruised knuckles that follow him like a shroud. His eyes glance coolly at you, then at the incriminating weapon within your fingers. 

“What are you doing?” Maybe he’s the questions first, beat up later kind. 

“Getting revenge.” Shameless, you think, but definitely not as shameless as getting told to effectively shut up with the drums yet having the audacity to keep going louder. 

His lips part, and your eyes nearly stray to the pink colour of them. Then, he smiles—something so cynical and disturbing you can’t help but shiver and twist your arm out of his hold, all so you can watch him askance. 

“I can see why people find you scary,” you shudder, tapping your biro on a square notepad. 

“And you don’t?” An innocuous question, but one that almost sounds accusatory. 

“Nah,” you make a disgusted noise, like you’re trying to suppress vomit. “You’re just a prick.”

In the end, that same prick ends up rolling his sleeves upon your request so you can litter blue ink upon his forearms. With how pale he is, it resembles delicate ceramics painted with cerulean landscapes. And while you do include etched illustrations and swirling designs, you make sure to include several phalluses dotted around—just so he lives up to his contact name. 

“Wow,” he remarks sardonically. “Maybe you should quit physics and join the liberal arts programme.”

You ignore him, taking a few shots of your handiwork and sending them to Kafka, captioned I feel like this truly reflects his personality and making sure all the tiny dicks are in full focus. 

“Maybe I should,” you shrug. “Then I wouldn’t have to deal with you, at least.”

“Likewise,” he responds, but it’s not as satisfying to think about you quitting as he thought it would be. 

It’s stupid. He finds that he doesn’t want the ink to wash from his arms, not so soon. 

When you log into your account to touch-up the presentation, you spot the comment he left back in the library on the presentation slides—timestamped to the exact twenty past five. 

17:20 > Maybe if you stopped staring at me, we’d be done sooner. 

It’s the longest sentence he’s ever typed out to you—but that’s exactly what makes it so galling. 

go fuck yourself < 22:31

22:31 > ooh you want me so bad aha

You pause, staring incredulously at the text, then to where the bathroom’s situated. The water’s definitely running.

… < 22:32 damn this idiot’s really getting scammed and hacked < 22:33 crazy < 22:33 [feynman’s twin] sent laughing emoji < 22:33

22:33 > on the daily lmao 22:34 > same two old man passwords for everything

Types like one too < 22:34

22:35 > right?? 22:36 > we should be friends btw 22:36 > [Blade.] sent contact silver-W

Dang he really put a period after than name too < 22:37

22:37 > top ten edgelords 22:37 > [Blade.] sent laughing emoji

[feynman’s twin] sent laughing emoji < 22:37

It’s not until the morning when he’s looking over the (surprisingly well-done) slides that he finally notices the string of (highly unprofessional) messages that he definitely did not write. 

His head throbs and his eye twitches as he reads through them—burning holes through the wall separating him and you. He hopes you receive the subliminal nightmares he’s so graciously sending you. 

It’s a fiercely deliberated decision. With a heavy heart, he finally presses [backspace] on the typo next to his nickname. 

He only hopes you won’t notice. 

(Silver Wolf notices—immediately screenshotting the new handle [Blade] and sending it to you.)

✧ Good things come in threes. Getting through this project, not getting beat up by that nerd, and getting through the presentation smoothly. By that, you mean you do most of the speaking while Blade clicks through the slides. However, contrary to all expectations, his voice comes low and rich—neither stumbling through the knowledge nor forgetting the important parts. It’s so shocking you can’t help but stare at him; something he definitely notices, judging by the self-important smirk he sends you.  ✧ Perhaps a little too good. The pair of you leave the lecture hall separately—after all, it’s not like you want to be in his presence any longer, and he doesn’t particularly want to be in yours either. But you do want the sweet energy drink that’s been chilling in the shared fridge for the past few days: as tantalising as the very nectar of the gods.  ✧ It’s when you enter an alleyway shortcut that you witness her—your old roommate. Vaguely, you recall she used to have a crush on Blade (a match made in heaven if there ever was one); perhaps that’s why she’s inching towards you with a pipe that is tetanus’ wet dream—so grimy you think you’ll immediately die if you’re struck by it.  ✧ All this over him?—you think with disgust as you try back out of the alleyway, only to collide with the towering body of her boyfriend: some guy unfortunate enough to be entrapped by her pretty face and definitely not her personality. She doesn’t want you, and he (aforementioned: Blade) doesn’t want her either. It’s rather tragic, but woefully you can’t spare any pity for them: not when you’re about to get beat and for what? A successful presentation with Blade?  ✧ They’re amateurish enough that you manage to evade them for a minute, but the alleyway’s too narrow to slip past them, and you’ve never been in a fight like this.  ✧ You’re cornered when he appears: some twisted knight he is.

“You’re late,” you heave, bruises on your knuckles and that man’s face. 

“You…” Blade trails off as he sees the blood spatters on your clothes, and his expression twists into one he’s glad you can’t see—not when his broad shoulders face you in an impenetrable wall. The two idiots—Tweedledee and Tweedledum, judging by how disturbingly gullible they are—stiffen immediately upon his timely arrival. 

He’ll handle it like he always does. 

But it’s certainly strange. Why does he feel so much angrier than he does normally?

✧ It’s late afternoon: dusk barely kissing the rooftops of the city, stars just about peeking from the violet firmament. You didn’t ask questions when he made enough space for you to slip out the alleyway: heart lodged in your throat as you quietly sat down at the local café with blossoming pain in your ribs and fists. Stupid, you were stupid to think that crazed girl would ever leave you alone.  ✧ Maybe it’s counterintuitive to feel safe when he steps into the small building. He smells faintly of blood: a terrible, metallic odour spilling onto his clothes and flesh. But beneath that, there’s a lingering scent of that woody oud—you can’t help but sink into it.  ✧ They won’t bother you ever again—he murmurs as the door jingles behind both of you. You didn’t kill them, did you?—you mutter back, half-sarcastically. No, but it probably hurt quite a bit for them—he shrugs. “Let’s go home.” ✧ Home. He says that, but there’s still that offer from Dan Heng to move in with him—one you’ll probably accept. Blade may have saved you, but he’s still a dickhead who has made numerous attempts to kick you out. 

“Ow, fuck,” you hiss as he dabs antiseptic on the various cuts on your hand. It’s well into the evening now, and you’re currently sitting on the bathroom counter with your injuries on full display. 

So infuriating. You glare at the man standing in between your legs—unscathed completely. Worst of all, there’s a smug smile on his lips; whatever worry he might have had over you has completely dissipated. 

“You couldn’t let them hit you once?”

“Bitter much?” he returns easily, swabbing another cotton ball with alcohol and pressing it against the large cut on the side of your forearm. It stings, but you grit your teeth and bear it—much too annoyed with him to show any more pain. 

In this position, the resentment you feel towards him turns faint; a veil seems to obscure the burning sensation. 

“You talk too much,” you seethe. “What happened to the prick who kept his mouth shut and ignored me?”

Tendrils of his jet-hued hair brush your cheek as he inches forward. “If you like, we can go right back to that—playing at my whim included.”

He hasn’t felt like this in years—back when he was still a boy named Yingxing and unmarred by the burdens life would eventually place on his shoulders. 

“Let me do it myself,” you argue back. 

“Nah.” Silver Wolf will pay for calling him an old man. “You won’t do it properly.” 

Another brief kiss from the alcohol against your bloody knuckles, and this time you can’t hide the slight wince on your face. It takes quite a lot of self-restraint to not dent the tweezers—he should’ve done so much worse to the two who tried this, besides beating the shit out of them and getting Kafka to land them behind bars. 

“That rod probably had tetanus on it,” he shrugs, rummaging around in his disused first-aid kit for plasters and bandages.

“Yeah, I thought that too,” you shudder. It's this moment of casual, same line thinking that strikes you as being far too strange. He's so close you can feel each puff of air when he exhales: practically scalding the bare skin stretched over collarbones. Too close—and if he keeps talking like this, as if he’s no longer disgusted by your presence, you won’t be able to deal with it. 

“What’d you do to her?” he questions, but it’s not the ‘no wonder she attacked you’ tone—rather than that, it’s like he’s trying to prompt you into distraction. 

“This is actually your fault,” you scowl, irritably casting your mind back to when she used to talk your ear off about the man standing here. 

“How so?” Nonplussed, he starts rolling the bandage across your arm—evidently, he’s experienced with this sort of thing. 

Stalker roommate. Stalker roommate has crush on engineering maniac. Stalker roommate sees that your new roommate and engineering maniac are one and the same—you summarise, too tired to give the specifics. He sees the way your lids flutter closed from exhaustion; for once, he’ll use Kafka to get more of the information you omitted. 

“Honestly, you two freaks would be perfect for each other,” you murmur absentmindedly. At that, he pulls the bandage tighter against your skin and you draw in a pained inhale. 

“You should try stand-up.” His voice is thick with revulsion, and it’s quiet for a few brief moments as he gets started on patching up the scrapes left on your back. You’re sitting on a stool now: unable to see his face but awfully mindful of how his hands brush over the skin layered over your scapula. 

“You still haven’t thanked me.”

“Thank you, my aggravating saviour,” you say, much too insincerely. “But that reminds me that I’ve got good news for you. That should suffice as a symbol of my gratitude.”

What is it?

“One of my friends has a room free, so I’ll probably be able to move out soon.”

The worst part is, he knows exactly who this friend is. His hands freeze on the band-aid he’s smoothing on your skin; too absorbed in his murderous thoughts to notice how you stiffen at the prolonged gesture. He’s not jealous; these are merely stirrings of friendship—this ugly, amorphous thing writhing in his gut and condemning him to senseless anger. 

“That’s not good news,” he breathes, and it’s a little too quiet as he finishes wrapping the final bandage around your bruised ribs. 

For the first time ever, Kafka receives a text from Blade that doesn’t consist of just one word. 

<Bladie> 20:33 > I need advice. 

Oh, this is interesting. 

What are friends for?—she coos, making sure to show Silver Wolf the glaring achievement in Blade’s range of text vocabulary. 

He’s clearly been on the rear end of bad news; while for her, on the contrary, this just means her scheme is moving along very nicely.  

[volturiprincess]

From the other side

Demetri Volturi x F newborn vampire

Warnings: Foul language, death, mentions of a Emetophobia, I bash on the Cullens here A/N: This was a request by @kpopgirlbtssvt, I got to say I enjoyed working on this. Its been a while since I worked on an actual long one-shot request but I hope the wait was worth it, and I might of changed some ideas on the request slightly (but still stayed on topic). Enjoy💙 Word Count: 4k+ (wow)

_____________________________

(He's just so gorgeous🥰)

“I think she’s waking up”

“How do you know?”

“Well you can see her eyeball moving Emmett, I'm no doctor but I think that is a sign she is waking up”

“Oh well sorry Mister Smartypants, didn't know I was in the presences of an expert”

“Focus, should we fetch Carlisle? He said he would be back soon but what if he’s already here?”

“I'll check, you stay here incase she starts moving around, wouldn't want her newborn instincts to kill Nessie”

“Fairpoint”

Why do I feel so strange? Where the hell am I? Maybe I should wake up, maybe the one with the southern accent could give me answers. I force myself to wake up and when I do everything seems so different. Everything seems so focused, enhanced, so…perfect. When has my vision ever been this good? I know I've been neglecting my glasses quite often but even with my glasses on I never had such good eyesight, I always thought I never needed them. I sit up slowly to check my surroundings. Crap! Where am I? What even happened to me? 

Flashback….

Just left my final class of the day, Anatomy is such a pain in the ass really. Why did I decide to take both Anatomy 1 and Genetics in the same semester? But I mean it's worth it, get the harder classes out of the way and then I can maybe squeeze in other classes I am interested in before graduating. I clinged my heavy textbooks to my chest tighter as I tiredly made my way to my small apartment. I got lucky that this place was cheap compared to living on campus, and the bonus to it is that my place is about 5 minutes away from campus. I heard the school bell ring signaling some class has ended, instantly I'm surrounded by a swarm of students like me. All of them either off to  their next class, or home, or even getting a late lunch. I was slightly pushed around until I managed to find an opening but not everything can go to plan. As I was trying to get to the opening someone shoved me a bit too hard and the books I was clutching flew out of my arms, I went along with them.

I heard a simple “My bad” and then I was met with silence. I hurriedly picked up my stuff and saw how people just looked but didn't help or offer a hand. Situations like this makes me want to just disappear. Just be able to get to point A to B without any mishaps. I composed myself mentally and continued my walk to my apartment. Considering it's only 5, it's already pitch black. I don't like walking alone at night, sure I’m a night owl, but I like to be alone in a safe space. As I'm walking I felt that weird feeling of being watched, it's like a sixth sense to me at this point, please tell me it's just my paranoia and not real. I do a quick scan and I'm met with no one but silence that makes an exception to the far off train horn. I hurried off trying to shake off that paranoia until I bumped into what I thought was a wall (ended up being a ‘human’)and then I was met with darkness.

Present…

I felt my eyes fill with tears but I soon noticed they would not fall, I tried blinking but nothing happened. I went to wipe my eyes with my hand instead but felt my hand move abnormally faster. Okay what the heck? I know I sometimes have my days where my reflexes kick in or not but I have never been able to move that fast. And as if on cue my throat felt so dry, I felt like I could drain the pacific and yet that would not be enough to satisfy the level of thirst I have. I tried swallowing but noticed that it didn't even help or even do anything.

“Carlisle should be here soon with something to subdue the thirst”

My gaze snaps to the man who is casually keeping guard at the door. The way he stood made me think he was maybe in the military or something. Why is he beautiful? His blonde locks styled perfectly and his eyes… Are they gold? I have never seen that type of eye color on someone before, I mean I have read a book where one of the characters had pirate gold eyes but in person that’s strange.

“Wh-wha- where am I?”

The way his gaze slowly met mine gave me the creeps, it was like from a scene of a horror movie, where if you spot something from a distance and then you blink, they are right in front of you, killing you.

“Carlisle will answer your questions”

“Why can't you?”

“I'm not in a position to be telling you stuff, all I'm here is to keep you calm since you are a newborn”

“A newborn?”

And then I was met with silence, he turned away from me so he was back to facing the wall like he was previously. 

“Could I at least get your name?”

“Jasper Whitlock, ma’am”

What feels like ages, another man walks in with a big guy. The first one seems like he is the one in charge around here, he seemed nice. He had a calm presence within, but the other guy seemed like he was ready to pick up a fight, probably the muscles around here. Now that I'm thinking about it more, am I in some sort of mafia? But these guys don't seem all that scary, maybe the big one and the Jasper guy. The calm one got closer to me and offered me a cup.

“Here drink this, it should help with the thirst”

I crabbed the cup hesitantly, hoping it wouldn't kill me, and drank it desperately. Finishing it in milliseconds, I did feel a small relief but I still had that feeling of an intense thirst. 

“We will give you more later but I think you deserve an explanation”

“You think”

He smiled gently but nodded “Well to start of you are not human anymore, you might of picked that up slightly since you have woken up”

Not human anymore? But what could I possibly be then? What have they done to me? Am I a monster now?

“You are now a newborn, a vampire to be exact”

That right there was the biggest mick drop of my life. What does he mean i'm a-a vampire? Those exist? I thought they were just myths, that they are just some made up thing that people build up over the years. But now I'm somehow one now? This shit can't be real, he probably has me on some drugs on something. Yeah that's right, probably drugged me and I'm trapped in some dream or something.

“I can see your in denial, there’s really no way to really explain it but you really are a vampire, that cup you drank from was filled with blood, deer blood to be exact”

Oh heck no. I drank blood? I never had a problem with blood, I mean I have a major in the medical field for a reason. Just can't get over vomiting, that's just a big phobia of mine, someone throws up and I'm literally about to faint. But enough of that.

“You gotta be joking here, vampires do not exist, there just myths”

“Well with all honesty here, I assure you I'm not joking, not with the times we are facing now”

“And what is that?”

“Well my family and I are in a bit of a dilemma, you see we have engaged another coven of vampires, and they are threatening to kill our family over a misunderstanding”

“Pardon my language, but what the fuck? What do you mean ‘another coven of vampires’ and a supposed death threat, there's more of you guys out there?”

The big guy chuckled slightly at my foul language and I heard him mumble a “Oh I like her, she’s way more funny than Bella”

“Yes well you see, our kind if basically spread out around the world, this other coven of vampires are living in Italy, but this coven is basically like our government, royalty you can say even, there more dangerous than us, they feed on human blood and they have gifts that can wipe out humanity in an instant”

Ok this other coven sounds scary, wipe out humanity? What the hell did this guy and his family do to anger them anyways, must be pretty serious.

“So let me guess this straight, you and your family have angered this powerful coven of vampires who can in your words wipe out humanity and…are doing what now?”

“Well we been gathering witness to help us avoid a fight with this coven”

“I see but what exactly did you do to anger this coven of powerful vampires then?”

“My son and his new wife had a baby”

“A baby? I'm sorry I don't see a problem here”

“Vampires cannot recreate, that's what I thought until my then human daughter-in-law got pregnant”

“Ok? Still not seeing a problem here”

“I guess an easier way to explain is as I said vampires cannot recreate, we are biologically not able to do such thing between two vampires, but between a vampire male and female human, it's possible but the problem here is the Volturi believe we have created an immortal child, which we didn't”

“I see so then why do they believe you created an immortal child? And also what is an immortal child?”

“An immortal child is a child what was turned into a vampire, there stuck as a child for eternity and cannot control their thirst or be calmed or even age, they are in modern terminology are illegal, and to answer the other question, apparently hybrids are not common and they did not know about them existing”

 The more he answers my questions, the more I think I am definitely dreaming, no way in hell is all of this real. Why am I even being roped into this? I was just some human who was just trying to be a Physician and now that dream is out the window because I'm apparently a vampire now. I need to wake up, this cannot be my life right now, I have so much to live for still. Sure I was quiet and not in some relationship but I still liked the life I had. 

“Now the real question here is, why or how am I even part of this?”

They were all quiet instantly and none of them were making eye contact with me. Ok weird… I mean even the big guys amused look was gone and that guy answering my questions with a small smile was also gone. Something here does not feel right. Someone burst into the room, which freaked me out a bit because this guy along with his buddy looked intimidating with all their leather and the intense red eyes. I felt a weird current roll down my body and then I heard gasps. The Jasper dude looked at me with wide eyes, well everyone was looking at me with the same wide eyes. 

“She’s gone!”

“No I don't think so Emmett, she’s gifted”

“What are the odds of finding one that is gifted”

“Not very likely”

Why are they all talking about me as if I wasn't there?

“Um i'm right here”

The ‘nice’ one spoke up first “Well it seems you have a gift miss, your invisible currently”

“Seriously?” I looked down and as he said I am indeed invisible. Maybe that weird current I felt earlier was me triggering this. Should I tell him this?

“How were you able to do that?”

“I don't know, I um felt a weird feeling run through me after those two over there came in”

“Vladimir and Stefan triggered it? Hmm it seems it came from fear then, interesting”

So those are their names, I wonder who is who. My wild guess is the platinum blonde is Vladimir and the dark haired one is Stefan. 

As if he knew I was talking about him, the platinum started to speak “So you were desperate enough for witnesses that you created a newborn? That’s low even for you Carlisle. At least she’s gifted but even then she probably has no combat skills so she won't be able to tear heads off if the time comes”

Ok y/n, let's think about becoming visible, I don't like how they're just staring at me like that, and also speaking smack about me either. Smoke started to surround me for a minute and when I looked at my hands to see I was now visible. Again I heard the gasp. 

“How did you do that?”

“I was just thinking about wanting to be visible”

“Well that’s good to know how your gift works”

“I guess”

Carlisle, it took him like thirty minutes to tell me his name, started to explain the situation more and even introduced me to the other members of his family. Jasper along with his friend taught me some basic combat skills in case a fight broke out with the confrontation. But the weird thing I discovered was when I met the infamous son, Edward, I was able to read his mind when he was reading mine, he gave me a funky look each time and tried to reduce his thoughts as much as he could. 

Funny enough but also traumatizing, he was always thinking about his honeymoon with his wife. I do not need to know how his child was conceived. When I met Alice a similar thing happened, she spaced out (which I found out she does when she has a vision) and I saw me with another figure, a man to be exact. The man in the vision was gorgeous, I never knew such a person could exist, he looked like a greek god. I think I might have another gift but I'm not sure I should tell Carlisle, there's just something off about why he won't tell me about how I became a vampire or what happened to me that night. 

—-------------------------------

Today is the day of the confrontation. Just last night I found out about vampires and now I might face death himself. And just today I found out werewolves or shifters exist, is everything in the books true then? I can feel my chest curl into itself and I feel myself internally hyperventilating. Can vampires do that? Well if they can that is exactly what is happening to me. I was placed between Vladimir and Stefan because apparently I should blend in and be more in the background then in front with the others. The Cullens think if the Volturi find out about me they might face a punishment of some sort.

But these two vampires are freaking me out slightly, they had an eye on me constantly, as if I were some criminal or something. With the confrontation I am fighting the urge to just disappear, I don't want part in this. It's not like I could be of help anyways, I can't really turn invisible on command, it just happens and turning visible doesn't always work when I want it to. The other gift I have, I still have no idea how it works or what it is exactly. 

Everyone is standing on guard waiting for the Volturi to arrive. I think the longer we wait the longer I feel my anxiety rise. I saw Vladimir move slightly, I followed his gaze to see a whole army of cloaked figures, they all moved in sync and let a smaller group move forward, those are definitely the kings with their guards. When they all stopped walking, they removed their cloaks and my eyes widened in shock. Why are they all really good looking? The big guy looks even more scary than Emmett, he’s basically towering over everyone. The other two I see are what I can assume are twins, they look alike except for the girl having blonde hair and the guy having brown hair. I heard the others say they are the most dangerous ones. I look at the kings, the only one who looks like he would kill everyone is the blonde one, he seems like the anger issues type of guy- err vampire. 

It seems I forgot to analyze another guard, he was slightly out of my view but how can anyone ignore his presence. I think this was the guy from Alice vision, in person he's more gorgeous. His lovely blonde hair styled to look like spikes, how his face is so symmetrical, he was indeed handcrafted by the gods.

I saw his gaze shift to meet mine, and oh dear gosh, a strong feeling overcame me. I don't even know what this feeling is, it's like an invisible string is trying to pull me toward him. I want to give in but I'm scared of what this is and I'm also scared that I might die right here. His focus was on me the whole time as the others spoke, there was even a point where he turned to the bored looking vampire to ask something which concluded with a nod from him. 

I don't even know what to center my fear right now, the fear from what is happening or the fear of this strange feeling I have with the breathtaking vampire. My attention on him was paused as I saw the blonde twin try to do something but that Bella girl used her shield, the blonde girl even looked at me but something odd happened. She clutched herself as if she was in agonizing pain and fell to her knees, my eyes widened slightly as her twin brother was at her side trying to somewhat resolve her pain.

Even the other Volturi members were shocked, the same twin boy turned his gaze to us and the anger that reflected his eyes was the most terrifying thing to witness. Out of his pure instincts he released a black smoke that also came out of my hands. I started to panic and the witnesses around me were also panicking, a bunch of them hissed for me to stop but I didn't know how or what was even happening.

A loud stop from the Volturi's side made everything go back to normal, the smoke was gone, the girl who was in pain stopped clutching herself and the boy's face was back to its resting form. Even the smoke I somehow had coming out of my hands had vanished. The king in the middle was the one who shouted stop from what I can tell.

“And who is this? She seems to have a very similar ability to one of my guards”

Carlisle who still had a confused looked form the earlier actions done by me “She’s part of Vladimir’s and Stefan’s coven”

The way the two vampires looked at Carlisle at the mention of their name would have left him buried six feet under. I could tell whatever plan the doctor had in mind was not planned. I mean even I was not aware of the plan to start off with, I was just told to stay quiet in the back and not turn invisible until they commanded me to. Vladimir not wanting to be thrown under the bridge or face any death just like me didn't let his voice be unheard 

“Still low of you Carlisle, he’s lying to you”

The look on the vampire king's face can be best described as if someone stabbed him in the back.

“Oh? Please do tell”

“She’s a newborn that Carlisle himself turned just recently”

“Oh my, bring her forward now”

I looked around the witness who was just staring at me as if I grew a second head. Carlisle gave me a look to go to them, so I walked toward the other coven, twiddling my fingers to try to calm my nerves down. So this is it then? This is how I die? As I got closer the elegant vampire kept his gaze on me, it almost looked like he was forcing himself to not go to me, like he was chained down. When I was a good ten feet away from them the tall muscular vampire one grabbed me. He had a strong hold on me, if I were human, painful bruises would indeed be forming at that instant. Again that handsome vampire looked like he was about to go to me but he stood his ground. The raven one came to me closer to introduce himself

“Hello dear, what is your name?”

“Y/n”

“Now do you mind offering me your hand?”

“My hand?”

He looked a bit impatient but smiled, a creepy smile but smiled nevertheless. “Well you see I have gift of being able to look at every thought and memory with just a touch”

“Oh, I see”

I offered my hand and was instantly reliving my every thought and memory as he said but as for my incidents with Edward, Alice, and the twins I could see his every thought and memory. I saw that he wanted Alice to be part of his coven, he was thinking of just forgiving the Cullens, I even saw memories of the handsome guard who I found out his name is Demetri. It just rolls out so naturally, it's as if I was born to say his name. Aro let go of my hand after a while with a bewildered look

“Interessante, I’m sorry for the troubles you been through, but it appears you have two gifts–”

Before he could continue, the sad looking vampire rested a hand on Aro’s shoulder and he turned to him to grab his hand like he did with me. With this case when I looked at the emotionless vampire I was able to see a red string that was connecting me and Demetri. It was the richests of red I have ever seen, come to think about it, it looks like his eyes. When he let go, Aro made one of the creepiest laughs I have ever heard to humankind, straight from a horror film. 

“It appears our own Demetri has found his mate”

If I could I would shiver at the mention of Demetri’s name. The mentioned name looked at the kings with anticipation, I mean I for sure wanted answers of what is going to happen.

“Felix you can let her go now, she’s no danger to us, on the contrary she’s going to join us”

I was let go by Felix “Join you? Why?”

“Well you see dear you are the mate to one of our guards, and we would hate for him to be miserable or lack on his missions if his mate is not kept safe, maybe with time you could join him in missions”

If I'm getting this straight, if I don't join then my ‘mate’, that’s a strong word to use, will be sad and won't be able to do his job correctly. Or I stay with the people who basically kidnapped me from the life I had, turned me into this bloodthirsty monster –currently I am still thirsty– and just threw me into a situation that I was nowhere prepared for. But again I don't even know Demetri, what if he’s cruel, what if he treats me like the Cullens? My thoughts started to spiral at a point where I was one with my mind and nothing around me existed anymore. If it weren't for the husky addicting voice I would have gone mental.

“Master? May I have a word with her?”

“Go ahead, she’s your mate after all”

I felt the warmth of his soft yet rough hands. I looked into his eyes and he gave me a small hesitant smile, oh I can get used to that. I need to see his real smile now.

“Hello cariño, I am Demetri, I am aware you know nothing about me neither do I about you, but I can promise you if you come with me and my coven, I will give you anything you want, give you a life humans can never come close to having, I will promise you an eternity of love and happiness”

So this is love? The way he speaks is straight from a romance novel. And the way his face glows makes it all more sincere and truthful, heck I just want to run away with him. I was about to say something to him when I heard them. The Cullens along with their witnesses whispering about me.

“A traitor”

“All that hard work to get her here for her just to abandon us”

“I knew there was something off about her”

“Carlisle do something”

“She can’t go”

“If she goes with them, then the Volturi have more power”

“She would be stupid to go with them”

“Indeed”

“She was a mistake”

I wanted to use that gift to disappear at that moment, I didn't ask to be placed in this situation to start off with. I was forced and manipulated. 

“You promise”

His hesitant smile turned genuine “I promise amore, forever and always”

Aro literally was beaming with anticipation for my decision, reminding me of a child waiting for the final decision of their parents to let them go to a sleepover at a friend's house. I nodded which caused Aro to clap with joy 

“Magnifico my dear” His attention turned to the vampires behind me “She will be coming with us, if you dare interfere, we will wipe you out without hesitation”

Ok that’s scary but I can tell he’s serious. I could see the blonde king with a proud smirk but Demetri pulled me into his side.

“Nobody will ever take you away from me from now on”

I gave him a weak smile as we walked off the snowy battleground. I didn't ask for this new life, but maybe it won't be so bad with him. 

[pierrotdoesnteat]

FIVE STAGES OF FASTING:

- the process of fasting begins about 8 hours after your last meal, and has five different stages each with different benefits. I am by no means an expert, and am using various sources to piece this together; with that being said, if I get something wrong please feel free to correct me.

STAGE ONE:

- 8-12 hours after last meal. - blood sugar/glucose levels begins to dip; you may experience hunger, fatigue, food cravings, and trouble concentrating. - at around 12 hours, blood sugar levels begin to stabilize as your body starts tapping into stored glycogen. - also around 12 hours, your body begins to enter early stages of ketosis meaning your body isn't relying on carbohydrates for fuel and instead begins to burn stored fat. - short-term fasting may also lower blood pressure and increase insulin sensitivity.

STAGE TWO:

- 12-18 hours after last meal. - by now, your body should be fully in ketosis. your liver should begin converting stored fat into ketone bodies; these provide energy to your heart, brain, and muscles. - ketones suppress your appetite; this stage of fasting decreases ghrelin, the hormone that makes you want to eat a lot of food and stabilizes insulin levels which helps to reduce cravings. - you may notice an increase in mental clarity in this stage due to a boost in brain-derived neurotrophic factor (BDNF).

STAGE THREE:

- 24 hours after last meal. - this stage is referred to as autophagy, or "self-eating." this stage is when your body begins recycling old or damaged cells and reducing inflammation; this can provide an anti-aging effect.

STAGE FOUR:

- 36-48 hours after last meal. - 48-hour fasting can increase human growth hormone (HGH) secretion by up to 400%. HGH increases muscle mass, stimulates faster muscle repair, and can speed up the healing process for wounds and more serious injuries. - this stage is no longer considered intermittent fasting.

STAGE FIVE:

- 72+ hours after last meal. - this stage of fasting should not be taken lightly; if fasting for several days, make sure you drink plenty of water, get plenty of electrolytes such as sodium, magnesium, and potassium. - by now, you should be in a deep state of ketosis and autophagy should be in full effect. - during this stage, your liver significantly reduces the production of a hormone called IGF-1, triggering stem cell production. - a study from 2014 found that prolonged fasts between 48-120 hours activate pathways that induce stem cell production, leading to cellular toxin resistance, immune system regulation, and protection against cellular damage caused by chemotherapy.

FASTING TIPS:

- regardless of the length of fast, stay hydrated. - keep physical activity to a minimum, or only do light exercises. walking, stretching/yoga, and meditating are great options during this time. - do not break your fast with large amounts of food, or processed foods. easily digestible natural foods, like bone broth, chicken, and green vegetables are your best option. avoid things like dairy, alcohol, and foods high in lectin like baked goods for the first couple days after your fast ends. - when breaking your fast, eat slowly and hydrate before eating. the less junk food your body is used to, the easier it is. - adding probiotics into your diet can make breaking a fast easier; your body needs these either way.

[qqueenofhades]

I’m in undergrad but I keep hearing and seeing people talking about using chatgpt for their schoolwork and it makes me want to rip my hair out lol. Like even the “radical” anti-chatgpt ones are like “Oh yea it’s only good for outlines I’d never use it for my actual essay.” You’re using it for OUTLINES????? That’s the easy part!! I can’t wait to get to grad school and hopefully be surrounded by people who actually want to be there 😭😭😭

Not to sound COMPLETELY like a grumpy old codger (although lbr, I am), but I think this whole AI craze is the obvious result of an education system that prizes "teaching for the test" as the most important thing, wherein there are Obvious Correct Answers that if you select them, pass the standardized test and etc etc mean you are now Educated. So if there's a machine that can theoretically pick the correct answers for you by recombining existing data without the hard part of going through and individually assessing and compiling it yourself, Win!

... but of course, that's not the way it works at all, because AI is shown to create misleading, nonsensical, or flat-out dangerously incorrect information in every field it's applied to, and the errors are spotted as soon as an actual human subject expert takes the time to read it closely. Not to go completely KIDS THESE DAYS ARE JUST LAZY AND DONT WANT TO WORK, since finding a clever way to cheat on your schoolwork is one of those human instincts likewise old as time and has evolved according to tools, technology, and educational philosophy just like everything else, but I think there's an especial fear of Being Wrong that drives the recourse to AI (and this is likewise a result of an educational system that only prioritizes passing standardized tests as the sole measure of competence). It's hard to sort through competing sources and form a judgment and write it up in a comprehensive way, and if you do it wrong, you might get a Bad Grade! (The irony being, of course, that AI will *not* get you a good grade and will be marked even lower if your teachers catch it, which they will, whether by recognizing that it's nonsense or running it through a software platform like Turnitin, which is adding AI detection tools to its usual plagiarism checkers.)

We obviously see this mindset on social media, where Being Wrong can get you dogpiled and/or excluded from your peer groups, so it's even more important in the minds of anxious undergrads that they aren't Wrong. But yeah, AI produces nonsense, it is an open waste of your tuition dollars that are supposed to help you develop these independent college-level analytical and critical thinking skills that are very different from just checking exam boxes, and relying on it is not going to help anyone build those skills in the long term (and is frankly a big reason that we're in this mess with an entire generation being raised with zero critical thinking skills at the exact moment it's more crucial than ever that they have them). I am mildly hopeful that the AI craze will go bust just like crypto as soon as the main platforms either run out of startup funding or get sued into oblivion for plagiarism, but frankly, not soon enough, there will be some replacement for it, and that doesn't mean we will stop having to deal with fake news and fake information generated by a machine and/or people who can't be arsed to actually learn the skills and abilities they are paying good money to acquire. Which doesn't make sense to me, but hey.

So: Yes. This. I feel you and you have my deepest sympathies. Now if you'll excuse me, I have to sit on the porch in my quilt-draped rocking chair and shout at kids to get off my lawn.

[thatfrenchacademic]

OK so about this "34, unmarried and childless" article about Taylor Swift. Let me tell you about Scam Academia.

TL;DR: some mediocre dude had a half baked opinio nabout Taylor Swift that everyone hated, but like Mother Nature I let nothing go to waste.

Here is the take you have not heard yet, about this opinion: this guy is actually a good case study on how to develop your academic literacy, aka how to recognize a true academic from a scammer who presents themselves as an academic, but is just a crook. In a world of pseudoscience and pretend experts that have enough resources to organize their flat earth conference, let me walk you through the world of Scam Academic, where for a few thousand dollars, you too can claim to be a researcher with a doctorate! Follow me down a rabbit hole that I hate with my whole heart!

Preamble: I have zero skin in the TS game. I don't get the hype, the lore, the obsession with those 2000s bracelet or dissecting every single line or every single song.

But then. Some guy had to write an op-ed stating Taylor Swift was not a good role model for girls ("in the US and beyond"), and it is a terrible take on so many level, but here is the thing. Whiny conservative think-pieces about highly successful women who should get back to the kitchen and think of the children are nothing new. But this one is different.

This one is fucking terribly written. It's just an abysmally written blog post. Genuinely one of the worst thing I have ever read, and I read hundreds of undergrad essays every year for a living. It contradicts its own arguments in every paragraph. It over-explains concepts like it's a high school essay and he's trying to meet the word count. It says "this is a valid question worth asking" but does not actually explain why it is worth asking. It is so, so, so bad.

Conservative writers are usually more the "high brow, drowning you in grandstanding" kind of writers. They are, usually, good technical writers - it's the one thing that helps make their talking point sound legit and palatable. So an abysmally bad conservative writer? Ok, I am intrigued.

The author is one John Mac Ghlionn. I look up the guy on Google and...

Oh.

Oh no, John.

Spewing conservative bullshit at women AND a researcher? You're in my turf now, John. You could have continued to cover UFC Pillow Fight Championships, or alien technology and other riveting subjects, but you had try to connect two brain cells to argue a thing, and slap "researcher" on top of it. Now I'm offended, as a researcher.

1. I am sorry, researcher WHERE?

Ok so if one is a "researcher", it means one conduct "research". and contrary to what backyard conspiracy theorists think, "researcher" is an actual job. It is an actual professional occupation. You get an actual contract, and you are paid actual money. By an actual employer: public (University), private (Think tank, private company), or a mix of both (at Unviersity, but on a privately funded project, for example).

So where does our John Mc Ghlionn work?

Well. Nowhere, as far as I can tell.

John does not list any affiliation. Usually, when they write, academics will state their exact position (Researcher, Doctoral Researcher, Associate Professor, Chief Engineer, Head of Department, Research Director...) and where they work. For example:

That's what it is supposed to look like.

But John? Nope, no affiliation anywhere, on anything he ever published. That's a pretty massive read flag. Research takes ressources: at the very least, time and access to database and documentation, even in social sciences in humanities. You may not need a lab, but you sure as hell need money and full access to JStore at least.

So I thought he was just one of these "I google therefore I research" kind of dude. But then, out of nowhere:

I am sorry. He has a WHAT.

2. I am sorry, a Doctorate from WHERE?

So. One thing to claim to be a researcher when you are just a professional yapper. Another to claim a DIPLOMA.

And not any diploma. A doctorate.

Let's pause. "Doctorate" is actually a really broad umbrella term of all doctoral-level degrees. The most famous (and most prestigious, for better and worse) is the PhD, but a PhD is technically just one of many Research Doctorate of, theoretically, the same level (cue this helpful reddit post). A second category of doctorates are the Applied Doctorates, and while there is Discourse on where they sit vis-a-vis PhD, the easiest is to consider that they are not research-oriented. They are hands-on, practice-oriented degrees. For example: you can practice medicine with an MD. You don't need a PhD. You can still call yourself a doctor, though.

Alright, so which of these does our friend Johnnie has? Or is currently enrolled in? And in which University?

You will notice that John does not go by "John Mac Ghlionn PhD" or even "Dr John Mac Ghlionn", when you just KNOW he is the sort of person that would but that shit everywhere. And no shade here, because I, for one, do put that shit everywhere. Maybe he is just currently enrolled in a program and has not graduated. Fair.

Since John does not list affiliation, I had to switch from academic to internet sleuth, and dig out this article:

But we learn that in 2021, John was a "PhD Scholar" in "Parkmore Institute". "PhD Scholar" is not a title I am sued to, but it's also not raising any red flag: ongoing PhD researchers can be "PhD students", "PhD fellows", "PhD researchers"... It varies from country to country and from institution to institution, so why not "PhD Scholar".

Let's check out the Parkmore Institute.

Ok, they are not a traditional university, but they appear to be more of a postgraduate institution: offering only higher level degrees, not undergrad courses. Once again, not necessarily a red flag. They are usually very heavily research focused, and embrace the "research" side of academia more than the "teaching" side. In Germany, the Max Planck Institutes are research-only institutions who deliver PhDs. They conduct cutting edge research, in part because their researchers rarely have to spend time teaching.

But that is NOT the Parkmore Institute. First of all, let's see what programs they offer:

None of them are legit.

And I mean, none of them are recognize as even Applied/Professional Doctorate by the National Science Foundation (US based). And while a PhD in Human sexuality would be perfectly valid, but I'm going to on a limb and say I have some serious doubts about "Bodymind Healing" as an academic field.

These are not legit academic degrees.

What they are, is an excellent money-making opportunity for anyone working at the Parkmore institute. Students will pay, at the very least:

And 60% of this goes to their " faculty mentor". The Parkmore institute provides no research fund, no desk or office space (they are entirely digital), no access to any resources or library, not even a Zoom account. There is also no mention of any timeline: how long a PhD take to complete? Who knows. 6 months ? A year ? 5 years? What are the requirements to graduate ? Who knows ! And I would need to pay $200 to get in touch with them, so I sure as fuck won't know any time soon!

But let's get back to our friend John. Remember that he stated, in that 2021 publication, he was a "PhD Scholar" at Parkmore ? Well that's a shame because Parkmore does not deliver PhDs. Ain't that a bitch.

ALSO. Parkmore helpfully has page with all their Doctoral Recipients! And guess who is NOT HERE ! That's right, our Johnnie !

How can this be ? Well, three possibilities:

John is still not done with a PhD. After 4 years ? In a crank university where I am pretty sure I can submit the first draft of a litt review and graduate ? Nah

John never completed the thing. Boo, that would mean that John is lying, when he says he has a doctorate. Bad, bad.

John did graduate, and obtained his doctorate in [scrolls back to check] psychosocial studies, and then was not put on the website or was withdrawn some time before today, as Parkmore institute ended their affiliation with him, as per this bit in their application form

A shame, really. If John had been affiliated with the Parkmore Institute, it would give a shred of legitimacy to anything he writes to anyone just skimming.

Now, I would love to get in touch with the Parkmore Institute and ask to see John's doctoral work, which they DO have, since the application for also has this very interesting section:

(definitely very legit, very normal).

But I am not sure how I would even phrase that request without transparently going

"hey, would love to see what bullshit research is being done over there, since one of your graduate decided to go all Handmaid's tale for the last 2 years".

If anyone feels like sending that email, I am begging you to keep me in the loop.

3. Back up, back up, what's up with that article?

Remember the article where he was listed as a "PhD Fellow"?

Well, about that... No. Welcome to the world of predatory publishing, one more cog in the Bullshit Academic ecosystem.

First: not at article. It's a "commentary". Could be worth something ia good journal, but still would not be a piece of research. But that is the least of its sins.

Its sins are being published in a journal called "Sociology and Criminology-Open Access", by a publisher called "Longdom". Longdom publishing has a bunch of journals on a lot o different fields, with the particularly of being predatory; they will publish absolutely anything you send them, as long as you pay their Article Processing Charges:

There are entire lists of Predatory journals on the web, you can find on here and another here , Longdom Publishing is in both.

This is how John can publish this last minute, Redbull-and-weed-induced essay in an actual journal, with an abstract that, I kid you not, finishes with "Please find the paper attached." He slapped together a shitty essay about people in India are poorer and therefore more likely to exhibit psychopathic traits and therefore engage in corruption, purely base on vibes. It does not even deserve be given any consideration, not even to be debunked. There is nothing to be debunked. This would be a failing grade for a 1st year intro class.

CONCLUSION

On the surface, John Mac Ghlionn is the poster boy of failed edgelords who really wish they were Jordan Peterson, but unfortunately are just Doug, the guy for 10th grade who failed the Literature class and decided it was because litterature was too woke today anyway.

Beneath the surface, John is a case study in Scam Academia, and the proof that no matter how bad actual academia is, Scam Academia can always get worse.

A quick checklist to go through whenever someone claims be a researcher, an academic, a fellow, a doctor, a PhD or anything of the sort:

What is their affiliation? Is this a legitimate organization?

Do they have a PhD? Another doctorate degree? From where?

Have they published ? Where is it published?

[mjjune]

How To Have a Good Beta Reading Experience (or: what I've learned from 3 years of beta reading)

So lately I've been having a lot of discussions about beta reading with my discord groups so I thought I would write it out here and also share some resources I've used over the years.

This is mostly by and for writers, however readers can learn from this post as well!

DISCLAIMER: I'm by no means a writing expert, but I have been either beta reading others' books, or having my own stories beta read consistently since 2020. THIS IS ALL PERSONAL EXPERIENCE/OPINION. Others may agree or disagree ❤️

Here are the main points I'm going to talk about in this post, and I'll do it under the cut to save your dash space:

Understanding Alpha vs. Beta Readers

Choosing Readers

Being Clear About Feedback

Swapping / Compensation

The Importance of Writing Community/Groups

Websites/Resources for Finding Beta Readers

1. Understanding Alphas vs. Betas

So this is extremely important and for me, this may be the difference between me finishing your book or not. Many times, especially from new writers who had never had anyone read their work before, had extremely rough drafts that were barely coherent and were NOT beta ready, but asked me to beta read. I am not a person who can look past extensive grammar errors, nor am I the kind of person who will sit and fix all your grammar line-by-line for you.

Alpha Readers - for first/second drafts

Beta Readers - for polished drafts

It is ok for alpha reads to be unpolished and have grammar issues, and it's even ok if they have plot issues, continuity errors, etc. Because alpha readers are there for that purpose: to be the first eyes on your story and help you find and fix those issues.

The issue I have had over and over, though, is people asking for a beta reader when what they really needed was an alpha. I went in expecting a polished draft and got someone's Draft 0. In some cases, I got 100k drafts where the writer obviously had no idea how to format dialogue grammar and every single dialogue was wrong. Obviously this made me slow and in many cases, unable to finish.

Alpha readers will go in expecting it to be unpolished, and will be prepared to look past grammar/stylistic errors in order to focus on the big picture issues (plot holes, character consistency, pacing/engagement issues, etc). A Beta may be too frustrated by an unpolished draft to finish it or provide the feedback you're looking for. If you have been experiencing a lot of betas backing out and not finishing your work, you might consider this as a possible reason why.

I would also recommend, if you have never had anyone read your work before, even if you have had multiple drafts, it might be safest to ask for alphas rather than betas.

A quick way to see if your work is beta ready (again, personal experience): Pick up a published book from the shelf in your genre. Does your book read similarly? Does your formatting & grammar look the same? Bonus: read it out loud! If reading the published book out loud is significantly easier than reading yours out loud, you're probably in the alpha stage.

TL;DR: Understand your draft and which level of reader your draft is ready for. Know the difference between polished and unpolished, and be upfront about it.

2. Choosing Alphas/Betas

You may not like it but: Just because someone is your friend, real life or online, does not mean they will make a good reader for you.

#1 MOST IMPORTANT: GET READERS WHO LIKE & REGULARLY READ YOUR GENRE!

I cannot stress this enough. As someone who writes vampire content, I cannot begin to express to you the amount of useless comments I got from readers who had clearly never read a vampire book in their life.

You need someone who is familiar with your genre and you likes your synopsis/blurb.

Caveat: that said, I did find a few great betas who had never read vampire content before and gave awesome feedback. However, these readers knew and admitted they knew nothing about the paranormal genre, and because of that did not make any comments on worldbuilding, instead sticking to plot and character development only. Some readers can't make this separation.

Another thing I would recommend, especially if you are swapping or the beta reader is also a writer/on writeblr, I would recommend reading their writing before having them beta read. If you read their excerpts and see that it's really unpolished or a style that's vastly different than yours, that might change whether you want them to read for you.

In my most recent beta round, I used a google form to do a quick survey to see who was interested in beta reading. This worked really well for me and I would recommend it! You can also use this to make all potential readers agree to not share/distribute/plagiarize your work, so you have it in writing just in case someone were to try something.

This was also a great way to see which genres they usually read and how many times they have beta read in the past!

TL;DR: Get readers who LIKE your genre. Read their writing and see how they write. Use an online signup form to narrow down.

3. Be Clear About The Type of Feedback You Want

This is perhaps the second most important thing when you get readers. Many readers will shy away from reading your work if you have nothing in mind for them to look out for. Also, being clear about this shows that you 1) know it isn't perfect and needs work and 2) you have insight into what the issues already are.

For Alphas, these traits are what I have found to be the most helpful:

Immediate inline reactions - particularly emotional engagement and pointing out lines that resonated with them

NO grammar/stylistic comments (unless incomprehensible)

Questioning of worldbuilding, character decisions, and character development - particularly if confusing or unclear

Comments on action sequences & their readability

Comments on believability of the plot points/progression

For Betas, these are what have been most helpful to me:

Comments on grammar, especially if repetitive

Stylistic comments, particularly for over-used words or noticeably repetitive sentence structures

Comments on pacing

Comments on plot initiation point and buildup/execution of the climax

Not questioning my worldbuilding/plot and trusting that what I have written is intentional. Only pointing out areas that have on-page evidence of inconsistencies.

Everything above is simply personal preference. You might find other comments to be better for alphas/betas. However, being upfront about which comments you want or don't want can drastically change which people want to read for you!

Some readers are obsessed with in-depth inline grammar/style comments, some aren't at all. Some writers LOVE these in-depth grammar comments, and some don't. Being clear about what you want is the best way to make sure you and your readers are compatible for the stage of editing you're at.

4. Swapping / Compensation

So this one I might have a bit of an unpopular opinion, but I wanted to cover it because so many people talk about it on here and other sites.

Again, based on my personal experience, swapping and compensation does not mean you're going to get better feedback or have a better experience or relationship with readers.

For the record, for everyone who beta reads for me—and finishes—I always offer to read theirs, even if it's a genre I don't like.

Personally, I have never tried compensation (re: money) for beta readers. However, there are a few issues I've come across with swapping:

Mine was beta ready and theirs was unpolished first draft

Our types of feedback didn't align

Our genre preferences didn't align

Their feedback was nowhere near as high quality or constructive as mine

In these cases, one or both of us burnt out on reading the others' work, and then we'd both bail. Especially with #4, it was very disheartening for me to spend hours finding their plot holes, helping them come up with ways to fix them, for them to then write 1 paragraph about what they thought of my story that was extremely surface level. To me, that wasn't even a swap, and was practically worthless. There was even one who got sensitive about the feedback I was providing (which was a queer sensitivity read) and then left almost identical comments on my story, which weren't even relevant. It was like revenge-commenting.

All this to say: I have had positive experiences with swaps. My alpha for twtr was a swap and I really enjoy her work and she enjoys mine, and we will probably continue to swap forever.

This goes back to #2 above: be picky & choose your readers well. Your story is your baby, and it deserves to be critiqued by people who value you and your story, and want to help you make it the best possible version of itself.

To summarize, I have had two good swapping experiences. I have had 10+ good uncompensated betas—with an offer for me to read their stuff when it's ready. Do with that what you will.

5. Writing Community / Groups

On to a more positive note! I have had the best experience here on writeblr, and this is coming from someone who has tried multiple other communities (which I discuss in the last section below). Having my own discord server from tumblr, joining a few other writers' discord servers, has completely changed the game regarding finding consistent betas, more resources, and just having an overall much more positive time writing and editing.

Writeblr keeps me grounded, keeps me hopeful, and even if I share something that doesn't get tons of notes, it's so nice to have interaction. It's so nice to give and get back, consistently.

I do want to emphasize the importance of giving to get back. If no one is liking/interacting with your excerpts, tag/ask games, etc. then that's probably because you're not interacting with them! It's very important to show interest in other people's work!!

I'm not saying you need to jump onto everyone's taglists for all their wips, but join the ones that genuinely interest you the most. Play in ask/tag games consistently. Follow writers back who follow you (if they post things you're interested in, ofc).

I have the same amount of followers as the people I follow right now, and I think that goes to show that people reciprocate here on writeblr! It's a lovely community and don't be afraid to reach out ❤️

I have found almost ALL my recent betas from my tumblr and discord groups. They have been lovely so far and I would highly recommend building up community here if you are interested in finding betas.

6. Websites/Resources for Finding Betas

Alright, last section. Thanks for bearing with me. I'm going to go through the sites I have used, and why I still use them, or why I dropped them.

Scribophile

So, for starters, this is one I don't use anymore. This was the site I first used when I had a polished draft in 2020 and had no idea how to get feedback. Essentially, they have a point-system. The more comments you make, the more points you get, and then when you have 3 points, you can post a chapter. It continues in a cycle.

Pros: Personally, I think the site helped me a lot in realizing what a bad critique looks like (which is helpful!) and also helped me learn which comments/feedback types work for me, and which don't. I don't regret my time there by any means, and I found one life-long friend and beta reader there I wouldn't trade for the world. It also allows you to post/remove your story and the readers don't have direct access to it—meaning if they want to download/steal/plagiarize, they'd have to copy and paste or screenshot chapter by chapter. It's a little safety precaution.

Cons: It's not the best place to get constructive feedback. The issue with their system is it encourages quantity over quality in critiques. Because of that, you'll get strangers rewriting your entire chapter in their own style so they get 2-3 points for one critique, but... was any of it actually helpful to you? Maybe, maybe not. It's also random, so you can't control who comments on your stuff, and they might just comment to get points even if they hate your genre. I also don't think it's fair to have to do 3-5 chapter critiques in order to save up enough points to post ONE chapter of your own. And if you want to post your story for full beta reads and control who reads it and who doesn't, you have to subscribe monthly.

So I keep an eye on it occasionally to look through their forums on writing, agents, publishing, etc. But most of the forums gets nasty, because there are a lot of really pretentious writers who think they know all the rules. If you join small groups (e.g. sub-groups based on diversity, etc) they tend to have better and more meaningful discussions.

Personally, I would never use it for beta/alpha/feedback ever again. This is the site where most of my bad swaps came from. But you might find it useful! So I thought I would share it.

Nanowrimo Forums

This is another one I don't use anymore, but might consider reusing in the future. The biggest issue I have with nanowrimo is that a lot, and I mean A LOT, of these participants are first-time writers and have no concept of what polished vs. unpolished even means. I did find two really good swaps there (actually the only two good full swaps I've had) but those were very hard to find.

There is also the issue that a good chunk of them only write during November, not year round. So for finding consistent, year-long partners, this is not the best option. I'm a member of 2 discords that have all fallen silent as soon as Nano actually ended.

Also, in my experience, asking questions about anything related to "controversial" topics (especially trans and minority ethnic groups) becomes toxic very quick, which is unfortunate. There are even a few moderators who seem to be contributing to the toxic/immature discussions rather than fixing them/shutting them down, which is the main reason I stopped using it.

However, it's a GREAT place to get free, simple covers! Their artisan section is fantastic and there are a lot of people there willing to make basic covers/banners for you for free.

BetaBooks

I've only been using this one about a month so far, but I'm really liking it. It's set up that you can invite betas to your story specifically, or you can look through a beta reader library, read their profiles, and invite them to see if they're interested.

This is essentially an alternative to Scribophile. It allows you to post your story online and find betas and become a beta.

Why I like it better than Scribophile: it's not a point-based system, meaning it's uncompensated so the readers have nothing to gain other than enjoying/helping your story. There's no hard feelings if someone bails. It allows you to see all comments in one place (which Scrib can't do). (And with discount codes found through google, it's cheaper, too. Message me if you need help with this 👀)

It also is all online, easily removable, so readers would have to copy/paste or screenshot chapter-by-chapter to steal it. So again, just a little safety net that makes me feel better.

Writeblr

Yep, that's right. Right here. Actually right here on tumblr has been where I have found the most beta readers and in the shortest time. I talked about this in the section before so I won't regurgitate. But there's a reason why this community is so long-lasting. It really is the best one out there I've found.

TL;DR / IN CONCLUSION:

Know where your book is in terms of reader-readiness. Know the difference between alphas/betas and polished/unpolished. Know the types of feedback that work for you and specifically request it when recruiting betas.

Interact with a community. Give interaction in order to receive, and don't expect people to reblog/like your content if you don't reach out first. Join small, niche writing community discords. Find like-minded writers.

Decide to swap or not, but this won't make or break you.

There are many writing communities out there designed to help you not only find betas, to provide beta-reading feedback forms and commentary. Try them out and see what works best for you.

And above all, thank Writeblr for being such a lovely community ❤️

[californiannostalgia]

Processing identity as a child abuse survivor

Recently I had a huge revelation. Come with me on this childhood trauma realization journey (if you want).

This post was written for those wavering on the 'was it abuse' question.

Fair warning, each of these revelations were a whammy. I recommend you keep in mind that these revelations will transform the way you see yourself and the world. This took me out of commission for hours at a time.

Revelation 1: Was I Abused?

Read this Tumblr post. Go down the list. Check the 'yes'es and 'maybe's.

'Was I abused' is a yes or no question. I need you to really think about this if your answer is 'kind of'. If you could be truly honest with yourself, what would your answer be?

For years I've gone to the logic of 'it wasn't that bad,' and 'at least the worst didn't happen,' or 'others have had it worse'. This is such a low bar. You deserve better than the bar your parents set for you. The socioeconomic circumstances and the normalization of violence in your living area? Yes, influential. But not a justification.

At the end of the day, the veracity of these statements don't even matter. It's a yes or no question: 'Am I a survivor of child abuse?'

It may take a really long time to truly process, and even then it might feel uncomfortable saying it like it's truth. I need you to know your truth is truth. It's a yes or no question.

Take a break. I recommend you don't progress further until you've processed Revelation 1.

(Shameless plug-in of my fandom blorbo interests: Rick Riordan's Trials of Apollo series really helped me with this first revelation. It made me feel seen and less alone. It may not be perfect, but I personally liked it!)

Revelation 2: What does this mean? (health-wise)

Listen to this Ted Talk by an expert (medical professional).

This is the part where I got angry and really fucking sad. Let yourself be sad. Let yourself be furious. Our life is not our fault and we're still stuck with this lot.

Genuinely this was such a shock for me to realize. The thing that has the biggest impact on my life is not my anxiety, depression, ptsd, insomnia, blood pressure, immune health, etc. The root cause of my physical and mental illnesses is Adverse Childhood Experiences.

ACE is more common than you'd think. Acknowledging that what happened to you was bad will be beneficial to humanity's survival in the long run. Like any illness, ACE can be fought at a societal level.

Take a break. I recommend you don't progress to the next revelation until you've processed Revelation 2.

Take your time to be angry and sad. Take forever. You never have to forgive your abuser, even if they change their behavior. The chance at a civil acquaintanceship you might be willing to extend to your parents doesn't require your forgiveness.

.

Revelation 3: Why is your therapist recommending you retell your life story?

This one is mostly for when you have steady access to a therapist. Here are some things I wish I'd known before seeking out therapy in the US.

(Is it shitty that you can't get therapy on your own terms when you're underage? Yes, it fucking is. To those of us who survived to adulthood: holy shit y'all. At 19 I felt like absolute fucking bullshit, like my brain was a burning ball of tangled barbed wire. It does feel absolutely shitty. But reaching 19 is an achievement.)

The thing is, I do or say a lot of things that I later come to think of as embarrassing, inappropriate, or in certain circumstances, potentially abusive. Genuine trigger reactions happen. I will always have to live with a piece of my parents in my head. But I don't want to do to another person what they did to me. Self-awareness is what separates me from my abusers.

What to do about this? Number 1: chill out. You're not gonna be your abuser. Humans are unique and imperfect. They have not replicated themselves in you. It's okay to make mistakes when you're talking or reacting. Your brain is fucked up. You can do something differently next time.

Number 2: read this article about Overthinking, Over-apologizing, Oversharing, and Overwhelmed as trauma responses.

Then read this article on how to deal with Unresolved Trauma.

Yeah. It be like that. Isn't it fucked up? Recognizing the four Os in my behavior helped me realize I'm not an antisocial asshole by default.

Unresolved trauma is the root cause for my behaviors that I think of as unhealthy. This revelation happened very recently for me. Before this point in time, I couldn't understand why I would want to recount traumatic events in therapy.

At this point in time, I have regular access to a therapist I'm okay with. Going over memories and deconstructing the blame system seems like a reasonable thing to try.

What happened to you as a child is not your fault. You're not the one who landed yourself in your life. You've been given an unfairly difficult situation to be responsible for. You did not create your coping mechanisms for shits and giggles.

So yeah. Number 3: figure out your life with the help of a therapist. Let's see where we are ten years later or something.

Nothing is easy and everything is confusing. Take a break, hydrate, eat, sleep, do something nice for yourself. Do something you like doing. Thanks for reading.

[topazadine]

Identifying bad writing advice

I have seen what seems to be a backlash against the genre of writing advice in recent days. By that, I mean I saw like two posts about it within a few days of one another. That, to me, is an epidemic! We need a global symposium discussing the peoples' distrust of writing advice.

Not really, but one does need to practice caution when reading anything that tries to tell you to do something. That includes me, and even this post that you're reading.

There are tons of excellent guides out there helping to refine your unique voice rather than change it. BUT you should treat everything you read with some caution and ask if it resonates with you.

With that said, let's take a look at some warning signs that you might be getting bad advice.

Inexperienced source

You need to understand writing on a deep level if you're going to act as an authority on it. Someone who has just started writing can share their experience, but they shouldn't position themselves as an expert by any means.

Also, writing takes years to learn. Literally years. Casually writing for two years or so is not going to teach you everything you need to know so that you can share that with others.

I would also say that while you do not need formal training to be a writer, you should have some formal training to teach writing or give advice. As I'll discuss more later on, being able to do something well is very different than being able to explain how to do it.

If someone doesn't provide their credentials and their suggestions seem a little off, then they may not have the experience necessary to help you. I've shared my own credentials in several other posts so I won't belabor them, but I have written over two million words of creative writing, hold a BA and an MA, and have 15+ years of practice. I also tutored writing students for about five years.

Unengaging writing

This is pretty self-explanatory. If the advice-giver's writing is boring, or uninteresting, or hard to follow, they probably need to spend more time developing their own craft before they try to teach anyone else.

I include poor formatting in this as well. If someone is doing wacky things with their formatting that make it hard to read their guide, like using extra teeny tiny small font or enormous fonts, they are doing this more to show off how smart they are than helping you.

The "extra small super cute fonts" thing is also kind of ableist because low vision people are going to have to rachet their magnification up to 10000 to see anything. This suggests that the writer is not thinking about their audience.

Universalizing everything

The problem with advice about such a diverse craft is that it is almost impossible to target every potential need. Similarly, every advice-giver is coming from their own perspective and may not be able to see beyond their own experiences, biases, and so on.

If someone says "all good writers do this" or "always avoid this," they are likely not going to help you much.

With any advice, you should take what resonates and leave the rest. Sometimes, what resonates is uncomfortable, but you know deep down in your heart that it's true. That's common, especially if you have some bad habits holding you back but you're unwilling to fix them.

I try to always include a caveat that I am only coming from my own perspective and what I say may not apply to you. If someone writes an advice guide and tries to say that their way is the only good way to do something, or that anyone who doesn't follow their advice is a "bad writer," then they aren't thinking beyond their own nose.

Excessive prescriptivism

There are very few real rules in writing. In fact, I have distilled them down to only two that apply to everyone.

Writing needs to communicate something to someone.

Writing needs to be written so that others can easily understand (and enjoy) that message.

These two adages cover damn near everything about the craft, including the importance of grammar, spelling, syntax, and so on. For creative writing, they also consider the importance of coherent plots, understandable characters, good dialogue, avoiding infodumping, and so on.

Going further, these two rules explain that your writing should have themes and symbols meant to provide a deeper meaning without throwing it right in the reader's face, because readers don't like being lectured.

Note that these rules do not tell you how to create your characters, or how to format your writing, or anything like that. Because those things are all very context-specific, and what I suggest may not alway apply.

It's why older writers grit their teeth at younger writers bashing them over the head with "show don't tell" because there is nuance here. And you get to that nuance by writing a lot. Which is why beginner writers haven't found that nuance yet. And which is why beginner writers should not be giving advice.

Fails to explain the reasoning

Doing something and teaching something, as I said above, are very different things. Someone can be an amazing writer, but when they try to explain themselves, they fall flat. Similarly, you can be an avid reader but an atrocious beta reader because you have no idea how to identify problems and suggest solutions.

Having spent years learning craft and helping others improve, I can identify why something works or doesn't, and I can explain this in a way that makes sense. For example, my spicy mundanity post doesn't just say "mechanical descriptions are boring."

The post explains why those descriptions are unengaging, then shows examples of how to fix it, and then explains why those passages are better.

Similarly, my post on how not to write a character doesn't just say "avoid this." It explains why certain tropes are annoying and gives advice on how to fix those things.

I often link my advice back to key concepts, including cognitive load and audience, in order to demonstrate that at its heart, writing is deceptively simple: it's about communicating something to someone in an entertaining way. But there are millions of ways to do this successfully, and everyone needs to find their own path to success.

If someone just says "do this" without explaining why this is a better option, they're not telling you anything. They are just giving their opinion about what makes good writing without helping you improve.

Discouraging or elitist

Anyone who makes you feel like shit and like you can't possibly ever be a good writer ... is an asshole. Anyone who berates you for mistakes you make while learning is trying to gatekeep one of the world's oldest art forms - storytelling - for no reason other than to feel better about themselves.

You do not need an English degree or Creative Writing degree or any degree to be a good writer. You don't need formal training; (good) free advice you find on the internet, when applied systematically, can do wonders for you.

All you really need to be a good writer is time, practice, and patience. Just like anyone can pick up an instrument and become proficient if they do it over and over again, so can anyone become a great writer if they persevere.

Many people unfortunately fall into this trap of thinking that writers are some special breed of human who were innately gifted by the gods themselves. Sure, you can have an inclination toward writing, just like you can have an inclination toward anything else. But you can also brute force that talent through hard work.

Writers are not like athletes, where genetics and physical fitness and early life development all play a role in whether you can get to the Olympics. Some people just suck at sports and it's unlikely they will ever improve. I am one of those people. Rest assured I understand.

Thankfully, though, writing is much more forgiving and welcoming than that. (Though not all writers are very forgiving and welcoming.)

It may take you longer than someone "naturally gifted," and you may struggle more, but anyone can become a good writer with practice.

Those who tell you otherwise, or who tear down your work and mock you, or who insist that you need XYZ degree or skill or experience or whatever, are wrong.

Please don't listen to them. Please don't let them ruin your joy.

If you'd like to read more of my work, consider buying my book!

9 Years Yearning is a gay coming-of-age romance set in a fantasy world. It follows Uileac Korviridi, a young soldier training at the War Academy. His primary motivations are honoring the memory of his late parents, protecting his little sister Cerie, and becoming a top-notch soldier.

However, there's a problem: Orrinir Relickim, a rough and tough fellow pupil who just can't seem to leave Uileac alone.

The book features poetry, descriptions of a beautiful country inspired by Mongolia, and a whole lot of tsundere vibes.

You can also check it out on Goodreads for a list of expanded distribution.

Be sure to preorder Pride Before a Fall, arriving January 1, 2025!

If you do purchase my book, don't forget to leave a review!

Reviews are vital for visibility on Amazon and help to support indie authors like me. Whenever you love a book, be sure to let the author know! It's much appreciated.

I've also created a masterlist of writing resources that you can peruse at your leisure, all for free.

Enjoy!

[familyabolisher]

Sorry to ask something somewhat related to the recent discourse, but do you have any advice to someone trying to teach themselves lit analysis or lit theory? Seems like most online advice ends at "get an English degree lol"

first of all sorry for leaving this for so long, between work and various other Demands in my life i didn’t really have the time/energy to sit down and write up a proper answer for a while. anyway: imo, what’s more important than working your way through a long list of critical theory is honing an ability to respond to a text yourself; being able to take notice of your emotional responses, being able to ask questions about what the text does and what it responds to and whether you think it succeeds or fails. questions like ‘what is the text about?’ are often too vague, and assume that critical practice is a task limited to investigating the ‘correct’ metaphysical properties of a text that we have to uncover, as well as presenting literature as wholly utilitarian (under this framework, a text becomes a vehicle for a ‘theme,’ and nothing more.) in the list below, i’ve tried to be a little more precise about the kinds of questions that can help you become a more confident + critical reader.

[disclaimer: i am not any kind of expert, i have studied english lit at degree level and i do read a lot / make a habit of talking about what i read, but i would not consider myself especially ‘qualified’ and nor should you. i’m explaining a process that works for me, not providing a one-size-fits-all solution to the question of analytical methodology.]

the essence of literary practice is that a text has a terrain where it has to be met with, and where it will be accountable to forces that are often beyond its control or beyond its immediate borders, and a terrain where it asks to be met with, and towards which it will attempt to navigate the reader; the reader’s job is to meet with it on both terrains, synthesise them, and respond to them. so, some of the questions you should be asking about a text include:

what is its context? this can mean a lot of things: when and where was it written, and how might the conditions contemporary to its creation be informing the inner working of the text? is it considered part of a particular literary movement; how does it interact with the core characteristics of that movement? does it invoke other works; if so, how does it respond to them? what biographical information about the author might be relevant to the piece? some books will come with an introduction which, if written well, would cover at least the outstanding details on this list; you can also have a look on wikipedia or other such websites to get a feel for the conditions under which the text was created.

how does it respond to this context? rather than assuming a text to be a passive body onto which its external conditions are exerting their unilateral force, we should always understand a text as being in active dialogue with the context that shaped it. what are the questions typically posed within the movement or genre to which it belongs; how does it answer these questions? does it build on its predecessors in any way? if it’s a responsive text (ie. consistently invoking an earlier text), what does it have to say about the text to which it responds; how does it develop or contravene the template from which it was building? how might it be responding to the questions of its time; which paradigms are challenged? which are endorsed, actively or tacitly? what goes unmentioned? i emphasise critical engagement with context so heavily because it’s often where the meat of the text can be found. 

what are the conditions which made this text possible? this is a little different to questions about context, which have a far broader scope; this is a question which seeks to treat a text not as a thing that came into existence of its own accord, but as a thing that emerged as a result of a process of material production that depends upon particular conditions. is it a mainstream publishing house, or an indie press, or self-published? how does this affect its authority, or the standard to which we hold it? how does this affect its relationship to narratives of cultural hegemony? what can that tell us about what hegemony can and cannot absorb? this is me being a big marxist about it but i think this question is woefully neglected in literary studies lol

why did the author make the choices that they made? one of the most important things to remember when it comes to literary analysis is that every choice made in a text is deliberate; every choice about what happens, what a character says and does, what a character looks like, how particular characters interact, how scenes and objects and settings are described, what prose style is employed, what word is used in a sentence, etc., is a deliberate choice being made by an external agent (ie. the author, sometimes/arguably also the editor, also the translator if a text is in translation), and those choices are accountable both to the deliberations of the author and the external cultural narratives with which they necessarily enter into a dialogue. ‘why does a character behave in a particular way’ is not a question that invites you to treat the story like a riddle for which you can find an ‘answer,’ but a question that engenders the following: what does their behaviour reveal about the character, and how might this be situated within the discourse of the wider text? does this behaviour reveal any biases on the part of the author? what sort of expectations does this behaviour establish, and are those expectations met or neglected or subverted? the same process can be applied to themes, settings, plot beats - anything, really. why is this particular adjective used - does it have other connotations that the author might want to draw attention to in relation to the object being described? why does this chapter end here and not here? nobody in a novel has agency that extends beyond the boundaries of the novel itself; part of the practice of analysis means discerning which choices were made and why, and whether those choices were good or bad. 

what is your response? analysis is a misleading term for this practice; it’s less about dispassionately picking at a text in search of an ‘answer’ and more about evaluation - assessing the text’s successes and failures and cultivating your personal response to it, which means paying attention to your responses as you go along. some people would argue that ‘did you like/dislike this’ is a juvenile question, but i would disagree - knowing whether you liked or disliked something and being able to describe why it evoked that reaction in you is crucial to an evaluative practice. a text can be conceptually excellent, but falter if its prose is clunky or uninspired or unimaginative; being able to notice when a text isn’t engaging you and asking why that is is an important part of this evaluative process. similarly, what do you make of the themes and developments present in the text; does it dissect its themes with precision, or does it make broad gestures towards concepts without ever articulating them fully? is it original? does it have sufficient depth to it? do you agree with it? are you compelled by it? if you were asked the questions that the novel tries to respond to, what would you say; do you think that the novel misses anything out? has it challenged your own perspective? what are its limitations?

literary analysis is a learned skill, but by its nature of being a skill it gets a lot easier over time, and some of these questions will become intuitive. a good way to hone the skill and develop a greater intimacy with a text is through close reading; this refers to the practice of selecting a passage (or even just a sentence) and picking it apart line by line (word by word, even) to describe in intimate detail exactly how the sentence(s) came to be formed in the way that it/they did. i’ll use the first few sentences of daphne du maurier’s rebecca as an example.

Last night I dreamt I went to Manderley again. It seemed to me I stood by the iron gate leading to the drive, and for a while I could not enter, for the way was barred to me. There was a padlock and chain upon the gate. I called in my dream to the lodge-keeper, and had no answer, and peering closer through the rusted spokes of the gate I saw that the lodge was uninhabited.

so a close reading of these sentences might identify:

‘last night i dreamt i went to manderley again’ is in iambic hexameter; this rhythmically satisfying invocation makes for a smooth opening sentence, and contrasts with the longer, more complex sentences that follow on. the change in rhythm through such a contrast helps to maintain momentum throughout the paragraph.

the first sentence also introduces a few key pieces of information - that this story is being told from the first person, that we are opening with a dream (and that the narrative places stock in the significance of dreams), and that the speaker is going to manderley ‘again’ - ie. that this is opening after an event in which manderley was significant. that the speaker going to manderley ‘again’ in a dream holds importance implies an exile from manderley in the ‘real’ world; this already gives us hints at the broader shape of the narrative. 

the speaker’s intimacy with manderley and disregard for ‘telling’ the reader what it is (we do not get, like, ‘manderley is a house’ or something - the passage continues as though we know what manderley is already) helps to develop our sense of immersion in the dreamscape. it also sets manderley up as a place of immense significance.

both ‘it seemed to me’ and the later ‘i called’ have a matter-of-factness to them, a certain dry reporting of the events of the dream which, rather than situating the reader within the texture of the dream itself, refortify us as outside of it, listening to it be explained after the fact.

‘for a while i could not enter, for the way was barred to me’ continues the theme of implied exile that the first sentence gestured towards. the iambic trimeter on ‘the way was barred to me’ creates a lilting cadence which, along with the use of the passive voice, detaches the speaker from an emotive response to this being ‘barred’; it is a reported dream that will not consciously acknowledge the speaker’s feelings about being exiled from manderley at this time. (we instead infer these feelings through how the chapter develops.)

‘there was a padlock and chain upon the gate,’ as a short sentence, falls into the same matter-of-fact register as that which i alluded to above, partly through the use of the passive voice, and - as i explained earlier - varies the length of sentences such that the paragraph retains a particular buoyancy. 

the development from the speaker calling to the lodge-keeper to not getting an answer to seeing that the lodge is uninhabited tells a story wherein the speaker at first has authority such that a lodge-keeper would respond to her and let her in; this authority is negated by the lack of response; the lodge-keeper is found to be absent in a development that took place whilst she was herself away, presumably in the state of exile that we have inferred her to be in. ‘uninhabited’ is the kind of word you would expect to be used for an area of land, often with a colonial connotation; this introduces a theme that this chapter (& the book as a whole) goes on to develop, of manderley being a site of colonial decay; as reinforced by the ‘rusted spokes.’

in my experience, close reading is a technique best practiced on poetry, but it’s a very helpful skill to develop in general, and implementing it with prose can elucidate the nuances of a text far more clearly than you might initially realise. in a well-written novel, language is very deliberate and precise!

i think the best thing you can do to develop your skills as a critical reader is to read carefully, and to keep track of your responses to a text as best as possible. keeping a note of what you think a text achieves and how you respond to it each time you read one can be a good way of sorting your thoughts into something coherent and developing your ability to articulate a response. anyway, hopefully this has provided something resembling a guide for how to develop the thought processes that go behind critical practice!

[c-ptsdrecovery]

I've been meaning to make this post for months, but I'm lazy :P

This year, I got diagnosed with bipolar 2, and going on mood stabilizers has been LIFE-CHANGING. (In the way they always told me going on antidepressants would be, only it wasn't.) I have discovered that I had a lot of (common) misconceptions about what bipolar disorder was like, which was why I struggled for at least 15 years with it and didn't get diagnosed until now. So I wanted to share a little bit about what I've learned about what bipolar disorder is REALLY like, in the hopes that other people in the same boat as me might recognize their own symptoms.

Disclaimers: I am not a mental health professional or an expert in bipolar disorder, and this is drawn from my personal experiences, which may be different from what another person with bipolar experiences.

--There are different levels of depression and of mania. Low mania, for instance, is called hypomania. While people with Bipolar 1 experience a range of emotions from mania to depression, people with Bipolar 2 experience mostly depression with occasional hypomania.

--People have a very extreme and stereotyped idea of what mania looks like, so it can be harder to recognize hypomania in particular. Things that mania/hypomania can look like:

anxiety

restlessness

insomnia

constant fidgeting

huge excitement or joy

intense creativity

intense sensory experience (colors are brighter, handsoap smells AMAZING, etc)

rage

less inhibited behavior

more spending

more risky behavior

feeling like you're finally yourself for the first time in years

--You will notice in that list that manic doesn't just mean happy. Mania is a high-energy state. That can mean high-energy happiness, high-energy anger, high-energy anxiety, etc. Depression is the low-energy side of the equation.

--You don't have to be JUST manic or JUST depressed. It's very common to have "mixed episodes" where you are both at one time. I was diagnosed years ago with "anxiety and depression"--and it turns out that that was probably actually a bipolar mixed state. A lot of people with classic depression talk about having no energy, having trouble getting out of bed, etc, but I always had the kind of depression where I felt despairing but also high-energy. I was restless and anxious--and sometimes had bursts of happiness and enjoyment in the middle and then went back to being depressed again.

--Bipolar can feel like mood swings. Your moods are intense and they can change quickly. I have had a psychiatrist tell me that you know it's bipolar when your mood changes for no reason. This may be true for some people, but for me, I could almost always attribute my mood change to SOMETHING. "I feel bad because of that thing somebody said to me" or "I feel bad because I'm lonely" or "I feel anxious because my stomach is upset". So that wasn't a helpful indicator for me, but the presence of the mood swings was. Some people also try to say that you have to be in a manic or depressive state for a certain number of days in order to qualify as bipolar--but if you're having mixed episodes like I was, all bets are off as to how long a mood is going to last.

--It's very common for people with bipolar disorder to have sleep problems: sleeping too much, sleeping too little, or both. I go right to sleep at bedtime, but then I wake up in the middle of the night, lie awake for an hour, and then go back to sleep. I have done this regularly for literally 15 years.

--A really good sign of having bipolar disorder is if trying a new antidepressant makes you manic/hypomanic. This doesn't always happen to people with bipolar disorder trying an antidepressant, but it certainly can.

My experience with antidepressants is that sometimes they seemed to work a bit for awhile, but in the long run, they really didn't work. One antidepressant that I tried made me FURIOUSLY ANGRY, so much so that it scared me and I had to get off the med after a week (the rage was a hypomanic state). One antidepressant that I tried made me so unbearably anxious that I took it ONCE and never again (that anxiety was also a hypomanic state). I took an antidepressant once that worked PERFECTLY for two months, and then suddenly stopped, and never worked again (happy hypomania, mood-swinging back to depressed again). What finally tipped us off that my problem was bipolar disorder was when I tried a new antidepressant and it made me feel AMAZING and then it wore off and I got super-depressed again... and then we raised the dose and I felt AMAZING and then it wore off, and... Meanwhile, I was happier than I had ever been before, I started a new hobby of collecting bonkers earrings, I started dressing in eye-burning rainbow colors, I was far more confident than I had ever been, I spent more (not way too much, but more) than usual... That is the kind of hypomanic/manic state that most people recognize as such, which is how I finally got diagnosed.

I will add on tomorrow or so with some stories about episodes that I recognize in retrospect were from my bipolar disorder, but I don't want to make this post longer than it already is! I will just add: If any of this sounds like you, I strongly encourage you to talk to a doctor about trying mood stabilizers. Maybe they won't do anything for you--but then at least you'll KNOW. I have a sneaking suspicion that just like C-PTSD is wildly underdiagnosed, bipolar disorder probably is, too.

[lil-oreo-crumbles]

SVTFOE fandom what’s one small, obscure detail about the show you think about an awful lot for no good reason that you firmly believe no one else thinks about half as much as you do, if at all? (When I say obscure I MEAN obscure)

I’ll go first:

Comet Butterfly was probably the one who hired Dr. Jelly Goodwell as the Royal Monster Expert.

The Butterfly family probably didn’t have a “Royal Monster Expert” before Comet. Estrella didn’t care for politics or queenly duties, Celena was busy with whatever she was dealing with and also didn’t pay much mind to the Monster situation, Rhina was preoccupied with her spells, riddles, and marital situations, and Crescenta “solved” (she didn’t) the “Monster problem” with her rigged election campaign. Why would she hire a “Royal Monster Expert”?? She’s actively a horrible person, It doesn’t make sense why she or any other Butterfly would make a position to “field study” Monsters.

What does make sense is Comet designing that position in the early days of her “peace” agenda. Making an “attempt” to understand them enough so she can figure out how to go about conducting her “peace” treaty. Jelly Goodwell is very fond of separating Mewmans and Monsters from each other because “when Mewmans and Monsters cohabitate bad things happen, usually to the Monsters.” If we go off my theory that the Mewman-Monster Accord Moon signed into law reflects (or basically is) Comet’s treaty, then the separation statement makes sense.

Even if the title of “Royal Monster Expert” existed for a while, Comet without a doubt (in my mind) hired Jelly Goodwell. If she’d been “studying” monsters her whole life like she claims, then it makes perfect sense that she was hired back when she was young. Comet would be around her age if she was alive so it only makes sense that Comet was the one who hired her and designated the position. And, again, bringing back her treaty, if Comet and Goodwell worked together in any way, then both of their agendas being separation makes complete sense. Comet hired someone to “field study” Monsters, Goodwell reported back with her findings, and Comet conducted her treaty and dealings with monsters accordingly.

Comet has always just given me the same vibes Goodwell does; they’re like glass reflections of one another. On the surface they look like they actively want to help actually make progress for the impoverished and colonized monster citizens, smiling and playing nice, but patronize them as literal animals (see Comet’s FAMOUS “beast of the forest” line and her patronizing of Seth and Batwin’s wife… or just read her chapter holy shit), refuse to take any of them seriously as equals, and think separating them from Mewmans is the best call.

(To clarify because I feel this being brought up: NO, I’m not saying Goodwell influenced Comet and am now taking blame away from Comet. No, if anything Goodwell’s “angle of research” was probably thrust upon her by Comet (think a “Dr. Goodwell, why don’t you study their mannerisms and habitat so we can communicate with them on their level” line from Comet), and Goodwell reported back with the agenda she was sent out with. If anything, those “findings” only reaffirmed and strengthened Comet’s established bias. I’m not one of those people who take away accountability from the queens because I think they were “influenced” Comet is pretty stupid already 😭)

[kyoshitargaryen]

until dawn, the butterfly effect, and infinite realities explained

for those who like to think about the science behind shifting and infinite realities, or need a little help understanding it

note !! : this is just my personal way of understanding how infinite realities are possible, and it's the way shifting clicks for me. this does not mean that you have to agree with me, and it certainly does not mean that anything related to spirituality or shifting has to make logical sense -- some things just are what they are, and that's okay! this post is just for fun! it's difficult for the human brain to comprehend something like infinity -- so this is just my way of making infinite possibilities make sense.

this post also relies on believing in the multiverse and infinite realities as a whole, so please keep that in mind before proceeding. I am not an expert in astral projections, alternate dimensions, or vibrational work.

there is a theory that the universe is made of math -- every bit, from you, to me, from the animate to the inanimate. this is called the mathematical universe hypothesis. it seems that human beings are constantly looking for ways to understand the environment around them, and more often than not we turn to math.

this will be no different. in truth, this is a concept I made as a way to explain reality shifting to my mother. she is very spiritual herself, but she struggled to understand the concept of infinite realities, and she struggled to differentiate shifting from astral projection.

above is an example of a 3D graph. you may already be familiar with the y- and x- axes, but perhaps not the z-axis.

if you have been involved in the spiritual community for any amount of time, you've absolutely heard of higher and lower dimensions, as well as higher and lower vibrations. you may already know that the plane that we live on is the 3D. this is the physical reality you inhabit. let's say the 3D corresponds to the x-axis. the physical reality will be our baseline.

the y-axis corresponds to higher states of consciousness -- the 4D, the 5D, etc. I'm going to include altered states of consciousness in the y-axis as well, such as meditation, altered consciousness due to external factors such as substance use, dreaming, lucid dreaming, minishifts, general out of body experiences, and astral projection. just like there are infinite numbers between 0 and 1, there are infinite possibility points of altered or higher consciousness, so don't be discouraged if something you personally have experienced is not listed here by me.

the origin point (coordinate 0,0) of this graph represents your current / original reality -- your home base, essentially. Going straight up the y-axis represents the various levels of consciousness I mentioned before, all while remaining aware of this physical reality.

each point on the x-axis represents each of your DRs. for example, if (0,0) is my CR, then (1,0) would be my Hogwarts DR. the infinite points in between (0,0) and (1,0) would be realities where one or many things overlap between the realities, with few overlapping things being closer to (0,0) and many overlapping things being closer to (1,0).

alternate view : you can absolutely look at each point on the x-axis as being the canon of wherever you're shifting to, with the points in between determining how close that reality is to a CRDR versus pure canon

but what would the z-axis represent? they would be alternate realities of each x-reality. While those specifically on the (x,0) axis would be the realities you consciously live in, the realities on the z-axis would be realities where you made a different decision, a la the butterfly effect.

even the smallest of actions can be the difference between the reality you consciously inhabit, and the realities where you did or said something differently. essentially; everything has a consequence, big or small. these are the realities you exist in, but are not consciously aware of.

if you want an easy example, let's look at Hogwarts houses. Let's use the reason that (x,y,z) stands for the coordinates of the reality. Hogwarts would be my first DR and in it I am a Slytherin. That would mean that reality would be (1,0,0). Due to the laws of the infinite multiverse, there is also a reality like my DR where I am instead a Hufflepuff, even though I'm not choosing to shift there. That would be (1,0,1), and so on for the other houses.

If I were to do anything that would give an altered state of consciousness in that Hufflepuff reality, it would be (1,1,1) and so on, depending on my level of consciousness.

you might be asking, what would the negative numbers be in this? remember, the points of the axes stretch on into infinity -- in both directions.

if you're into astral projection or manifestation, you've heard that your experience in the astral plane or in manifesting is dependent on your vibrations.

low vibrations : negative feelings; guilt, shame, fear, anxiety, etc

high vibrations : positive feelings; love, gratitude, genuine happiness, feeling protected

if you are aligning yourself with low vibrations, you will encounter low vibrational beings or experiences. this is the area of toxicity. negative entities thrive here on the astral realm.

the x-axis is not only the baseline for our physical realities, it is also a mirror for the positive and the negative. as above, so below. the negative y's would be functioning on a low-vibrational level on a conscious level (as in, not fulfilling your highest self, leaning into fear or shame, astral projecting in to a low-vibrational plane, having a nightmare), negative x's would be more toxic or negative realities -- these are the realities where the worst can and will happen. don't worry, you obviously won't be shifting there! negative z's would be realities where you choose the wrong path, the more toxic path, where you let yourself be petty and mean.

don't worry -- just because these negative realities exist does not mean you will experience them. you can ignore the negative planes entirely, and your journey and your drs will not be changed. remember, you will always be on the x-axis (x,0) when you are consciously inhabiting your body. the only time you will experience the y-axis (0,y) would be when you are dreaming, meditating, astral projecting, or in between realities like minishifting. and you won't encounter the z-axis at all, unless you choose to rescript your DRs, and even then that would become your new x-axis reality.

in summary : the x-axis is where you are aware, the physical reality you experience. the y-axis is your level of consciousness and vibration. the z-axis is the butterfly effect in practice.

note : do not think that feeling guilt, shame, or fear means you will always be on the negative planes. you can absolutely shift positively even when you are depressed, or angry, or afraid. it's the difference between staying in wet clothes after the rain or changing into something warm and cozy. even if you get a cold from the rain, or your day was ruined by it, changing your clothes means you're taking care of yourself. as long as you're giving yourself grace, the help and self-care you need, it'll work out!

that's all for now! I hope it makes sense! please let me know your thoughts, I'm very curious to see how you all react to this. please be kind, as this is my first post and my first time explaining this so publicly.

yoshi !!