#I also keep thinking about the ‘something new’ phrasing

[gem-de-lune]

Daily Vibe Check 11/14

Seunghan

Strength + The Star

This is a lot of courage and faith. Particularly, it is not necessarily peoactive action based but internal. I have said before that he seems to be preparing himself for something, and it seems to be it. He has a lot of hope today. Today is a good day for him.

What is he doing today?

The Wheel of Fortune + Knight of Cups + The Emperor

This is a lot of internal and personal work. He is still very much in the energy of acceptance. A lot of people have seemed to get the wrong idea from this. So, while I was reading this today, I felt called to a specific phrase in pulling the Wheel card. "What comes up must come down." Understand that this is true vise versa as well. Seunghan's acceptance stems from the fact that he feels he cannot possibly reach a point lower than what had happened now. Whatever happens will be just as impactful and in a positive way in his mind. Today, he is handling his affairs and future plans. For once, he is alone, but he is not depressed today. He has a lot of willpower, a lot of heart, and determination to make the best out of his day. He may interact with a pet or other animals today. I also see him practicing maybe singing? Something creative and vocal.

Finances (someone asked abt this so adding it to check-in)

3 of Coins + 3 of Wands + 8 of Swords

The spread suggests the current situation is one where if he works hard with others, there is a definite opportunity to reap very good rewards and new opportunities to come. However, with the 8 of Swords, there seems to be a tension in that these rewards and opportunities cannot be reached until he has broken free of certain constraints and setbacks. I think the current situation. But He seems to have a good support system- at least financially to be healthy and okay for the time being. The situation could change soon though if nothing is done about the 8 of Swords energy.

Bottom of the Deck:

The Lovers

In this context, we are talking about the harmonious decision made between multiple entities. I think this card seeks to represent Seunghan's intentions. He wants things to end harmoniously with no ill feelings or contempt. He is going to choose peace every time. That's just how and who he is. (Libras amirite lmfao)

Final Notes:

Tbh guys I am getting the feeling that good things will happen but not when we want them to. Everything i have been reading daily has been screaming PATIENCE. I am not that patient tbh. But i think I could wait a bit longer as long as the ending is satisfactory.

However, i am being told it is seriously important that we make whatever time we have left count here....things have been shifting, and SM is sly no matter what. They believe this could still possibly fade into the dark. Things need to be more visible, and garner more attention. POSITIVE attention TOWARDS Seunghan and attention to SM to DO SOMETHING not just insult them- but a literal call to action in a way we have not done before. I keep saying this, but tbh it's super super important right now as I speak. I'm getting literal goosebumps about it, so I pulled some cards asking abt Seunghan's return to Riize to checkup:

7 of Wands + 5 of Wands

This is a fight. We MUST stand our ground. We MUST not forget what we are doing. And We CANNOT afford to lose the war. It is clear there are still details and stipulations causing a lot of hesitance and inner fighting on SMs side. We absolutely need to remind them again why they listened to the wrong side. If we don't manage to have at least one more final hurrah here- it's not looking AS good as before.

Please please please do not give up.

[haru-dipthong]

Ep 11 of my Utena fansub is out (sorry for the wait!)

だめだめ。そんな味気ないお昼じゃ、つまんないでしょ？

No, no. Don't eat that, it's just packaged junk.

This line when literally translated is actually closer to “a tasteless lunch like that is boring, don’t you think?”. However, つまらない is more versatile than the English “boring”, and it can also kind of mean “not very good”. Plus, I can’t imagine a middle schooler like Wakaba saying “tasteless”. I tried rephrasing the whole line in a way that would make sense being spoken by a kid who’s trying hard to be an adult.

-----

基本はレトルトだけどフォルムが超プリティーでしょ？

It's mostly pre-made ingredients, but doesn't it look super pretty?

This line took me AGES to hear correctly. I had to write it down as I heard it to make out all the words, and even then I still had no idea what レトルト (retoruto) meant.

Crazy! I’ve used and seen these in Japanese grocery stores my whole life and never known they had a proper name.

-----

俺なら君をここから出さないな。永遠に。

If it were up to me, I’d keep you here… for eternity.

If it weren’t for the pause, I think I might have translated this line as “If it were up to me, I’d never let you out of here.” However, I think I like that I was forced to work around the pause, because it made me think about how I could end the sentence with “eternity” while still phrasing it in a natural way. The Japanese version of the line works as a complete sentence without the last word addition, which I kind of wanted to keep in the translation (cause then the ETERNITY has more of a gut punch), but I think I did the best I could given the constraints.

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そうだ。僕が姫宮を守らなければ。僕なら姫宮を普通の女の子に戻すことができるんだ。他のやつに渡すわけいけない。たとえ、僕の王子様であろうと。

That's it. I have to protect her. I'm the only one who can help her get back to normal. I won't let anyone else take her. Not even my own prince.

I think it’s important with these lines to start to show how Utena’s well-intentioned chivalry is warping into something that resembles the attitudes of the student council. Here Utena is showing that they can be possessive like Saionji, self-important like Miki, and ruthless like Juri.

I love this, and Akio’s round up of the duels in the next episode makes me think about it more - I think that Revolutionary Girl Utena is all about competing 世界観 (views of the world). I like the duels as a metaphor for philosophical debates. In this episode, the negative influences of the other duelists’ worldviews on Utena’s naive and righteous view of the world starts to really show. I think that the text intentionally shows this change right before Utena’s first loss to signify that this change is a weakening, a corruption, and that their previous worldview was “better” (for lack of a better word).

This is a bit of a tangent but I also think that the times when Utena is led down paths of heteronormativity and normative forms of gender are when they are shown to be weakest in-universe. This episode is a perfect example. Utena commits to two normative ideas - 1. being heteronormatively enamoured with Touga, and 2. the idea that Anthy, a feminine girl, can’t do anything herself and needs a masculine hand to help her and protect her.

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Thanks as always to @dontbe-lasanya for their editing!

Follow the blog if you'd like to keep updated with new releases! All previous episodes are here:

[achievementofthemajority]

Okay, can I get a hell yeah for bi Buck!! Not trying to step on his moment to make it about Buddie BUT I thought about something this morning and I have to get it out. It's about the interview where Ryan says, “There’s something new for both of us (coming up this season)". Eddie must be very involved in this plot line, otherwise it wouldn’t be something new for Ryan as an actor. If he’s just being a supportive bff, that’s nothing new for Eddie/Ryan. The way he phrased it is sus. You combine that with how they said Tommy would be around for only a little while, and I'm thinking we're getting Buddie sooner than some people think. Those who don't think of this as a stepping stone for Buddie, please, remove head from ass. It's definitely happening, and soon.

[opens-up-4-nobody]

...

[triglycercule]

guys i havent written since may (for killer's birthday) but stupid silly swapinverse has been on my mind for a little bit and i threw together this silly (he has a panic attack and throws up) little short draft 4 swapinverse horror!!

-

“hah… ah… oh god… no, no, nonono…”

he ran. sprinted through the forest like a frightened deer, his demeanor that of prey, although his previous actions aligned more of a predator. panting and shaking, his mind cycled through countless variations of how to react to what just happened, what he just did.

how should he react? how could he react? it was impossible to tell for him in the panicked state. and as the trees in snowdin slowly began to surround him (but weren't they always doing that?), paranoia couldn't run anymore. he was surrounded, he was blocked off, he couldn't escape. not from horrortale, not from snowdin, not from the dusty graveyard he had just left it, and not from the blood smeared across his mouth.

“no, i- what did, what did i do? paps, snowdin, even-undick, no, it-”

paranoia’s incoherent rambles brought his hands to wander across his face, tugging at the massive hole in his skull spanning majority of the left side of his head. picking at the chipped bone didn't help, it never did, but a nervous habit was unbreakable, and he was more than nervous in this moment. in fact, quite terrified. everything was terrifying. he was terrifying. and as the slightest hint of red blood touched his sleeve, the once red, now magenta eye quickly locked onto it, and he couldn't hold it back anymore.

“fuck- oh god, no, aliza-!”

falling to his knees, a disgustingly gorey mess of red, pink, and black spilled from his mouth. sounds of retching and hurling were all that filled the empty forest, and paranoia couldn't bear to look down and see the mess he’d made. the mess he’s caused. wasted food, he would've said. but that statement normally only applied to others. he never imagined using it on himself. choking on his spit and certainly not his blood, tears fell from his eye, joining the vomit and blood seeping into the snow. strange. paranoia didn't think he had enough magic to even shed tears anymore. just for the bare necessities. he managed to surprise even himself, after all this time.

but could it be could be considered surprise, or rather terror? he fit up to his name, certainly horrified at his own actions. forcing out as much of the grossness he could that he’d just consumed, paranoia couldn't help but look down at what he’d done.

red. a lot of red. too much red. he’d never been queasy before, never. he had to adapt to it, being the one to hunt down humans that ran or sneak up on those when times got desperate. there was no time or need to be queasy at what he even considered his job before. a duty he had to do.

but now, there was too much red. far too much red. and he didn't know why, although he totally knew, but paranoia couldn't stomach it. he just threw his guts out (shouldn't they be aliza’s guts, or no?), and here he was, wanting to throw up until his SOUL shattered. his SOUL cycled through those strange 4 shapes, unsure of which to settle on. he couldn't blame it. paranoia himself was unsure of what was even going on anymore. he wanted to run, but was frozen. he wanted to scream, but didn't know who at.

everything was contradicting. everything was going on, and not enough was given for paranoia to understand how to deal with it. and with a muttered curse, he flopped on his side onto the somehow dry snow, losing consciousness in the haze of fear now intermingled with his SOUL.

-

ik theres probably grammar mistakes i wrote this on my phone,,,, but like idk. had idea for a little moment in paranoia's lore and i sure as hell didn't wanna draw it so i wrote it as an easier media! god this is so much easier compared to drawing idk why i dont do this more often (because youre lazy silly!) anyways swapinverse silly i love swapinverse. i've only thrown up like never so i dont know if this works. also never had a panic attack (i think) and AGAIN i dont know if this is accurate but whatever i dont write to be good i write for expressing my ideas. like everything i do

[weirdgirlbymommylonglegs]

there’s being a teenage girl in your 20s then there’s whatever the fuck the babyface by sorry mom experience is

[always-a-slut-4-ghouls]

Me trying to reason with myself: not every obscure question you have will have an easy to access answer

Me, snapping back at my reasonable take: how hard can it be to find something on how vertebrae jaws work for carnivores, which traits are favored, especially terrestrial ones! All I can find are papers on different families. One on mammals, some vague ones on dinosaurs, and when I look up reptiles all I get are comparisons! It’s all “the difference between reptiles and mammals” and “synapsid vs diapsid” all interesting topics but I’m trying to design a terrestrial carnivorous alien with a vaguely vertebrae style skeleton here! Sure, I’m making them a shape shifter, I’m not going for total realism, but I’m hung up on jaw anatomy! I don’t want to do the whole “make the face flat, bam! Alien” thing, no shade to people who do, but I’m trying to figure out if there is a reason most of their (the real animals) jaws are long-ish and if the mammal style dip between the brain part and the mouth and nose part that you see in Carnivora for example is just a mammal thing or is it advantageous in general?! I know all vertebrates evolved from a common ancestor, even more recently terrestrial ones, but I don’t care! I’m already borrowing enough, I just can’t design a skull! And dentition! I’ve made a few designs but I wasn’t happy with how they fit the rest of the character. And of course I had to make even more species of aliens! Tearing at my hair like an ace attorney witness.

The chill me again: who tf would have an article video or post on that specific thing and how would you phrase it? Nothing you’ve tried yet has gotten anything. Just accept that you might have to ask a subreddit yourself and see what happens. Dig through sci show first though

Frazzled me: but… what if they don’t have anything? I wanted a video or article. :( and what subreddit would I even ask? World building? Would they know what I mean? Is anyone else as autistic about skeletons AND making ocs?

[isostatic-uplift]

.

[amplexadversary]

I like the accessibility, but I’d honestly have expected to see more “fuck you, mine’s better” fanslation takes and I am thoroughly disappointed.

I miss getting a bonus packet of translator’s notes at the end of something as well.

I feel like we've lost something linguistically with the rise of professional subtitles for everything because they just adapt jokes and idioms into their nearest English equivalent and lose cultural context. I miss watching anime in 2002 with subs by some guy who was just really passionate about japanese and would fill half the screen with an in-depth breakdown of why a pun works. I'm serious I want that again.

[scientia-rex]

When I was in ninth grade I wanted to challenge what I saw as a very stupid dress code policy (not being allowed to wear spikes regardless of the size or sharpness of the spikes). My dad said to me, “What is your objective?”

He said it over and over. I contemplated that. I wanted to change an unfair dress code. What did I stand to gain? What did I stand to lose? If what I really wanted was to change the dress code, what would be my most effective potential approach? (He also gave me Discourses on the Fall of Rome by Titus Livius, Machiavelli’s magnum opus. Of course he’d already given me The Prince, Five Rings, and The Art of War.)

I ultimately printed out that phrase, coated it in Mod Podge, and clipped it to my bathroom mirror so I would look at it and think about it every day.

What is your objective?

Forget about how you feel. Ask yourself, what do you want to see happen? And then ask, how can you make it happen? Who needs to agree with you? Who has the power to implement this change? What are the points where you have leverage over them? If you use that leverage now, will you impair your ability to use it in the future? Getting what you want is about effectiveness. It is not about being an alpha or a sigma or whatever other bullshit the men’s right whiners are on about now. You won’t find any MRA talking points in Musashi, because they are not relevant.

I had no clear leverage on the dress code issue. My parents were not on the PTA; neither were any of my friend’s parents who liked me. The teachers did not care about this. Ultimately I just wore what I wanted, my patent leather collar from Hot Topic with large but flattened spikes, and I had guessed correctly—the teachers also did not care enough to discipline me.

I often see people on tumblr, mostly the very young, flail around in discourse. They don’t have an objective. They don’t know what they want to achieve, and they have never thought about strategizing and interpersonal effectiveness. No one can get everything they want by being an asshole. You must be able to work with other people, and that includes smiling when you hate them.

Read Machiavelli. Start with The Prince, but then move on to Discourses. Read Musashi’s Five Rings. Read The Art of War. They’re classics for a reason. They can’t cover all situations, but they can do more for how you think about strategizing than anything you’re getting in middle school and high school curricula.

Don’t vote third party unless you can tell me not only what your objective is but also why this action stands a meaningful chance of accomplishing it. Otherwise, back up and approach your strategy from a new angle. I don’t care how angry you are with Biden right now. He knows about it, and he is both trying to do something and not doing enough. I care about what will happen to millions of people if we have another Trump presidency. Look up Ross Perot, and learn from our past. Find your objective. If it is to stop the genocide in Palestine now, call your elected representatives now. They don’t care about emails; they care about phone calls, because they live in the past. I know this because I shadowed a lobbyist, because knowing how power works is critical to using it.

How do you think I have gotten two clinics to start including gender care in their planning?

Start small. Chip away. Keep working. Find your leverage; figure out how and when to effectively use it. Choose your battles, so that you can concentrate on the battle at hand instead of wasting your resources in many directions. Learn from the accumulated wisdom of people who spent their lives learning by doing, by making mistakes, by watching the mistakes of their enemies.

Don’t be a dickhead. Be smarter than I was at 14. Ask yourself: what is your objective?

[nkogneatho]

𝐉𝐉𝐊 𝐃𝐈𝐂𝐊𝐓𝐎𝐋𝐎𝐆𝐘

—a/n: ngl i cooked. overcooked even, so imagine some of the nastiest shit, this has it all. if i studied this much in my exams i would have a higher CGPA. anyways. hex codes are given. hope you like it.

—cw: dick+pubes+balls+cum analysis (kill me pls), monsterfucking in sukunas, creampie and breeding, never heard phrases from my dicktionary, not proofread plus it's 4 am i am half asleep

𝐆𝐎𝐉𝐎 𝐒𝐀𝐓𝐎𝐑𝐔

code: length: #ffe8d6 , tip: #f2aab7

We all know it. King of long dick. okay but no fr he has the longest dick in jjk. but let's get to the details. so size?? a whopping 7 inches. but you know his dick does this thing that when it gets hard, it curves slightly so hey!! maybe the true size is 7.2 or something. about color...his cock has the same color as his normal skin tone but as it approaches to the tip, it falls under a blushing pink gradient. and god his tip is so pink when he's hard, it feels likes all the blood in his body is settling there. his pubes hmm? white bush. he does trim it tho. but c'mon man!! it's gojo satoru we're talking about. he gets off seeing your nose rubbing against his white trim when you deepthroat him. also it's very rare for people to deepthroat him because as i said, longest dick. which is why when you actually manage to take him all the way in, the rare feeling of the throat sucking in has him shooting his translucent load down your throat. how does his cum taste? slightly sweet. duh. he's a sweet tooth and the reason he doesn't get diabetes is because all the sugar goes into his semen.

𝐅𝐔𝐒𝐇𝐈𝐆𝐔𝐑𝐎 𝐓𝐎𝐉𝐈

code: length: #ad8272 , tip: #875f54

*long inhale* bigfatcock bigfatcock bigfatcock bigfatcock bigfatcock bigfatcock bigfatcock bigfatcock bigfatcock bigfatcock bigfatcock bigfatcock bigfatcock bigfatcock bigfatcock. incase i wasn't clear. he has a BIG FAT FUCKING COCK. he has the cock of our dreams. his size is long and girth is thick asf. length would be about 6.8 or 6.7. well about the girth...3.5 inches. yeah. good luck sucking that in your hole lmao. let's get to the tone. his cock has much darker color than his body. he has one of those milktea brown cocks. and the cockhead is even darker like coffee. oh wait! the cockhead. right. so hear me out. DID YOU KNOW HE HAS A FAT MUSHROOM TIP? the kind that is so thick that it gets lowkey stuck in your hole when he pulls out. my man has to tell you to breathe and relax so he can get it out. about his balls, bitch they're as the same size as big lemons. like you know why he wears those baggy bottoms otherwise everyone would see those nuts easily. they're not even nuts. nuts are dry. his have so much cum inside that if he doesn't shoot his load in you or on you once a day, they'll actually explode. cum taste? i said it before here but incase you're new here, it tastes like if someone put a little lemon and msg in thick and creamy alfredo sauce. bye.

𝐆𝐄𝐓𝐎 𝐒𝐔𝐆𝐔𝐑𝐔

code: length: #c99a89 , tip: #fcd7ca

*evil laugh* i am not holding back on him but hear me out. HORSE COCK. have you seen it?? it's like curvy girthy cock. me thinks he has long hair and broad shoulders. and have you seen his hands??? it all sums up. isn't as long as gojo but god that meat is fat as fuck. his size has to be around 6 inches and the girth from a 2d angle is about 2 so i found the pythagorean theorem of his cock which is like 6.324 inches. so his tip starts at like 5.324 inches. about the tone...his dick starts darker—or maybe it's cuz of his pubes—at the base but as it reaches towards the head, it blends into the color of his skin tone. geto likes to clean shave sometimes but you know when he saw you drooling over his happy trail when he came out of the shower with a flimsy towel wrapped around his body, yeah he couldn't get that drooling expression of yours out of his head. so he trims it to the length that wouldn't get in the way and is easy to keep it clean but also enough to make you salivate. his balls are very similar to a fig in shape. aren't really fat but they grow hella tight when he is close to cumming. the taste of his cum is sour. i am telling you. like not too sour but it sorta has the acidic taste to it. but nonetheless it tastes good on your tongue. on his too, when he kisses you after shooting a load in your mouth

𝐍𝐀𝐍𝐀𝐌𝐈 𝐊𝐄𝐍𝐓𝐎

code: length: #e8cca9 , tip: #b59267

chooo choo mfs. i am about to go off. dw i won't slander him, he has already suffered enough. #justicefornanami but anyways back with my girthy cock agenda. now listen. he is not long. i mean he has an average size but the girth??? sheesh! that makes up for it. his length has to be like 5.8 or max to max 6 though gotta love that 4 inches girth, big fat meat, exceeeding half the size of his length. now if you don't understand this concept in numericals, let me indulge you in a scenario that might help. imagine him coming home frustrated from work and all he needs is a warm shower. but there you are all slutty in your outfit and all he wants to do is blow your back out. so he gets hard...like really hard. and it's so painful for his cock to stay put under all those layers of cloth that if he doesn't free it, it will tear it's fat way out. so when he finally decides to unbuckle the belt, pull his undies down with the waistband, his cock jumps out and slaps against his shaved pelvis. so loud that you can hear it over the noise of the tv. now you get it? no? okay hear this one. when he wears an underwear coming fresh out of the shower, his dick takes up about the area similar to a size of a bowl. about his tip, he has a fat tip bruh. not too fat because the base is much thick but yeah. now time for the taste, mixture of citrusy and salty. like when he cums in your tongue it has that salty flavor but the after taste is sweeter and falls more of the citrusy side. maybe like a tangerine. wow i really went off. apologies everyone.

𝐑𝐘𝐎𝐌𝐄𝐍 𝐒𝐔𝐊𝐔𝐍𝐀

code: base: #805149 , length: #f5d7c6 , tip: #edc8bb

i am in my monsterfucking era so this is gonna be monster kuna. so we all know four arms, two dicks yada yada yada but did you know sukuna has a special ability?? like we all know he can summon his mouth anywhere but did you know he can summon his dick too? anywhere on his body. he does this thing where if you act too bratty, he'd throw his palm your mouth and you'd think he's just blocking your voice but this mf pops out a whole ass 8 inch monster cock in your mouth that has you gagging and choking, eyes rolling back. *728 dead. 263 injured* there's no size for kuna since he can adjust the size but if we're talking tones, the base of his cocks (wow. plural. would you look at that) have reddish undertone. like tomato red but the actual dickbod has like peachy pink color. his cockhead is long and kinda blends into the length. his cum tastes bitter and sour. not repellent but the taste is still strong. don't underestimate this man though. he'll rip your holes apart yet have you begging him for more. that's what simply is the power of the king of curses. he has you compelled. but i gotta give it to sukuna fuckers. y'all have some of the strongest pussy/ass.

𝐊𝐀𝐌𝐎 𝐂𝐇𝐎𝐒𝐎

code: length: #f2e7c4 , tip: #d6b596

chosito's cock represents a shampoo bottle. now you might ask which one. the retail shampoo bottle that you use as your mic in the shower. he has a pretty and perfect dick. his girth is thick enough for you to wrap your fingers around you and his length enough to fill you up. whenever you stroke his cock, you can't stop looking at it. it just fits right. like it was made for you. so perfect. his size falls under 5.6 to 5.9 inches and the girth is 2.5 inches, so it's like a good ratio. he has an olive undertone and a darker mushroom tip. his pubes aren't trimmed but he keeps them extra clean. you know it because whenever you give him a blowjob and you take him all the way in, there is a floral smell lingering around the area. he doesn't naturally sweat a lot plus he has a very bouncy skin with slightly soft texture so his cock is always pleasant to suck. choso also has very visible veins. and when i mean very...i mean very. like i mentioned his skin has a soft texture so the skin on his length is flimsy and kinda see through. so when you are settled between his legs, stroking him, your eyes are so indulged in watching the blood rush through them and when he cums, his veins start slightly moving and his balls tightens. Oh! Balls. can i say it?? okay i'll say it. Breeder balls. i told you he has a 5.6 inch cock, y'all would have been disappointed. but see the creator of this universe took a few mass off his dick only for it to be filled in them breeder balls. which is why, he cums a lot. when he shoots a load, he almost gives you a facial. his cum is sweet with a metallic taste. but hey! it's a pleasure to swallow his cum. but you know why i compared his cock to a shampoo bottle? it because when he is so horny and hard and you give his base a few big squeezes, he'll spurt out a thick load of cum like your shampoo.

Tags: @bluberrimuffintop @anxious-chick @yuujispinkhair @osamwah @arisaturn @multistan-247 @sensitive-neuvi-enthusiast @mrskokushibo @desi-the-blue-eyed-kakushi @crescentmoontsuki @dianagracesworld @ariachaos @pu-re-love @trueformsukuna @loyal-to-my-dilf @baizzhu @w0nderbeluga @splatmastr   @vuggevise @makisslut @moonish-en @lufemia @jeanboyjean @marshadowstea @frustrated-kitten @katsukichu @sir-kuroo @aleks-chan @dreadsuitsamus @justiceforquentin @kitashousewife @jiaspoon @sintiva @dawn-bunni @mostlyhornyandsad @dilfslayer3000 @shadowy--night @palebananafury @shutyourwhoremouthbecky @figlia-della-luna @marenalee @aoitoge @lahniu @kayjayxx @seraphinaivy @megumistoehair

[corkinavoid]

DPxDC "Pick Me Up"

The stream goes live on the first day of the school year. It's the usual song and dance - mad laughing, threats, poor jokes, terror, and about thirty kids huddled together in a classroom behind Joker's back. Tim recognizes it as one of the Gotham Academy classrooms. Dick can't imagine the horror those kids' parents must be feeling right now. Jason jokes about middle school traumatic experiences. Damian is feeling very justified for skipping classes today.

Bruce, all suited up in his Batman garb, is making his way to the Academy as fast as he possibly can. Those are kids.

Gotham is once again anxiously kept on the edge of their seats, watching as Joker decides to interview the kids on their learning experience so far. Something about leaving a good first impression on the new generation or some other bullshit. Most kids stutter over their words - it's true that Gothamites are way more composed when facing life-threatening events, but those kids are only fourteen or fifteen for the most part. They are not old enough to keep their cool in the face of a murder clown.

That is, until Joker points his camera at one of the girls. Black hair in a high ponytail, blue eyes without a trace of fear, a slightly displeased, even bored expression on her face. She looks straight into the camera, not even waiting for the laughing madman to finish his question, and deadpans:

"I don't think I like school. Pick me up, please."

Joker sputters.

"Not so scared, I see," he sneers, and, in the next moment, a comically large gun painted in purples and greens is pointed to the girl's forehead, "How about now?"

The girl scrunches her nose and makes a so-so gesture.

"It's kinda meh," she admits, "Like, yeah, points for style, but you know, size doesn't matter. It's all in the technique."

Dick snorts over the comms. It's a bad time for laughing, sure, but the phrase caught him off-guard. This is not what you'd expect to hear from a teen, and definitely not something you'd expect anyone to say to the Joker. Jason's comms are muted, but Barbara knows he also laughed a little.

"Technique, you say?" Joker hisses, pressing the gun closer to the girl's head, and she winces, leaning away from it, almost as if she is disgusted by the touch.

"Yeah, I mean, guns are not that scary anyway. What are you gonna do with them, blast my brains all over the floor? Been there, done that," the girl shrugs, "Kinda nasty, but overall, it's just like slime, only sticky." She pauses and looks to the side, seemingly lost in thought, "Huh, maybe we should have added Borax to it. Or was it baking soda?.."

"Listen here, you little brat," Joker's fingers catch the girl's chin, and his voice becomes sickeningly menacing. Bruce is almost there, just two more minutes. Tim is already grappling onto the wall.

But none of them get to finish.

"Put your dirty fingers away from my sister," a low, cold, and even in a way that speaks of barely contained fury, voice comes from out of the screen.

The camera spins, like whoever is holding it turned really fast, and everyone watching the stream sees a fairly normal guy standing by the window - a turtleneck and ripped jeans, same black hair as the girl, same blue eyes... Wait, they are not blue.

And that's not a guy.

The camera falls down to the floor, and there are a lot of panicked screams coming from the broadcast now, but none of them sound like children's voices. It's the screams of adults, of grown-ass men, and later, someone even claimed they heard Joker's scream among them, too. The picture on camera glitches a few times, and the angle is awkward, but everyone still gets to see how shadows in the room morph into eyes, wide open and green, and how the darkness grows sharp teeth, countless grinning mouths that don't belong to any faces.

Screams turn into gargling and then to quiet whispers, filling the ears of all those listening with countless words in languages they don't know.

Red Robin turns off the recording and looks to that same guy from the levestream, sitting across him on the couch. The guy - Daniel, or Danny, as he introduced himself - looks him in the eyes and raises an eyebrow.

"Okay, and?"

"How did you do it?" Tim asks for the third time this evening. Danny blinks.

"Did what?" He asks, completely incomprehending. Tim groans. He's been trying to get his answers, any answers at this point, from the guy for thirty fucking minutes already. So far, he's got nothing. Danny, whoever the fuck he is, proves to be the most annoying human being on Earth.

"Seven people in a coma, including Joker himself, with no physical injuries and none of the children remember a thing! How?!" He demands, and a girl's face peeks from around the corner:

"I remember!"

Tim snaps his head at her, "What do you remember?"

The girl pauses, blinks, and looks to Danny. Then shrugs, "My brother picked me up from school."

Tim drops his head down and breathes out in frustration. He can't force the information out of civilians, he is a vigilante, not a mafia.

"Would it make you feel better if I promise not to do it again?" Danny asks, and his voice is way too innocent for Tim to believe him. He raises his head to look the guy in his shameless, amused eyes.

"I hate you."

"Thanks," Danny grins.

[3hks]

How to Write REALISTIC and SMOOTH Dialogue

In a story, dialogue is quite important, it helps the readers paint a picture of what's happening and the characters themselves. However, it can be difficult to avoid the unnaturalness and choppiness that comes with a lack of experience. But luckily, I have put together A LOT of advice on how you can get over that rockiness and improve!

*** KEEPING YOUR DIALOGUE REALISTIC, AND PACING ***

>> Keep your characters in character:

Dialogue is a remarkably quick way for readers to determine your character's personality. Thus, you want their speech patterns to remain fairly consistent so the audience won't get confused. If your character is more serious, then they will use less slang and perhaps a more impressive vocabulary. If your character is more relaxed, they will use more slang and compress the words. (such as "dunno," "kay," "y'know," etc.)

Basically, you want their tone to match their traits so the way that they talk is more realistic and personlized to themselves. If the way all your characters speak is the same, there's something wrong. A strong tip is to put yourself in your character's shoes and imagine how they would respond!

>> Take the situation into consideration:

This is another part of keeping your characters in, well, character. Different emotional situations will have a different effect on separate people, so make sure that you have an idea of how your character will act during stressful, irritating, and sad times.

If your character is normally cold, they will struggle if it comes to comforting other people because they have less experience in that field.

>> Don't take too long with their words:

Unlike when narrating something, most people talk just to get the idea across. They will be more specific and quicker with what they say. (This excludes any character who likes to talk a lot.) Unless it's on purpose, they won't dance around the topic. Think of when you casually chat with your friends; you're pretty unlikely to use certain words and/or phrases that might be common to use while narrating.

If you want to explain something complicated, instead of writing out a paragraph of just one person talking, use a question-and-answer prompt! This is where another character continuously asks related questions that get answered by another person, so you can indirectly reveal your explanation.

*** HOW TO WRITE A SMOOTHER CONVERSATION AND DIALOGUE TAGS***

>> Having a variety of dialogue tags:

This is a pretty basic thing to look out for if you're new to writing conversations. Using words like "said," every other sentence can easily make it feel choppy and robotic. Instead, use words like "murmured," "smirked," etc. to paint some emotion into their words. Additionally, vary the location of the dialogue tags! They don't all have to go after the statement, you can include something in the beginning or even the middle, too!

Examples:

Beginning - She tilted her head, "What are you talking about?"

Middle - "Oh," he blinked, "I actually never thought about that."

End - "Wait up!" She exclaimed loudly, waving her hands around.

>> Using no dialogue tags to create a smooth conversation:

Having too many tags can also overwhelm your reader--remember, sentence variety is a crucial part of writing--so you can always drop them if they're unneeded. This applies when your characters (two is the suggested amount) are talking back and forth in a pattern straightforward enough for the reader to understand who's talking without it having to be labeled.

Dropping dialogue tags in these moments can create a smoother atmosphere during the conversation because the reader only has to focus on the talking present.

*** USING SLANG, STUTTERS, FILLER WORDS, AND PAUSES ***

Human speech is often not perfect; when talking, we often make mistakes such as filler words, grammatically incorrect phrases, etc. Hence, for more natural-sounding dialogue, it's important to incorporate some of these.

>> Pauses and stutters:

When reading dialogue, we read it at a steady pace unless it's written otherwise. However, that steady pace can soon get too robotic and too smooth. Luckily, there are several ways to change this! You can use dialogue tags, (ex: she quickly spoke) commas, and ellipsis (...). These are often integrated when the character is hesitant, nervous, answering something, or when they need to admit something. The same idea applies to stutters--they're mainly used to demonstrate anxiousness, which can be found in varying situations.

>> Filler words and slang:

Filler words can really just be used where you see fit. They may be used in the situations I previously mentioned (because it shows someone stumbling over their words) but it's ultimately up to you!

Slang, just like everything else, should not be used too often, or it will seem forced and exaggerated. The point is to sound natural, and increasing amounts of repetitiveness can ruin it. It's also important to remember that in real life, our conversations move slower; when someone speaks, another person usually doesn't respond quite literally, right after. However, in writing, dialogue can actually often seem that way, which is why using tags and these imperfections of speech is pivotal for building a realistic conversation!

*** CONCLUSION ***

Lastly, a key point when writing dialogue is to ALWAYS read the conversations! Whether it be in your head or out loud, it can often help you catch anything that seems off! Additionally, like I mentioned at the very beginning, write dialogue from your character's perspective! Imagine yourself as them and how they/you would talk. Try to keep your dialogue tags, sentences, and word use varied to create a natural conversation!

If you were struggling before, I hope that this (extra) long guide was able to really offer you some insight and useful tips! If you read this far, thank you!

Happy writing~

3hks <3

[jealousmartini]

I finally get it

   ── .✦  ┆  𖤐  ┆  ␥ 

So I found some subs that have helped me change my beliefs about my imagination and the 3D a lot and come to terms with my many contradictions. Before I listened to them, I thought I was affirming to get my desires in the 3D. So after i had done doing my 1 or 2 hour long "I have my desires" affirmations, not a single day would pass when i would think to myself, "i can't wait for my desires to manifest." I also had the habit of imagining my desires to immediately check if the 3D had changed, so that would always leave me expecting something to happen. And i didn't truly recognise my imagination to be my real reality, like yes I got that "whatever I believe to be true in imagination will manifest physically", but I treated this as just think of something and expect it to appear in the 3D.

After listening to these subs and reading a bunch of blogs explaining manifesting in the 4D and stuff, I finally got it. The point of manifesting is changing myself in reality (imagination), believing I am my new self in reality (imagination), and continuing to live as my new self in reality (imagination) (in other words, persist). After this, there is nothing to expect. There is nothing to wait for because I already have my desires in my reality (imagination).

So why was I "expecting change" when I've already changed in imagination? Well, someone once said that "you must be fine with having the results in imagination. If you are not and you keep expecting something to happen to the physical reality, then you are not actually fulfilled." In my case, if I am affirming to get instead of affirming to remind, then I was not really fulfilled. And if I imagined just to see it in the 3D, then that meant I truly never recognised my imagination as my real reality.

I always understood the phrase "Walk by faith, not by sight." But I never really put it into practice and it showed. But it's okay, because I finally get it now.

«───────── « ⋅ʚ♡ɞ⋅ » ────────»

Anyway, here are the 4D / Imagination subs I was talking about

I'm definitely gonna make a follow up post to this cus I kinda cooked with that

[yeah-thats-probably-it]

#doesnt bertie do something similar with his vocabulary lapses and the numerous instances of 'if x is the word i mean'#bertie is writing his stories after the fact just like jeeves - he could look it up. he doesnt. in jeeves in the offing bertie gets a word#wrong ergo dahlia doesnt understand what he means and bertie reacts as though it were self-evident that dahlia couldnt have understood him#even if he'd used the right word: 'you are probably not familiar with the word but its one i've heard jeeves use'#if we assume that that is how bertie looks at the world then he doesnt have to look it up - to bertie people like him (people who will read#his writings) dont know words like jeeves does and therefore it is unneccessary to be 100% sure which word he means - noone else would know#and while jeeves doesnt include literary allusions in his narration he very much establishes himself as an authority in that area#except he does it through bertie - he is writing a guide addressed to new valets and right at the beginning he quotes emerson at bertie#who is immediately portrayed as the guy who cant remember the name of the play he saw the evening before. jeeves is absolutely showing off!#there are three foreign words set in cursive in the first paragraph alone! but the difference is while he may be showing off he - just as#you said - has nothing to prove - he is already the authority and here hes just establishing another way in which a valet#has to keep the upper hand

@noandnooneelse's tags for further discussion about jeeves as a narrator but responding in the tags because that's the most superior method of communication

you guys ever notice how in his dialogue when he's in bertie's presence, jeeves uses quotations and references constantly, but in his THOUGHTS during "bertie changes his mind," he doesn't use any? this is obviously because he doesn't care if we the audience know he knows shakespeare, but he will languish and die if he doesn't get to dazzle bertie with his wit and knowledge every five seconds

[rainyyynightssss]

Twisted Wonderland

Reacting to you trying to go back home

Characters: Overblotters

Notes: Yandere/Toxic themes involved

"Crowley thinks he might've found a way for me to get back home!"

Riddle Rosehearts

He looks at your smiling face and something in him breaks. He should be happy for you, he really should. This is what you had wanted from the beginning. To see your family and friends. To be free of magic and almost getting killed by overblots.

But you should've been happy here. He'd order his card soldiers to keep the rose garden in prim condition for you to gaze upon whenever you visited. The birthday parties always included a dish you liked. You got along well with Trey and Cater. Sure, Riddle was strict with his rules, but he grew more lenient with you. Surely, you could see that.

"That's wonderful news. And you're...happy to leave?" He tries not to let his voice crack as he grips one of the legs of the table they had just used to share dinner together. Apparently for the last time.

"Of course, I'll be happy to see everyone back home. It is a bittersweet feeling though. I'll miss you all." He chooses to ignore the 'all' part of your phrasing for a moment. You'd miss him and isn't that enough reason not to go?

"We'd all miss you as well....I, especially,-"

"But I think it'll be good for me to go and be back with my family, you know?" You add and he tenses again. He knows well how important family could be, and he also knows how burdensome they are. His mother forced him to adhere to strict guidelines, and while it shaped him into the respected house warden he is today, it also made him afraid. Terrified, even, that everything would go wrong if the rules were not followed.

Perhaps that's what you needed. A healthy dosage of fear and some rules to keep you in line. You were his perfect rose, blooming and unblemished. You had always managed to drag him away when he got too deep in his studies and talked him down when his face became as red as the flowers in his garden. But now your edges have grown frayed. You're trying to go back to your roots but he'd rip you out of the ground, thorns and all, to keep that from happening.

"Right. Well, it's gotten quite late and it wouldn't be proper for you to walk back to Ramshackle this late at night." He sensed your confusion even before you could voice it. You've taken plenty of late-night walks before and this would hardly be on the top list of most dangerous things you've done at the school.

"I can walk back-"

"I insist. I couldn't let you go...to your dorm! This late." Riddle shakes his head and covers his blushing face with a hand as he stands up from the table. "I have a room for you. If you'll take it?" He offers his hand to you, hoping you will miss the small trembles.

You smile at him again and take his hand, sending warmth even through his gloves.

"Just for tonight." You nod. Riddle gives you a small, though tight at the ends. His rose didn't need to know about the details of their stay, only that it was going to last longer than they thought.

"Of course. Although I must make sure you have an adequate stay. Rules indicate that guests should have the most hospitable experience, no matter how long that takes to fulfill." Riddle answers with ease and you see nothing wrong with it. His rose would blossom even more under his careful watch.

Leona Kingscholar

"And?"

The notion of you leaving was laughable to him. You had already managed to barge your way into his life, ruining his plans at the Spelldrive competition, ruining his nap routines, and ruining his pride as a prince. And he wouldn't have it any other way. Though the latter is still mostly kept intact.

You look at him, seemingly flabbergasted by his dismissal.

"And...that means I'll likely be leaving soon." You tell him. He sees your small frown. You must think he doesn't care that you're leaving. But it was quite the opposite. As much as he would never admit it to himself, he cares so much that he denies any possibility of it happening. He knows you don't actually want to leave.

Leona watches you sit up from his bed that both of you had been lying in for the past few hours. He grasps your wrist before it can leave the sheets. His grip is tighter than usual. Leona had always been like that. He demanded respect and expected you to follow. You, of course, were not so willingly submissive to him but that made it all the more fun for him to make you.

"Ruggie isn't going to be back 'till later tonight. I've got more sleep to catch up on. Especially after you bothered me last night." Leona tugs your wrist to bring you back closer to him while he rests his other arm under his head.  Last night you had came to him, clearly anxious about something and didn't want to be alone. Anyone else he would have turned away with a scoff, but he's found over time that he has a hard time refusing you. As long as it didn't involve you trying to run away from him.

"Are you even listening to me?" You narrow your eyes at him and he smirks.

"I have and it sounds like a buncha nonsense. Go back to sleep and maybe you'll forget your dumb ideas in the morning." Leona grumbles and pulls you to his chest. He hears you huff but you don't resist, lying back down beside him. He doesn't know exactly why you're having these kinds of thoughts but it doesn't really matter to him. If you want to run, he is glad to give his precious prey a chase.

Azul Ashengrotto

Azul's hands freeze in the air, his fork and knife about to cut into the juicy salmon that had been plated beautifully in front of him. He glances up at you, his smile also frozen on his face, as you were just talking about how much you enjoyed Night Raven College and the Mostro Lounge. All until you abruptly switched to this topic he thought he was doing a good job at evading.

"Ah, isn't that...delightful?" His words would have come off as calm to anyone else, but you notice the slight strain in his voice. You always seem to see right through him.

"I'm sorry, I didn't mean to upset you-"

"Upset me? No, quite the contrary. I think it's wonderful the headmaster has finally secured your passage back home." Azul muses and goes back to cutting his salmon, though it's obvious that his cuts are a bit more jagged.

"Yes... he said it could be any day now." You respond carefully. You try to offer him a smile as you take another sip of the drink he gave you on the house. He could see the small ounce of hope in your eyes of going back to your world. That wouldn't do.

"Is that so?" Azul takes a bite of his food, swallowing before adding, "It's really too bad you won't be able to go then." He continues eating, ignoring your confused eyes as if he didn't just say the strangest thing.

"Why wouldn't I be able to go?" You ask slowly. "I mean, the transportation might be difficult but-"

"It has been a while so I suppose I shouldn't be surprised you forgot." Azul sighs and dabs his face free of any smudges with his napkin. "You may not step out of the bounds of Night Raven College by any means, including the Dark Mirror."

"According to who?" You let out a disbelieving laugh.

"According to Article 3 Section 5 of the contract you signed." Azul takes another bite of the salmon, not letting himself react when you slam a hand on the table.

"What contract?! I never signed anything!" You snapped. He remains as calm as ever. This time, you couldn't read him, couldn't even see his eyes through the glint in his glasses.

"You must remember when you agreed to work in the Mostro Lounge for a couple months. I had you sign an employment contract. I warned you about reading it through to the end. A suggestion I don't give to most poor, unfortunate souls in this school." Azul answers.

He did indeed give you the small packet to look through and recommended reading it all. It wasn't his fault that Floyd made a commotion in the kitchen just as you started reading the end portion. Azul urged you to sign it while he dealt with the mess that Floyd undoubtedly caused and you did, just missing the statement that required you to be on-call even after your employment ended, and being on-call meant you always had to be within a certain range of the lounge.

"You can't be serious." You utter quietly with wide eyes, realizing exactly what he was talking about.

"I'm afraid I am. But don't fret too much. I think you'll come to like it here." Azul smiles again. A smile that's hardly recognizable.

He watches you jump up from the table and storm out of the lounge, passing confused customers who glance back at him. He takes a drink from his glass. Azul isn't worried about you walking out. You couldn't leave here, leave him, anyway. And if you tried to hide from him, he would just send Jade and Floyd to hunt you down. You have become one of his prized possessions, and he isn't going to let you go that easily.

Jamil Viper

"Really? It's about time." Jamil comments as he starts chopping the vegetables you prepared in a bowl.

He had invited you to try some new recipes with him that he'd then distribute to the Scarabia students. For the past few months, you had been inviting yourself into their kitchen, much to Jamil's annoyance. You always offered to help him and he always declined, especially when it came to Kalim's meals. He was not going to lose his job over a pretty face. You respected his refusals but you still liked to watch him for some odd reason. Today, he finally decided to let you help him.

He appears to be half paying attention to your words while you're stirring the stew. "Haven't you been waiting a while?"

"I have. Crowley's been pushing off researching but I finally made him go through with it!" You look quite proud of yourself and if Jamil wasn't so irritated, he might have thought it was cute.

He simply hums in response and continues swiping his blade through the onion, each cut sharper than the next. He should be fine with you leaving. People come and go, after all. It would make things easier for him as well. He would stop getting distracted so easily, riddling his fingers with knicks from the blade when his thoughts drifted off to you.

"Kalim also promised to help me pack my stuff. He's eager for me to see my family." He sees you smile absentmindedly as you stir. Jamil's hand clenches tighter on the knife.

"Of course he did." He mutters to himself. Kalim got everything we wanted, didn't he? He got the wins, the praise, the Housewarden title. And now he was going to send you off. Jamil bet he was even encouraging you to go and like always, Jamil would just have to accept it. Only this time, he wouldn't. Jamil never got anything he could have to himself, always having to share with Kalim. You would be the one thing he could keep just for him.

"That reminds me, I needed to ask you something," Jamil says and you look back at him. He takes a step closer to you and leans forward, whispering the name of his unique magic. His lips widen into a smirk as he watches your irises fade to red.

"You'll be staying here, won't you?"

Vil Schoenheit

He raises a perfectly trimmed eyebrow as he works to pluck yours with tweezers.

"Hm? That's not the line, darling," Vil says. In your hands is the large packet of paper that contains Vil's script for his upcoming film. He had asked you to practice lines with him. You agreed and in exchange, you asked him to put some makeup on you. It was something he's been wanting to do anyway so he obliged. All was going well until you dropped this bombshell on him.

"I know, I was trying to figure out how to tell you and I accidentally just blurted it out," You sigh.

"Mhm. And Crowley has- Close your eyes, now - provided a way for you to get back home safely?" Vil asks as he moves on to your eyes, brushing an eye shadow across your lids that matches your skin.

"I don't know if anything about that man is safe, per say, but he did seem pretty confident about this." You respond as you keep your eyes closed for him. Vil shakes his head with a small 'tut'. The headmaster didn't exactly have a track record for reliability. He voiced exactly this to you.

"Crowley may just end up sending you on a one-way ride to nowhere. There's no telling where he could send you, why not wait for a few trial runs?" He places a hand under your chin. "And besides, why do you need to go home so badly?" Vil puts the palette back down and takes a tube of lipstick in his hand.

"Well, I want to see my fam-" You're forced to stop talking until he finishes applying the lipstick, "I want to see my family and finish everything I had going on there."

"If that's the case, I don't see what you could do back home that you're unable to here. And if you want to see your family, shouldn't you make sure your travel is safe so you can get back to them in the first place?" Vil questions as he wipes the small smudge of lipstick from the bottom of your lip with his thumb.

"That's...true." You nod reluctantly. Vil smirks a bit as he moves his hand towards the back of your neck, his thumb tilting your head up so you can look at him properly.

"Correct. And if I'm not mistaken, you've built quite the life here, haven't you?" He watches you slowly nod and he soothes the back of your neck with gentle fingers.

"You really want to throw that all away?" Vil looks down at you with questioning eyes even though he already knows the answer. You shake your head.

"No...but I also know that's something I'll have to do if I want to go home." You tell him firmly. Vil lets out a sigh and turns away from you for a moment.

"If you say so, but at least let me leave you with a parting gift." He turns back towards you and presents a small perfume bottle with a fancy font across the lid that you can hardly. It would no doubt cost hundreds in the market.

"My own creation that I've been working on. You're the first to have it." Vil says as he hands it over. You take it with a bright smile.

"Thank you! I'll try it on as soon as I get back to Ramshackle." You respond excitedly as you move to stand up from his makeup chair but he places a gentle hand on your wrist.

"I'd like to hear your critique as soon as possible. You are my perfect model, after all." He says with a glint in his eyes. You didn't seem to have any problem with that and sprayed a few spritz of the perfume on yourself, promptly passing out in the chair. You would get it through your head eventually that you belong here. You just need a little more convincing.

Idia Shroud

"Hold up, what?"

Your sudden words caused him to press the wrong button and his character gets brutally killed by one of the forest monsters in the game. You wince and put down your controller, turning towards him on his remarkably soft couch.

"Yeah...sorry to tell you so late but it looks like it could be soon." You say and Idia tosses his controller to the side, facing you as well.

"So you're gonna go? Just like that?" He asks in shock. You only recently just started playing video games with him in his room. Before, you had to practically beg him just to play a game with you when you were both in different dorms. It took a lot of convincing but he soon gave in after some persuasion from his brother. Once, you showed up to his room to see if you could play in person and he stared at you with wide eyes for about five seconds before slamming the door in your face, apologizing later over text.

He was unbearably anxious around you at first but he got used to the idea that you wouldn't judge him so easily. So he showed you another side, his more competitive and ill-mannered side to see if that would make you go away. And you still didn't. You instead embraced him for it. So why now were you just going to forget about all that?

"I-I mean I have to," You were clearly caught off guard by the intense look in his eyes, "I have a home and a family and friends-"

"Yeah, yeah, sure but what about everything you have here?" Idia insists.

"Everything I have here?" You ask.

"Y-Yeah, those first years, Grim, your dorm, me- many other things!" He stammers out. It would be way too cringe to mention himself deep down he hopes he's one of the things that could keep you here.

"Of course I'll miss everyone, but I miss everyone back home too," You say. Idia sighs deeply as he throws his head back on the couch.

"You're reallly set on this, huh?" Idia asks. You bite your lip and nod.

"But I still-" You try to add but he cuts you off.

"No, I get it. I wouldn't wanna be around me either." Idia sighs again. You look at him with wide eyes and fervently shake your head.

"No, it's not like-"

"You must have better friends back home if you're so desperate to see them again." He adds as he looks away with a frown. You don't notice him peeking back at you. You sigh and tilt your head so you can fully meet his gaze.

"Look, I'll talk to Crowley, see if he can push it back a bit." You tell him. He looks at you curiously.

"Are you sure? I don't wanna pressure you if-"

"No, it's okay. I want to spend more time with you and everyone anyway." You give him a small smile and he smiles back. He could play the pity card all day if it meant you'd stay.

Malleus Draconia

Malleus pauses in his steps, looking at you with a wide, curious gaze.

"You're leaving?" He utters. The two of you had been enjoying your nightly walks together back to Ramshackle. After one too many fights and attacks happening after hours on campus, he thought it best to escort you back home. He could easily teleport you both back to your dorm, but it gave him a good excuse to be around you more.

"Yes, hopefully it'll be soon. I'm excited to go back!" You smile enthusiastically and Malleus can only offer a grimace back.

"I suppose you could say I'm a little surprised. I thought you were happy here. Did I assume wrong?" He asks as he continues walking you to your dorm. Normally you would have never been able to keep up with his pace but he always kept a slower one for you.

"Oh no, I am happy here. My friends have been wonderful and I'm glad I'm friends with you. There's just some things I could do without." You mention offhandedly as you gaze up at the moon. He looks down to see it reflected in your eyes. The moon is wondrous but all he can see are the eyes that pinned a man who could never yield so deeply. You managed to befriend a dragon who is intimidating in every manner. That kind of connection isn't so flimsy that it could be dismissed by thoughts of departure.

"Things such as what?" Malleus perks up at the idea of solving one of your problems. As powerful as he is, there are a number of things he can't help you with. He couldn't do anything about your assignment getting deleted after your internet 'crashed' or about the friendship problems you once had with the Heartslabyul boys, but he's always eager to listen, just as you always do with him.

"It's just some rowdy guys from Savanaclaw who are still mad about the Spelldrive competition. They've been bothering me a bit but it's not a big deal." You tell him and he stops the both of you this time with a hand on your shoulder.

"Bothering you? For how long?" Malleus didn't mean to turn his hard glare on you but he couldn't help the fury building up inside of him. Many of the students already noticed your looming shadow that often followed you around like a lost puppy, which was usually enough to keep them from trying anything. Malleus isn't naive enough to believe that students at this school are always on their best behavior when he has his own business to deal with in the Diasomnia dorm. However, he swiftly and discretely took care of any nuisances that he happened to notice. He didn't think you were keeping anything from him.

"Like I said, it's not-" You try to soothe him but his glare only hardens.

"For how long?" Malleus repeats and he doesn't plan to a third time.

"For about a month now...but I can handle it myself!" You insist but he ignores the latter half of your sentence as his face morphs back into a gentler one.

"So that's what's been burdening you? I wish you'd have told me sooner but it's no matter. I'll take care of it." Malleus assures you.

"I mean that's one thing, but I have other reasons-" He cuts you off with a pat on your head as the two of you stop in front of Ramshackle's doors.

"You don't have to ruminate on it any longer. Do try to tell me about any other troublesome students in the future. I'll handle them and anyone else who tries to ruin your happiness here at Night Raven College." He vanishes in a flurry of lights before you can say a word. Any serious notion of you leaving is unthinkable to him, and if you do come up with more reasons, he'll make sure to take care of those as well.