#I actually would love to go to school to study it more in depth

[pokemart-official]

I'm sorry but is that a Pidgey?

Sorry this took so long to answer, I was trying to find a good diagram to demonstrate the differences

Gatsby is actually a Pidove He is just a variant of the normal pidove

Many people just see them as nuisance city flying types, but they weren't always! They used to be very sought after and people bred a whole bunch of variations This diagram is just a short list

As you can see the variations aren't just different colorations, but they can also change the shape of the feathers, placement of feathers, beak length, and posture of the pokémon

Gatsby is specifically a Lahore variant pidove, Although he isn't the best example because he has a lot of speckling on his chest and his muffs (foot feathers) are quite short

I will say there are some variants that are honestly kind of questionably ethically just because they can reduce quality of life of the pokémon, like ones with excessively short beaks can make it very difficult for the pidove to eat

Aesthetics should always take a back seat to the well being of the pokémon

[catherinnn]

Fears and Futures

summary: After hearing Steve's comments about a friend's unexpected pregnancy, you become fearful of your own uncertain future and start questioning the meaning and depth of your relationship with Eddie.

warnings: language, unexpected pregnancy (not reader), not actual smut talks about sex, talks about unprotected sex, a little angst but fluff overall, hurt/comfort.

words: 1.1k

a/n: a little something just cause I felt like writing and I wanted a little drama. not proofread cause I was tired :)

He opens his door for you and you start feeling nervous. After he lets you in, you see he’s trying to greet you with a kiss, one which you stop before his lips touch yours.

He takes a step back and you see his face, filled with worry and fear.

“Eds, I came here to talk” you explain.

And now his face falls, he realized what you meant.

--

You’re currently at Steve’s house, hanging out with him Robin and Eddie.

“Hey, do you remember Rebeca Evans?” Steve asks.

“Yeah, she was a senior with Eddie and me” you answer.

“The first time I was a senior” Eddie jokes.

You and Eddie had been friends since high school —it’s safe to say you’re best friends actually—, it took Eddie a couple more tries to finish high school but he finally did it. ’86 baby! Now you’re studying and he started working as a mechanic.

A year ago you started some kind of… arrangement between you two, a friends with benefits kind of arrangement. It all started on a drunken night at a party and then you kept it going not only on drunken nights, but on your sober nights, or at any time for that matter.

“She’s pregnant” Steve announced, and then he complains when you say he’s the most gossipy of the group.

“What? Really?”

“Yeah, she went on a few dates with this guy but they didn’t really hit it off, but they kept hooking up a few times either way, and then it just happened”

“It didn’t just happened, Steve. Were they being safe?” Robin corrects him.

“She said they were, but the condom must have broken or something. Apparently they don’t provide 100% safety” he explained.

“God, she’s my age… and wasn’t she studying as well? She wasn’t working yet” you ask him.

“Yep, she was still studying. Imagine if it happened to you now, it would change your whole life” Steve comments.

“Yeah…” you start thinking how it would affect you, how much of an impact it would make on your life.

And suddenly you can’t stop thinking about it, fearing it. You’re not ready to have kids! But neither was Rebeca and then one day she woke up and she was.

The only person you’re having relationships with is Eddie, and similarly like Rebeca, you’re not in a relationship with him.

You don’t even really know if you want kids or not, but if you’d have them you’d imagine it at least be with someone you’re in love with.

Actually, let me paraphrase that.

At least it would be with someone you’re in a serious relationship with.

Because you do really like Eddie, but you know he doesn’t feel that way. So this arrangement was fine because of that, you know nothing more would ever happen so you’re not expecting it from him.

So for a few days you have been… you wouldn’t say ignoring him, but re-thinking some aspects of this arrangement… without answering his calls.

“Hey, Robs?” you pick up the phone.

“Fucking finally. Oh so you do pick up the phone to Robin?” You hear Eddie’s voice.

“Fuck- no, I was just waiting for her call. But I was gonna call you later” you lie- well, a few days can also mean ‘later.’

“Whatever, do you wanna come over?” he asks and you realize you are going to have to do this eventually.

“Yeah, sure”

When he opens his door for you, you start feeling nervous. After he lets you in you see he’s trying to greet you with a kiss, one which you stop before his lips touch yours.

He takes a step back and you see his face, filled with worry and fear.

“Eds, I came here to talk” you explain.

And now his face falls, he realized what you meant.

“Okay” he says either way.

“I’ve been- thinking a lot about this… Rebeca’s situation-“

“Oh, come on” he interrupts, “when Steve said it was similar to you it didn’t mean it was going to happen to you as well”

“But it could! Eddie, I’m also studying to become somebody, I’m also not working and with no intention on starting to soon, I’m also just twenty years old with no idea of what I want for my future, but I sure as hell don’t want a baby now. And it’s not like we’re being very careful, Eddie. For God’s sake, they were using a condom and it broke or just didn’t work, we’re not even doing that!” you explain.

“Okay, we can just be more careful, but we don’t have to stop all of this”

“That’s the other thing… she was also just hooking up with someone and now they’re bounded forever. She didn’t even like him that much and now she has a fucking kid with him!” you tell him and Eddie stays silent for a while, thinking of what you said.

“…Do you also feel that way?” he asks nervously.

“What?” you ask confused of what he means.

“Do you also… don’t even know if you like him?” he asks with a straight face this time, waiting for your answer.

“That’s not what I said”

“Okay, I’m asking you now” he kept insisting.

“Do you even feel that way?” you kept dodging his question. You weren’t going to admit to him that you liked him just for him to reject you.

He sighed, tired of this. “I fucking like you- I’m actually fucking crazy about you if I’m being honest. That’s why I’m trying to not break this whole thing up because it’s the only way I’m able to have you, even if it’s just sex and it shouldn’t mean anything”

“Are you- being serious?” you ask sceptical.

“Yes” he admits one more time.

It’s your time to sigh in frustration now, head back and everything. But because you can’t believe how stupid the two of you could be.

You run to him without saying a word and you see the confusion on his face, but you quickly grab it and pull him closer to finally give him that kiss. Only it’s with a passion and love that the first one wouldn’t have had, or maybe it would be hidden.

He kisses you back grabbing you by your waits and pulling you even closer.  

Pulling apart slightly, you look into Eddie's eyes where you find warmth, relief, and an unmistakable spark of love.

"I guess we've been idiots, huh?" you say, breaking the silence.

"Yeah, we have" Eddie replies with a small laugh, his eyes still locked onto yours.

“I’ll start taking the pill from now on” you can finally decide since now it’s no longer meaningless.

He smiles, leaning in to give you another lingering kiss, “Yeah, that’d be great”, he whispers against your lips.

[verysium]

『01』 呪術廻戦: jujutsu kaisen recs

五条悟: gojo satoru

i know you still think about the times we had by @saetoru

satoru will always comes when you call him, he just never thought you’d stop calling. notes: satoru is so desperate and pathetic here it is just delicious; has the right amount of angst to cause tension but a good ending to soothe my poor heart; traditional rich boy and disapproving mother/father scenario but implemented relatively well; miscommunication and feelings of inadequacy; reader realizing the extent to which satoru loves them

pretty eyes by @quirklessidiot

in which the right eye is mine and the left eye is yours and when we meet for the first time, you see your own eyes staring back at you. notes: takes tragic star-crossed lovers to a whole new level; riddled with parallels and symbolism; idea of illness and loving someone at their worst; right person, wrong time at its finest; fate being unnecessarily cruel; surprising moments of humor

minazuki by @quirklessidiot

In which Y/N L/N is placed under a union she has no choice but to partake for the sake of her survival. notes: this series needs to be scientifically studied; it is just that good; halfway in and i fell in love with the reader instead of gojo; strong and somewhat morally grey characters; dark themes around femininity in a patriarchal society but concept was executed flawlessly

21: only by @tenjiiku

“What do you want, Satoru?” You do not use his last name or any honorific to address him despite his age. He was older than you by a few years — but certainly did not act the part — so you do not think he deserves your respect. Your host father told you he does — something about his being from a prominent private school as an educator, which you cannot possibly fathom being the truth — but only in front of you is Satoru Gojo an inane, odd man with a need for clean, dry-cleaned clothes that, for some strange reason he has conjectured in his equally baffling mind, that only you can provide. He smiles at you, placing his cheek in his hand. “You.” notes: this fic embodies the duality between gojo and satoru; he is easy-going until he isn’t and you realize he actually has a considerable amount of depth; the plot twist did it for me; satoru being a loud-mouthed tease but secretly harboring feelings

soulswap by @orphxus (impxria)

this is where the evening splits in half, love or death. grab an end, pull hard, & make a wish. notes: short but realistically describes everything wrong with jujutsu society; poetic voice; gojo being serious for once; disillusionment and tragic hero archetype; being the strongest yet being unable to save anybody; geto would read this fic and feel seen

両面宿儺: ryomen sukuna

nocuous by @quirklessidiot

“It’s ironic, isn’t it? I knew how this was going to end but I’m still terribly hurt by it.” notes: the heian era setting is so complex and established even through dialogue and subtle description; reader strikes me as older and able to deal with sukuna’s chaotic nature; sukuna being an absolute menace is sending me; tragic angst but almost didn’t notice it due to how beautifully the images are presented

avīci by @rotpeach

Several years ago, Satoru Gojo was involved in the exorcism of a uniquely stubborn curse. The official report states that one of Ryomen Sukuna's fingers was recovered from the scene, and nothing else. Only the two of you know the truth. notes: gore, gore, and even more gore; boy was this fic a wild ride; imagine a work that condenses the ugliest and most revolting parts of human nature yet presents them so elegantly you start questioning the blurred lines of morality; cannibalism, violence, and love triangles; japanese mythology & folklore; heian period references; cursed spirit reader tries to grapple with the idea of self after being created for the sole purpose of serving others; themes of existentialism, identity crisis, obsession

[sandfordsmostwanted]

No I don’t care about the new Velma series, but all these Scooby Doo posts have highlighted a deficiency in every Scooby Doo prequel idea. Yes, I’ve seen some amazing ideas for BFF Daphne and Shaggy content...  ... but none for the untapped character goldmine of Freddie and Velma. 

Like just picture it. The series is set in a American private school, where Velma is a POC scholarship kid, always looking to prove herself. She’s bullied relentlessly, but keeps her head down, because she’s getting into the Ivy League, damn it, and there’s no way these assholes are stopping her. She’s a whizz at anything to do with science and math and history and geography, but arts are a bit of a weakness, and she needs one more English credit to max out her resume. Her teacher offers her the opportunity to tutor another student to get the credit. The catch is it’s Fred Jones, the Dean’s son, and no-one can possibly find out.  Velma’s initially pissed at having to spend so much time with this entitled brat. On the surface Fred Jones is everything you’d imagine him to be - a jock, a bro, loved by the ladies and part of the group that have always made Velma’s life hell. She dreads having to tutor him, until he turns up, and he’s genuinely appreciative and sweet. She doesn’t trust him; she’s been burned too many times before. But through the sessions they get to know each other better. They bond over their mutual love of engineering - Fred doesn’t have the technological vocabulary that Velma does, but he’s got an instinctive eye for when a mechanism would fail - and they both realise the other had more depths than they expected. Velma notices the bullies leave her alone now, and though she can’t thank Fred publicly, they share a few subtle smiles in the hallway.  And then the plot of the series happens - a girl gets kidnapped from their school, and Velma’s on the case. She cancels her tutoring with Fred to sneak into the school to investigate. They run into hypercapable badass Daphne Blake and her emotional support Shaggy. Velma’s had a crush on Daphne for as long as she can remember, but her nerves make her even more snarky than usual, and the two spend most of their time bickering. Velma, Daphne and Shaggy also run into Fred in the school while they’re investigating; he left some sports stuff behind and came to retrieve it. Plot plot plot, meddling kids, mystery solved. Velma thinks everything’s going back to normal, but it doesn’t. Shaggy saved her a seat at lunch, and fills her tray with stuff he thinks she’ll enjoy (”And hey, you can sneak some of this in your pockets for when you’re at the library later!”) Daphne picks her first for her team in gym class. Fred tells his shitty mates to get fucked, and sits next to Velma in every class. And best of all, they start solving local mysteries together.  As they become better friends, they learn more and more about each other. Fred tells Velma if she struggles with making eye contact with people to look at the bridge of their nose or over their shoulder, because that looks like you’re looking them in the eye without actually doing it. Velma tells Fred that “the writing swimming when you read” is called dyslexia, and types up their study notes in a easy to read font. Fred is the first friend Velma ever brings back to her tiny apartment than she shares with her parents, and he’s very appreciative of their home despite living in a straight up mansion himself. Velma learns that that mansion life isn’t all its cracked up to be. His parents work away a lot, and when they’re around, they’re shitty and waspy and make Fred feel small. Fred always texts Velma late at night telling her to stop studying and get some sleep, Velma always texts Fred to tell him to stop working out and get a snack. They’re fucking good for each other.   It’s never romantic between them - never even close. Fred takes Velma’s coming out better than her parents did (”Why would I be upset that you like girls? Liking girls is great! I do it all the time!”) Velma tries her hardest not to be jealous when Fred and Daphne start dating - she never told him about her crush, and he’s not a mind reader. Who cares if she notices there’s chemistry between her and Daphne? She’s probably misreading the social cues, like usual. Besides, school’s nearly over now, and she’ll be off to college in a matter of weeks. Leaving it all behind her, just as she planned.  Their final mystery is the biggest yet, and the only time the gang actually fear for their lives. The stress of the mystery, and the building resentment of Velma’s “I’m out of here” energy leads to a huge argument between Fred and Velma, and the gang splits four ways to try and solve this thing. Each of them face their own trial. Shaggy has to face his fear instead of running away. Daphne has to be herself without overcompensation with gadgets or gimmicks. She realises in this process that Velma is the one she’s always loved, and the two share a sincere kiss. Fred has to trust himself, and succeed by himself without the safety net of his family, his wealth or Velma. And Velma has to admit she needs her friends, and that she loves them deeply. The mystery is solved, and just like that, they’re all set to go their separate ways, this time for real.  It’s the last day of finals. Velma hasn’t heard from Fred for almost a week now; her texts go unanswered. She knows he’s taking breaking up with Daphne harder than he’s letting on, though he’s happy Velma and Daphne are happy. She finishes her final paper and hands it in, thoughts of college in her mind as she stands on the school steps where it all began.  A horn honks behind her. She turns. There’s a massive eyesore of a van parked outside. Velma didn’t even know you could get that many shades of neon green and blue, and the little orange flowers are wonky and she knows they’ve been painted by hand and with love. Daphne waves at her from the passenger’s seat, and Shaggy from the back. Fred is leaning against the Mystery Machine, twirling his keys in his hand. He’d traded the sleek, smart car his dad bought him and that he’s been driving all show for this new ride, and he asks if Velma feels like solving a mystery or two before heading off to college.  Thus begins the adventures of Mystery Incorporated.  (End credits song is “Life is a Highway” by Rascall Flatts because you know that’s white boy Freddie Jones’ favourite driving song) 

[raymantogether]

Rayman Together Community Spotlight #3 - Clairiphi

Rayman Together Community Spotlight #3 - Clairiphi

Introduction:

Have you ever made your own Rayman comic book series? Growing up, I spent thousands of hours outside of playing the Rayman series creating comics and drawings, making my own adventures for Rayman and his friends. However, I never could create something as captivating and truly unique as the Rayman Nightmarish Series. Rayman Nightmarish stole my heart and is something that I have followed since 2020. Every few weeks to months, I eagerly anticipate the next chapter. There is something so personal about the art style and original characters, which I fell in love with. Every strip is full of personality and charm. I had the pleasure of meeting Clairiphi, AKA Chiara, during my visit to Ubisoft Milan. In person, Chiara is just as amazing as her series. So when I decided to make this Community Spotlight Series, I just had to make a segment on Chiara and her Rayman Nightmarish series.

1. Please introduce yourself.

"My name is Chiara; I go by Clairiphi on the web, and I'm a storyteller from Sardinia (Italy) who dabbles into drawing to accompany her stories. I hope one day, not too far from now, to become a professional comic writer if the comic industry in Europe gives me the chance. For now, I sadly remain an enthusiastic hobbyist."

2. What are you currently working on in the Rayman Community? 

"I’ve been publishing my fan comic Rayman Nightmarish for a few years with the frequent help of my partner Francesco (@thepinna on Instagram and Cara), who is a professional illustrator and studied as a comic artist as well. Without his teaching, I would be nowhere near where I am with my skill level. He taught me how to storyboard, how to efficiently use a drawing tablet, and helped me train my writing skills. He also offers his direct artistic input from time to time, when work hours permit him (for example, while I did the storyboards and pencil sketches for chapter 11, he did inks and colors)."

3. What is your inspiration behind Rayman Nightmarish?

"One December evening I was particularly bored and haven’t been writing since the beginning of high school, but that evening I was coming from a long period of frustration regarding the school path I chose, and coincidentally, I was also back on my Rayman obsession because I was playing Legends and Origins. I had this fairy character (Waaty) and a horrific, almost lovecraftian villain (The Lighteater) in mind for a while, and all of a sudden I said, “You know what? Let’s stop daydreaming and write an actual story!” I took a huge empty notebook from my desk drawer, and a bunch of years later, here we are!"

4. For any newcomers, what is the story of Rayman Nightmarish about?

"With Rayman Nightmarish, I aimed to narrate a classic Rayman adventure, with the humor, the combats, the voyage across fantastical places... And zombies! Yeah, I love horror, and of course there was going to be a twist. But no worries! This is still a story for all ages, like Rayman always was after all.  An ancient evil called The Lighteater is rising from the depths of the sea and is going to bring a dark plague that will soon turn The Glade of Dreams into The Glade of Nightmares. Of course it is Rayman's job to save the day once again, with the help of Globox and a few unexpected friends, like Waaty, the livid dead fairy with strange clairvoyant abilities...and many others along the way! Will he be able to do it this time? Very likely knowing his records, but this could actually be more challenging than he thought."

5. Is there anything new or unreleased you can share?

"I’ve actually been working on a new original fantasy series for a while. The story is already all planned, I'm in love with the characters and every process I came across during the planning of the plot. I hope with all my heart that I'll be able to bring it to life, not as a webcomic but as a fool-blown series for comic stores’ shelves."

6. What made you fall in love with the Rayman series?

"When I was a little girl, I didn’t have much social skills, and my first ever playmate, before my brother was born, was my dear cousin, who one day came to me with a copy of Rayman 3; his parents got him somewhere during a trip. That game changed my brain chemistry because as soon as I saw the fairy council level, I was hypnotized, and I wasn’t even the one playing! The music, the scenery, the jokes—I don’t know, but every time we played it, I came home wishing I was still in that world. Then a few years later, my cousin got a PS3 and gave me and my brother his PS2, Rayman Raving Rabbids, and Rayman 3. I was so happy! My first ever “comic” was a very cringy Rayman fanfiction I wrote in middle school, kind of an ancestor of Rayman Nightmarish in a way, haha! I thank my cousin every day for showing me that game that evening, and if he were still here today, I bet he would think Rayman Nightmarish looks pretty sick (especially in comparison to his middle school predecessor)."

7. What is your favorite Rayman game?

"I think it’s pretty clear by now that it’s Rayman 3 since it comes with so many dear memories, but I really liked playing both Origins and Legends in co-op with my brother when they came out. They were really fun to play with others! While I’ve always considered Rayman 3 like an intimate journey to take alone in a fantasy world, as silly as it sounds. Haha!"

8. Who is your favorite Rayman character?

"I’m going to be very unoriginal and say it’s Rayman because it’s true."

9. Tell us about your time at Ubisoft Milan.

"It was better than Disneyland! I felt like a kid again being able to hang out with a team of professionals behind a whole videogame. Not only was I happy, I felt seen, like, “Woah! These guys know I exist and even asked me to come here, hello???” Pretty surreal experience!"

10. Other than playing Rayman, what are your favorite things to do?

"I’m going to be completely honest; I haven’t been playing a Rayman game since the dawn of time. Haha! Back when I was a little girl, I wasn't much of a gamer and only played Rayman games because I didn’t care for the others. Now I love my switch, and I found many more games I love to spend time with. Rayman still has a special place in my heart, because it’s thanks to it that I found out I was actually meant for writing stories. Two of my other favorite things to do (besides writing and drawing, which are obvious) are reading books and watching movies, and in both cases, my favorite genre is horror. I also like to play fantasy TTRPG games like D&D or Pathfinder from time to time; they are very stimulating for the imagination."

11. Tell us something interesting or funny about yourself that we might not already know. 

"I’ve actually graduated (both bachelor’s and master’s degree) from a music conservatory in classical piano and never taken a single class in any art school. Sometimes I feel stupid about my past choices, and sometimes I’m glad because learning to play an instrument on a professional level has helped me build discipline and time management skills that helped me greatly in the writing process."

12. Do you have any hidden talents?

"I don’t know much about "talent,” but I do love to sing in my car, and I can memorize the entire script of a movie if I like it a lot. Haha! I remember when I was in elementary school, I used to recite Madagascar to myself when it was past bedtime, but I didn’t want to sleep."

13. What is one thing you can’t live without?

"Besides my air conditioner, I think I would go insane if something happened to any of my writing devices. I keep all my notes scattered between my computer, my iPad, and many physical journals. While clouds are essential, sometimes I just need an actual piece of paper and a pencil to figure out a scene or a plot point."

Want to discover more about the Rayman Nightmarish series? This is my link tree where new readers can find the best social media platforms to either catch up with the story or stay tuned for any exciting news:

[lionleonora]

Reddie Fics for the Despairing It: Chapter Two Enjoyer

part of my unnamed "recommending non-classic fics for dead fandoms" series! this is a list of less well-known fics in the ITCH2 fandom, centered around reddie fics. these are all fics that i am passionate about, but you won't find them on the first three pages of ao3. if you're ready for something other than the classics, this is the list for you! organized in order of hits from least to most.

Revivified Death by ezlebe - something about me is that i love vampire fics, and vampire eddie. this features vampire eddie AND vampire richie—a treat! it's rated E, has some fun worldbuilding, and way fewer hits than i would expect (only 3,300!). some mentions of blood, but no crazy gore.

inertia and other properties of matter by skeilig - a “it’s always sunny in philadelphia” au, but not necessary at all to be familiar with the show! (i sure ain’t!) cool and seamless au worldbuilding, and some good mutual pining. plus, the gang is together and remembers each other! rated E.

your lips feel retro by kaspbrak_kid - the only T fic on here, but also teeth-achingly sweet! *stefon voice* this fic has everything—fake relationship, richie speaking at length about how much he loves eddie, multiple kiss scenes...plus some self-actualization + confidence boosts for eddie as he goes to his high school reunion!

push you out (pull you back in) by Anonymous - short, sweet, and sexy little one-shot! i don't usually go for established relationships, but i DO go for established relationships where each person has new and hidden depths of horniness that they have yet to reveal. enter this fic! rated E, and if you want more by this author, i'm preeeety sure i know who they are, but of course i'm just speculating.

the study of pathology by crescentluce - this is a sequel to crescentluce's fandom classic, the anatomy of a joke. this sequel is fantastic though! not as many people have read it, but it's absolutely worth it. told from eddie's perspective as he very quickly falls very hard in love with richie (though they've been dating for like, what. 30 minutes?). incredibly heartwarming and also super funny.

give a shape to this ache I have for you by youabird (nevulon) - i have a few all-time favorite fics that span multiple fandoms - this is one. this is a fic that i would take with me on a desert island. if this is the last reddie fic i could ever reread, it would be this one. featuring an eddie who is deeply unaware of his desires and desperately in love with richie. please please read this.

Health Improvement Planning for Dummies by glorious_spoon - a multi-chapter fic with a comparatively low hit count. dumbass for dumbass relationship, but also really hot. rated E!

hysteria when you're near by tempestbreak - this fic is fucking crazy, and i mean that in the best way. sex pollen is not common in this fandom (understandably - the worldbuilding is difficult) but this fic does it seamlessly and to great effect. an E-rated oneshot. this will literally change you.

Do you need anybody? by remusjohn - i am of the firm opinion that this should be a fandom classic. it's not quite there yet, but getting there! this is one of the first fandom fics i truly fell in love with, and also one of the only fics i've ever followed as it was posted! one of my favorite tropes is mutual pining WHILE they're having sex, and boy does this fic deliver. rated E. beautiful and fantastic.

Bonus: Author Recommendations!

organized in order of most to least fics written in fandom!

skeilig has a solid number of fics and a really interesting repertoire of AUs! as a purveyor of niche aus (REFERENCE TO MY BLOG??) i am very fond of the way they reimagine richie and eddie in a grounded, three-dimensional way.

glorious_spoon technically has fewer fics than skeilig, but they have a bunch more written anonymously for a kinkmeme event (i believe. something of that nature!). they write fantastically kinky, funny, and sweet stuff. if you're looking for something quick and satisfying (ayyyy) look through their library!

ezlebe is another in the ranks of "cool niche au authors." if you like supernatural creature reddie, or even just normal reddie, definitely look through their stuff! they have a unique voice and should be way more famous in the fandom imo.

remusjohn has the fewest amount of works in this list, but every one of them hits like a goddamn truck. they've written classics, they've written unknown fics—they've done it all! definitely check out their stuff for emotional smut and mutual pining!

thanks for sticking around this long! reddie is quite dead, but it will always be very close to my heart. reddie matters to me. i'm glad it and its writers matter to you too!

[deoidesign]

Hi, how did you learn to draw Steve's physique?

Ohh what a complicated thing to answer...

When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.

(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)

The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.

For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.

In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.

I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)

I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.

The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.

This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.

I also, of course, have done many figure, gesture, and master studies...

These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.

What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.

The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.

And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.

It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.

This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!

Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part

But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...

There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.

I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.

I hope even one thing in here helped you! Sorry it's so long.

[sl-vega]

⋆౨ৎ˚⟡˖ ࣪MY FIRST (GENUINE) LOVE

pairing: Otoya Eita x [FEM!] Reader

genre: fluff, oneshot/drabble, partial chat/text fic, crack/comedy (?), mild Otoya character study, school/no bluelock au

synopsis: Otoya and your's date went well, a little too well. 'Cuz now all he can think about is you, your laugh, your smile, your voice, it's driving him crazy. Which results in him patiently awaiting to any and all of your texts. (Or, in which a certain playboy finally falls in love for real)

CW: brief/mild language, implied suggestive content, ooc Otoya (?)

The second Otoya arrived home, he made a bee line directly towards his room, and threw himself onto his bed, the soft mattress enveloping him in it's plush comfort.

Normally whenever Otoya did this, it meant that he went on a less than good date an hour prior that left him exhausted. Usually the girl would've been too clingy, or tried to move too fast, and he usually didn't mind it, but some women just didn't know when enough was enough.

But neither of the reasons were the cause of his need to lie down. The date wasn't bad, it went super well actually. If anything, it went too well.

Earlier, he was on a date with you. The two of you met via Karasu, Otoya noticed that you were waiting for the latter after one of their games, and he had absentmindedly called you cute, not expecting anything to come out of it since his subconscious had already assumed that you and Karasu were an item.

Otoya had already braced himself for some kind of response along the lines of "Yeah she is" or the worse (and more likely) response of "Buzz off, she's taken". What Otoya didn't expect however, was Karasu's nonchalant offer of;

"Why don't I set the two of ya' up?"

And who was he to turn him down? A date with a cute girl where he didn't have to go through hell and back for a quick one-night-stand?

Fuck yeah, you should set us up.

You seemed nice enough from your initial meeting, you had a cute smile, nice voice, and you managed to be impressive enough for Karasu's standards, something that none of his previous flings achieved.

But what stood out the most to him was how genuine you were.

Most of the time when he went out with girls, they were only there for a quick hook up, or on the opposite end of the spectrum, were the completely clueless girls, the kind that legitimately thought that he would stick around in the long run, only to be disappointed by his inevitable infidelity, which usually resulted in a bunch of tears, and a slap, both of which that Otoya would always be on the receiving end of.

You on the other hand, were neither of these types of troublesome women. You clearly weren't using him for a quick night of pleasure, but you weren't in the dark about his previous antics either.

If anything, you knew a little too much about his previous sexual escapades. Probably because of Karasu's big mouth, or maybe he wanted to make sure Eita still had to put effort into his potential relationship with you.

The two of you went out to some semi-fancy restaurant for dinner together. You and Eita had made some small talk, the conversation ventured into deeper, more in depth topics occasionally (not that Otoya minded, but he'd digress), but you seemed to have fun, even though it was pretty surface level.

The date had ended on a nice note, Otoya had called you beautiful, not pretty, or cute, or sexy (or the other usual less than two syllable words he usually dropped on most of his throwaways), he had actually made a point to say it because he really did mean it.

He didn't know why you had left such a good impression on him, why you clearly meant more than some mere plaything that he would've discarded the following morning. Nor does he know why the thought of bringing another girl into his bed other than you makes his heart feel heavy and makes him feel nauseous.

He rolled over in his bed so he was facing the ceiling instead of of having his head stuffed into his plush pillows.

Why was he like this?

Why did you make him feel like this?

He lifted up one of the pillows by his side and brought it to his chest, maybe the soft stuffing would muffle the sound of his racing heartbeat.

Suddenly, his once silent phone buzzes with a notification. He takes a quick break from his sudden crisis of feelings, and quickly snatched his device from his nightstand. It was a message from an unknown number

[UNKNOWN]-(sent 10:52 pm)

hi! otoya right? This is (l/n) btw, karasu just gave me ur number

Eita's eyes widened, part of him felt a pang of jealousy.

So you and Karasu must be pretty close if you were texting him that late to get his number.

Wait, why did he care? His other girlfriends had guy friends before, and it never made him feel jealous like how you and Karasu's relationship did.

God, what's the matter with me?

Before he wasted too much time, he turned his phone back on, to respond to you, while making sure to change your contact name before he forgot.

[L/N <3]-(sent 10:54 pm)

otoya? you there? istg if karasu gave me the wrong number-

[You]-(sent 10:55 pm)

dw karasu wouldn't lie abt smth like that

[L/N <3]-(sent 10:57 pm)

dang, that reply was faster than I thought it would be, ig ur not as much as a red flag as I pegged you as

[You]-(sent 10:59 pm)

stfu, what did karasu say abt me?

[L/N <3]-(sent 11:00 pm)

nothin' I just figured you out on my own, i'm just smart like that >:3

[L/N <3]-(sent 11:01 pm)

'k i'm partially kidding, he warned me a bit abt you, but you're pretty good company, for an f boy at least

[You]-(sent 11:03 pm)

for an f boy? i'm hurt

[L/N <3]-(11:04 pm)

lol jk, I actually had a lot of fun tonight, we should do it again!

[L/N <3]-(sent 11:05 pm)

srry I gtg, ttyl?

Otoya's heart sinks at the realization that your short, yet sweet, conversation had already come to an end. He was already missing the comfort of your words, not they he would ever admit how much your little messages made his heart flutter.

[You]-(sent 11:07 pm)

yeah, gn

[L/N]-(sent 11:08 pm)

wow, dry much? gn, sweet dreams!

He mentally berates himself for his dry response, but a few seconds after, he starts grinning like some lovesick school girl.

Is this how some of his past flings felt about him?

No, he wanted you to be way more than a fling, maybe this would be the first time he tried, the first time he actually wanted to get serious about a girl, about a relationship.

Maybe this would be the first time that this would end with a ring around his finger rather than a slap on his face.

He hears his phone buzz again, he lunges towards it, hoping that it was another text from you.

[crow bastard]-(sent 11:19 pm)

i'm assuming the date went well since l/n hasn't told me that ur such a jerk yet

[crow bastard]-(sent 11:20 pm)

jk (kinda) i'm glad that you might finally have a shot at a real relationship

[You]-(sent 11:22 pm)

stfu you stupid crow

[crow bastard]-(sent 11:23 pm)

ilyt eita :3

[crow bastard]-(sent 11:27 pm)

cmon, no thanks for setting you up with your future wife?

[crow bastard]-(sent 11:28 pm)

i expect to be your best man at the wedding

[You]-(sent 11:30 pm)

nah i'll give it to yuki if you kept pestering me abt this

[crow bastard]-(sent 11:31 pm)

THAT'S NOT A NO TO THE WEDDING THO

[crow bastard]-(sent 11:33 pm)

GOTTEM

[crow bastard]-(sent 11:34 pm)

SO YOU DO LIKE HER

[You]-(sent 11:35 pm)

maybe I do, maybe I don't

Eita briefly set his phone down, thanking the gods that Karasu couldn't see his bright red face.

He definitely did...

[positivexcellence]

Is there garlic on this pizza? An oral history of Supernatural's 'Monster Movie' episode

THE BEGINNING

What started as a simple enough idea — a black-and-white episode — was then put into the hands of writer Ben Edlund, who’d already crafted some of the show’s more creative hours, including “Hollywood Babylon,” which marked one of the series’ first meta episodes, and “Ghostfacers,” which was shot like a cheesy ghost-hunting reality show using handheld cameras. Alongside Edlund was director Robert Singer, an executive producer on the series and a massive movie fan himself.

ERIC KRIPKE (Creator): I was an obsessive fan of The X-Files and in their prime, they got really bold and adventurous with their format, and they had a black-and-white episode. I was always hoping that we could start taking those same kinds of swings. I remember saying, “I want to do a black-and-white episode where Sam and Dean are up against the classic movie monsters.” But I think Ben came up with the shapeshifter. We were trying to figure out: How do you get a mummy and a werewolf and a Frankenstein and a Dracula in the same episode? That makes no f---ing sense. So this idea of a shapeshifter who loved those movies and was ultimately just a fanboy was the secret to cracking that one open. 

ROBERT SINGER (Director): I think that script was Ben at his best. I was really happy that I was in line to direct because I really loved those old movies, so it was fortuitous that I got to do it. 

JENSEN ACKLES (Dean Winchester): It’s all just paying homage to the old-school ways of doing things, which having Bob at the helm, he’s seen all those movies time and time again, so he was the perfect guy to direct this episode. 

KRIPKE: Bob has an encyclopedic knowledge of movies, especially older films. He’s a classicist and his directing style is a lot of that kind of beautiful, elegant Hollywood style, and I think he just really relished it.

SINGER: I shot generally with wider lenses than I would normally do with Supernatural to try to give it some of that old-time feel. I really took pains to make it look as old fashioned as I possibly could. I’m a big fan of James Whale, who had done Frankenstein, and there are a lot of great crane shots in those movies, so I did a lot of crane work in this. We did a lot of shadow play. 

JARED PADALECKI (Sam Winchester): You put Ben Edlund on writing and Bob Singer on directing and magic is bound to happen.

But there was another piece of the puzzle that needed to come together for the magic to truly work: Who would play the shapeshifter (and therefore spend the episode doing their best Dracula)? The answer was Todd Stashwick.

TODD STASHWICK (Dracula): They wanted a full-on replication of Bela Lugosi’s performance. I had the DVD of the 1930’s Dracula, so I was watching that just to get the mannerisms and vocal intonation down so that I wasn’t doing a Xerox carbon copy but rather actually trying to get that Hungarian dialect that he has. I went in [to the audition] and just swung for the rafters.

SINGER: We had him do one of the Dracula scenes and then do the speech where he’s telling her how he became the way he became and Todd just killed it. That was an easy call to cast him.

STASHWICK: They wanted to know that you were going to be able to bring both sides to it, the full-on studied Dracula performance and then to let that mask drop and see the wounded man that is the monster. 

KRIPKE: We needed someone who could stick the landing on the Dracula part and that’s really hard. It’s hard to do it and have it not come off like a bit. Todd is a remarkable mimic of Bela Lugosi and brings humanity and soulfulness and depth to it. There’s something in his eyes that made it deeper and sadder than had you cast someone who was just going for an impersonation.

PADALECKI: That episode belongs to Todd Stashwick. He’s so damn good. 

Alongside Stashwick was Melinda Sward, whose character Jamie, a local waitress, caught Dean's eye and marked a first for the show. 

KRIPKE: At the time, there was a young female fan named Jamie. She and her mother would write us letters and they were super fans, and we were still early enough that we’re like, “I can’t believe there’s fans.” Jamie had medical issues, so when the season was coming up, I wrote her a response and said, “If you concentrate on getting better, we’ll name a character after you.” And she responded and said, “That’s amazing, but can you just do me a favor? Can you make sure it’s a character that doesn’t die?” So the female lead in this one we named Jamie. That was one of the only times we ever named a character after a real person and a fan. The happy ending is she was thrilled and she grew up healthy and now tours around with a replica of the Impala. 

ACKLES: Jamie was one of my favorite Dean Girls. Melinda was so good and so fun.

From the instant the episode began, fans knew they were in for something special as the old black-and-white WB logo kicked off a very old-school credits sequence.

SINGER: Right from the opening of the Warner Brothers shield, you know where you’re going. It set the tone perfectly.

KRIPKE: That and “Changing Channels” are the only two episodes where I’ll sit down and just watch the credit sequence. The font, the way you list every crew member, and it just goes on forever. And [composer Christopher] Lennertz wrote real orchestral music for it. I just love the opening of that episode and the way we did that title sequence. But changing subjects, what that reminds me of is the singular genius of Ben Edlund to set this episode during Oktoberfest. Suddenly everyone looks like European villagers and everything becomes a real monster movie.

SINGER: And that location was a party site, but it worked perfect for us. 

PADALECKI: It was like an amusement park in the outskirts of Vancouver that we rented out. It ended up unfortunately getting torn down and turned into condos or something.

THE MIDDLE

With the setting and the cast locked, the brothers set out on their hunt, arriving at Oktoberfest to help solve a murder. And when the investigation made Dean late to his first date with Jamie, he found himself face-to-face with Dracula. So naturally, Dean punched the shapeshifter in the face. A fight ensued, one that ended with Dean holding an ear and Dracula ... riding a vespa?

ACKLES: I believe one of the many reasons this show lasted as long as it did is because it can be scary but then at the same time, you throw something like the scooter in and it layers in comedy with horror, with drama, with romance. It touches it all. Bob said it early on and it became a mantra of ours: “No joke is too cheap.” 

STASHWICK: That’s the infamous assault scene. I’m in full crazy mode and I’m supposed to clock Jensen in his beautiful face with my elbow, and for whatever reason in that moment — I perhaps leaned in, he perhaps leaned in — we closed that gap and I clocked him. So what you see on the DVD extras is me being all Dracula and then me being mortified that I just hit their billion dollar baby in the face.

ACKLES: He caught me with an elbow but he probably thought he hit me harder than he did. It was a mix between a good shot and a graze, but he immediately broke character. He was like, “Are you good?” And I was like, “Yeah, that one woke me up.” [Laughs]

Dean made it through that fight, but the shapeshifter had already planned its next move: While Sam checked out an eccentric local that they thought was the killer, Dean and Jamie shared a drink back at the bar where she worked. Her friend Lucy (Holly Elissa) then showed up just in time to spike their drinks. By the time Dean woke up, he was wearing Lederhosen while strapped to a table in a dungeon.

SINGER: Jensen was like, “Oh god do I have to wear this?” So to make him feel better, I put on the Lederhosen top. I didn’t go with the full shorts but I did direct that day in the Lederhosen top to take the edge off it a little bit for him.

ACKLES: I remember that! He directed in that shirt. [Laughs] Those were authentic leather Lederhosen from Bavaria. Only the best for Dean.

PADALECKI: When Jensen’s first getting strapped to the table, cause he’s a big guy, I remember them talking about how for the visual's sake, they wanted it to be like he’s a quote-unquote damsel in distress, so if they used a normal-sized platform, it would’ve looked comical, but not in a good way. So they had to make it a little bigger cause he’s kind of big.

Dean wasn’t in the dungeon long before Dracula left him to go answer the doorbell. It seemed the shapeshifter ordered a pizza … and he had a coupon.

KRIPKE: I just love how there’s the monster lab in the basement but then you go upstairs and it’s this mid-century ranch house. That’s almost a direct ripoff of the Steve Martin movie The Man with Two Brains.

SINGER: [Set designer] Jerry [Wanek] did a great job in building the dungeon set, and then when the doorbell rings, you realize it’s in the bottom of a suburban house with a pizza guy showing up at the door. 

KRIPKE: When Ben wrote the script, we talked about that scene more than any other scene in the episode. We were so specific about how we wanted the Dracula shapeshifter to react to the pizza guy and the way he’s scared when he says, “Is there garlic on the pizza?” And then the way the pizza guy’s so bored and over it: “Did you order garlic?” And then he says, “No!” It’s the way that he’s so bored of this Dracula at the door.

PADALECKI: I think Jensen and I must’ve watched this episode together in 2008 because I remember us looking at each other and going like, ”Oh my god, [the pizza guy] is way better than he needs to be!”

ACKLES: That line, because of the way that Todd delivered it, we used that line on set many, many times. Whenever somebody asked a question that had an obvious “no” to it, it’d be like, “Hey, did you want the big light on in the distance?” And Bob would be like, “Is there garlic on it?” So that became a little ism on set.

STASHWICK: I’m a Second City guy, so “yes, and” is drilled into my head and yet the two memes I’m most known for, I’m saying the word “no,” and that is Supernatural and Star Trek. I have the no's that are heard around the world. 

In the end, the brothers came out victorious and another monster was dead, but not before this one made you feel a little something (and gave one heck of a final monologue quoting King Kong). 

KRIPKE: Ben gets all the credit, and rightfully so, for writing the crazy episodes, but where I don’t think he gets enough credit is what a disciplined screenwriter he is in terms of character consistency and rule consistency and just the emotion and pathos he brings to every single story he does. No matter how crazy, he always has such a talent for capturing humanity. I wasn’t counting on the shapeshifter to have pathos but when he gives that speech at the end, it’s so sad. I give him all the credit in the world for that.

SINGER: Eric used to say, “Every villain is a hero of his own story,” so we always tried, as best we could, to give the villains something to do and learn more about them and give them full characters. So even with all this fun, we managed to give him something a little more to do. 

PADALECKI: He becomes an almost sympathetic character — I stress almost because he did kill a couple people — but what a great character arc all inside of one episode.

STASHWICK: Because this character wasn’t just a cartoon Dracula and he had that human moment, I think it made him stick in people’s minds more. This monster just really loved the movies. He was the ultimate cosplayer. It might be the thing I’m most known for outside of Star Trek, that one episode of TV.

THE END...?

Although Dracula didn’t make it out alive, the episode seemed to breathe new life into the series, marking perhaps its biggest risk yet, though not the biggest risk the show would ever take. 

SINGER: It kind of laid a template for other big swings that we took that were out of the ordinary, whether it was “Changing Channels” or “The French Mistake.” This was the first of our big swings of being totally different than what the show was generally week to week.

KRIPKE: I remember it getting a positive reception. I think people appreciated the swings we were starting to take. I just love that this small little supernatural show that’s arguably a Buffy ripoff on The CW got so experimental. I am really proud that we were doing legit avant-garde stuff, really experimental filmmaking, of which this was one, and then we just kept pushing it. 

PADALECKI: It’s such a great episode of television and I think we have a few in our 15 years that could stand alone as something fun to watch and out of the box, and it's certainly easy to argue "Monster Movie" is at the top.

ACKLES: This was really when we were hitting our stride. We were in the pocket with these characters, with the storytelling, with the writing. The first year was really finding our feet, the second was like, "Okay we somehow survived a network merge, let’s not mess this up." And then third season we started playing a little bit. So by the fourth season, we’re like, "Now we know where we need to be." This was the perfect time to do one of these outside-the-box episodes. This is definitely one of my top 10.

SINGER: I directed 48 episodes and if somebody asked me which is my favorite, I would probably say this one. I just had the best time doing it. 

Entertainment Weekly

[midwesternvibes]

Time for more Seperated Leo Human AU! (I really need a name good lord-)

As promised, we now get to look into Leon's lore! He's a funky little guy, and shockingly well adjusted!

Lore drop under the cut!

His full name is Leonardo Tomás Esposito, and he is quite proud of it! He picked it out himself when he was about 10 years old, and he's happy to say that he still loves it to this day! (Fun fact: all of the names have double meanings to them hehe)

But anyways, his Mamà is in fact, NOT Big Mama (but it was a solid guess!), her name is actually Mia Esposito! (+10 Fandom points to anyone who can guess her full first name) She is a full time nurse and used to travel around the several NYC hospitals as an on-call nurse, but once Leon was born she stuck her roots down to one and has been there ever since!

She's actually an incredibly interesting character (with her very own arc!) with a lot of depth and meaning. She grew up with her Puerto Rican mother and Italian father, but after a series of misfortunes and despair, she ended up immigrating to NYC to start a new life for herself. About 10 years later she began raising a baby all on her own as a single immigrant mother in New York City (Sound familiar?). Whenever Leon asks about his father she tells him that she doesn't remember his Papá, only that he had the same almond-shaped brown eyes as her baby boy....

But ultimately she doesn't remember him hahaha maybe Leon should stop asking questions and get back to studying!

(Leon knows that she's hiding something, but ultimately he doesn't care about his father that much, he just assumes that he did something to hurt his Mamá and wants nothing to do with the man at all)

Leon and his Mamá are very close, they're very similar to Percy and Sally Jackson from the PJO series, and they would definitely fight God for each other.

Leon was raised very much with the mentality of "It takes a village" and has many aunts and uncles and relatives in the hospital staff that he considers family. Mia couldn't really afford childcare as Leon grew up, as it often came down to food or rent for the month. The hospital staff saw this and absolutely adored little baby Esposito, so they were more than happy to raise him alongside their own children. Mia owes her life to this staff and considers them her family through and through.

As he grew up, Leon saw all his favorite people as nurses and doctors and considered each and every one of them heros. He decided very early on that he wanted to be a doctor when he grew up, and after a terrible injury when he was 14 it cemented the fact that he wanted to be a pediatric surgeon, to help kids just like him.

But the issue is, Leon and Mia definitely do not have enough to cover medical school for Leon on a single nurse's income, even with all the jobs that Mia and Leon have taken over the years. That's why Leon NEEDS the athletic and valedictorian scholarship, without it he won't be able to achieve his dream. The only thing standing in his way is.....

THE HAMATOS

(Except Michael, he's a gift)

Leon is willing to do ANYTHING to get those scholarships, but his Mamá always reminds him that the Hamatos might need it just as badly as he does, and that's about all that's keeping him from REALLY doing anything to hurt/sabotage them. His Mamá has instilled a really strict moral code into his psyche and he won't actually do anything to them, he just....really wants to give his Mamá a better life, one she deserves.

Although, he is kinda curious as to why the Hamato brothers have the same eyes as him......

First // Previous // Next

Whew! That was pretty much just a really intense ramble, sorry there was no actual structure to that, I just really wanted to talk about my Leon lore! Props to anyone who figures out the significance of all the names, and to clear up any confusion, Mia is Half Puerto Rican, half Italian, and Leon is 1/4 Puerto Rican, 1/4 Italian, and 1/2 Japanese (but shhh he doesn't know that yet) and obviously he's got that amazing vitiligo (shout out to anyone and everyone with vitiligo, y'all are amazing and beautiful)

Thanks for reading my lore dump, see ya next time for..... huh idk yet, vote ig

See ya next time!

[pixthefuckup]

a crack taken seriously fanfic idea:

all the jocks get their own separate weird redemption arcs that never seem to intersect despite how close everything is to each other... until a giant cliche climatic moment like all of them working together to help richie after his attack or something. it causes the friend groups to merge and become one giant battalion against the lords of black.

brenda gets hers by working with holloway and somehow everytime she's relearning morals or subconsiously using magic, none of them went to visit her despite the fact that the diner would probably be pretty fucking popular bc it's good food and unlike pasqualli's, it doesn't have a reputation for giving or getting head if you take someone there.

kyle gets his by hanging out with tom houston and despite the fact that the shop room is the quietest during lunch, nobody ever comes to hangout or talk to mr. houston about a project or grading when he's in the room other than hannah who could also slightly feed into kyle's redemption

jason gets his with an internship at ccrp and getting parented by most of the team (bill is an actual dad, ted is highkey an obnoxious uncle, paul is known to babysit, charlotte is pretty caring, and sylvia seems pretty cool). this one is the one where it's cracky but slightly serious in the way where he slowly starts dropping football but still manages to bro up. there could be a bit of foreshadowing with a bromance break up and get back together because of how jason enjoys his internship more. bonus points if he somehow becomes bros with any of the other nerds in the meantime because of the internship.

stacy gets her through working with beanie's for a short stint of cash and getting a better-ish role model from emma (my god do i love a jaded adult with a better heart than they think getting thrown at a immature, naive, popular kid who believes in something extremely toxic. it is such a rare trope but i love it). despite beanie's popularity, stacy has somehow gotten the hours where the popular kids are held up by things and most of the nerds have hurried out of school.

i want either stacy's or kyle's to be the most wacky of the other jocks not noticing their morals getting better just because kyle's takes place in a room that i assume would be close to the field and mr. houston is dope to hang out with while stacy's change would be the funniest to ignore since it would be the biggest by getting rid of her superficiality, allowing her to have depth, and learning to study more

if we were going to include max in this, i'd hand him off to the nerds, but i think it's crackier that he's still an antag and we turn the langs' play on cheesy 80s movies' cliches where the nerds continue to get beaten down until one takes rule of the school by beating the other jock into submission and the other gets the girl into a play on cringy 2000s movies' cliches where the jocks and nerds have to team up against a common enemy, an even worse and meaner jock, and realize that they're more alike than they think. (grace being crazier than max would be a hard thing to slot into the plot in this case... could be either she doesn't go crazy and get corrupted by the black book or a double play on things, that even if the nerds became cool like the 2000s movies would make them to be in the ending, the hierarchy would still be just as bad)

[pande-monty-um]

Hi!

What are your favorite Far cry 5 headcanons?

Hello! Good question 😁 I've got a few that I tend to apply to my "regular au's" lol.

I've mentioned in another post that goes into more detail about this. I headcanon Staci as being on the wrestling team during school.

It just makes sense to me and has kinda become unofficial canon in my mind so I guess that's my favorite one!

There's the classics!

Jacob's a speed demon and gets pulled over often

Staci's a mama's boy (I actually have a drawing of his mom I've been working on just need to make one last tweak and it'll be ready to post!)

A few others I didn't mention in the other post that I particularly like:

- Jacob not being able to control who passes the trials. They either OD on Bliss and the conditioning or they pass. So Staci would need to pass the trials with his own skills which just ends up as a bonus for Jacob cause now he has a pawn to use against the deputy.

-I usually headcanon Staci as mixed race or "white passing". I did a pretty in depth character study of his features cause I wanted to get it right and that's the vibe I got. I'll probably make another post about that one of these days.

Also, he's always bilingual to me. My go-to headcanon is that I can see him speaking in broken spanish/ english at home with his mom (kind of like in Spiderverse with Miles and his mom). It's the struggle of the immigrant/ 1st gen child wanting to keep in touch with their roots but would struggle to have a convo in pure Spanish. I imagine growing up he was surrounded by kids in similar situations as him so he had alot of opportunities to speak "spanglish" with them even if he wasn't very close to anyone in particular.

- John being scared of Jacob (which is canon) but being the first he runs to when things get tough. Jacob always helps out even if he doesn't agree with John's methods.

- Sharky's actually friends with Hudson and Staci (sorry i dont make the rules 🤷). He's got a 5k reward out for his arrest but no one in the County is willing to bring him in. Everyone's got an unspoken agreement like "He's an arsonist but he's Our arsonist", so when Burke comes sniffin round suddenly nobody's heard of him in weeks, they cannot see 🙂‍↔️.

- This last one is a bit more serious.

Early on, when the Seed's moved in. During the few years that it took to establish the Cult, a lot of the more outspoken deputies had "mysteriously" gone missing, or moved away. On top of that, Whitehorse ended up having to weed out a lot of the cultists and sympathizers when nearly all the evidence they had on the Seed's was "mishandled" "lost" "thrown out in court" ext. which by the end only left Pratt, Hudson, and Nancy.

That meant they had to keep their mouths shut about the cult info, couldn't go on any calls without a partner (which caused alot of houses to get raided since they usually arrived too late), and lots of overnight naps at the station. Staci and Joey worked hard to cover each other but they were running on fumes and practically lived in the station by the time Burke arrived with his little paper of unlimited protection. Rook was meant to be a much needed addition to the department. Unfortunately, their first day turned into a war zone situation.

I'd love to hear some of your headcanons as well!

[paeliae-occasionally]

hi pae pae!!!

what is your process of designing your maps? and how do you approach lore? how does that brilliant mind of your work to create such fascinating history and complex worldbuilding?

je would like to know the trade secrets pretty pls

p.s. how far along are you on xaeren? if it’s not far enough, im afraid i’m going to have to start protesting soon… 😔

p.p.s. before you say school is taking up your time—understandable. have a great day. keep being brilliant. i just really want more xaeren content.

p.p.p.s. in my head, i imagine xaeren as so mighty fine that there’s an occult in some middle school of a suburban neighborhood with an old classroom turned into a shrine for his feral fangirls to host club meetings simping over him

that’s it’s. that’s all the pspspsppsss i have. miss you! have a great day! cheerios!

Hello Naveena! Lots of questions! We will go through them one at a time.

What is your process of designing your maps?

So with maps I will start by just noting down the history and current function of the city which gives me an idea of style and layout e.g. all of the cities that were part of the Laith’Edrels have lots of circular designs whereas a modern altic city may have more typical alleyways and rectangular buildings Next I plot in the districts of the city, like where the upper class live, where the high streets are etc. I also add any key buildings at this time, like a plot relevant church or a mages tower. Lastly I go back in and draw boxes and house shapes for 2 hours.

How do you approach lore?

A lot of my lore is just a set of stories where I look at a place on the map, or a group of people and go ‘what could have happened here?’ The bigger worldbuilding points like the dissolution came from me wanting to have magical decay from fewer more powerful beings to more less powerful beings, so I needed gods. However it always frustrates me when there are canonically gods in a world who just sit back and ignore the world crashing and burning as one frustrated hero has to fix the problem, so I made a reason for them to be gone

History and worldbuilding

Honestly a lot of my history writing was based off of the large amounts of real life history I read in my free time. Studying how cities and empires develop then putting my own spin on them because magic would change some things. Worldbuilding comes from my maps really. I will label different cultures on the map then come up with myths and legends for that culture, magic specific to them or their ancestors, wars and internal conflict. Then that spirals into pages of notes on the socioeconomic background for Onkairel. It is lots of fun.

“would like to know the trade secrets” she says after writing a whole book with detailed political lore and plenty of depth to the world.

You know the secrets. You also know the secrets to actually writing the book too.

So about Xaeren…

I will be writing the scene where he meets Kell soon so I will tag you in it when I do, but you are right about the school work :( so it may take a little while.

“an occult in some middle school of a suburban neighborhood with an old classroom turned into a shrine for his feral fangirls to host club meetings simping over him”

So you say that jokingly… No, to be fair he isn’t known for his an appearance but he is quite well known in Zairel as an assassin and member of house Hiresias. He is terrifying and intriguing to many because of his unique magic that Lysandri can’t explain so I would not be surprised if there was discussion of him in the lower ranks of Lysandri and Hiresias.

I will write some Xaeren soon. Have a lovely day <3

[welcome-to-the-end-of-eras]

Pulleyverse characters sending their children off to college

Mori: he's the type of dad to pretend to not care whatsoever about his kid going off to college but secretly be devastated and not want it to happen at all. He'd hold it together until the moment he got in the car to go home after move in and just burst into tears. I can very clearly picture him telling Six not to expect to come home every weekend, and then proceed to ask her if she wants to come home every weekend.

Thaniel: he's sending Six off with a full arsenal of self defense tools and techniques. At least two knives, a whistle, brass knuckles, tasers, the works, and he'd drag her to boxing practices at least once a week leading up to her moving in. He's 100% the "'your kid got in a fight' 'did she win?'" type of parent.

Merrick: the BIGGEST school merch dad you've ever seen. He is raiding the fucking bookstore for hours trying to find the cute little "[school] dad" t-shirts and bumper stickers, and be coming out with at least 90% of their inventory. He orders the other 10% of it online the same night. He's got mugs, coasters, lanyards, anything you can put a logo on. (Plot twist, his kid transfers school the next year)

Raphael: I think he would be the most worried about his kid at parties and teach them as many tips and tricks to stay safe specifically at college parties. That and he would want to make/bring them food every day of the week bc he wouldn't trust a school cafeteria at all. And take them grocery shopping. And bring them home once a week. And-

Joe: he'd be the parent who's actually chill about sending his kids to school. Especially where he has two of them going off to school at the same time, he would get too wrapped up in the chaos of moving them both in at the same time to actually worry about them as much. At the end of the day tho I think he would trust his kids to be smart and reach out if they need help so he wouldn't mind as much if they were farther away.

Missouri: he'd definitely go wandering around the entire campus just to see what it's like. They'd all be looking for him to bring stuff up to the dorm and he'd be on the other side of campus checking out a cool pond he found on the very edge of the school property. Almost gets kicked out for wandering into private areas every year.

Valery: he'd have an absolute BALL trying to help his stepkids pick their classes for the year and just stack their schedule to help them graduate exactly on track, or even earlier if they wanted.

Shenkov: blubbers like a fuckin baby every time and doesn't care who notices. He makes move in a big family thing so everyone has to go and help move the others into school, then hugs the kids goodbye for as long as humanly possible while absolutely sobbing. (Plot twist, the school is only an hour away)

January: tbh I think he would be advocating strongly for gap years/career paths that don't require degrees. He seems like the type of person who wants everyone to get a chance to enjoy their early twenties before they go off to college. Once his kid does get into school tho he'd ask them all about what they're studying (and absolutely love it when they get all excited about it like Gale does).

Gale: Also really wants to know about what their kids are studying, but they go the extra mile and find copies of their assigned reading/textbooks to read and talk more in-depth with their kid about it. How they got copies of some of them, no one is sure, but they have them.

[darcytaylor]

In celebration of Luke Thompson being the lead for Bridgerton season 4, I thought I would go and watch some of his past interviews. These are just some of my thoughts throughout listening to this podcast episode. 

(this is the video of the interview which is shorter than the actual podcast)

His little chuckles throughout are so charming and adorable. Whenever I read, watch or listen to any interviews with Luke, it is always a joy. You can tell he is well educated, which listening to this podcast he admits he is. Luke tried to get into drama school twice and didn’t get in, then decided to study English and drama in University (this is where he was able to do multiple plays). After that he went on and went to RADA (a very competitive arts school to get into). 

I love how Rob Byron describes Luke - on the edge of funny guy but good looking as well. He straddles both worlds. 

This is very true and this made him able to bring Benedict to life in a way that made him a fan favourite. I think this will also be such a benefit to his career with wherever he wants to go. As much as I am excited about him being the next lead in Bridgerton, I am also equally excited to see where his career will go after. I know he loves theatre but I am sure multiple doors will open for him once Bridgerton Season 4 airs (and yes I know this is years away).

The way be talks about A Little Life - baroque level of suffering, deliberate excess of sorrow. As someone who has read A Little Life and loved the story (while also being emotionally ruined by the end), I couldn’t agree more. 

Who here has also read A Little Life? Who here got a chance to see it on stage? Who here got a chance to see it on screen?

Luke talking in French - As a Canadian I do know a little bit of French (definitely not fluent), I don’t think I would be able to hold an in-depth conversation with him, but I could hold a surface level conversation with him in French at least. Which I think is a success in my books. 

I found it funny that in this podcast Rob asked Luke directly if he was in a relationship. Luke almost answered him, but then caught himself. He says that he is normally reserved about this type of information because (being an actor) he isn’t comfortable talking about himself or talking about his life. He wants to talk about his characters and his acting, it's very respectable.

I’m excited that eventually we will get more interviews with Luke, bring them on!

[yermes]

The intention for your next elaborate blood ritual: a tarot reading 🐦‍⬛

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Pick a meme

123

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Disclaimer: please take what I say with a grain of salt and not as the gospel. I just want to share some ideas of practicing and giving advice using the medium as often as I can with school, work, and my own personal studies and practice. But I am working on sharing my notes soon so that will be exciting! Liking and sharing does a lot 🥰

Socials: TipJar | Follow me! | Podcast

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The cards

Moon 🌙 

Moon in Scorpio, Pisces, Netzach to Malkuth Water

Most likely something around shadow work, inner workings, personal exploration. To explore the depths of the soul, to perceive the state of your being in its divine nakedness. I think the best part about this blood ritual is you are not actually looking for a material end. Theres no love, sex, drugs, or money at the end. All it is: an exploration for you to become something more, to become a better magician, to learn about yourself. And honestly I think this is the best card you could draw. Invest in that shadow work bae.

Prince of disks 🍯

21° Aries to 20° Taurus, Air in Earthof Assiah, Tiphareth

You are looking for a physical result. Most likely this is a money spell, generally I think it will be successful with the combination of air and earth however do not give in to the arrogance or the stubbornness of earth. Be aware the material or a manmade construct may not manifest quite in the way you would wish. But you are willing to go on the limb bc you need money and you have expensive tastes.

Pleasure 🍷

Six of cups, Sun in 2. Scorpio, Tiphareth through water

Something involving love either interpersonal or personal but TBH I think your aim should be more personal bc One love spells get weird fast and two you need it. A big theme of this card is the balance of inner sources and emotional wealth which is abundant through an inner source. When you have inner love or emotions which flow freely you will not be so stuck on getting into a relationship. Evaluating your own emotions will help you in finding love overall because you will be less likely to fall into a shit relationship with self love and self respect.

Extras:

Story/vent:

The rituals next week are about to go fucking crazy