#I Wonder if after this episode they will talk again or be separate for a while

[birdy-babe]

“everyone hates better-than-blitzo guy because he makes Stolas happy >:(“ “why can you let Stolas be happy and not hate that guy?” “why do you hate that guy so much”

You want to know the real reason I hate that guy ?

because if it weren’t for him

WE WOULD KNOW WHAT BLITZO WAS GOING TO SAY HERE

I NEED TO KNOW WHAT WAS HE GOING TO SAY???????????? AFTER ALL THAT???? AFTER????

[tobiasdrake]

*deep breath* Okay. Here we go.

I don't think the Netflix Avatar show likes women very much. It's a great show for fans of Aang, Sokka, Zuko, and Iroh specifically. All four of those characters get a ton of great material. In fact, it's super great for Sokka stans, because the show takes him ultra-seriously and can't go five minutes without one character or another (usually a woman) praising him.

But the way it handles its female cast is troublesome.

Katara

So, all three of the main trio got some changes made to their stories. They changed Aang's story so that he wasn't running away from his responsibilities; He was just clearing his head and somehow accidentallied himself into a tsunami. Whoopsy-dooodle. Aang did nothing wrong.

They changed Sokka's story so that him being a leader of his people and a great guardian warrior is treated with complete seriousness. Multiple times, characters stop to talk about how brave and noble Sokka is for taking on such an intense responsibility, and tell him to his face what a great warrior and a wonderful leader he is. Also his misogyny is erased.

And they changed Katara's story so that she directly got her mom killed because she sucks at waterbending.

Katara tries to waterbend to attack the Fire Nation soldier but couldn't manage it, provoking the soldier to start actively searching for her and forcing her mom to fake a waterbending attack and draw his fire. They changed Katara's story so that her bad decision making fucking got her mom killed.

This is treated with the same level of severity as "Sokka was bullied by mean kids and also his dad doesn't think he's good enough to be a leader."

"I hoped Sokka would do better but not everyone is meant to have people's lives in their hands," Sokka's dad says of him.

Yeah, you're right, that's totally comparable to watching your mom get barbecued because you tried to waterbend in a situation you shouldn't have and then failed.

In fact, they give Sokka's greatest trauma more weight because it gets examined again with Yue next episode, while Katara actively getting her mom killed isn't brought up again at all. We get traumatized glimpses of it throughout the season leading up to the reveal, but after this scene in episode 5, it never comes up again.

But to be fair, Katara was a child. An event this significant would surely have motivated her, driving her to become the great waterbender she is now, right?

No! Katara sucks at waterbending and needs men who aren't even waterbenders to teach her how to waterbend. She requires instruction from Aang in episode 1 to learn how to waterbend, then from Jet in episode 3 to learn how to waterbend better.

And unlike the show, her relationship with Aang isn't a give-and-take; Katara doesn't teach Aang a single goddamn thing. He never learns to waterbend. She is a strictly a pupil throughout the whole season. Though she at least gets officially labeled a master in episode 8, so there's that.

In any case, the whole traumatic memory thing isn't even the only time she's directly compared with Sokka. Episodes 3 and 4 see Katara and Sokka bicker over whose morally dubious side character is better. Sokka likes the Mechanist and Katara likes Jet.

Ultimately, Katara is forced to eat crow when Jet turns out to be the worst, while Sokka is vindicated when the Mechanist sees the error of his ways and reforms. But not before two separate arguments where Sokka calls Katara childish and accuses her of acting like a little girl.

Arguments ultimately resolved when Katara apologizes to Sokka for not adequately respecting his very serious and ultra important role as village protector and leader. Gives him a whole speech about how great and glorious he is. And Sokka... appreciates Katara learning to respect him properly, I guess, because he never offers any similar sentiments back to her.

The show just... They need you to know how important Sokka is, okay? It's very important that you respect Sokka.

Suki

Suki suffers tremendously from that whole "Sokka's misogyny was removed" thing. Y'know, because they need something else to do with that episode. The show is deeply aware that Suki is Sokka's love interest, so they just do that right off the bat. Suki falls madly in love with him from the moment they meet, and spends the entire episode making goo-goo eyes and trying to get him to Notice Me Senpai.

They still do the "Suki Trains Sokka" stuff. But Sokka is a serious, dignified manly man worthy of the deepest respect now, so of course they don't make him wear the Kyoshi uniform. Instead, the main purpose of his training is to allow them to flirt some more. It's less martial arts training and more an excuse to grope each other and near-kiss.

Suki's just a waifu now. She still fights real good, but all of the stuff that made her relationship with Sokka interesting has been erased.

Yue

Yue, similarly, leaps straight to shipping from the word go. They write out her fiance, Hahn, by having Yue briefly meet Sokka earlier in the season. She spends one minute talking to him in the Spirit World about Spirit World lore; In that time, she falls so desperately, madly, unfathomably in love with him that she breaks off her marriage to Hahn and devotes herself to waiting for him to one day come to her.

"Never have I known such joys as that time you let me explain the spirit bear Hei Bei to you. Truly, we are destined to be together for life."

Like with Suki, they go out of their way to have Yue and Sokka already be a ship from the word 'go' so they don't have to spend time developing any kind of meaningful attraction.

They just. They really want you to know that Sokka is the manliest and most desirable man ever to walk this earth. It is very important that you understand how great he is. Women hurl themselves into his arms with zero effort whatsoever, because he's just so goddamn irresistible.

Fortunately, Hahn is super okay with this turn of events. He's the most chill guy ever, he gets along perfectly well with Sokka, and he completely supports Yue's right to dump him! In the famously misogynistic Northern Water Tribe, no less! What a swell guy. Aren't men swell?

June

June gets hit with that "rewritten as hollow waifu" stick too, but her eyes are set on Iroh. They rewrote June to be super attracted and flirty towards the man who was her unwanted sexual harasser in the source material. So that's fun.

Also, she barely does anything. Zuko hires her to find Aang, she succeeds, and then she fucks right off out of the show - But she manages to find time to express how unbelievably sexy Iroh is twice during that time.

She seriously just dropped into the show to flirt with Iroh and leave. She is unbelievably inconsequential.

Kyoshi

And then there's Kyoshi. They really want you to hate Kyoshi. She's constantly shot from below, as if looking down on Aang and the audience. Her voice takes on a demonic echoing reverb at one point as she's screaming at Aang that "THE AVATAR MUST BE A MERCILESS WARRIOR!!!"

She despises Aang, calling him a coward for running away from his responsibilities - Which, I remind you, is no longer a plot point because they unwrote that flaw from his character. So she's just a complete and utter asshole, shot from the asshole angle, yelling violently at him with asshole sound effects. They want you to despise this woman.

Azula

Awkwardly, they do not seem to want you to despise Azula.

There's a lot to be said for how Ozai treats Azula in the original show. The way the favoritism he shows her is every bit as cruel and manipulative as the unfavoritism that he shows Zuko. Ozai does not love Azula. He loves the reflection of himself he sees in her eyes, and his encouragement urges her to polish herself to ensure his reflection always shines through.

This is not that. The show instead erases the favoritism entirely. Ozai doesn't really care one way or another about either of his kids. He plays them against each other, bragging openly to Azula about how great Zuko is and unpleasably writing Azula off as weak and useless.

They've rewritten the dynamic between abusive father and his two abused kids in order to take Azula's pride away. Reimagining her from a gifted prodigy who excels at imitating the toxic behaviors of a father who doesn't truly care for her, to a put-upon overachiever tearing herself in knots to live up to the standards of her unpleasable father.

This results in a truly wild portrayal of Azula as insecure and jealous of Ozai's seemingly love for Zuko. Here, she is simply a browbeaten child constantly complaining to her friends about how mean her father is and conspiring to get one up over Daddy's Golden Child Zuko.

Which she fails at, because she backs Zhao. Zuko deftly defeats her without even realizing they're in competition.

Conclusion

The season ends well for some of these women. It ends promising that maybe we'll see Katara teaching Aang some day. It ends with Zhao bragging that Ozai just used Zuko to train Azula so maybe we'll see the more confident and misguidedly proud Azula some day. Yue becomes the moon like she's supposed to. June's still out there so maybe she'll get to do something again some day.

Katara gets to fight Pakku and lose, but she looks pretty cool. She gets to fight Zuko and lose, but she looks pretty cool. Azula learns to lightningbend because she's just so mad about Ozai's contempt for her and favoritism for Zuko, which isn't how you lightningbend.

But promises of future content fall flat when the content that exists is so underwhelming. This season made its feelings on these characters pretty evident, and it's unwise to expect better material from creators who've disappointed you with the material they already made.

The women of Netflix Avatar simply do not get to shine, outside of superficial moments like the "Women of Northern Water Tribe demand the right to fight and then fuck off and don't do anything for the entire rest of the episode" bit.

"In the midst of battle, we demand that you stop being sexist and give us permission to fight! This is a way better idea than convincing you to teach us to fight before the battle begins."

The characters of this show feel as if they've been reimagined to glorify the boys at the expense of the girls. The boys are treated with a great amount of care. They're dignified and made important movers of the plot, with their rough edges sanded off. While the girls are molded around them.

[magniloquent-raven]

Day 4: Supportive Boyfriends

and for my next (LATE, SO LATE) @bucktommypositivityweek contribution. KITTEN FIC.

(read on ao3)

**

The 118 doesn't have a baby box.

In fact there aren't any in the state of California at all. Buck looked it up, after Maddie's postpartum episode. When half his family was missing and there wasn't much he could do besides wait and... think about things.

So he thought about safe haven laws. Read up on the training seminars for first responders who want to be better equipped to deal with hand-offs. Read a bunch of other stuff he sort of wishes he hadn't. Spent the next week haunted by articles about abandoned children.

He considered talking to Bobby about it. Only partly to ask him if they should get a box for the firehouse. Partly because Buck wasn't sure how he felt about the whole thing, and Bobby always seemed to have answers. But he never worked up the nerve to broach the subject.

And now. Bobby's not captain anymore, and Buck really can't imagine Gerrard giving a shit about any of this.

So, they don't have a box. But.

Well, this isn't a human baby. It's not like the same rules apply.

Buck has to wonder if wires got crossed somewhere, because. Someone left a kitten. Outside the firehouse.

Buck was just going to grab something—he can't remember what—from his Jeep, when he spotted an unlabelled cardboard box on the pavement, up against the side of the building. His first thought was bomb.

Until it meowed at him. A tiny, high-pitched peep of a meow.

Kind of scared the shit out of him, if he's being honest.

There's only one. All alone in the box. A poofy grey thing wriggling around half buried in an off-white towel. Like a very ambitious dust bunny with big round blue eyes and skinny legs. It wobbles slowly over a fold in the towel with all the effort of someone scaling a mountain.

Buck crouches next to the box, and pokes a finger inside.

"Hey, buddy," he murmurs, holding very still while the kitten inches towards his hand and squeaks. It's unclear whether there are teeth in that little maw. That means it's really young, right? Too young to be left alone for very long.

Shit, how is he going to explain this to Gerrard? He's still got, like, 12 hours left on his shift, but someone has to feed this thing. How long can kittens go without food?

Oh, it does have teeth. Really teeny ones. They're ineffectively poking his knuckle.

Buck fishes his phone out of his jacket—with the hand that isn't currently being drooled on—intending to go to Google for answers. How to figure out how old a kitten is. How often do kittens need to be fed. Do cats get separation anxiety. He has a million questions.

Only he doesn't pull up his browser. He calls Tommy.

It's a whim. Barely a seed of an idea. But when he unlocked his phone the first thing he saw was their text history (he'd been complaining about Gerrard off-and-on all morning, and Tommy had been sending random updates about all the chores he'd been getting done—his last message was a picture of a mop with no context) and he just thought... Tommy will know what to do. Not in so many words, more a feeling. Comfort and certainty, just from seeing Tommy's picture in a little bubble at the top of his screen.

"Evan?" Tommy answers almost immediately, and there's a subtle undercurrent of worry in his tone. Buck winces. Right, calling out of the blue while he's at work would look. Bad.

"I'm okay!" He says quickly, all in one breath. Then pauses. The kitten squints up at him, meowing again, long and loud. Its whole fluffy face scrunches with the effort.

"...What was that?"

"Uh. That would be why I called, actually."

—

Gerrard is less of an obstacle than Buck feared he'd be. Because he's holed up in his office doing paperwork when Buck sneaks in with the kitten, and Buck's decided he has no intention of letting him know the cat was ever here.

Tommy promised he'd come get her.

Buck didn't even really ask, and wasn't planning on asking. Didn't have any plan whatsoever, in fact. He just wanted to know if Tommy knew anything about taking care of kittens, and suddenly Tommy's voluntarily sacrificing the rest of his day off to scope out vets and pet supply stores and whatever else Buck's helpless little friend might need.

He hung up hours ago and his insides still feel warm and goopy about it. He can't stop thinking about the gentle fondness that softened Tommy's voice after Buck explained the situation. Buck would wrap himself up in it like a blanket if he could.

Tommy's getting so kissed when he shows up.

In the meantime, Buck's sitting upstairs, working his way through the dozen or so tabs he opened up after googling kitten care.

He thinks the one he found might be around three weeks old (ears not quite unfurled, can't sheathe claws yet, legs unsteady but mobile). And possibly a girl. She did not care for being picked up and turned over, and the indignant squirming made it difficult to tell what's going on down there. But he's almost certain he's right.

She was shrieking up a storm about it, and he was worried if he took any longer she'd alert Gerrard. (She didn't. She did, however, draw the attention of about half the firehouse.)

"You are disgustingly cute," Chimney coos, scratching under her chin with the tip of one finger. She's lifted her head as high as she can and her eyes are squinted happily. Buck can hear her purring from across the room. "Yes you are. Hen, can you get a picture of this?"

Hen pulls out her phone. "Sure... why?" She asks, leaning over his shoulder to snap a picture and eye him with mild suspicion.

"Jee. She'll wanna see when I tell her about my day."

Her expression softens to a smile. "I'll text it to you." She taps her screen a couple times. "Just had to make sure you weren't planning on calendar campaigning again."

Chimney grins. "Nah, my calendar days are behind me. The only person who gets shirtless pictures of me now is my wife."

"Gross," Buck says without conviction. He narrows his eyes at the site he's scrolling through, swiping away a Join Our Mailing List! popup. "You guys don't think she's cold do you? Are her ears warm? It's only, like, 70 today and we don't know how long she was out there."

Hen and Chim exchange glances, and then, disturbingly in sync, look from the cat to Buck. Chim gives her ear a perfunctory poke, which she does not appreciate as much as chin scritches, "She's fine, man."

Hen waves a hand at Buck when he opens his mouth again, "We're medical professionals. And in my medically professional opinion. She's fine."

"Okay, but—"

"Hey guys, look who stopped b—uhhh. Is that a cat?" Eddie slows to a stop at the top of the stairs, blinking at the kitten on the couch. "When did we get a cat?"

"Couple hours ago," Buck says, still frowning at Hen and Chimney. "Where have you been?"

"I found him polishing the engine."

Buck shoots out of his seat. "Tommy!"

He only half-hears Eddie muttering, "Favouritism," as he scuttles around the chair to meet Tommy halfway between the stairs and the sitting area. Tommy has just enough time to smile—and it warms Buck, like it always does, with a spark caught in his chest for safekeeping—and say hi before Buck's on him, palms clapped on either side of his face, smushing their lips together.

He makes a bit of a show of it, dramatically swooping in, because he knows the big smacking MWAH will make Tommy laugh, and he likes the way that feels rumbling against his chest.

Buck taps their noses together. "Hey," he says, savouring the mirth sparkling in Tommy's eyes for a second before kissing him again, properly this time.

His brain goes sort of fuzzy when Tommy's palm cups the back of his neck.

Someone in the distance wolf-whistles.

When they finally come up for air Tommy asks, "What was that for?" a little breathlessly, which is doing things to Buck.

"Mmn...y'know. For being you."

Tommy raises his eyebrows, kiss-reddened lips curling fondly. "Okay."

"Hey, Tommy. Good to see you," Chim calls in a very pointed way.

Right, public setting. Workplace. Friends watching. Buck exhales slowly, and tries to think about anything other than how much he wants to bite that bit of clavicle peeking out of the collar of Tommy's shirt. Like the fact that Tommy's hands are warm, and he's sort of rubbing his fingertips over the short stubbly bits of hair on the back of Buck's head, and Buck's lips are still tingling a little, and—no wait, not that either.

Tommy pulls away first, which is probably for the best, but also very sad. The corner of his mouth twitches like he can see Buck thinking it. He curls his index finger and gently taps Buck's chin with the knuckle before he turns to the group.

"Howie," he says, not even pretending to be contrite in the face of Chim's mock-judgement. "Hen."

"Tommy." Hen fails to contain her smirk.

Some time during all the kissing, Eddie moved over to the couch. He's sat next to the kitten, watching her attempt to groom her paw with all the grace of a toddler who's only a little bit sure they know how to hold a brush. She keeps starting and stopping at random intervals, sometimes licking the cushion beside her, sometimes sticking her tongue out at thin air.

She's so cute it makes Buck's chest hurt. It's a little much while he's still loopy from making out with his boyfriend.

Then Tommy goes and crouches next to the couch so he can get eye-level with the kitten while she sniffs his hand, talking to her all calm and soft with smile-lines crinkling his cheeks, and. Buck might need to lie down for a bit. Like, on top of Tommy, preferably.

The kitten seems to like him too, and he really can't blame her when she crawls up Tommy's sleeve to perch on his shoulder.

She looks so much smaller cuddled up on Tommy. He reaches up to steady her, and she's almost entirely obscured by his hand.

God, is it wrong that he's getting a little hot under the collar about that? He just looks so strong and competent and at the same time, like, gentle. Buck knows how it feels to be touched tenderly by those hands, and apparently just seeing it happen does not affect him any less. In fact it's only added dimensions to his desires.

"I should probably get going," Tommy says, bringing Buck back down to Earth with a resounding splat.

He opens his mouth to protest, then closes it. He's right. The last thing Buck wants is for Tommy to have another run-in with Gerrard, and they don't know how long the old bastard's gonna be occupied.

"Mhm, run while you still can," Chimney pipes up. "Before our dear old captain smells an opportunity to ruin someone's day."

"He does seem to have a sixth sense for that," Eddie adds sullenly. Buck makes a note to ask him what that was about. Later.

"I'll walk you out," Buck says, trying not to sound like a pouting child. He's fairly certain he fails, because Tommy laces their fingers together and gives his hand a comforting squeeze.

He says his goodbyes, the whole time being careful not to dislodge the kitten while she crawls across his shoulders.

Buck goes through the list of kitten care basics he memorized as they make their way to the parking lot. It's...more than he thought it was, honestly. It starts to feel overwhelming as he goes on, and on, and on. He's running out of time to get it all out, and he feels like it's just now sinking in his huge this responsibility that he's dumping in Tommy's lap is.

"You're sure you don't mind taking her?" The question bursts out of Buck before they make it to Tommy's car. "W-we didn't really, I mean. We talked about it over the phone, but..."

"Yeah, now that I've seen her she does seem like a real handful."

The kitten yawns, and curls up into a tiny grey ball in the crook of Tommy's neck.

Well. Alright.

"It's just, t-they need a lot of attention when they're that young, and I kinda just, just dropped this on you."

"Evan." Tommy gives him a look. "Are you worried that you baby-trapped me?"

Okay, when he puts it like that. Maybe a little bit. But also now he's having complicated yearning feelings that he really should not be having this early in the relationship.

Buck's pretty sure he looks like a deer in the headlights right now, because Tommy's doing his damnedest to pretend he isn't laughing at him.

He tugs Buck's hand, leading him the rest of the way to his car.

The backseat is full of cat stuff. Containers of milk-replacement powders, and a shiny plastic litter box, and toys, so many toys, baggies of fake mice and feathery things, just. So much stuff. Piles of it.

"I called up a friend who used to foster kittens. She had a lot of advice. And then I got a little carried away."

"I, uh. See that," Buck laughs breathlessly.

"Over the phone, you sounded like this meant a lot to you? And I think I got really attached to the idea of...this. Taking care of her for you. With you." He sounds hesitant, like he's trying not to say too much, and Buck can't stand it—

"I love you so much," he says in a rush.

"Well, good," Tommy purses his lips around a smile, eyes bright and crinkled at the corners. He reaches up to his shoulder, like he's absent-mindedly checking to see if the kitten's still there. "Wouldn't want her to grow up in a broken home."

Buck huffs a laugh.

"And I love you too."

[kanmom51]

Jikook in bed - Part 3

Are you sure?! Episodes 4 and 5

Before we get started, a little reminder of parts 1 & 2.

Let me start by saying that the occurrences in this post directly follow the whole ramen convo saga.

After speaking ramen and showering (notice how I haven't added the word "separately" there?🤣 ), and spending some time together downstairs all cozy and everything, they both decide to go to bed.

Let's talk about the pre-sleep coziness for a sec before moving on.

Watching the SNTY choreo and talking about it. JM loving the choreo.

Nothing new here folks.

We also got to learn, once again, just how 'informed' they are of each other's business. That's a nice way of saying they know shit about each other even if we don't tell us they do. Like, JM knowing that JK hasn't slept since NY, including on the flight. And if we're on the sleep talk already then funny how JK didn't know his 'husband' 'is struggling with sleeping lately.

And then, as we got to learn throughout the show, the two, once again, make a joint decision to go to bed.

Enough of that.

Let's get to the juicy part of this post, why don't we?

We start it off the two entangled.

JK has zero issue with JM's feet basically in his face.

Well, he did say JM's toes are cute, so...

Do we notice how JK goes for JM's ankle?

Now holding on to JM's foot with both hands (his mobile in his left hand).

And then letting go.

Reminded me of this moment.

And this one too.

JM going for the hug and JK pulling his hand in.

And they stay like that.

We don't know for just how long.

Discussing sleeping together.

It's not about "are you sleeping with me here?" or "where are you sleeping?"

It's "don't hit my nose today... if you do I'll hit you too..."

No questions asked.

Just facts!!!

How long were they just laying like that, calm, intertwined, BEING?

And they clearly do fall asleep together both laying over the covers.

The editors making sure to let us know that the two were sleeping on that one bed.

That angle of the lone empty third bed. Was it really necessary?

But you'll say: JK moved at some point to the third bed. Yes he did. And why? He already fell asleep on the bed with JM.

There is a purposeful omitting of JK waking up and moving to the third bed. They cameras were rolling, and they clearly could have shown us what happened. Makes you wonder why they didn't show us.

My uneducated guess would be that he moved to the bed on the floor because he was cold at night, and didn't want to wake up JM (they fell asleep over the covers and getting under the cover might have woken JM up). We do see JK covered in the morning. A guess, no more.

That was night 1 of Jeju.

Night 2 is a little different. This time they automatically split into 2 beds. Question I ask is why? Were they told to? Did they think it was better that way?

Either way, we see how JK insists on taking the bed on the floor.

And no, that flimsy excuse of preferring the less soft bed doesn't stand with me. I'm going to go with JK not wanting JM to sleep on the floor. Where Tae was supposed to be sleeping, btw. Funny how that worked out...

And yes, they didn't share a bed for the night, but JM sure couldn't go without his morning cuddles.

Understandable.

Notice how we never see JM getting up? We have zero idea just how much time they lay on JK like that cuddling him. Sob sob. I'm going to go with it not being short lived, which is why they cut the footage.

Ok, so that basically wraps up the 4 nights. 2 in CT (the actual night they spent together in bed the whole night we got zero footage of) and 2 in Jeju.

But how can I end this post without JM's wake up alarm for JK? Waking up is still about bed, right?

When I first saw this I didn't get what was going on... and why JM thought it was so funny.

Well, until I saw this.

Those two...

🤣🤣

[clanwarrior-tumbly]

can i get a scarlet/violet gang x ghost trainer reader who lets their ghost types possess them for pranks ?

This took a minute to think about until mochi mayhem dropped--then I got ideas haha

...........

During the events of Mochi Mayhem...you seemed remarkably unfazed by Pecharunt's "curse" spreading throughout the village, finding it more amusing than frightening.

And it's because you were no stranger to being possessed yourself.

Your first experience occurred after a Spiritomb's soul got separated and found you as a temporary host while you were exploring some ruins in Paldea (with your poor Fuecoco at the time being terrified for you).

Fortunately it wasn't an aggressive one, just a scared lonely spirit that was piloting your body around until it was reunited with the other 107 souls of that Spiritomb....which turned out to be a shiny!

In a show of gratitude, it decided to join your team--and soon you found your true calling as a ghost type trainer.

So you've picked up other ghosts throughout your journeys in Paldea, Kitakami, and BB Academy.

At some point you trusted your main team enough to allow them to possess your body.

Initially, they only did if they believed it was necessary (ie saving you from a fall or sudden Pokémon attack).

But then you decide to let them do so for pranks and such--mainly reserving those for whoever bothered your friends, while other times your friends are the hapless victims.

Exhibit A: When a BB Academy student is harassing Kieran over how he used to act, you see him getting upset and have one of your Shiny Spiritomb's souls possess you, enabling you to creep up and stare at the bully--all behind his back without him ever noticing you.

He's confused when they suddenly look terrified and run away....and then he slowly turns around, screaming a bit upon seeing your face in the likeness of a Spiritomb (like in that one episode of Journeys where Ash gets possessed by one).

You feel bad, especially after the soul leaves your body, and you promise that you'll never do that again.

Although he is grateful you saved him from that intense moment.

Exhibit B: You're hanging out with Penny at your house, watching her play some horror game on your console.

Your Gengar gets the mischievous idea to turn the lights off and possess you, creating a creepy atmosphere all around the house, making your friend paranoid of whether the sounds were coming from the game or elsewhere.

In hindsight, it sounds hilarious..but you forgot Penny doesn't fw horror movie tropes like that.

As she commands Umbreon to attack you out of pure instinct-

Only to see you and Gengar get forcibly separated and hit the ground hard.

Knock Off was no joke.

She apologizes but is a bit annoyed bc she couldn't save her progress thanks to your "prank".

Exhibit C: While Arven is giving Nemona, Penny, Kieran, and Carmine lessons on the art of sandwich crafting, you stroll over with some purple mochi, offering it as a dessert.

Obviously they decline, seeing Pecharunt literally hovering beside you and wondering if you already forgot what happened.....and are horrified when you shrug and eat one, your eyes turning purple.

Yet before anyone can fully freak out, you just laugh and start talking normally.

To make a long story short, you and the mythical 'mon came to an agreement that you'll eat the mochi it provides as long as it doesn't make you do anything harmful (like battling) or anything ridiculous (like dancing and saying "mochi" nonstop) while possessing you.

It's still mischievous at heart, of course. You'll allow it to have a little bit of fun considering its troubling past.

Exhibit D: Your Skeledirge was the first 'mon you used the Synchro Machine on after arriving to BB Academy, walking around and battling wild Pokémon in the terarium for a few good hours.

This "reverse possession", however, left some adverse effects on you even after desynchronizing...as for several days you developed a habit for singing, could taste smoke in your breath, and even your partner's little fire bird companion decided that it wanted to nestle atop your head.

You realize what a funny prank this could be.

So you pull up to the cafeteria to the "date" Drayton invited you to and freak out the rest of the Elite Four (except for Crispin who immediately realizes you own a Skeledirge and thinks you're awesome).

That also makes for a rather...awkward reunion with Kieran who thinks you've seriously gone off the deep end, and you drop the act right away.

But he's too caught up in the idea of battling you and winning to care about why tf you're possessed rn.

[kiame-sama]

Drag Me To Hell- (Yandere!Alastor x Chubby!Fem!reader) pt 2.

Warnings; same warnings apply from Hazbin Hotel as to here, but if you know Hazbin, you're already prepared for what's coming, spoilers for episode 1 of Hazbin, a bit more "background" for reader, fem pronouned reader,

~~~~~~~~

"I swear, if you film me goin' at it with mister fancy-talk creepy voice here, you'd be rollin' in participants willin' to stay at this tacky hotel."

"Haha, never going to happen."

You glanced over from where you sat at Husker's bar, seeing Angel Dust make a few gestures to Alastor. The Radio Demon in question had a sneer on his face disguised as a wide grin, almost seeming annoyed with the consistent light flirting from Angel.

Angel would never have him.

Alastor- as you knew him- was not an overly sexual being, and anything that did come over him was fleeting if even substantial enough to act on. Besides, he was not one to expose himself to just anyone. It took decades for Alastor to come to you, and you were by his side more often than anyone else in his demonic life. You suspected part of why he was even willing to approach you about the matter was because you were already the equivalent of a lady in waiting to him.

His living diary. His secretary. His studio assistant. His bed-fellow. His ensnared soul bound eternally to be loyal to him alone. His favorite soul in the entire collection.

You weren't his strongest- if anything, you were his weakest- but you were his favorite.

"Hey," Angel started, "I have a question, if freaky-face over there is so powerful, then why can't he just make people stay here?"

"Oh, trust me," the light around Alastor faded and his antlers slightly grew, "I can!"

It was then Husker spoke up, a bottle in hand and a frown on his face.

"Why do you think I'm here?"

The hell-cat bartender was a familiar face to you. He was yet another soul in Alastor's repertoire and his contract was one that made you pity the gruff demon. You were there when it was struck after-all, not that Husker knew that.

Alastor didn't like going places without you, so he would often contain you inside of his microphone cane. In a sense, you were the spirit possessing his microphone. Where it went, so did you, meaning you were always by Alastor's side. Of course, you could be separate from it, he just didn't usually want you to be. An eternal summon bound by the shred of demonic power you had to your name.

"You actually think I'd be cleaning bottles and listening to you fucks bitch and moan all the time if he wasn't forcin' me?"

"I like being forced."

"Keep that to yourself, Niff."

The sudden interjection from Nifty actually made you laugh, knowing the twisted inner workings of another of Alastor's 'summons'. Nifty was more like you than Husker, far more intertwined to Alastor and his whims than others. Nifty was more of a pet to Alastor- not that you were any better- and she kept things tidied to Alastor's standards.

"Never change, Nifty."

She smiled at you and Husker rolled his eyes, wiping down the same bottle once again. Husker was damn good at being a bartender and listening, even if he bitched about it while it happened. Between the three of you, you all were used to Alastor and his general behavior in most situations. As Alastor's confidant and microphone, you knew him better than anyone else and even then there were things you didn't know about him.

"Darling, can we talk a moment?"

The words sent anxiety down your spine, but you were quick to answer the non-optional summons. Walking up to his side he lazily wrapped an arm around you, leading you away from the group.

"Yes, Alastor?"

"Ah-ah, what did we talk about?"

"Sorry... Yes... Dear?"

"Hm, I never get tired of hearing that. I just wanted you away from them for a bit, that's all~"

Part of you wondered if Alastor was being serious or not, but decided that he had done far deadlier things to other demons for far less than vaguely annoying him by existing. If anything, his new interest in 'pet-names' was a recent development that likely had to do with his growing jealousy. You had been with Alastor on his seven-year 'sabbatical' and now you both were among others like this. It was clear to you that he was finding himself a bit more possessive of you.

"Just happy to have you here, and trust me, I'll make sure you never leave."

[aniesvision]

𝟐𝟕- 𝑮𝒉𝒐𝒔𝒕'𝒔 𝒄𝒓𝒖𝒔𝒉

𐂃 𝚖𝚊𝚝𝚝 𝚜𝚝𝚞𝚛𝚗𝚒𝚘𝚕𝚘 𝚡 𝚏! 𝚛𝚎𝚊𝚍𝚎𝚛

𝚠𝚊𝚛𝚗𝚒𝚗𝚐𝚜: 𝒐𝒖𝒊𝒋𝒂 𝒃𝒐𝒂𝒓𝒅, 𝒃𝒆𝒊𝒏𝒈 𝒊𝒏 𝒂 𝒅𝒂𝒓𝒌 𝒓𝒐𝒐𝒎, 𝒕𝒆𝒏𝒔𝒊𝒐𝒏, 𝒅𝒊𝒓𝒕𝒚 𝒋𝒐𝒌𝒆, 𝒔𝒖𝒈𝒈𝒆𝒔𝒕𝒊𝒗𝒆, 𝒌𝒊𝒔𝒔𝒊𝒏𝒈

𝚊/𝚗: 𝒉𝒆𝒚𝒚, 𝒕𝒉𝒊𝒔 𝒐𝒏𝒆 𝒊𝒔 𝒊𝒏𝒔𝒑𝒊𝒓𝒆𝒅 𝒃𝒚 𝒔𝒂𝒎 𝒂𝒏𝒅 𝒄𝒐𝒍𝒃𝒚'𝒔 𝒗𝒊𝒅𝒆𝒐 𝒘𝒊𝒕𝒉 𝒕𝒉𝒆 𝒕𝒓𝒊𝒑𝒍𝒆𝒕𝒔, 𝒆𝒏𝒈𝒍𝒊𝒔𝒉 𝒊𝒔 𝒏𝒐𝒕 𝒎𝒚 𝒇𝒊𝒓𝒔𝒕 𝒍𝒂𝒏𝒈𝒖𝒂𝒈𝒆, 𝒆𝒏𝒋𝒐𝒚 ☕︎

𝚜𝚞𝚖𝚖𝚊𝚛𝚢: 𝒆𝒙𝒑𝒍𝒐𝒓𝒊𝒏𝒈 𝒘𝒊𝒕𝒉 𝑺𝒂𝒎 𝒂𝒏𝒅 𝑪𝒐𝒍𝒃𝒚 𝒍𝒆𝒂𝒅𝒔 𝒓𝒆𝒂𝒅𝒆𝒓 𝒕𝒐 𝒎𝒆𝒔𝒔 𝒘𝒊𝒕𝒉 𝑴𝒂𝒕𝒕 𝒂𝒃𝒐𝒖𝒕 𝒂 𝒈𝒉𝒐𝒔𝒕, 𝒘𝒉𝒊𝒄𝒉 𝑴𝒂𝒕𝒕 𝒔𝒆𝒆𝒔 𝒂𝒔 𝒂𝒏 𝒐𝒑𝒑𝒐𝒓𝒕𝒖𝒏𝒊𝒕𝒚 𝒕𝒐 𝒄𝒐𝒏𝒇𝒆𝒔𝒔 𝒉𝒊𝒔 𝒇𝒆𝒆𝒍𝒊𝒏𝒈𝒔... 𝒌𝒊𝒏𝒅𝒂

Colby|Reader|Matt

🍂

-And tonight... we're playing with the ouija board.

-Oh, great. You guys never do the ouija board, but the only day I'm here...

I shake my head, rubbing my face in anticipation. I've been talking to Sam and Colby about a collab since we met. I'm a huge horror movie fan, but seeing actors on TV is one thing, the other is seeing things in person, and I wasn't sure if I was ready to be a believer yet.

It was one of the special halloweek videos, so besides me, the triplets were in the episode, all of them as scared as I was to explore the mysterious school Sam and Colby recently bought. Yes, bought it. It's literally their place now, which is insane.

I'm close with Matt, Nick, and Chris as well, they were the reason I met Sam and Colby. We're all good friends, but I'm not sure that's all I can say about my relationship with Matt, although I have no idea what we are.

We separated to explore the school, trying to find any evidence that showed us why the place was haunted. After a while, we played a few games like basketball to know which one of us was going to use the ouija board. How funny is it that me and Matt were the chosen ones?

Colby explains to the camera what we are about to do, all of us getting into the boiler room, supposedly the most haunted room in all school, and soon enough me and Matt were left alone in the dark space.

-I don't wanna do this. -I say, sitting down on the floor in front of the board, my hands shaking in fear.

-Trust me, I don't wanna do this either. -Matt sits in front of me.

The only light illuminating the room was the flash from Matt's phone so we could see the letters on the board. One camera was positioned on top of a chair, pointing at us.

I take a deep breath, placing my fingers on top of the indicator.

-There's no running back now, I guess. -I bite my lips, waiting for Matt to do the same.

His fingers touch mine and he starts asking questions about the place, but nothing changes.

-I heard that there was a principal here, can we talk to you? -Matt asks, looking around even though it is all dark.

-Or maybe a woman, we love women. -I joke, trying to hide how scared I was.

Matt laughs, about to say something back, but our fingers move to Yes. I feel chills, my mind spinning with the change in scenario. It had to be Matt pranking me, there was no way this was real.

-Holy shit. -I whisper, my voice shaky.

-Are you the one in charge here? -Matt asks again.

I wondered how could he still act so nonchalant, he was clearly meant to do this shit.

The indicator stays in Yes.

-Do you like it here? That's why you're still in charge?

It starts moving again. Y. O. U.

-You?

-Maybe she likes you. -I whisper, giggling and stopping when I hear a crack. -Did you hear that?

-Are you the one making noises? Do you want us to leave?

Nothing.

-We just want to understand what's happening here, can you help us? Maybe talk about what makes this place so haunted?

Y. O. U.

-Matt, I think she really does have a crush on you.

-Shut up! -He chuckles, shaking his head in disbelief.

I bet his cheeks are red like tomatoes right now.

-I think she means that you're so handsome that all the ghosts are coming here to haunt this place. Maybe it is your fault that this place is haunted.

It's just too funny to mess with Matt, and so easy to make him feel all flustered that even in the dark I know he's all shy.

-You're so unserious.

We asked a few more questions but got no more answers and the noises were creeping me out so we decided to get out of there. We took the camera and said goodbye before letting go of the ouija board and walked to the safe room to find the rest of the guys.

-How was it? -Colby asks, pointing another camera at us.

-We discovered the principal was a woman who happened to have a huge crush on Matt.

I put the board on a desk, smiling as I heard Matt's complaints behind me.

🍂

We ended our part of the video with Sam and Colby and left the school. Matt drove us to their place, where I was supposed to sleep since it was almost morning already.

I was happy with taking the couch, so I changed and got ready to sleep in Matt's bathroom since it was the closest. Nick and Chris immediately went to their rooms, and when I got out of the bathroom Matt was waiting to come in. I smile at him, stepping to the side.

-Good night, Matt, try not to fuck any ghosts tonight.

His eyes widen, eyes rubbing his eyes as I laugh.

-That's insane. I'm not into ghosts like that.

I cross my arms, turning around to look at him, his cheeks turning pink just like I imagined they were back in the boiler room.

-I hope not.

He rolls his eyes with a smile, putting some toothpaste on his brush.

-You know you don't need to be jealous of ghosts, right?

-I'm not. -I shrug, leaning against the wall.

-I think the ghost wasn't the only one with a crush on me. -He smirks, setting the brush down and looking at me.

-So you confirm the ghost had a crush on you.

I raise an eyebrow at him, his smirk growing even more.

-I don't know, but unfortunately for her, I already have someone in mind. And she's not dead.

Fuck. I'm pretty sure I wasn't supposed to feel butterflies with this.

-That's a good sign. But I think you should tell her before she is dead, you know? Fighting a ghost for your attention is obviously hard.

Oh my God. Where did the confidence come from?

-Looks like it. Actually, that was kind of scary, I think I need some company tonight.

He's not serious. And the way he's looking at me? Maybe he knows a little too well how to intimidate me, in the best way possible.

Waiting for him in his room makes me even more nervous. Am I really about to share a bed with him? Does it mean anything?

My heart almost stops when he locks the door, takes a seat next to me, and looks at me with a serious face. His gaze is so intense that makes me anxious, a small smile slowly growing on his lips before he raises his hand to my cheek and pulls me closer. Without saying anything, he kisses me. It's delicate and sweet until he pulls away.

-Do you really think that ghost was into me, though?

I hit his arm playfully, rolling my eyes and laying down sideways, giving him

my back.

-You're an idiot. -I giggle, hearing him chuckle.

𝒕𝒂𝒈𝒔 ✍︎

➪ @riowritesitall @mattsfavbigtitties @sturniolosarethebest @hyacinthst @deers4luv @sturncakez @watercolorskyy @delooshunalhoe @sarosfilms @blahbel668 @sturniyolo69 @sturniolosl0t @colbsposts00 @fallingforfalll2 @stvrnmc @faithlia @katie-tibo @sturnioloblues @monroesturnns @mattnchrisworld @shaquilles-0atmeal @fratbrochrisgf @dayzeandhaze @sharkcat1928 @phimstarz @h3arts4harry @s1ut4chris @star-yawnznn @asherrisrandom @pip4444chris @jupiter1700 @sturniolo-fann @beansprout713 @conspiracy-ash @sophsturns @sturnsxbitvh @ivysturnss @mattsbitchh

[shantechni]

I think an awful lot about Splinter believing in the start of the series that he'd lost his humanity.

For the sake of someone named Pete, I will go through the events in chronological order for once-

In Lone Rat and Cubs, Splinter tells the turtles about their time spent running from the Kraang before they found their forever home, and we learn that Splinter didn't easily slip into his new role. Sure, he cared for the turtles, kept them fed and sheltered them from the elements, but he still called them "creatures" and "turtles" before naming them. He didn't see this as an opportunistic situation where he miraculously became a father to a second batch of kids, but rather that he'd fallen into a pool of misfortune and would need to live with this new form while protecting himself and the turtles.

"What terrible deed did I do in a past life that such a curse has befallen me?"

As he considers the turtles' growth and the possibility of a future with them, he then begins to view himself as a potential father. He explains that he wondered if he had the discipline to be a proper father, especially after the loss of his first family, and he realizes it was something he wanted to be regardless of discipline or odd circumstances.

And so, he claims the turtles as his own, and accepts his role as their father.

Though he'd grown accustomed to being a mutant rat over the years, he still draws a line between "Hamato Yoshi" and "Splinter" without knowing it, albeit a blurry and ephemeral one drawn in ever changing sand.

We hear Splinter in the second episode of the series talking about the loss of his family, his home, and his own name. He more or less tells Leo that being mutated erased whatever connection he formally had to the name "Hamato," and the idea is further supported by a similar and more somber scene in I, Monster. Splinter fights off the Rat King's control as he again laments that his entire clan and family, even his humanity, is gone, and he has nothing but the turtles left for him in this new life. Fortunately, he retains his sense of self post mutation, and he's presented from the beginning of the series as one who's in control of himself, both to his sons and friends of theirs, as well as any enemy that comes their way.

However, that presentation of control gives us a bit of a look into his psyche and allows us to consider the idea of him still struggling to come to terms with not being human anymore.

With the introduction of the Rat King, he's taunted by a potential loss of that control for the first time and it shakes him to his core. It makes sense for him to be shaken up since all that'd be left without him is a mindless, humanoid rat who'd lost touch with the human it used to be. Which is why it's so compelling that his sons, particularly Leo, are so adamant about reinforcing the fact that his mutation doesn't erase who he is. It's incredibly noteworthy what Leo says to him when trying to break the Rat King's control over him, "Remember who you are!"

Not who he once was, or the human he used to be, but who he is.

They never viewed Splinter as a separate being from Hamato Yoshi.

The boys aren't strangers to Splinter's old life before them, and they're very much aware of everything he'd lost; the guy talks about certain things frequently enough for them to know his tragedies and recite them without skipping a letter. It's his recollections of the tribulations he suffered through that helped them understand that his life with them is undeniably disconnected from his life with Tang Shen, but not unrelated.

He's still Hamato Yoshi, and his place will always be with his family.

Having been defeated by Splinter, the Rat King runs to find another way of tormenting him, and his perfect target is fear.

Though we got a brief look into this during their first encounter with Falco's twisted appearance, it's not until Of Rats and Men that we get further insight into another layer of Splinter's concern with his rat half: the repercussions that could result from the loss of control.

Throughout all of his years of raising his sons, not once did he ever treat them with the intention to frighten them and make them wary of his every move. The Rat King can easily use that fear to his advantage and weaken Splinter's mental stability enough to figure out how to make mutants similar to him. And he truly makes use of that fear by turning Splinter into his personal puppet.

There's still a considerable amount of concern on the turtles' end that pierces through that fear though. After Splinter teleports across the room to distance himself, Leo looked ready to leap to his side, and the others, despite being threatened literal seconds earlier, remain where they are and are equally concerned.

Eventually, the Rat King strikes again and everyone begins to piece together what's going on when Splinter loses it. Mikey is absolutely terrified and staggered by what happened, and Raph and Donnie tread with caution while Leo and April are the first ones to approach Splinter.

The TV gives them extra confirmation that Falco is back, and to everyone's surprise, Splinter refuses to help them fight Falco, even when Casey is dragged down a manhole by one of the mutated rats in their first attempt to clear the streets. It's not an easy choice for Splinter to make because we see how guilty he feels for his refusal, but the gang doesn't fault him for refusing either. No matter how much they want for Splinter to join them, he's right to worry about what the Rat King, now stronger than before, could force him to do.

April speaks for everyone though when she tells him they all believe in him. They make it known that they aren't afraid of what may happen, and they especially aren't afraid of him.

Unsurprisingly, Splinter changes his mind at the last minute, and, with the help of a recently mutated cat, he chases Falco down to deal with him once and for all. Protecting his family takes priority over his doubts, and by the end of the episode, he overcomes his fear of the Rat King controlling him.

He has his humanity, and that's what makes him different from the rat Falco constantly made him out to be.

And for the first time in the series, in The Lonely Mutation of Baxter Stockman, he says out loud that he has his humanity and is thankful he's fortunate enough to still have it when others lose it post mutation.

I previously went a bit more in depth about it in this post but the boys have witnessed Splinter grappling with being a rat, particularly with the Rat King's meddling, and Donnie sincerely believed giving him retromutagen would be something he'd want. This was clearly an idea that's been weighing on Donnie's mind for a while considering that he seemingly kept quiet about his plan until he completed the retromutagen, and he's the most upset when he has to use the remaining dosage for Kirby.

But Splinter tells him and the other turtles he's content as he is and wouldn't do anything to change himself this far in. And the boys all seem content with his answer.

With the invasion of the Kraang and his defeat at the hands of the Shredder, Splinter again comes face to face with his mutated genes, and there's no Rat King stringing him along this time. He'd been swallowed by delirium with the lack of familial support to pull him out of it, and he became spiritually disconnected from his body as a result. The gang is initially caught off guard by Splinter's state, but they quickly get over it and work to subdue him.

While the boys are pulled away into battle, April uses her powers to sift through Splinter's memories and, after showing him the time he asked her to train with him, we see a memory with the turtles, Karai, and his only family portrait from before his mutation:

Seeing his family is what manages to bring him back to his senses.

We the audience, as well as Splinter, figured that was the end of his troubles with being a mutant rat, but Shredder decided to bathe in some super juice and sent Splinter careening a thousand feet into a dark cavern, the same one Splinter sent Falco down two seasons ago. Being thrown into near total darkness with a fairly debilitating injury and fever was the perfect recipe for him to begin hallucinating, and he believes the Rat King is attacking him when he's most vulnerable. But just when he feels himself slipping further away, his mind goes straight to the day his sons celebrated their 15th mutation day, and just beyond them is Tang Shen.

He regains his clarity, grasps that Falco's been dead the whole time, and is immensely relieved to see Donnie and Mikey after what he'd been through.

"Perhaps a teacher, but never my master."

Falco inadvertently taught Splinter that he's always had his humanity, and his family serves as a reminder of that fact by remaining a constant and significant pillar for him.

His family is his humanity.

[farfromstrange]

Mismatched Bridesmaid | Matt Murdock x F!Reader

PART 2 of The Vault

See this post for more information on my Valentine's Day Special & Follower Celebration, but these fics can be read separately!

Pairing: Matt Murdock x F!Reader

Summary: Deciding to go to your old college roommate's wedding turns into a bad idea when you suddenly have to function as a bridesmaid until you're paired with a very handsome groomsman.

Warnings: Fluff, attempt at humor, SMUT (18+ MINORS DNI), oral f!receiving, use of "good girl", One-Night Stand, shameless flirting, kind of "horny at first sight", so cheesy it might make you hate cheese

Word Count: 4.3k

A/n: I was wondering why this didn't post until I saw that I hit "save draft" instead of schedule, so this may come on time for some and too late for others, but I'm still awake, so it counts as the 15th. Also, when I wrote this it was after hinting at it on here, and I was excited at first, but I'm not too happy with it now because it's just silly and falls a little flat, in my opinion. This is why I went back in and edited a hell of a lot, adding some things, etc. Nevertheless, I promised to clear out the vault for this event, so this is it. I got inspired by seeing the She-Hulk clips when the episode with Matty came out. It may or may not be noticeable. We're also working with the Nelson, Murdock & Page narrative. Enjoy!

You are not made for white-veil occasions. 

While weddings, in their essence, symbolize unity while covering different facets of romantic beauty, they are also inherently stressful for nearly everyone involved in the proceedings. Over the years of adulthood, you’ve found that weddings tend to end in disaster when you attend—and you are not particularly fond of engaging in drama.

When your old college roommate sent you an invitation to her wedding in June, you considered responding with no. You’ve been close for a few years, but then you graduated, found separate careers, and then never talked again. You weren’t sure why she would send you an invitation until you called the number on the back of the card and you began catching up. She told you that she wanted to invite you because you were a vital part of her early twenties, and it reminded you that you are both adults and you have both grown beyond what you thought possible, so you couldn’t find it in yourself to tell her that you couldn’t make it to her wedding. Instead, you told her that you wouldn’t miss it for the world. That answer though seemed to have turned destiny against you. 

You were excited when you arrived at the chapel this morning, but as soon as your foot touched the holy ground, everything went wrong. Maybe it is because you’re an atheist and God hates you, or maybe Karma just really fucking loves toying with you. Either way, when your friend’s maid of honor—also one of the few people you hung out with during your wild college days—came up to you, looking pale and panicked, you knew that the curse you always bring to weddings was only continuing to wreak havoc. 

She said to you, “One of the girls got into a car accident on her way here. Don’t worry, she’s not dead, just a broken wrist, but that means we are one bridesmaid short. I need someone to step in before Janet finds out and cuts off my head for ruining her wedding day,” and she was deadly serious about it, too.

You knew that it was a mistake to come to this wedding, especially without a date or a plus-one to fall back on. 

You were so focused on marveling at the beautiful white and golden decorations living the aisle, fantasizing about the day you might be walking down one of those that you didn’t think anything could go wrong since everything had been going so right. You should have known better than to trust that treacherous feeling of excitement that you made sure to nurture before breakfast so you could enjoy the ceremony and the party afterward without making it dependent on the open bar—although that fact did help.

Instead of dreaming about free drinks though, you’re being squeezed into a satin green dress with a low cut in the front, and someone you don’t know is slathering burgundy lipstick onto your lips. They are purposely trying to turn you into a copy of all the other bridesmaids, and you hate it. You hate it so much you get the sudden urge to scratch your eyes out and tear the skin off your lips. 

Janet, the maid of honor, comes back up to you. She’s aged at least ten years since you last saw her when she pulled you away from the aisle. You feel for her. The entire weight of this wedding rests on her shoulders. 

She eyes you, checking your outfit, before giving you a curt nod. “Thank God, you’re hot,” she mutters. You’re not sure if you were supposed to hear it. 

“Thank you?” you answer awkwardly. 

“Alright.” She fixes the corners of your lipstick. “We need to pair you with a different guy than Miss I-Don’t-Know-How-To-Drive was supposed to walk down the aisle with. Your looks don’t match. You’ll get Kathy’s partner,” she says. “And we need to line up, like, now because shit is happening in five minutes, not a second later. We can’t give Bridezilla the time to kill us all.”

With a frown, you ask, “Is she aware at all of what’s happening?” 

Janet shakes her head. “No, and it’s better this way. Trust me.”

You stop questioning her. She knows what she’s doing. 

When she guides you outside to line up, you’re not sure what to expect. You don’t know the groom, and you don’t know his friends. You’re here on your own, and now you’re part of a bridal party that you are also barely familiar with, wearing a dress that you were forced into for the sake of aesthetics. You hate when something is reduced to aesthetics because beauty has many facets, and you would have walked down that aisle with anyone as long as you could get it over with. 

Until you see him. Strikingly dark hair in a perfectly cut tuxedo that underlines the muscles hiding underneath the fabric. His eyes are hidden behind round, red glasses that reflect the sunlight coming in through the already stained glass of the chapel’s windows. In his hands, he’s holding a white cane, leaning his entire weight on it as he waits. And he waits for none other than you. 

Janet paired you with the most beautiful man on this planet, you can’t deny that. The way he stands there, his sharp jawline on full display—he looks ethereal. Just looking at him makes you sweat, and you’re starting to panic. What if she made a mistake? You can’t do this. You can’t—

“Matt,” she says and shoves you beside him into the line of bridesmaids and groomsmen. 

Janet introduces you, and then she’s gone. She pushes you into the cold water, forcing you to learn how to swim. 

He tilts his head in your direction. “Hi,” he says. The sound of his voice resembles the purr of a black cat as it reverberates, but his grin reminds you of the Devil himself. 

Fuck. Me. 

You either did something very wrong to land here, or you did everything right. 

“Hi,” you stammer. One look at him, and the blood rushes to your cheeks. Your face is burning. 

He offers you his hand. “I’m Matt,” he says as if Janet didn’t already expose that to you.

Still, you take his hand. It’s the polite thing to do. “And I’m not supposed to be here.” Mentally, you curse yourself for being so stupid.

Matt chuckles. Even his laugh sounds bittersweet. Like dark chocolate. “I, uh, gathered as much.”

“I’m sorry,” you bite your lip, “I’m not—this is really weird. I don’t even know what to say.” You pray for the ground to open up and swallow you whole, maybe that will make it less embarrassing.

His features soften. There is no judgment. You can’t see his eyes, but there is a certain softness about him that throws you off guard, but you no longer feel like you’re drowning. “If it helps, I’m only here because I helped the groom graduate law school by writing his essays, and he feels like he owes me, so…I also don’t want to be here,” he says, and he reaches up to adjust his glasses. You get a small glimpse of his eyes. They’re hazel. Beautiful. He has an aura that draws you in; it’s not just his physical beauty that strikes you.

This man—this magnetic force of a man called Matt—is a stranger. He’s a man you were paired with to walk down the aisle even though you were never meant to be a bridesmaid in this wedding in the first place. So many things are happening to and around you at once, and you can feel the flames starting to burn and sizzle away at your skin. 

You should pull yourself together. You shouldn’t stare at him. You shouldn’t listen to your heart which is hammering against your ribcage. But the emotions are already running high and you can’t possibly focus on anything else. He’s like a lifeline to you.

And God, you want him to put those calloused hands on your skin and take you to bed. But that’s not something to think about in a place of God. On the day of someone else’s wedding. Except that you can’t think of anyone else, and his proximity isn’t making the situation any better for you.

Another blush threatens to take over your features. “Oh, you’re a lawyer?” you ask.

“Yeah,” he says. “I have a firm. Nelson, Murdock & Page.”

“Here in New York?”

“Hell’s Kitchen, yeah. Me and my associates just reopened our doors to the public after a rough year.”

“Oh, that’s...cool. I’m happy for you.”

“Thank you. And what do you do, if I may ask?”

His interest takes you off guard, but you don’t hesitate to answer his question. You tell him your profession, and how you met the bride, and he listens without another word. No man has ever paid you this much attention before.

Though Janet meant it when she said that you will have to start walking in exactly five minutes, not a second longer. She passed by everyone, handing out bouquets. Green with hints of red and gold. It fits the theme. They’re beautiful, but the flowers within the bouquet become a problem when she hands you your own set. 

“Janet,” you stop her from leaving. “I can’t take these.”

“The fuck you can’t,” she retorts. 

“Seriously, I can’t. I’m allergic to Jasmines. I’ll sneeze.”

She glares at you. “Then fucking hold it.”

There is no arguing with her, and she passes by you to continue putting everyone in their places. You stare down at the bouquet, your nose already starting to itch. The smell alone is enough to make you nauseous.

To your surprise, Matt reaches for the flowers. “May I?” he asks, but he has already grabbed a hold of them.

“Sure,” you answer, curious about where he’s going with this.

“Hold this.” He guides the top of his cane into your hand.

His fingers feel along the red ribbon. He takes a whiff. There are so many scents that would be overwhelming even to someone without heightened senses due to a lacking fifth one, so you’re even more surprised when he finds the Jasmines without a struggle. He traces the petals just to make sure, and he quickly pulls the flowers out of the bouquet, tightening the ribbon around the now smaller girth in the process.

Tossing them behind one of the pillars in the corridor, he hands them back to you. “Here,” he murmurs. “For you.”

Words elude you. 

“Are you allergic to anything else?” The question is valid, considering you’re still not making a move to take the bouquet from him. 

You exhale a shaky breath, reaching for the flowers, and answer without missing another beat, “Weddings.”

That elicits a giggle from him. The sound is enough to make your heart melt. Does he know what he’s doing to you?

Matt opens his mouth to respond, but the sound of heels clicking against the marble floors stops you both dead in your tracks.

Your entire body recoils when the bride’s voice rings out, echoing, “Who the fuck mismatched my bridesmaids?”

A hand rests on your bicep, and you don’t even have to look down to know that it is Matt’s. He’s the only one standing to your right, anyway. He squeezes as though to let you know that you won’t lose your head, but you’re not so sure now that your college roommate is glaring at you in a white dress that reminds you of a pastry, and her eyes are full of fury. He can’t see it, but he would cower in fear if he did.

Thankfully, Janet pulls her aside, explaining the situation to her. 

“She what?!” she screeches. “On my wedding day? Are you kidding me?”

“Yes, because car accidents respect timing when it comes to special occasions,” Janet counters.

You snort. Matt beside you digs his teeth into his bottom lip, but even he can’t hide his amusement.

“Oh, snap,” you mutter under your breath. 

“Shots have been fired,” he says.

“I think we’re witnessing a double homicide.”

“I’m not a very credible witness. I can only describe how it sounded, unfortunately.”

Your snort turns into a laugh. The bride’s head snaps around, and you go quiet. “Sorry. I’m sorry,” you choke out.

“If she decides to throw a punch at your pretty face,” Matt’s breath tickles your ear, “I can be your attorney and sue her ass.”

This time, you’re conscious enough to slap a hand in front of your mouth to stifle your reaction. “How do you know I’m pretty?” you whisper back between little giggles.

He shrugs with a smirk of his own. “I just know.”

He’s got you wrapped around his little finger, and you have no choice but to submit.

Janet manages to bring some calm back to her friend eventually, and then it’s showtime. Right on the second, it’s time for you to walk down the aisle, and you have never been happier about a strict schedule and someone adamant about keeping that schedule for the sake of all of your lives.

Your roommate has always been a very dominant personality, so you’re aware of the things she can do when she doesn’t get what she wants. 

An 80s pop ballad begins to play. You make sure to match your pace to everyone else but also make sure that you’re not running away from your partner.

You may have been a mismatched bridesmaid, but you can’t complain about the company. 

Against all odds, the service is beyond beautiful. It’s not often you get to stand so close when two people who seem to truly love each other make a vow to be there for each other for the rest of their lives. You can’t help but shed a tear. They complement each other perfectly. Is that ever in the cards for you? Will you ever be able to have what they have? Or will you always feel like you’re not worthy of this kind of unconditional love and endless devotion—of someone wanting to spend the rest of their life with you?

You look over at Matt. The hint of a cross necklace is starting to peek out underneath his dress shirt. Of course, he’s Catholic. 

He carries himself with such a grace that puts everyone else in this room to shame. Does he know that you’re staring at him? You hope not.

After the ceremony, you lose sight of Matt in the masses. He doesn’t owe you a goodbye, but you still feel a little disappointed when you return to the dressing room and finally peel the satin dress off of your very sweaty skin. 

At the party afterward, he’s still nowhere to be found. You give up. Not that you want to spend the evening with him anyway, but you kind of do. You drown your sorrows in a glass of vodka cranberry and a bowl of olives. They taste like rotten meat, but there are too many people by the buffet for your liking. The last thing you want to do is mingle and get asked stupid questions by people you don’t even know. So, you stay back, and you watch from afar as everyone is having the time of their lives not so far away from you, but far enough for you to breathe.

“And here I thought weddings were supposed to be a joyous occasion,” Matt pipes up beside you, and you twirl around in your chair to face him with wide eyes.

You didn’t expect to see him back here. “Hi!” you exclaim. “What’re you—I thought you left.”

“Nah,” he says. “I just had to take care of some things.”

“Oh, yeah? Like what?”

He smirks. “Wouldn’t you like to know?”

“Yes, that’s why I asked.”

Folding his cane, Matt lowers himself down on one of the chairs beside you and orders himself a beer with the bartender. “Let’s just say that I have an important court case coming up and I had to make a call.”

You take another sip from your drink. “That sounds a lot more exciting than my life, to be honest.”

“You are sulking at a wedding. Thinking about an ex?”

“More like life in general.”

“Ah, yes, the eternal fear of dying alone.” He raises his bottle to yours. “I’ll drink to that.”

A laugh escapes you. “That was cynical,” you say.

“And you’re not?”

He beats you at your own damn game, and he finally gets that smile he has been vying for. 

“Are you smiling?” his voice is barely above a whisper. 

Your tongue darts out to wet your lips. “Maybe.” But the smile is audible in your voice, giving you away.

Matt smirks, nodding his head. “Good girl.” 

The sharp vodka runs down the wrong pipe. You cough. Did he just—

He did.

He pats your back, and his hand lingers a lot longer than it should. He looks so smug. Pleased with himself. That part of him is stupidly attractive to you, even though you would usually hate such cockiness in any other man. But Matt isn’t like any other man.

You apologize for your reaction, but he should be the one apologizing to you for throwing you off your game. What is he doing? You can’t read him. You wish you could because that would make this so much easier, but that’s probably the point. He wants to tease you. He wants to mess with your head. He’s a dick. A fucking attractive dick that could tell you to do just about anything and you in your flustered state would go along with it without hesitations. That’s the kind of control he has over you, and you just met. It feels like a twisted form of destiny, but you can’t quite believe it. Yet.

“Do you always do that?” you dare to ask.

He frowns. “Do what?”

“Flirt with women who were forced to be bridesmaids even though they were only supposed to be guests?”

A playful smirk plays on his lips.  

“It’s been known to happen,” says Matt.

You poke your tongue against the soft tissue of your cheek. “Cheeky,” you murmur.

“That’s also been known to happen.”

“What, being cheeky with—”

“—with women who were forced to be bridesmaids even though they were only supposed to be guests? Yes.” He’s catching on quickly.

You laugh and nod. “Yeah, that.”

“I do have to say though,” he adds, and for a second you think he might ruin the joke instead of playing it out further, but Matt is full of surprises, “Out of all the mismatched bridesmaids I’ve met in my thirty-something years of, um, living, you’re my favorite so far.”

With your hand, you start fanning your face rather dramatically. “I feel honored,” you say. 

Again, he chuckles. “You should be.”

“Why, because you’re so irresistible?”

“I was going to say that I don’t like a lot of people because, you know, they’re dicks, but that works too.”

“Wow.” You take another sip. The liquor burns its way down your sore esophagus. “You have balls, man.”

“Is that a problem?” he counters with a question.

The answer comes naturally. “No,” you say. “I like it.”

“Good.” Hearing you clink the ice cubes against your empty glass by swirling it around, Matt concludes that you need a refill. “Can I get you another drink?” he asks.

The question sounds so innocent, but the look on his face renders you speechless. His hand inches dangerously close to yours on the counter, his knee brushing yours, and the heat shoots straight to your neglected cunt. 

Fuck this.

“You could do that, or we could skip that part and just…you know.”

One brush of your hand against his thigh, that’s all it takes for him to know. 

Pushing you through the door to his apartment a few minutes later, his lips are on you. The door falls shut with a loud bang, and he presses you against the wall of his hallway. 

His lips feel like a silky cloud of lewdness. The way he kisses you is utterly erotic. Your lips part in a delicious moan that he swallows with a grunt of his own. He swallows it all, shoving his tongue into the tight confines of your mouth, and exploring every inch he can reach. He tastes you. He consumes you. 

His hands desperately search for an ounce of bare skin. He’s tugging at your clothes, sliding and tearing them aside. Once his fingers finally brush over the bare skin of your stomach, he melts. 

You tangle your fingers in his hair, pulling him impossibly closer. Your leg hooks around his waist. You can’t wait. He has ignited a fire within you that no one has been able to light before. He’s touching you with a precision that puts your former lovers to shame. He’s paying attention to your every breath and heartbeat, and with every touch, he asks, “May I?” 

You don’t even make it to the bedroom. Once he has successfully removed the bottom half of your clothes, he falls to his knees. He is a sight to behold. The disarray of colors that shines into his apartment illuminates his face, bathing it in a selection of hues that bring out his best features. 

Matt has yet to take off his glasses, and you take the opportunity to tear them away from his face. You’re gentle though. You ask him, “May I?” mirror the question he has been asking you throughout the night, and after a thick swallow, he nods.

You caress his cheek as you remove his glasses, and when you finally see his hazel eyes in all of their glory, you have to bow down to capture his lips in a soft kiss. 

“You’re beautiful,” you whisper. “So fucking beautiful, Matt.”

He whimpers. You could have sworn to have imagined it, but when you stroke his cheek with such a gentleness it almost makes him recoil in anguish, you know that you didn’t imagine the sound from his lips. You kiss it away. You kiss all of his insecurities away. You want him to feel as good as he is making you feel. You don’t know him, but you want to get to know him, and if he’s ready to surrender himself to you, you are more than ready to do the same for him. He can feel that with every brush of your fingertips and every kiss you deliver to his plump lips that taste like heaven and hell in itself.

Your words don’t leave him cold. His cock is aching in his pants—you take note of his impressionable size, which only makes you more excited for what’s to come—but he refuses to take it out. Not until you’re fully satisfied. To be honest, you could come just from staring at him on his knees in front of you, looking like he would lay the world to your feet and kill everyone who has ever dared to hurt you, but that is not enough for him. 

He needs the experience. Feeling your skin, tasting you, and breathing in all facets of your natural scent mixed with the artificial one from your shampoo. He can’t get enough of it. Of you. Of everything about and within you. He’s as attracted to your body as he is consumed by your soul. You’ve got him in a deadlock, but he would never complain about that.

You gasp when Matt grabs your thigh and throws it over his shoulder. Your panties are gone within seconds, torn on the floor somewhere. You’re completely bare to him. 

You want to warn him that you didn’t shave, but he doesn’t care. 

Before you know it, he has flattened his tongue against your pussy, and he licks a long stripe from your hole to your clit. 

“Fuck!” you cry out, reaching for support on the wall behind you.

He flicks the sensitive bundle of nerves with the tip of his tongue, testing the waters before he sucks it into his mouth. 

His grip on your thigh becomes bruising. Matt eats you out like he has been starving for years and you are his first and last meal. He sucks on your clit, and he fucks you with his tongue. Your pussy is the altar he worships at. Your arousal is his holy water. He dives deeper and deeper into the wetness between your thighs, and he moans loudly when you pull at his hair.

“Fuck, Matt–” You’re clawing at whatever you can find. It feels so good. You’re higher than you have ever been.

The sound of his mouth working your slick folds toward eternal bliss is obscene and utterly sinful. His stubble scratches against your inner thighs. The pain grounds you in the here and now, making you focus on the tidal wave that is about to crash into you and tear you to shreds. 

You can’t even warn him before your orgasm takes over, and it takes you into another dimension. You come with a shout of his name. It’s nothing short of explosive. The orgasm drags on through his mouth on your clit, relentlessly sucking until the nerves jump, and you’re begging him to stop. 

His face glistens. With every kiss up your body, Matt marks you. By the time he has reached your quivering lips, he still tastes like you.

“You did so well,” he whispers. “Such a good girl for me.”

You exhale. Without his shoulders to hold onto, you would probably lose your footing. “You’re crazy,” is all you can say. 

He smirks. “In a good way, I hope.”

“Yes. Fuck.”

“Regret coming home with me?”

“Absolutely not.”

That’s all he needed to hear. He lifts you with ease. “Then I’m going to make it worth your while.”

And when your back hits the soft mattress and silk sheets of his bed, you don’t doubt that he is going to make good on his promise. 

Matt Murdock Smut Tag List: @acharliecoxedfan @gpenguin666 @linamarr @mcugeekposts @itwasthereaminuteago @norestfortheshelbywicked @yarrystyleeza @littlenerdyravenclaw @etanordoesbullsh1t @thychuvaluswife @harleycao @schneeflocky @imjustcal @pipsqueakkitten @merlinbtch @sya-skies @amberritonicole @ravenclaw617 @pigeonmama

[echo-lover]

I wanted to share my thoughts about the first three episodes of Bad Batch season 3 immediately after watching them, but I was too emotional about everything I saw that I needed some time to calm down a bit.

It's beyond my expectations, just perfect! From the plot, to the characters, through the beautiful graphics and wonderful music, everything was epic. This season will definitely be much more mature and dark than the others. I love Bad Batch with all my heart and words cannot describe how important these characters are to me. I don't think I will focus on each episode separately, but I will show my general feelings and thoughts.

Something that touched my heart deeply was how Omega becomes so much like Hunter. Her facial expressions, her eyes, tactical skills and that characteristic whistle! I immediately thought of Hunter. She became so mature, strong, decisive and calm in stressful situations. It's clear that she's no longer the same little child we met on Kamino in the first season. She has changed so much... Even Crosshair seems to see this, as he let her lead during his escape from Mount Tantiss. He was her support, did not question her ideas and did not hesitate to follow orders. I love watching their bond become stronger. Every day Omega came to his cell, talked about her day... and he listened... he had no choice because he couldn't just go, but I think they both needed each other's presence. They knew they were not alone and encouraged each other, in some way.

It is clear that Omega still misses the rest of her brothers and strongly believes that she will be able to return to them again, together with Crosshair. She can't imagine leaving him, it's out of the question. No matter how hard Crosshair tries to make her believe that he is not worth saving, she will still be on his side. I think Crosshair realized through her that his brothers never really wanted to leave him and were willing to take him back at any time if he just wanted...

Even though Omega has become more mature, she is still a child. Being locked in a cell, the routine and monotony of life must be very exhausting for her, because she is by nature a lively, active and curious sweet girl. She spent most of her life locked up and the only good memories she had were of freedom and her brothers, even though it wasn't for a long time. She even made herself a doll like Lula, who stayed on the Marauder with Hunter and Wrecker. This parallel symbolizes their connection, despite the enormous distance that separated them. And Batcher... Omega doesn't want to forget, she wants to remember her brothers, the love she had for them and received from them, all those good memories together... Ouch...

Somewhere in another part of the Galaxy, two brothers are desperately looking for their little sister. Their worn armor shows that they have fought hard during this time. Hunter also has different bandana... I've seen a theory that it's similar to the band Omega wore on his wrist in season two. This way, maybe Hunter wanted to always have her close to him, at least a part of her, I wonder if he can smell her scent... Oh Force, I'm gonna cry...

The sight of Hunter having difficulty working with Tech's Datapad, how desperate he is to do everything he can to find Omega, how exhausted he seems... Maybe it's just me, but he looks thinner and has paler skin than before. This breaks my heart. I'm sure he was thinking about Tech who could do the job in a second. The sight of his goggles resting alone, the empty space he once occupied... Marauder never looked so lonely... Let me tell you, I shed a tear.

I really liked how Wrecker was the voice of reason in his conversation with Hunter. It's beautiful how one look, a nod of the head, or a hand on the shoulder can bring Hunter down. They support each other and it is clear that after everything they have lost, they have become even closer. They need each other to keep from going crazy.

Even though they are the only two left, Wrecker still considers Hunter to be the leader and waits for his orders even though he knows he doesn't have to. He remains loyal. When he was talking to the little cadets on the Marauder, I was so happy when I heard his laughter. Honest, loud and heartwarming. I think he's needed this for a long time. He definitely misses the company of a child on board, he loves children so much...

I also love that little scene where Hunter is working and looks at Lula out of the corner of his eye, thinking about Omega. He can't live without her... I feel like if they were separated again, he wouldn't be able todeal with it and would just explode, showing all the anger and despair he was holding, possibly doing something stupid in the process... He loves his little Omega too much that he can't imagine life without her. He is ready to drop everything just to be able to hold her close to him, to keep her safe. I'm so scared for him.

On the one hand, I was surprised that Echo didn't stay with the boys to look for Omega, but I expected him to join Rex. They may also be searching, but I think their main goal is to free prisoners and gather as many allies as possible to create the Clone Rebellion.

I could talk for hours and still not express all my thoughts and emotions that these episodes made me feel. I can't wait for next Wednesday.

[casualavocados]

so i've been going down several translation holes while giffing kiseki... finding different sources which have their own translations, etc. then trying to choose the words that fit the meaning of the scene im giffing best.

i just wanna talk about two lines in particular that have made me tilt my head and wonder about nuances, so here we go:

the first line/translation i want to mention is from ep9, and is to do with the meaning and intention of the characters/story. it's when chen yi is confronting ai di after he gets out of prison about the time ai di slept with him four years before. i found three different versions of what ai di cuts him off with:

these all contain insanely different meanings in english. i was losing my mind trying to figure out the subtleties of what ai di was saying here, so i reached out to a very helpful speaker of the language who has made kiseki translation posts before, @nikkotinamide , and they said this about it:

and i just got so excited about that...the nuance! the specifics! referring to it as "settling accounts" is likely where the first translation about "the past" comes from, but the other two are closer to the true meaning. however, if you simply went with the revenge line you would miss the complexities that are being suggested in ai di's character.

thinking of that night as a debt he owes to chen yi and has to pay back... as something to be settled - something he isn't even really asking about but more expects chen yi to follow through on... it makes this line so much more poignant to me because it describes his guilt and heartbreak about what happened between them - about what ai di chose to do - in a much more specific and cutting way. ai di expects anger, rejection, and retaliation from chen yi, and tries goading him into reacting in those ways bc he believes he has done something unforgivable (and also that chen yi doesn't (and will never) love him), so he would rather chen yi push him away than risk being that close again.

(un?)luckily for him chen yi is absolutely smitten with him and doesn't let him get away with it. ♥️

the second translation i want to focus on is in ep12 & has more to do with words that don't translate exactly into english, but i went on a similar bender trying to decipher it:

specifically the translation of the last two characters: "堂口 (táng kǒu)" - the word translated here as "office".

bc outside of youtube i found those characters also translated as "headquarters," "gang," and "hall", which are all, again, wildly different from each other. so my best guess was that it was actually a very specific word that highly depended on the context it was being used in, and that context was being translated generally so that non-speakers in the audience would understand. but i wanted to know what that specific word and context was!

so i reached out to a bestie who did some more digging and she found this:

which IMMEDIATELY made me batshit insane because of course that's what it means; of course it's that specific!!

"office" is too professional for where chen yi lives - it's a car garage; it's their front as an auto shop. but it's also not yiyun's "headquarters" because that's the building with the spa where chen dongyang and his husband operate out of: the true central point of the gang. but because of this other line in episode 3, we know chen yi (and ai di too through association; they're a pair, do not buy separately, etc.) leads a specific division of yiyun gang:

so when chen yi asks ai di in ep12 if he's going to the bar or to "堂口" he's asking if he's coming home to the auto shop: their specific division of the gang, (which we knew all along was what he was talking about in the first place).

(...and this is just me continuing with the meta side of it, not the translations, but i also think this connects to what xiao jie and ai di were both talking about when they brought up chen yi's succession as the leader of yiyun:

because chen yi is currently just a leader of one branch of the gang, and young (25 at the point where cdy retires), so to me it makes sense that older, senior members of the gang - possibly even leaders of other divisions - would want that spot. but chen yi is practically cdy's son so get wrecked guys the gang passes to him. 🥰

and that's also why cdy is urging ai di to just come back and be a member again. bc he raised both chen yi and ai di (they are a pair, do not buy seperately) and because chen yi is gonna need ai di to watch his back as he takes over full responsibility. ...im mad we didn't get to see more inter-gang dynamics. that could have been so COOL let me IN.)

anyway those are the two translation bits that have left the biggest impression on me while i've watched and giffed kiseki so far. i just think language is so fucking neat.

[pagannatural]

2.01

In My Time of Dying

-Dean looks like he’s witnessing a miracle when he first sees at Sam at the hospital.

-Sam can hear and/or sense Dean at least three times while Dean’s unconscious. He’s the only one. He can’t do this with anyone else at any point. Further evidence their connection is metaphysical.

-Dean references Ghost, a movie about a woman and the ghost of her lover. 👀

-Sam is appalled that John can think of anything but Dean when Dean might die, but Sam was ready to blow right past the possibility of saving John in order to get revenge last episode. One thing about Sam is that he really loves Dean more than anyone else and he won’t say it, but it comes out at times like these. I think Sam would feel pathetic if he actually said it.

-Sam is unwilling to entertain the idea of Dean dying. He sees the car and says that when he gets better he’s gonna want to fix it, and Sam knows his brother because he’s absolutely right.

He won’t let Bobby scrap Dean’s car, which is a metaphor for Dean’s life. Sam is ready to accept whatever condition Dean wakes up in. It’s also cute that Sam sees the impala as Dean’s, not John’s. It makes me wonder how many drives Dean took Sam on when they were younger, if Dean often snuck him away for little hang-outs like the fireworks. If they started lying on the hood looking at the stars when they were teenagers.

-That moment Sam says “felt like Dean” is this moment in the hallway outside of Dean’s hospital room

so what Sam is feeling as Dean is this reassuring, caretaking, determined presence promising not to leave him and promising to fight.

-The spirit board scene is one of my favorite scenes ever. What is it about this scene? There’s this sweet innocence to it, and the fact that they’re reaching across a veil to communicate because they just can’t let go of each other. It makes their relationship look really intimate and separate from everyone else. Sam saying “don’t make fun of me,” Dean grumbling that he feels like he’s at a slumber party, Dean sitting across from Sam and watching him. That moment when Dean touches the planchette, Sam is so happy to actually feel him, and Dean is in awe that he can. They need this contact.

Sam goes “it hasn’t been the same without you, Dean” and then the planchette moves and he says “Dean, what?” and then “Dean is it after you?” Sam really likes saying Dean’s name. He says it all the time. People like saying their crush’s names.

-Sam sits on Dean’s bed, his knee against Dean’s leg, and looks at Dean’s face. Ghost-Dean stands next to Sam, looking at Sam’s face. There’s something really intimate about them gazing at each other like this, with Sam not knowing Dean is looking at him too. They wouldn’t be talking so intimately if Dean were lying there looking back at Sam. Kind of like when you’re talking to someone before bed with the lights out and it feels easier to say what you mean.

-“We were just starting to be brothers again.” If this is them just getting started at being brothers again I would kill to see what they were like at their worst closest.

There’s so much in the word “brother” for them. It comes up over and over. I don’t think they ever do this with any other relationship word- neither ever tries to explain their love for John by saying “he’s my dad” with tears in their eyes. It’s like a sacred title. There’s no way they can express what they are to each other, so they use this word that’s only ever applied to each other and that carries their whole history.

The point their relationship has reached now is that Sam trusts Dean completely, Dean needs Sam, and they’re each others’ top priorities. Were they like that right up until Stanford or did something happen before then?

John wrote in his journal about them not getting along as well as they used to when Sam gets into his teens, and speculates that it’s from living in Dean’s shadow. But John was also aware that his boys had their own world that he didn’t have access to, and even very attentive parents often miss quite a bit of what’s going on with their teenage kids.

What we see in teen-era flashbacks is a Sam who resents Dean for being “cool,” a Dean being protective of Sam but also respectful. We see a girl who’s dating Dean only because she thinks maybe he’s not as much of a tool as he seems based on how sweet he is to his little brother. We have Dean and Sam burning down a field when they sneak away to light fireworks, Sam wrapping his arms around Dean’s waist in delight. And we have Sam only wanting to talk to Dean about a case over the phone-not John- and asking for Dean’s advice. They were still close. We know Sam ran away from home once and Dean was out of his mind worried before finding him.

And based on “Providence” Sam and Dean both know Sam feels some type of way about Dean, which would’ve happened pre-Stanford.

And then Sam didn’t tell Dean about Stanford and they didn’t talk for years and Dean thinks Sam must hate him and Dean hates himself but Sam looks at him like a puppy in love. And now “we were just starting to be brothers again.” I wonder what happened for them to both know why Sam isn’t interested in dating when he’s with Dean, and if it had to do with this.

-Sam asks “can you hear me” to an empty room- Ghost Dean isn’t there. It shows how alone Sam feels without Dean.

-Dean objects to dying because he thinks Sam will die without him. This would be an insane thing to think in any other circumstances but I can see why he would think that (see: the babysitting years, the fire at Stanford, etc).

-Sam loves Dean so ferociously. He fights hard for him. He’s protective of Dean to John the whole episode, and it makes me think he’s always been mad at John not just for himself but for Dean too.

-John tells Dean he will have to either save Sam or kill him. Dean’s contract with John previously was always to save and care for Sam. Now saving him has a different and more religious meaning.

-So John thanks Dean for taking care of both him and Sammy, tells him he may have to kill Sam, and then dies. Iconic.

[rifari2037]

Here we go again!! Okay, let me breath first!! 😮‍💨😮‍💨

Zuko was 16 years old, Katara was 14 years old. So, their age gap was only 2 years!

2 YEARS!!!

It wasn't like Zuko was a grown man, while Katara was a little girl.

They were both teenagers!!!

A teenage girl having a crush on a teenage boy with 2 years age gap and vice versa was normal.

Aang was 12 years old boy, had a crush on 14 years old Katara. What was their age gap? 2 YEARS!! So, when Katara was 16 years old, Aang was still 14 years old.

Jet was 16 years old, had a relationship with 14 years old Katara, yet no one talked about their age gap! What was their age gap again? 2 YEARS!!

It's not wrong but it doesn't feel right!

Even Anon said it's not wrong! But it doesn't feel right, because Anon just making things up to bashing Zutara!! Who cares if the arguments don't make any sense?

Katara literally bully Zuko, that's why we should ship Zukka??

That's called relationship development, Honey!

To show that two characters are well written, their interactions must have a reason and make sense. More importantly, there should be no holes/jumps (how to say that? I don't know the right word) in their development so it doesn't feel rushed or forced.

Anon said Zutara was the worst ship, but actually Zuko and Katara were well written because they act as they should!

Zuko and Katara were enemies and they act like enemies.

Katara and Zuko still enemies when they met in Crystal Catacomb, but then they tried to understand each other. They weren't friends yet when Zuko betrayed her.

Katara got mad and bullied him!

That's make sense!! I mean, what should Katara do after someone betrayed her? Hug him???

Actually, these scenes showed that Katara could vent her anger too, she could demand someone to understand her feeling, and not always her who understand others like she always did.

And what Zuko did? Yes, he made it up to her!! He understand what she needed and accompany her to facing her trauma without told her what she should or shouldn't do (except told her to get some rest).

Then Katara, by her own choice forgive him and they become partners/friends who can complement each other.

They even saved each other lives!!

What made them the worst ship after their relationship development written with this coherent storyline? No rushed, no forced. They were enemies to friends (and to lovers 😂) after all, of course they had conflicts like a great war.

And it was way way way better than, lets say...

Two characters fought in one episode, then they separated in a few episodes later, and they kissed in the end of the story without resolving their problem, even without any conversation at all.

Or like one character left their lover in jail, forgot about her for a few episodes, didn't even remember to release her out of the prison, and then they met again like nothing happened and kiss.

Those are examples of rushed and forced storylines.

Wait, those storylines sound familiar?? 🤔🤔

And what make Zukka better than Zutara, though? Why should I ship them?? Zukka were just crack ship and didn't even have relationship development!!

Or maybe because of this??

But, really? Because Zutara had more than that!

Or this??

Well, first of all, Sokka was going on a date with Suki. And second of all, don't forget their conversation after that!!

Sokka : So what's on your mind? Zuko : Your sister. She hates me! And I don't know why, but I do care what she thinks of me.

Or, maybe because they were so awkward toward each other that make them cute?

But it seems like these two teenagers were more awkward when they couldn't get rid of boyfriend-girlfriend allegations. Oh, wait, do I see a blush on their cheeks? I wonder why.

Well, what else?? Because I can't think of another scene in the show that makes Zukka a better ship than Zutara.

[ghostsandfools]

Solar and Lunar's Relationship is so Underrated

Alright. I already typed out like a whole essay about this in one of my friends dms (I am so sorry you had to read all that-) but I decided to post an even LONGER essay here! Because I can :]

Solar and Lunar are just... Just the best. I love them. SO MUCH.

Lunar:

Lunar was the first person that Solar met from the main dimension. Lunar was obviously terrified of Solar at first, considering he looked and sounded just like Eclipse, but I love how Solar treats him when they first meet. He says "I don't know how anyone could hate you" and "I know I'm not your Eclipse. but you're not a mistake" and is just super sweet in general. It's been a while, but I recommend y'all go back and watch that episode, it's "What if Eclipse isn't evil?! In VRCHAT" and it's genuinely so so adorable.

It took a while for Lunar to get used to Solar, but Solar was patient with him the whole time and I love that. He understood why Lunar was scared of him and was just as sweet as possible until Lunar could feel comfortable around him.

One thing I think is interesting is that when Lunar went in Solar's head, he saw the memory of Solar killing his Moon. I don't think he saw the exact moment when Solar shot him, but from the fact that Solar was still alive and had never told anyone about it, he could probably infer what happened. He knows it happened, but he never held it against him. He never told anyone, he never blamed Solar or called him a murderer, because at that point he knew he wouldn't hurt someone without a reason. He knew Solar was trustworthy.

I think it's nice how their friendship was developed more in the background. Solar and Moon were always 'the besties', always spending time together, working on projects together, and it was the same way with Earth. But even though Solar and Lunar never spent as much time with each other, I feel like they understood each other better than anyone else. Their friendship was special, even if it wasn't as prominent.

When Lunar killed Eclipse, Solar showed him the same patience and care and kindness that he's always shown. Earth was scared of him, Gemini was angry at him, but Solar understood exactly what he was going through, because he'd been there once himself. And just like Lunar didn't judge him, he never judged Lunar.

Solar:

In his home dimension, Solar didn't really have anyone that he could trust. His Moon and Sun BOTH died. In the episode he was introduced in, he explained that during the separation or sometime after, his Moon passed away, and the version we saw who tried to kill him was a copy of his Moon with the same memories. I wonder if that's why he's so unwilling to except what happened to Nexus, because he's seen it all before. And I wonder if maybe this will become a pattern, and what happened to his Sun will end up happening to ours?

Anyways. Solar had to come to the main dimension because his Moon tried to kill him and scrap him for parts and was just being an abusive asshole in general. It does remind me of Eclipse and Lunar. Solar was just a byproduct to his Moon, a useless machine he could use for extra labor, and when Solar wasn't useful to him anymore, he tried to scrap him for parts, desperate to get back his Sun, his star. In a way, I think Solar sees himself in Lunar. That's why they understand each other so well.

When Solar killed his Moon, he didn't tell anyone. I really wonder if that'll ever get brought up again, because he and Lunar have both been hiding it for so long. I can't imagine the guilt he'd feel afterwards, even if it was justified.

I'm going to talk about self harm now, so if you're sensitive to the topic, just scroll past this pink section.

Now, this might be me projecting, because i used to self harm and in a way, I see myself in both Lunar and Solar. But I can see the signs in both of them. Both of them, at this point, have got to have some kind of self worth issues. Constantly being told you're worthless is going to critically damage your self esteem, and it's clear that it's taken some kind of toll on them.

Solar is always working, constantly, and I think that's for two reasons. The first it to distract himself, of course, but i wonder if he's trying to prove himself. He wants to prove to his family that he IS worth something and that they don't need to punish him or scrap him for parts because he IS useful.

And Lunar is the same way. He hasn't shown as many signs, but he's had a lot of pressure on him since he came back. He feels like he has to be good with his powers, to keep both him and his family safe. He has quite literally got the entire world on his shoulders, with Rez threatening him and Taurus threatening him and worst of all, the looming threat that Gemini will probably never speak to him again if he can't master his powers, that's A LOT.

They're both dealing with a lot, and being constantly overwhelmed like that can drive a person to hurt themself. It's more of a headcanon with Lunar, but I could see it being canon for Solar. Like in one of the recent episodes where he was talking to Jack and said "Break the habit Solar- I mean, break the habit Jack!" I wonder if that's what he could be referring to? Idk, let me know what you think.

Okay, I'm done talking about that now. Anyways. When Solar died, Lunar didn't really react. Earth screamed and cried, Nexus went insane, but Lunar didn't really react. And looking at things from a surface level, you could say it's because he and Solar weren't as close, but i don't think that's really true. Lunar said he didn't really feel strongly about it, but how could he? With how much trouble his own emotions cause him in the past, how could he possibly? Maybe he didn't want to lose control of his powers again, maybe he didn't want Earth to be scared of him again. And everyone around him was already so sad, he needed to be stable so they didn't have to worry about him too. But just because he didn't have an outwards reaction, that doesn't mean he didn't care. That doesn't mean he didn't grieve, it doesn't mean it didn't effect him.

Sadly, we haven't seen Lunar's reaction to Solar's return yet, because youtube decided to chaunce around and be stupid, but I'm excited to see how he feels about the whole thing.

I have a little theory/prediction for you all before I end things off. Lunar got star power because he was rebuilt in space. Eclipse's lab was apparently next to the sun.... Maybe Solar will get star power as well? It would make sense, why should he not? He was rebuilt in space as well. It would be dumb if he didn't. Their lives are very parallel to each other after all, even their names.

Anyways. That's enough chauncing about from me, I've got to get to school. But let me know what you guys think! Are Solar and Lunar best duo 2024? Will Solar get star powers? Will the be fire themed and cool as fuck if he does? Does Solar is gay??????? I guess we'll have to wait and find out.

(Jesus Christ, you are DEDICATED, I don't know how you made it this far. If i saw a tumblr post this long, I would not have the patience to read it, you get a gold star for coming all this way ⭐)

[moments-on-film]

Moments on Film: Carmy IS The Bear - Opening Scene Analysis

Hello friends. I hope your year is going well. If we have interacted or you’ve read my work before, hello again! If you’re new to my blog, welcome!

This is the final part I’ve been building to in a 3 part character analysis series I have written about the character of Carmen “Carmy” Berzatto from The Bear. In the first part, I analyzed how 🔗Carmy doesn’t know who he is yet because he’s never had the safety and freedom to discover who he really is by connecting with his true passion, art. In part two, I analyzed 🔗Carmy’s true purpose and how I believe his destiny is to set everyone up for success, leave the kitchen behind and step into his light.

I have rewatched The Bear multiple times, but nothing ever captures the wonder, intrigue, and immediate empathy I felt for Carmy after that fascinating opening scene in the pilot episode. I have been thinking about it since I first watched it and it has stayed with me.

Since the first time I saw it, I have always believed Christopher Storer wrote the opening scene of The Bear to provide a portal into the entire arc for Carmy’s character. Let me explain.

Think about what Carmy is doing in the opening scene. He’s approaching a bear trapped in a cage. He speaks to it softly and gently, shushes it, empathises with it, coaxes it out and unlocks the cage. Look at the words used in the script:

Trapped, locked away

Whimpers, cries from inside

Emerges

A mass of dirty, matted hair

Mouth bleeding and ill

Shivers

“Shhh…..shhhh…it’s okay…”

Sad, abused eyes

There was a cute animal in there once

“Come on….go….”

“I know.”

Why is The Bear so personified in the script? Why is Carmy talking to it like it’s a person? Carmy looks into its “sad, abused eyes”, and tells it,

“I know.”

In my opinion, in the pilot episode, Carmy encountering the Bear is more than a dream, it’s a premonition because….it is Carmy talking to his future self.

Think about everything we have seen him go through so far and read the scene below:

I think Chris Storer has given us the arc of Carmy’s character in the form of a fevered dream Carmy has while watching over a slow cooking pot of gravy while he sleeps on the metal counter.

Carmy is the bear in the cage. S1 set the trap, by the end of S2, Carmy has fallen deep into it, and I think in future seasons, Carmy will suffer greatly, then will make great attenpts to heal, get in touch with what he really wants and will set himself free.

The fact that the opening scene in the series takes place on the State Street Bridge is an indication that Carmy saving himself—letting himself out of the cage—will save his own life. This is the same Bridge where his brother Michael, trapped in the same cage he is caught in now, separately, but somehow together, saw no way out and took his own life. The symbolism is striking. The Bridge is the connection between the two realms, and the difference between life and death.

I also think that the words used to describe the bear mean that things will get so much worse for Carmy before they get better. Season 1 ended with Carmy committed to opening The Bear. Season 2 ends with Carmy caught in the walk in freezer of the restaurant, a literal bear trap of his own making where he is buried alive by his unprocessed trauma, and inability to thrive in the very place he was supposed to lead, and crippling pressure to turn a profit to pay off his debts. This is because in my opinion, the restaurant, his cage, is not his natural habitat. This is why everything in it always seems like such a struggle and so painful, forced and joyless.

I’m worried to see how things will get worse for Carmy than they already are. In the script, the bear is described as tapped, locked away, crying, whimpering from the inside, a mass of dirty matted hair, mouth bleeding and ill, shivering with sad, abused eyes.

From the moment I saw the drawing on the wall in the pilot episode, I said, wow, look at the bars, it’s a cage. Of course, I didn’t know until 2x6 that Carmy himself drew the sketch himself, as a Christmas gift for Michael, who was trapped in a horrible cage of his own at the time, which makes it all the more telling and poignant. There’s a reason why Carmy drew the sketch this way, even if it was subconscious, with the same bear trapped in a cage, which we see again in his dream.

Photo credit: moments-on-film (me)

At the end of season 2, Carmy is trapped, pacing the cage of the walk-in freezer.

I’ve been so worried about Carmy as a character since the first episode because it is so clear that he’s sick and badly needs help that he’s not getting. He has undiagnosed PTSD, and inner trauma that manifests physically in the form of nightmares, trouble breathing and terrible panic attacks that ravage his body. This has been so visceral to me throughout S1 and S2 that I wrote an analysis post about 🔗Carmy’s Vital Signs, and how they are dangerously visible on screen through Jeremy Allen White’s exceptional acting. The Bear in the pilot script is described as whimpering, crying and ill. If I am correct, this is where Carmy is headed before it can all turn around.

One other little clue that Carmy is metaphorically the bear from the opening scene, is the physical look of Carmy’s hair. From the pilot episode, Carmy’s hair has bothered me. He’s a 3 Star chef, trained with the best, and worked under the abusive chef in New York who must have had him and his hygiene under a microscope. It never made sense to me that his hair at times looked dirty and unkempt while his shirts were immaculately clean, pressed, and white. Below is a quote from an article where Jeremy Allen White talks about his hair as Carmy:

"I also wanted Carmy to always look just a little dirty. There’s a sink on set — everything was functional — and before most takes, I would get water in my hands and run it through my hair to get it looking kind of greasy.”

This always stuck out to me. He’s playing not just any chef, but, in the words of Sydney, “the most excellent CDC at the most excellent restaurant in the United States of America.” A chef who clearly cares about cleanliness, who gets on his hands and knees to scrub the floor more than once with just his hands and a washcloth. Why would he want him to look dirty? But thinking of it now, if he too knows the arc of Carmy, which he has said Chris Storer has shared with him, then he understands that where we are headed is to witness him as the bear is described, emerging from the cage, “a mass of dirty, matted hair.” The slightly dirty hair is a physical clue into the journey he is on as a character.

I think in future seasons we are going to see a great deal of guilt and therefore self flagellation from Carmy to over correct his mistakes from S2 that is going to further impact his mental and physical health. As I mentioned in a prior post, just like his tattoo, he is constantly dancing on the knife’s edge, and literally putting himself in life threatening danger.

I also have predicted in prior posts that Carmy is going to push himself so hard that he has a major health incident that might finally force Claire (if she’s still around) to actually take note of how sick he actually is. I’m not sure if she’s going to be prominently featured in S3, but I would not be surprised if a health emergency forces Carmy into her life somehow. It never made sense to me that her (then) boyfriend is sick, she’s an ER Doctor, and doesn’t seem to really notice or care.

As I mentioned in my last post, Carmy’s True Purpose, I ultimately believe that Carmy needs to get out of the kitchen and into a life where he can be happy and healthy, and connected to his true life’s purpose. I do not believe that this means Carmy will abandon his found family, or that he will do anything to betray Sydney. I believe she’s his shining star and he will do anything and everything in his power to make sure she gets hers. I also believe they will be in each other’s lives forever because they are truly soulmates. This isn’t about anyone else, though, I think this is about Carmy coming to terms with decades of abuse, unspoken thoughts and feelings, buried passions, his precarious health situation, which is in fact, eating him alive, and letting go of his long held mantra to 🔗 “just keep going”, before it kills him.

Perhaps there’s a way to marry art with the restaurant. That doesn’t solely mean he is only drawing. Maybe what Carmy really should be doing is creating, planning and designing menus, traveling the world to discover new flavors and finding inspiration that can help the restaurant, and provide him with much needed creatively, peace and, yes, joy. Maybe the restaurant will become seasonal and he and Sydney can spend the off time traversing the globe and creating menus together. Maybe down the line he can get out of the commercial kitchen, and he and Sydney’s can revamp her catering company and they can create together is a different environment. I must believe we are headed for somewhere healing, positive and beautiful, despite the valley of despair that ended S2.

The character of Carmy honestly breaks my heart. In him I see someone who so desperately needs a breakthrough and help on so many levels. He so badly needs to discover who he is and what actually makes him happy before it’s too late. I think Carmy is subconsciously very connected to this. His dream, which started the series, continues to haunt me.

One great thing about Carmy’s life are the people who now surround him. In my opinion, he needs to be very careful about how he treats them moving forward. He has people who genuinely love him and who I believe have his best interest at heart. If he pushes himself to the brink and then decides to leave the kitchen for the sake of his health, I believe everyone would ultimately understand. However, no one can take the reins of his life and fix it for him. Only he has that power and create his own reversal of fortune.

If I am correct, for his character to follow the arc of the opening dream scene, all Carmy ultimately has to do is unlock the cage and set himself free.

How he will arrive at that point is the journey of The Bear.

©️moments-on-film 2024

[postapocalyptic-cryptic]

Some fucked up jazzprowl. Hatred and war on the planet Cybertron.

---

The war has changed them all. Every single Autobot is colder than they were before all this, and Prowl’s not sure any of them could be called good mecha anymore. The things they’ve seen, the things they’ve been forced to do…

There’s something to be said for evidence of humanity.

Jazz wakes up screaming again.

No amount of altered recharge code or tweaks made to his recharge slab and cable have been able to get the night terrors under control, and he hasn’t had a restful night’s sleep in decacycles. Based on Prowl’s calculations, his systems are running at about 80% of their normal capacity, and his work has been suffering for it. Prowl has ordered Ratchet to prioritize his case until a solution is found.

In the dark, in the small hours of the morning, Prowl grabs Jazz’s wrists and pins him to the bed. “Stop,” he orders. “Stand down.”

Jazz keeps fighting him, kicking and thrashing and snapping his dentae together like he would bite if Prowl gave him the chance.

“I said, stand down.”

Jazz freezes, goes limp. Then, he bolts, and Prowl is left on his back wondering how he hasn’t been seriously injured during one of these episodes yet.

Jazz comes out of the washracks almost an hour later, optics tinged purple and tears drying on his face. He doesn’t offer any explanation.

“This has got to stop,” Prowl says when Jazz sits on the edge of the couch, not close enough to touch.

“Right, I’ll get right on that. Because I’m doing it on purpose.”

“You know what I mean.”

“No, actually, I don’t,” Jazz snaps, turning to face Prowl fully.

“I mean—”

“That I need to get myself under control?”

Prowl’s dentae click together when he shuts his mouth.

“Yeah,” Jazz continues. “I heard that conversation.”

“We can’t keep going like this, Jazz.”

“Well, then, I guess I’ll find somewhere else to sleep. Somewhere I won’t disturb you with my loss of control.”

“Jazz,” Prowl begins, but Jazz is already up and out the door. Perfect.

Jazz doesn’t message him the next morning, and doesn’t respond to Prowl’s professional email about scheduling conflicts. Prowl checks the schedule and sees that it’s been fixed, so clearly, the message was received.

When Prowl greets Mirage and Blaster in the mess hall, he’s ignored. He can expect a lack of cooperation from SpecOps for the next few cycles, then. Typical. Petty, but typical.

Prowl is somewhat skilled at assessing people, figuring out their strengths and weaknesses. One of Jazz’s biggest problems is his inability to keep his work and personal lives separate.

Prowl doesn’t see Jazz until after lunch, at a meeting with Optimus, Ironhide, and Ratchet. Jazz proposes a ridiculous solution to their current security dilemma, and Prowl coolly shoots it down.

“Let’s hear Jazz out, Prowl,” Optimus says, and Prowl recoils. Talking to SpecOps is one thing. Bringing Optimus into their personal issues is another.

Jazz grins from across the room, and Prowl sneers.