#I LIKE HOW THIS IMPLIES SHE KILLED THE CREATORS OF THE SHOW TOO LOL

[yamikawas]

That pathetic cretin “love interest” was just my fun LONG GAME. Now that the creation overlords are pleased (and freshly slaughtered) I’m coming HOME to YOU ⚡️🌸

YYAYAYAYYAYAYAAYAYAYAYAYAYAYA YOOMIE DARLING CMERE COME HOME AND HUG ME I LOVE UUUUUUUUUUUUU<3<3<3<333<3<3<3<3<<3<<3<3<3<<3<3<3<<3<333<3<3<<3<3

[castiellesbian]

i feel like i need a glossary of terms or a contact list for all these people involved with the show. i have shit memory and dont pay attention to the credits who is sera (sara??) and why does everyone hate her!! why is he Bobo!!!!!! please... has anyone posted about this im desperate

lol well including everyone involved with the show would be difficult, but I’ll give you some highlights

Eric Kripke: creator of Supernatural, showrunner for seasons 1-5. People have differing opinions about him but general people enjoyed his run and he’s considered the best showrunner in the series overall. Not much to say because there’s a lot to say lmao (notable episodes: “Pilot,” “Lazarus Rising,” and “Swan Song”)

Sera Gamble: writer who was involved from the beginning of the show, became showrunner after Kripke left. Her seasons, 6 and 7, are typically regarded as the weakest seasons. She was a huge brothers-only supporter, and was responsible for Misha being written out of the show (as well as Jim Beaver, Bobby) in order to get the show to just be about the brothers again. There’s a lot of drama regarding her treatment of Misha/Cas, but more recently she’s known for the Magicians debacle, a horrendous example of the Bury Your Gays trope. She’s also involved with (the showrunner of?) You on Netflix. She was a pretty good writer, but overall fans dislike her because of her showrunning tenure (notable episodes: “Faith” with Raelle Tucker, “Death’s Door,” “The Born-Again Identity”)

Jeremy Carver: writer from season 3 that was promoted to showrunner from seasons 8 through.... some time in 12, the timeline has been a little murky to me. He was the one who brought Cas back into the main plot, as well as allowing the deancas storyline to become genuine subtext (we can argue whether it was queerbaiting or what he was intending to do if he had been running the series finale, but yeah). Unfortunately, he was also the showrunner when Charlie was killed off brutally, which dampens his legacy. People are conflicted about his seasons, but generally he’s looked upon favorably (not related, but the picture that comes up when you search him on google is NOT him, he’s really like a typical white nerdy looking dude lol) (notable episodes: “The Rapture,” “Sacrifice,” “Do You Believe in Miracles?”)

Andrew Dabb: writer from season 4, promoted to showrunner during season 12 and is the last showrunner of Supernatural (he wrote the finale). He was well-liked by deancas fans for awhile because of how much screentime they were allowed to give, and because of the focus on extended/found family. Sam and Dean only fans didn’t like him for the same reasons. Unfortunately, HIS legacy has been marred by the awful series finale, though it’s debated whether that was his fault or because of network meddling. (notable episodes: “Dark Side of the Moon” with Daniel Loflin, “The Prisoner,” “Moriah”)

Robert Singer: executive producer since the beginning of the show (he’s also co-showrunner throughout Supernatural, but I don’t think he typically was involved with the plotlines too often). He’s directed quite a few episodes, including the infamous wire fight episode (s13 finale) as well as the series finale. Married to Eugenie Ross-Leming, writer of the show

Eugenie Ross-Leming/Brad Buckner: writing partners TECHNICALLY from season 1, but they only wrote one episode until they were brought back in season 7. They are regarded as the worst writers in all of Supernatural, responsible for tactless death scenes of fan-favorites (and typically minorities) like Kevin, Charlie, and Eileen. They also feature a gross amount of dubcon/noncon, racism, weird unnecessary sex stuff, and are SUPER into Lucifer for some unknown reason (they have a crush on Mark Pellegrino I guess). They’re also just kind of bad writers in general, their pacing is weird and their plots convoluted. To be fair, though, they have written some good moments, like Dean trying to reach Cas in Hell’s Angel and Dean’s confessional scene in Paint It Black. But overall, they suck. Why are they still on the show even though BOTH sides of the fandom (who never agree on ANYTHING) dislike them? Well, because Eugenie is married to Singer. Nepotism. (notable episodes, the ones I can stand to watch lmao: “Holy Terror,” “Hell’s Angel,” “Our Father Who Aren’t in Heaven”)

Ben Edlund: writer from season 2 who left after season 8, but people STILL talk about him simply because he is arguably the strongest writer of the series. Cas fans particularly like him because he did most of the heavy-lifting regarding Cas’ characterization. He also wrote the famous bi!Dean scene with Aaron in season 8, where Dean is flustered after being flirted with. (notable episodes: “On the Head of a Pin,” “The French Mistake,” and my all-time favorite “The Man Who Would Be King”)

Robert “Bobo” Berens: writer from season 9, his first episode was “Heaven Can’t Wait,” which is all you really need to know about his influence on the deancas storyline. He’s also gay, so people particularly enjoy seeing how he approaches destiel in his episodes since it’s not just another straight guy potentially just catering to fans. He was also the one who was meant to go off and run Wayward Sisters, and is responsible for a lot of their development in recent seasons. I believe he also created Rowena? He wrote the episode this season where Cas confesses his love to Dean (along with other heavy deancas episodes like “The Trap”). Sam fans typically don’t like him because he doesn’t give him much focus. (notable episodes: “Heaven Can’t Wait,” “Who We Are,” “Wayward Sisters” with Andrew Dabb)

Steve Yockey: writer from season 12 through the beginning of season 15. Also gay, and also responsible for deancas moments in recent years. Generally loved for his deancas subtext but ALSO because he is an amazing writer who came out with iconic episodes. (notable episodes: “Celebrating the Life of Asa Fox,” “Lily Sunder Has Some Regrets,” “Peace of Mind” with Meghan Fitzmartin)

Robbie Thompson: writer from seasons 7 through 11, and wrote some fan favorite episodes in the meantime. He is also the creator of fan favorite characters like Charlie and Eileen. He was also one of the few writers who was vocally supportive of destiel during his tenure rather than just later. I’m not implying anything about his intentions, but it was validating for him to encourage fans during a time where most of the cast/crew ignored or actively dismissed it. Plus his episodes are just fun! (notable episodes: “LARP and the Real Girl,” “Fan Fiction,” “Baby”)

Meredith Glynn: writer since season 12, has worked closely with Bobo during their seasons together. She and Bobo cowrote “The Future,” which is the mixtape episode, so she has been taken in by deancas fans haha. She also wrote the episode where Cas makes the deal with the Empty, so it’s pretty safe to say she and Bobo had worked on the deancas plotline together :) She’s also liked some deancas-related tweets on twitter, so she’s being subtly supportive (notable episodes: “Regarding Dean,” “The Future” with Robert Berens, “Byzantium”)

Davy Perez: writer since season 12 (a lot of the ones I’ve mentioned are, since this is when Dabb became showrunner and made changes in the writers room). His episodes tend to either be horror or bizarre. I mention him because he’s responsible for episodes like “Stuck in the Middle (With You)” (Cas’ first “I love you”) and “Tombstone” (aka Brokebacknatural lmao). I don’t know much about him otherwise, but that’s why he’s brought up usually (notable episodes: “Stuck in the Middle (With You),” “Tombstone,” “Atomic Monsters”)

hopefully this helps, and hopefully I didn’t forget about anyone major. There have been a LOT of people behind the scenes so it’s hard to say who to include. Like, I didn’t mention Jerry Wanek, Jim Michaels, Kim Manners, Thomas J. Wright, or others who might be mentioned from time to time.

[sometipsygnostalgic]

I watched that 4 hr She Ra BLM stream by Noelle, very nice.

Takeaways: 

The crew of this show wrote most of it before any of it came out so they created silly in-jokes and headcanons and favourite ships. It was so strange watching a creator talk about their own show this freely, like they were a fan of someone else’s work.  The AT crew implied this was how they thought of the show but they were never so open about it like this, barring some of the late joiners like Sam Alden who had a pure love for Adventure Time.  

I can’t imagine having been a member of the fandom as this was airing, because people would take crew comments so seriously. I know they did by my second hand exposure, which is why I was so scared of the fanbase. 

Anyway, now that I have confirmed first-hand She Ra fandom no longer exists, I’m free to go digging wherever I want. So, the video!!! 

Shipping wise: 

Noelle and Molly lowkey ship Glimmer and Catra (of course), though obviously they have their endgame OTP in Catra and Adora.  They joked about lovechildren, drawing Scorpia with a bunch of literal scorpions, and creating a half-jokey CatraDora lovechild and naming them Finn, saying they would be “the most protagonist-looking character ever” (probably why they chose Finn) and also Double Trouble would neg them into being a cool kid.  That was very funny. 

There was a bit of other stuff, at the very end they suggested Entrapta has had/would have a lot of (mostly robot) boyfriends and girlfriends with Hordak among them lol, and theyd do community service on Beast Island and maybe adopt some horrifying beasts into her weird family because of course they would. Poly Entrapta canon? 

Oh, and apparently Wrong Hordak was a joke in the writer’s room that they found so funny they found a way to squeeze it in the show. There’s probably something else that was cut for time for Wrong Hordak. And yet, I would not have it any other way.  

Character wise: 

What I liked about the video is how gushy Noelle got when talking about something they thought strongly over. The topic of Redemption came up and Noelle went into season 4/5, the whole situation with the portal and the characters that were forgiven.  I can tell that they had been reading up on a lot of discourse and fan takes, so Noelle went on the defensive for Catra. However, this was a well-thought and non-aggressive rebuttal, so I’m not too bothered by that. 

Basically they used Entrapta and Glimmer (the other two best characters) as reference points for how Catra redeemed herself. Entrapta was not an angry ball of rage trying to destroy a universe, but at the end of the day, was responsible for the portal being built because she wanted to see what would happen. When the other characters save her life and she realises she fucked up, she has the question of how to make up for being a villain, and decides that if she uses her skills to help the good guys then maybe they’ll start wanting her around. She learns that you have to put work in to keep friends.  When she sees Catra in the ship, she’s already past the bulk of that, so knows that because she was able to make up for it with a lot of effort, Catra can too, and Catra’s on her way but just not at that part yet. So, while not forgetting everything, she forgives Catra, who was in the same position she was a few eps ago.  She can kind of understand it. 

Glimmer, meanwhile, was in Catra’s position exactly -  she’d taken a huge risk that endangered all her friends and regretted it and got sent up with Prime. Catra’s deathportal gave Prime the signal while Glimmer sending Etheria into the original universe gave him the keys to the castle. So when they start bonding on the ship, Glimmer finds it easy to forgive Catra because she too has fucked up all of her friendships on the road to revenge and is all by herself.  When rescued, Glimmer is the most determined to save Catra, demonstrating her growth after season 4 where she nearly killed Catra and stopped everyone from saving Entrapta. And when Catra’s on the ship finding it hard to apologise, Glimmer understands her well, asking Adora to give her some time. 

Noelle says it was really good to have those characters interact with Catra because they are all in the same position, and I do agree that it made things much smoother for Catra to have 3 of the 4 people she hurt most in one place to make up to. 

(I think Catra and Scorpia should have talked more in s4 but Scorpia was out of commission until the very end :( i did like how Perfuma called Catra out and showed that not everyone was going to immediately forgive her for hurting others, very Katara of her)

Anyway yeah I watched the whole thing and even started falling asleep at the end, though I was in work hours, so that was not good. I think I got like 20 to 30 minutes of light sleep. Nice to see they raised so much money for BLM!  I love that some cartoon creators have done that. Using your fame to support something better.  ....Provided the charity they donate to is good and not corrupted??? But I don’t know. 

[mfpeace]

@justbeingedgy @weird-colombian-gurl You asked me to elaborate on the "Ches already has a kid" theory in the notes of that one mf analysis post (which I really liked, go check it out!!), so that's why I'm making this one, cuz notes are a bit too restricting for what I want to talk about!

Though next time think twice before asking me to talk about something I'm interested in, because you never know when you're gonna wake up lovecraftian horrors!! :DDD you'll see what i mean when you press read more :))

So, I'll say it right now - this post is largely inspired by the second story highlight of this Instagram user (sorry, I don't know their name, only that their Instagram handle is dee_girl_metalfamilyfan), it's in Russian though, so keep that in mind

Alright, so I'll break this theory into two parts: the first one will be all about Ches, and the second will be about his potential child (spoiler: you might've seen her!)

Without any further ado, let's get to the Ches part:

1. The creators said that they're gonna explore Ches' character in the second season. Obviously, it doesn't mean anything on it's own, but just wait.

Dima: Let's talk about the second season a little. Of course, the seconds season will show development of the old characters, as well as new ones. That's in short. As you see, Ches looks a bit different here.

Alina: Yeah, we'll show a bit more about Ches at the ages of 18 to 20. His past. We'll reveal a bit more about his complex character, as much as it's possible.

(The source of the translation) Also I think they also said at one point that adult Ches will get some character development too? But that's probably a given, considering that we wouldn't see his youth if it wouldn't have affected him in the present, flashbacks without any relevance to the overall story don't sound so good

2. Not sure about this one (we don't know how much in character it was) but I can't not mention it.

Alina: Actually there was this one fanfic that I really liked. I don’t remember what it was called, but it was about Ches having a daughter, which is a cool topic. It was relatively in character and truly interesting. It’s great when people focus not just on sexual relationships of the characters, but also try to look at their development. That was a really interesting one. That’s it.

(UnityCon '19)

3. This one's a pretty big one, in my opinion. So, this is what they said on ArtWave '19:

Dima: Ches also has flaws.

Alina: [to Dima] Don’t spoil stuff.

Dima: His flaw is that he's very... irresponsible, let’s say.

So, maybe, just maybe, Ches does have a child but he, you know... left them? As the Instagram highlight from the beginning say: "he might be irresponsible enough to leave his child, and he's probably irresponsible enough not to use any contraception" (rephrased, not the exact quote)

4. Alright, so, the only mention of this one I can think of right now is the aforementioned Instagram highlight. The Metalfamilyfan says:

I contacted Korg/Корж, (admin of @ metal_yama [and I believe one of the organizers of the Metal Family Meetup in Moscow]) and she asked Alina on one of the meetups: "if Ches were to be a father, what kind of father would he be?"

And she said: "The kind of that would say "kid, look at that birdie over there!" an then he would run away"

Someone's words are not the perfect source, but they did tag Metal Yama and from what I know they didn't disagree with what the author of the page said. if anyone has anything to say about this (disprove or definitely prove what I said) feel free to do so in a reblog, notes, DMs, send me an anonymous ask, or in any other way you feel comfortable with

5. Ches has literally been through the same thing, and we know how important the theme of the cycle of abuse is in Metal Family (or, in this case, the cycle of neglect? Abandonment? Idk)

You managed to hide your PREGNANCY from me! AND you've been hiding the child from me for a whole year!

YES, because you would've insisted on aborting him!

AND NOW I'M INSISTING ON PUTTING HIM UP FOR ADOPTION! OR I'LL LEAVE RIGHT NOW!

6. Here we can see Ches with a blonde girl. Nothing too special, probably just a one time hook up. He doesn't seem to be interested in her, and she seems to be annoyed with him.

But wait...

What is this?

Like, it doesn't even matter if there's actually a punk/rock/whatever band named MOM or not, I just think it's pretty weird to put it in this particular drawing of Ches and this random woman who is implied to have slept with him. It's not integral to Ches' character as, for example, Korol i Shut is. It's just... there. For some reason.

------------

Alright, now, finally let's get to the second part of the theory: who is, exactly, his child?

The short answer is, according to this theory, her:

First, let me list every single instance of her appearing in canon (and by canon I mean everything made by the creators. Even with this definition of canon it's not much, I promise): The screenshot you can see above on the left (it's a screenshot from the second season and it appeared here), an instagram story posted by Alina (above, right), and two drawing with a lot of characters where you can spot the girl which I'm gonna call her PinkHair or PH for short, I'll mention them later I feel like I should mention this, comparing the sources of the images and the dates when they were posted, it's safe to assume that the screenshot in the classroom has the latest and final version of her design. The red hair most likely doesn't mean anything

1. Alright. So. we've seen Dee and PinkHair in a classroom together, so they're most likely related in some way, or at least they know each other. Their exact relationship doesn't matter here, because all that matters here is that they're related story-wise

Let's look at the first image. This is the banner of the main Metal Family channel. Ches is near Heavy (they get along quite well and I'm sure Heavy aspires to be like Ches in many ways), Dee (we can see his classmates/friends near him, they're all about his age), and we can see people related to Glam on the left side of the image (including Ches!), and Vicky's - on the right side (notice how the hell sign is also there)

Now, I'm not absolutely sure about this one, but it's still kind of weird - look at the image on the right (it's from ArtWave 2021 btw) - wouldn't it make more sense to put PinkHair near Dee? Also, Curiously enough, not only is she not close to Dee on this image, but she's also standing next to Ches.

Though this whole thing could be explained by art theory (too many small things in one corner of your drawing isn't great composition wise lol sorry PH) but I still can't quite skip this point

2. Remember the "MOM" lady? Fun fact, she has the exact same pearl earring that PinkHair has on the screenshot.

3. I'll put all similarities with her supposed parents in this point: Mother: * She's also pretty uh.. glam? for the lack of a better word? Or feminine in a traditional sense, yeah I think that's a better way to put it. Like colors they prefer to wear for example, and jewelry. Characters like that aren't common in Metal Family * She's gotta be a blonde. I can't imagine her being anything but blonde. If she manages to maintain that hair color as a brunette I'm just straight up assuming her character arc is gonna be killing God because these kind of people are capable of anything. I fear them with every fiber of my being. * I can't say for sure because of the shading, but it seems like they both have gray eyes, and she also has darker skin compared to most MF characters. Though, it's likely that Mom just applied a lot of fake tan Ches: * We know that Ches for sure has darker skin * AND grey eyes * There's also some possible personality similarities but I'm not sure if you can compare a child to a parent they've never really known in this way

That's about it, I suppose, I hope there isn't that many grammar mistakes and logically unfinished parts and whatnot in this post I forgot to edit lol x) I'm not sure how to end this post other than to remind you guys that almost all the points in this posts are inspired by the "тупая теория" highlight on the dee_girl_metalfamilyfan's Instagram page, so go check them out and subscribe, they post Dee x The Quest Girl fanart and and always credit the artists. Without them this post would be much, much shorter.

Thanks for reading this post, please feel free to let me know your thoughts on this post <3

[kuiinncedes]

just the keys to paradise

jatp au - prologue - part 1/15? - 1834 words

relationships: blaine & sam & tina & artie

okkkk we're doing it 🤪 idk how regularly i will update this (omg ongoing fic??? who is she) but i do have like technically a ~few~ chapters i guess done,,, and i am working on the next so . we're gonna try this lol

anyway if it wasn't clear this is an au based on the most amazing tv show ever with only 9 episodes pls watch or rewatch it on netflix the emmy-award winning julie and the phantoms !!! 🤪

that being said if you haven't watched it what are you doing jk i think you can still read this and hopefully it makes sense 😂 feel free to ask me if there's anything that doesn't make sense lol :)

also fyi in case it influences your decision to read: this will be more focused on platonic relationships for a while but will almost certainly have main endgames klaine, quinntina, and samcedes 😋

prologue title and lyrics in this part from "now or never" from the jatp soundtrack

plot and some dialogue from julie and the phantoms so like credit to all those creators and writers 🤪

warnings for this part: car accident, major character deaths (both of these are not actually in writing/"on screen" just implied at the end (especially within the context of this being a jatp au) and nothing really described -- if you want/need more details feel free to ask me)

read on ao3 or under the cut :D

--

1995

“Dudes, we fucking killed that !” Sam cheers when the smoke has cleared, going around and giving each of them something that could be called a high-five, just not to their hands. Tina laughs and cheers too as Sam excitedly taps her feet after she gets out from behind her kit, still elevated on the drum stage. Some of the workers applaud them from the audience space.

“Too bad we wasted that on the soundcheck,” Artie jokes, putting his guitar down and grabbing his water bottle. “That was the tightest we’ve ever played, yo!”

Tina grins and hops down from the drum platform. Sam slings an arm around her shoulders and she grabs his wrist. They’re both sweaty and too warm but she doesn’t mind having Sam’s heat pressed against her right side.

God, she thinks… that really was something else, even though it was just the soundcheck. She looks around at her bandmates’ faces -- shiny with sweat, red with exhilaration and exertion, bright with elation, eyes wide with excitement and --

Wow. They’re playing the Orpheum.

Blaine pats Artie on the back, jostling him enough to spill the water he’s trying to drink down the front of his shirt, but Artie just laughs -- he’s soaked with sweat anyway. They have spare clothes backstage just for this reason.

“Just wait until tonight, guys, when this place is packed with record execs,” Blaine says, looking out wonderingly into the empty (for now) audience. His grin widens almost imperceptibly, which is impressive considering how huge it already is.

“We’re gonna be legends!” the other three of them chorus, before Blaine can, and they laugh when he turns to them, affronted. “That’s my line!”

“It’s what you get for saying it ten times a day for the last month!” Tina teases. Blaine pushes her shoulder playfully, putting his hand within reach for Sam to grab. It’s a strange position considering Sam’s arm is still around Tina’s shoulders, but Tina adds her hand to their hold as Sam beckons Artie over from his side of the stage, barking out his name with joking anger.

Artie puts his water down and walks over to complete the group, placing his hand on top of Tina’s. “Tina, you were smokin’,” he says.

She rolls her eyes a little and grins back. “Pretty sure you’re just talking about the pyro. You guys were the ones on fire,” she says, pointing her drumsticks around at them.

“T, can you just own your awesomeness for once?” Blaine exclaims.

“Queen T!” Sam calls, pulling her closer into his side. She stumbles into him, laughing as the guys all start cheering it after Sam.

“Okay, okay! Thanks, guys, I got it!” she squeals, trying to get them to quiet down although -- they are in the Orpheum, where they’re playing later, it’s not like they have to be quiet -- while Sam leans his weight on her, causing them to stagger into the drum riser. Tina catches herself on it and Sam finally detaches from her and they’re still being loud and raucous and probably somewhat annoying to the staff, but she’s just laughing too hard to care.

“We’ve got an hour ‘til the show; I say we go celebrate before we become legends!” Blaine proclaims, jumping off the stage. The other three follow.

Tina starts, “Celebrate our last night of being -- ”

“Losers?” Artie interjects.

They’ve caught the attention of one of the Orpheum workers -- a woman with brown hair who’s wiping down the tables, smiling at them as Tina catches her eye. “There’s some nice restaurants around here,” she says with a wink. “You guys really killed it, by the way. But it seems like you know that.”

Blaine laughs, a little sheepishly. “Thanks. Uh, I’m Blaine,” he says. “This is -- ”

“Sam, hi!”

“Tina, how’s it going -- ”

“Artie, hey.”

Tina raises her eyebrows and stifles a laugh at Artie as he leans his sweaty arms onto the table that the woman just cleaned.

“We’re Sunset Curve!” Blaine says to complete their introduction.

“Tell your friends!” Sam calls, raising his voice and drawing the other workers’ attention to them. Tina elbows him lightly in the side.

“Nice to meet you,” the stranger says. “I’m Elle. So… what were you guys thinking for this -- what was it -- ‘celebration of your last night as losers’?”

“Well, we really can’t afford any nice places -- ” Sam starts.

“Oh, you know what? We should just go to Tip Top!” Blaine says, clapping his hands together. The others are quick to agree -- it’s the small, cheap diner where they spent the evening after their first “real” gig, and they’ve spent countless hours there since, annoying the staff and depleting their supply of plastic silverware. The employees there have learned to let them take what they legally can (and sometimes what they couldn’t), and the band is friendly with most of them. They haven’t been there in too long, having been working hard to get the Orpheum gig, and then writing and rehearsing like crazy once they got it.

Elle smiles as they excitedly and loudly recount stories of Tip Top to each other -- sentimental memories and the ridiculousness they got up to -- talking over each other and having multiple conversations at once.

“I guess you don’t need my recommendations?” she says lightly.

“Oh! Yeah, sorry, we’re good, thanks so much for offering,” Blaine answers, polite as ever.

“Have fun! Looking forward to seeing you guys perform again tonight.”

“Thank you!” the four of them exclaim as they make their way back to the exit. Tina yanks on the back of Artie’s shirt as he lingers at the table, a dumb look on his face that tells her he’s trying to flirt, or at least, his version of it.

“Tina!” Artie yelps and she laughs at the annoyed look on his face.

“You are not exempt from this last night of loser-dom celebration. You’re telling me you’d rather flirt with a girl than this?”

“Yes,” Artie grumbles. There’s no heat behind it, and Tina playfully pushes him sideways.

“Plus, we need you to drive.”

“You can drive!”

“Technically we all can drive!” Tina laughs at Artie’s horrified expression, probably at the prospect -- and memory -- of the one time Blaine drove them to a gig. “Just not your car!” she calls, jogging to catch up with Blaine and Sam, Artie running after her. “Your car is the fucking worst.”

“Don’t talk about her like that!”

“Blaine and Sam agree!”

That gets their attention and the two guys turn, Blaine asking, “What are we agreeing with?”

“I agree with Tina,” Sam says immediately. Tina nods gratefully at him.

“You don’t even know what we’re talking about!” Artie complains.

They’re at his beat-up car now and they pile in, Tina in the passenger seat laughing as Sam all but tackles Blaine into the backseat when he starts for the driver’s side, jostling her and Artie in the front. They continue shuffling around while Artie attempts to start the car, to many concerning -- but normal for his car -- noises.

“This thing is gonna go down and take us with it, Artie,” Tina mumbles teasingly, absentmindedly twirling a drumstick in her right hand. (She realizes too late that she probably should’ve left them at the Orpheum, but it’s not a big deal -- they’re not her favorite pair which are safe in their studio and she has extras backstage in case something happens to this pair while they’re out.)

The car finally starts with a rumble and Artie lets out a cheer. “We’re fine, T. Let’s go, y’all!”

“Floor it, Artie!” Sam calls from the back. The car accelerates comically slowly even as Artie presumably “floors it,” but they’re going somewhere.

After a few minutes, Tina finds herself unconsciously humming her solo in the bridge of “Now or Never,” only noticing when Sam interjects suddenly with his “Tomorrow!” leaning between the front seats and slightly startling her. She laughs and continues with the words, “‘Cause we got all we need today! ”

“Today!” Artie echoes, miming his guitar playing with one hand on the steering wheel.

“Living on a feeling that’s been running through our veins!” Blaine sings loudly, joining Sam in crowding into the front of the car.

“We’re the revolution that’s been singing in the rain!” It’s Sam’s line, but they all belt it at the top of their lungs together.

“That’s my line!” Sam exclaims at the same time that Blaine cheers, “My favorite line!” Tina continues to clap the beat for the next part of the song, Artie hitting the steering wheel in rhythm with her. Her face hurts from smiling.

“Artie, dude, where’d you go?” Blaine asks suddenly. Tina looks around at their slowly darkening surroundings that are completely unfamiliar. Slight panic rises in her stomach but she swallows it down; she’s with her boys, they’re safe, just a little lost.

Sam bursts out in uproarious laughter as Artie complains, “You guys distracted me!”

“Told you I should’ve driven!” Blaine says. He leans forward again and Sam follows. Tina stays quiet, pressing herself against the door a little to make room; her boys aren’t that much better but she’s always been completely hopeless with navigation and directions.

“You would’ve gotten even more distracted from singing and veered us right into a fucking building,” Artie grumbles, but he obeys as Blaine directs him to turn left and chooses to ignore his comment.

“Safe driving, am I right, dudes?” Sam cackles as he returns to the backseat, and Tina can’t help but laugh with him. “We’re gonna miss our gig, that’s how we’ll be legends!”

“‘Sunset Curve Skips Orpheum Showcase For No Reason’?” Tina suggests, turning around in her seat to face Sam.

He points at her. “Exactly. Or, 'Sunset Curve Skips Orpheum Showcase Because They Don't Know How To Drive.' The end of a promising career,” he jokes somberly. “No one would ever book them again.”

They fall silent and only the mutters of Blaine and Artie fill the car, along with the loud engine.

“Still haven’t figured it out yet?” Sam groans loudly, laying on his back across the backseats as Blaine is leaning awkwardly out of his seat to help Artie navigate.

“Not like you’re helping!” Artie says.

“That’s the street!” Blaine exclaims, pointing ahead. “The next intersection.”

“Give it up for Mr. Blaine Anderson, everyone,” Artie drawls, speeding up the car a little bit. “Perhaps not able to drive, but navigator extraordinaire.”

“You chose the wrong career path, dude,” Sam says, propping himself up on one elbow to clap Blaine’s shoulder. “Like, songwriting?”

Blaine looks down at him, raising an eyebrow. “Songwriting?” He gestures for Sam to continue.

Sam shrugs, sitting up finally. “Just, you know, songwriting, bro…" His gaze suddenly shifts and fixes at a point beyond Tina. "What th-- that car Artie!”

Tina snaps her gaze away from Sam just in time to see him yank Blaine down into his seat and the set of blinding headlights through the car windows in her periphery.

---

as a final note, i'm not sure if it can be seen this way but i'm not trying to erase artie's disability or anything and i believe i'm not doing that; as you might be able to guess, the car accident at the end of this is what paralyzes him, like in glee canon but just several years later (in his life not in actual time). please let me know if any aspect of this is disrespectful or anything <3

[thinkingisadangerouspastime]

what do you think about the aang is possessive comment? about EIP ruining kataang? also about there being an implied (and nonexistent) love triangle thrown in nearing the end of the series as a tease?

I think fandom just likes to complain, lmao, but I’ll address each of these one at a time!

1) “aang is possessive”

This argument is honestly the most ridiculous thing I’ve ever heard because it’s just so obviously false?? Possessive is literally defined as “demanding someone’s total attention and love,” which Aang never does? Aang always respects Katara’s position in their relationship, especially after the EIP kiss, which everyone knows was entirely inappropriate and wrong of him. Aang recognizes her hesitation and makes no more romantic attempts towards her after that moment. Not one! Katara is the one who initiates them getting together in the finale because the war is finally over and she is no longer afraid of losing him. I beg people, do point to the “possessiveness” you’re referring to, because the closest we get to any character being possessive is Zuko in “The Beach”:

Zuko: [Side-view of Zuko and Mai walking.] He thinks he’s so great. [To Mai.] Well, what do you think of him?

Mai: I don’t have any opinion about him. I hardly know him.

Zuko: You like him, don’t you? [Mai sighs and walks away.]

//

Ruon-Jian: What are you doing?

Zuko: [Close-up. Angrily.] Stop talking to my girlfriend!

Ruon-Jian: [Side-view. Walks up to Zuko.] Relax. It’s just a party.

Frontal view of Ruon-Jian. Zuko knocks him across the room into a vase, which breaks from the force.

Yeah, Aang never acts like that. 🤷

Now, this isn’t to say Aang doesn’t get jealous. Jealousy is a perfectly normal and natural emotion, and honestly I’d go so far as to say that everyone has been jealous at least once in their life. What’s key about Aang is he doesn’t act on his jealousy. He doesn’t throw anybody across a room, for one. Sure, he doesn’t want Katara to kiss Jet, so he makes a little quiet comment about it. Pretty normal, and it ends there. Not dissimilar to Katara’s bit of snark about On Ji! Even the EIP comment, which everyone uses to argue that Aang is “possessive” (which again, blatantly untrue, because he does not demand or expect a relationship with Katara as a result of that scene; also all he does is nod lmao and tbh that’s such a healthy reaction to jealousy I mean he doesn’t grab Zuko and chuck him onto the stage like his name is Ruon-Jian, does he?) - Aang literally just gets upset about the implication from an imperialist play that Katara doesn’t reciprocate his feelings. Why?

Let’s be frank: Aang knows, or is fairly certain, that Katara does like him by this point in the series. That’s why he doesn’t ask her “do you like me”. Instead, he asks:

Aang: But it’s true, isn’t it? We kissed at the Invasion, and I thought we were gonna be together. But we’re not.

By this point the show, the viewers know their feelings are mutual. Katara knows how Aang feels about her, and Aang knows Katara likes him, too - he just isn’t sure about how ready she is for a relationship. So him getting upset about the propagandist, pro-imperialism play implying Katara isn’t interested in him, when he essentially knows she does like him, is honestly kind of understandable? Imagine if you were watching a really rude movie about your life and it included a scene of your best friend who you’re already kind of in a relationship with saying that they’re in love with the dude who used to bully you and only think of you as their sibling. Like, that’s kinda wack? I’d be a little upset - and definitely weirded out - too.

(I’ve also seen people argue Aang leaving Guru Pathik to save Katara also somehow demonstrates his so-called possessiveness, as if his love for her and her love for him wasn’t established mere minutes earlier to be the love of the Air Nomads reborn. I don’t think the show could have been any clearer about how mutual, powerful, and honest their love is through that scene. Also, he proceeds to let her go to enter the Avatar state at the end of what? The next episode? So again, any arguments that he was “possessive” and “didn’t let her go” are thus moot and entirely inapplicable points.)

Basically, Aang isn’t “possessive” and people who think he is are just looking for an excuse to hate on him, lmao.

2) “eip ruined kataang”

The only way EIP could have ruined Kataang would be if all the previous Kataang buildup was either terrible or near-nonexistent. And great news! Kataang was built up very well throughout the series, growing from a close, deep friendship to cute, blushy crushes to a true, lasting romance (pretty iconic of them). Even if someone doesn’t ship them, they can acknowledge that within canon, Kataang had a very strong foundation (it’s one of the core relationships of the show, the other being Zuko and Aang as narrative foils). The implication that one poorly written episode somehow cancels out the previous 56 episodes and the following four is embarrassing.

Now, I certainly wouldn’t have minded if there had been a scene dedicated to Aang and Katara discussing his poorly-timed kiss. I ship Kataang, so there is absolutely no reason for me to be opposed to more Kataang content! But A:TLA has a very clear trend of not showing such discussions on screen - example: Zuko never sits down with Katara and apologizes for using her mother’s necklace to manipulate her; Katara never apologizes to Sokka for her callous comment about their mother - so the fact that Katara is the one to initiate their relationship at the end of the serious clearly demonstrates that she has forgiven Aang for his inappropriate kiss and is ready to be with him. (And I’ve said it before - if she can forgive Zuko for all the shit he put them through, she can forgive Aang, her best friend and the guy she loves, for one poorly-timed kiss.) Narratively speaking, ’twas resolved.

Also, it’s incredibly important to consider EIP within the context of the series as a whole. If someone really feels entirely devastated by that one episode, then… their loss? I’m sorry to hear it? 56 episodes of near-flawless buildup - a slight dip + a healthy, logical finale where Katara chooses to be with Aang because she is at last no longer afraid of losing him = more than good enough for me. People can argue her decision doesn’t make sense all they want, but it actually makes perfect sense when you consider what has been built through every previous episode: she was in love with him! You can’t isolate a single episode and expect it to speak for the series as a whole, after all.

Basically, EIP gets blown out of proportion because some people like to pretend it was the only Kataang episode ever written, lmao.

3) love triangle

I always laugh when I see this because where?? The only love triangle in A:TLA was the one fandom invented. Within the canon narrative, Katara and Zuko were never romantically interested in each other. I don’t care about “shipping-goggle interpretations” or AUs or post-canon or early planning that didn’t make it into the final drafts. If you look at A:TLA, if you look at the creators’ intentions, it’s plain as day that Kataang and Maiko were the only romantic pairings planned for Katara and Zuko. And that’s okay! That’s why fanon exists. But people have got to stop whining about a love triangle and ship teases that just… didn’t occur. If they read Zuko and Katara’s interactions as romantic, well, that’s great and all, but it’s also on them, lol. That sounds so mean oml I’m sorry y’all 💀. I just mean that Kataang was very clearly written into the show from episode 1 and Maiko from Book 2 (or Book 3 if you really, really don’t like the flashback), so expecting Zuko and Katara to get together doesn’t make any sense (to me) when they never had any romantically-coded interactions.

Yes, of course I’ll admit there were a few Zvtara gags, but that’s exactly what they were - gags. There’s three primary instances:

- June calling the owner of the Water Tribe necklace (whom we know is Katara) Zuko’s girlfriend in Book 1. This moment is mainly hilarious because Zuko promptly redirects the conversation to Aang, lmao, but thinking about the context of A:TLA itself? The assumption of the Fire Nation crown prince being in a relationship with someone from the Water Tribe is honestly pretty concerning given how the Fire Nation is an imperialist conqueror and has all but destroyed the Water Tribes (and has certainly worked to sever the connection between the North and South). So, not exactly a great conclusion on June’s part.

- The EIP gag. I ALWAYS laugh at this one because their reactions are so funny? I love the little disgusted nose wrinkles and scooting away. That’s hysterical to me. But again, thinking about the show itself, EIP is an imperialist play full of Fire Nation propaganda. With that in mind, again, the implication that their crown prince was with someone from the SWT, a nation they brought to its knees by killing all of the waterbenders (but one) and thus eradicating so much of the SWT’s culture? Major red flags! People need to consider the implications of EIP as imperialist propaganda, basically, because that’s what it is. Ignoring that aspect means missing the entire point of the play.

- June part 2. What I said above still applies. Also, they both get embarrassed and hotly deny it, which is kind of the opposite of a ship tease to me? They don’t exchange like an “oh, but what if” glance or anything, lol. And June backs off immediately, so... 🤷

People who interpret that as serious ship teases are, bless their hearts, a little misguided. Those are just funny moments! It’s like Katara and Sokka dressing up as Aang’s parents in “The Headband”. It’s funny! It’s contextual! Sokka and Katara are not romantically interested in each other just because they dressed up as husband and wife (ew), just as Katara and Zuko aren’t romantically interested in each other because there were three jokes about it. I really don’t know what else to say lmao.

Now, I don’t know all about what Bryke did outside of A:TLA in regards to Zuko and Katara’s relationship and fans of it. I wasn’t here for that lol. But I do know that A:TLA built a beautiful, platonic bond akin to surrogate siblings between Zuko and Katara (highlighted by the final Agni Kai with Katara and Azula as foils). Not a love triangle. “The Southern Raiders” was an episode about Katara and Kya, not Zuko and Katara. “The Crossroads of Destiny” paints an aching, gorgeous parallel between Oma and Shu and Katara and Aang, not Katara and Zuko. “The Boiling Rock: Part 2” was an episode involving the loyalty and love of Mai and Zuko, not Katara and Zuko. Katara and Aang had romantic parallels, Mai and Zuko had romantic parallels, while Katara and Zuko - within canon - had strictly platonic development. And honestly, fandom should appreciate that more! How often do we get such an iconic relationship between a guy and a gal that isn’t shadowed by romance? (The answer: not often enough.)

Now, this doesn’t mean don’t ship Katara and Zuko. I don’t care what people ship lmao, and there are some interpretations of Zvtara that I really enjoy (post-canon Zvtara has so much potential,, I die a thousand deaths oml)! But insisting there was some love triangle thrown at the end of the series is a discredit to how well Aang and Katara’s and Zuko and Katara’s relationships were written in A:TLA, and I’m honestly tired of hearing such tomfoolery. A romantic relationship between Zuko and Katara within canon would have completely undermined his entire redemption arc, which further emphasizes that their canon bond was meant to be solely platonic, because why would the writers want to undo what most consider the best redemption arc in animated history? (Simply put, I don’t think they would.)

Also, A:TLA had a very clear history of staying away from love triangles. There’s no Aang x Katara x Jet love triangle. No Yue x Sokka x Suki love triangle. So why would there be an Aang x Katara x Zuko love triangle?

Case in point: there isn’t. Fandom invented it.

So that’s my thoughts, anon! It can be summarized as this: fandom makes up a lot of nonsense that simply rewatching the show can dispute, so maybe we should just start providing episode timestamps to people, lol.

A general note - people are free to disagree with this post, but I ain’t looking to argue, so… make your own post if you want to develop a “counterargument”, I guess? I’m just chillin™ lol I don’t want to fight with people. I can give you my PayPal if you’d really like to engage in a proper academic debate? Anyways. Much love! 💕

[jadelotusflower]

Roundup: August 2021

This month: Jane Eyre, Wide Sargasso Sea, Don’t Call it a Cult, The Secret Garden, Showbiz Kids, Masters of the Universe: Revelation, Lucifer.

Reading Jane Eyre (Charlotte Bronte) - I’ve been meaning to read the Wide Sargasso Sea for a long, long time, but first I thought I’d revisit the source material. I find my opinion hasn’t much changed - I still love the prose, still love Jane as a character, and still find Rochester extremely unappealing. The section with Jane at school is the most engaging for me, and her early time as a governess at Thornfield, but as soon as Rochester shows up I just find him so irritating I have no idea why Jane loves him so much (other than he was the first man to ever show her a scrap of attention). I mean, I know to an extent - I've read the Takes, and part of fiction is accepting what you want for the character as a reader and what they want for themselves can be two different things, and that's not the fault of the text. I can be satisfied by the ending because Jane gets what she wants, I just can’t help but wonder about a Jane who was found by John Eyre before she went to Thornfield, or who took her inheritance and made her own way after Moor House. Byronic heroes just aren't my thing I guess ¯\_(ツ)_/¯ Wide Sargasso Sea (Jean Rhys) - The first Mrs Rochester of Jane Eyre strikes an uneasy tone to a modern reader; she does not utter a word in the novel, is depicted as animalistic and almost demonic, her story only told in a self-serving manner by Rochester, and conveniently disposed of so Jane can return to claim him. Rhys reimagines Bertha as Antoinette, a “white Creole” of Jamaica in a postcolonial take on the racial/social prejudices and hierarchy only hinted at in Eyre, where Bertha being Creole primarily an aspect of her Otherness, and in which Rochester describes himself as being desired as a husband because he was "of good race" . In Sea, although Antoinette is white (passing, perhaps), he sees her "not English or European either" and this contributes to his rejection of her (and perhaps his willingness to believe she is mad). The novel is surprisingly short - it skips over the meeting and courtship of Antoinette and Rochester (tellingly unnamed in the novel) entirely, jumping directly from her childhood/coming of age to the couple already married, and over much of Bertha's (renamed by Rochester) sad life in the attic. Still, there's a density to the writing, much is implied beyond the sparse use of words and recurring imagery - subjugation, reflection, and of course, fire - when freed slaves (Rhys changes the timeframe to after the passing of the Emancipation Act of 1833) set fire to Antoinette's family plantation, a pet parrot whose wings have been clipped by her English step-father Mason, cannot flee and falls to a fiery doom, in a grim omen of Bertha's fate. It did, however, leave me wanting more - I understand Rhys' stylistic choices and restraint, but in her effort to give voice to the voiceless, Antoinette/Bertha remains somewhat an enigma. Don’t Call it a Cult: Keith Raniere and the women of NXIVM (Sarah Berman) - I continue to be disturbed but intrigued by the NXIVM case, not only because of my abhorrence of MLMs/pyramid schemes, but my bafflement as to how this thoroughly unremarkable man was able to hold sway over so many women. My mild criticism of the two documentaries on this subject was that they tended to jump around in time so you never really got a good idea of what happened when. This book provides a well researched, detailed summary of events and linear chronology of Raniere’s perverse pathology reaching all the way back to childhood, and so is both an excellent supplement to the already informed, and broad overview to those new to the case. Berman is a Vancouver-based journalist who was present at Raniere’s trial and gives insight into witness testimony, supported by her own interviews and extensive research. There's less of a focus on the sensationalised celebrity members, with greater emphasis on the lesser known victims - including the three Mexican sisters who were all abused by Raniere, one of whom was kept confined to a room for years. It's difficult reading, consolation being the

knowledge that Raniere is rotting in prison and that his crimes finally caught up with him. Watching The Secret Garden (dir. Marc Munden) - Spoilers, if one needs a spoiler warning for a 110 year old novel. One of those stories that is adapted every generation, and generally I have no problem with this, since new adaptations can often bring something new or be a different take on old material (see Little Women 2019). But a part of me can’t help feel why bother with this when the perfect 1993 version exists. There is an Attempt at something new with this film, moving the setting forward to 1947 (Mary’s parents having died during the Partition), and turning the garden from a small walled secret to a mystical, huge wonderland full of ferns and flowers and endless sun. But in doing so, the central metaphor is lost - rather than Mary discovering something abandoned and run wild, gently bringing it back to life with love and care, she merely discovers a magical place that requires no effort on her part. There’s also less of a character arc for Mary, remaining unpleasant far into the proceedings, forcing Colin to visit the garden instead of it being his true wish, and generally succeeding by imposing her will on everyone else. In many ways she’s more like Burnett's other child heroine Sarah Crewe - the film opens I’m with her telling stories to her doll including Ramayana, which is eerily reminiscent of Alfonso Cuaron's (also perfect) 1995 adaptation of A Little Princess. But I suppose a sliver of credit where it's due - Julie Walters' Mrs Medlock is less of an antagonist, with Colin Firth's Lord Craven being Mary's primary obstacle. There's also a subplot with Mary's mother's depression following the death of her sister being the reason for her neglect (and Merlin alum Rupert Young shows up briefly as Mary's father) but like shifting the time period, there just doesn't seem to be a point to it. The climax of the film involves the Manor burning down (writer Jack Thorne stealing from Rebecca too, lol), with Mary and Craven have a very calm conversation as fire and smoke surrounds them. It’s all very bizarre, but also…rather dull? Don't bother with this, just watch the 1993 film again. Showbiz Kids (dir. Alex Winter) - a really interesting documentary on the titular subject - Winter was himself a child actor on Broadway before his film career kicked off in The Lost Boys and Bill and Ted, and has been able to assemble a broad range of interview subjects - Mara Wilson, Evan Rachel Wood, Wil Wheaton, Jada Pinkett Smith among others - former child actors, those still in the business, and some up and comers like Disney star Cameron Boyce (who I was sad to see in the coda has passed away). We also follow two young hopefuls - Marc, attending acting classes and auditioning in pilot season, yet to book a job but his parents are invested in "his" dream, and Demi, already established on Broadway but having to start to make choices between a career and a childhood. There's no voiceover, no expert opinions in this, letting the actors speak for themselves, but there is a telling juxtaposition of Marc returning home, jobless but having fun in the pool with his friends, while Demi has to cancel the summer camp she had been so looking forward to because she has booked a new role. The film is fairly even handed, but ultimately I took away that there just seems to be more harm than not in this industry, and abuses of many kinds. It does make you wonder about the ethics of child acting, at least in the current system where the cautionary tales are plentiful. Masters of the Universe: Revelation (episodes 1-5) - Mild spoilers I guess? I was never really into He-Man as a kid, other than the Secret of the Sword movie, so most of the in jokes and references in this went over my head. I have to admit, it was actually seeing all the outrage that made me want to check this out and see what all the complaining was about. I actually…really enjoyed it?!? I’m sympathetic to the complaints of a bait and switch (creators really need to learn to say

“just wait and see”), but other than that in my view the rest seemed completely unfounded. Adam/He-Man being killed in the first episode and the impact that has on Eternia and those left behind is actually a really interesting premise. This isn’t a TLJ situation; in contrast everyone (except Evil-Lyn) is always going on about how much they miss Adam, and the whole point of the first arc is him coming back. There’s also a nice little detail of Adam in Preternia (heroes heaven) choosing to remain as he is rather than as He-Man where all his predecessors have chosen their “ultimate” forms. I love him and his Magical Girl transformation. As for Teela - female characters can’t win, it seems. If they are perfect, they’re Mary Sues, if they have flaws, they’re unlikeable. Teela is Going Through things and is on a journey, but I often feel (and it seems the case here) that people confuse a character arc with author intent. No! Just because a character says/does something it doesn't mean you're supposed to agree with them! Some of Teela's actions may be petty and her demeanor less than sweet, but people make bad choices as a response to grief, and I actually thought her anger over Adam never telling her his secret and how that manifested was a pretty interesting take. I'll be interested to see the next half of the season, and ignore the ragebait youtube commentary. One more thing - Evil-Lyn (perfectly voiced by Lena Headey) was an absolute delight. Lucifer (season 5 part 2): They’ve basically given up on the procedural side of things by now and are leaning heavily into the mythology, which works for me since the case of the week is always the least interesting part of any show. It also struck me this season that there’s gender parity in the main cast (Lucifer, Amenadiel, Dan and then Chloe, Maze, Ella, Linda) - and actually, that’s more women than men. How often does that happen?!? I can’t say I’m particularly engaged with the Lucifer/Chloe pairing, but am happy to go along with it since that’s where the whole plot revolves. The best scenes for me this season were with God’s Dysfunctional Family, even if the lead up to the finale felt rushed (I understand the need to wrap things up in case of cancellation but still). I would have liked to see more of the sibling dynamics between the angels and less romantic drama, but hey. The character death got me, as well. I didn't see it coming and I didn't realise how much I had enjoyed that character until they were gone and well...it got me. I see the last season is coming soon, I'm not exactly sure where they can go from here, but looking forward to it nonetheless. Writing I was actually quite sick this month with a throat infection, so wasn't in the best frame of mind to get anything finished like I had planned to. I'm going to hold off posting the word count this month and roll it over to September when hopefully I've actually posted things.

[faelapis]

look. in general. dont trust the analysis of people who think steven acted out of some justified revenge in fragments, they either dont understand the internal escalation for steven between fragments & homeworld bound... or they don't care and just want to see steven burn people, regardless of who it is.

also if they think jasper - literal nobody jasper, out in the bumfuck nowhere woods by herself jasper, hurting no one but bugs who step on her property jasper - should die because she... hurt stevens feelings?? after she and steven had an agreement about training??? i really dont trust them in general lol. 

or, if they just don't care about jasper and want someone to permadie because ~consequences~ i will probably never read anything they write because they dont understand how consequences work or character arcs in general. like. for one thing, dying is not a moral consequence of anything jasper did in the episode. 

yes, jasper is self-destructive, and yes, she orchestrated it so that steven would go all out, but it is STEVEN’S consequence for being a very bad baby boy who couldnt control himself because he suppressed himself for too long and got egged on into being a toxic baby boy who could only emotionally connect with anger and power. 

and yes, i'm intentionally overusing baby boy because if i don't the SteveGang will come for me for implying steven is ever responsible for himself even when he's encouraged by others. 

it is *steven’s* primary consequence, in the sense of self that truly dies. he can never be the hero he longs for again. he can’t think of himself that way. the only reason he is able to survive that is because his family is able to tell him that they’ll love him as a monster, too. (steven was never “fully” selfless, what laid at the bottom was winning love and approval of others, he’s not an ideologue so much as someone who needs to feel needed).

jasper's old self symbolically dies (i think the rules of the SU universe dictate that jasper must emerge from water every time she starts a new phase of her life), as the depression cave, most self-destructive and nihilistic version of jasper needed to... but the negative consequences of fragments are steven's first. not hers. 

jasper’s arc is, as i’ve said before, realized in homeworld bound. 

fragments is the realization of her old desires, but it is not a true moment of change. it’s just getting what she already knew she wanted. death, to her, is almost comforting because she can file everything as being part of her destiny and her diamond’s birthright. 

it is only in homeworld bound, when she openly submits herself, and is like “yes, finally, i have the Good Right Authority to Follow, i can live with Meaning”, and steven is like, “no, i can’t be what you want me to be. i can finally let you go now because i understand i'm not the perfect hero who saves people, i can't be the diamond you need”, THAT is what breaks her. that is the bitter pill she needed. 

and jasper, ~depending on your interpretation, because she always kept her cards close to her chest, steven never fully understood her / what she wanted (as is a point)~ either goes to Little Homeworld because she thinks thats what steven would want OR because its what shes secretly longed for all along, but couldn't as long as she saw it as “selfish” and against the idea of a diamond.

in any case, letting go of that old purpose is the only way for her to get better. it will be a long, slow healing process, but she'll be okay either way (if you think the pit of her self-hatred has no hope, that’s some heartless bs from someone who doesn’t understand the symbolism of little homeschool as a place of structured healing). jasper’s finally letting herself go where her “dumb” feelings reside. her main problem was being alone, nihilistic and full of misplaced selflessness, and she won’t be anymore. she won’t have steven, for the same reasons someone like pearl can’t become her best self by rose’s side, but she will have the push she needs to make a structured, genuine effort to acknowledge the self and her latent emotions.

and that’s a much better character arc than just killing her for steven’s sake. if your big thing is “consequences”, well, people underestimate how much of a fatalist jasper is. death is comforting to her if its for the right reasons. being truly defeated by a diamond is 100% fine. at lest she has a diamond now. its what she thinks destiny is. ripping her from that into a reality of terrifying freedom? painful and necessary, babes!

if you’re a logicbro and you don’t care about all this symbolic stuff and just want the Hard Facts of how she survived - at no point is anyone in the show enough of an authority to tell you that you can’t heal shattered gems. that character doesn’t exist. steven thinks it’s impossible because rose couldn’t do it, and to him, that’s the most powerful being imaginable... but the narrative implies otherwise. him thinking that is not the same thing as the narrative telling an expected questioning, curious viewer that it can’t be done. it is just his perspective. 

remember how the diamonds create all gems, and can control physical form, emotion, steven could heal lars, rose could help cracked gems, etc? the gems ARE nothing but diamond goo + their gem form. so the combined power of the diamonds over gems IS life & death, as creators, the absolute authority jasper sought. the same way corruption, in itself a form of “death”, could be healed by them (but, again, not rose alone!), so shattering is only another form of death.

and i feel like i shouldn’t have to specify that yes, the power the diamonds have over life and death is meant to be more than a little terrifying. that’s part of why gemkind obeys the diamonds in the first place. the other diamonds celebrate their powers, steven himself does not see it as a good thing. not after being so thoroughly dethroned from his own pedestal. they really are more like petty gods than anything else, and steven is afraid that the consequences of that will catch up with him. just one of many reasons he has a therapist now. 

[laufire]

Supernatural s1

my dash: decries Supernatural every five posts.

me: time to watch it seriously for the first time in my life.

-First thing first: it’s an amazingly well-crafted season of tv. I’m a character-focused watcher, not a plot-focused one; I never connected emotionally to the Winchesters (still haven’t and likely never will, as interesting I might find them as character constructs), so I feared I’d be bored and would want to skip scenes. Nuh huh. I was many things, but none of them were bored xDD. Each episode was a lesson in good pacing and the entire season another in proper build-up. There are one or two or a few dozen tv-writers I would like to show it to, ngl.

-Another thing it excelled at was in its portrayal in abusive family dynamics. The way Dean went mellow and so unlike himself when John gave an order (and what a SHOCK it is in the later episodes when he finally stands up to him!!). How Sam said HE would apologize to his father when they saw each other again, or how he made apologies for his father because “it could have been worse” (at least John didn’t beat them up, like it happened to that poor kid!). John showing Sam more “““respect””” (as far as he’s able at least) simply because Sam already proved he’s capable of leaving him; the way John controls the information he gives them and when and how and how much and how small they feel when they reunite with him. Dean knowing his father had been possessed by a demon because it wasn’t reprimanding him and belittling him. Dean’s psychic shapeshifter (?) expressing his resentment towards Sam for getting to escape. Dean’s quickness to resort to violence when Sam says something that makes him angry, or how he tries to severe ties between Sam and his college friends, or how he guilt trips him when Sam says he plans on returning to his studies, or how he minimizes Sam’s experiences with John or how Sam criticizes Dean’s compliance... (I don’t think Dean’s being consciously manipulative. I think it’s intuitive. Which is far, far scarier. He’s the Elena Gilbert of Supernatural and a walking red flag for controlling behavior). How it’s paired with ~honeymoon periods. The way they use the families around them to highlight their issues. It’s... chilling and terrifying and I can’t look away. I won’t get into the shit John pulls in 2x01 because that’s for the s2 POV, but oh my god I’m so happy he’s dead.

I wasn’t all that sure of how self-aware the creators were about this trend (especially because of how centralized and validated Dean’s POV is in his conflicts with Sam IMO. OTOH... characters like Dean and actors like Ackles are the type to take over a show by charisma alone tbf. The way he swoops in in the pilot and starts disrupting everything, including Sam’s relationship, reminding me of both Angel in BTVS and Chuck in Gossip Girl, Doylist-wise. This comparison is going to make sense to like three people I talk with regularly xDD). At least on early seasons, since certain spoilers about the later ones make me think it grew over time. I’m still unsure but I think they are a little self-aware because of this quote:

Eric Kripke said of Buffy: “I loved ‘Hush’ and ‘Once More, With Feeling,’ but overall, Buffy really taught me about effectively using metaphor in genre. For Buffy, it was ‘high school is hell (literally),’ and Joss Whedon did such a masterful job of grounding his horror and fantasy concepts in this notion, and ultimately telling allegories about high school, which turned what could’ve been B-Movie material into an all-time classic. I used that same philosophy on my run of Supernatural, with the mantra ‘family is hell (literally),’ and always grounded my horror episodes around the notion of families, to the show’s benefit. So thanks, Joss Whedon. I owe you a beer. (Credit: The WB)

everyone wants to be Buffy lol.

-My absolute favourite thing was how competent the Winchesters are (I’m even reluctantly including John here. That bastard). They’re sneaky with local authorities, crafty about fake IDs, credit scams, research abilities, DIY supernatural detectors xDD... I loved the lack of an audience proxy, the fact that the story throws you into the deep end with people that already know their shit. And that the other side is competent too, like when Meg & YED’s plan to trap John relied on the Winchester being competent; on Sam immediately going into the defensive because, what are the chances of finding that cute weird girl a second time, miles away?; on John suspecting it was a trap and only revealing himself after Meg appears to be dead... Another scene that I loved in that sense, from 2x01 (I watched until 2x03, I wanted to see Sterling K. Brown’s first appearance lol) was how upon discovering Reapers are shapeshifters, Dean immediately knew that cute ghost he’d befriended was the one after him. I get the feeling this aspect will get lost in future season and it’s a pity, tbh.

-Related to that, some of my favourite moments: Sam straight up bribing a guy to get into the morgue when Dean’s arguments are failing (with Dean’s money!); Dean’s plan of “well, if this guy is haunting the house and there’s no other way to kill him, we burn the house. No house no haunting”; Dean telling that kid to fake appendicitis to get his parents out of the house; John blessing the tank of water knowing he’s walking into a trap with demons... I dig this stuff.

-I get whiplash sometimes, with the show making a point of (very briefly) telling you racism, homophobia or pro-life attitudes are Bad(TM) and the brothers are Against them (the Racist Truck episode, the one where a woman used a Reaper to exchange “virtuous” lives for those of sinners...), when the rest of the show is err... what it is lol. Dean is toxic masculinity’s poster boy (I was so disgusted by how he acted with Jess omfg), in s2 we don’t get the monsters’ perspective on hunters until we’ve conveniently met our first black one (I love the episode AND the character but it’s fucking true)...

-I need to make a note of paying attention to the writers credits/Bts stuff because I find this show’s progression fascinating on a metatextual level. The only problem is that audience reaction seems to have played a big role (which is a problem on one or two different levels imo xD), and tracking that down is sliiiiightly more difficult lol. Oh well (I don’t even think I want to see too much of this fandom, even to satisfy my curiosity. Some of the glimpses I’ve caught of it are disturbing to the extreme).

-The detail about dead people’s blood being toxic to vampires is SO COOL OMG. I’m tempted to steal it xD

Some random stuff:

-The monsters of the week were some legit creepy stuff.

-I love that Meg has her own hellhounds. Is that still a thing when she returns?

-Dean: you and dad are reckless and I’m going to have to be the one that buries you. / Me, with the power of foresight: 👀

-Also Dean: sometimes it scares me how good I am at killing. / Me: it scares the shit out of me how good you are at killing, too, fam.

-I get the impression Sam loses his demonic-in-origin powers later on, right? What a waste, I love those.

-I’m pretty sure at one point it’s implied John used Dean to honeytrap monsters (when he sends him as a trap for the lady vampire that stole the Colt) and I really don’t know what to do with this information.

-Cassie was GORGEOUS and even make Dean likeable for me while they lasted xDD. But given this show’s track record I’m considering the lack of more appearances a blessing.

-So many guest stars. Everyone’s been on SPN. Especially if they were on the Buffyverse first (I totally get the impulse of casting Buffy actor after Buffy actor lmfao).

-Funny how Luther Hargreeves is exactly who a lot of fans think Dean was (Dean is far, far colder imo), and yet one is constantly called pathetic and evil and the other woobified. Very Funny Indeed *coughs* (funnier still that the character I often see Dean compared to is Wynonna Earp when the parallels are kids-pool deep at best and offensive at worst. Dean is not a Wynonna. Again, Dean is an Elena Gilbert xDD).

-The two paranormal investigators were dumb as rocks, but their motto was “What Would Buffy Do” so I like them (if they ever change that to What Would the Winchesters Do or something like that I’m going to be furious lmao).

-When I want to ~chill I dress about exactly like Dean (minus the flannel I’ve seen in later seasons, you can’t pay me to wear flannel). Like, I think I have a couple of shirts that look exactly like ones of his. I don’t know how I feel about this xDD

-IDK how I’ll feel about Bobby later on (I get the impression every long-term character on this show has their hateful phases xD), but in his introduction he said the last time he saw John he threatened to shoot him (“he causes that reaction in people”), so he’s so far the most relatable character around lol.

[callioope]

Continuing my reactions to Avatar: The Last Airbender. 

This post is about Book 2. See my overall impressions and thoughts on Book 1 here.

Quick/General Thoughts

Uhhh pretty wild there is both a solar eclipse and a super comet happening in the same summer… anyways!!!

Ba Sing Se was so messed up omg

Aang

SMH more adults trying to take advantage of Aang. I was furious with the Earth Kingdom general who tried to force Aang to fight the Fire Lord well before he was ready. Clearly he was not ready! And then the audacity for him to attack Aang and then Katara to provoke the Avatar state was whole levels of messed up. 

The Great Appa Kidnapping: Yeah, so, as soon as the sand traders took him, I was like, “Oh no. I’ve heard about this. They are going to be in trouble!” But even then I didn’t know it stretched out over so many episodes. These episodes broke my heart! Aang’s complete distress at having lost Appa. Then the episode from Appa’s POV. Poor Appa! He goes through so much. It’s devastating. And then both Appa and Aang both dream of how they originally met each other? UNFAIR. CRUEL. HOW DARE THE CREATORS DO THIS TO ME. (I’m being facetious I love it I live for this kind of drama this is how i express they were doing good storytelling)

The whole “final chakra” being about letting go of attachments… hmm that felt VERY Star Wars of them… Filoni is this your doing? (Although actually I don’t remember seeing his name on any Book 2 episodes.)

Sokka

My fave continues to be the long-suffering Sokka, just trying to get his family to Omashu, it shouldn’t be this hard!!! This was literally what I wrote at the time of watching “Chapter Two: The Cave of Two Lovers,” and OH LITTLE DID I KNOW!!! [cut to Book 3… lmao… anyways]

Sokka making a map to help keep track of the maze-like cave/tunnel is actually really clever. I can’t believe people think he’s stupid. I mean, sure, it didn’t end up working, but that’s because the cave was magic or whatever, and that is beyond his control!

Side note, but lol at Sokka’s purchases and love for shopping. His ridiculous belt! How excited he was that it matched his bag!

Second side note, I was pretty excited to see that gif where Sokka is making that “I’m watching you” gesture and then goes “Water tribe!”

Katara

Yeah, notice how I don’t have much to say about Katara? It’s not that I don’t like her or that I don’t think she’s interesting, but. I just don’t really have a lot to say about her. 

I was amused by how she handled those bullies. My impression before I started watching was that she was going to be this like, pure and GoodTM character, but she definitely has her flaws and that is better.

I really liked the scene where she is able to calm Aang down while he’s in the Avatar state. There was good build up to that, showing her worry every time he entered it and her awareness of the fact that he only ever enters it when feeling upset. The fact that she was able to do that clearly Meant Something. So again, I suppose, I really feel up to this point that the show is very much like “Aang/Katara Endgame!” it felt very obvious to me. And I knew before starting the show that Zuko and Katara are a thing — but Aang and Katara is just so heavy handed that it was impossible for me to ship them with anyone else. They were just foundational to the show. Like it always felt like a foregone conclusion to me, almost as if they were established from the beginning although they obviously weren’t.

Toph

I spent like, the second half of Book 1 thinking “WHEN TOPH WHEN TOPH!” Imagine my ire that she still isn’t around for the first five episodes of Book 2, which is titled “EARTH” my goodness.

But OH was I delighted by “Chapter 6: The Blind Bandit”!!! I loved her intro, I loved how Aang is just immediately in awe of her skills when he sees her. He knows she’s exactly the teacher he’s been waiting for. “She waited and listened!” he says. Yes. I love it. (But also, lol at Sokka booing Aang.) Despite this, Aang really does not handle that first interaction very well!

So frustrating how her parents were treating her. “She’s fragile and helpless!” what a thing to say about your daughter. [Also you literally named her “tough”?!] And he is basically going to imprison her, wtf. & how do you get off saying “the avatar is no longer welcome here”?! smh children whose parents try to “control” their kids always end up being the most rebellious.

I was amused that “my dad changed his mind” apparently was a popular lie daughters use on this show. *facepalm*

I liked the contrast between how Toph wanted to teach Aang and how Katara thought he should be taught! That was interesting. And yeah, Toph certainly lives up to her name. 

Zuko & Iroh

Spent a good portion of the early part of this season wondering how Zuko and Iroh could possibly be related to the awful Fire Lord (and Azula for that matter — jeez she is nuts!), and longing to know what happened to Zuko’s mom. (Obviously that would be answered soon!)

Knowing that Zuko eventually joins the Aang crew, but also remembering that I never saw Iroh with them, made me SEVERELY worried that something terrible would happen to Iroh. And I spent the entire rest of the series worrying about that. Uh, especially since, apparently Iroh is hopeless at Survival 101. Honestly that was surprising to me. 

Zuko deciding they needed to split up was devastating!!! No!!! I loved the adventures of Zuko & Iroh!! He said, “There's no reason for us to stick together,” and I was like, “Yes there is you idiot! Because you’re family and you love each other!!!” I was so sad. I mean, also Iroh is currently the only person who likes Zuko, so, you know, that might be a good reason to stay with him. Just a thought. 

The last thing Zuko needs is to be alone, that will NOT be good for his issues. And lo and behold, look! Immediately, he’s struggling on his own. But I did like that episode (“Chapter 7: Zuko Alone”) because we get to see Zuko’s mom! (Uh, did she have a name?) Turtle ducks are so cute.

“Everything I’ve done I’ve done to protect you.” THIS. SLAYED. ME!!!!!! I mean, y’all know Rogue One is my jam so this parallel with Zuko’s mom and Galen Erso????? I lost it. I just lost it. Plus, though it isn’t confirmed until later, we can tell she’s sacrificing herself to save Zuko and just. (A) what a completely messed up family, but (B) MY HEART. SHE BETTER BE ALIVE is all I’m saying.

Interesting side note: they never show Ozai’s face in the early seasons. 

If you assumed that I was delighted to see Iroh has been tailing Zuko this whole time, you’d be correct. I had hoped that was the case and was very glad it was. Although *facepalm* again at Zuko. I suppose he had no way of knowing Katara had healing powers but it was so frustrating knowing if he had just listened to them for one minute they could have helped Iroh after Azula blasted him. At least he made him tea and nursed him back to health. 

If the evil advisor of Ba Sing Se had files on everyone and knew everything that went on… I mean… did he know about Iroh and Zuko? 

I didn’t jot down any notes about this at the time, BUT. Man. Did I ADORE Zuko and Iroh’s adventures in Ba Sing Se. I mean it was a nice relief from all the other crazy stuff happening. (Not happy to see Jet though. Ugh.) 

Finally, though, Zuko’s betrayal at the very end of the season totally shocked me. Because of spoilers, I knew he’d join Aang’s crew, and so it was so confusing! And such a regression, I really didn’t understand it and was very worried about what it would mean for his redemption arc — but more on that in the next post, don’t want to get ahead.

Azula

Oh. Boy. Again, I knew she was going to be crazy, but I don’t think I was prepared for just how messed up she is. “Do the tides command this ship. You said they would not allow us…” Jeez that is pedantic in a very bizarre way and obviously not what was meant… Yikes.

Also, Azula is much better at finding Zuko than Zuko is at finding Aang. Just a stray observation.

“Father regrets your banishment. He wants you home.” [insert IT’s A TRAP gif here]

“If the Earth Kingdom finds us, they'll have us killed. If the Fire Nation finds us, they'll turn us over to Azula. Earth kingdom it is.” Yeah, this line was hilarious but also sad. It really said a lot about Azula, and Zuko and Iroh’s relationship with her.

Had no idea Azula had her own crew. It was incredibly clear that Ty Lee felt coerced to join her and didn’t really want to, but that was less clear to me for Mai. Mainly seemed like Mai was bored with where she was and was just like “shrugs might as well do evil stuff.” 

I did know that a character named “Mai” would eventually be Zuko’s love interest (and it is pretty heavily portrayed that she has a crush on him), so at this point, I was very much like, “Hmm. This character is too apathetic and annoying, I don’t want her to end up with Zuko!” Plus, the fact that her name was pronounced “May,” (which was not how I thought “Mai” was pronounced) and I knew Zuko would have a thing with a lady in a tea shop, I wasn’t 100% sure Zuko/Mai were end game. 

“She’s crazy and she needs to go down.” I think Iroh said this. I just don’t know what to say. Why is Azula the way she is? That’s never entirely clear to me. In some ways, it’s implied she was just Like That (in the flashback where mom is like “What is wrong with you?”) and perhaps she’s just her father’s daughter. I don’t need a reason, per se. Idk. I just don’t know what to say to her. She clearly needs help. 

[petork]

-105 please

NB i am told this was meant to say 1-50

thanks queen <3 here we go

1. Who is your favourite ghost?

lately? it's been kitty. and i'm contractually obligated to love the captain

2. If you could see the ghosts like Alison, which one do you think would come the closest to making you want to leave the house?

the obvious answer is julian but probably actually robin, i HATE being spooked (as the asker can attest xx)

3. How would you feel if you couldn’t see the ghosts, but knew they were there, like Mike?

i'd feel mad jealous even though i'd actually have it pretty good. the other person would be trying so hard to tell me how much it sucks and i'd just be like 'but... goast.....'

4. Would you want to see ghosts like Alison, or would you rather be ignorant to their goings and doings?

again my immediate answer is I WANNA SEE THEM but i also know that might suck in many ways. at least for a while. i am not a patient person so i don't know if i could learn to live with them like alison could. but on the other hand... the chance to actually talk to people from the fucking actual past... thinking emoji!

5. If you were a ghost living in the house, would you rather be upstairs with the main nine ghosts, or downstairs with the plague ghosts?

upstairs for sure, sorry to the plague ghosts but i do not want to hang out in a basement for eternity

6. If you were someone who died in the house would you rather be “sucked off” immediately, or would you like to hang around a bit and get to know some of the other ghosts before getting “sucked off”?

i would probably just end up staying forever because i'm scared of the void of death.... <3

7. Which ghost would you miss the most if they were ��sucked off” in the next series?

UNBELIEVABLE question? i'd miss ALL OF THEM. but see question 1 also

8. Which ghost do you think you’d get along with the best?

it's hard to say. i think they would all get on my nerves because as said i am not very patient. but the one who would irritate me LEAST... maybe pat?

9. Which ghost would you say you’re most like?

captain. not to be a cliche but i'm gay and repressed. and also irritable and grumpy

10. Which ghost would you say you’re least like?

JULIAN

11. What is a (popular or not) fan theory that you love?

(pasted from prev answer) i don’t actually like ship it because he’s definitely older than her, but a couple of people have said kitty sometimes acts like she has a crush on thomas. which is cute to me even if she does need to get better taste (love u kitty xxx)

12. What is a (popular or not) fan theory that you don’t quite agree with?

(pasted from prev answer) not so much a specific theory but i disagree with the general idea that anything of consequence went on with the captain and havers. i think it was meant to come across as just a snippet of the captain’s poor sad gay life and, as several brain geniuses have pointed out, due to the timing of germany invading france + the captain’s medals the flashback must have been from a good few years BEFORE he died. and i think the flashback was the last time they ever saw each other, so i don’t think that a) havers has any link to the captain’s eventual death or 2) anything romantic ever happened between them

13. Favourite ship and why?

captain x my cute oc boyfriend because i've tailored it to my exact needs. why ship retail when you can ship bespoke?

14. Least favourite ship and why? (Please be nice though!)

patcap as we all know. like YES i'm a contrary bitch so i don't like things that are popular and i do think i'm better than everyone else... but really idk why exactly i just don't gel with it at all. and when i've tried to read fic in the past it feels to me like their characters are kind of flattened. and i think the captain is too much of a bitch. and i think pat is serving us normie heterosexual. it's the 'cinnamon roll' ship of this fandom and i can't STAND (metaphorical) cinnamon rolls. AND ALSO pat is not the simple soft dad cinnamon roll fandom often makes him out to be! like he is a very nice person but he's also fucked up and insane like all of them. anyway my brain charges extremely low rents

15. If you could go back in time and live in the house/on the property at the same time as one of the ghosts when they were alive, who would you pick?

captain. need to know wtf's going on with him

16. Would you rather inherit the house (and its ghostly inhabitants), or just visit?

realistically... visit. i think i would lose my mind eventually if i lived there

17. Do you think we’ll ever know how every ghost died? Do you think there will be anyone whose death we’ll never learn about?

i hope we do, but i also appreciate that isn't the sole point of the series, otherwise it would be kinda boring and discovering how they died wouldn't be as impactful. if there's anyone's death we don't find out about, i think it would probably be robin? lol what if it was so long ago he just forgot

18. What is your favourite Ghosts fanfiction?

so i'm stupid and i never use bookmarks on ao3..... i've read a LOT of different fics i like but do you think i can revisit them? no! because i'm stupid! so i cannot fairly pick an absolute fave sorry

19. What is your favourite Ghosts fan art?

THIS <3

all the babies and children on here talk about horrible histories the show being 'their childhood'........ put some respect on terry deary's name. and this artist did!

20. Tag 5 favourite Ghosts fandom content creators!

honestly i'm not good with like. knowing people. but here are 5 fanfics i've enjoyed (based on the author's replies in my inbox because, again, i am too stupid to use bookmarks)

https://archiveofourown.org/works/28287567

https://archiveofourown.org/works/29868645

https://archiveofourown.org/works/28653192

https://archiveofourown.org/works/28067277/chapters/68761830

https://archiveofourown.org/works/26957662/chapters/65795407

21. Are there any historical periods you wish we’d have gotten to see a ghost/ghosts from but didn’t?

(pasted from other post) not to be predictable but i would have liked to see a 1960s ghost. like a mod who crashed his scooter or something. we have enough 20th century ghosts though but i believe the us remake has some kind of hippie ghost…

22. What is something you’re hoping to see in a future series?

flashback to the captain getting some. like implied or whatever. i can't cope with him dying a virgin. he needs this

23. What is something you’re hoping to see in a future series, but know we probably WON’T get to see?

(pasted from other post) alison meets someone else who can see ghosts, and we get to see the ghosts at THEIR house…. i always love it when we see extra ghosts but i know they probably won’t make any recurring because it would come off as running out of ideas. but i still think they should add a 90s teenager named roy

24. Which lesser-seen characters would you like to see more of in future series?

tbh there's none i can think of that i think we should SEE more of, they get a pretty good balance. there are some i definitely want to learn more about though

25. Are there any characters you wish we’d see less?

don't make me pick a least favourite child </3 but also i think thomas could probably tone it down a bit.

26. Favourite one-liner?

I'LL WAIT FOR YOU, MY COMELY NUG - me whenever i order chicken nuggets on just eat

27. Favourite episode?

DON'T EVEN... i like 2x06 and 3x05 a lot

28. Top 5 headcanons for [insert character name here]?

i'm going to do the captain because obviously i am

- he may or may not have been lavender married

- he may or may not have had a drinking problem

- public schoolboy with domineering father, clearly

- IF he had a lavender wife then she spent all her time in the company of her 'odd' female friend who wore men's clothes, smoked cigars and drove a motorbike. the captain was obviously clueless

that's 4 so a cheeky one for fanny:

- she did a lot of medicinal coke

29. Whose costume is your favourite?

kitty. gotta love an ott ballgown

30. Whose costume is your least favourite?

that's an offtopic question. you have been stopped.

31. If you could do a complete redesign of one of the ghosts’ costumes, whose would you change and how?

i would give thomas his double denim

32. If you could play any of the existing ghosts, which one would you want to play and why?

i think i'd be good at playing mary. meek weird girl who says things that don't make any sense? omg she is LITERALLY me

33. Which ghost would you least like to play and why?

julian, i'm not getting my pussy out

34. What one thing would you miss most if you became a ghost and had to live by the same rules as the Button House ghosts?

FOOD. food. eating and food.

35. How do you think one or more of the ghosts whose deaths we haven’t seen died? Or, if we know the cause of death but not the reason for the death (like Mary being burned as a witch or Humphrey being beheaded), why do you think they were killed?

i think mary's execution might have had something to do with her husband's death and her being unfairly accused or something. also like, she just acts kinda weird, and we know how that often played out for women back then...

and i think the captain died in some really boring mundane natural causes way (congenital heart attack or something) but he's stuck around because a) he's never come to terms with the whole h*mo thing and 2) he was just really mad that he died so boringly

36. Favourite [insert character name here] moment?

CAPTAIN GETTING KITTY TO SMILE

37. What do you think [insert character name here] was like when they were alive? Do you think they were exactly the same as they are now, or do you think there were any major or minor differences?

ok i'll do fanny for this one. i think she was less domineering when she was alive, in death she clearly thinks of herself as above the other ghosts and bosses them around, and when she talks shit about george it's not like he can get back at her in any way. but it would be interesting to see how they interacted when both were alive

38. It’s your turn to pick a movie for film club! What are you watching?

(from prev post) i haven’t seen any movies errr….. maybe austin powers because it’s so sad that julian died just a few years before it came out because he would love it and get really annoying about quoting it all the time and it would be really funny for the captain (who thought the movie was unironic) to have to deal with that. and fanny would NOT COPE.

39. Would you rather share a room with Thomas (constantly sighing and reciting bad poetry) or Fanny (falls out of the window screaming every night)?

fanny. men be quiet challenge

40. If you could do some kind of historical swap (i.e. place a ghost in a different period from their own), who would you choose and what period are they from now?

i would like to give kitty the chance to be a 20th or 21st century girl. maybe an era like the 60s or 80s that was known for daring fashions, i think she would luv it

41. Let’s settle this once and for all. Who’s the real leader, the Captain or Pat?

fanny

42. If the ghosts could eat, what is one food you would like to share with them that they might not have tried before?

doritos tangy cheese, mountain dew baja blast, 4loko. i would make thomas try a jalapeno. i would also make them try my cooking experiments because i do that to anyone i live with

43. You’ve heard rumours of a tenth upstairs ghost who doesn’t often venture out of their room to visit with the other residents of the house. Who are they? (i.e. make up a ghost OC. I know i’m putting you on the spot. I just want to see what you come up with.)

it's george button and his bitch ass is too scared of his wife to come down. his downfall comes when he finds out there's another gay ghost and simply has to clap them cheeks (he fails)

44. Tell me a song you think [insert character name here] would like, or a song that reminds you of them!

i think alison's probably already introduced him to them but thomas + anything by the smiths. i would also make the captain sit quietly and listen to a tracy chapman cd (for my lover...)

45. What song(s) do you think would annoy certain ghosts the most?

the smiths would annoy everyone except thomas. literally they'd all be trying to re-kill him

46. Who is one actor you’d love to see guest star? What kind of character would you like to see them play?

steve coogan as like. anyone. preferably a ghost. a roman centurion ghost if you wanna get cultural. but seriously i just want alan

47. If you could have one Horrible Histories song in Ghosts (either sung by a ghost/ghosts, or playing on the TV or computer for them to watch), which one would you want it to be and why?

that song about how no 'british' stuff is actually british. like tea. i want julian to melt down

48. What do you think the ghosts’ jobs would be in a modern living-human AU where they���re all just chaotic housemates?

captain & kitty: have their own wedding planning company

julian: still a politician but instead of an mp he's like a parish councillor. handforth antics

fanny: headteacher

robin: cool off the shits teacher at same school who undermines fanny wherever possible. deals weed to students

mary: runs a shop selling like healing crystals and incense and dreamcatchers

humphrey: customer service supervisor who actually likes his job because he takes no shit and just fucks with every single customer

thomas: unemployed podcaster

pat: dogwalker

49. What is one modern invention you think [insert character name here] would be surprised or confused by?

fanny would be so baffled by any Feminine Products. when she discovers tampons it's all she can talk about for a week. the mooncup made her go into a coma

50. Name an AU you haven’t seen someone create content for, but which you’d love to read a fic or see some art for.

not to be the way i am but i'd love if anyone ever drew art or something about my au which is a modern-day au where fanny and captain are alison and kitty's divorced parents, julian and robin are captain's brothers and alison's wack uncles, mary is their childhood nanny, thomas is a student lodger at button house, humphrey is a cat and pat is just some guy. but yeah in the past i've had a couple of anons on here mention it and i did melt into a puddle... i think if someone did art i'd explode and die. in a good way like

[blodreina-noumou]

since 7x08 was 90% new characters, I figured I’d recap the parts that are just about the prequel, so anyone who’s skeptical can spoil themselves and decide from there if they wanna watch either this episode or the prequel itself.

Under a cut, because it’s long:

The story, if you don’t know, begins just as the bombs drop. It follows the Cadogans and the other survivors of the Second Dawn cult as they live through the years directly following the nuclear apocalypse. By the time the episode reaches its end, we’re two years* out from the nuclear apocalypse, and Callie and others are in their late teens/early twenties.

(*I initially misheard and thought it had been twelve years, lol. I updated this to reflect that. Thanks to @justbecauseyoubelievesomething for correcting me!)

Calliope Cadogan, aka Callie, is a revolutionary environmentalist, and an outspoken biracial woman. She’s Bill and Gemma Cadogan’s daughter, Reese Cadogan’s brother, and the first successor of Becca Franko, aka Becca Pramheda. Her major ally right now is August. She is the main character.

Callie was in direct opposition to her father’s ideologies when the world ended. She instead idolized Becca Franko; and she worked with the environmental resistance group, Tree Crew (a clear precursor to Trikru, more on that later) to protest the continued destruction of planet Earth. She knows how to sew up a head wound, she lives in a really nice house where she’s made her bedroom as bohemian as possible, and she smokes weed. Basically, she’s a rebel! 

She chooses to live when the bombs drop, not fully understanding the reality of life in the Second Dawn bunker - in part because she has to make the decision in a split second- and she also carries guilt for leaving her best friend to die. Callie continues to remain in quiet opposition to her father while she lives with the rest of the Second Dawn cult in the bunker, for twelve years. 

When Becca leaves behind Polaris and comes back to Earth, Callie is one of the few who accepts her and her plans. Although Becca is burned alive for trying to destroy the Anomaly Stone (Becca claims to see “judgment day” in one of the worlds, but it’s unclear what she means, and she won’t elaborate,) she manages to pass on her nightblood solution and the password to The Flame to Callie. 

Callie becomes the first true Heda, rebelling against her father, and leading several nightbloods out of the bunker and onto the planet’s surface, with plans to draw in other survivors and give them radiation resistance. The episode ends with this new group gathered and poised to become the very first Grounders. Although we don’t see her take the Flame directly in this episode, it is heavily implied that she will soon.

In short, many of the Grounder hallmarks that the fandom (and the show, in subtext) implied were Becca’s creation were actually Callie’s - the first Grounders, perhaps the braids, the creation of Trigedasleng, and even the influence of the environmental group Tree Crew, which became (presumably) Trikru, are all owed to Callie. 

The clear antagonist of the show is Bill Cadogan, aka The Shepherd, who we already know a bit about from The 100. He is the creator of the Second Dawn cult, and leads several elites into the bunker under what later becomes Polis. He is a self-admitted fascist, a narcissist, and an authoritarian. He kills Becca for trying to destroy the Anomaly Stone, although she has a better understanding of it than he does thanks to her AI-enhanced brain. He then leads the remaining people in the Second Dawn bunker (those who didn’t follow his daughter, Callie, to the surface) through the Anomaly Stone’s portal, presumably to Bardo.

Reese Cadogan, a biracial young man in the Second Dawn military who has great allegiance and respect for his father, Bill Cadogan. Basically, he’s the total opposite of his sister. He’s obedient, believes in structure, and follows orders, even against his sister’s many wishes. He aids in killing Becca, and witnesses her death. He’s also the one who discovers The Flame (I believe by reading Callie’s journal) and is responsible for its safekeeping after Becca dies. As she is leaving the bunker, Callie challenges him to “deal with it like we would in the basement” which is a reference to their childhood that seems to imply the siblings sparred or wrestled as kids. She wants to fight him for the Flame. 

When Reese tells Callie he used to go easy on her, Callie draws a gun, shoots him in the arm, and then trips him up. She takes the Flame, then orders her followers to leave. Before she leaves, she makes her brother a nightblood, giving him some of Becca’s solution, saying that they’re headed east, if he comes to his senses. When Reese confesses losing the Flame to his father, he also promises to utilize his nightblood to chase after his sister and take it back. He is poised to do so at the end of the episode.

The matriarch of the Cadogan family is Gemma, a black woman, Bill’s wife, and the mother of Reese and Callie. She’s sympathetic to her daughter’s cause without being nearly so revolutionary, and she’s the one who trained her daughter as a medic. At the time the bombs drop, she and her husband are only speaking about their children, and have been estranged for two years. However, upon hearing the code word: “Anaconda,” from Bill, Gemma knows the bombs are in the air. She convinces her daughter, Callie, to leave their lives behind and report to the Second Dawn bunker. For most of the two years underground, she lingers in the background. However, when Callie and the other nightbloods are making their escape, Gemma helps them by making sure the door can close before the guards can get to them. Bill punishes her by locking her out of the bunker and into the airlock, where she’s left with a choice - put on a radiation suit and chase her daughter down, to try to become a nightblood, or starve. She chooses the former, and the last we see of her is her incredulous face as she realizes both her husband and son have betrayed her.

There are two other named characters who survive the episode. Tristain, another man in the military, who appears to be friends with Reese. Tristain is exposed to radiation when Becca arrives, and she cures him with nightblood. When Reese is sent to chase down Callie and the Flame, Tristain offers to go with him, since he can survive the radiation, too. There’s also August, the presumed love interest of Callie. He’s also former Trikru, carries his guitar around a lot so you know he’s a musician, and is a big part of escaping with Callie. He also carries some guilt, as he was held back in the bunker and prevented from going back to die with his girlfriend when the bombs drop.

That’s pretty much everything that happens. I think it’s set up to be a pretty damn good show. That being said, production is currently up in the air. It was meant to start this year, but that was before the coronavirus. As of right now, no episodes have been filmed. The show is technically greenlit, but it’s tough to say whether or not the same actors can return, and how that’s going to impact storylines. Anyone who pays attention to BTS of The 100 knows how much cast members finding better shows can impact the plotline.

I’ll still probably check it out, though. I’m just a sucker for the premise.

[x0401x]

Hi there! Just want to thank you so much for translating for the VE fandom! I've been looking through your VE posts and noticed you mentioned how anime!Gil is completely different from LN!Gil. I agree with you and was wholeheartedly disappointed in the anime. I was hoping you could elaborate more on your thoughts, where you thought anime!Gil and anime!Violet went wrong and how they were different from the anime. Sorry if you've already made a post on this previously. Thanks again!

Hi! You’re welcome!

This reply took me long enough, lol. I haven’t gone too much into detail, or else I’d just end up writing a bible. It still turned out long as hell, though, so I’ve put it under a cut.

I really didn’t know how to begin with this. “Where they went wrong” kinda implies that those two were going right until some point, and that’s just… not the case. They were a trainwreck from start to finish. And it’s kind of impossible to really discuss this without touching upon the massive fails in the writing of the entire show. It does try to convey important messages to the viewers, but mostly with visuals and repetitive lines, never with the actual plot or the characters. You get an inkling of what the story was attempting to do with them, and that initial idea is what seems to stay with most people, because there’s nearly nothing beyond it.

As director Ishidate has stated more than once before, he made changes to the story because he thought the novel was, in his words, “too orthodox”. But watering it down meant watering the characters down too, Gil and Violet more than anyone else. And this results in a show that ironically fails to grasp its own themes and cast — the personalities and conflicts get lost in the details and have to be patched up with excuses that end up displaying how little the show trusts its own audience. It keeps spelling out plot devices and character traits in an almost robotic manner, with very scarce effort put into actually showcasing them in the situations and dialogues. Everyone is too one-dimensional and the main plot line is repeated over and over instead of being alluded in parallels or even just slightly more intelligent exchanges. Animators like Ishidate have grown dangerously used to committing a grave narrative suicide: to give vague and unconvincing reasons for things to be the way they are and expect the audience to take it all as is simply because it was stated there. Everything is oversimplified because they clearly want the viewers to get invested in the emotional baggage of the show, and only the emotional baggage, because they think that’s all we get invested on. They forget that details are necessary for the whole experience.

These problems are recurrent in Violet and Gil, and they never stop. I’ll start with Gil, since he was mentioned first.

Gilbert Bougainvillea is a very complex, humane and multi-faceted character in the novel. What’s interesting is that he doesn’t look like it at first, so he surprised many readers in volume 1 with how caring and endearing he can be. And I mean caring for real. Anime!Gil seemed like a poor excuse for what he was supposed to represent, which in turn made him into a walking contradiction. In the novel, Gil is by far the person that emphasizes the most with Violet, because the two of them are two sides of the same coin. This is where the anime falls short most frequently. They at first look like polar-opposites, but are absolutely not, yet the show portrays them as such. Novel!Gil is gratuitously kind and righteous, and he’s brave and pure-hearted enough to stand by his values no matter what. He’s used to giving up everything for the sake of other people, but he has morals that he holds to the roots of his very being, so he always chooses to donate himself to what he deems as good causes. And once he has his mind set on an objective, he doesn’t mind playing dirty to achieve it, as long as he’s not hurting anyone. That’s exactly the same as Violet, and Gil isn’t the only one who sees himself in her — Hodgins and Dietfried also notice how alike the two are. Novel!Gil relates to Violet on a spiritual level, and he knows first-hand how she must feel. He’s been there and done that. And that’s why she’s his number one priority. His purpose in life is to protect her and keep her in a healthy lifestyle within a blessed working environment and a loving family. Quite literally, all he wants is to make sure that she’s happy, and he’s active and vocal about it. He’s also an unapologetic and unabashed feminist, so he completely approves of her doing anything for a living — she doesn’t need to live her life like an ordinary woman and whatever she wants for herself is fine, as long as it’s not too dangerous.

Apparently, his personality is one of the book aspects that Ishidate believed to be “too orthodox”. He depicts Gil the way you’d expect any male creator to depict a man — a brooding martyr figure who only has a heart of gold in fleeting moments that get replayed again and again in flashbacks to serve as justification for Violet’s undying love. He makes very little strides and there’s a lot of flawed reasoning behind his affection that makes it oddly disconnected, which is the fact that said affection is barely ever there. Gil hardly treats Violet like a person, let alone an equal. Violet is ready to give her life for him anytime, and as we see in the last battle at Intense, he’s ready to cling onto that to save his own life. Ishidate doesn’t shy away from making very evident that he thinks it’s okay for Gil to do only the minimum to earn Violet’s respect and trust, like it’s a given and all he’s required in order to earn her love is to exist. This is very visible in scenes like the one where they first met. Gil seems to shield Violet from the abuse of his brother, but shows next to no distress or even interest over it as he doesn’t even question where she came from or why Dietfried was treating her that way. There’s also the scene where he takes her to one of his family’s residences, and she has his jacket on, just like in the novel… yet he’s letting her walk barefoot in the snow without giving a single flying fuck. He then leaves her side as soon as he instructs the maid what to do with her, not looking back. I also hate that scene where he gets back home and she bumps into him and falls on her butt. He just stares at her and makes no effort to help her back up. But the one I hate the most is that festival scene where he nearly thanks Violet for fighting so well in battle. I mean, she’s killing people for him. She, a literal child, is in the frontlines of a long-lasting war, risking her life and committing mass murder for his sake. That’s literally nothing to be grateful for. Especially not when he’s supposed to love her. And I despise that he only stopped himself from finishing the phrase because he noticed the bruises on her.

Another major defect of the anime was changing Gil’s backstory. Anime!Gil was, by the looks of it, just a rich kid who enlisted simply because that’s the family tradition. And if you take away Gil’s backstory, you take away the viewers’ reason to empathize with him. Why? Because that means he’s morphed into someone who can make choices. Erase any factor that binds Gil to doing what his family and his superiors make him do, and what you have is a grown man with his free will intact. And he uses none of it to help Violet. Anime!Gil was always given the opportunity to say no. He could’ve said no to Dietfried and sent Violet straight to the Evergardens, he could’ve said no to his superior officer and not taken her into the military, or he could’ve at least said no to assigning her to the men’s troops. He didn’t because there would be no story otherwise. Novel!Gil is always attempting to save Violet from the war and from herself, while anime!Gil’s actions beg to differ. And so, anime!Violet’s obsession with Gil stems from the fact that he was the first to treat her remotely like a human being and that, for a long time, he was all she had. None of that fate thing, because it’s also “too orthodox”. But without the fate element and without Gil having no control whatsoever over how he feels about Violet, he’s straight-up a pedophile. If he feels regular romantic love for Violet, who is in her mid-teens, that’s pedophilia right there. This one is my biggest beef with anime!Gil, and I don’t take criticism for it.

Now Violet. Not to be rude, but I see so many people talk about how interesting her anime counterpart is, yet I rarely ever see anyone going in-depth on it. It’s like the way the fans talks about the show. Literally every single person who comments that they liked it always says the exact same thing: “I cried during every episode”. I sort of feel like most of them are just reproducing what they see other people say out there, which is probably what got them interested in watching it in the first place. I don’t mean this with ill-intent; it’s just seriously the impression I get from looking at the tag. I’ve accompanied it since the novel came out all the way back in 2015, and when the show was running, believe it or not, I didn’t really see much of those comments. It started becoming a habit to say it after episode 10, which seems to be the highest-rating episode (the irony being that it was the closest the anime ever got to the novels). Hence why it feels to me like some people just say it on automatic, and I get the same vibe from the fans of anime!Violet.

I’ll just be blunt here: the main difference between anime!Violet and canon!Violet is that canon!Violet was made to be liked by girls and women, and anime!Violet was made to be liked by men. I have already said this before, but Violet is the very definition of independent professional woman in the novel. She’s educated, confident, strong, reliable, altruistic and overall well-versed in at least a little bit of everything. Half of it is due to luck and half of it is her own merits, but all in all, she was created not just to be relatable but also a character that people could look up to. Meanwhile, anime!Violet was clearly made to be waifubait.

I can’t really stress how little thought was actually put into her portrayal and development. We never truly see her internalizing the lessons that she supposedly learns in each of the self-contained episodes. We only ever witness her displaying sudden significant hints of emotion at convenient times, paired to her either repeating what she was told earlier by one of the characters or taking an extremely obvious conclusion to a question that was already half-answered by someone else. Because of this, Violet’s growth process has an unsteady pacing in the anime and mostly feels disjointed. In comparison, novel!Violet is usually not the point of view — she’s often in the role of observer, and we notice through the solutions she comes up with for her clients’ issues that she does have a very humane connection with them. We also notice through the clients’ opinions on Violet that she shows subtle changes at certain specific points, such as smiling just a little when she manages to not only accomplish her duties but also help solve their problems. This makes her more real and believable because, unlike the anime, it presents no abrupt alteration to the essence of her person. She’s growing in her own way, but it’s still easy to tell. It’s also very clever to have Violet be disliked or misunderstood by her clients at first because she’s so aloof and apathetic-looking, but then she grows on them after they actually understand her, and the readers can absorb that from them. I’ve seen many people complain that they can’t really empathize with anime!Violet, but in the novel, the author takes care not to let this happen, and it really doesn’t.

What upsets me the most is that anime!Violet is overly infantilized. We all know that director Ishidate loves her like a father loves a daughter; it’s been said by himself and his colleagues quite a lot. That’s cute and all, but it made her depiction extremely shallow. The biggest problem was making her 14 in the anime. I still struggle to understand what would’ve been so bad with keeping her as a 17-year-old. Sum that up with removing many of her merits and adding forceful childish traits, such as being okay with changing clothes anywhere in front of anyone or pouting when she’s frustrated, and you have the perfect recipe of what waifu junkies like to be spoon-fed with. In my opinion, anime!Violet was a downgraded tragic heroine played in a cheap and boring way to attract tearjerker lovers.

I hope this has covered enough of my take on the matter. ✌️

[wainwrightjakobshammerlock]

finally. i decided to do this. anyways hello there, i am jake and today i want to talk about something; you see, if you are in the tf2 fandom, you probably know about heavymedic. Wherther you are a hardcore gamer who resents f2p’s or a person that never played the game but has trillions of notes on their art- you know heavymedic exists and most of all you probably ship it.

And I find that weird. In the few fandoms in my life I have been in I had never seen a single ship be so widely if not shipped, then accepted. Sure, maybe everyone in the GF fandom knows what Billdip is - for better or for worse. Sure, maybe the HS fandom is 70% shipping.

But I have never ever seen such a phenomenon in a prominent multiplayer game fandom. A fandom, sadly, oftentimes filled with toxicity. Overwatch is very similar here - yet ships are either a hot topic of discussion or straight up ignored. But TF2? In here for whatever reason we ship these two mercenaries. And in this essay I will try and find a reason or two why is that.

Apologies for any mistakes or incoherency. English is not my first language, I need to ramble, and my vocabulary is all over the place.

Content warning: mentions of homophobia, blood, death, mentions of WLW fetishization, nsfw mention. Also MASSIVE SPOILERS FOR THE TF2 COMICS.

Part 1: Canonical Evidence and Interactions

Let’s be honest: I could ramble about this one for days on end. But I’ll try and keep it short.

First and foremost we have the official videos. And of course the first thing that comes to mind is Meet the Medic.

At the very start of the part where Medic himself appears, we see him telling a joke about a particularly gruesome situation to Heavy.

He laughs along with him, visibly enjoying his company. He even smiles as he waits for another joke. Heavy only shows genuine fear a lot later.

And of course this damn scene always cracks me up. Medic slightly pinches Heavy’s cheek and strokes his lip gently (the other part is almost not noticeable unless you play the video at slow speed).

Of course we all know about the Hand Hold that happens somewhere halfway in the vid. I don’t think I have to explain the gayness in that. The fact their hands stay interlocked even after Medic helps Heavy up. The deep breath Medic takes because even he cannot handle the emotions. That few seconds is unresolved sexual tension manifest.

Overall the short shows a strong feeling of trust between these two. Medic confides in Heavy and reverse. Yeah he puts a baboon heart into his friend’s chest cavity but the fact (as proven at the end of the video) that Heavy was the first one to have an Ubercharge implanted into him shows that Medic at the very least considers him a lab rat.

I treat End of the Line as non-canonical, as do many others, and as such won’t discuss it here. But it will forever crack me up that Valve endorsed such levels of homoerotic subtext.

These two have some short moments in other videos, like for example in Invasion Heavy helps Medic up (CINEMATIC PARALLELS) but it’s nothing major so I guess I’ll skip forward.

Second is their interactions ingame. You might call me a weirdo for trying to find stuff in there but holy shit I have things to say and I’m going to say them.

You thought I was going to fanboy over the “i love this doktor” voiceline huh? Well not really. I wish these two had unique lines if they assist one another.

Heavy is literally listed on the official wiki as the “ideal medic buddy” and multiple pages on that exact wiki say some pretty interesting things.

I have to say something about the Gentleman’s Ushanka and/or Pocket Medic. They are both community cosmetics - but the fact they both got accepted by Valve says a lot. Above is text snipped from the actual wiki.

Last but not least: The Comics. Darned comics. The pair of mercenaries has basically no interaction - unless you count issue 6.

Heavy getting absolutely PISSED when Medic is killed by Ch*avy. Their reunion. Medic referring to Heavy by “my friend” in a totally straight way. Kind of sad Valve wasted an opportunity for them to hug. Maybe they knew their comic artist ships them and wanted to avoid having to answer the Question™.

Part 2: Dynamics

This part’s a bit trickier, mostly due to the reason that I’m new to this whole dynamic analysis thing. Yeah I’m good at spotting canonical evidence but very specific shipping dynamics often escape my gaze.

The most obvious one is Big Guy, Little Guy. Quoting the TVTROPES page:

[…] This trope describes a pair of guys who always fight together, are best friends forever, and quite often have a very obvious hierarchy: The little guy is often in charge […] The little guy is usually listed first, since he’s the leader, and they are always listed together, as if they are one entity. In fact, some episodes may center on the fact that they can’t live without each other. […] If this is a case of Brains and Brawn, the Big Guy is usually the Brawn, and the Little Guy the Brains. It’s almost never the other way around, but in some cases the Big Guy can be rather smart too. […]

A sub-type of this, a common favorite here on Tumblr is known as “small chaotic big calm” and hoo boy if that isn’t these two. I don’t really have much to say here - again I am not an expert.

Part 3: Fandom Impact

So you don’t think Red Oktoberfest (as Heavymedic is sometimes called) is super popular on anywhere else than Tumblr? Wrong.

It’s hard to find TF2 fics on Archive of Our Own not tagged with Heavy/Medic. Of course most of them only contain hints to their relationship but go in the main tf2 tag and I can guarantee you, you’ll gonna see “implied heavy/medic” all the time.

But these two go further than AO3 or Tumblr or Instagram or whatever. They are recognized even within the wider circle of the fanbase. Take this SFM, for example. (I am using the Saxxy Awards version of Secret Lives here mostly due to the fact that the Heavymedic moment is much gayer. In the normal version, the dialogue isn’t changed, but they simply hold hands.)

But it gets deeper. (WARNING: THE GAY MOMENT IN THIS ONE IS NSFW. NOT EXPLICITLY SO BUT JUST A HEADS UP TUMBLR PLEASE DO NOT FLAG ME)

And the best part? The comments are extremely positive. You’d expect hoards upon hoards of homophobes screeching but no, the comments are supportive. Even on places such as Reddit or Youtube, comments like “yeah they’re gay and in love” do not get downvoted/disliked to hell; in fact the opposite.

Part 4: Canon Status

Let’s be real. Most ships are shipped because people want to explore the dynamics in fanfic, fanart or something else. But Heavymedic is shipped because… well, I have no idea.

Actually, I kind of do - but only theories. You see, while the canonical evidence is here, the creators have never said anything about them. No confirmation, no disproval, no hinting, nothing.

But the ship is so prominent! There has to be something causing this!- you say. And to that I present you 2 theories on why Heavy/Medic is so popular.

Theory number 1 states that we simply all choose to interpret their interactions as homoerotic. And this is very easy to disprove - there’s simply no way we just collectively agreed on these matters out of nothing. There has to be something bigger.

And theory 2 states that, well, our interpretation is the desired interpretation. But this is even more ridiculous than theory 1 for a number of reasons. If they are in fact gay, why hasn’t Valve made them canon yet?

A Theoretical Scenario

I am going to ramble big time on this one, so buckle up lads. I’ll discuss a theoretical scenario in which, well, if that was not obvious, Valve confirms Heavymedic as canon. Maybe then we will see why they will probably never do so.

TF2 is considered by typical capital G, alt-right Gamers as a “non-political” game. This means no women (in the game itself, at least, and if even, sexy women only), no queer folk and no minorities (for some reason they accept Demoman but throw a fit if someone draws any other merc as not being pearl white). Team Fortress 2 was around before Gamergate and other things like Gamers Rise Up. It’s a classic and Valve is regarded as the good guy to Epic Game’s bad guy. If Valve did anything to confirm doubts, wherther it be clearing up popular fanon or confirming ships, these people would throw hands. (Although they seemed to ignore when one of the writers confirmed Miss Pauling is a lesbian. Huh.) Even those that don’t play TF2 would come to the aid of their bros.

Let me illustrate with two very similar examples. In both cases these confirmations were the first made by the company as a whole, both are fairly recent and both confirm a character as gay.

First we have the confirmation of Tracer from Overwatch as a lesbian. It was done in one of OVW’s comics. Tracer is the FACE of Overwatch as a whole and while most of the fanbase accepted it (thankfully the Gamers are reluctant to infest ow), some people threw what I can only describe as a hissy fit. At least her girlfriend’s a background character.

Second is Neeko from League of Legends. Unlike Tracer she was added a while before it was confirmed she was gay. LOL is much more toxic and filled with Gamers than OW and holy shit people smeared LOL so much.

Of course these are not accurate to Heavy/Medic. In both of the cases I listed it was girls being wlw and we all know how much cisgender heterosexual gamers LOVE yuri porn. Apparently only girls can be gay because they can jack off to it - if it’s two guys then it’s disgusting. Nevertheless I think these are good approximations - in every case the company gets “shat on” on social media and other sites. With the community that Valve has, I think even if they wanted them to be gay, they would never ever confirm it.

Conclusion

I’m sorry for that ending. I had to theorize a bit. Regardless I’d love if you shared this on other sites, reblogged or whatever - I wasted at least 1 and a half hours of my life on it. Feel free to cite this as a source if someone asks you why you ship the big heavy weapons expert and the feral battle medic.

[hjertetssunnegalskap1]

HOW TO PLAY WITH TROPES AND CLICHÉ CHARACTERS/ STEREOTYPES

One of the ways I get ideas to write, is that I take some characters I love and mix them with a trope I want to try out. Tropes are common expected plot devices. Some typical fanfic examples are Friends To Lovers, Fake Dating, Bed Sharing, Enemies to Lovers, Aliens Made Them Do It, Fuck or Die, sex pollen, etc. Tropes don’t always have to be cliched like these examples. But that’s how the term is used most often, I believe.

Trope inversion occurs when an existing trope is used in a story, but flipped on its head, defying the audience's expectations. Trope subversion is when the elements of the original trope might all still be present, but deconstructed. I haven’t really subverted or inverted many of tropes , and I would love to know more about how to do that. So I have picked up some tips and tricks. To be honest, I will probably mix the terms here. 

Now, I’m going to rant a bit about different terms, attempts at definitions and examples, so jump to my pretty awesome list of tips below if you don’t want to read all of this. 

Tropes are often based in archetypes - very broad, typical examples of a certain person or thing. Can be found in all cultures. Western descriptions of archetypes are King, Queen, Witch, Wise man, Joker, Hero/ Prince etc. More general descriptions are Sage, Innocent, Explorer, Ruler, Creator, Caregiver, Magician, Hero, Outlaw, Lover, Jester, and Regular Person. I have also seen the term used to describe elements/ roles in the hero’s journey. We have a Hero, a Mentor, an Ally, a Herald, a Trickster, Shapeshifter, Guardian and Shadow. I suspect that the suggestion that we only have 7 types of stories to tell, like Overcoming the Monster, Rags to Riches, The Quest, Voyage and Return, Rebirth, Comedy  and Tragedy, implies that these story types also are archetypical. We all use them, all the time.

Tropes often end up as stereotypes, that are very typical oversimplified ideas of a particular type of character/ thing. Clichés, basically. So when I talk about tropes I suppose I mostly talk about stereotypical tropes. Since the term tropes often are used to describe typical plots and storylines, I’ll sometimes talk about stereotypes when I describe commonly expected or cliched characters. Like The Chosen One, Damsel in distress, Manic Pixie Dream Girl. All of these things are basically tropes. Hell, I will probably throw around these terms and mix them horribly. Sorry about that.

Example: The Geek meets the Manic Pixie Dream, falls hard, and grows to appreciate more in life

Let’s say you have a character who is based in the Thinker/Scholar archetype, a person who is constantly in search of knowledge, who meets a Creator, a person who wants to make things. 

The thinker can easily become a Geek, and that’s a typical western trope. And we have stereotypes about the Geek having poor social skills, being serious and wise etc. and these ideas can become cliched, boring and overdone. Just like the Creator stereotype often can become the Manic Pixie Dream Girl. The stereotypical trope would be that the Geek meets the Manic Pixie Dream Girl, falls for this person against his best intentions and grows to see more to life than facts. 

Example: Isak and Even from Skam

You can write Isak from Skam as this Geek meeting this brighter than life Even, falling for him against his will and growing from that. In a way, Skam starts out a bit like that. Isak has expressed prejudices as “hipster wannabe movie makers” like Even before, but then he sees this gorgeous Even and falls hard. However, in Skam, Isak was never written as a pure Geek role. He was more a Geek/Hero/Jester with internalised toxic masculinity, forced independence and abandonment issues based in his Christian upbringing, friend group, being left by his father etc etc. 

While Even appeared at first glance as a Lover/Creator/ Hero or Manic Pixie Dream Girl, he gradually showed more and more cracks in the facade, tricking the viewers to think he was more a Shadow/Trickster character, or a possible Fuckboy, until it was revealed that he  was a more rounded character with a troubling background, mental health issues, fears and insecurities. To be fair, Skam did follow a trope of Isak growing as a person because he met Even. They got their romantic happy ending and the viewers got what they wanted. 

It was everything but boring, though.

When trope subversions or inversions don’t work

There’s a price to pay if you subvert a trope, especially if you do it at all costs - like when they they subverted 5 years of character building in the last season of Game of Thrones. The first season has an example of excellent trope subversion (Stark). However, to pull out the rug at the end like they did in the last season, and disappoint the viewers’ trust, is probably not the best way to do this. 

Twists and turns can fail if they seem to come out of the blue. It can be smart to add some small hints of novelty from early on in the story, especially if you’re writing tropes that people find a bit boring. You won’t lose bored readers and you will prepare them that something is going on. Also, it can be good to do the subversion early enough in the story to be able to make interesting changes. 

If you choose to subvert a trope it can sometimes be wise to show why you do something differently. Like, if you write a female character who turns out to not fit the norm in the Victorian era, for instance, it could be smart to explain how this character has become who she is. If she’s this badass character fighting for equality, where do these ideas come from? Or if you have this character surviving traumas, abuse and lack of love, how does he turn into an empathic, more or less likable hero?

A lot of disappointment with trope subversions, like in Avengers Endgame or the last season of GoT, feel worse because the the characters act out of character. If you try to write something true, with characters that seem real, consistent and believable, that helps.  

If you play with a trope it helps if you manage not to make it too pretentious. I can’t think of any examples right now, but I know I have experienced it. Trope subversions often have a hint of nod to the trope itself, and humour can help making the subversion work. Like if the villain comments on how villains typically loses, before actually killing the hero. Or kissing the hero, lol, but that’s another trope.

A lot of build up that fizzles out can be disappointing. If our Victorian badass character has, say, superpowers, she also should have a reason (a way to use them). The readers expect that. So if you play with that and she fails using them, they probably should end up important in the story in some other, surprising way. Same goes with a romance where there’s a lot of pining, tension, heartache and misunderstandings and these are not addressed. If you choose to subvert this trope, it’s probably smart to address these things in a new way. 

All in all, when you subvert a trope you often will have to tread carefully to balance between meeting the readers’ expectations and not meeting them. Remember that the story always needs a satisfying conclusion.  

Then again, some say even trope subversions are becoming new tropes, and that there’s no reason to subvert them. Could be.

No matter what, I like to play with stuff like this. So. Here are some ways you can play with tropes and archetypes and maybe get some story ideas. 

MY PRETTY AWESOME LIST OF HOW TO PLAY WITH TROPES

1 Subvert clichéd characters

You can keep some parts of the wise man archetype, for instance, and change other parts of it. Instead of writing a “wise old wizard” (like Merlin, Gandalf or Dumbledore) you can make the old wizard into a cowardly old idiot. Instead of writing the love interest as a hot hero-type, you can make him more of a charming dork who is impulsive but also smart, intuitive, caring and with insecurities (Even from Skam). Another typical example from fanworks is to subvert typical gender norm characterisation or typical top/bottom or dom/sub characterisation.   

2 Parody the clichéd character

Write the typical “Hero/Warrior” character and take it almost too far - like with Thor in the Avengers, or even better, Thor in the Sandman series. In Skam, several characters are taken almost too far like this - up until a certain point. Eskild is written as the “funny gay” until he gives Isak some serious advice, Magnus is basically written as a typical horny idiot until he tells Isak some truths about bipolar disorder. Vilde becomes a parody at times, as well, as several of the other characters. 

3 Deconstruct the cliché/ stereotype

Why is the villain a villain? Why is the comic relief a comic relief? Identify the attributes of a character type - say, the likable and frivolous Comic Relief character. For instance Chris Berg in Skam. Explain her in a surprising way - perhaps she’s not just a clown or a funny sidekick, but uses humor as a coping mechanism. Reveal something deeper and true about the character (Chris wants to be a good friend but doesn’t know how to do this because of reasons, clowns are often sad behind the joker mask, etc). Make readers wonder if they’ve misjudged the stereotype. This can sometimes work with typical fandom clichés as well. 

4 Lampshading a character or a trope

“Hanging a lampshade” is the technique of countering your reader’s disbelief in a character’s ‘reality’ by acknowledging how blatantly they fit a cliché. The would-be victim in a horror story trips while running away (as they always seem to do) but the would-be killer stops and comments it. Perhaps they say, “Oh, you’re going to trip and make this boring?” Another typical one is when the villain has captured the hero and the hero finds a way to escape while the villain has his big speech. I love subversions of that trope, like in Black Orchid where the villain comments it and shoots the hero without a speech (if I remember correctly). In a way, season 3 in Skam does something similar to lampshading. The season is written as an epic love story, but the characters comment this in different ways, talking about epic love stories, movie references etc. 

5 Turn the plot trope upside down

You can hint about a trope, than turn things around. Sometimes this is called baiting, or showing that the expectation was a red herring. For example, you can write a story where you set up a typical hero story but the hero befriends the dragon instead of killing it. Or maybe the dragon wins. Bed sharing and it leads to nothing. Fake dating where they stop lying.  A setup for a possessive jealous partner who doesn’t get possessive at all. Soulmate story where the heroes aren’t soulmates. An ugly duckling story where the makeover doesn’t really change anything. 

6 Parody the plot trope

Write the plot trope but amp it up and make it extreme. Fake dating going too far (whatever that means), or soulmate story where all the brutal implications are clear. Ending in disaster, most likely. I can’t think of good examples here but I suppose crack fics are a bit like this. Oh, and parodic horror movies. Parodic movies in general, probably.

7 Deconstruct the trope

Somehow make it believable that the story builds as it does, based in the background of this world, or the characters. If I use Skam as an example again, the plot in season 3 is a quite typical boy meets boy trope, strangers to lovers, and it includes tropes like personal growth, miscommunication to communication, but it doesn’t feel forced because the characters feel true and real and their actions make sense based on their backgrounds. We get the feeling that there’s something deep and true behind it all. Isak’s difficulties makes sense, and so do Even’s and it also makes sense that they get each other.  

8 Changing the point of view

This is a neat trick. You can pick any fairytale and make something new if you write it in the pov of the villain, or the jealous hindrance character, or one of the helpers. You can write fake dating viewed from the outside. Or a coffee shop story where you’re the guy washing the dishes, or perhaps the owner of the coffee shop, getting annoyed at the baristas flirting with the guests? Or a cute meeting where you’re a bystander watching someone crash into each other, and you almost piss yourself laughing. 

9 Switch a story element

You can put the whole trope into a new location, like a new time or place, and make a new type of story. For instance, a love story in space can give an interesting twist. You can write a fairytale set in modern time. Most AUs are switched story elements like these. The trope is still being as it is, so this isn’t really a subversion, but the trope is dressed up in a way that's unique.

10 Averting the trope

This isn’t really playing with the trope at all, since it’s just avoiding it. Like, writing an action movie with cars but without a car chase (oh puhlease that’s like a dream, I hate car chases). It is when you would very much expect the trope but despite there being plenty of opportunity for it, it is never used.  

That’s it. I probably mixed a lot of terms and ideas. I still hope you found some interesting ways to play with characters and plots. There are so many more ways to do this, but these are my tips, I sure had a lot of fun writing this. 

[purfectmlpblog]

...alright fuq it lemme explain my thoughts about the finale spoilers lol

Don’t worry, I WILL be posting this under a read-more so PLEASE turn away and ignore this now (especially with some “spoiler” tags on if you use ‘em) if you don’t want to be spoiled for the finale until it officially airs. I just can’t contain my thoughts no more after ponderin’ them and who knows when it’ll officially air in English (’cause slow schedules can be a pain to deal with lol) sooooo... yeah you’ve been warned xp 

...Ooooh boi, well admittedly I kinda skimmed through what the whole plot was about behind the last three episodes (I was moreso focused on all the stuff happening for “The Last Problem” so lol), but I’ll try to keep it brief for the most part:

-So... that whole thing about Grogar being the last “big bad” was just a total lie... since apparently it was just Discord masking himself as the guy just to give Twilight one last battle to face? ...Ehhh, I get that he apparently had “good intentions” but this just seems to be pushing it too far even for Discord’s standards tbh... like these are his friends now (including Fluttershy, his best friend) so why would he allow this much risk to be thrown at them for the sake of just teaching them a valuable lesson about overcoming obstacles? ._. Then again, this IS Discord we’re talking about so him pulling some shady stuff like this is to be expected, I guess? Idk...

-As another twist to the trio of bad guys... NONE of them get redeemed at the end (not even Cozy Glow... who again, is nothing more than a whiny child compared to Chrysalis and Tirek :P), as they all pretty much get blasted with the same stone spell that Discord was under for what I can presume to be forever. I mean... had Sombra been placed in Cozy Glow’s position then I guess I’d be a bit more satisfied with this kind of ending for them instead of feeling questionable about it (’cause again, Cozy’s young age ^^;)... but at the same time, for what it is it’s at least a refreshing change of pace from just having them all instantly forgiven and befriended by all the main heroes. Now that would’ve been cringey... >_<

-We got a reaaally big group of cameos from many past ponies/other creatures from the show to aid in the final battle, including Sunset and a few of the MLP movie characters like Tempest, Capper and Skystar! o.o A shame that Captain Celaeno couldn’t have been added along with them but still, pretty cool to see that particular trio regardless along with my girl Sunset ❤️ about time the main show acknowledged her importance to Twilight -.-

-Moving onto the big finale itself, “The Last Problem”, we cut ahead to I presume to be a couple decades or so since the last episode... where Twilight and her friends are all grown up and leading their own lives as Twilight’s pupil (Luster Dawn, was it?) comes to prepare herself for her own first friendship lesson. Surprisingly, unlike past finales it’s not so much a really heavy or action-packed episode but more of a “relaxing breather” kinda filler... yet still pushes the feels the more we get to see the aged-up cast and realize how this truly is the end for our heroes :(

-We’re also given a nice flashback to Twilight’s coronation as Equestria’s new leader, though it didn’t go according to plan it still provided some heartwarming feels to teach that friendships will always remain solid even if some end up moving far away. Awww ;w;.

-As for the “Grown up” designs themselves... I’m kinda torn, tbh lol

On one hand, I do like Rainbow’s, Fluttershy’s, and AJ’s older looks just fine. AJ’s especially gives me the feels looking at it ‘cause of the shawl... really hits in that poor Granny Smith is no longer around by this time :( at least she’ll always keep her memory strong in her heart ❤️

As for Twilight, Rarity, Spike and Pinkie... ehhhh ^^;. Rarity’s sparkly shawl is rather pretty though that big grey steak in her hair kinda clashes too much with the regular purple imo, Pinkie’s beehive look could’ve been fine if they just took out all that random junk in her hair, and while part of me kinda likes the “ethereal princess-y” vibes of Twilight (despite the rather dark implications that she’s gonna outlive her friends now ;-;)... the fact that she still sounds like her old dorky self when speaking kinda kills the effect for me... plus idk if only a couple decades in the future would be enough to make her this tall as an alicorn, I mean even Luna (who’s older than her) is alot shorter so it’s just a little off-putting to me to see her so “Celestia”-sized ^^;. And as for Spike... yeah, I don’t even know what’s going on there, so... let’s just move on, please lol.

So then we get to look over how everyone else in Ponyville’s doing, with so many new species living there now, some old kiddos grew up like the CMC and the Cake twins, Starlight and her friends (plus the Student 6) continuing to run the friendship school together, and apparently some canon couples started to thrive during this time too including Lyra and Bon Bon, Big Mac and Sugar Belle, and... Pinkie and Cheese? o.o 

...Um, wow lol Wasn’t really expecting that considering that most of Cheese and Pinkie’s previous screentime together (which was only in like, two episodes?) wasn’t really that romantic from what I can recall, but guess the writers decided to just throw it in anyway ‘cause it’s a popular ship? lol I mean, not like it’s a bad one or anything but it still feels a bit randomly-placed in a narrative sense imo ^^;

Speaking of their daughter (Lil Cheese, I think?), while I do think she’s cute, part of me is kinda disappointed that they didn’t really get more creative with her design like they’ve done for Flurry Heart and the Cake twins :c. Color-wise she looks okay but... why just make her a recolor of her mom’s filly design? .-. Even putting her hair in some pigtails or something would’ve worked better imo.

-Some more design nitpicks I had were certain weirdly placed hairstyles like Pumpkin Cake’s and Diamond Tiara’s, as well as why Gummy the alligator just looks like he resized into a giant than legitimately grew into an adult lol. Also this might also be nitpicky but why exactly is everyone (minus Twilight) so old-looking with grayed hair and/or eye bags (ex. Rarity and Sugar Belle), when a couple of them have school-aged children at this point? .-. Hell, even most of the Mane 6′s parents didn’t look this old (including Twilight’s, and they’ve got a granddaughter lol), so I’m kinda confused by this type of design choice tbh.

-I don’t really remember if they explicitly stated what happened to the old princesses during this time since they didn’t show up again, nor what the final fates of Shining Armor and Cadence were (save for a brief shot of Flurry Heart having her own stain-glass window in the throne room). Idk, just would’ve been nice to have gotten more explicit about that ‘cause I don’t wanna think of these poor royals being gone now with just Twilight being the leader now ;-; 

-I guess there was also a couple “implied” ships thrown in too like Fluttershy and Discord (though that one might be more “loose” to interpret, depending on how much you like the ship) and apparently AJ and Rainbow Dash seem to be having something “deeper” going on considering they specifically walked in together when all the other Mane 6 walked in individually into the throne room. Hmmm...?

-And lastly after a bit more filler and than a montage song of the Mane 6 harmonizing together one last time, we get to close off the entire episode, season, and series with one final shot of the heroes standing on a sunset-y hillside together, saying goodbye to Twilight’s student who goes off on her own friendship adventures... and then the screen fades to a book closing as a call back to the very first episode of the series over 9 years ago... where the exact same book opened up to start off our beloved show to begin with T-T

....aaaand yeah my feels exploded over again, sorry T-T. Despite the lil nitpicks I had here and there (and how I wish certain plot holes could’ve been handled better in hindsight), this was still a really sweet and thoughtful way to end MLP: FiM with one last batch of fluff like this... the end of a good 9-year run of the show which’ll surely leave a special place in every fan’s hearts, including mine ❤️

Though again, like I mentioned before I still won’t be considering any of this actually “canon” in the main universe I’m setting up, which is all basically an AU at this point since I haven’t really been keeping up with the show as frequently to care much for sticking with the main canon :p. For my fellow content creators, please don’t be afraid to keep working on your own next gens and such btw, even if some of it might be contradicted in this particular finale I’d say anyone is free to make their own interpretations however they want, canon or no canon~ ;p

  Hope y’all understand that well and I hope you guys have a great rest of your day! 😃