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IT'S ALMOST HALLOWEEN

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My latest cartoon for Guardian Books.

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Sandman and Matthew - art by Vince Locke

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AZIRAPHALE & CROWLEY in

GOOD OMENS

2x01 ● “The Arrival”

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Crowley + his love for animals (insp)

Bonus, Aziraphale knows him so well:

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Every

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The Very First Time

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Local goth cryptid goes through a tough breakup 😔

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oh BY the WAY

This scene proves, doesn’t it, that living in the car is Crowley’s choice. When Aziraphale comes back from Scotland, Crowley shoves the box at him before he gets to the threshold. He gives Aziraphale no option to even say, “won’t it be easier to leave the plants here” let alone to propose anything else. Was Crowley, by any chance, actively avoiding a conversation about him living in his car this whole time?

Crowley is absolutely not okay, we know, we know. He is frustrated, he is struggling; he is asking what the point of it all is. Yes, he is fiercely protective of his independence when he says “my car”, “the precious, peaceful, fragile existence I have carved out for myself”—and the same time, he is still not willing to talk. He probably does not even see a way to have important conversations safely; the fear of rejection might still be too much. His instinct remains to run away from trouble. With something as terrifying as vulnerability and openness, he needs Nina and Maggie to tip the scales.

He has the swagger. He acts like he knows what’s happening, like he has things figured out.

I think we’re just starting to see how much that has not been true.

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Via @Ed_Solomon at Twitter. Here's a clearer copy, in case (as a result of the looming Twitpocalypse) the original goes missing.

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young me especially would have hated hearing this but networking is literally the most important thing you can do to improve your situation like forget economic barriers to education etc just keep making friends with different people and eventually someone will offer you a hand up just because they dig your vibe and that is exactly all that's happening when undeserving people surpass you anyway

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Modern techniques might be more convenient, but they’re not always better. Meet Musa Jaiteh, a Gambian artisan keeping an ancient tie-dye tradition alive. 

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Do you have any recommendations on what to do when you can’t write?

I’ve been struggling to write for years, but telling stories is all I want to do. I have ideas and plots and characters all figured out! But actually getting the words onto paper? I just can’t do it. There’s a mental block or something getting in the way.

I want to write, I so badly do. I want to tell my stories! But no matter how hard I try, no matter how much I love the story, the words never work properly. I can day dream scenes up perfectly, but as soon as I’m near paper the words all vanish.

I guess what I’m actually asking is: how did you defeat the blank page?

Well, first of all, I can confidently tell you that your storytelling per se is working just fine. You just told me a perfectly cogent story right there, in writing. So that's good to know.

Now let me put your mind a little at rest by telling you something reassuring about the Writer's Brain:

It's not the sharpest knife in the block, if you take my meaning. It can be tricked. It can be fooled. It can be bamboozled into working when it doesn't want to... sometimes with embarrassing ease. (And this approach is, by and large, far preferable to sitting around over-analyzing one's interior life to figure out what went wrong with your developmental process somewhere in the dim lost past. Just hornswoggle the silly thing into working and then do the analysis later, if you can be bothered.)

Sometimes just changing something basic in the process the Writer's Brain is expecting is enough to make it lose the plot (so to speak...) and let you get on with work. And in your case I'd say, more or less immediately: Have you tried telling the story to yourself out loud, recording it, and then transcribing the recording?

Because this problem is a commonplace among storytellers. Sit them down in the pub and give them tea or a drink and start them going, and you'll get half an effortless hour of hilarious prose about What The Cat Did In The Middle Of The Night or When The Neighbors Were Fighting In The Street Again Yesterday. But show them blank paper, or an empty screen, and (now that the pressure to perform is suddenly in place) they freeze.

So try doing an end run around your writing brain. Borrow or otherwise procure a little recorder of some kind. (Or if you've got a smartphone, add a voice recording app to it.) Go get comfortable somewhere and get yourself into that daydream state, and then—making sure the recorder's on—start talking.

It doesn't have to be perfect unblemished prose. The pursuit of that comes later, after draft zero-minus-one. Just tell the story... or some of it. Or a fragment of it. Even a few paragraphs is a triumph, in a situation like this. You may, during the recording, have to talk yourself into the story stage by starting out talking about something else first. Let that happen.

Then when you're done recording, listen to it and transcribe it (typed or handwritten, as you please).

And maybe a day later, do this again. And a day or two later, once more. And so forth.

You're going to have to keep at this, because your Writer's Brain may start suspecting what you're up to, and try throwing spanners into the works. (Its favorite being "Oh, this isn't working, I may as well give up..." Pay no attention to that nagging little voice behind the curtain. Just keep doing what you're doing. Persistence is a superpower.)

The thing to keep reminding yourself, as you settle into this process, is that sooner or later the WB's resistance is going to flag, because you really do want to tell stories. It does too. What you have to teach it is that—to coin a phrase—resistance is useless. :)

Anyway: give this a try. You'll need to be doing this daily for at least a couple of months to find out whether it works or not. So let me know how it goes.

(BTW: once you've broken through the barrier, you may well find that dictation is a good routine way for you to generate your first draft. At that point—should you feel inclined to go a little higher-tech than recording and hand transcription—let me recommend Dragon Anywhere. This is a month-to-month subscription version of Dragon's flagship text to speech program—the one @petermorwood and I got Terry Pratchett to use when he started having difficulty typing. I use Anywhere a lot, on days when it's easier to write stretched out or lying down than it is sitting up. It transcribes what you say, and then you can just email it to yourself and cut-and-paste it into your writing document. Very handy.)

Hope this helps!

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“His Royal Smugness is in trouble? That’s so sad.”

The Serpent of Eden by @onlylurkingreadingstuff

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It’s the GOmentober!!

Thanks to @disaster-dog for the list. I don't think I'm going to do them all cause i’m really tired..

But there is the first and the second in the same time.

Pre fall and star

It could be a prequel to my last comic.. This will explain why Aziraphale was so emotional when he opened the little box… :")

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