#I JUST WANT TO LEARN MORE ABOUT HIM!!

[sorcerer-sparrow]

Making the next avatar in the “chronicles of the avatar” book series about Roku is cool and all, but what about Avatar Kuruk-

[egophiliac]

doylist explanation for why Gidel is only in Fellow's non-idle lesson animations: probably something about space constraints and making sure two sprites in one seat aren't covering anyone else when they're not in focus

watsonian explanation for why Gidel is only in Fellow's non-idle lesson animations: he snuck in and is hiding from the teachers, don't give him away 🤫

(I've reached my limit of unsuccessful attempts at pulling them before I need to save keys for Halloween, so I've been living vicariously through youtube videos...but the fact that Gidel just pops up from under the desk to wave his arms around happily is really testing my resolve. D: I'm gonna die when they finally get to do alchemy...)

[batsyheere]

"So, handling your archnemesis," Danny starts. The room falls quiet, heads slowly turning to look at the man as he writes the words on the chalkboard. When finished, the characters somehow both messy and neat at once, Danny places the chalk back down and claps his hands.

"I typically call them fruitloops. Often they're in a better position than you are- older, richer, more powerful. They may have some sort of status that protects them when facing the public."

Tim wondered where Dick was right now, and if he was laughing. His brain was lagging like a computer as he tried to process what Danny was saying, and how seriously a few of his fellow teen vigilantes were taking this.

"Some of their more common tactics are-" the chalk was picked back up, and Danny writes as he speaks.

"Manipulation, isolation, conditioning, and empathy."

MICE.

Tim stares at the board, and quietly slips put his phone.

-What have I done to deserve this.

Enjoy your lessons Tim-

His head thumps against the desk. Conner leans over, gives him a pat on the shoulder but returns to taking notes as Danny goes on to explain the conditioning tactic.

[hinamie]

i'm exactly as normal about him as I thought I'd be

[a-scary-lack-of-common-sense]

Eldritch/not-entirely-human Grunkle Stan stories have been eating away at my brain, so I have a silly little concept of Mimic!Stan.

He and his Mystery Shack are both mimics that lure tourists in as a literal "tourist trap" to gather and devour them! Since the house is alive, it raises a few (read: several) child safety concerns that lead to a LOT of rules to be created for Dipper and Mabel to follow when they eventually arrive, such as:

Be careful not to get lost in the winding hallways! The Mystery Shack is bigger on the inside, and you don't want to end up in the wrong areas.

Don't go through randomly appearing doors, they may eat you.

If you think you feel the walls around you breathing and the floor beneath you shifting, no, you don't.

If you think the walls feel a bit damp, you're imagining it.

Watch your fingers around windowsills! You wouldn't want to lose any of them.

Don't linger too long under the doorframes; it may start feeling like they are slowly constricting around you.

[sebille]

Oh the little change in his expression

[wigglebox]

Destiel Pride - Day 6; Profound bond

[gunstellations]

In the world I love

_

In a different world

[uncanny-tranny]

Hey, if you have speech impediments, you are so amazing.

If you stutter or have a lisp or misspeak easily or you have a flat affect or a limited verbal vocabulary or if your voice is AAC or if you just have a difference in your vocality, you are so incredibly important and amazing.

Just know that your voice is yours. Nobody will ever be able to truly take it away. Your voice is part of you, and you deserve to make it as true to you as you deem fit. I hope you have the space to grow with your voice and whatever about it makes it unique.

[nordidia]

having a very rough night so raph doodles needed to be made

when in need, mash two interests together

[fatedroses]

Two former military elites taking merc jobs perform absolutely hellish battle tactics together.

[turtleblogatlast]

[ cw: trauma / ptsd / violence / brainwashing / ]

I’m not done talking about Raph and Leo yet because you know what kills me? How the beginning of the movie with Raph very angry at Leo to the point of lashing out at him is paralleled with how the end of the movie has the Krang very, very angry at Leo and beating him horrifically.

Both Raph and the Krang are so much bigger than Leo, both have been very angry with him, and both deem him responsible for ruining their respective missions.

To make matters worse, Raph’s body was used to hurt Leo. So it’d make sense for Leo to just…flinch, sometimes. To have his body reflectively brace for a blow that will not come because Raph would see this and just be horrified. Their fights, their roughhousing, their existing together all have a newfound and unwanted extra layer to them.

And Raph? Raph is traumatized enough having been brainwashed the way he was, turned into a monster in a way he always dreads in general. To be made into the antithesis of a hero and instead be a villain’s pawn, made to hurt his own family…poor kid, to say the least.

Can’t imagine what it must feel like, the first time post invasion that Raph gets mad at Leo and they fall into their old dynamic only for Leo to see the Krang and for Raph to feel like he is the Krang.

[egophiliac]

tsum events really are just the best, huh

[dreadfuldevotee]

I'd like to discuss the elephant in the room. Why did we get zero Loumand sex scenes? We got hints and implications, but season 1 was pretty explicit. Do we think that that's a creative choice or something else is happening?

I'm glad I ended up ruminating on this for about a week because episode 7 & 8 really solidified my opinion on it.

I do wanna start by saying that it's very clear to me that there was supposed to be more explicit scenes between them. There has been some thoughts tossed around that censorship happened with the 9 pm timeslot (as opposed to the 10 pm timeslot of S1). I believed this hearing Assad and Jacob talk about the BDSM dynamic between Louis and Armand, but what really sold me on this was Production Designer Mara LePere-Schloop talking about the bedroom set and more specifically about their beautifully carved custom headboard. (If you're a production nerd like me or just want to know more about the design philosophy of IWTV I recommend giving the entire thing a listen!).

I think there are several reasons I think as to why they decided to leave any more explicit scenes on the cutting room floor but above them all is: you cannot separate Armand's sexuality from his abuse. I am really against pulling a "well if you read the books" card but reading just the first couple chapters of "The Vampire Armand" makes me understand so much about not only Armand as a character, but the care being taken to his adaptation. It's clear to me that alongside Rolin & Co.'s commitment to not watering him down to a one-dimensional villain they are also trying to not fall into Anne Rice's tendency to romanticize his trauma.

Sex and sexuality is not the same pillar of Louis and Armand's relationship it was in Louis and Lestat's and so I don't believe their story suffers from the lack of on-screen sex. But I also firmly believe that maybe we don't need to be slutting out the character who we literally just watched talk about how he doesn't remember his life before being sex trafficked. And even when he was "freed" he was still being repeatedly assaulted at the hands of, and under the eye Marius de Romanus. Like it is extremely important to remember that Armand's craving for dominion in his relationships is a manifestation of trauma that deserves the same level of care and depth given to every other trauma portrayed in this show.

I think people have gotten too comfortable calling IWTV a romance when it has always been Gothic Horror. Romance and sex are pivotal to the story but I have found the demands for sex scenes this season a bit absurd and also? unfounded? Loustat share more kisses on screen but there are two sex scenes and both are very plot relevant. I truly figured we were all in agreement that the eroticism of this show is found in the various displays of power, and the dynamics it creates and not the actual clapping of ass-cheeks...which also wasn't happening in S1 either. S2 does not suffer because of the lack of sex-scenes, but the likelihood if it suffering trying to make one work is

[annqer]

something unto death

[senseearly]

For a moment, imagine yourself in Mithrun's brother shoes.

Your brother - stronger, prettier, more charismatic, but also distrustful and disdainful of everyone especially you - is to be sent to the Canaries. It is the rule, it is the duty of all noble houses. But you know what goes on there, Mithrun knows what happens there. Yet you see him off, bidding a temporary farewell as you do, because someone from the House has to go and it won't be definitely you. Mithrun knows this, you know this. And you wonder, very briefly, if Mithrun hates you now more than he does already.

Your brother - powerful, agile, a good soldier just as he is as an heir, if he could only be an heir - suddenly disappears. The unit he belonged to suddenly disappeared. And you're speechless because - how? why? No one wants to answer you; they will instead try to bring back a body, they promise to you. But that is not what you want. You grieve for your brother. but your own family doesn't grieve with you. Wasn't Mithrun family too?

Then you found out: MIthrun is alive.

Your brother - now weak, despondent, his eyes always looking for something that is not here nor there - is to be sent home where people can take care of him. It is not your first choice, you want him home. But he is - sick. Not quite there. He needs someone who can look after him and you look at yourself - your gait, your constitution - and you know it can't be you. So, you follow the advice of your family and pour out all your resources to find him the best of healers and caretakers. You ask yourself, almost daily, if Mithrun would ever return to who he once was.

Your brother - strong, pretty, uninterested of anything and anyone else aside from what he calls 'the demon' - is now better. He can walk on his own now, eats without throwing up on himself. The color on his skin is back and the scars of his injuries have faded into thick bumps and discolored skin. But he still isn't quite there; still needs help and probably will for the rest of his life. And you can live with that. You can provide that. Just as long as he comes home.

But doesn't. Your brother - now a husk of his former self, and you hate thinking of him that way, but you can't help yourself, the Mithrun you knew is gone - runs straight back to the Canaries. His mission is not over, he says. He doesn't care how long it takes, he says. And you see him off, again, because someone from the House has to go and it still can't be you. Mithrun knows this, you know this, and you can't help but wish, very briefly, if things would've been different if you went instead of him.