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#I HOPE YOU ENJOYED THOUGH
sylvies-kablooie · 8 months
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i do unironically think the best artists of our generation are posting to get 20 notes and 3 reblogs btw. that fanfic with like 45 kudos is some of the best stuff ever written. those OCs you carry around have some of the richest backstories and worldbuilding someone has ever seen. please do not think that reaching only a few people when you post means your art isn't worth celebrating.
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lilybug-02 · 7 months
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Pain is a great motivator…
Part 26 || First || Previous || Next
—Full Series—
Meanwhile Toriel:
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(Loud noises don't wake her up usually.)
Artist note: I’m so proud of this :))) I know it’s a lot of dialogue and reading, but dialogue is grueling work for me. I’m glad with the art and for the amount of pages I made in such a relatively short time span -w- page 5 was super fun to work on. A lot of blood, sweat, and hours here... :) The backgrounds were a big bore tbh, but I finished them! Yippie!
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braisedhoney · 9 months
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fighting back? against who? they're so happy—they've been waiting for you.
you are wonderful. don't you know that?
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bonus: they play sims together :)
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deerspherestudios · 6 months
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Hello Deersphere, I'm magical girl, and honestly I'm so happy I get to ask you a question cause real talk, I am enjoying the community of Mushroom Oasis and the Character Mychel that we adore so much, and hopefully once I get my Fanfic done, maybe I can show it to you once its in the clear.
Then again, I do have a question about Mychel, and I'm very aware that he doesn't think much about children since I read the answers, but you don't have to answer this if you don't want to, I'm just curious in general :3.
Does he have any male parts by any chance, or no?
P.S. Don't worry my Fanfiction will be Fluff 💚🍄♥️
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He's not sure if he wants to answer that.
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14dayswithyou · 2 months
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💖 EVEN MORE DAY 4 SNEAK PEEKS! 💖
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themeraldee · 15 days
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Awkward sex prompt: homelander figuring out how to control his strength with a human reader, who still wants rough sex, but would prefer to be alive at the end of it.
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[Masterlist]
18+ Only | 1.2k | Homelander x gn!Reader | Realistic sex. Communicating during sex. Choking. Penetration (but not specified). Fluff at the end.
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“I don’t want to hurt you.” 
“But I want you to.” 
It really should have been no surprise to Homelander when you requested he goes a little rougher on you in bed. At first he was taken aback, stopping the pace he was fucking into you with, jerking his head back as if offended, choking on his breath in surprise. You know who he is, bringing up the use of his strength is no small ask. But you’ve shown the signs before. He could hear the spike in your heart rate anytime he’d showcase the incomprehensible strength he possesses. Whether it was him moving heavy objects, accidentally bending steel frames in his penthouse or breaking furniture—like that one time he ripped the headboard off during a particularly fine blowjob—you loved it. Though he never thought that your dirty little thoughts went straight to him using that strength on you. 
“What if I can’t hold back?” He looks down where you’re right below him, all flushed and spread out for him. He’s been giving you a damn good time but it’s like you can never get enough of him. Always wanting more, more, more.
“You can. You’ve been doing it your entire life. Adding a tiny bit more pressure isn’t gonna change anything.”
The one thing Homelander loves about you the most is the pure trust you have in him. After all you’ve seen of him you still believe that there’s no world in which he would purposefully hurt you. So to hear you all but beg for him to use strength that has more than decimated many gets his heart soaring. The feeling of acceptance and unconditional love blooms warm in his chest spreading all the way out to the fingertips currently wrapped around your neck.
“Come on, what’s the point of being the strongest man in the world if you can’t rough me up a bit? I’ll tell you if it’s too painful okay?”
Your hand sat on top, your fingers tracing over his as you squeezed your hand.
“A little more.” You guide him verbally and manually. Your hand is still squeezing around his own until you reach a point where you’re satisfied with his confidence to do this himself and you pull your hand away. “Yeah, that’s it.” You squeak out a little breathlessly as he restricts your airflow.
“That’s good?” He asks, choking on his words halfway at the way you squeeze around him while he’s still lodged firmly inside you. He jerks with his movement, giving you a very short snappy thrust but after your little intermission where you taught him how to choke even this little sensation made you moan.
Homelander’s eyes widen when he realizes the sheer potential of your request. Not only could he hear your heartbeat, your shaky breaths and moans, he could now also feel them. Right against his fingertips. The moan vibrated against his hot skin, your heartbeat constantly thrumming all around him. He felt it in the way you were tight and clenching around him and now he felt it under his grip.
He released his hand a little, settling the palm of it in between your collarbones.
“See? Wasn’t that good? I love feeling your strength, let me have a little more of it.” You say it with such conviction, inviting him in, accepting him exactly—no, especially—because of the way he is.
The last thing Homelander wants is to not be able to fulfill your needs. As much as the thought of hurting you—actually hurting you—kills him, if it’s something you find excitement in he’ll be damned if he doesn’t deliver.
He pulls you down the length of the bed a little bit to give himself more space and with a grin he pins your wrists above your head, holding them down against the mattress with little effort. He knows he’s doing something right when that startles you, you let out a cute yelp that quickly turns into a moan. God, he could eat you up with the way you’re looking at him. But he’s gonna need to leave that for round two. Now he’s here to fulfill a wish.
He slowly picks up the pace. He’s thrusting slow and deep while his other hand freely explores your body underneath him, giving it generous squeezes as he goes. He’s testing the give of you. Learning where he can apply the pressure you so desperately crave. 
He’s fucking into your faster now, grunting at the sheer heat of you surrounding his cock with every slide. His hand glides up your body, settling back on your neck. He gives you a look as if he was warning you of what’s to happen. Yet he still manages to catch you off guard. With the snap of his hips and the iron-clad grip of his hand your eyes widen in what Homelander only translates to fear.
Immediately, he lets go.
“Why did you stop?!” You look at him, your own hand gliding across where his hand was squeezing a second ago, as if to chase the phantom feeling, recreating it yourself.
“Why did I stop? You got scared and I don’t want to fucking kill you!” He sounds angry but it’s mainly to hide the genuine worry that comes with this irresponsible play. It’s already hard for him to hold back anytime you’re having normal sex. Wanting him to rough you up conjures very different imagery in either one of your minds.
“Baby, the scary part is the best bit. I know you’ll stop before it’s too much. You can feel the give of my body. Let yourself feel that, okay?” You say softly, soothing his fears. In your entire relationship he’s not managed to hurt you, you don’t imagine it was about to start now.
“Now come on, I wanna cum with your hand around my neck.” You give him a cheeky smile that breaks him out of any doubts he had about manhandling you the way you’ve requested.
He’s given you exactly what you’ve asked for. Just enough squeeze and pressure that you feel so overwhelmed with the greatness of his presence pinning you down and nearly squeezing the life out of you that you succumb to your release. Homelander follows you there, unable to hold off after seeing the way you look at him with such adoration right after he let your airways open fully and you regained your senses. 
After you’re both beyond blissed out you snuggle up to one another, locking the jigsaw pieces of your bodies together.
Homelander traces a finger across the bruised finger marks wrapping around your neck. Part of him relishes in the way he’s managed to brand you where you won’t be able to hide it easily. Even with a scarf or a turtleneck, any slight move of the garment will expose the impressive size of your lovingly placed bruises. 
The other part of him isn’t that happy about it.
“I hurt you.”
“Duh! I wanted you to!” You scoff as if it was the most obvious thing.
His fingers trace over them some more before he leans in, placing a soft kiss against the marred skin.  
“You’re fucking crazy.” He lets out a little disbelieving laugh as he pulls you closer into his arms.
“Yeah, you’ve been rubbing off on me.”
“Nope, this is all you.” 
“Maybe. Hey, can we try spanking next?”
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Taglist (you can add yourself to be tagged anytime I publish a new Homelander story): @infinetlyforgotten  @rafecamsgirlll @nervoussystemss
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mama-scarebear · 10 months
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Did I send an anon so I could submit a cute picture? Perhaps 😋
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verflares · 3 months
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collection of some loz origin au stuff i've been chipping away at for awhile now ^_^ with a healthy amount of dunmeshi insp for good measure LOL (the ooccoo isnt relevant she's just here for size comparison purposes)
feat my beloved good friend @linkvcr's hylia design also. because i am obsessed with her and you should be too 🫵
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kikker-oma · 9 months
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Fanart based off of THIS AMAZING WHUMPTOBER FIC of @skyward-floored 's!! Please read it and it's sequel❤️
Warning: Blood, stabbing, character under control
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hoshiina · 3 months
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pairing: hoshina soushirou x gn!reader (no prns)
summary: he still dreams of you and wishes for another chance to make you his, some lines are inspired by hakujitsu by king gnu
warnings: reader is rather lively/bubbly,
notes: TYSM FOR 100 !!!, a/n (yapping) in tags
wc: 1800
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Hoshina Soushirou still dreamt of you. Every once in a while, you’d come to visit him in his sleep and it would make him believe that a miracle had occurred, that he had another chance. Every time, he would tell himself that he would never let this go, that he would give it his absolute all this time.
Yet, every time, he would wake up from this dream.
And every time, he would feel his heart drop at the realization of that. He was disappointed, and he knew, but there was no reason to be. It wasn't like anything had happened between the two of you. He liked to believe there was something going on— something more than mere acquaintances or friends, but he knew there wasn't. It must've been all in his head because the last time he had heard of you was before you were moved to the first division. He hadn't heard a single word from you since then, nor has he said anything— but that was just the way it was. There was nothing to do at this point anyway.
He wasn’t with you for all that long, and it was probably just the fact that both of you joined at the same time that naturally started the first conversation. He was far more weary of everything and far less cheerful at the time, and you didn't even work with him most of the time being a researcher, but you didn’t mind that one bit. If you had something you wanted to say, you would tell him and he’d just have to listen. At first, he had no idea why you kept talking to him when he paid hardly any mind, but after a while, he found comfort in your conversations. He had started to look forward to talking to you.
It had only been a few months before the defense force noticed how spectacular your work was and quickly called you over to the first division. There wasn’t a tearful farewell, or even a casual goodbye for that matter. You disappeared along with a cheerful ‘I’ll see you around!’ while you were moving your boxes out and he would hear those words ring in his head for the years to come— in your voice. Yet, at the time, all he could do was force a smile and nod.
It had been so many years since you had moved, he didn’t even know what you looked like now. Probably still stunning. Definitely still stunning. Although he had the chance to see the 1st division officers a lot, you were a researcher who worked behind the scenes. Naturally, there was no reason he'd bump into you, and he didn’t. He never did.
He loved to remember you, but he hated to think about you. He loved to remember the way you would laugh at his silly jokes, the way you would ramble on about the work you had to do daily but would still put in your all, and the way you would always visit him with some cold tea when he trained late into the night if you were still up as well. Actually, he hated thinking about the tea— it would make him start thinking about you. He would think about how you were now, if you were still pilled with work, and if you remembered him.
If he bumped into you, would you remember his name? Maybe if he cracked a lame joke. Maybe if he gave you a few days to think about it. Maybe if he started listing the things you talked about— his most treasured memories. Maybe then you’d say his name again.
See? This is why he hated thinking about you— he had things to be doing.
It wasn't like this happened everyday and it wasn't that big of a deal. It just ruined his day a little when it did happen. So if he had to say, he hated dreaming of you.
As you took over his thoughts again, the emergency alarm started to buzz, as if to tell him to snap out of it. He was thankful, he couldn't still be daydreaming like this.
A smaller-sized identified grade kaiju had appeared near the first division quarters, so the third division was doing more backup work this time. Hoshina was taking care of the smaller kaiju in the vicinity that had spawned from the presence of the honju. It felt nice for him to be doing work, it took his mind off his ramblings and cleared his head. He wasn't too worried about the honju, however. Although it was an identified grade, it wasn't anything they hadn't dealt with before and as much as he liked to tease Narumi about how he was always better at smaller kaiju neutralization, he knew Narumi was extraordinary at what he did.
At least that would have been true for any other kaiju of that size and strength, but Narumi seemed to be struggling far more than expected with this one. From his earpiece, he heard Okonogi notify him that the 1st division was asking to send Narumi some help if possible, and he immediately rushed over.
Yet, by the time he got there, Narumi had already neutralized the kaiju in question, although horribly beat up.
“I don't need your help, Hoshina!” Narumi still managed to yell while on the floor, absolutely bleeding out.
“Oh, shut up, do you want to die?” Hoshina asked. It didn't take an expert to see that Narumi’s condition was concerning.
Narumi soon fell quiet, probably unconscious, while Hoshina found his earpiece lying on the floor near him. He picked it up, hoping it'd connect to the first division just in case they had lost connection to his vitals.
“He's unconscious right now, but he seems to still be breathing. However, he's bleeding dangerously from multiple spots. I think a few ribs might also be broken,” Hoshina said. “There aren't any kaiju nearby at the moment and I'll take care of them if any do come— bring the stretcher right away.”
He waited a moment, but there was no response from the earpiece.
“Hello?” he asked, hoping for a response. After another moment, he heard it.
“Hoshina…?”
It was you. He would still recognize your voice from anywhere. Oh, how he missed you. His eyes were wide and he had nothing to say all of a sudden. You remembered him. You recognized his voice.
You remembered his name.
“Thank you for your report, we lost connection to some of his vitals halfway through. The medics should be there in a few minutes,” you said.
“I'll stand by,” Hoshina said and kept Narumi's earpiece in his ear. He had nothing he wanted to tell you, not one thing in mind, but he wanted to be on the line with you— even in silence. The medics came in a few minutes like you had told him and took care of Narumi right away.
“They got here, he should be fine now,” Hoshina said, as if you didn't already know. He just wanted something to say to you.
“I missed working with you,” you said and he couldn't believe his ears. Perhaps he'd wake up from this dream again. Perhaps he'd open his eyes and be utterly disappointed again. But he knew there wasn't even a hint of romantic affection in your words, just the respect you've always had for the work he did, and how you missed doing this job with him. And he did too.
“Yeah, I did too,” he said. “I still do.”
You chuckled a little and he could still picture you smiling. “That made my entire year,” you said. “Probably not the time for this, but we should catch up sometime. If you don't mind, of course.”
Made your year. What did you mean by that? And If he didn't mind? Oh, you didn't know how many times he's dreamed of this day.
“I'd love to,” he said. While he was a little embarrassed to imagine the rest of the first-division team hearing this conversation, that was not going to stop him. He'd be an absolute fool to let this chance go. He has promised himself to give it his all this time.
“Are you seeing anyone?” he asked quietly.
“Sorry?” you asked, hoping he'd repeat that. You heard it, but you were afraid you were so delusional you were starting to hear things. Your heartbeat quickened and you waited patiently, hoping it wasn't all in your head.
“Do you have a lover?” he asked a little more clearly, but obviously still nervous and flustered. You had never seen him like this, ever.
“No,” you replied, a little too quickly. “I do not.”
Relief washed over him and he felt his heartbeat quicken. Oh, thank goodness you didn't have access to his vitals. He was going to make you fall for him somehow.
“…do you?” you asked quietly, after a moment.
“Me?” he asked. “No, I don't.”
“I see,” you said, but he could hear the soft delight in your voice. He would never miss it.
Perhaps he'd just go for it. There was nothing for him to lose at this point, and he had made his feelings plenty obvious already. If you didn't want him, he'd just try again. He's tried countless times in his dreams already, what's a few more?
“But I'd love to be yours,” he said and heard you gasp quietly. That one he couldn't read. Was that a little too bold? Far too sudden?
“Did I hear that right?” he faintly heard you scream, asking your fellow first division coworkers. That made him laugh, you hadn't changed one bit. “I’ve loved you forever, Hoshina.”
There was absolutely no way. He was going to wake up soon, he just knew it. Well, might as well indulge in the dream for now, then.
“I've definitely loved you for longer,” he said.
“Hoshina, I'm going to kill you if this is a dream,” you said, and that caught him off guard. Yet, even that sounded nice to him, and that made him smile. He'd get to see you, at least.
But it wasn't a dream. The way your voice fluttered his heart could never be felt through a dream. The way your laugh filled his soul could not possibly make him feel so warm through a mere dream.
“I cannot wait to see you,” you said softly, your voice so full of love it made him melt.
He couldn't either, but that wasn't exactly what he had on mind this entire time.
“And I cannot wait to kiss you.”
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sentientcave · 5 months
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Retirement Party
Chapter 4 - Runaway
<<First Chapter - < Prev Chapter - Next Chapter >
Contains: No Y/N, Kidnapping, Forcible relocation, Dubcon, Plus-sized reader, female reader, Poorly thought out action sequences, Guns, There is something fucking wrong with these guys for real, More reader details given, but we're still pretty vague about it. Even though it is hard for me. No promises for future chapters though I might even tell y'all her name.
~3.8k - MDNI - Dark fic! Please mind the content warning above
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You wake in the morning with your nose buried in a thick patch of chest hair, and strong arms around you. Your legs are hooked around one of his thick thighs, and something hard digs into your stomach. You start to inch away, but his arms tighten, and his hips cant against you, a thick, sleepy groan rumbling in his chest. It would be a nice way to wake up, if not for the circumstances. It’s been ages since you slept beside another person, let alone someone that feels as comfortable as John does.
“John,” you say softly. You don’t want to fully wake him up, just get him to let you go. “John, please let me go.”
He hums, one hand sliding to your waist, and then down to your hip, pulling you closer, grinding you against his thigh. You squeak in protest, becoming aware that you’re already wet, like you’ve been unconsciously humping his leg in your sleep for some time. You push your slightly freer top half away a little, so you can look at him. He’s still sleeping, a little frown on his face as he’s pulled unwillingly toward consciousness. He really is handsome, especially like this, all his defences down, grumbling like a hibernating bear.
“Don’t wake up,” you tell him, as if it’ll make any difference. “I just have to pee.”
One of his blue eyes cracks open, a little unfocused. “You comin’ back?” His voice is rough from sleep, rasping like sandpaper.
“Sure,” you say, even though you have no intention of doing so. Your body seems as eager as his is for something you’re sure is dangerous. Maybe he smells good, like tobacco, warm, boozy spices and something undeniably male, and maybe he feels warm and solid against you, but you don’t want to encourage this. You just want to enough space to clear your head. His admissions last night still have you spooked, John’s words not tempered by a night of surprisingly good sleep. “I’ll just be a minute.”
He loosens his hold on you enough that you can wiggle free, his eyes opening a little more so he can watch you slip out of bed. He rolls over onto his back, and starts snoring gently before you’ve even made it to the bedroom door. You take the opportunity to snag one of the bags stacked in front of the closet and your purse off the dresser and bring both to the bathroom with you. You’re not sure what’s in the bag, but you know the larger suitcase has things from your closet in it, so you’re hoping this one has more from your dresser.
You get dressed, glad that most of your underthings and a comfortable pair of jeans and a thick sweater are inside and pack your toothbrush and makeup bag into the larger one, and creep downstairs carefully. One of them is snoring gently on the couch, but otherwise, the house is silent. You carefully fish a set of keys off the hooks by the door and sneak outside. You don’t know where any of your shoes are except the red heels, so you just leave in your sock feet, and pile your things into the pick-up truck. You’ll drive it into town and leave it there, buy a ticket on a train or a bus, and get the hell back home.
It sucks to have to leave everything you own, beyond the clothes in the one bag and the contents of your purse, but maybe you can call the cops— Well. Probably not. Better to just start over anywhere else. You have digital copies of a few pictures of your parents, and that’s better than nothing, even if their wedding album is sitting on a shelf in John’s living room, along with all the family photos that your parents took of you and them while you were growing up. Your mother’s sketchbooks too, and her camera, and your dad’s guitar.
You bite your lip, holding back tears, and start the truck.
No sense mourning things. The memories are in your head and your heart, not trapped in the pages of books or twisted into the strings of the guitar. You don’t need them.
You haven’t driven in a long time, and the truck, unfortunately, is a manual, which you haven’t driven in even longer, but you manage to pull away from the house without revving the engine too hard, and pick up speed once you get to the road, only just remembering to hit the clutch with your left foot before you change gears. You’d feel pretty pathetic if you only made it to the road before stalling out the pickup.
You’re not sure which way town is, but you figure the road has to lead somewhere no matter which way you choose, so you navigate blindly, turning onto a bigger road a little ways down the gravel one that leads to John’s house. Bigger road means more people, although the hour is still so early that there’s no one around yet. The sun is barely up, and it’s still shadowy in the woods on either side of the road. The woods give way to fields suddenly, the sun making a too-bright debut, shining right into your eyes. You flip down the visor and adjust the rear-view mirror, wincing when you see a blue car a ways behind you, approaching fast.
You didn’t notice the car when you were leaving— It must have been parked behind the bigger van that they’d used to move all your things— but it looks sporty and fast, and judging by the way it closes the gap, there’s no question that it’s them. You push the truck harder, squinting against the light, heart hammering. The car’s engine roars, loud enough that you can hear it over the blood rushing in your ears, and pulls into the lane beside you. Gaz motions for you to pull over from the passenger seat.
You slow up enough that they pull ahead a little, and you yank your steering wheel to the side and stomp down on the gas and the clutch, shifting into third gear and nailing the side of the car, shattering a tail light and making it spin, stopping just shy of the ditch.
For a moment, you’re still close enough to see the shock on their faces, but you’re moving fast and leave them in the dust, at least momentarily. It won’t take them long to recover and catch up again, and if they hit you with the same maneuver, there’s no way you’ll be able to get the truck under control. There’s not enough weight in the bed of the truck to compensate, and you’ll wind up in the ditch for certain.
Funny, how it comes back to you. Learning to drive along mountain roads way outside Aberdeen, either in your dad’s little car or your mom’s old truck (usually the car, which was the easier one to drive. Your dad was the safer driver too, the better parent to learn from), and you can almost imagine your mother in the passenger seat, laughing her head off at the insane circumstances, encouraging you to throw caution to the wind, to get a feel for the road under the wheels and the way the old truck handled. She always laughed when she was under stress, but it’s comforting to think of. Your mum would never let a couple of thick-headed military assholes get the better of her.
The car is catching up again, so you floor it and smash through a fence gate into a muddy field, where the car won’t handle as well, and speed your way across the stubbly remains of wheat, already harvested. The car follows, and, predictably, struggles, the low frame too close to the muck, bumping unhappily over the soft, uneven ground.
Laughter bubbles up in your chest, relieving some of the built-up anxiety. You smash through a segment of the fence on the other side and yank the truck back onto the road, giggling when the truck fishtails a bit, mud slicking the tires on the pavement. There’s so much adrenaline coursing through your system that you feel like you might be sick the moment you let any of this catch up with you. So you keep driving, and pray that it doesn’t.
The car gets close again when you reach another wooded section of road. Through the rearview mirror you can see Gaz pop out of the window, gun drawn, but you don’t hear the crack when it fires, you only feel the impact when the bullet strikes one of the rear tires. You shriek, slamming on the breaks as the truck spins out of your control and off the road, slamming into a tree head on.
The lurch forward as the airbags deploy, your body hitting them hard, knocking all the air out of your lungs as you’re slapped back into he seat. The seat belt bites into your shoulder painfully. You unbuckle yourself quickly, ears ringing too loudly for you to hear the screeching tires of the pursuit car. You fall to the ground when you try to get out, head spinning.
You stumble into the trees, still blinking away double vision. If you can find a good spot to hide— Maybe you can double back and take the car while they chase you blindly through the trees. You cast about, feeling every rapidly forming bruise, wishing desperately that you had shoes, and dive into the underbrush, scooting forward on your belly, brambles catching in your hair as you curl up, out of sight.
“Please come out, doll,” you hear Gaz call out, boots crunching through the woods, closer than you would like. “It’s okay, we’re not mad. Just come out and we’ll take you home, yeah?”
Johnny is yelling further off, his voice incomprehensible but sing-song, mocking. Gaz moves further into the woods. You wait until his voice grows a little more distant before you drag yourself back out, sweater streaked with mud, leaves in your hair, and quickly sneak back to the road. The car is still running, the driver door left open. You breathe a sigh of relief.
“There you are, bird.”
You scream. A gloved hand drops over your mouth, cutting off the sound, and an arm loops around your waist, picking you right up off your feet.
Fuck.
"Look what you did, bird. Wrecked up Price's truck. 'E's not goin' to be 'appy about that." He turns so you can see the slightly smoking truck, the front half of it crumpled beyond repair.
You shake your head until he pulls his hand away from your mouth. "Its not my fault I crashed. Gaz shot the tire out. I wasn't even going to steal it, just leave it in town once I'd gotten to a bus stop."
He hums. You hear the slight crackle of a radio. "Got 'er, lads. Come back to the car."
"Rog."
"Aye."
Ghost shoves you into the back seat. "Stay put," he says sternly. "You're already banged up, don't want to 'ave to tackle you."
You sigh, all the fight leaving you. You feel awful, bruised and shaken up and trembling, and you do nothing but watch as Ghost gathers your things from the truck and puts them in the boot of the car. You slump back in the seat, inspecting the scratches on your hands idly. Your head hurts, and your shoulder aches, and you feel a bit like you've been stepped on, but nothing feels broken, just bruised and tender. You got lucky.
Well, not lucky. There's very little about any of this that counts as luck. Especially considering the look on Johnny's face when he jogs out of the trees. At first he looks stormy, but he grins when he sees you and opens the back door to crawl onto the seat and on top of you.
"Steamin Jesus, where'd ye learn ta drive like tha'?" He asks. "Didnae ken ye were a racer."
"Outside Aberdeen," you reply. Your ribs hurt. Soap’s weight makes every little ache more acute.
"Price isn't gonna be happy about his truck," Gaz says, tossing himself into the driver's seat. "What were you thinking, doll? You could've been hurt."
"You didn't have to shoot the tire." You try to push Soap off, but he wraps himself around you, a bit tight, but bearably so. You’re trembling, and he’s trying to help, in a thoroughly unhelpful way. "I was just trying to get home."
"That's the wrong way. Your home's with Price now." Ghost gets into the other front seat, and Gaz reverses back out onto the road.
You sigh, leaning your head against the window, watching the countryside flash by. It takes an embarrassingly short time to get back to John's house. You didn't get as far as you would have liked, hardly got anywhere at all. Your eyes prickle with tears, but you don't want to cry in front of them. You want to go back to bed, maybe back in time to the morning. You would have been wiser just to curl up next to John again.
Soap drags you from the car, hands a bit rough on your bruises, and pulls you back to the house. John rushes out, worry creasing his face, blue eyes sweeping over you and turning furious. "What happened?" he barks, not at you, but at his men.
"Bird was makin' a run for it," Ghost says.
"Wrecked your truck," Gaz adds.
"That's not my fault!" you protest. "You shot at me!" You glare at him, frustrated tears overflowing down your cheeks. It’s like they have no idea what kind of stress they’ve put you through.
"Woah, woah, c'mere, doll." John pulls you against his chest, wrapping strong arms around you, stilling some of the tremble in your limbs. "You broken?"
You shake your head, leaning into him, gripping his t-shirt tightly. You breathe in raggedly, trying to steady yourself.
"Lads. Why did you shoot at her?"
"Trying to stop the truck."
"She's a civilian you muppets. I take it that the truck's in no shape to drive, or you would've brought it back. You could have killed her." He pets a hand over your head, plucking out a few leaves. "You should’ve let her go."
"She stole your truck!" Soap protests.
"So what? It's wrecked now anyway, innit?" The silence behind you speaks volumes. "Alright, doll, why don't you go get cleaned up? " he murmurs against the top of your head. "I need to talk to the lads, and what I have to say is not fit for a lady's ears."
He gently ushers you into the house and closes the door firmly behind you. You trudge upstairs, feeling utterly pathetic, and lock yourself into the bathroom. Still sniffling, you comb sticks and leaves out of your hair with your fingers and put yourself into a hot shower, where you give yourself the freedom to cry your eyes out, hoping that the sound of water drowns your stifled sobs.
The house is quiet when you shut off the shower and dry yourself off. You wrap the shirt you'd slept in around you and poke your head out into the hallway. John is right there, holding out a bundle of clothes. "Here, sweetheart," he says softly, like he's worried a sharp word will set you off again. He must have heard everything. "I sent the boys to deal with the truck and that tail light, so it's just us. Just come on downstairs when you're ready."
You open the door wide enough to accept the clothes, and he turns to leave again, content to leave anything else to be said when you make it downstairs.
He'd obviously taken his cue from what you'd been wearing already, because he gives you a sweater and jeans again, comfortable worn in things. You go downstairs carefully, every joint and muscle in your body aching, even after the shower.
"How do you take your coffee?" he asks. "Or do you prefer tea?"
"Coffee, please. I can make it. I'd feel better if I did, honestly." You skirt around him to the cupboard where you'd seen Gaz take mugs out, recognizing your own nestled among John's mismatched ones. You put milk and sugar in your favourite mug, and pour in coffee, stirring it throroughly. The clink of the spoon is loud, and so is the pan he sets on the stove top.
"Eggs and toast okay?" He asks.
"Um, yeah. That would be nice. Over easy?"
"Yes ma'am." He looks at you over his shoulder while butter melts in the pan, blue eyes all worry. "Did I say something to you last night? Maybe the sort of thing that made you feel like you needed to steal a truck and run as fast as you could away from here?"
"Um. Yes." You hold onto the mug with both hands. "Some stuff about wanting to start a family. With me."
His ears turn pink. "I see."
"I suppose this is where you tell me it was just the whiskey talking, right?" you ask hopefully. You like him, even if it’s ill-advised, maybe even dangerous to do so.
"Wish I could."
Your stomach twists. “Oh.”
John turns around fully, guilt and sadness written all over his handsome face. He steps closer and touches your arm gently. “I’m so sorry about what my boys have put you through, sweetheart. None of this has been right.” He sighs, brushing a few tendrils of still-wet hair away from your face, studying you, those intense blue eyes focused on you intently. “But there’s something special about you, doll. I really do want to keep you forever. Not if you’re scared, and not if you feel forced— It’s just, the thought of you leavin' and never wanting to speak to me again is— I don’t want that.”
You swallow nervously. “This is just really overwhelming.”
“I know. If I’d known, I wouldn’t have let this happen. Soap really could have just given you my number.” The smile he gives you is hopeful, and you can’t help but return it, just a little. “Now go sit down, doll. Let me take care of breakfast, hm?”
You nod and move to the table, sitting where you can watch him, and peek out the window too. The car is gone, but the van is still there for the moment, sitting idly to the side. You consider making another run for it, but your aching limbs protest even the thought. There’s not enough fight in you, and you’re not even sure you want to fight John, not the way you do the other three. His only crime has been wanting you to stay, and being a bit overzealous about it. You can’t be mad at him for that, can you? It isn’t really his fault.
Well, it might be his fault, in a roundabout way. He trained them, taught them how to ruthlessly pursue an objective. It’s just not his fault they can’t keep it from coming home with them. That’s a clear failure of whoever does their mental health assessments.
You sip your coffee and watch John crack eggs into a pan. He keeps glancing at you, and his smile flickers on a little longer each time that he catches you looking back, until he doesn’t stop smiling, and just looks happy, glad to have you there, even if you’re just keeping a silent vigil on the other side of the room.
It's not like you have anywhere to go. It'll take days at least to feel like you haven't just been in a car crash, and days more to locate everything to pack it back up. So long as you don't have to share a bed with John again, you think you could live with this, for at least a week. It can't be that terrible, so long as the others leave you alone. You rather hope they just leave. If you asked, would John send them away?
"John," you say as he sets a plate with buttered toast and a couple of eggs on it in front of you, and sets a couple tablets of paracetamol beside your plate. "If I stay… Will they be staying too?"
"I'm going to have them leave this afternoon. That alright with you? We can go for a walk to the neighbours while they pack up, if you're up for it. Maybe dr-- Well, not drive." He sets his own plate down and sits next to you, handing you a knife and a fork. “Have to get that sorted out. But the neighbours-- Rob and Melissa-- Their dog just had puppies a few weeks ago. Do you like dogs?”
You nod, breaking the yolks of one of the eggs with a corner of toast. "My parents had a dog when I was growing up. Some kind of German shepherd cross. Best boy. His name was Rob Roy, because he was a wee outlaw. Mam found him digging in the trash and--" you stop and give John a baleful look. "Sorry. That was more than you were asking."
"No, that's the most you've said at once this whole time. I'd listen to you talk all day, doll. Don't ever apologize."
"Sorry I-- Oh, shit, sorry--" you press your fingers to your mouth, cutting yourself off. "Force of habit."
"I'd like to see you lose that one. You have nothin' to apologize for. Not one damn thing, and especially not talking. I think you have the prettiest voice I've ever heard."
You roll your eyes, but you can't help smiling. "You're just saying that."
He touches your arm lightly. "You don't know me too well yet, doll, but I never just say anything."
Yet hangs in the air, heavy and deliberate. He wants you to know him, wants you to stay with him, wants you to like him. Even if it makes no sense, the offer is tempting. It's been a long time since you've let someone get close— You've had the occasional fling, and the odd reunion with an ex that you’d stayed friends with, but grief is like a canyon you can't bear to cross. What if you love someone and you lose them, the way you lost your parents? How could you live with that all over again?
Still, there's something that feels like warm sunlight in his smile, and you can't help but incline toward him, slowly but surely reaching for the light. No one can live in the shade forever. There’s no nobility in suffering.
So you let yourself talk, at least a little. And he listens, hanging on to your words like they're precious, gazing at you with something unfurling in his expression that you can't name. You're almost afraid to try.
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Image Credits: Banner
Dividers: 1 - 2 - 3 by @/Cafekitsune
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spearxwind · 7 months
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Here's another concept for Broken Horizon - a dragon pilot saddle! Ft. Alex as the model (and Riptide as the pilot, even if you can't see his face)
Modern saddles were jointly developed by dragons and humans post-war to make dragon riding safer and flying more precise, as regular reins and voice commands quickly became obsolete.
In these saddles the control sticks on the pilot's seat transmit inputs to the steering modules, which are then interpreted into nerve impulses for the dragon to follow. However they are not hard commands, and the dragon can still choose to ignore the impulses for any reason. This means that the dragon and the pilot must have an incredibly strong trust bond for the best performance.
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dazais-guardian-angel · 3 months
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Dazai Osamu and the Dark Era: the visual novel (a fan project)
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On a whim, I've decided to finally just publicly release this project that I've had laying around for two years at this point, for Dazai's birthday today. It was originally made for my very dear friend @letmereachforthestars , when I first introduced her to the series and wanted her to be able to read my favorite BSD light novel in an easier-to-read format. You need a computer to be able to play. The details and links are under the cut:
If you've never played a visual novel before, it's basically a novel in the form of a video game. Text will appear line by line, one a time on the screen, and it will be accompanied by relevant background visuals, music, and sound effects, to make the reading experience more immersive, and more stimulating than just reading from a book. Some visual novels have actual gameplay elements to them, and some are just books and nothing else (oftentimes dating sims/choose-your-own-adventure novels), the latter of which this is. If you've played the mobile game Bungou Tales/Mayoi, the story sections of that game are basically mini visual novels.
This game was made with screenshots and music from the anime, sound effects from the anime and Bungou Tales and free sound effect online sources, as well as graphics and fonts and other assets from Bungou Tales and other official BSD art (particularly the official anime soundtrack cd covers). The script is taken entirely from the official Yen Press translation of Dark Era, with the exception of about two or three iconic lines that I used different translations of because I felt like they had more impact. Additionally, at the very, very end, I added on the original ending scene from the Dark Era stage play and wrote a few fanfic lines of my own to accompany it you can tell because they are very cringe and don't match Asagiri's writing style.
Before playing the game, there are a few very important things to keep in mind; PLEASE read all this:
I am not a professional in the slightest. I took some coding classes in high school, and have some photoshop skills (when it comes to the design elements of the menus), but for the most part the former wasn't much help here; this was my very first time ever using the Renpy engine, and I made this entirely from scratch. I used my knowledge of playing other visual novels to emulate the kinds of effects and timing that is typical for these games, and I think it turned out pretty well all things considered, but it's still very amateur. This is most evident in the sound effects. The sound effects have no volume consistency between them, and some of them, particularly the gun/battle sfx, can come on very suddenly and be loud. I highly, HIGHLY encourage going into the settings and turning down the sound effects volume (the music should be fine), so that you're not startled by certain sounds when they happen, and for a lengthy time. I wouldn't blame you if you decide to turn the sfx off entirely if's too distracting, honestly 🫠 I am no expert in sound files equalizing and making sound files loop seamlessly, so this was by far the most tedious and frustrating part of the process of making this for me. Hopefully it doesn't ruin the game or break immersion too much if you decide to leave them on (I hope you do, for the rain and clock sounds at least, but again I wouldn't blame you if you can't).
Dark Era is the most faithful light novel adaptation in the anime, but there are still a handful of scenes, mostly fight scenes, that got shaved down significantly. Because of this, there are numerous occasions where I had to simply linger on a black screen or the same screenshot for a long period of time, while tons and tons of narration happens, because there's simply nothing I can show to accompany said narration. This is not ideal, but unfortunately I didn't have much else of a choice in those instances, so I hope it's not too distracting. There are also a few instances of straight-up inconsistencies between the novel and the anime (ex. the fight between Oda and Akutagawa happens in the woods in the novel, but in the anime it's still right outside the art museum), so sometimes what you're reading won't quite match the screenshots I use. Fortunately it's never anything major, but it does happen.
There will sometimes be long, unchanging black screens. Don't worry, the game isn't broken; just wait long enough and it will continue.
Sometimes, a character will get cut off when speaking, and when that happens the dialogue will auto-force to the next line. If you didn't get a chance to see what was said before, check the text backlog/history (in the menu or the H key).
Last but not least, this game was made with the default text speed in mind. Meaning, that when it comes to certain specific scenes, the mood/tone of them, made up of the timing of music, transitions, sound effects, etc, all of it was arranged around the speed at which things progress when using the default text speed. I completely understand if you can't, but if at all possible, please try not to change the text to go too much faster or slower, especially faster, because certain scenes will lose a lot of impact otherwise. If you already know Dark Era, you probably have an idea of some of the scenes I'm referring to. At the very least, during the more high-stakes/intense scenes, please try to play through those all at once without stopping, for the greatest impact based on how I designed the game, and only pause/quit during the slower scenes. There are specific moments that I'm really proud of how they came out, and I'd like for them to have the maximum impact that I intended :') (also note that if you make the text appear instantly, the cut-off dialogue mentioned above simply will not appear at all, and you won't even know to look back for them, so please refrain from making the text instant at the very least)
Ignore the cringe sappy final message
...I think that's everything. With all that out of the way, here are the links for both PC and Mac:
Download the PC version
Download the Mac version
This was a passion project for me for a good many months back in 2022. It started out just as a gift for my friend, but in the end I was really satisfied with how it turned out, despite how tedious and frustrating it was to work on. I've been hesitant to share it with the fandom for all this time because I kinda doubt anyone would really be interested in something like this especially since it's not stormbringer or beast, but someone on discord who tried it told me that I should share it, so here it is. I'm sharing it not just because I'm proud of my work, but because Dark Era is a truly amazing light novel — underrated, in my opinion (yes, I said what I said) — and far better than the anime adaptation, as good as that is, and I want more people to read it. If reading the books is hard for you and you've never read Dark Era before, if I can help just one more person to read it with this, I'll be happy, and consider my job done. 💖
I so desperately want to make more of these visual novels for the other light novels, but sadly, some of them simply aren't possible thanks to how many scenes are missing from the anime, like with Entrance Exam in particular. I've also been waiting with vain, thin hope that Bungou Tales will eventually reach seasons 3 and 4, so I can use their Fifteen and Untold Origins title screens like I did here, if those ever exist. However, I'm also held back thinking about certain scenes that would require some redrawing/drawing additional details to match what's written in the novels. If anyone has any ideas on things I could do to possibly get around these issues, or just thoughts in general about how the other light novels might be tackled, or if you're an artist who can recreate the anime's style and takes commissions/knows someone who does, I'd absolutely love to hear from you! As well as any advice/help on how I can smooth out/improve this project here!
Anyway, sorry for the long wall of text. Thank you for reading all this, if you did, and if you do try the game, please let me know your thoughts; I crave any and all feedback. 💙✨
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aspirationalpeony · 7 months
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Lucky Me
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Summary: You and Mel do a little experimenting after she shares a disappointing truth about her past relationships. Content Warnings: Lots of smut. :) This fic is loosely set in the same world as "Finding Beauty," but can be enjoyed independently. AO3 Link
"He wasn't good at it," Melissa says. "Joe. Makin' me come." She blushes.
It's so not her--tough, capable Melissa, fearless and demanding. You touch her cheek, brush a strand of red hair back behind her ear. She hasn't had a touch-up in a while, and there's a streak of gray growing in at her temple. You love that she can be vulnerable with you, admitting these little truths about herself, in words, in body.
"Really?" you say. You have a well, duh moment in your own head: the last time you saw Joe, he interrupted you constantly, derailing your thoughts to tell his own stories, never letting you get to the punchline of a joke. He just feels like a bad lover, inattentive and untrustworthy. Plus, you know the stuff he said to Melissa about her body.
"Yeah." She plays with the band of her smart watch, then leans forward off the couch toward the coffee table, picking up her wine glass. (It's a weeknight, so the liquid inside is grapefruit-flavored sparkling water.) "And 'specially later on, I couldn't get wet, he'd get so frustrated."
"Even though you were telling him what to do?"
Putting her glass back down, she cuts a look at you for the assumption, but it breaks out into a smile, a little sheepish. Your heart does a flip-flop at the sight. "Well, yeah."
Your fingertip traces the shell of her ear. She shivers. You can't believe Joe would get frustrated, impatient, bored of trying to give this woman pleasure. Every inch of her has some private sensitivity: the lobes of her ears, the small of her back, behind her knees, below her navel. Getting to learn these secrets has been the most incredible privilege. And it's been fun.
It's taken her a while to learn to let you, rather than tell you; to give you a chance to explore. She's so used to controlling every moment, organizing her own pleasure and yours. You love when Melissa is the boss, but you also love when she gives up the authority; when she melts into the feeling and lets you be in charge.
"What about Gary?" you ask.
She snorts. "Gary who?" Her mouth twists and she shakes her head, at the question, at herself. "I mean, sometimes I'd take his mustache for a ride, but that's about it. He didn't have, y'know. It." Her eyes flick up to yours again. You haven't missed the way they've been down this whole time, unable to hold your gaze; how her chin is tucked toward her chest, her shoulders up. "It doesn't... Bother you? Talkin' about them?"
You check in with yourself, but end up shrugging. "Not really." You've spent time with Melissa and Joe together, and there's no heat between them, just the friendly chemistry of two people who've known each other half their lives. Gary you did see once, and he looked kind of like an uncooked ham. What is there to be jealous of?
You study her face. She's still pink and a little twitchy. "Does it bother you? You don't have to talk about it if you don't want to." You drop your hand to her nape, rubbing your thumb comfortingly along the column of her neck. She sways into you with a sigh.
"I wanna," she says. "Talk about it. I feel like I..." Her lips pinch. "Owe ya."
"No," you say, straightening up. The plastic of the couch creaks with your movement. "Melissa, you don't owe me anything. I want to talk about it if you do, but--"
"Nah, that's--" she shakes her head. "It's not what I meant. I mean, I... It's like, it's a part of... Me. Y'know." She pushes her hair back from her face. "And 'cause I love you, and--" she laughs a little--"cause you're stuck with me, I..."
Your always-active heart gives a tremor, hearing the cautious vulnerability of her voice. You slide your arm around her and pull her in.
"It ain't that big a deal," she says, muffled, lying, against your shoulder.
Even if she can't admit it--your tough-girl sweetheart, not wanting to let her soft heart show--you can. "It is to me," you say, and squeeze her.
You loosen your grip, and she tucks herself against your side. It always surprises you how small she really is. Every day she's like a cat that's making itself big, back up, fur on end, daring anyone to come at her; here she gets to shrink back down, turn back into herself, become your kitten.
"I don't get it," you say after a few minutes of comfortable silence. "It's fun making you come. I love it."
"Lucky me," Mel says, very smugly.
"I sometimes think about--" you stop. This really isn't the moment for your fantasies: yeah, you guys were talking about sex, but not in the dirty sense; it was Melissa sharing something important, something emotional, and...
"Yeah?" she says. Her voice has two registers when she's turned on: airy, almost girlish, usually when you've surprised her, and throaty, a rasp. Now it's that fainter, breathless one. The sound of it sends a tickling frisson down your spine.
"Um," you say, and it's your turn to blush. "I think about... A lot of things."
"I'm waitin'."
You huff an embarrassed laugh. It's one thing to fantasize, another thing to tell the object of your fantasy all about it. "Sometimes I think about," you say, and clear your throat, "how sensitive you are. And I want to know how many times I can make you come."
You can feel the way her breathing speeds up, her body against your side, but she doesn't speak.
"We usually stop at two," you say, "but I think you can take more. I think you can take a lot more. And--sometimes, I think about how little it takes, like, when you're right there. Like I can just breathe on your clit and you'll come. I think about getting you there and telling you 'no.'"
Her breath catches.
"I bet you'd go crazy." You're smiling a little. You touch your mouth, tapping your lower lip, thinking of it. "You'd cuss me out, you'd yank my hair. You'd probably try to finish yourself off. I might have to tie you up to stop you."
"Oh," she says.
You risk a glance at her face. She's looking up at you from where she's leaning against your side, her green eyes glassy, her cheeks pink, her lips parted.
"You like that, baby?" You slide your hand down her back and feel the muscles shift as she moves, pushing herself up, then throwing a leg over you, settling onto your lap.
Having her like this is perfect. She used to hold herself up on her knees, not letting you take her weight, until you got her to understand that you loved the pressure of her body against yours, that there was no such thing as too much of her.
She dips her head and kisses you. It's not a starter kiss, warming you up; she kisses you like you're inside her now, deep and filthy, putting her tongue in your mouth with no foreplay. You groan as her hand cups your neck, feeling the prickle of her manicured nails against your skin.
"You think about me like that a lot?" she asks you when she's letting you catch your breath. The words are low, your faces close, like it's a secret someone could overhear.
"Yeah," you admit. Your hands slide over her hips to grip her ass. She gives an encouraging little motion when you squeeze. "I love thinking about what I could do to you..." Her breath hitches again. "What you'd enjoy."
"You get off on it?"
"Yeah, I do," you say. "I get off on getting you off."
Her eyelashes flutter. She makes a noise like a whimper. You have a flash of inspiration, and before you can second-guess yourself, you take her hand from your neck, the other from your shoulder, and pull them behind her back.
She gasps. It's an arrow of electricity right to your clit. Her eyes open wide, searching for yours, as you gather her wrists into one hand. It's not a very strong grip--she could yank away from you easily--but it pulls her shoulders back and leaves her chest thrust forward.
"Is this okay?"
She nods.
"You have to tell me."
"It's okay," she says. Her voice has dropped into that second register of pure arousal, throaty and low. "It's... It's good."
"Did Joe ever do this to you?" You don't know what makes you bring him up. Not jealousy, but... Maybe curiosity. Maybe wondering if he ever took the time to catalogue Melissa's reactions, to think through what would really turn her on, if he ever gave that much of a shit.
She chuckles breathlessly. "Like to see him try," she mutters. Her blush is traveling down her throat and blotching her chest.
You follow its path to the three buttons at the front of her blouse. You watch her chest start to heave as you work them open with your free hand. They expose the center gore of her bra and a hint of the silky curve of its cups.
You palm one breast roughly, squeezing. She groans. You can just feel her hardening nipple through the layers of fabric separating you. You thumb it, pinch hard, to make sure she can feel it, turning her next moan into a whine.
Her hips rock into your lap, trying to get friction. You lean back to look at her: disheveled, red, her hair spilling everywhere, her lip gloss blurry from kissing.
"You're so fucking sexy," you tell her, voice low, making her moan again.
You'd love to finger her, but there's no lube, and she's in leggings pulled up high over her hips, with not a lot of room between the two of you to get inside them. You slide your hand between her legs and over her covered sex.
She pushes down into your palm, hard, as you nose the tender inner curve of one breast, tracing your lips against the edge of her bra. Pressing through her leggings, you can feel the plump shape of her cunt. You trace those folds down, then up, over her clit.
"Oh, fuck," she breathes as you start rubbing. "Oh, fuck..." She shifts restlessly; you think she might pull her wrists away, but instead she arches toward you, drops her head back, inviting a bite to her throat, which you give. You suck soft skin into your mouth, scrape of your teeth, nibble, move down, find another spot, repeat. You can't leave marks, but there are blotches of satisfying pink where you've touched her.
"You getting close?" You work your thumb against her clit.
"Uh huh," she says, weak and needy. She picks her head up again and there's a lost, fogged look of pleasure on her face as she meets your eyes.
You hold her gaze. "Tell me when you're there," you say. "When you're right there. Okay?"
Her brow creases as she tries to focus. You wonder if she's ever tried to do this before, parsing out stages to her pleasure, or if she's always just gone up and over, never thinking about how she got there.
"I--I--I think I'm--" her voice is wobbly.
You pull your hand away. She whines and her hips jab down toward your lap, seeking a touch that isn't there. You rub her thigh, slide your hand up, over the soft curve of her belly and down to press against her mons; her hips jolt again.
"Fuck you," she says feebly.
You rub your thumb back and forth, far above where she wants it. You know she can feel the contact here in her cunt, a phantom pressure to remind her how empty she is, how close she was.
"More?" you ask.
She squirms and nods. When you give her no response, she huffs a sigh, rolls her eyes, and says, "Yes, fine, yes, more, oh--shit--"
You've found her clit again. You know this time she'll already be sensitive, and she might not be able to tell you when you need to stop. You focus on watching her: the glazed look in her eyes before she shuts them, her parted lips, her frantic breaths, her rocking hips.
You time it; you pull your thumb away. She gives a frustrated cry and squirms in your lap. You take pity and give her a distraction, rubbing your cheek against her breast, finding the hint of her pebbled nipple, the one you neglected before, and biting hard. You feel the elasticity of her bra's cup more than you feel her flesh, muting the sting of your teeth, but it makes her keen.
"You've got no fucking clue how hot you are," you tell her. You bite again and tug, drawing out another delicious sound. "I haven't even taken your clothes off. Look at you. I want to do this to you forever."
Your thumb at her clit again, this time so lightly it barely counts. "You want to come, don't you?"
Her wrists twist in your grasp, but don't pull away. She says, all breathless, angry bravado, "What do you think?"
"I think I could stop right now." She gasps, though you don't stop gently rubbing her clit. "Even though I want to make you come. And after that, I want to take you upstairs and eat you out. I want to suck on you and get you all over my face. I want--"
"Oh, shit, I," she says weakly, her hips starting to twitch.
Realizing, you say, "Just from this?" She's really almost there again? "Fuck, you're incredible. Should I stop?"
"No," she whines.
"You want it harder?"
"Yes!"
You give her what she wants. Finally, she pulls her wrists out of your grip so she can grab your hand and shove it fully against her cunt, letting her ride your palm to her orgasm. Melissa's always noisy, but this time, she's loud, the sound of her desperate cry huge in the living room.
"Oh, fuck," she says faintly as she sags down onto your lap. "I, oh..."
"You did so good," you murmur to her and rub her back, grateful to have both hands again. She buries her face in your neck and clings to you, breathing hard. She mumbles something. "What, baby?"
She picks up her head a little. "I said, 'yeah, you too.'"
It makes you snort. It's a funny mix of tenderness, affection, and gratitude you feel, knowing that even after an orgasm that took her like a runaway train, she'll still make sure to remind you of your place. Can't ever get too smug around Melissa.
You trace a hand up and down her back, finding the hem of her blouse and rucking it up so you can touch her bare skin underneath. She's hot against your palm and it makes you sigh.
"You want to go upstairs and keep going?" you ask, mouth against her ear.
"I wanna recover first," she says blearily. "What the hell was that?" She sits up a bit in your lap and you have room to reach around her and pick up her water from the table.
"A little taste," you say.
She brings the glass to her lips and sips, eyes narrowed, watching you the way kung fu heroines watch their enemies, prepared to bust out their fists at any moment.
"Of what I've been thinking about," you add. You rub her lower back. "I think you liked it."
"I think you gotta be crazy to get off on somebody not letting you come," she says, then scowls. "Which I guess makes me crazy."
"I guess it does." You can't smother your smile. "You're okay, though?"
"What do you mean? I came, didn't I?"
"I mean, sometimes emotions can get weird," you say, "after doing that kind of stuff. You get a lot of hormones and chemicals in you and they can make you feel..." You shrug.
"You got a lot of experience with 'this kind of stuff'?" Now her gaze is accusing. "You been holdin' out on me?"
"No, not a lot of experience. A little, maybe." You hold her hips, rubbing your thumbs over their soft curves. "A little experience. And a lot of things I want to do to you."
Her whole body shudders. She reaches back to put her water down, then loops her arms around your neck and kisses you. It's her post-coital kiss, lazy and loving, the hunger more muted.
"Gee," she says breathlessly when you part, and repeats herself, a grin curving her lips: "Lucky me."
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starflungwaddledee · 9 months
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some rather strong first impressions were made.
required reading for the magical "voice" headcanon and another for starstruck's signature in particular. asked by @trainerbob23 !
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shkika · 3 days
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if u call me beautiful you can have my attention for 5 more minutes
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