#I DONT CARE IF IM GAY
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puppppppppy · 8 months ago
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renaissance dogys
characters belong to @canisalbus
#i love i loveeee ludovica sm shes so cute. ive only known her for 5 min but i fell in love with her design and i love her friendship#with vasco ^_^ i think them having each other makes hiding their sexualities a little less lonely so thats sweet#ik in modern au shes considered an old friend of vascos but i originally assumed she and vasco fake dated in college or smth#to get their parents off their backs until they came out properly and continued to stay in touch as friends after LMAO#im not very familiar with period fashion so i had to look at renaissance costumes as reference. but i have to admit i love the#high waistlines used in some of their dresses.. i have a minidress with a similar high waistline pressed against the chest and sleeves#also if u squint machete is holding a little paper bag in the 2nd photo which is supposed to be his lunch courtesy of vasco <3#idk what ludovica would wear in modern au but i thought poet shirts might suit her because theyre like somewhere evenly between#masc and femme. to me anyway.. based on observation lesbians seem to love poet shirts and i think she looks good in one#these are all shitposts.. ill draw serious art of them one of these days i promise#i listened to fools rush in and it reminds me of them.. especially when it goes 'though i see the danger there / if theres a chance#for me then i dont care' like its so poignant and bittersweet.. a little indulgent when u think of those small moments they have togethr#save me gay catholic furries... gay catholic furries... gay catholic furries save me#my art#myart#doodles#fanart#others ocs#canisalbus#fur#furry art#machete#vasco#vaschete#ludovica#sfw fur#furry#anthro
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wri0thesley · 9 months ago
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let me see - arlecchino x fem!reader (3.8k)
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you work as a tutor at the house of the hearth; but the father of the children you teach seems to haunt your thoughts.
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cw: not sfw, fem reader. employer-employed dynamics, reader calls arlecchino 'sir', chubby reader, reader is inexperienced. arlecchino calls reader 'good girl' and 'darling'. guided masturbation.
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You see your employer only rarely, but that does not mean that you do not think about her often. 
It’s in the way that the children - your students, the ones you have been engaged to teach basic arithmetic and reading and as much history as you can squeeze in - speak of their ‘Father’. The look of wonder and devotion and just a touch of intimidation that comes over them, even as they chatter to you about the next time she is coming home and what they plan to do to welcome her. It’s in your salaries; perfectly paid, on time, with extra money left in an envelope and a note in beautiful, sharp handwriting mentioning your students by name and how well they’re progressing.
And, of course, it is in the times you see her - for you do not think anybody could see Arlecchino and not think about her regularly for the rest of their life. 
She makes you nervous. There is something about her commanding presence; her lovely marble face, the strangely striking appearance of her eyes, the self-assured way that she stands. You think her beautiful, of course - but you have always had trouble around beautiful people, and so you find yourself stumbling over your words, your cheeks burning hot, coming far too close to making a fool out of yourself whilst she keeps a small, polite smile on her face as she watches you falter. 
You worry, sometimes, she knows that you find her at once intimidating and irresistible - that something about the way you hold yourself will give away that you have wondered what her nails would feel like, digging into the soft skin of your throat as she tipped your chin upwards - or that you have wondered what it would feel like to have her corner you like a trapped rabbit and have her way with you--
But they are just daydreams. The truth is that you are as green as they come; you had gone to Sumeru’s Akademiya, a child who could not stop devouring books, who was obsessed with learning - and you had returned back to your native Fontaine to teach, and had no time in between that to pursue romantic relationships. The sum total of your romantic experience is a hurried kiss with another student, another beautiful older woman, who had pulled back and laughed at you, touching your cheek gently. 
“Aren’t you adorable?” She’d asked you, in a low, sleepy voice with her eyes half-lidded. “Maybe a bit too adorable for just right now. Come find me again if you’re ever in Mondstadt.”
So . . . your fantasies about Arlecchino are just that. Simple fantasies. You have other things to attend to, after all! You care about the children whose education has been entrusted to you - even those who have now grown too old to need your guidance, who you watch flower and blossom and strike out from the House of the Hearth. Even if they stray beyond the nation you live in, though . . . they always seem to come back, to pay their respects to Father. 
But it doesn’t stop the fact that sometimes she looks at you, when your paths crossed, with her head tilted just slightly to one side, and you feel like she knows exactly what you’re thinking. She always makes you feel strangely exposed; you keep up with fashion, because you enjoy it, but something about the fripperies of your gowns and skirts and blouses and the ribbons and the carefully chosen accessories in front of Arlecchino make you feel as though she is stripping you down in her mind, so perfectly poised and tailored. So you drop books in front of her. Your sentences get tangled together. You go hot all over and look at the floor--
But still she employs you, and still you hurry home at night and try to ignore the pounding in your chest and the way your breath goes short at the sight of her. Your paths cross only occasionally, you tell yourself. Next time you will be prepared. 
But you are not prepared, the day that Arlecchino meets you in the hallway (your arms full of books and the work of the children that you intend to look over that night), running late with your hair ribbons askew and your dress crooked and she looks at you and says, in a voice that brokers no argument;
“Won’t you stay a little longer and have afternoon tea with me?” 
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“Do I make you nervous?” The red crosses in her eyes bore into you as she pours you a steaming cup of tea into a delicate teacup. You sit primly, your hands folded in your lap, your feet together, feeling entirely too exposed alone in this room with her. “You shake like a leaf whenever I speak to you.” 
You wet your lips awkwardly, your throat dry, as you reach out for the teacup. You notice your hands are shaking and try to stop them, but she leans forward herself and places one of her hands over yours, steadying you. You stare up at her, eyes wide, whilst she looks down at you with something calculating and predatory in her gaze. 
“I’m sorry,” you whisper, your voice very soft. You can feel your cheeks going hot against your will, and you wonder what you must look like to her - because you feel like a rabbit who is about to be pounced on by a wolf. Arlecchino slowly and purposely guides your hand back down, to put the teacup back on the saucer, and you begin to get the strangest impression that her invitation for ‘afternoon tea’ was actually an invitation for something entirely different. Her hand comes back up, and one of your idle questions is given an answer as you feel her sharp nails dig into the soft skin under your chin, tipping it up as she leans in closer. Close enough that she could kiss you, if she wanted - close enough you can smell the scent of Rainbow Roses and smoke that lingers on her clothes. 
“Oh,” says Arlecchino, and she smiles at you and something about the smile makes you go hot and cold all over all at once. “Don’t be. It’s terribly cute.”
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You don’t know how you end up sprawled out over her lap, your thighs hooked over the arms of her chair, as she takes control of you - but before you know it, that is the position you have found yourself in. Her hands roam slowly all over you, savouring the feel of your skin - soft and warm, generously curved - beneath her long, elegant fingers. 
“These ribbons drove me to distraction today,” she murmurs against your ear, as you melt helplessly against her and she tugs at a brightly coloured red ribbon that trims your blouse. “I kept thinking about tying it around your pretty wrists instead.” 
“M-Miss Arlecchino--”
She clicks her tongue at you in admonishment, running her thumb over the seam of your lips. 
“Call me ‘Sir’, darling.” You practically fall over yourself to rectify your mistake, your tongue messy and heavy in your mouth, and you win a little chuckle from the woman who has you at her mercy. “You’re just so eager to please, aren’t you? What a good, obedient little thing.” 
“Please--” You whisper breathlessly, as she tugs at the ribbon completely and the throat of your blouse falls open. Her nails scratch a slow line over your neck, almost like a threat, and you shiver again helplessly under the touch. 
“Please what?” She murmurs against the shell of your ear. “You know, I did employ you as a tutor . . . for an academic, you’re rather inarticulate.” One button of your blouse, torturously slowly. The next, and she smiles against your bare skin to see the way your chest is rabbiting. “One would think you’d never been touched like this before.”
She knows.
There’s an edge to the way she says that, a note that’s teasing and suggestive, and it tears from your throat a little whimper of embarrassment that, in turn, makes her let out a sigh of satisfaction. 
“My, my,” Arlecchino says to you - two more buttons, and your blouse is barely fastened. You’re inordinately glad you wore pretty underwear today, though you suppose it must look rather fussy to Arlecchino. “Have you not, sweetheart?”
“Sir,” you whine out, feeling tears spring to your eyes at the humiliation of the whole thing. Despite the humiliation, though, heat spirals out from between your thighs - your matching fancy underwear, you know, is soaked through. “Please-- it’s embarrassing--”
The final button, and Arlecchino’s fingers are running over bare skin now. The pudge of your stomach, the curve of your chest through the ruched cups of your brassiere. 
“Say it,” she says to you, her voice sharp in the command. She circles a finger over your nipple through the lace and chiffon and you squirm in her lap at the sensation of the bud puckering and hardening. “If you want me to touch you, you understand, you have to at least have the confidence to tell me the truth. Or I’ll just send you home without your blouse and with your poor little aching cunt untouched, hmm?”
“Sir--!”
She grabs your cheeks between thumb and forefinger, squeezing the roundness of them roughly. The Father of the House of the Hearth, after all, is not one to be intimidated by whining or begging. She has plenty of experience dealing with brats. Her fingers still as she waits for you to do as she asks, and you squeeze your eyes shut and hiccup out a sob of longing. 
“I--I’ve never . . . had anyone else touch me . . . l-like this--”
She lets out a pleased purr in the back of her throat.
“There,” she soothes. “That wasn’t so hard, was it? Good girl.” She drops a kiss on the side of your forehead like a reward, her hands sliding over your body to find the catch of your brassiere. There’s a brief tussle of movement as she ensures you are shed of both your blouse and your underwear, and then you’re once more on her lap, your entire top half bared, only your skirts and stockings and underwear still on. “And if I’m honest . . .” She moves back to your ear, pressing a kiss on your jawline beneath the earlobe. “I rather like getting my claws in someone before they can learn any bad habits. I, too, am an excellent teacher.”
She takes a firm hold of you, pulling you even closer to her so that her hands can each take a palmful of your breasts. You feel exposed before her; the rolls of your stomach, the way that your chest sags into her grip, but Arlecchino does not seem to care about these things - instead she just sighs like you’re a fine wine she’s sampling, palming and squeezing the heavy weight of them. 
“You’re such a pretty thing beneath the flounces,” she says to you, plucking idly at your nipples between thumb and forefinger - the movement sends hot lightning flashes of pleasure right down to the space between your legs. “If I were in charge, I think I’d leave you naked in my bed. Much more practical like that, don’t you agree?” 
“I--” 
“What about kisses?” She asks you, not letting you say anything. Your head is spinning pleasantly, and you cannot say that you are annoyed she’s stopping you from making a fool of yourself. “Are you as unversed in those, too?”
“I--I’ve kissed . . . someone--”
“Just one?” She laughs, a not unkind noise. “Oh, just the one kiss, I see. Poor thing, your cheeks are like Pyro slimes. Come here. Let me show you how to kiss someone properly, hmm?” 
Arlecchino pulls you into a kiss that is so unlike the one you once had that to call them both by the same name seems a great disservice. There is no other way to describe it; she claims you, her mouth like a conquering king, your own the battlefield. Her teeth tug at your lower lip and you are helpless to do anything but open your mouth, let her tongue sweep over yours. She tastes like fire and tea, some of the little cakes she had offered to you - and you whine helplessly, clutching at her slacks because there’s nothing else you can reach in the position she has you in. 
She lets go of your face with a satisfied sigh, and your head lolls back against her shoulder as she delicately wipes a smudge of her lipstick from the corner of your mouth. 
“Let’s get this off you,” she says, tugging at the frills of your skirt. “Let me see you, darling.” 
You’re only too eager to assist, embarrassed but needy, wanting but nervous. The fastenings at your waistband are unhooked, and then she is carelessly sliding it off of you until you are back before her in nothing but your underwear and your stockings, digging into the fullness of your thighs. For a moment, you are embarrassed again of your softness - but Arlecchino grabs your hips, pulling you back bodily onto her, and you realise from the possessiveness of her movements that she does not see it for a moment as something to be ashamed of. 
Arlecchino’s hands are hungry as she squeezes at the softness of your thighs, as her palms sear hot across your stomach, as her fingers drift towards the gusset of your underwear. Her touch is feather-light, there, but you keen even so - terribly aware of every movement, even the smallest brush of her fingers. Arlecchino clicks her tongue against your ear again. 
“So sensitive,” she whispers. “I’m afraid I might hurt you, and I’m afraid I’d very much like it. Why don’t you show me how you touch yourself?”
Your breath gets caught in your chest. Her suggestions so far have been, perhaps, embarrassing - have put you at a disadvantage due to your lack of experience. But nothing so far has been quite so brazen. You burn with the unease of it, but Arlecchino is already grabbing your hand, placing it over your soaked underwear. 
“Don’t worry about making a mess,” she murmurs into your ear. “I’m afraid it’s too late for that. My pants are soaking.”
She seems to enjoy watching you squirm as you whimper again, face hot. But her hand does not move, keeping your own anchored against your underwear until you do as she asks and shyly, nervously, rub at yourself through the sodden fabric just a little. 
“Oh, darling,” she breathes, condescension dripping off every syllable. “You’ll never get anywhere like that.” You are inarticulate with your touches, still trembling and shaking at the strangeness of all of this - and you have done this, of course, but never with an audience! Never spread out over someone’s lap as they critique your technique!
“Sir, please--”
“You’re supposed to be a teacher,” she admonishes you. “You’re supposed to know everything, are you not? Have I really got to help you with something so simple as touching yourself?” She’s enjoying it; the sight of you, normally so prim and shy, utterly undone by her every word and action. Her hand moves over yours, holding it, guiding you to press two of your fingers together and circle over your swollen clit through the underwear. 
It’s different, with her guiding you. You turn your head to try and bury it against her collar as she continues to mercilessly guide you into circles, sniffling pathetically - but she just coos, just nudges you back so you watch the visual of her hand over yours between your thighs. 
“Shall we get your underwear off too?” She phrases it as a question, but it’s not one - she is already peeling off the frilly cotton, inching it down your generous thighs. She laughs a little meanly when she sees just how large the damp, darker patch is, and you think you will cry. Every feeling you have ever had is magnified a thousand fold here, in this incredibly vulnerable position spread over the lap of your employer. 
(There are whispers that Arlecchino is even more than that; that there is a secret purpose behind the orphanage you have been employed by. But you do not put much stock in rumours, even when the children look at each other strangely and whisper when they think you cannot hear them. The thought of who you might really be letting touch you . . . You wish it did not stoke a fire in you even hotter and brighter than before). 
“There we are,” she murmurs. “Good girl. Look at you. Look how pretty you are.” She deals your sex a short, soft slap - her palm comes away sticky, the noise indecent in the little room she had brought you to for afternoon tea. “I wonder how much prettier you’ll look with three of your fingers stuffed inside of you?”
Another strangled noise from your throat at the easy way she says the filthy things, and Arlecchino merely makes a soft huff of laughter. 
“Carry on touching yourself for me,” she says to you. “Let me see.”
It’s an order, and you know that orders from Arlecchino are to be obeyed. Shyly and hesitantly again, you bring your fingers back to your sex. She rests her head against your shoulder, and moves her own hand; uses two of her fingers to make a ‘v’ shape and places them on your sex, using them to spread the plump outer lips aside so that you have better access to your clit and your entrance, still soaking and leaking slick out onto Arlecchino’s lap. 
You’re hot and awkward as you touch your clit; as you try and mimic the circles that she had drawn on you earlier - but you are not brave enough to keep at it, and before long you have returned to your own faithful back-and-forth motion on your clit, your hips moving in little thrusts to try and prolong the sensation. You can hear yourself in the charged air; the hot little pants, the whimpers of frustration that none of it feels as good as it did when she was in charge. Arlecchino, though, merely watches you struggle. 
You cannot see her face, but you can imagine the look upon it; the barest quirk of the lip, the single raised eyebrow. You carry on as best you can, trying to think of all the things you would usually think of - but it all spirals back to where you are, what is happening, and the fact no fantasy can truly compare. 
Her voice is a little thick when she speaks next, and you realise with a strange jolt of pleasure that your inarticulate touching is still having an effect on her. It’s almost unnoticeable - but Arlecchino’s normal tone is so very poised, even the smallest change feels like a blaring siren to you. 
“Put two of your fingers inside of you,” she says. And then, as you inexpertly slide two of your fingers inside your channel, she lets out a shuddering breath. You’re wet and tight around yourself, aware that you must look a mess - but Arlecchino’s fingers are sliding between your sex, moving to touch the space on your clit you just vacated, and your entire mind goes blank. “Don’t stop. Let me see you move them.”
You do your best, but Arlecchino’s own movements are just too much. The sensation of her dragging the pads of her fingers over your swollen clit; the way she circles and flourishes and swirls . . . you try, desperately, to keep your fingers in some kind of rhythm as they slide in and out of you, but before you know it you’re using your other hand to clutch at her arm and whimpering as you hump upwards into her touch. 
“I ought to stop you,” she tells you, but she doesn’t for a moment stop her ceaseless assault on your clit; the wet, sticky clicking noise of your slick between her fingers. “You’re being a brat.”
“Please, Sir,” you whisper, babbling, “I’m . . . it feels so good--”
“Flatterer,” she murmurs, in that low, hungry voice. “You’re lucky that you look so very pretty like this, and that I am perhaps more soft-hearted than I appear . . .” Tears are running down your cheeks, sniffling, whimpering, helplessly moving your hips in time with her touches. Nothing seems to exist but the feel of Arlecchino’s fingers on your clit and the firm, certain way she touches you. “Be a good girl and come for me.” 
The order tips you over the edge. The knot of heat in your belly comes undone and you whine helplessly as you buck into her touch, and you feel a gush of your own slick wet the fingers that are still stuffed inside of you. Your thighs try to clamp shut around the sensation, but the position that Arlecchino has you in with your thighs over the arms of her chair stop you from doing it - and so does she, still working her fingers over your clit through every trembling moment of your orgasm. 
You come back down, panting, aware of the wetness between your legs and your nakedness, the stiff points of your nipples and Arlecchino’s fingers on you and the fact that Arlecchino is still dressed exactly as she was when she caught you in the hallway. 
She moves her hand, and to your surprise she presses her fingers against your lips, forcing your mouth open. 
“Taste yourself,” she tells you, and you are still so in awe of her that you can do nothing but obey - the slightly tangy taste of you lingering on your lips. You’re even more surprised when she uses her other hand to pluck your hand from between your thighs and guides the two fingers that had been inside of you to her own mouth, her tongue hungrily drinking in the wet webs of your slick. “Well. Aren’t you sweet?”
The unprofessionalism of what you’ve just done begins to creep up on you, shame drenching your back. All of those talks about ethics that you’d had at the Akademiya - but Arlecchino takes your head and turns it and gives you another firm kiss, another bite to your lower lip, another conquering that makes you feel weak at the knees. Your own taste lingers in your mouth, but, too, it lingers on her lips, and she seems supremely satisfied as she pulls back. 
“I’ll be away on business for the next week,” she tells you. “In Snezhnaya. I’ll bring you something back.”
“Sir--”
“I’ve been meaning to ask you,” she continues. “That little apartment you live in - well, it seems a shame, when we have so many empty rooms, and a live-in tutor would be far more beneficial - don’t you think? The children do adore you, and it seems so very practical.”
It’s a bizarre time to be having a business meeting, with your slick staining her clothes, with your own clothes a crumpled pile, with your position so terribly open and exposed - but all you can do is blink at her, and she smiles at you like a cat who has gotten the cream. She pats your cheek. 
“Besides,” she says. “It will give us far more time together. And I do have so much more I’d like to teach you.”
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everotten · 4 months ago
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Currently going through denial
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fishiteeth · 3 months ago
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"eheh e, ,, hhaha" says the little man, observant to the horrors surrounding his poor choices
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chio-chan2artbox · 8 months ago
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They love each other so much ❤️❤️❤️
Got the inspiration from this post
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iceagebaby · 6 months ago
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Forsan miseros meliora sequentur
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mustarddoods · 1 year ago
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If I shall fall. On that day. I only pray;
Don't fall away from me.
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liverralonee · 10 months ago
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stu and billy dying beside each other in the original script is so special to me
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THEY MAKE ME SICK AHSGSHHSUW
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napping-sapphic · 6 months ago
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Ugh this sucks i should be making you snacks and gently kissing you on the head instead
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cozylittleartblog · 2 months ago
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idk if I've said it before, but your portrayals of both Rouxls and Queen are among my favorites, and the way they are when you combine the two is the sole thing that got me to say "yes" to queenkaard. When I first saw it in the game and it started catching on as a ship, I was like "nooo I hc him as gay," but then after seeing your stuff I was like "oh nvm I totally see this now."
i think hearing "i didn't see this ship before, but after your art i understand it and/or even ship it myself" is one of the nicest compliments i get, because it makes me feel like i'm representing something meaningful and sweet about a pairing and having people understand what i think is so great and captivating about them. i've gotten a couple asks like this and sometimes i forget to respond but i always really appreciate them :) thank you very much
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#ask#deltarune#queenkaard#rouxls kaard#queen#art#doodles#conkreetmonkey#i mean its fine to draw ship art Just Cuz dgmw but i have Paragraphs of reasons why i like All my ships and it feels really good when i can#help people see the reasons why i think characters are cute together and why they'd work#i love feeling like im Doing something with my art. expressing something. explaining something. makes it feel meaningful#esp when i thought queenkaard was very Out There at first dhbsdjbhf i was like 'dude theres only gonna be me and 2 other people#who ship this'. and there was at first. now people dont think its a rarepair. i built this city goddammit. me and like 2 other people 😭#and im only half joking. i drew them so much because nobody else was. its still a rarepair to me. the fanart and fanfics are still#kind of sparse besides me tbh. but a LOT of people say 'i ship it because of cozy' and that makes me happy#there Are a couple fanfics on ao3 i havent gotten to yet only bc ive been tizzy about the gay car this year but i will read them eventually#anyway i still really love queenkaard i miss the blue people i cant wait to draw them more once the new chapters release aaaaaa#also since i mentioned i dont always respond to asks: i still read each and every single one of them#im sorry if anyone ever sends me something and i didnt post it. sometimes i go on ask-reply sprees and sometimes it just gets#answered months later dhbdsbjf. but please dont ever think i dont care about what you have to say i love hearing from you guys#and sometimes i just Forgor because adhd go brrt
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toubledrouble · 10 months ago
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You know what we should bring back?
Older christianity. I mean the anti government, anti military, community based christianity. The one that cared the most about peace, equality, mercy, kindness, and radical love. The one with shared property. The one that didn't conform to society but instead existed mostly outside of it. The one where noone considered one sin worse than another because in the end, we are all sinners trying our best to be better.
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budugaapologist · 2 months ago
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still dont see how so many people say that dawntrail is poorly written in comparison to other expansions like. what, did you realize you had to learn about a new culture and immediately not care anymore lmao? you've done it before, was this one not white enough for you?
genuinely i think more people should do side quests during msq so idk you can form a heart about the characters you're interacting with if you struggle with that and understand the land better so when impactful shit happens your illiterate ass can actually read and have empathy. theres no excuse for this.
if you can't handle storybuilding and character introductions from the expansion that feels like stormblood and shadowbringers had passionate gay sex that got one of them pregnant and birthed a beautiful daughter they both love and care about then idk what to tell you, maybe youre just lame and can't read. best of luck with that.
#'they dont take as many risks as shadowbringers and endwalker!!' okay one WHAT risk did ENDWALKER take lmao#and two DID YOU PLAY PAST ZORMOR LMAO?????????? HELLO?????????? DID YOU LEAVE TULIYOLLAL??? WHAT ARE YOU TALKING ABOUT#like i genuinely think you guys just complain about shit without actually playing the game#god forbid you have to learn about another world#some people heard this was stormblood 2 and immediately gave up caring#oh im sorry you were able to care about literal racist elves in cold france but a refugee? a non white civilization? oh i see#shadowbringers literally set up its societies too they were already in war dawntrail wasnt already#i think people should replay stormblood. it was never a bad expansion and i dont know what people are talking about???#half of the complaints i see for stormblood are racist and the other half werent reading any of the dialogue#'the horrors of war expansion has horrors of war in it i just wanna play on the playground with gay elves'#bitches will literally say they dont understand stormblood or dawntrail and then say yotsuyu was justified zenos is hot and wuk lamat is bad#why play a fantasy game if youre not interested in exploring new worlds#dawntrail takes so many more risks than shadowbringers and endwalker combined and sticks the landing with just about all of them#i think my only problem was how many times theg brought up they arent related by blood. no i can tell lol#some of yall are just haters that cant form their own opinion and are just mindlessly nodding along to somebody#you follow on twitter that was gonna hate DT regardless because zenos didnt come back to life this time#consume new media. go do side quests. touch grass. walk a trail at dawn and perhaps you have appreciation for story building#you guys are pathetic and i wish you the worst <3#dawntrail's twists are on par with shb and stb thats why i call it the love child of stormblood and shadowbringers#ffxiv
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lunarneo · 1 year ago
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So how many milligrams of you are still left in there
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strikerangel · 2 years ago
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mariana : ''out of all the creators i think that i like slime the best , hes very funny and very crazy and i get along with him very well , i want to make love with him ''
@qfliporiana
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two-entire-bits · 14 days ago
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I have a confession. I do not care for the soc boys. I'm sure they have very interesting character traits and lore the actors and fandom have come up with and that is so fun and great and I know none of it and I am perfectly content with that. Shout out to all my mutuals who love the soc boys I hope you are having fun with your Ken dolls but I will not be joining you. keep slaying.
#not saying i hate them i just cant get my brain to like them the same way i do all the greasers and the soc girls#excluding bev for some reason melody ily bev ily but i dont latch onto her the same way i do cherry and marcia 😔😔😔😔#shout out to all my soc boy mutuals i hope you are having so much fun#the closest i will ever get to caring for the soc boys is randy#man was an asshole tried to kill a kid saw his best friend die went fuck all of this dumped his girlfriend left town and became a hippie#shit start great ending good job randy 👍#this is also why i havent gotten into parry#i love the gays i promise but i did not latch onto paul the way the rest of the fandom did 😔😔#i totally get it i see where yallre coming from i understand#its my ship-in-law ill support parry truthers 4ever#but im a dar-bit truther for life#yes i am also a mar-bit truther#and an aroace darry truther#i win no matter what#but anyways#i am not part of the community i am an ally ✊️✊️✊️#its also fun cuz since i know jack shit i never get annoyed at mischaracterization because i dont know what the correct characterization is#i can see anything about them and go 'yeah sure'#and it could be so out of character#and ill never know#i stay winning#anyways love yall 🫶#although i do think a reason i havent latched onto bev is because i never see anyone talking about her#if you love bev please tell me about her i want to know everything#the outsiders#the outsiders musical#two-bit talks
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lycazart · 3 months ago
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jeffmelf upon ye
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