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#I DON’T KNOW WHO ACTUALLY SAID THE LINE
I’m by no means any sort of expert on any animal’s behavior so please feel free to ignore this random observation/ opinion.
But something I find interesting about people defending Moo Deng’s treatment is the frequent assertion that her keepers love her, as if that excuses everything. I honestly don’t doubt that her keepers love her, but that doesn’t mean their actions are appropriate.
To me it’s reminiscent of someone cornering and petting a dog against it’s will because “I just LOVE dogs!!!”. Loving the animal doesn’t mean you can’t inadvertently harm them with your actions.
Idk, I just have a lot of feelings on this and this was my attempt to sum them up. Hope it makes some sort of sense 😅
Oh yeah tell me about it! I appreciate you sharing this because I feel like I'm going insane when I see people being given the same information as I have and drawing a totally different conclusion from it.
Like... it's not okay just because they harass her a little bit. That's... not how that works.
Also I find the "trust the keeper" argument super ironic coming from someone who worked with dolphins - the species in human care that EVERYONE has an opinion on. And you'll tell people "hey, trust me on this. I see these dolphins every day. They participate in their own health care and don't do something if they don't want to. They are objectively in good welfare based on all the current data we have of what that looks like. I do behaviour records every day to prove this. And if I didn't think they were doing well, I'd be fighting tooth and nail to improve their lives or I would leave my job." (which I have done, btw)
And I'll still be told I'm enslaving dolphins and I do it for the money (when it was free labour - yay for animal industry exploitation - or absolutely bugger all). Trust the keeper... unless I watch a biased documentary packed full of misinformation. Then I know *more* than the keeper will and the keeper is just a moron who doesn't need a science degree and years of unpaid internship experience for this job!
But if it's a cute animal that has no preconceptions established of their welfare in human care? It's free game to coo over. Sure the keeper just dropped that squirming, panicking baby hippo he was trying to force into a tub! But he has so much experience because someone on reddit said so! It's actually all just desentisation! (not how desensisation works ever)
Can you tell I'm frustrated? Yeah...
Anyway I am usually the first in line to defend a zoo and their keepers - I know it's not easy to work in a zoo that's underresourced or in an education vaccum. But I'm going to call out bad handling when I see it. Especially when it's reinforced by social media clout and is being encouraged to continue by people justifying it as "desenitisation" or "actions of an experienced keeper."
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Okay here’s what I was expecting from worldstate customisation:
Origins:
- gender and origin of the warden, so they could be mentioned offhand in a codex entry or a line of dialogue
- who they romanced, so it could be mentioned offhand or in a codex entry and, if Morrigan was romanced, she could have a line
- whether or not someone died killing the archdemon and who that was, to be in a codex entry or mentioned offhand, or possibly seeing their grave in weisshaupt
- whether Kieran exists and whether he had the soul of an old god, to have a follow up on the implications of that and to add depth to Morrigan
- who is ruler of ferelden, to be mentioned offhand or in a codex entry
Da2:
- gender and class of Hawke, so they can be mentioned offhand or in a codex entry and so can the appropriate sibling
- who they romanced, so it could be mentioned offhand or in a codex entry
- what happened to the surviving sibling, so it could be mentioned offhand or come up if relevant (eg if they’re a warden a possible brief cameo at weisshaupt)
- whether they’d sided with mages or templars, to come up in codex entries or offhand mentions, and to establish how Varric feels about mages because it depends on Hawkes choice
- whether they killed anders or not, so it could be mentioned in a codex entry especially if romanced
Inquisition:
- gender and race of inquisitor
- who they romanced, and the outcome of their romance partners personal quest, so that the route taken would carry through (eg pardoned blackwall vs warden blackwall)
- whether the inquisitor did the mage or templar route, and how, to be mentioned offhand or in the codex
- who was left in the fade, not necessarily to follow up on their fate but just so Varric could acknowledge if his best friend was presumed dead or not
- who is leader of orlais so that the ruler of the biggest country on the continent can be brought up at least in passing/codex entry, with possible cameo
- who drank from the well of sorrows, because yeah actually it is important which of these two characters is bound to the will of an elven god. Especially as it seems that one of them might now be said elven god. I’d expect this to have as much influence as Kieran’s existence did in dai, ie you still get to the same place but you have a slightly different route there. I cannot fathom how this isn’t relevant anymore
- who is the divine, to be mentioned in passing or in codex, but mentioned more in depth if the inquisitor romanced Cassandra who is now the divine because they have a whole situationship going on. It would come up if the divine was a mage.
- whether the inquisition disbanded or remained together as bodyguard of the divine. I honestly don’t know how this is a choice if the divine doesn’t come up
- inquisitors attitude to solas, with room for them to be very negative towards him on account of all the killing and murder and world destroying
You’d be able to customise this through character creator, and you’d be able to choose a default for each game seperately, so new players didn’t have to worry about the other games and people who only played inquisition could ignore origins and 2 and customise their inquisitor.
I don’t think this would have been unreasonable. Most of this is just for codex entries and offhand comments, and the bigger ones are inquisition choices. I get that they can’t have big effects beyond that. But the codex entries and offhand remarks are what we WANT. They’re what makes this world state ours. It would not have been difficult to incorporate most of this, and it would do so much for the depth of the game.
As it is, we have a major character who can’t even discuss whether or not she has a child because that wasn’t deemed important enough to include
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logan-lieutenant · 2 days
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goodbye to a world
reading between the lines of the various goodbyes and dismissals to logan sargeant
Pt. 3: Oscar (press conference)
full series
not a goodbye (in the traditional sense of the word) but a fucking statement. obviously. because piastri.
the loscar dynamic is absolutely FASCINATING. out of all the friendships in the grid, this one plays a special role: it reminds the audience that there’s so much more than formula 1, there’s so much more to f1 drivers than this stage of their career. most of us (spectators) have a broad conception of the “typical” driver backstory; rich kid with rich parents, got in a go kart at age 4, karting and then single-seater and junior series was their whole life and they climbed up the ranks like rungs on a ladder. i think a lot of people who only watch f1 (myself included) tend to focus so much more on the Pinnacle of MotorsportTM that everything else just seems like prep. even though most if not all of the drivers grew up either 1) racing each other 2) watching each other on tv, we don’t really think of these relationships beyond and BEFORE f1.
until loscar. because what draws them together? they’re not teammates. they’re not rivals. williams is so far behind that they’re not even competitors. in many way, logan is entirely “out of oscar’s league”.
and yet they have this endearing, sweet, playful friendship that’s exactly what it seems like: people who have known each other since they were kids, grown up together, watched each other become the person they are today. there’s a casual, domestic intimacy neither of them have with their teammates, even if those relationships are also going well, because there’s this history element.
which is recalled no more vividly than when oscar and logan are compared. as they are too often.
total polar opposites. f1 stories practically the inverse of each other. one was a promising young talent who f1 teams had been keeping an eye on for years that, once thrown in the car at that “wait! isn’t he just a kid??” age, immediately proved his worth as a future superstar. Future World Champion, to quote the official moniker. “look at him go! look at OSCAR PIASTRI!” he’s a prodigy, he’s a social enigma, he’s a raw force of pure and driven talent.
then you have the other promising young talent who one f1 team had been keeping a loose eye on for years. who’s never done any free practices or tests. who’s barely even dipped his toe into the waters of f2. who’s shown a lot of raw potential but more noticeably, glittering fancy sponsors. who gets chucked into a car as a last-minute, scrapping underprepared and thrown-together plan B after the previous f2 graduate fails to keep his seat. and, while oscar soared off into the stratosphere, logan flops IMMEDIATELY.
go fucking figure. it’s almost like people like max verstappen and lewis hamilton are exceptions to the rule, not the rule itself, and an underprepared rushed overwhelmed rookie is actually NOT in a position to achieve immediate stardom! in fact, maybe that’s the OPPOSITE of what they need! so, in loscar, we have the exception to the rule (oscar) and the rule (logan). but that’s not the solidified narrative; the story, how history will remember the two of them, is that logan was nothing but a pale and washed-out shadow. always. open and shut case.
what does oscar have to say about it, though?
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this was said to gp blog (great website); the full quotes from him are:
I sent him a text yesterday. He seemed okay. Obviously a little bit of a shock. Obviously it wasn't an easy time for him in F1. It was much more difficult for him than maybe I expected it to be going into F1. I think for me, his potential was much greater than what was on show in F1, for whatever reason it might be.
I know firsthand, being his teammate in the junior categories, racing him in basically everything, I know how quick he is. I don't think the change was completely unexpected...
Best of luck to him. Just a shame that, for whatever reason, he wasn't able to show everything that he's got. Because in the junior categories, he was genuinely one of the quickest guys I went up against. I think his potential is much greater than what some people have seen.
first of all, some BEAUTIFUL toeing-the-line from oscar here. he’s even more subtle than alex in that none of his words imply any sort of passive aggression or ill intent; the only emotion that’s really conveyed, in understated tones, is a mild perplexity about logan’s career and failure in general as opposed to its gut-wrenching end in question. the implications in his wording imply nothing more than a personal opinion, but the ambiguity itself is some massive shade. let’s take a closer look:
much more difficult for him than maybe i expected it to be- this is masterful. “yeah, that’s right. i’m the next-gen prodigal superstar talent with my future as a world champion pretty much written for me, and i’ve shown the skill to back it up, and not only did i know logan before the catastrophe of f1 but i regarded him with so much respect that i had actual expectations. his skill had become such an intertwined part of his character in my eyes that i just assumed things would go so much better. because i believed in him.”
his potential was much greater than what was on show in f1…- toeing the line again. balance. acknowledging both the reality and all the roads not taken. “i’m not making false claims. i’m not making excuses for him. i’m not blaming the car or the team or the lack of support or the disgrace or the mistreatment and i’m not challenging the results. i’m not talking about what happened, i’m talking about what could’ve happened. potential. i’m talking about everything that wasn’t on show– and by not on show i mean that his potential, his skill, his pace, him as a person was not seen or understood or respected or prioritized by anyone. i’m not saying ‘oh, one point in 36 starts is all anyone could do with x/y/z excuse’ i’m saying ‘you guys missed the point’.”
for whatever reason that might be/just a shame that, for whatever reason- fucking hell, this is harsh. this is practically an attack. “i’m not gonna make excuses, but i’m gonna leave this open. i’m not gonna call this bad luck or the way it goes sometimes or a bad break, i’m saying that Whatever Reason This Happened is not what should have happened. not a matter of chance or objective misfortune; this situation could have and should have worked out better and whatever obstacle got in the way of that was a matter of misjudgment.”
I know firsthand, being his teammate in the junior categories, racing him in basically everything, I know how quick he is- alex said something similar, about pace. “raw speed” he calls it. and it’s really interesting that his teammates, who learn firsthand about him as a racer, his driving style, his strengths, his weaknesses (whether they’ve been teammates for months or years) identify a specific trait/skill about logan rather than just making the empty claim that “he’s good” or “he’s better than this”. and this is very interesting coming from oscar in particular given his current teammate. lando isn’t the best starter or the best defender or the most coordinated overtaker, but even with all the areas he needs to work on he can still compensate for it by being really fucking fast. his pace is his defense; he gets clean air and boom, he’s fucking gone. obviously that’s an oversimplification but oscar directly competing against that and observing/absorbing that and bringing up the same category of skill in logan– even in flashback– can’t be overlooked. in addition: “yeah, i’ve raced against him in basically everything. you’ve watched him on tv in a backmarker team for a season or so? i’ve known him for YEARS. i know. i don’t care what you’re seeing, i’m the expert on this and i know.”
I think his potential is much greater than what some people have seen- shit, this is as close to passive aggression as he gets, but it’s still done so precisely and subtly that it’s almost an art form. i mean, leave it to oscar piastri to use the phrase “some people” and NOT make it sound like a straight up, poorly-veiled callout. try to use that in a sentence without seeming like you’re shit-talking someone, potentially in the room. this is part of the lovely passive-aggression classic: “….unlike SOME people” (sometimes while staring at them directly, depending on how passive you want the passive aggression to really be. so, he’s (in unofficial terms) calling out who– anyone who hasn’t seen logan’s potential. who have underestimated him. who have invalidated his situation and him as an athlete. this could be any category of haters– negative fans, petty journalists, the horrid type of reports who will ask questions like “what does it feel like to be the slowest driver in formula 1…”. and that would make perfect sense. almost perfect. if we thought oscar piastri paid any attention to the haters, his own or anyone else’s. if it was ever on his mind. so, people who haven’t seen his potential… what, like, team principals? the ambiguity in itself is simultaneously a direct implication and oscar piastri’s intelligence needs to be studied because it is sometimes terrifying.
oscar doesn’t make a statement on social media, doesn’t bring it up further, doesn’t make any sort of personal goodbye available to the media– of course he wouldn’t, not just because that’s incredibly private but also because he’s oscar and he’s basically kimi raikkonen (in this analogy lando is sunshine boy seb but that’s an idea for another post). oscar’s whole public image is that he doesn’t want to have a public image. he doesn’t give the media any more parts of himself than he’s contractually obligated to. what he does give is concise, serious, the strongest points in the fewest words. and because of the enigmatic, tantalizing nature of that approach paired with the fact that he’s a fucking brilliant driver, people listen to what he has to say.
so oscar has a lot more weight to throw around than alex. alex’s image is that he’s a cuddly sunshiney cat dad who is a living anomaly in that he’s a good driver and a total sweetheart at once. whether or not what he says comes from the heart (it does. he’s alex) the reaction can always be “awww look at alex he’s such a nice guy :)” and the focus is on the kindness of the gesture/praise/respect itself rather than what alex is actually saying. so if alex says logan had more potential, that’s alex being alex.
if oscar says logan had more potential, that’s a fucking statement. and if the media wasn’t coming for JV’s head at this point, oscar just gave them a diagram for how to build a guillotine.
beautiful.
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okay i have THOUGHTS about this line
he didn’t have to say that to make his plan work. i mean yeah, being nice to the player definitely earns their favor and future assistance, but he could have just as easily gone the route of gaslighting them into feeling bad and like they caused the problem, eliciting a more shame-based and desperate and less uplifting and righteous kind of reliance. like if volo really hated the player, and was truly cruel, that’s what he would have done. the player would have still gotten the chain and felt indebted to him for the plate hunt, but they also would be miserable and feel lonely and hurt and confused. but volo doesn’t do that, he grounds the player and validates their feelings, which were hurt by the cruel townspeople more than the event volo caused to prompt that cruelty. like truly, it’s only volo’s fault that the player gets banished through the most like simple calculated logic—yes, if he hadn’t caused the rift, they wouldn’t have been banished, or brought here at all. but kamado CHOSE to banish them based on his own paranoia and disdain for outsiders, and the others enabled it by choice. volo didn’t make that happen, just how he didn’t make or even want arceus to get the player involved in the first place.
i don’t think volo hates the player, personally, at all. or at least, i think that he hates them and cares for them just as much as he hates and cares for himself. i know this isn’t groundbreaking volo theorizing material, but he’s absolutely projecting his disdain for society based on his vague past experiences here. he dislikes the outsider because his plan demands it, but he dislikes everyone else because he personally thinks they’re terrible. it’s kinda neat how he “fake” compliments the player’s loyalty to him as a merchant so often, bc i think loyalty is something he actually takes very seriously. and he probably saw how loyal the player was to the galaxy team, and then the way they kicked them out, and was genuinely pissed and hurt on the player’s behalf.
the things he says at the end of the game are said in extreme distress and defeat, and while they are not NOT reflective of his character and motives, i’m shocked by how many pokemon fans regard volo like he’s a nihilistic and amoral sociopath. passion and compassion are behind nearly everything volo does, for better or for worse. they’re behind moments like this, and moments like his ranting at spear pillar. he is a person who constantly grapples to align his personal moral code and lofty ideals, which live in this weird space between the manmade and divine, with the flawed reality of existence. his entire mentality is full of contradictions, because he is a man who thinks he should be god, but in reality could never be a good god, because he is still very much a man. it’s the emotion, idealism, and intellectual curiosity of humanity that drive him, not the impartiality, absolutism, and complacency of an omnipotent all-knowing deity.
so like, with this line. he specifically mentions that the galaxy team has treated the player poorly. not that the galaxy team’s choice was illogical, not that the player just needs to try harder to get them to accept him. he is emphatically rejecting the premise that the player did anything to deserve blame, even though he has no intention to actually explain why this really happened or volunteer himself to take the blame. because ultimately, volo is not the person to blame for the galaxy team’s cruelty, and he knows it. and he also knows that it’s the cruelty that has hurt the player, more than the sky problem itself, because he has been treated like an outsider too. and he can’t DO anything about that. even if he told the truth, the damage has already been done. the player knows how their supposed allies would react in this situation, regardless of the logic or truth. and volo can’t fix that. he does not believe he can make people kinder or the world a better place, which is exactly why he wants so badly to remake it. for himself, bc clearly he’s been through some shit too, for people like the outsider, and for anyone else whose loyalty and dedication have been met with rejection and apathy. which is so deeply tragic and ironic, because by being the only person to care for the player in this moment, he is making the world a better place for them.
volo is, at his core, a hypocrite. he’s like if you put the ingredients for a hero into a blender, but accidentally used the “tragic hypocrite” setting so he came out a janky villain instead. to volo, concepts like loyalty and self-righteousness are driving forces, much moreso than simple black and white morality or consequentialism. this makes him a hypocrite because he believes a perfect world is possible as long as his moral code is strictly followed, and his evil plan is to prove it. but in his efforts to do so, he proves over and over again that a perfect world isn’t possible, and certainly would not be possible under his control.
like, okay—if someone suggested that the means of pain and suffering in the world justified the ends (the world), volo would disagree and claim that arceus is responsible for the pain and suffering, and therefore does not deserve the power to create/rule worlds. but then, following that very same logic, if volo needed to get a random person banished and betrayed in order to create his better world, then those means wouldn’t justify his ends either. which is WHY we see him subconsciously draw a line here, between the things he’s not responsible for (other people being cruel, arceus transporting the player) and the things he is directly responsible for (the way he treats the player in these circumstances, either with derision or support). and wouldn’t you know, in this instance where it truly is up to him what the means are to his ends, he chooses kindness where he could have been cruel. because while arceus sending the hero and the town banishing them weren’t really Volo’s means to Volo’s ends, this conversation sure as hell could be. And he doesn’t want his better world built on a foundation of suffering and pain.
by saying this one line and treating the player as he does here, i think volo accidentally exposes something deeply true and good about himself. this man could say “i’m a villain and i don’t care about the player” and fully believe it, but at the same time demonstrably possess the morals and compassion of a hero, which he uses to actively care for the player. he is a delusional hypocrite, but he’s definitely not heartless. and i just think that’s neat.
alternatively, volo is completely heartless, knows that people are endeared to people who want to protect them, and methodically uses that knowledge here for his convenience. that very well could have been the intention, and it makes sense too—but i personally enjoy entertaining the notion of depth where i see potential for it. so yeah.
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warping-realities · 13 hours
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A Night in the Devil's Den - Part I
“I still think we should hit up somewhere else, Jamie. There are tons of bars that would look the other way and let us grab a few drinks.” One of the three young men passing through New York during college break said as they made their way to the old building housing the Devil’s Den, apparently the most hyped club in the city, which had a strict policy of keeping anyone under 21 out.
“Stop being such a fag, Fred! We’re gonna get in, trust me, man of little faith.” Jamie, the group leader with light brown hair, same color as Mark, shot back. Fred, on the other hand, was blond, and more sensitive, which didn’t mean he couldn’t hold his own when it came to arguing; on the contrary, the debate skills of the former debate team captain were legendary.
“Chill, Fred. The worst that can happen is the bouncer looks at the IDs that Jamie’s buddy hooked us up with and realizes we don’t have the right age and kicks us out. But I doubt that’ll happen; in a few months, we’ll all be 21.” Mark commented, always the peacemaker.
“Another reason to wait until we’re actually of age. I don’t want any trouble, guys.” Fred tried to argue again.
“I can’t believe you came all the way here to chicken out, man. If you wanna bail, I’m cool, but think about all the work I put into getting these IDs. And I didn’t even charge you guys!” Jamie grumbled.
“That’s just because your buddy did it for free, asshole. Who the hell is he, anyway?” Mark jumped in before things got heated between the two.
“Some dude I met at the hostel; he’s the one who told me about this place. Apparently, this is the spot for anyone looking for a good time.”
“You mean you trusted someone you barely know? Doesn’t that seem kinda sketchy to you?” Fred asked, outraged, totally shooting down Mark’s efforts.
“I’m sick of your attitude, man! If you’re so unhappy, why don’t you just head back to the hostel?”
“Hey, hey, chill out, you two! We’re here to have a good time! Fred, let’s check out the place, and if we don’t like it or they kick us out, we’ll head back to the hostel, and I promise I’ll be your wingman with those hot Italian chicks who showed up yesterday, alright? And Jamie, you dumbass, he’s not entirely wrong; it was pretty stupid to trust a stranger, but it’s done now, so let’s just try to have fun, please?” Mark chimed in again.
“Fine, but you know that your parents would kill us if anything goes south, Mark.” Warne Fred, whose parents had already passed away, and, in Jamie’s opinion, was the last one who should be worried instead of acting like a little pussy. Not that he’d say that, at least not now that his buddy finally decided to man up.
“Finally acting like a man, Fred, and not like a little bitch!”
“Hey, man, that’s enough!”
“Chill out, Mark; you’re starting to sound like your dad. Sorry, Fredster, I just want an unforgettable night with my best buds.” Jamie said, hugging Fred on one side to encourage him while Mark did the same on the other.
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As they approached the ridiculously long entrance line, Jamie commented.
“Since we’re talking about those hot Italian girls, it’s funny that if we were in most other countries, we wouldn’t even need to convince Fred here; we’d all be of age to drink until we drop without a care in the world.”
“I don’t think your dad would be too happy about hauling his kid from the gutter.” Mark remarked.
“He’s not as strict as your dad, man, but yeah… maybe it’s best not to push it. Damn, look at this line! No way I’m waiting all this crap! Oh, wait, I just remembered something; follow me!” Jamie said, signaling for his friends to follow him to the front of the line, where a huge black guy, looking like a muscle mountain, was running the door, checking IDs and occasionally greeting a buddy with a half-smile in his otherwise stern face. He saw the guys approaching and crossed his arms, giving them a menacing smirking look.
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“Hey, fellas, what do you want here?”
“Good evening, sir! Jerome told us to go straight to the bouncer at the main door and, said… said that he hopes you have a… a hell of a night.” Jamie said, sounding unsure for the first time.
“Jerome, huh? IDs?”
“Here you go, sir.” Mark replied, handing over the fake IDs, which the guy scrutinized for a few seconds.
“Any problem, sir?”
“Nope, on the contrary, looks like you guys got VIP passes. Jerome must’ve liked you a lot.” He said while fiddling with a walkie-talkie before speaking again. “Jerome’s group is on the way.” He radioed someone before handing the IDs back to the guys and cracking a smile. “Boys, looks like we’re all in for a hell of a night!”
As they stepped into the spacious lobby, the guys were hit with the sounds of music and excited screams, along with flashing lights. And the most impressive thing of all was a guy with olive skin, well-groomed beard and black hair, and a distinctive aquiline nose that hinted at some mediterranean ir middle eastern heritage. But what really stood out about the guy was his stunning build, partially covered by a sharp suit and shiny black pants, with his muscular torso on display for anyone who wanted to see, staring at them with disconcerting eyes and a mischievous grin that made the three feel like they were really inside the Devil’s Den.
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“Dude, they really know how to set a mood.” Jamie remarked, eyeing the imposing figure. “Alright, first drinks, then we hit the dance floor for the hot chicks!”
“Actually, I think I’m gonna hit the bathroom; my bladder’s about to explode!” Fred said.
“Then it’s a wonder you didn’t piss yourself from fear before we even got in.”
“Go fuck yourself, Jamie!” he shot back, irritated, as he blended into the crowd on the dance floor.
“You really can’t pass up a chance to be an idiot, can you?” Mark commented, following his other friend through the crowd. “Let me talk to him; you do something useful and grab the drinks. You know a few shots will loosen him up.”
“It’s not my fault he needs booze to stop being a little bitch.” Jamie yelled to be heard over the noise, turning heads with expressions of disbelief toward him, but he was too hyped about the night’s promises to notice, heading for the nearest bar, closely followed by the sinister figure from the entrance. It wasn’t until he reached the bar that he noticed the company.
“Hello, James.” The man said over the cacophony, though his voice didn’t need to rise for Jamie to hear him.
“How do you know my name?” Jamie shouted back.
“Jerome gave me a heads-up about your arrival; I’m Mr. Shay the manager of this place. And I know you shouldn’t be here tonight, kid.”
“Damn… then why didn’t you stop us at the door?”
“Because I understand the need for a young man to rebel. Especially when his dad is such a major buzzkill.” The man said with bright eyes.
“I… he just wants what’s best for me… a decent job for a real man and… and sometimes it’s a drag.” Jamie replied in a whisper, not realizing the man knew way more about him than he should.
“Oh, I get it, kid, and just when you finally have a chance to chill, your friends leave you hanging.”
“Pussies!” The kid grumbled, not seeing the man’s eyes flash dangerously.
“You seem to have a problem with gay people. What’s that about?”
“I don’t have a problem with gays; I have issues with little faggots, those sissy boys who take it up the ass like they’re chicks. My dad raised me to be a real man.”
“But it’s tough living under the weight of other people’s expectations, under the rigid standards taught by someone, isn’t it? Sometimes all you wanna do is chill out, let loose, and be happy, right? And have your friends be able to enjoy that with you.”
“Yeah…”
“Well, it’s settled! Poncho, a shot of tequila for my buddy here.” The man said as the spell seemed to break while he glided through the crowd with ease, almost floating, and for an instant if one looked closely one would catch a glimpse of his true form.
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Still a bit dazed, Jamie turned to the bar and bumped into a Latino guy in his late thirties, with a chiseled, muscular chest completely exposed except for a bow tie around his neck, sipping a drink while the shot of tequila the other guy ordered was held in his hand.
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“On the house.” The guy said with a smile. Without thinking twice, Jamie downed the shot.
“Nice one, hermano.” The man commented, grinning.
“Gracias, tio.” Jamie replied, smiling as he left the bar with a dreamy look.
There was definitely something extra in that tequila, Jamie’s rational side thought, a side that seemed to shrink more every minute. He wandered aimlessly through the crowd, seeing colors and smelling scents he’d never experienced before, while that rational side tried in vain to shout inside his head, drowned out by an overwhelming numbness.
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“Mierda, que guapo…” he murmured in Spanish, watching a muscular guy dancing shirtless. Without even stopping to think how out of character that was for him.
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Like a moth drawn to a flame, with an unspeakable desire taking hold of him, making him vibrate and tremble inside he made his way toward the guy, and just like that, in the blink of an eye, Javier, the latino 21 years old man, approached the older man.
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“Hey, papi, want some company?” He asked with a vacant look and dreamy voice that the other guy didn’t seem to notice, and in a few seconds, they were both dancing to the rhythm of the music.
“So, kid, where you from?”
“Right here, raised in El Barrio.” Javier answered.
“But where did your family come from?”
“My grandparents came with my dad and my uncles from Colombia in the early 90s. Maybe you know my uncle. He works as a bartender here; they call him Poncho, even though he’s not Mexican, but he says he doesn’t care.”
“Oh, so that’s why a kid like you is in here.” The man commented.
“I’ll show you who’s the kid.” Javier replied, kissing the man, who returned the kiss with passion.
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Neither of them seemed to notice that the kid’s shirt seemed to evaporate in the air or the inches he gained in height or the facial hair sprouting on his face. After a long moment of pleasure, the two pulled away.
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“So, papi, am I man enough for you?” Javi asked with a grin, while the other guy stared at him, breathless.
“Now I gotta bounce; my shift’s about to start!” Javi said, walking with a smile toward the bar. His muscles growing and expanding into an athletic, well-proportioned physique, with just the bow tie of his uniform to cover up.
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“Hey, you didn’t even tell me your name, boy!”
“If you want to find me, just head to the bar. And don’t call me boy; do I look like a kid to you?” He replied, flexing his muscles. Only a man could call him that, and that certainly wasn’t this one.
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When he got to the bar, his uncle greeted him with a smile but also with a warning.
“If your dad finds out about this…”
“What my dad doesn’t know won’t hurt him, tio. Plus, next year I’ll be graduating, and the boss is gonna put me to work in accounting, although I think I’ll still take a few shifts with you just for fun.”
“Javi, you really don’t get it, do you? If not your dad, then because of that musclehead you’re seeing.”
“It’s his fault for not showing up yet. And right when the main attraction’s about to start.” He said, looking at the club’s stage lighting up. “Though to him no attraction compares to my ass.” He concluded with a grin.
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rosie-read-that · 6 hours
Text
bad blood / scott miller x reader
summary: set after twisters. when scott initiates a lawsuit against javi and his new business partners, they choose to take you on as their attorney—no matter that you and scott were once high school sweethearts, that you still have his ring in your closet, or that things between you ended catastrophically six years past. this is business. no need to go down memory lane… right?
content warnings: f!reader, alcohol use, language, offscreen parental death, one open door scene (unprotected piv), couple angst, riggs is his own walking red flag, questionable legal ethics
word count: 21.6k (sorry, guys 😬)
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author’s note: here it is! i tried to rein in the length, but clearly i failed ✌🏼 shoutout to @hederasgarden and @sailor-aviator for giving scott his fandom-approved surname. on a final note, i am not a lawyer, i took one (1) business law class in college, so don’t take my word on any of this and definitely don’t do stuff with your ex while he’s the opposing party in a case you’re working (but if it’s david corenswet, i meannnn… should anyone be blamed?)
PRESENT DAY OKLAHOMA CITY
Well-meaning, and with typical Arkansan practicality, Tyler Owens leaned back in his chair and said, “Javi, you need to chill out, man.”
Immediately, you knew it was the wrong thing to say.
“What makes you think I’m not? It's not like my entire livelihood is on the line or anything, so why would I not be chilled out?—Dammit!”
“Actually, lose the tie,” you suggested, having watched him fumble for the last five minutes. You were sure it was nerves that did it, not a lack of dexterity.
Javi sighed and let the two ends hang pathetically around his neck. “I thought I was supposed to wear one…”
“I think that’s only for court,” Kate put in, “like with an actual judge and stuff.”
“Maybe in the 1970s,” remarked Tyler under his breath. Javi glared. “Bro, it’s gonna be fine.”
“We should be out there, tracking tornadoes!” There was a mounted television in the little waiting area, playing a 24-hour news channel on mute. Javi gestured at the weather report. It was March, and Tornado Alley was looking active, “robust,” as the weatherman put it… not that your clients would know firsthand, seeing as they were stuck in a high-rise in the city instead of out in the fields of Sapulpa County. Kate and Tyler were watching the radar images with twin expressions of restless longing. Javi yanked the tie from his neck. “That son of a bitch knew exactly what he was doing, tying us up in meetings at this time of year.”
“Yeah, he did,” you replied. “I know it’s inconvenient as shit, but believe me, I’m going to do everything I can to get you back out on the field. There’s no reason for all three of you to be here. I mean, it’s the modern age: some of this could be a Zoom meeting.”
 “You think we’re gonna Zoom in the middle of a storm?” Tyler quipped. Kate turned to him with a chastising look.
She was clearly just about as done as her other two partners, but a lot more level-headed about the fact that they were being sued for everything they had. Which you appreciated. Suits between friends and former business associates had a tendency to turn into mud-slinging wars, and there was nothing you hated more than a client stuck in denial. Kate was the opposite. She was cool-headed, calm. A happy medium between Tyler’s annoyed outrage (“who does this guy think he is!”) and Javi’s frustrated melancholy (“guys, I’m sorry, this is all my fault”).
Right now, Javi was sinking well into the latter.
“Just remember we’re here for you, Javi.” Kate rubbed a soothing hand across his back. “All the way. We know this is personal.”
“Yeah, which means it’s gonna get ugly. I hate the thought of our company going under because I had shitty taste in business partners, you know?”
“Well, you don't anymore. That’s character growth,” Tyler pointed out. “Now, I’m no legal expert, but as far as I can see, he’s got no legs to stand on—”
You held up a finger. “Uh, that’s not entirely true…”
“—and he’s going to come out of this looking like a complete and total tool. Which he is! If he wants to spend all this time and boatloads of his uncle’s money on a belligerent witch hunt, then so be it.”
“You mean our time, our money,” said Javi.
Kate looked at you. “If this ends up going to court, is it likely he’ll win?”
You sighed. “Okay, listen.” You sat on the coffee table. There was no avoiding the sight of three pairs of eyes with varying degrees of hopefulness trained on you, hanging onto your every word. Javi you had known before, but after a brief acquaintance, you’d decided that you liked Kate and Tyler too, had even spent an hour or two watching Tornado Wrangler videos on YouTube, and, while storm chasing seemed, well, kind of unhinged, their enthusiasm was contagious. They were passionate, not in a purely thrill-seeking or overly scientific way. They actually cared. And you wanted them to win. “The whole point,” you explained, “is that we’re trying to avoid this going to trial. If you’re looking to cut down on the cost to your bottom line—not to mention how this could drag on for literal years—it’s best to reach a settlement before this ever sees the inside of a courtroom. Either way, things are going to get a little worse before they get better. But the point is a clean break, right? When all this is over, StormPAR will never have any sort of claim over you. You’ll be free to chase storms, build your doo-dads—”
That got you a trio of chuckles. Good, let them think you were a meteorological idiot; all the better to make them feel like a united front.
“—and it’ll be like Scott and Riggs never happened.”
“Sounds good to me,” Tyler said, that steely determination from his old rodeo days coming through.
Kate gave a nod. “No matter what, we’ll be okay”
Javi put his hand on your knee. “Thank you… for everything. I know this has gotta suck for you too.”
“Who, me?” you asked, feigning ignorance. “I’m fine.”
“Mm-hm…”
“Do I not look fine?”
“You look great,” Kate said honestly.
“Miller’s gonna shit his pants.”
“Tyler!”
“Hey, we’re up,” your assistant announced, her fingers not pausing for a second as she typed on her phone. Abby may have the social skills of a polar bear, but her organizational skills were top-notch and you relied on her predatory instincts. Plus, you were sure that her geometrically perfect French bob had magical powers.
Signaling for the others to follow, you made your way down a hallway bordered by walls banded in frosted glass, the sound of typing and muffled phone calls familiar and yet not. This was enemy territory. Having you meet here instead of at the offices of Conway & Fine was a calculated move.
Before entering the conference room, you took Tyler by the elbow. “Please just… try to behave yourself.”
Me? He pointed at his face.
“Yes, you! Don’t provoke him—as a matter of fact, don’t even look at him—don't piss him off unless you want to make this a hell of a lot worse for everyone. Capisce?”
“I’ll be the picture of civility.”
You shot him a skeptical look.
“I’ll be a gentleman!”
You glared. “Tyler Owens, I’m holding you to that.” Adjusting your power suit, you put on your best Professional Face. “Alright guys, it’s showtime.”
Through the glass, your eyes landed on Scott. The temptation to bolt left you breathless, though you couldn’t say whether you wanted to run towards or far, far away. You wouldn’t. You were all too aware of the people standing behind you, counting on you, while Scott himself had been a stranger to you for the last few years.
You owed him nothing; this was simply business, you reminded yourself.
Simply business.
He turned his head and spotted you, and kept his eyes on you as you opened the door.
TEN YEARS AGO PARK HAVEN, PENNSYLVANIA
You’d been working on the same calculus assignment for the last three-quarters of an hour, the sound of rain lashing against your window doing nothing for your frazzled nerves.  While math was by no means your obvious strong suit, you would have finished by now if you hadn’t spent most of it staring at the wall beneath your windowsill, bouncing your leg, tapping your pencil compulsively against the edge of your AP textbook and imagining all the ways in which your life could go horribly, unfixably wrong. An outcome that now seemed likely.
“You still have time, sweetheart,” your mom tried to say at dinner that night. She smiled at you and patted your hand. “It’s only March.”
“Exactly—it’s March!” you’d wanted to say, but bit your tongue. There wasn't any point; your mom would always believe you were capable of walking on the moon, which was lovely, you guessed. Or it would be, if all your classmates weren't overachievers and if a lot of them hadn't already received acceptance letters and stuck pennants to the inside of their lockers for all the rejects to see.
It was hopeless… you should’ve gotten an answer by now.
Tossing the book and papers away, you buried your face in your hands and tried to hold it together. The sleeves of your sweatshirt emanated a woodsy, clean smell, kind of like rain in a forest, and you breathed in deep to let it ground you.
Slowly, the intensity of the storm outside faded to background noise, no longer angry, insistent—it was only rain after all, only weather. You sniffed, feeling silly, and snuggled into the navy-blue sweatshirt, wrapping your arms around your knees. The gold lettering read NICHOLS ACADEMY ATHLETICS. On you, it was practically a dress, and you’d been living in it all week, ignoring Mom’s teases about how “you’re going to have to wash it at some point!” while your dad watched you pass by, saying nothing, only flipping the page of whatever biography he was reading, not wanting to comment or so much as reference your boyfriend of two years, who played center field on Nichols’s prize baseball team and from whom you’d stolen the sweatshirt after a date at the park.
Try as you might, your dad had never warmed up to Scott, but you thought it had more to do with an objection to Scott’s father rather than to Scott himself. The whole family’s trouble, he said once, prompting a fight that ended with you slamming your bedroom door and not speaking to him for two days, until your mom laid down the law and said she wouldn't have that sort of tension around the house.
He didn’t get it. Scott wasn't like his father—if anything, you saw the way his jaw tensed whenever he heard rumors (whispered, unless intended to get a rise out of him by a school rival) about the private club scenes, the drinking, the reckless gambling, the other women. Of course your straitlaced dad assumed the apple wouldn't fall too far from the tree, but you knew Scott. You trusted him. And, fine, so you were seventeen, but you knew you wanted to spend the rest of your life with him—it happened, didn't it?
Granted, this was why that damned letter was so important. It was the perfect plan… so long as Scott got into MIT, which seemed like a given, and you into Harvard, the culmination of four years of meticulous planning and candle-burning work. But what if it didn’t happen? Could your relationship survive the time and long distance? As much as you hoped so, you didn’t want to find out.
Out of nowhere came sharp rap at your window. Startled, you looked up to see a familiar face peering through the rain-lashed glass, and automatically you sprang to your feet. “Scott! What the hell were you thinking!” you hissed, mindful of your parents, probably in bed at this hour. He paused halfway through the window, pretending offense.
“Wow, okay, here I thought I was making a big romantic gesture…”
“You’re soaking wet! You could’ve fallen and broken your neck!”
As you lowered and latched the window behind him, trying to be as quiet as possible, he defended, “I’m a tree connoisseur. If anything, I’m a that-tree connoisseur and she’s never let me down before. Literally. Sturdy branches on her.”
He had a point there. The tree directly outside your bedroom window had played makeshift ladder to him over the last couple of years—not that your parents were any the wiser. If your dad knew, he’d go straight to the nearest hardware store and buy the ax himself. (What he would do with that ax, having never done a day’s manual labor in his life besides recreational fishing, was beyond you.)
You shook your head, watching Scott drip all over the hardwood. God, he was stunning.
And there was a chance you might lose him forever in a few months.
You felt the sting in your throat and behind your eyes. “I’ll go get you a towel,” you said, averting your face and turning towards the ensuite so you could get a few seconds to yourself. He caught you by the wrist and spun you into his body.
“Wait a minute, kiss me first,” he demanded, a cocky grin on his face. You managed to see a flash of it before his lips met yours. You closed your eyes in spite of everything, melting into the kiss, into Scott, because it was as easy as breathing and just as pointless trying to resist.
His cheeks were cold, his mouth warm. Coaxing. The pressure of his hands on your waist like an anchor in the storm. He was perfect for you. How could you belong with anyone else? It was impossible.
His tongue brushed your bottom lip, and it was a move so practiced, so instinctive, so perfectly well-known, that it made the fear swell in your chest again. You held onto the front of his rain-drenched hoodie, breaking the kiss. Your breathing was ragged. You felt you could burst.
“You’re insane,” you tried to cover, burying your head in his chest. “My dad will kill you if he catches you.”
He took a step back and tilted your face up, gently, by the chin. “What’s wrong?”
“Nothing,” you replied.
“Tell me.”
Instead of answering, you made your way to the bathroom and got a towel out of the linen closet. You could feel Scott’s questioning gaze, but he waited, rubbing the towel across his head, brows knitted together as you hesitated, still trying to hedge. “I just—we have that exam next week and I’ve fallen behind on calc and I think I’m going to have to start over on my AP Civ end-of-the-year project, and my mom—”
“Your mom’s great,” Scott interjected.
“Why, d’you want her?”
He pursed his lips. As soon as you said it, you knew that it had sounded kind of bitchy.
“Fine, okay. She’s great, she’s just… trying to help.”
“Is this about Drexler getting her Harvard letter? Because it’s only—”
“It's only March. Yeah. That’s what Mom said. But I’m cutting it close, right? Some people got their letters in December, Scott—December!” You looked down at your feet. “I’m not going to get in.”
“You don’t know that.”
“Well, it sure feels like it!”
“C’mere.”
“No.” You shook your head.
“Come here,” he insisted, tossing the damp towel onto your bed and holding your arms loosely, his hands stroking up and down. No matter how much you held onto the scent-memory of him on his Nichols sweatshirt, nothing compares to the real thing. He made everything better; and if not, he made everything feel like it could get better, because he was Scott Miller, and the world bent to his charm or else. “You’re going to get in,” he said, tucking a strand of hair behind your ear. “They’d be crazy not to have you.” And the thing was, despite being utterly convinced only two minutes before that the worst was inevitable, you wanted to believe him, wanted to convince yourself that everything would settle into place as it should.
Scott dipped his head to brush his lips against yours, a deliberate barely-there sweep that made your eyes flutter closed and your arms lace around the wide breadth of his shoulders. Scott’s hands traveled down your back, pressing into your hips until you were flush against the length of his body. You felt him smile as he let you deepen the kiss, and the little rumble of his almost-laugh pinged all the way down to your toes, warming you from the inside the way only Scott could.
As his mouth moved down to your jaw and then the side of your neck, you slid your hands down his chest and then stopped, feeling something other than the hidden planes of his stomach through the fabric of his dark hoodie. You pulled away. Scott’s face had frozen into a look of mild panic and his hands wrapped around your wrists, holding them loosely, which only made the alarm bells ring louder in your head. That was not the sort of face he would make if he was hoarding old receipts.
“Scott?” you asked. He looked away, exhaled, and let your wrists drop with a resigned expression. You reached into his pocket, pulling out a sheet of white letter paper folded into quarters, carefully and with Scott-like precision. “What…” you began, glancing at him briefly and opening the sheet.
At the top, in cardinal red: Massachusetts Institute of Technology.
You might have gasped. At the very least, one of your hands flew up to your mouth. “Oh my God… Scott…”
“We don’t have to talk about it now.”
“Scott! This is from MIT! You got in?”
“It's really not a big deal.” He shoved his hands in his pockets, his shoulders curved slightly inward.
Not a big deal? “Scott, shut up! You got in!” you exclaimed, aghast.
“You’re not upset?”
“Don’t be ridiculous!” You set the letter down to the side, knowing he’d want to keep it—that so much as folding it and putting it in his pocket so he could make the ten-minute run to your house in the middle of a downpour must have been a minor sacrifice on your account. Because he wanted to tell you. Because he wanted you to be the first person other than his mom to hear the good news. “We’ve talked about this. This is your dream school, babe.”
“Yeah, well, it feels kinda shitty celebrating now.”
“Stop.” You reached up and gave him a peck on the lips, stroking his cheeks, resting your forehead against his. “I'm so freaking proud of you. You’re going to be the best, most kick-ass engineer.”
You looked into his eyes so that he’d know it was true, and for a moment you could tell he was letting himself feel the achievement—his shoulders relaxed, he caressed your hands gratefully, but there was something about his smile that signaled not all being well.
“I heard Mom talking on the phone with my uncle today,” he confessed.
“Your uncle Riggs? Down in New Orleans?”
“Yeah. She doesn't want me to know, but I heard her talking about college and…”
You placed your hands on his chest. “Is it that bad?”
He didn't like talking about it but you knew his father had made a few bad investments lately, and from your own dad, who had confided it to your mom in secret one night—not that he saw you lurking outside the kitchen, drawn by the mention of the name “Miller”—you were aware that he had made a truly catastrophic impulsive bet with some Swedish businessmen he’d been trying to impress. Add to that the drawn look on Mrs. Miller’s face whenever you saw her, and the overly sympathetic way your mom referred to “poor Pamela,” and you had enough evidence to assume that Scott’s father had royally fucked up this time. 
“They’ve been talking about selling the house,” he said with a dark look. “I think my parents are going to split up… for good this time.”
“Oh, Scott…”
“So who knows? I might not be able to go to MIT anyway—even with this.”
“Are you okay?” you asked, aware that nothing got his back up more than pity. But you had to ask.
He shrugged. “It is what it is.”
This was a side of him you’d never learned how to handle, not even after two years of dating. For all that he was an expert at making you feel like the world was yours for the taking, when it came to his own struggles, he was a tightly closed book. Instead of admitting when he was hurt or disappointed, he resorted to indifference and the kind of dark humor that could put you in a bad mood if you weren't careful.
Right now, all you wanted was for him to know that you were there for him. Nothing you could say or do would make Ray Miller grow practical common sense or an ounce of familial consideration—you weren't even sure that he knew your name, despite being Scott’s long-term girlfriend; he was hardly ever home, and never present even on the occasions when he was. But you could state the obvious, just in case he’d doubted it for a second.
“Hey, I love you,” you said to him.
“I love you, too,” he replied. “Now, no more shop talk—why do you think I risked my neck climbing up here?” And just like that, the matter was closed, the dark look disappeared, replaced by the telltale lowering of his dark lashes as he dropped another kiss at the side of your neck, his arms tightening around you, turning you so that the backs of your knees hit the edge of your bed.
“And here I thought your intentions were pure,” you replied, trying to downplay the butterflies in your stomach.
“Darling, there’s no such thing… especially when it comes to you.”
“What an idealist,” you rejoined, then fell quiet when he kissed you again. Without missing a beat, he lowered you onto the bed, hands gliding beneath your sweatshirt with apparent purpose. “Scott,” you protested, “my parents are across the hall.”
“So we’ll be quiet. Or we’ll get caught. What's the worst that could happen?”
“Um, you flying headfirst out that window?”
He pretended to think about it, then, by the warm glow of your bedside lamp, you saw his mouth quirk into a smirk before he dove towards your lips, eyes twinkling. “I don’t know about you, but that sounds like a price I’m willing to pay.”
PRESENT DAY OKLAHOMA CITY
“The damages your client is seeking are absolutely unreasonable. I would even say they border on the ridiculous—and, quite frankly, even frivolous!”
“Frivolous! Your client founded his new company with StormPAR assets—”
“His assets!”
“—accumulated during his tenure as a business partner to my client. Assets which came out of the pocket of Mr. Riggs as well, might I remind you!”
“We were equal partners!” Javi exclaimed, no longer able to keep his temper in check. You supposed the moment you snapped at Mr. Rankin, Javi figured the gloves were off.
Maybe instead of worrying about Tyler, you should've worried about yourself.
Rankin stabbed a finger at the files stacked in front of him. “Exactly, and Mr. Miller deserves to be compensated for the financial losses incurred from your breach of contract.”
Javi balked. “What, I can’t decide to leave my own company?”
“You can do whatever the hell you want, just not with my money,” Scott said in a dangerous monotone. For the last half-hour you’d been trying not to look at him, focusing instead on his middle-aged bespectacled lawyer, but to say you weren't losing your shit would be disproven by the Montblanc you’ve been fidgeting with since the meeting began. When he wasn’t glaring daggers at his former business partner, you could feel the power of his gaze, daring you to meet his eyes again.
“Oh, you mean your uncle’s money?”
“Javi.” You touched his hand in warning.
“You weren't turning your nose up at my uncle’s money when you were trying to found StormPAR.” Scott gibed. In your periphery, you saw Kate rubbing her left temple.
“Me? I thought we were partners, partner.”
“Like you give a shit! You jumped ship, Javi—you jumped ship, set up shop with the opposition, then hired my ex-girlfriend so you could get away with robbing us blind!”
You gritted your teeth. “Mr. Rankin, control your client.”
“‘Control your client’?” Scott spat out, leaning forward and turning the dial up to ten. “What the hell is wrong with you? What are you even doing here?”
“My job, Mr. Miller.” This time you did risk staring him in the face, ignoring the play of light on his cheekbones, the shape of his lips, the triangle of exposed skin at his throat that you used to know so well. “I work for StormLab. You might find my presence objectionable, but that’s neither here nor there as long as my clients choose to keep me on retainer. If you don't like it, you’re free to leave and we can negotiate with Mr. Rankin directly.”
He said nothing. Scott was never at a loss for words unless he was well and truly pissed, the force of his intelligence diverted into barely suppressed anger. You could've heard a pin drop in that conference room. His hands were on top of the table, tense, almost shaking, and the rise and fall of his chest was visible even to you. Against your will, your brain threw up images of those same hands holding yours, threaded through your hair, brushing gently against the small of your back; those same arms drawing you close; the same mouth smiling.
You cleared your throat, shuffled a few papers around, and once again addressed the general room and Mr. Rankin. “Now, if you turn to page 16, you’ll see that Mr. Rivera is willing to formally sell his share of StormPAR for less than he’s entitled—if both Mr. Miller and Mr. Riggs agree to desist in interference with StormLab, which, need I remind you, was founded two-thirds of the way with assets entirely independent from the former. If this action’s purpose isn’t frivolous, then Mr. Owens and Ms. Carter should be removed from this suit.”
“Like hell,” Scott interrupted, prompting Javi to fire back with:
“What, you think we’re not good for it? I’ll have you know—”
“You expect me to believe you started your little company on the merits of an NWS salary and a fucking YouTube channel?”
Out of the corner of your eye, you saw Tyler lean forward, ready to pounce. Rankin muttered, “Language,” and pushed his eyeglasses up his nose. You knew he was a personal friend of Scott’s uncle—you could also tell that he would rather be out on the golf course than in the middle of this friend-divorce and embarrassing squabble, one where his input seemed superfluous and his counsel went unheeded even by his client.
Scott went on, full of accusation. “You used StormPAR money, didn’t you?”
“If you want to request any financial disclosures…” you began.
“We’re talking.”
Bitch. “No, you’re berating,” you shot back.
Javi put his hand on your wrist. “It’s fine. Yeah—I guess if you want to look at it that way, if I was making a living off StormPAR and taking Riggs’s money, then yeah, technically my share of StormLab exists because of what we had.”
“Javi.”
“No. Fair’s fair and all that. I don’t want any part of it anymore. Hell, you can have it. But come on, man, don’t pretend you’re doing any of this because you’re broke. Even if I gave you half of whatever StormPAR’s worth, it wouldn’t make a difference. You’re mad that I left. I get it. Let’s settle this, you and me. Leave Kate and Tyler out of it.”
“You stole our data!”
Now, that couldn't stand. “He made the executive decision to share data with Mr. Owens’s team.” Sure, it was a technicality but it was a true technicality.
“Bullshit!”
You sighed. “Are we getting anywhere here, Rankin?”
The lawyer glanced down at his watch and shook his head almost mournfully. “It’s not looking likely.”
“Wonderful.” You stood up, gathering your things and motioning for Kate, Tyler, and Javi to do the same. “Well, we’re all very busy people and clearly meeting in-person is counterproductive. Shall we agree to make this a video call next time? My clients have places to be.”
“I’ll bet they do,” Scott mocked, staring not only at Javi but at his new partners for probably the first time all afternoon. “How’re your investors doing, by the way, knowing you’re getting sued for infringement, breach of contract and fiduciary duty…”
You wanted to strangle him. In a voice that matched him venom for venom, you turned to your assistant and said, “Did you get that on record, Abby? Please, keep going,” you urged Scott, “you might just win us a dismissal.”
After a moment of charged silence, you told your clients: “We’re done here.”
“You’ll be hearing from me,” said the reluctant Mr. Rankin.
You snatched the chrome door handle from Tyler. “Boy, am I looking forward to it.”
Outside, you didn’t stop until you’d turned the corner into another section of the office, not wanting to be within eyeshot of Scott when you gritted your teeth and let the mask of cool indifference fall.
“Well, that went…” Tyler trailed off, leaning against the metal doorframe of Copy Room 3. The smell of toner and ozone was strangely comforting, bringing you back to your professional self now that Scott and his stupid, handsome-as-ever face were out of view. That, and you were noticing that Tyler Owens in a corporate-adjacent setting didn’t sit well with you; you couldn’t decide whether it was the outdoor tan or the in-your-face belt-buckle that gave it away. Regardless, he seemed too big for the confines of a downtown law office.
“It went like a garbage fire,” you confirmed, “which means about as well as I expected.”
Kate crossed her arms. “So we’re going to court, then.”
“I’m going to keep pushing for him to drop StormLab from the suit.”
“That just leaves me,” Javi remarked, downcast, but still willing to take one for the team.
“I mean, Javi, dear, you did abandon the partnership without ironing out all the kinks first.”
“How was I supposed to know I needed to hire a lawyer?”
“Um, literally everyone knows you’re supposed to hire a lawyer,��� said Tyler, “especially if you’re dealing with someone like Textbook Type A over there.”
Javi ran a hand down his face, then shook his head. “What can I say? I-I thought he was my friend.”
“I know.” You clapped your hand on Javi’s shoulder. I understand. “But sometimes all that does is make it worse.”
After a bit more commiserating you parted ways with the three, hanging back with Abby to touch base on a few points and clear up the rest of your schedule, which included a deposition in an hour-and-a-half and witness prep at 4:30. Understandably, you were in the mood for none of this and wanted nothing more than to retire to your apartment with a glass of red and a bowl of popcorn as big as your head à la Olivia Pope, but alas… you were trying to make junior partner.
No rest for the wicked and all that.
You released Abby for a late lunch and made your way to the bank of elevators after a brief pit stop at the restroom, side-eyeing the fancy automatic taps and the whiff of something hotel-like emanating from the vents. You’d have to tell the office manager at Conway & Fine to up your game.
Fishing your phone out of your bag, you pushed the elevator button and began scrolling through a frightful amount of emails—there were intraoffice communications and check-in requests from clients, a few items of junk not caught by the email filter, the latest newsletters from PennAlumni and the Oklahoma Bar Association, as well as an invitation to an old mentor’s golden anniversary celebration. You were in the middle of responding to this when Scott sidled up next to you, giving no indication other than the familiar scent of his cologne and the tap of shined leather shoes against the polished tile. Of all the bad luck…
“So what is this, some kind of a decade-old revenge plot?” he finally asked, disconcerting you with the fact that he was standing so close to you that you couldn't glance at his expression without craning your neck. “Maybe I should’ve expected it from you, but Javi? I didn't know he had it in him.”
“Go away, Scott. This is business.”
“Really, is that what you want to call it? He could've hired anyone.”
“Well, he chose to hire a friend.”
“Right…” A laugh. Dry, cynical. “And what's your excuse?”
You stared at the light above the door, willing it to flash green and put you out of your misery. “Believe it or not, my taking this case has nothing to do with you. Forgive me if I thought you could be a fucking adult about it—clearly I was wrong.”
Ding!
You walked into the elevator without looking back. As parting words went, you thought they passed muster. Except, instead of being a regular person and taking the next car, Scott followed you in, ignoring the outrage written plain on your face.
You looked at him as if to say, “Do you mind?” It was obvious that he didn't. Whatever composure he’d lost in the conference room had been regained now that it was just you, and him, and the shared knowledge that you would have avoided being alone with him if you could.
He stood next to you, towering. As the floor number inched downward from 22, you were all too aware of his presence: the Scott smell of him, the warmth of his body, and the brush of his dark linen jacket against your arm. You wished you handed discarded your own in the restroom; you needed armor, and while Scott had donned his as soon as he was able, he had caught you unawares, expecting him to play fair even when all the evidence of the last two hours had told you that “fair” was no longer in his vocabulary.
As if to illustrate the point, you felt him lean in, his voice the closest it had been in over six years. “You always did love making a show of taking the moral high ground. How’s the view, sweetheart? You must love getting the chance to look down on me for change.”
“What the hell is wrong with you?” Not bothering to contain your disgust, you stepped away from him, clutching your bag in a white-knuckle grip. For a moment you felt struck by lightning. There was a time when you knew the planes of his face better than your own—the slope of his nose, the variations of blue in his eyes; you knew the shade of his hair in every light; how to tell a false smile from the true. But this Scott… the one with the shuttered expression, the see-if-I-care set to his shoulders, “how’re your investors doing, by the way”… It wasn’t like those things came out of left field—Scott had always been capable of a certain amount of pride, petulance, vindictiveness, even. But it was like the best parts of him had been filed away, or else hidden so deep that you couldn't find nary a sight of them when you looked into his face. “What happened to you?”
You saw his jaw clench. “If you want to know, then you shouldn’t have left.”
8…
7…
6…
You took a breath. “That whole last year—you pushed me away and you know it.”
Instead of answering your honesty in kind, Scott hitched up his sleeve so he could glance at the time on his fancy Swiss watch, a present from Good Old Uncle Riggs on the event of his graduation from MIT. “Yeah, well, you made it easy.”
4…
3…
2…
The doors opened onto a vast lobby. Incredulous, you kept waiting for him to take his words back, to apologize, to so much as glance at you, damn it. When you saw there wasn't any point, you swallowed the knot in your throat, stepping out of the elevator car and feeling twenty-one all over again.
This time, he didn't follow you. He leaned against the back handrail, not reacting even when you mustered every remaining ounce of dignity to say, “Go fuck yourself, Scott.” Then you turned on your heel and walked away.
TEN YEARS AGO PARK HAVEN, PENNSYLVANIA
Once more on your bedroom floor. Scott sat at your back, his arms wrapped around you and his head bent over yours. “Hey, listen to me… we’ll make it work. I’ll call you every day.”
“With a full slate of classes? That doesn't make any sense.”
“I don’t care if it doesn't. Hey,”—he kissed your temple—“it’s you and me. That doesn’t need to change”
“You say that now…”
“Don’t you trust me?”
“Of course I do.” You sighed. “It’s the hot nerds I don’t trust.”
You felt him laugh. “You’re a hot nerd.”
“Stop it.” But you smiled anyway, probably for the first time since you’d opened the rejection letter from Harvard. Concerned, your mom had called Scott while you were holed up in your room, ugly-crying into the bedspread, and it was enough to make you regret having been so bitchy about her the week before. She really had been trying to help… not that it mattered now that Harvard had given you the hard pass.
It wasn’t like you had no other options—you’d have been crazy not to line up a contingency plan or two. But Harvard had been your dream since you could remember caring about college. It was your castle in the sky, the thing that kept you going through four years of grueling hard work, a neverending grind of AP and Honors classes, student clubs and extracurriculars. And still it wasn’t enough.
“We regret to inform you…”
Well, not as much as you regretted it.
As if reading your mind, Scott wrapped his arms a little tighter, his tone light when he said, “UPenn’s nothing to scoff at, you know. You’re upset because you got into an Ivy League?”
“An Ivy League in Philadelphia,” you protested.
You didn’t add “and not the one I wanted” because you knew, objectively, that he and your parents and Ms. Andersson, your favorite teacher, were all right. You were incredibly lucky to have gotten into the University of Pennsylvania—the campus was beautiful, it was close to home, and, like Harvard, it boasted its own fair share of Supreme Court Justices and legal luminaries. It wasn’t like your future was in complete and utter shambles. You would still have everything you wanted… except Scott.
You felt him shrug behind you. “So what? It’s just a five-and-a-half-hour drive—or an hour-and-a-half by plane if we’re desperate.” You shifted so you could shoot him a funny look. “I might have googled it,” he admitted, “right after you told me you got in.”
“Of course you did…” The fact that he had started making plans without waiting on Harvard made you feel better; it meant he had every intention of making it work and maybe you were the downer, seeing the situation as near-hopeless when, really, there had to be couples who didn't let physical distance stop them from being together.
Glass half-full. All you needed was a little faith, a little more optimism.
“At least we’ve got the whole summer,” you said, trying to implement this new, sunnier outlook.
You felt Scott stiffen.
“What?” You turned around properly, anchoring your hand on the side of his neck. You had a minor panic when he wouldn't look at you, and at the guilt written on his brow. “Tell me,” you said.
“Uncle Riggs wants me to spend the summer down in NOLA—something about getting to know me better. I think he must’ve worked it out with Mom. She’s finally put the house up for sale, doesn't want me around when strangers start traipsing through and asking about whether or not she’ll throw in the vintage furniture for an extra few grand.”
At last, after years of painful back and forth, the Miller divorce was imminent. True to Scott’s prediction, “poor Pamela” had hired an attorney and filed paperwork on the very week he climbed through your window. So far his dad had been uncharacteristically passive, perhaps figuring he had put his family through enough, or else fearful of the very same Marshall Riggs who had been summoned from the rafters to come through for his sister after a period of long estrangement.
It was Riggs who had retained Pamela’s ace divorce attorney, Riggs who agreed to pay most of Scott’s tuition. Spending a few months with him seemed like the least he could do. You were disappointed. But you understood.
“When do you leave?”
“Two weeks after graduation.”
“So we have a month,” you said. “That’s thirty days.”
“More like twenty-six… and three quarters.” He smiled the same wistful sort of half-smile that was on your face, and you kissed him, savoring the familiar taste of mint on his mouth from the gum he chewed out of habit.
“Then let’s not waste a second,” you answered back.
He placed a kiss on your forehead. “I love you.”
When he said it, it sounded like a promise that everything would be all right, and in spite of your worries you chose to believe him.
PRESENT DAY OKLAHOMA CITY
For the last ten minutes you’d had trouble hearing Kate’s voice clearly over the phone, but you figured it was to be expected since she was calling from the middle of nowhere (at least to your urban- and suburban-bred estimation), and really, after almost three months of similar experiences, you’d grown tired of plugging your ear and saying, “Kate? Kate? You’re breaking up!”
On the upside, your cognitive skills had to be getting a real workout from filling in the weather-induced gaps in your conversations. Case in point:
“—bad luck with the last two, but I—feeling—building in the east—”
“Yeah, her Spidey Senses are tingling!” you heard Javi yell in the background.
Kate laughed. “Go away!”
“Ask her if she caught the livestream!” Tyler said, no doubt from the driver’s seat.
It sounded like she had you on speakerphone, so you spoke to him directly. “Ty, need I remind you that I have an actual job.”
“Ouch! Did you hear that?—thinks we don’t have real jobs!”
“I did not—”
The clarity improved, and you could hear the sound of car doors slamming and voices cracking jokes in the background, which usually meant they’d returned to Kate’s mother’s farm in Sapulpa, where StormLab kept a satellite office in Cathy Carter’s barn. It was makeshift, but what you saw of it during one of Tyler’s Facetime calls had a rustic charm completely at odds with the glass-and-chrome offices where Herb Rankin worked.
Actually, now that you gave it a moment’s thought, not even Herb Rankin fit into his office.
“Listen to her, the Big City Bigshot slumming it with the rednecks,” Tyler went on, earning a few spirited hoots and howls from the other Wranglers.
“Kate is from New York!” you objected. You waved an arm in the middle of your dim-lit apartment as if anyone could see you, vaguely aware that you were holding a pair of chopsticks and had probably sent a strand of shredded cabbage flying behind your couch.
This assertion was too much for Javi to bear. “Excuse me! Kate is OK to the bone, New York’s just where she keeps her apartment.”
Kate laughed as she said something you couldn’t catch, then Tyler’s voice came, audibly close to the phone. “Hey, that reminds me, where’re you from, again?”
“Pennsylvania.”
“That is not a Philly accent.”
You were about to say that not everyone in the Commonwealth of Pennsylvania sounds like Rocky Balboa when Javi replied, “That’s ’cause she’s from the fancy part of Pennsylvania—but we don't hold that against her.”
“Gee, thanks.”
Tyler asked, “Wait, you’re not billing us for all this shit-talking, are you?”
You let out a snort, picked up your phone, and held it close to your mouth. “You know, maybe I should, Arkansas.”
At first you couldn’t work out what the hell was going on when Tyler broke out in “It's the spirit of the mountains… and the spirit of the Delta… it's the spirit of the Caaapitol doooooome,” but by the time the other Wranglers pitched in, with all the gusto of a drunk karaoke night despite being stone-cold sober, you understood that you had been treated to a rare and hopefully never-to-be-repeated rendition of one of the state songs of Arkansas. A short while later you hung up, cheeks sore and still laughing to yourself. The silence in your apartment was deafening by comparison.
Sometimes, you called them just because you lacked company. There wasn’t much to report on the Rankin front—as much as you had tried to negotiate on Javi’s behalf for a less hostile resolution, Scott insisted on keeping Kate and Tyler in the suit and seemed determined to take their tiff before a judge if his terms weren’t met.
Even Rankin seemed fed up.
Maybe it was a bad idea, maybe it was the two glasses of wine you’d had with dinner or the post-ballad high. Maybe you wanted to be the one to make StormLab’s problem go away. Whatever the reason, after you put the dirty dishes in the sink, you found yourself calling the one person you swore you’d never speak to ever again.
For good measure, as the dial tone rang you poured yourself another glass. When he answered, you nearly choked.
“Can we talk?” you managed to ask, swallowing down a mouthful of Syrah. There was a long silence on the other end. You didn't know if he had your number saved, if he knew who had called him, or whether he’d recognized the sound of your voice. You remembered that the last thing you had said to him was “go fuck yourself,” and added it to the mental list of why maybe you shouldn't have called him after all.
Tyler’s impulsiveness seemed to be as contagious as a rash.
Scott answered: “Not without my lawyer present.”
Okay, fair. Play stupid games, win stupid prizes. He sounded clipped, like he’d rather be lowered into a tank of leeches than be on the phone with you. You were reconsidering the wisdom of your actions when he asked, “What do you want?”
Your eyes darted around the living room. Thinking on your feet wasn't new to you, it couldn't be, in your profession. But a part of you knew you’d taken a stupid gamble in pressing the call button, and now that the die was cast, you had to make it count.
You opted for the aggressive approach.
“Rankin says you're being uncooperative.”
You could feel the animus on the other end. “No, he didn't.”
“It was implied. No one wants to keep drawing this out, Scott. So, come off it. What is it that you’re actually looking to get out of all this?”
If he opted to tell you to go fuck yourself, you figured it would be fair play. This really was business, and not having to look him in the eyes made it easier to feel the rush of adrenaline that came with making a risky move in the name of work. You knew that technically, and in the strictest interpretation of the word, reaching out to another lawyer’s client crossed the line into inappropriate, but you were also a couple years beyond green. If you could cut out the middleman and get Scott to come to the table in a serious way, it would all be worth it. And Rankin could go back to playing 9 holes without losing face in front of his old school mate Riggs.
You waited for Scott’s response with bated breath.
“I want StormLab run into the ground.”
The answer came as no surprise but his tone did. Dark, intense, almost as bad as one of the nights he snuck into your room after a fight with his dad. It was the one and only time you’d ever heard him say he hated his father—his lack of control, his thoughtlessness, his inability to keep his word. Afterward he’d pretended he never said it, or rather, he was careful to never bring it up again, but you knew he had meant it.
And he meant it now. He wanted to take StormLab down. He’d succeed over your dead body. Javi and the others were counting on you.
You moved the phone to your other ear. “Right, well… that's not gonna happen, so any other alternatives?” You could feel he was about to end the call, so you tacked on, “Wait, just… hear me out, okay? Forget about Tyler and Kate—this isn’t about them, really, this is about StormPAR. Compromise on this one thing and you have a better chance of being compensated for what went down last year. You and Javi can just… move on with your lives. On paper it's about money, right? Riggs’s investment? So let’s settle this as soon as possible.”
“You and me?”
“And Rankin,” you added, your conscience getting the better of you.
There was a pause before Scott repeated, “You and me.”
“I don’t…”
“That’s my final offer.”
Alarm bells of a different sort rang in your head. On the phone was one thing, but in person, alone? Could you really sit across from Scott and keep your cool?
You had to. More than that, you wanted to prove to yourself that you’d grown up since you were twenty-one, that you were assured and confident and could handle messy things like sitting across from your ex. There were many things you regretted from that time; the one you regretted most was a reluctance to stand up for yourself. What was Tyler always saying? You don’t face your fears, you ride them. Frankly, you still weren't sure what the hell he meant by that, but it sounded a lot like “put your money where your mouth is.” At some point you had to choose to take action.
“Okay, fine,” you said. “When and where?”
“You busy tonight?”
You scoffed, casting a glance at your open laptop and the piles of paperwork lying on top of the coffee table. “I’m busy every night.”
“Perch. In an hour. Don’t be late.”
THREE YEARS AGO PARK HAVEN, PENNSYLVANIA
As a rule you’d been avoiding your hometown for the last three years, ever since your breakup with Scott. It was easier to stay in Oklahoma, where the possibility of running into someone who knew the Millers or would ask “are the two of you still together?” was slim. After your father died, you started to regret being such a coward. So much lost time… although your mom kept telling you that your dad understood the need to have your own life and never held it against you.
You held it against you, and all the more when your mom decided to downsize and move in with a friend.
After requesting two weeks off you got on a plane to Philadelphia and drove south to Park Haven to help her pack. You stayed up late, wore holiday pajamas, filled your hand with paper cuts, and inhaled about four pounds of dust in the attic. It was nice to spend time with your mom. All the old grievances seemed minor in comparison with the massive changes that lay ahead. Always one for sentimentality, sorting through boxes full of clothes, keepsakes, and old mementos put your mom in an especially chatty mood, and you soaked everything in, not having realized before how little you knew about your dad. He was so reserved in life, so buttoned-up, with clear expectations of himself and others that you were surprised to learn about his stint in an amateur dramatics troupe, the year he tried his hand at playing the alto sax, his fear of geese.
“Geese?” you asked your mom.
“Yes, geese. Those fuckers are vicious!” Having never heard your mom swear before, you froze while elbow-deep in a box of photographs dating back to the 70s. All she did was shrug and finish the rest of her margarita while lightbulbs flashed on her navy blue Rudolph sweater. “What do you want me to say? Parents have secrets, too.”
“Well, I think this parent went a little hard on the tequila,” you said.
Your mom plucked a faded Polaroid from the box. “You know… he didn’t look it, but your dad was actually a lot of fun. We both were. Then… life gets in the way, you start caring about PTA meetings and getting the HOA off your back…”
“Fuck the HOA.”
“Right on! Can’t say I’ll miss any of those jerks.” She sighed, and with a little shake of her head, put the Polaroid back in the box. “Sometimes I worry—” She stopped herself and glanced at you nervously.
“What?”
“Sometimes I worry that you think about us, about your dad and me, and that you don’t see us as having ever been in love. Especially after you and Scott—”
“Mom,” you warned.
“I know, I know, me and my big mouth.” She held up her hands, chuckling to herself. Normally you’d seize the opportunity to change the subject, but you were thinking a lot about how you could’ve been a better daughter, all the times you shut the door in their face because you didn’t want to feel scolded or uncomfortable, because you weren’t interested in what they had to say.
Your mom was trying to respect your privacy. The least you could do was not leave her with the impression that you thought she had a “big mouth.”
You reached across the box and touched her arm. “That’s not what I meant.”
“All I mean is… I know you’re not dating.”
“How do you know that?”
She grinned. “Mothers have their ways. I just don’t want you giving up, is all. If Dad and I weren’t the model marriage—”
“What are you talking about?” you asked. “Half of my friends have divorced parents. And even if you were divorced, the whole ‘nuclear family or you’re a failure to society’ thing is so five-decades-ago.”
“Well, good! Because I was happy—I want you to know that. Maybe it wasn’t the sort of romance people write songs about—God knows your dad had his faults. He wasn't perfect. No one is. But when you love someone… it’s less about keeping score and more about what you build. Together.”
She looked off to the far wall, where their wedding portrait sat propped in its frame, ready to be wrapped in old newspapers and put away. You turned around and looked at it, too—at your mom’s curly updo and poofy skirts, the sleeves that looked like pool inflatables, at least to your modern eyes, at your dad before his hair went gray, the sheepish smile on his face like he couldn’t believe he’d gotten away with the steal of the century.
You’d gotten so used to its presence in the living room that you couldn’t remember the last time you gave it more than a passing glance.
Lit by an alternating flash of blue and purple lights, your mom’s face was cast in an otherworldly glow. Then the spell was broken, and she was your mom again in an ugly Christmas sweater, smiling fondly at an old memory to which you weren’t privy. “For some reason, we brought out the best in each other. That mattered to us more than anything we ever did wrong.” And that was that, a twenty-nine year marriage summed up in a few sentences.
You said, “I guess that does sound romantic… in a super-practical, boring, construction-analogy sort of way.”
She laughed and threw a wadded-up newspaper at your head.
“Dad never liked Scott,” you said after a while, rolling the ball between your hands.
“What makes you say that?”
You threw her a pointed look. Her expression said, Oh, alright.
“He wasn’t disapproving, exactly. He was worried about you. Who wouldn’t be? Your first boyfriend, your first love… I don’t think he was quite ready to see his teenage daughter all head over heels over some guy on the baseball team. And the Millers, well… they had their issues, as a family. Maybe your dad didn’t want you becoming collateral damage. But, oh sweetie,”—it was her turn to touch your arm, Rudolph’s nose squished against the cardboard—“it was never about Scott. When you told us you were engaged, we were so pleased for you! And then a few months later… just like that…”
You swallowed the knot in your throat. How much time would have to pass before you could think of Scott without a tidal wave of sadness hitting you square in the chest? Collateral damage, that was one way of putting it. “I guess Dad was right, after all.”
“He never said ‘I told you so,’” your mom pointed out, “and he never would’ve wanted to.”
You squeezed her hand. “Yeah, I know.”
A phone call from your mother’s friend Rose prompted a break in packing. She went into the kitchen to discuss sideboard dimensions, and you went upstairs, where you were slowly going through your childhood bedroom and putting things in boxes marked Keep and Donate, or else in bags to be discarded when trash day rolled around.
You were almost finished, the walls empty of medals and photos, the corkboard of mementos lying in the recycling bin outside. Already it felt like a bedroom that had belonged to someone else, and while you were sad to know that, after the house was sold, you would never step foot in it again, the process of taking things down one at a time had given you a sort of detachment. There were items, like the snowglobe your friend Tash gave you when she got home from a skiing trip in the Alps in the seventh grade, that you had once thought you could never do without. But now Tash lived in LA with her wife and kids, and you hadn’t spoken much since high school except for a few text messages now and then.
You’d decided to keep the globe but you knew it would live in a box in your closet, a relic rather than an everyday part of your life in Oklahoma.
Speaking of closets, you tackled the wardrobe next, marveling at how many items would be considered “trendy” now that the fashion cycle had taken a turn—or God forbid, “vintage.” There were stuffed animals shoved into the top shelf, your old 50 State quarter collection, debate club certificates, a landscape picture from your senior year mock trial, and a shoebox falling apart at the seams.
You took it to the stripped bed with shaking hands, knowing you’d been dreading this most of all but that it had to be done, so why not now.
After you broke your engagement off with Scott, you’d gone home to lick your wounds. This was before you found a job, before you decided to move to Oklahoma on the literal toss of a coin, knowing only that you couldn't stay in Pennsylvania and that you needed a fresh start. Left with no other options, home had been your best bet, even though the weeks spent living with your parents and avoiding their worried questions had seemed at the time like cruel and unusual punishment. When you moved out you had left something behind, hidden beneath seashells and baubles and silly notes you had passed during class, movie stubs, train tickets, an inexplicable piece of gum, the collar that had once belonged to Clover, your old childhood dog.
You lifted a school ribbon and found it: a blue velvet box with a golden clasp. Your heart pounded in your ears. You took a deep breath, let it out again before lifting the lid… and there it was, glinting in the light of late afternoon.
“Honey, Rose wants to know if you’d like to join us for dinner at her place!”
Box, ring, and all tumbled onto the hardwood. Though you were alone, your mother calling to you from the bottom of the stairs, you felt incredibly guilty. “I’ll be right down!” you yelled back. You got on your hands and knees and slipped the ring back in its cradle.
It felt dangerous somehow, like a live grenade. But you couldn't get rid of it. When you went back home at the end of the month you packed it at the bottom of your suitcase and it’d been living with you ever since, moved from closet to closet, unseen but never quite forgotten.
PRESENT DAY OKLAHOMA CITY
The jewel twinkled in your hand, an oval diamond surrounded by small clusters and set in a ring of yellow gold. It was one of a kind. Scott told you he found it at an antique jeweler’s who dated it to the summer of 1880; it was a genuine Victorian piece, and for nearly four months it had been your most prized possession.
The same foolhardy impulse that made you call Scott and agree to meet him made you dig it out of your closet, right after you spent twenty minutes agonizing over what to wear and the state of your hair. This isn’t a date, you kept reminding yourself. If anything, it might be a trap. He was, after all, Marshall Riggs's nephew.
Letting your lesser sense win out, you slipped the ring on your finger and watched it catch the light. It truly was a beautiful ring. And it was sentimental, as though its selection revealed a hidden truth about Scott.
Its weight on your hand, present and comfortable, calmed your racing thoughts and the nerves roiling in your belly. You kept it on as you dressed and got ready, then chalked it up to a desire for punctuality when you rushed to the elevator, through the lobby, and into your waiting Uber still wearing it. The driver’s presence snapped you out of your momentary lapse in sanity. They were chatty, and the more you talked about work and the weather and what you liked doing in the city, the sillier it felt to be wearing your ex-fiancé’s engagement ring. Before getting out, you stuck it in the pocket of your linen duster… which was also, admittedly, kind of a stupid thing to do.
(You blamed Tyler for all of it.)
Located at the top of a fifty-floor high-rise, Perch was a bar and restaurant with full views of the city and a James Beard Award-winning chef. The atmosphere was relaxed and unfussy, the lighting unobtrusive, and the cocktails reasonably priced. At the door, the vest-clad host directed you through the assemblage of diners and beyond a decorative glass partition to the tables reserved for business meetings, minor celebrities, and men who didn’t want to be seen with their mistresses. Scott was there in rolled-up shirtsleeves. You watched from a distance as he rubbed his stubbled cheek and his pointer finger came to rest at the seam of his lips.
You would not stare at his mouth or let your eyes linger anywhere on his person. This was business, goddammit.
But hell if he didn’t look good. You hated that after all this time you still found him maddeningly attractive.
“Seriously?” he asked, casting a pointed look at the portfolio in your arms.
“Well, this isn’t a social call.”
“By all means.” He gestured at the seat in front of him, mockingly formal. You glanced at the coupe waiting on your side of the table, a cheerful yellow with a perfect white foam on top and a twist of lemon peel. “I took the liberty of ordering your usual.”
You sat down and set the portfolio to one side, adopting an air of casual indifference. “Actually, it’s not my usual anymore.”
“Really?”
“But thanks anyway. So, from previous conversations with Javi—”
“What is this mythical new usual?”
“Are you kidding?” you balked, narrowing your eyes.
“No, I’m just curious.” He propped his chin in his hand. Maybe lying had been a petty move on your part but you’d be damned if he forced you to backtrack and you came out of this looking a fool.
“I hate to be the one to tell you this, but at some point you’re gonna have to learn to live with uncertainty. Anyway—”
“You don’t have a new usual.” Scott smirked. “It’s still a gin sour and you’re just being difficult.”
“Difficult… Wow, okay! We”—wagging your finger in the space between you—“are not together anymore, so these mind games you’re trying to play are highly inappropriate and also kind of a dick move—”
“A dick move!” he repeated.
“Yeah, a dick move! Which I know is, like, your whole personality now—”
“Is it?” he laughed.
“—but I’m trying to settle this like an actual grown-up and all you’ve done for three months is make that very difficult for everyone involved!”
He rolled his eyes. “This is such a fucking boring conversation.”
Incensed, you had the fleeting thought to throw your drink in his face, but people only did that in soap operas. “You were the one who wanted to do this in person!” you fired back, shrill and drawing the attention of a server who promptly beelined to a different table and pretended not to hear. Which only made you wonder what sort of clientele frequented her section.
“And you were the one who called me,” Scott pointed out, “not the other way around.”
His being right made you even angrier. You had thought you were prepared, that magically you’d be able to have a civil conversation that settled the matter in a way that left you with your pride intact and StormLab the clear winner on the side of good. Clearly, you’d miscalculated. “You know what… fuck this.” After downing half your cocktail in a single gulp, you gathered the portfolio in your arms and made to stand before deciding that, actually, you wanted to get a few things off your chest first so that abandoning your PJs would be worth it. “I am so over this whole… fucking… stupid… mess. I’ve had actual divorces that were easier to mediate, Scott. Whole marriages—and not short ones either! Just take the fucking shares! Please… take the shares and go back to Riggs and leave us all the hell alone. We’re tired, okay? This is just… so unbelievably tiring. And fuck you, by the way—yes, it’s still a gin sour.” You finished yours, figuring that if Scott was paying, you might as well.
And now I’m ready to leave, you thought.
But Scott had other ideas.
“You spoken to your mom lately?”
“What?” You gaped at him, wondering if you were losing your mind. Was he? Was there a dimensional shift happening that you weren’t aware of?
“Pardon the observation,” Scott went on, “but you don’t seem… well.”
“Are you being for real right now?”
“I didn’t mean it like that.”
And how else could you mean it? was on the tip of your tongue. But the look on his face made you stop. No bullshit, no smug provocation. He was serious. Somehow, that was more unsettling than when he was fucking with you. It brought back too many memories.
“I was sorry to hear about your dad.”
He looked you straight in the eyes when he said it. You wanted to burrow into a hole in the ground—into him, if you were being honest. It didn’t matter how many years had gone by. A part of you was still twenty-seven and glancing at the door wondering if maybe, just maybe…
“Oh, I’m gonna need another one of these,” you whispered to yourself, stunned back into a seated position. The server came around and eyed your empty glass, asking meekly if you would like anything else. “I might as well,” you answered, sounding patently glum. All the while Scott kept a neutral expression, even waited until you had another drink—and a glass of water—in front of you, giving the server a soundless thanks before she scurried away.
Probably off to the kitchen to tell her coworkers about the crazy lady at B25.
“I thought about showing up to the funeral, actually,” added Scott when you had regained most of your composure. “But I didn’t know if I’d be welcome. Mom, being a firm believer in Emily Post, thought it’d be better if we skipped it. She sent flowers, though.”
“She what?”
“She sent flowers. Your mom never said?”
You shook your head. She must’ve been trying not to upset you. But you had been upset anyway, thinking about how Scott should’ve been there, how you had always expected him to show up and make things better.
All this time you had used his absence as yet another example of how little you must’ve mattered in the end. Which made no sense, because you were the one to break things off—and yet, that entire winter’s morning, you had bargained with yourself that if he showed up through those chapel double doors you would forget everything and beg him to take you back. It was too late for that. But knowing that he’d thought about going loosened a painful knot in your chest that you weren’t aware you even had.
You cleared your throat. “How’s your mom, by the way?”
“She’s doing all right. She’s part of a sewing circle, believe it or not.”
“Please tell me that isn’t a euphemism.”
“God, I hope not.”
You smiled involuntarily, picturing Pam Miller in her sweater sets and pearls. “I’m glad she’s doing okay. Your dad…?”
He picked up his drink, a Macallan on the rocks. It was his uncle’s drink, too. “I haven't heard from him in years. Guess neither of us ever saw the point.”
“Scott—”
“How’d you and Javi become an ‘us’ anyway? He never said.”
Fair enough. It made sense that he wouldn’t want to talk about his dad, let alone with you. But talking about Javi? When an hour ago he had admitted to wanting to bankrupt Javi’s company?
“I’ll be on my best behavior for the next”—he looked down at his watch—“fifteen minutes. Promise.”
“I don’t know, I think it’s better if we table all the personal talk,” you hedged.
“Better for whom?”
“Better for my clients. And better for me, too. We’re not friends.”
“We’ve never been friends,” Scott pointed out.
“Exactly. So why lie and pretend like we are?”
“Call it a term of this negotiation.”
“Scott…” Already this night was going nothing like how you’d planned. Your defenses had all the strength of a thin paper bag; he was in front of you, all dark-haired, blue-eyed, 6’4” reality and you weren’t unaffected. You wanted to keep talking to him, make the moment last… and all the more because you knew it had to end at some point. Scott would never be yours—not again. You’d made your peace with that a long time ago. But he has a right to know. Maybe if you could convince him that there was no grand conspiracy against him, he would be more amenable to Javi’s offer.
This is business, you reminded yourself. Redirect, bring it all back to StormLab.
“Fine,” you decided, settling in to tell the story of how you and Javi first met. “It happened maybe a year after I moved to Oklahoma City… I was out with a new friend and she took me to this bar after dinner to meet a bunch of people, one of whom was Javi. We get to talking, he tells me all about this new company he’s starting with a friend of his, says it’s a lucky coincidence or maybe fate having a twisted sense of humor because—”o
You broke off. You hadn’t considered how to broach this particular detail in the story. Obviously, Javi had no idea at the time how messy your backstory with Scott was. He had only thought to poke fun at his friend and seemed delighted to have solved a long-standing mystery for himself.
“So you’re the girl!”
“Come again?”
“The girl, you know. He has a picture of you in one of his old notebooks from college. What a small world!”
“What?” Scott prompted. You felt your face heating up and took a sip of water to hide it. You couldn't well omit the rest having already begun, but the knowledge that Scott had kept a photograph of you, whether by accident or otherwise, made you flustered then and it flustered you now.
You settled for: “He said he recognized me, and that he thought we might have a friend in common. Obviously, he meant you. He was dating one of Christa’s friends at the time—”
“Rachel.”
“Yeah. So he’d show up, be around… You know how Javi can be.”
“Like a persistent terrier.”
“Sounds like your kind of business partner.”
Scott looked away.
Not wanting to push things further in that direction just yet, you explained, “I work a lot, so it’s hard for me to make friends. Javi seems to make them wherever he goes. It’s nice having people like that in your life, to open you up, remind you there’s more to all this than billable hours and senior partner tracks. But we never talked about you. Not until this whole thing happened.”
“What thing did he say happened?”
Tread carefully now. Scott was watching you intently—if you said the wrong thing it might start a new argument between you and make his relationship with Javi a hell of a lot worse. In polished business-speak, you recited: “Just that you had a fundamental disagreement about the direction of the company.”
Your reward was a skeptical laugh.
“Also, that he might have left you on the side of the road during a tornado… which he feels bad about, by the way.”
“Not bad enough.”
“Scott, you can’t really want to ruin him, can you? I mean, this is Javi we’re talking about.”
“That’s not part of this discussion.”
“Okay?” you shot back. “I don’t remember agreeing to that condition.”
“You’re still at this table.”
“And that can easily be fixed!”
“All right, calm down.” Maybe it was you in danger of starting another fight. Scott, holding up his hands in a show of good faith, said, “I thought we were playing nice here, being civilized, acting like adults… What else have you been up to?”
“You want to know about my life?”
“Like I said, I’m curious. And seeing as this is a momentary parley, I plan on making the most of it.”
Again, you took in his face in search for any signs of subterfuge and found none, only the barest hint of levity in his eyes at your willingness to argue. It reminded you of the old days, when Scott would delight in teasing you for the sole purpose of seeing what your reaction would be. “Fine. But it’s going to be quid pro quo,” you demanded. “Call it a term of this negotiation.”
His mouth curved into a smile. Then he held out his hand across the table and waited for you to take it before saying, “Term accepted, counselor.”
In the end, playing nice with Scott turned out to be a lot easier once you’d established a few ground rules, mainly the stipulation that either of you could say “pass” if you weren’t willing to answer a question.
You went through the whole gamut of discussing your first jobs after college, gossiped about the old Park Haven crowd, the who-married-who and the who-got-divorced of it all. It turned out that, like you, Scott hadn’t returned to Pennsylvania much in the last few years. StormPAR kept him traveling through the Great Plains for most of the spring and summer, and during the rest of the year he lived in New Orleans, where Riggs and his mother lived. You got the sense that his life revolved around work, and that StormPAR, while not the be all and end all of his professional fate, had been an important part of it until Javi called it quits. You figured this explained, in part, why he took the loss so personally, and though you kept your thoughts to yourself you lamented that his one attempt to branch out for himself and away from his uncle—if you could call taking a major investment from Riggs “branching out”—had gone badly.
Either way, by the end of the evening you felt you’d been a little hasty in believing the old Scott had left the building for good. You exited Perch in higher spirits, glad to see that the night was clear and that the air felt good on your cheeks. When he asked if you were getting a car, you shared your desire for a long walk and he responded with mild horror until you explained that you didn’t live far. “Maybe twenty minutes? Thirty at most.”
“I’ll walk you home,” he insisted. You didn't argue because you were secretly pleased. The only thing you had to guard against was the urge to take his arm as you used to do. You felt giddy with it, which you were sure had to be the alcohol, but it was also the fact that Scott was here, in the flesh, that you were cracking jokes and sometimes even pulling smiles from his otherwise deadpan expression. You’d forgotten how that could make you feel like you’d won the jackpot.
“I’m sorry, I know you’re going to take this the wrong way,” you prefaced while walking backwards on the sidewalk, “but I have a really hard time imagining you as a storm chaser.”
“Excuse me!”
“I mean…” You stopped and full-body gestured. “I mean, look at you!”
“What?”
“Even your slacks are pressed!”
“Objection, why are you studying my slacks like a degenerate?”
“Don’t make it weird,” you replied, and fell into step beside him, if only to keep him from seeing that you were embarrassed by the implication that you might’ve been checking him out. “All I meant to say was—”
“That I don’t look like a rugged adrenaline junkie? Maybe ‘Rodeo Clown’ is more your thing these days.”
“Don’t—Tyler’s actually quite decent, you know.”
“But you knew exactly who I was talking about.” Scott snapped his fingers as if to say, Gotcha! as you ruefully shook your head. Something about Tyler Owens tended to evoke a Neanderthal-like competitiveness in certain men—Scott, being competitive by nature, fell for it all too easily.
“This is me.” You pointed at your building. It was a relatively new construction with climbing greenery and pop-out balconies where you’d lived for a year-and-a-half after a not inconsiderable raise, and the reason why you worked sixty hours a week.
“Can I come up?” Scott asked.
You whipped your head so hard that your temples throbbed. “That’s…” A no good, awful, terrible, ill-conceived, perilous idea?
Scott seemed to find your distress highly entertaining. “Jesus, would you relax?” he said. “I’m not asking to tuck you in—unless, if there’s someone—”
“There isn’t,” you hurried to say.
“Oh? How come?”
The knowledge that the man with whom you were formerly engaged was inquiring as to the current state of your love life with all the breeziness of do you have the time? was enough to make you believe in karmic punishment. “Like I said, I’m busy,” you managed to eke out, which only made him lift his shoulders as if to say, Then, what’s the big deal?
Scott Miller was good at that, getting his way.
“Fine,” you caved. “But only for ten minutes! Fifteen, tops!”
“Scout’s honor.”
In the elevator car you stuck your hands in your pockets, searching for your keys only to find the cold hard metal of your engagement ring. You looked guiltily at the oblivious Scott, who was staring at the floor display with a contented expression and was none the wiser about your having worn it earlier in the night like some kind of weirdo. Should you give it back? At the time he’d wanted nothing to do with it, but was keeping it the proper thing? Was it good for you to even have it?
At last you found your keys at the bottom of your purse. You opened the door, trying to remember how well you’d tidied after dinner as he walked in, inspecting everything. You watched as his gaze traveled over the open-plan kitchen and living area—the work files, magazines, and old mail stacked on various side tables; the midcentury beechwood couch you got for a steal at a secondhand warehouse when you first moved; the shelves, filled with books and framed photographs and trinkets you’d brought from home; and the view from your window, which wasn’t nearly as spectacular as the one from Perch, but it faced west, and if you were home during golden hour you could see the other buildings lit orange and gold.
“Yeah, this is exactly how I pictured it,” Scott mentioned at last.
“What do you mean?”
“I don’t know, it’s just… you,” he answered. Your stomach turned to knots. He made you feel seen like nobody else could, not least of which because you’d let him back when you were younger and less guarded. Your heart kicked wildly in your chest, urging you to go to him, go to him, explain everything, get him back, because he was the one. Then Scott looked away, pointing at a sad fern that sat on a pedestal next to your mounted TV. “You still can’t keep a plant alive worth shit.”
“Rude,” you fired back, grasping at levity in order to shove the other thoughts away.
Scott drifted back to your bookshelves, seeing a few paperbacks he must’ve recognized from your old room at Park Haven. “And yet you keep trying. Do you actually use any of these?” he inquired, motioning towards the half-dozen board games you kept piled on an open top shelf. There was Clue and Monopoly, Candy Land, Sorry!, Scrabble and Life.
“Sometimes,” you replied, “when I have friends over. Which hasn’t happened much this year, if I’m being honest.”
“Let’s play.”
You laughed. You didn’t believe him. He pulled one of the boxes out and took it to the coffee table and all you could do was stare, incredulous, as he took his jacket off and rolled up his sleeves, actually sitting on the floor and looking expectantly at you to join him.
“You want to play Life with me?” you challenged. “Doesn’t that seem a little…”
“And you call me uptight.” He waved you over, determined not to take no for an answer. “Come on, hotshot, live a little.”
Despite your better judgment, and after a moment’s panicked hesitation, you lowered yourself next to him. He still smelled the same, like rain and sandalwood and pine. You wanted to curl into his side and feel the rise and fall of his chest beneath your ear, like you’d done on the nights he spent hidden away with you in your room. You had never gotten to live together; all you had were countable memories of waking up next to him and thinking, One day… one day we’ll have this every day.
As he set up the board, all you could do was stare at his hands.
SIX YEARS AGO NEW ORLEANS
Marshall Riggs greeted with you a double-kiss at the door, one on each side of your cheeks. Then he held you at arm’s length so he could look you up and down. “Would you take a look at that,” he said to Scott, “pretty as a picture! I suppose this is the part where I welcome you to the family?”
It was midsummer in Louisiana, on the hotter side of balmy and with the cicadas out in force. Shortly before you graduated Scott traveled to Philadelphia and asked you to marry him. Saying yes had been a no-brainer. You were in love, had put up with four years of distance and near-breakups, and now here was the culmination of all your compromise, communication, and hard work. For a second there you’d thought it would end badly; you were both in highly-intensive undergrad programs, there was only so much you could hash out over phone and video calls, and you were young. The question of “do we really want to make a life-changing decision at twenty-one?” had crossed your mind. But upon further reflection you realized that the answer was yes—had always been yes. And Scott seemed to agree.
In the absence of his father, “meeting the family” entailed paying court to his Uncle Riggs, a man you had spoken to a few times, at holiday parties and summer outings hosted by Pam, now settled in New Orleans and much happier than you’d known her before. But all those other times, you’d met Riggs as Scott’s girlfriend. Now you were his fiancée, with a fancy law degree and a diamond ring and everything, and while you would’ve preferred keeping your distance you knew this was important to Scott—that Riggs was important to him.
So you put on a smile and indulged the old man. Do it for Scott, you said to yourself. You’ve come this far. No point faltering while you were at the winning stretch.
You bowed your head. “Thank you for having us, Mr. Riggs.”
“Please, just Riggs,” he laughed. “Or Marshall—but only my ex-wives call me that.”
You soon found he had a way of twinkling his eyes that made you feel like you were sharing a joke. As he pointed out the features of his home—the old tapestries, the mural commissioned by Candice, his second ex-wife, the wall he knocked down because he wanted to “open up the space”, and his plans to expand the front garden, which, as it was, made the house look like it was in the middle of a tropical rainforest—he regaled you with stories about the people he knew, going off on tangents and bringing it back to the topic at hand. He was genteel and witty, and though he carried himself with Southern indifference there was no doubt he had power: he cocked his head, and a woman in an apron appeared with a tray of mint juleps; Scott held onto his every word; and when you were led into a dining room that might’ve fit forty or fifty at least, it was taken as a matter of course.
He pulled out your chair and sat you at his right hand because it was “the place of honor,” and Scott smiled encouragingly. You were doing so well.
You only wished that you could feel it.
“So, you want to be a big-deal attorney,” Riggs announced, digging into a perfect roast chicken. “What kind? Criminal?”
“Oh, no,” you replied. “Civil all the way. I’ve got a few offers but I want to shop around, make sure I’m making the right first move.”
“The right first move!” He pointed his knife at you. “I like that. By any chance, are you a chessplayer, sweetheart?”
“Can’t say that I am. My family are more into board games, really. Colonel Mustard in the library with the candlestick?” you explained.
He got a kick out of that. But he was partial to chess. “Opening moves—if you look at the big picture, they don't seem all that important. But well, in that case, why the hell’re there so many of ’em? Napoleon Opening, Greco Defense, Bled Variation, Balogh Defense… Sometimes how a thing starts dictates how the rest of it’ll unfold, from midgame all the way down to the end. If you're gonna do something, might as well do it right the first time or so I always say. Don’t I, boy?” He turned to Scott for confirmation.
“Yes, sir.”
“Yessir…” Riggs chuckled, spearing a roasted sprout. The ends of his bolo tie shifted on his neck. A turquoise the size of an acorn sat between his collar, and he was dressed to the nines—for your benefit, the guest of honor’s.
Nevertheless, there was something of the austere in his eyes. You couldn’t shake it when he put down his fork and sat back, looking from you to Scott, nodding like a king about to give his blessing to a pair of kneeling courtiers. “Pretty as a picture…” he repeated. “Look at you both—young, on the cusp, and none too hard on the eyes, if I do say so myself. A real golden couple on our hands! To opening moves”—he raised his glass—“may we always know when to make the right one.”
You raised your glass to be polite.
Scott leaned across the table. “Before you ask, yes, he is always like this.”
His uncle laughed, clapped him on the shoulder, and called for “champagne! To my nephew and his beautiful bride!”
As the night wore on, you convinced yourself that any discomfort was all in your head. You worked your way through three dinner courses, all impeccably cooked, and by the time the doberge was served you decided that you had judged the man too harshly. Sure, he was old-fashioned, but he was also jovial, polite, and he clearly doted on Scott.
“How nice it is to spend some quality time,” he remarked when Scott left the table, saying Pamela was on the phone. She wanted to know what plans you had for the rest of the week, whether you were still on for the garden fête on the 25th, and what dates you were considering for your engagement party, whether that would be here or in Pennsylvania, but I really do think you’d better do it here.
“I’ll just be a few minutes,” he said to Riggs, leaving you alone with his uncle. Now he had focused all of his attention on you, the full glare of his eye-twinkle and magnetic allure. He wasn’t a handsome man; it wasn’t about his looks—which were well past their prime—but about the knowledge that he could get almost everything he wanted simply by wanting it.
“It’s a shame we never did this sooner,” he went on. “Why do you think that is?” You shifted guiltily. The truth was, Riggs had always made you a bit uneasy. He had a reputation as a difficult man—ruthless, exacting, guileful, hard to please, and he liked doing business in the gray, always legal but never quite on the up-and-up.
Over the last four years, you may have avoided him on the grounds of self-righteous principle, but you couldn't admit to that if you were trying to leave a good impression.
You hedged, “I’m afraid law school doesn't leave much time to spare.”
“Very true… Not that I would know—it was always too much book learning for me, I’m a man of action,” Riggs explained, sipping his whiskey and looking happy as a clam. He had polished off two slices of cake earlier, but only because we’re celebrating. “Now, my nephew… he’s a bit o’ both, isn’t he? Either way, he’s got too much of his mother in ’im.”
You frowned, wanting to say a word in defense of Pamela. Riggs waved you off. “Don’t mind me, I’m just a silly old man with too many opinions. It tends to rub people up the wrong way—don't think I haven't noticed!” Another laugh, another narrowing of the eyes that could have been humor but which you felt like a lightning strike down your back.
He knows and you’re making something out of nothing struggled for dominance within your head, and still he kept on talking, forcing you to pay attention and leave the question unresolved.
He pointed in the direction where Scott had gone. “That nephew of mine—I don’t have any children of my own, did you know that? It never happened for me. Four wives and nothing to show for it—imagine that! But that boy… good thing his father never knew what to do with ’im—smart as a whip he is, and like a dog with a bone once he’s got an idea in his head. That part I’d say he got from me,” he said with a chuckle, wagging his finger in the air. He gave your hand a few avuncular pats and then kept it there, meaty and warm.
“I can see that you love ’im… I can see that you really love ’im. What bright, young, sensible girl wouldn't? You should see him ’round the office! He breaks hearts left, right, and center wherever he goes—a real catch, my secretary always says, and she’s been with me since Scott was yea-high. He’s got his mother’s looks, which I’ll say not to sound too self-serving, heh!” A slight tug on your wrist. You kept your objections to yourself, saying, He’s just a strange old man. As your discomfort grew, stretched to its very limits, he removed his hand and was back to being an innocuous grandfatherly man again. He seemed a little sad, wistful, even. Almost frail.
“I don’t know what I would do without him,” said Riggs, staring at his empty plate. “I really don't. Oh, here! before I forget—I have something for you.” He reached into the inner pocket of his cream suit jacket, extracting a long envelope which he slid across the table with a paternal expression, his gaze warm. You began to object, and, “Go on, now!” he insisted. “I don't hold with false modesty! Nothin’ but a waste o’ time in my book. Open it! Call it a graduation present to help you get started. Scott said your old man was taking some time off from his job, feeling under the weather.”
You opened the flap to find a check with more zeros on it than you could’ve reasonably imagined, payable to your name and typewritten in official font.
“Mr. Riggs, this is…” Your hands shook, you felt too hot in the enclosed dining room. Where was Scott? What was taking him so long? You slid the check in the envelope and tried to push it back to Riggs’s side of the table. “There is no way I can accept this,” you said. “It’s too much money, and while I appreciate the gesture—”
“Nonsense! It’s my pleasure and I won’t hear no can’ts or won’ts about it! I want you to know how well Scott’s been doing here since he finished school. He’s flourishing, all my business associates love him. I can’t possibly make do without him now.”
“I don’t understand,” you said, a pit growing in your stomach.
Once more Riggs pinned you with that twinkle in his eye. “I think you do, a smart girl like you. A man should sow his wild oats while he's young. I had a pretty young wife when I was his age. Marjorie, her name was. My first. It's true what they say—you never forget your first… By God, she was beautiful! and we had all these plans… so many plans! Dreams, really. But mine were always just a little too big for her, you understand, and at first that didn't matter much—we were in love. But then… the kids never came, and Marjorie had too much time on her hands—at the very least, she had more time on her hands than I did, that’s for sure! That gets to a woman sometimes.
“I know you won't have that problem, big city lawyer and all,” he said to you, as if in you he had the fullest confidence and he was speaking about other, less distinguished women. “But really, even if Marjorie’d been an ambassador to the United Nations she’d still have had a compunction about something or other… Ambition’s a hard pill for most folks to swallow.
“Now, you seem like a nice girl… really, I like you plenty! But let’s talk facts here for a minute. You are not the girl for Scott—not when he’s trying to become the man that he’s trying to become. The boy’s got the instincts of a killer. Really! All I’ve gotta do is stand back and look at him! But you, my dear, you’re nothin’ like him. You’ll never be. For most of my life, I thought the perfect woman would be someone to ‘balance me out,’ as they say. It’s taken me almost fifty years to find out that ain’t nothin’ but bullshit made up by Hallmark or whoever to sell us some cards. There ain't no use fighting one’s true nature. You and Scott are doomed to fail—if not now then in five years, if not in five then in another ten! You’ve seen the cracks, haven't you? He’s not the boy you met in Park Haven. He’s becoming his own man. He doesn’t need you anymore.”
You were almost too stunned to speak. Between the casual misogyny, the callous worldview, and the envelope that lay between you on the table like a coiled snake, you felt like you had left reality—there was no way this conversation could be taking place with Scott just in the other room.
“Let me get this straight,” you began, willing your voice not to shake, “you’re offering me money to break up with Scott because you think I’m not good enough for him?”
“No, no, no!” Riggs drew in close to you and took both of your hands, his face earnest and pained. “You’re getting this all wrong. I’m not some mustache-twirling villain trying to thwart the course of true love! You’re a wonderful girl, I’m sure Scott’s been very happy with you. But everything has its season. The time for moons and Junes and Ferris wheels is over. You can leave him to me now.”
“With all due respect, you’re out of your mind!” You slid your chair back, making an angry scrape along the tile. Riggs closed his grip around your hands.
“Sittdown before you wreck the boy’s life.”
“What are you talking about?”
“Did Scott ever tell you about his old man? How he squandered the family fortunes and left him and Pamela all but bankrupt? Now, me, I’d have done the decent thing—put a pistol to my head for all my sins—but the man has his pride, though I don’t know where-all he gets it from. You see Pam now, up in her French colonial sunning her face and drinking cocktails like the belle of the ball?” He pointed to his chest. “I did that. Scott’s shiny new diploma from M-I-T? Right again! Now, I don't believe in somethin’ for nothing. Everything in this here world has its cost, sweetheart. Everything. I have invested in that boy—not just money, but my blood, sweat, and tears! I won’t abide a loss. I won’t abide it.”
“Scott isn’t an investment,” you shot back. “He isn't yours to own.”
“And yet it would seem he’s worth more to me than he is to you. If he marries you, he and Pam won’t see another cent from me even if I have to drive past them through the gutter. I’m telling you I would throw my own sister out on the street for him—my own flesh! Can you say the same? Could Scott? Would he choose you over his poor, silly mother? Now, I highly doubt that.”
The crazy thing was, he seemed genuinely aggrieved by this predicament of his own making. In his face you could see him imagining the scene—him in his black town car, driving past Pam. And yet he remained immovable. Either you gave up Scott or he would make good on his threat.
It was callous, immoral. I have invested in that boy.
The sound of Scott’s shoes came up the hallway. Riggs folded the check into your hands and said, “Don't make a scene. Think about it.”
“What did I miss?” Scott stopped to kiss the top of your head before resuming his seat. You felt nauseous, your hands clammy around the paper you hid in your lap. To you, Scott seemed like he belonged in another world, another time—a Before-Time.
As you tried not to cry, Riggs smiled at him broadly and said, “Oh, nothing much. But I have a little present for you.”
He pulled a box from the bottom of his seat, crimson leather and beautifully stitched. Scott lifted the lid. Inside was a silver Patek Philippe, the watch he would wear when you saw him six years later, sitting across from you at a conference table with a strange coldness in his eyes. He showed it to you, beaming with pride, and while you couldn't remember what canned response you gave, you did recall that he pulled Riggs into a hug, and said, “Uncle, you really shouldn’t have…”
PRESENT DAY OKLAHOMA CITY
For nearly an hour you and Scott sat on the floor of your living room, playing at marriage and midlife crises and how many babies you would have, which on any other occasion would have made you hysterically laugh or, as Javi said on the night you met, remark upon the universe’s odd sense of humor.
But you were strangely levelheaded. If anything, you felt slightly out-of-body and yet entirely in your body, if that made sense.
You were aware of every piece put on the board. You watched the spinner turn in a rainbow of colors, the clack of the spokes sounding faster and faster before it slowed and then drew to a stop. You felt the couch cushions at your back. Scott’s shoulder brushed against yours sometimes, when he reached for one of the tiny bright pegs that went on top of the tiny bright cars. It felt like you were inside of a dream, and because dreams didn’t matter and had no consequences unless you let them, you started to ease into surrealism.
You played the game, and gradually your body began to relax. This was familiar to you—Scott taking it way too seriously, you poking fun at the furrow between his brows, the way you alternated between cold-hard strategy and chaotically negligent gameplay just to see a reaction flicker across his face. He stretched his legs out beneath the table, threw an arm across the seat-edge of the couch; sometimes, you would recline further back and your neck would touch his arm. You did it a few times, feeling embarrassed at first. But when you saw he didn’t mind, you let your head fall back, waiting as he picked a card.
Something was building beneath your skin. You felt restless, and a little reckless. Despite the law you laid down at the restaurant, you couldn’t stop your gaze from lingering. It lingered everywhere: on the hollow of his throat, the shape of his nose, the play of light across his cheeks, his mouth, the spaces where his white shirt gapped between the buttons and you could see his bare chest underneath. Oh, you’re in trouble… you said to yourself, and yet it didn’t matter. You didn’t care. This was a liminal space, a void where you could be honest and unafraid of the truth.
Even when Scott caught you looking, all he did was look back. He let the tips of his fingers touch yours when sliding a card from your hands, knocked his knee against yours. There was a time—or maybe you imagined it—when you felt his hand stroke your shoulder and you almost did something out-of-line. Because there was a line, blurred, but it existed; you kept within the bounds because you knew it was the sole condition to prolonging this state, so you bought owner’s insurance and traded in stocks, changed careers, had twins, repaid a loan (with interest) and made your slow and steady way to retirement at Countryside Acres.
At the end of the game, after all the remaining play money had been counted, it was Scott who said, “Looks like I win,” and all you said was, “Why am I not surprised?”
Then you glanced at the clock. “It’s late.”
“And we haven’t killed each other. How’s that for a détente?” Scott began putting all the parts away, pulling the pegs out of the cars first, sticking each one inside its appropriate little plastic bag. You would’ve thrown them straight in the box and not had a care in the world about it, but you liked that he did.
It was a Scott thing—patient, methodical, kind of annoying, and mostly well-intentioned. You sat back and watched him do it.
“Wow… they teach words like that at MIT?”
“They tried it out with our class—apparently, word was going ’round that STEM nerds lack empathy.”
You smiled. “Now where would they go and get an idea like that?” His eyes flicked down to yours. Having finished, he went back to reclining against the couch, one arm draped over his bent knee.
His gaze on your skin felt like a physical touch, and when it stopped at your lips, a shock of heat went through your body, from the crown of your head down to your toes. You watched him swallow. The urge to kiss him was vicious, urgent and unrelenting, and when you saw his mouth part, his tongue emerging to wet his lips, you thought, Now now now, but then Scott stood so fast he almost upset the table.
“I should go,” he managed to say, his voice ragged. He sought sightlessly for his discarded jacket, found it lying over the top of the couch, and he couldn’t escape fast enough. Frustration rolled off him in waves.
“Scott!” You scrambled to your feet. You might have touched the very edge of his sleeve, but he held up his hand to stop you coming any closer.
“This was a mistake.”
You went stock still. The spell was broken—this was no longer the dreamworld where nothing mattered, this was the Real World. The one where everything had been broken, not least of which because of you, and it was all a mistake. Calling him had been a mistake, meeting him had been a mistake, thinking that you could control anything you felt about him had been a mistake.
And now there was this: Scott raking his hands through his hair, turning in the middle of the room, almost a decade’s worth of anger and disappointment and confusion and, why not, maybe a little hatred thrown into the mix.
“You never trusted me!” he threw in your face. “And I mean never—even when we were in high school, especially not in college—”
“Why are you talking about college?” you demanded, your voice rising to meet his.
“Every time I called, it was like you were expecting me to tell you it was over. Every girl I so much as spoke to when you came to visit—”
“I was eighteen! What the fuck do you want me to say? That I was insecure and kind of an idiot? Yeah, no shit! I thought we’d moved past that!”
“No, we didn’t move past it because it never changed! Maybe it stopped being about other women, but then it was about work, about the time I spent shadowing at my uncle’s company. Do you have any idea how exhausting it was to keep having to convince you that I was all in? And what, somehow we went from that to ‘you’ve changed, Scott, I don’t think I like who you are anymore, Scott’—?”
“What the fuck? I never said that!”
“The night we had dinner at my uncle’s—the night you left! And again in the elevator—”
“Can we not do this?” you plead. “I thought we weren’t going to do this. We agreed!”
“Well, maybe I'm changing the terms.”
“Then this ends right here.”
There was silence. You knew it was coming, and yet it still hurt like a freight train hitting you square in the chest when he looked you in the eyes and said: “What else is new?”
You flinched. You felt your whole body recoil, your eyes sting. Your fault. The one who couldn’t stand up for herself, couldn't commit, who ran at the first sign of trouble. You and Scott are doomed to fail. Riggs had laid down his vision for the future and you had believed him, had chosen to believe him more than you had ever believed in Scott, or in yourself.
You’re not the girl for him. You’re nothing like him.
Hadn’t you always told yourself the same in the darkest recess of your mind? Hadn’t you, in truth, been just a little bit relieved when you packed your things and moved back to Park Haven, play-acting ended, no more trying, no more waiting for the other shoe to drop?
“I’m sorry.” Scott took an immediate step towards you. “I’m sorry, I didn’t mean that.”
“Yes, you did,” you shot back with more vitriol than you intended.
“Don’t do that—don’t pretend to know how I fucking feel.”
“You forget, Scott. I know you.”
“I thought the whole point was that you didn't! That I was so… unrecognizable!”
“Well, you are!” you exclaimed, shouting again. “Suing Javi? Trying to take down his company? Being Riggs’s, what, fucking loyal dog—”
“Oh, spare me the hysterics…”
“Did you say it?” you cut in. “Did you really say you didn’t care about that town full of people?”
Scott froze. You watched his jaw clench, and you knew in that moment that he'd been counting on Javi’s discretion on that score.
If your intention had been to preserve any goodwill between them, that was all going up in flames now. Hell, after tonight, you and Scott might be incapable of being in the same room together, let alone working towards a peaceful resolution to a civil suit.
“You weren’t there,” he ground out. “There were other things going on.”
“Did you say it, Scott?” It was obvious that he had. The shame kept him from saying another word when you finally stepped around the coffee table. “But God forbid I say a word against Marshall Riggs, the undoubted patron saint of Tornado Alley. I'm sure his real estate empire only exists so he can share his considerable wealth with the downtrodden and needy!”
“What do you want me to fucking say? Do you want me to apologize for who my family is? I'm sorry if you find my uncle objectionable, but he is the only reason I ever made something of myself—you ever consider that? I’d be nothing without him—nothing! You think my father could have lifted a finger? Riggs is the only reason Mom and I made it through that summer. I owe him everything! So he makes business decisions you don't agree with—”
You scoffed.
“—but Javi knew exactly where all that money came from. He wasn't duped, I didn’t trick him… he made a choice. He made a choice! And then, what, Kate Carter comes along and he grows a fucking conscience? Give me a break…”
“And where the hell is yours! You think I give a shit what Marshall Riggs does? I care about you, you fucking idiot! Are you really going to stand there and tell me you’re happy? That it… that it feels good to know you’re suing your best friend, that you seemingly have no other friends, that you’ve hitched yourself to your uncle and the most you can say is you’re doing it out of obligation? You used to want more for yourself, Scott!”
He laughed at that. Rubbing his hand across his mouth, he regarded you with a derisive humor.
“Tell me, how’s the trust fund going? Your dad—he was always a pretty shrewd investor, right? and your mom’s family… they’ve got those boutique hotels along the eastern seaboard, the ones that get their pictures in the magazines and all over social media? It’s pretty easy to talk about wanting more for yourself when your father didn’t sink your family prospects on a deck of cards. I do what I have to do. Not that you’d ever understand.”
Money—had it been this big of an issue the whole time? Had you ignored it all the years of your relationship? Money… and jealousy of your father, Scott’s resentment towards his. You felt so blind, so stupid. The “cracks” Riggs had referenced had been there all along, and instead of talking about them you had stuck your head in the sand, worried that if you said the wrong thing all your insecurities would be proven right. That Scott would leave.
Scott… Did you ever stop to consider the damage that leaving him alone with Riggs might cause?
“You only think you can’t make it without him,” you dared to say. “But he doesn’t care about you.”
“What, not like you do?”
“No,” you affirmed. “Not like I do.”
Scott frowned at you. He appeared almost childlike, vulnerable. A boy calling “no fair!”, probably with Riggs’s voice in the background saying, Life isn't fair. “You don't get to do that. You don’t get to do that after all this time… you—you fucking left!”
“He offered me money. Did he ever tell you that? How he tried to buy me off to leave you? You talk about my trust fund, and it’s true—I grew up lucky, but we never had Marshall Riggs Money. There’s rich and then there’s capital-R Rich, the kind you only get when you’ve turned being a ruthless son-of-a-bitch into an art form.”
“I don’t believe you.”
“Yes, you do. I can see it in your eyes—you know I’m telling the truth. I never liked him. What's more, he could tell I didn't like him, and he couldn't have that… no, not Riggs. He’d gotten used to you being his right-hand man and he wasn’t about to lose you. So he waited until you left the table—”
“I’m not going to listen to this.”
“—he waited until you left the table,” you repeated, almost toe to toe. You forced yourself to continue, even in the face of Scott’s patent distress. You couldn't live like this, not anymore. Keeping secrets, taking the biggest share of the blame. “‘If he marries you, he and his mother won’t see another cent from me even if I have to drive past them through the gutter,’” you recited. “Those were his words. I’m not lying to you—I wouldn't, not about this.
“He was never going to let us be together. Obviously, I didn’t take the money, but he was dead serious about his threat. And I was angry. I thought if only you’d stood up to your uncle before, if you weren’t blind to what he really was, I would never have been put in that position. So I took it out on you. I blamed you. And I said things…”
You faltered, remembering the night you returned to the hotel. You couldn’t stay, not with Riggs’s check in your pocket and the memory of his hand gripping your wrist. But Scott didn’t understand. He didn't know what had made you so upset, why you were throwing your clothes into your suitcase and talking about flights and returning his ring and about how it was time you stopped pretending. And, yes, you took to heart what Riggs had implied about other women. You weren’t picky. You weren’t careful. You just had to leave.
You were ashamed of it now. The knowledge of how you’d acted lodged in your throat like a stone you couldn’t swallow down. Scott remembered it, too. His eyes flickered this way and that, recalling, wondering how much of it was true.
“I said things to you that I wish I’d never… that I still think about, and I still regret, because I love—” Your voice broke. You placed your hands over his chest, then cradled his face, willing him to believe you, willing yourself to be brave. “I still love you, Scott. I love you. I should’ve told you the truth, but I thought I was doing the right thing.”
“No… you left,” he said weakly, bracing his hands around your wrists.
“I know I did… I know, but he can’t have you.” You kissed his mouth, once, twice, as many times as he allowed, and all the while you said the things you should’ve said that night in New Orleans. “I won’t let him have you… not this time… not again.”
Scott turned his head and the heat of his tongue met yours.
One second he was all coiled tension and the next he was all over you, walking you back towards the couch, kissing a trail down your neck, one hand tangled in your hair while the other was already up your skirt matching his strokes to the curl of his tongue. He laid you down on the couch, settling between your thighs, and even clothed the weight of him felt familiar—the pass of his hand up and down your leg, the way he liked to tease you by wandering just close enough to where you wanted before pulling away, distracting you with a searing kiss or a shallow roll of his hips.
In the past, there were times when he would draw it out for hours, taking you to the brink and back until you were sure you wanted to curse him.
At a friend’s New York wedding, he made you come three times before he entered you, and you weren’t too proud—now, with the real Scott on top of you, all over you, soon to be in you if there was any justice in the world—to admit that you had replayed that night in your head sometimes when you were lonely. When a bad day at work or an ill-advised night of drinking too much ended with you trying to chase sleep on the heels of an orgasm that was never as satisfying as the ones you got with Scott.
Even when you managed to make yourself come—really come, that full-bodied electricity-followed-by-deep-silence feeling—you had been all too aware of his absence. What was the point, you had wondered, if you couldn’t curl up next to him or listen to the steady flow of his breathing or hear him sigh into your neck when he wrapped his arms around you and went to sleep? What was the point if, upon waking, you wouldn't have Scott and his early-morning voice, the clarity of his eyes, the smell of the coffee he made in his stupidly expensive espresso machines? (God, you missed that coffee.)
It was Scott… it was only ever Scott.
The couch was a perilous place to be doing any of this. You weren't sure that he fit in it, for one, and for another, you were mildly worried about the potential costs of fixing a broken midcentury piece of furniture. Oh, well, you thought, life’s too short. Not bothering to undress, you pushed aside articles of clothing, hands bumping into each other, scraps of fabric pushed aside, belt buckle rattling as it landed on the floor, until finally he surged into you, gripping the side of the couch and burying a curse against your neck as you stretched around him.
He slid a hand below your hips and fixed the angle. The sex was hurried, messy and it had nothing of grace; it was imperfect and rather cramped, really, but all that mattered was how he felt. He felt like home. As you came, he entwined his fingers around yours, and then he finished, trembling, prolonging a wave of pleasure that took your breath away.
Don’t go, you want to say into his heaving chest.
Somehow, he turned you on your side so you could stretch along the couch. He wrapped his arms around you, stroking feather-light touched along your arm as his breathing slowed. You felt tired, hollowed out, but not in a bad way. In a quiet-before-the-storm way, when you can smell water in the air and the breeze picks up, and the world sits on the cusp of being new.
“I miss you,” he confessed, his voice barely above a whisper.
“I miss you too.”
After that, there was a silence so long it made you think he’d dozed off, but then he spoke again, painfully honest and a little scared. “I don't think I can do what you need me to do. I’m not… that’s not who I am anymore.”
“I think you are,” you said back. “I think he’s who you’ve always been.”
THREE WEEKS LATER
You were enjoying a rare weekend off from work. Figuring you could do with some real time off the clock, you’d let the office know you’d be holding all work calls and emails until Monday. Abby’s eyes had nearly popped out of her skull in a rare show of feeling, but after the emotional turmoil of the last few months, you knew you needed to walk around the city, have a massage, touch some grass, maybe eat a pint of ice cream in front of a frothy period drama—a true-blue staycation.
The morning after you and Scott slept together, you’d agreed that it was in everyone’s best interest to let things be. He needed time to think about a few things, and regardless of your shared history, you were still Javi’s lawyer. You distracted yourself by doubling down on other cases. It helped that dealing with Mrs. Richardson-Burkhardt and the four Barone siblings was as eventful as watching an HBO television series—between the scathing one-liners and last-minute twists, there was little bandwidth left over to think about Scott.
And yet you always managed.
For better or for worse, Scott had always been good at making you hope for things. Even when you wanted to err on the side of caution, expect the worst and thus avoid disappointment, just the fact that he loved you made you feel like anything was possible, like you could make things happen.
“We brought out the best in each other. That mattered to us more than anything your father and I ever did wrong.”
At a department store downtown, you watched across the way as a young couple studied a tray of rings at the jewelry counter, diamonds sparkling in the light. The woman grabbed her partner’s arm and pointed at one of the selections as if to say, “That one!”, and for a moment they were in perfect sync. The salesman offered up the band with elaborate flourish, the groom-to-be took his bride’s hand, slipped the ring on her finger, and they admired it together, the play of white gold on her black skin.
The woman beamed. So did he.
“Looks like we have ourselves a winner,” the pleased salesman declared.
After lunch and an overpriced iced coffee, you arrived home with a gift for the Travises’ golden anniversary party, a pair of gold-accented crystal champagne glasses you hoped would survive the flight. It would be nice to see your mom again, to reunite with your old college friends, and revisit old haunts.
The thought of going home no longer filled you with dread—for which, even if nothing came out of your night with Scott, if he decided that upending his life was too much for him to handle right now, you would always be grateful. For years, your idea of a worst nightmare was running into him and having the truth spoken aloud, plainly, and for both of you to hear. Nothing will ever be as bad as this, you told yourself.
But it was a half-lie. Not seeing him again would be worse.
Already, you felt his absence like a hollow in your chest.
On the kitchen counter, you saw that your phone began to ring. “Javi, how’s the weather looking?” you asked, putting him on speaker as you poured yourself some water.
 “She’s a fickle mistress, I’ll tell you that! Hey, I just wanted to let you know… Scott called this morning. He says he’s dropping the suit.”
“Oh?”
“You don’t sound too surprised. Any of that you're doing?”
“No,” you replied, picking up your phone, “that’s all Scott. I haven’t spoken to him in weeks, actually.”
“Well, he sounded different. Still Scott, but a shorter stick up his ass, if you know what I mean. Anyway, I know a part of how everything went down was my fault—business is business, as my Ma always says. I sold him my share of StormPAR, which means I also have to pay back some of the money we took from Riggs. That’ll hurt like a—well, you know… I’m not the guy’s biggest fan these days. But if I don’t have to hear the name Marshall Riggs ever again, I’ll count myself lucky and say it’s a price well-paid.”
“And Scott?” you ventured to say.
“Honestly, I think he’s done with the whole thing. Sounds like he’s closing up shop, which makes sense. He’s a damn good engineer but kind of hopeless as a chaser.”
You laughed. “Yeah, I guess I can see that. Are you okay?”
“Me, or me and Scott?”
“Both.”
To Javi’s credit, he took a few moments to actually think about it. “Yeah, I’m good. You know me… I never stay down for long. Man with a thousand plans. Me and Scott? Man, I don’t know about that one… I did leave him by the side of the road. Ruined one of his immaculately pressed shirts.”
You snorted. “God forbid.”
“Yeah, God forbid. Listen, if it were up to me, I’d just let bygones be bygones. Life’s too short, you know. Shit happens… I don’t want to be a guy who burns bridges over money.”
“Yeah, I get that.”
“What I mean to say,” Javi spoke over a sudden burst of wind, “is that if Scott ever wants to give me a call, I’ll answer. You can even tell him I said that.”
“Me?” You set your glass down with a clatter, heat rising to your face.
“Yeah, you! I’m not an idiot, hotshot, that history’s not gone ancient yet.”
“I have no idea what you’re talking about.”
“Mhm… Anyway, the wind’s picking up. Kate’s off reading her dandelions.”
“You know, I kinda wish I could see her doing that…”
“Watch out, we might make a chaser of you yet!” Javi crowed.
You shook your head, said, “I wouldn't hold my breath,” but you were smiling. The sun streamed through your open windows and anything was possible.
Once Javi ended the call, you stared at your phone, wondering… And then you decided to be reckless one more time. Call it a calculated risk, you thought instead. You held the phone up to your ear and listened to it ring. The dial tone sounded a few times, and then it stopped.
He’d answered.
“Scott, it’s me,” you said, trying to relax the thrumming in your heart.
There was a pause and then you heard his voice: “Did Javi tell you?”
“Yeah, we just got off the phone.”
“Open your door.”
You made a face, glancing at the screen and holding it against your ear again. “What?”
“Open your door, UPenn!”
You dashed to the entryway, patting your hair, blotting your face, wondering if your shirt was wrinkled. When you pulled the door open, you saw Scott in full view, in the middle of the day. Not wearing white. The blue of his shirt brought out his eyes, which looked tired but less burdened, too.
He seemed lighter, if not happy then trying to get there.
“Thought I’d skip out on being a sore loser this time.” He gave a half-shrug.
“I don’t know, Miller… from here it doesn't seem like you're losing.”
He smiled at the floor, almost shy. And when he looked into your face you saw the boy you fell in love with at Nichols Academy, the one who took baseball too seriously, who loved Hemingway and your mom’s apple crisp, the one who sang bad Sinatra and got into fights and thought James Watt was something of a god. It was like the worst of the last few years had gone away, leaving only space for something new to grow, to be built—together.
“All I want is you,” promised Scott, taking you into his arms.
You stuck your hand in your pocket, extracted the ring you’d kept there for almost a month like a talisman, like a good-luck charm, and held it up to Scott. He stared at it, and then at you, with something like shock.
Something like awe and wonder.
“Don’t you know? You've always had me.”
And in that hallway, Scott Miller, a man who’d never cop to having a romantic bone in his body, spun you around and kissed you and wouldn’t have cared if your neighbor at Apartment 424 had noticed or if one of his investors appeared. Maybe there was something to Tyler’s corny catchphrase, after all: If you feel it, chase it—no matter the odds, no matter the obstacles in your path, because feeling it was purpose and inspiration and direction when you lost your way.
It took you a while, but you understood it now.
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odinsblog · 15 hours
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[re: this post]
The bad news is, I’m stranded because my condo has only one road in and out, and that’s 100% underwater rn
The other bad news is, my car is flooded even though I thought I moved it to higher ground
BUT … the heartening news is this:
This condo complex is roughly 2,500 units so tons of people live here. We were all without power from around 4pm yesterday until 10:30am today
So at daybreak everyone was outside surveying the damage and trying to figure out how to get their sunken cars started and how to get out (we’re just going to have to wait for the waters to recede iMho)
I took one look at my VERY RECENTLY PAID FOR CAR as it sat submerged, and started to head back inside. That’s when a neighbor I’d never met before asked me if my phone was charged. I told her no, it’s completely dead. She then directed me to another neighbor who found one outlet that, for some reason, still had power. There were about 10 or 15 people lined up and someone had gotten probably the longest extension cord w/outlets that I’ve ever seen in my life. If you weren’t already charging your phone on the outlet, there was one outlet spot where everyone was taking turns to get a quick 10 minute charge and make some calls. Apparently everyone had already voted to use one of the extension cord outlets full time for a coffee pot (because coffee, right?)
There was someone else outside whose car wasn’t submerged who was letting people use his car to charge their phones
And then I heard someone say, “Are there any elderly or disabled people living here who we need to go check on?” And I said, “OMG, what about the lady on the 7th floor? She’s in a wheelchair!” And someone else said that the elevator was out because of no power, and I was like, “So? Are the stairs broken? I can run up and go check on her.” And then someone else was like, “She died a couple of years ago.” And we were all like, “Ohhh.”
I’m rambling a bit, but the point is, it was super refreshing to see people working together and sharing and helping each other. This wasn’t a disaster by any stretch of the imagination. At worst, it has merely been a big inconvenience. But it was still nice to see neighbors (many of whom were strangers until this morning) being nice and helpful to each other
It reaffirms what I’ve always believed: in difficult times most people WILL work together—without any personal or monetary incentive. So please don’t believe greedy ass mutha fuckers when they opine about survival of the fittest and making a quick profit off of someone else’s suffering. It doesn’t have to be that way, and most often, it isn’t that way
And yeah, I know that my small experience wasn’t a dire situation and no lives were on the line (like they are where the hurricane actually made landfall), but I would like to believe that my microcosm is the norm for similar macrocosms
I believe that most people are good at heart, or at the very least, they WANT to be good and sometimes just need a nudge in the right direction
Anyway, I guess it’s about time for me to go do battle with my car insurance company (now talk about evil entities!) to see what up with my partially submerged vehicle
If anyone has done this insurance claim dance before, I’m open to some friendly advice bc this is brand new for me
Please have a great day today everyone ✌🏿
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Did this a while ago forgot to post it
Updated mah Creepypasta/general horror oc Jane Doe aka PIGEON
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Other extra facts:
- While she’s mainly used in my Creepypasta au she can also act as her own standalone character used in other horror related projects, as she’s not fully tied to Creepypasta.
- She doesn’t really have a canon age it can be changed depending on the au, however to stay in line with her backstory she will ALWAYS be somewhere under 18 as in her backstory she died before 18, so yeah may not be specified but she’s just generally under 18 can be 10,14, 17 ect ect, personally I go with 13 specifically for my one au but ye doesn’t really matter much.
- fashion sense is weird…all the random fabrics, layers, colors and patterns you can imagine all just randomly tossed on with no sense for what does or does not go together.
- In said Creepypasta au she lives with Clockwork and Ani and considers Clockwork specifically as her cool Aunt.
- described as creepily thin,lanky and eerily tall.
- She doesn’t really have much of a personality due to not knowing who she is, she usually just people watches and imitates those around her otherwise she’s just on her own usually doing pointless things like wander around and just generally creep people out.
- Mildly sociopathic tbh not mean just generally doesn’t feel like a human anymore.
- her hair specifically is based on a now owl but despite that she ended up with the nickname Pigeon cuz she’s honestly kinda useless, she doesn’t even kill people literally just roams around and acts spooky.
- Among all the wandering around there’s been cases of her actually helping both humans and other uh un usual beings like herself occasionally, like said she’s not a violent spirit and she’d help out tho her help is more random and not something she’ll always do in any given situation, there’s been some people who actively try to contact her for help if desperately needed but it’s usually a last second option cuz well it’s like a 50/50 chance Jane will actually help you and not just turn around and go chase that squirrel she just saw.
- Pigeon don’t really talk much 1: cuz there’s generally just not much to say but 2: she also has a really thick hardly knows English has a thick Russian accent and braces. So like even if she did talk you probably wouldn’t be able to understand her to well.
- her hair is actually dyed her natural hair is brown tho with gray streaks caused from frequent stress in her life before death.
- A “side affect” or something of her dying a Jane Doe is that she has the ability to unintentionally be forgotten…as in no matter how weird or out there she looks people will still frequently forget about her and it’s completely at random she has like no control over this ability.
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And outside of all that just idk do what ya want with her I’m fine with anything as long it’s not damaging or Illegal just have fun ig idk-
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fionaapplerocks · 1 day
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The Long and Winding Road That Leads to Fiona Apple
By Tyler Coates 2012-05-31
“The past is never dead. It’s not even past.” So goes the oft-quoted line from William Faulkner’s Requiem for a Nun. Time is circular, and our relationship with our own personal histories is ever changing. This is a concept with which the enigmatic Fiona Apple is deeply familiar.
The 34-year-old singer-songwriter is about to release her fourth album—the first in seven years—aptly titled The Idler Wheel is wiser than the Driver of the Screw, and Whipping Cords will serve you more than Ropes will ever do. The spinning wheel of time cranks back and forth for Apple, who continues to re-examine her past while trying to keep up with the present. Like most artists, however, Apple finds that her fans cherish the past more than she does.
In 2000, a 16-year-old fan named Bill Magee approached Apple after a show in Upper Darby, Pennsylvania with a request: he told her he was a member of his high school’s gay-straight alliance and hoped that Apple could write a few words of support. “[I] was much more interested in interacting with a celebrity than building an alliance between gays and straights,” he admitted on his blog 12 years later where he posted a scanned image of the letter he received less than a week after requesting her response.
Apple wrote: “All I know is I want my friends to be good people, and when my friends fall in love, I want them to fall in love with other good people. How can you go wrong with two people in love? If a good boy loves a good girl, good. If a good boy loves another good boy, good. And if a good girl loves the goodness in good boys and good girls, then all you have is more goodness, and goodness has nothing to do with sexual orientation.”
“My brother was the one who told me about it,” Apple tells me just weeks after Magee posted the letter on his Tumblr, which was then picked up by various sites like Jezebel and Pitchfork. “I was like, ‘A letter I wrote to someone when I was 22 has made its way online?’ That’s the scariest thing I could possibly hear in my life. And the subject matter was so important—I know how I’ve always felt so I knew it wasn’t going to be a bad letter, but I was like, ‘What did I say?!’”
The letter’s sudden popularity online is indicative of how much has changed since Apple released her debut album, Tidal, in 1996.
For starters, she was then a 19-year-old singer-songwriter signed to a major record label and churning out emotional and dark odes at a time when her contemporaries were singing bubblegum-pop love songs.
She made headlines after appearing in the video for “Criminal.” Shot in a seedy apartment, the video featured a scantily clad and emaciated Apple, sparking criticisms of the exploitive quality of the images (and suggesting that she had an eating disorder). In 1997, when accepting her award for Best New Artist at the MTV Video Music Awards, Apple infamously shouted into the microphone, “This world is bullshit, and you shouldn’t model your life on what we think is cool, and what we’re wearing and what we’re saying.”
While the speech was replayed and parodied on TV for years following, Apple was lucky enough to have said those words before the days of blogging and YouTube; had she given the speech 15 years later, it may have turned into a career-damaging viral video and sparked a few thousand snarky tweets.
She also has the luxury of being a successful artist who doesn’t need to promote herself online. “They want me to tweet now, but I don’t,” Apple tells me of her label reps. “It doesn’t feel natural to me. But I do find it actually more interesting to see people posting ridiculously mundane shit. I like to hear about what people had for breakfast or what they did all day. It’s interesting because I don’t know how other people live.”
While Apple is hardly a recluse, she’s made few public appearances in the seven years since the release of her third album, Extraordinary Machine. The excitement following the announcement by Epic Records of the late-June release of The Idler Wheel speaks to the loyalty of her fan base. (And as for that long-winded title, it’s a callback to the much-maligned 90-word title of her acclaimed sophomore effort, universally shortened to When the Pawn…)
The Idler Wheel does not deviate from the familiar sounds of Apple’s earlier records; the songs are still layered with complex instrumentation, and her reverberant voice still takes center stage in each tune.
The album was produced nearly in secret over the last few years—a surprising move from an established artist with the resources of a major label at her disposal. But Apple explains that her experience with the label system is what allowed her to feel free to work on her own. “It was very casual, and I wasn’t fully admitting that I was making an album,” she says. “I got to use the time in the studio to inspire me to finish other things rather than feel like I was finishing homework to hand in. It wasn’t a lot of pressure. And the record company didn’t know I was doing it, so nobody was looking over my shoulder.”
Most might take that mentality as a reaction to the restrictions of her record label, especially after the drama surrounding the release of Extraordinary Machine. After collaborating with Jon Brion (who produced When the Pawn) to create an early version of the third album in 2002, Apple then decided to rework all but two of the songs with producer Mike Elizondo.
The original version of the album leaked online, and Brion suggested in interviews that Apple’s label had rejected the demo and forced her to rerecord the songs (a claim that Apple later denied). Still, it incited an uproar among her fans. An online-based movement called Free Fiona organized demonstrations outside of the Sony headquarters in New York, and protestors sent apples to the label’s executives.
The final version of the album was released in 2005 and received positive reviews and earned Apple a Grammy nomination. “I ran into the guy who started Free Fiona after a show in Chicago,” she tells me. “He apologized to me! They didn’t get the story quite right, but they did help me get my album out. I felt so bad that he had spent all this time thinking I was pissed at him—I had a physical urge to get down on the floor and kiss his shoes!”
It’s an intense reaction (she admits she didn’t bow to her fan because “it would be weird if I did that”), but Apple is still a very intense person. Dressed in a flowing skirt paired with several layers of spaghetti-strapped tank tops that reveal her slender frame (which seems healthier than in her early days, giving the impression that she must spend most of her downtime on a yoga mat), Apple fidgets in her seat during our conversation, often giving off an infectious giggle.
But she is surprisingly comfortable to talk to, not much like the somber young woman who sang of heartbreak and disappointment. “I don’t think I’ll ever have an idea of what I look like to the rest of the world,” she replies when I ask if she ever worries that her lyrics, which are sometimes in stark contrast to the up-tempo, progressive sounds of her songs’ instrumentations, give off the wrong impression of her personality. “It’s all your own perception. I could easily be concerned with how I’m taken and then have all the good stuff filtered through to me and choose to believe that. For the rest of my life it’d be the truth for me, but not the whole truth.”
Born Fiona Apple McAfee Maggart in New York City to Brandon Maggart and Diane McAfee, Apple’s musical destiny was settled at birth. The McAfee-Maggarts are, while not reaching Barrymore-level name recognition, an entertainment family; Apple’s father was nominated for a Tony for his performance in the Broadway musical Applause, both her mother and sister are singers, and her half-brothers work in the film industry—one an actor and the other a director.
She’s a third-generation performer, as her grandmother was a dancer in musical revues and her grandfather a Big Band-era musician. While Apple’s auspicious introduction to the pop world had critics calling her a prodigy, she crafted her early songs as a cathartic necessity. (“Sullen Girl” from Tidal, in particular, is about her rape at the age of 12.) “Over the years it’s transferred more into a craft,” she says. “I use myself as material because that’s what I’ve got. But these days I write less than half of my songs to get myself through things. I have to find other things to be meaningful— otherwise I’d just be miserable all the time.”
Her songs are still extremely autobiographical, which is perhaps their charm. Following in the footsteps of other singer-songwriters, especially women who emerged in the early ’90s and expressed their emotions in particularly vulnerable ways, Apple’s openness has always had an empowering appeal. Her songs seem to suggest that feeling a variety of emotions—sadness, glee, despair, insanity—is not only normal, but, like those self-reflective musicians before her, she also gives permission to her listeners to feel the same way.
Even for Apple, her older songs are relics of another time, and she now makes them applicable to her life in the present. “They all kind of become poems after a while,” she says. “You can take your own meaning out of them. It’s been a very long time [since my first albums], and I can apply those songs to other situations that are more current in my life.” She admits she has changed greatly since she started writing songs in her late teenage years, especially when it comes to how she portrays herself. “I don’t feel comfortable singing the songs that I wrote. I used to blame other people and not take responsibility. I thought I was a total victim trying to look strong.”
And she is much harder on herself in the songs on The Idler Wheel than she ever was before. Sure, she admitted to being “careless with a delicate man” in “Criminal,” arguably her most famous song, and in When the Pawn’s “Mistake” she sang, “Do I wanna do right, of course but / Do I really wanna feel I’m forced to / Answer you, hell no.”
On The Idler Wheel, Apple examines her own solitude and neuroses as well as their effect on her relationships with others. “I can love the same man, in the same bed, in the same city,” she sings on “Left Alone,” “But not in the same room, it’s a pity.” On “Jonathan,” a somber love song layered with robotic, mechanical sounds that’s presumably about her ex-boyfriend, author and Bored to Death creator Jonathan Ames, she urges, “Don’t make me explain / Just tolerate my little fist / Tugging at your forest-chest / I don’t want to talk about anything.”
But performing, as a central requirement of her career, still takes precedence. “Some nights I’m very, very nervous, and some nights I’m not at all,” she tells me. “I think, ‘This is ridiculous. I’m not a person who does a show, I’m a person who should be on a couch watching TV.’ But then it’s like I get knocked into another state of consciousness, and then I’m left behind, and the person that’s doing the show is there and there’s nothing else in the world existing other than the note she’s singing. It’s such a joy to do, but I forget about it until I’m on the stage.”
Apple has lived in los Angeles since Tidal’s release in 1996, although she admits that she’s “not an L.A. girl.” “I was supposed to stay in New York,” she tells me. “I remember being 17 and asking if I could record in New York. How did I end up here? It’s 15 years later… How did that happen?” Apple doesn’t seem to process time like other people. When I ask when she began recording The Idler Wheel and when she knew it was ready, she has a complicated answer. “It must have started in 2008. Or 2009. I don’t know! I have no idea. It’s weird to think that there was 2008, 2009, 2010, 2011.” Her big blue eyes suddenly look to her right as she furrows her brow. “Where’ve I been? What was I doing? What was that year about?”
Maybe the solitary nature of living in L.A. contributes to her aloof tendencies. “I’m not a social creature,” she says, “I don’t go to parties all the time because I’d probably just wonder why I’m there in the first place.” Her preference for being alone may also stem from the kind of personal criticisms that people tend to throw at female musicians. “I’ve gotten so used to being misunderstood. Nobody’s ever really said anything bad about my music, but when I’ve had albums come out there are always people making fun of me. ‘Oh, she’s back?’” She didn’t even expect the comments (mostly online) when the full title of The Idler Wheel was announced. “I didn’t stop to think that anyone would call it ridiculous, but people did. I thought, ‘Ahhh. My old friends.’ I’m not sure what’s ridiculous about it, but that’s what they’ve got to say.”
I cautiously mention the infamous acceptance speech from the VMAs, a moment early in her career that defined the public persona of Fiona Apple as an angry, ungracious woman. “I’ve never been ashamed of that,” she replies immediately. It was the first moment, she says, in which she felt like she could speak up—to break free from the shyness that defined her childhood and early teenage years. “I genuinely, naïvely thought that I was going to put out a record and that was going to make me have friends. I expected to give it to people and they would understand me; no one would say to me, ‘We don’t want to be your friend because you’re too intense or too sad all the time.’” It wasn’t necessarily the case.
“Do you still think the world is bullshit?” I ask when we talk about the VMAs. She laughs. “It’s not the world!” she exclaims. “Of course people think that ‘the world’ is the whole world. I felt that I had finally gotten into the popular crowd, and I thought, ‘Is this what I’ve been doing this for?’ I felt like I was back in the cafeteria in high school and still couldn’t speak up for myself.”
These days, Apple spends more time focusing on her own art rather than the reactions to it. With age has come calm and decreasing desire to pay attention to her detractors. “I’ve decided it takes too much energy to try to avoid it,” she tells me, brushing aside her freshly dyed crimson hair. “I’m not going to hide from the world.”
Source Archive.org:
https://web.archive.org/web/20120603033544/http://www.blackbookmag.com/music/the-long-and-winding-road-that-leads-to-fiona-apple-1.49114
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ghouldtime · 1 day
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i usually don’t message anyone or anything but i just wanted to say i love your characterizations of konig, ghost, and soap very much. the love and appreciation you have for these characters really come through in your writing.
the cod fandom is full of talented writers but the majority of them write smut. it gets tiring scrolling through the tag and just seeing porn when i actually just wanna see… ppl who enjoy the characters outside of sex appeal, yk? so your blog, truly and genuinely, is a breath of fresh air.
that’s not even mentioning the ppl who write them as abusive or use them to fulfill certain fantasies. i mean i don’t kink shame ofc, but idk sometimes ppl write them in extremely degrading ways that do a disservice to their character and it bugs me a little. plus all the “innocent bimbo reader” rhetoric, idk it gets tiring.
anyway, sorry for the yap session, but i did mean everything i said genuinely !!
💚💚💚💚 Salutations anon! You really don't know how much I appreciate hearing this. Seriously, messages like this give me motivation to keep writing and to stay active on here. THANK YOU THANK YOU THANK YOU from the very depths of my heart. You've all been so so incredibly kind, sweet, and encouraging 😭 I don't know what I've done to deserve this but it's appreciated and you all are absolutely awesome. This has made my YEAR, thank you for taking time out of your day to send my silly self a message 💚💚💚💚💚
I'm so so happy my characterizations have hit the mark for some people and that I'm (hopefully) doing them some justice! I'm always worried about that because characterization matters heavily to me and I want to respect their characters and how much they mean to me and other people through it EVEN IF THE WRITERS OF THE LAST MODERN WARFARE DON'T KNOW WHAT A PROPER STORY LINE IS AND KILLED SOAP WHICH I'M NOT FORGETTING, IM NOT FORGIVING, AND IM CERTAIN NOT LIVE LAUGH LOVING WITH IT. I'm refusing to accept he's dead, no matter what they say
I love the boys all so much. They all have such interesting things about them and have a lot more dynamic to them than people think and I just want to represent them right, especially lesser appreciated characters (haven't actually really written for them yet but Keegan, Logan, Hesh, Sandman, Roach, Nikto, Krueger - legit I love them, anyone feel free to send asks or scenarios you'd like I WILL write them. Legit, y'all, you can send me asks about certain characters even if there isn't much on them. I WILL do my research and I WILL write to the best of my ability)
Oh there's many talented writers in the COD Fandom, there really are. I can't say I really know any personally seeing as I never really interact with other blogs but I've seen some reallly really nice fics with so much thought put in them. But equally, there's a lot of just... smut. Not even well written smut, I'm sorry, but a lot of it is just really, really poorly written. I'm all for do what you want, write whatever makes you happy. Freedom of speech! If it makes you happy, cool! But I'm also going to cringe cause a lot of it is... yeah, yikes
Not trying to be the smut police and say every detail must be accounted for and everyone should follow it in a certain way but plz basic anatomy 101, basic prep 101, no guy gal or enby pal will appreciate it if you just shove it in to anywhere dry and I've seen a loooot of that and other things that just hurt?????
I get it, people learn by reading/writing, but this is literally just a single search away. And common sense. There's also a lot of practices being unsafely represented (like fifty shades of gray level) and uh it's not on purpose, it's not meant to be dubious, but it just is written as that. PLEEEEASE please please do some research, the internet is right there
But I felt the same way. Like bless whatever y'all want to write, no shame and NO shade to writing smut. I'll probably eventually do it myself again in the future (undecided on that but it'd likely be a side blog if I do and would never be a main focus, I prefer story over smut action. Once again, no shade and no shame to those who don't, to each their own!). Never ever going to full on NSFW mode or only writing that, I'm always always always going to prioritize writing the characters first and trying to get more stories out there about them :D
But I got tired of opening it and all I see is just... smut, smut, more smut, extremely dubious content x 50. And maybe a sprinkle of normal things or fluff here and there. I just don't look in the tags honestly anymore, because so many people just don't properly tag it or give 0 warning at all, not even under a read more, just BAM, unavoidable unless you flat out don't look at the tags at all
There's more to the characters than just being attractive 😭and I love exploring those aspects of them and trying to figure out why they are the way they are
Also I'm ALWAYS going to have an issue with people who fetishize horrible things. When you're actively fantasizing and writing about someone abusing someone else, like flat out abuse, and being incredibly toxic and terrible to someone - just, please talk to a therapist. That's not social commentary, that's not a proper portrayal of real, HORRIBLE things that affect many people and have very real repercussions - that's perpetuating the negative narrative around a lot of struggles and setting it back by instead turning it into something that's treated as attractive. I really fully can elaborate on this and have a whole rant - but it's not cute and it's NEVER cool to fetishize actual, awful awful things that happen to people. Dead dove doesn't excuse you from judgement - especially when it's not even acknowledged. You're just saying you know what you write is probably morally reprehensible. Hey, I'm going to reprehend and won't respect you at all when you write awful things just cause and get off on it. Think people forget that. Dead dove is a descriptor and doesn't excuse you or make you instantly free from judgement or mean you're not doing something problematic/disgusting. It's just saying you know it is, that's about it.
I don't get why people do that when it's clear they have no idea what they're talking about. I've seen that a lot with the bully! Things. Like... wow, clearly some of you WEREN'T bullied and you're writing about it and it shows because if you were, hey, you know how fucking awful that shit is and how it leaves life long effects. Not saying this applies to all but there's a lot I see like that where it's just ".... wow, okay, so you don't have any idea what you're talking about, cool."
AND YEAH the mischaracterization really does do a great disservice where it's clear they're just after the characters for their physique. They just warp them so bad it's like "Are we talking about the same character?" . In AUs you get to explore that and can shape them to your wants, that's your choice! Highly recommend AU's, it allows so much freedom.
But when it's like.... regular? And it's just no where close and they're doing a 180 in how they actually are (like having Ghost flirt with strangers and be big scary daddy dom im sorry he's not at allllll) I don't get it and it's clear you really aren't writing about or for the character - at that point, plz, make your own characters. Just make your own OCs, it's great! And you can make them HOWEVER you want instead of just ignoring a character's characterization to make them fit what you want. And guess what? It's your character so you can TRULY do what you want and have them the way that you want instead of bending characters to fit a box that they weren't made for
I'm not saying you HAVE to write a character the same as me or in a specific way, but when it's a character with an established personality/backstory, the least you can do is follow that outside of AU's if you're writing for them. That's... the whole point of writing that character - I don't get why you'd write for them specifically if you're literally going to ignore everything about them
SPEAKING OF THE INNOCENT BIMBO THING, I'm also really not a fan. Once again, if that makes you happy to write or read, cool! I just am NOOOOT a fan. Why does the reader always have to be so small and so delicate and so pure/innocent? Why does the reader have to be just so UWU coded? Why are they always like "oh you're so little and small :( and just don't know any better" . It's either that or they're John fucking Wick with little in between. Pleeeease it hurts my soul
Its why I try to genuinely write a neutral geared reader with reactions that will likely fit a lot of people! I'm always taken out of a story's immersiveness when it mentions something like like your hair length or how uwu small you are in comparison. Give me just... average sensible reader. Give me reader who has realistic human reactions. Give me reader who isn't perfect, give me a reader who isn't magically special or different. Give me a reader who is just doing their best, who is THEMSELVES, with no intent otherwise. I love those fanfics so so much instead of trying to feel like I have to be something I'm not to get myself in the mindset to read some pieces NEVER APOLOGIZE FOR YAPPING. IM ALWAYS WANTING TO TALK IM ALWAYS AROUND 💚💚💚💚THANK YOU FOR THE MESSAGE IT MAKES MY HEART WARM AND MAKES ME SO SO HAPPY
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rtfics · 2 days
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. . . Harper suggests that Wednesday sparked Burton’s desire to revisit his 1988 cult classic Beetlejuice, with the show reigniting his creative drive after the bruising experience of working on Dumbo.
“Tim and I were in the middle of filming Wednesday in Romania,” says Harper, who accompanied Burton on the shoot, running from September 2021 to March 2022.
“We had some other projects circling, but then he just came to me one night after dinner and said, ‘I want to do Beetlejuice. It’s the one title that always gets asked when I’m making another one and I think, we have to do it now’,” he continues.
“Shooting Wednesday and getting inspired again about making stuff and having a great time on that show kind of gave him the momentum to get going on something.”
They discussed the idea in more depth over the weekend, and one week after the initial conversation, were talking to writers Seth Grahame-Smith as well as Gough and Millar (who co-wrote the screenplay) and pitching potential storylines.
“We kind of bashed out a story and an outline and three, four weeks later, I went to go pitch it to Warner Bros.,” says Harper.
It met with an enthusiastic response from Warner Bros. Motion Picture Group’s then recently installed co-chairs Pamela Abdy and Mike De Luca, even if they have since revealed that getting the project over the line was not a given.
One of the key prerequisites for Burton was getting original cast members Michael Keaton, Winona Ryder and Catherine O’Hara back on board.
“Tim was very adamant that Michael had to sign on and that Catherine and Winona also had to be part of this. He was like, ‘If one of them doesn’t want to do it, or can’t see their path forward, then we don’t have a movie’,” recalls Harper.
The choice of Wednesday star Ortega for the role of Beetlejuice Beetlejuice character Astrid Deetz was obvious to both Burton and Harper but neither knew whether the actress would bite.
“We had the script, and we were basically getting Michael, Catherine and Winona on board,” recalls Harper. “I said to Tim, “We know who the perfect person for the daughter is’. He was like, ‘I know but do you think Jenna will be interested?”
“It was pretty much the weekend we were putting out the series. We had just had the premiere. He was in L.A., and had a meeting with Jenna. He handed her the script and said, ‘I know what my next project is, and if there’s something in here that you think you can tap into, I would love for you to be part of it’.”
“She was like totally freaked out. She’s a huge fan of Beetlejuice… She talks about driving home from Malibu and pulling over to read the script immediately. It all came together as the show was going out.”
Like the development phase, pre-production and the actual shoot of Beetlejuice Beetlejuice were speedy.
“We shot this movie in 48 days, when most big studio films are in the 70, 80-day range, on a budget way below $100 million,” says Harper.
“With Tim, the best approach is to work with a small art department on the concept art, creature design and costume design, staying small, to then explode out once you have designs. We prepped the movie in like 11 weeks, and then shot in 48 days, which is very fast.”
Harper reveals they toyed with the idea of filming in Romania on the back of their Wednesday experiences but ultimately chose the UK, with some filming of exterior shots in Boston and Vermont.
This decision was based partly on the fact that space was available at the Warner Bros. Studios Leavesden, and the UK tax incentives.
“We talked about shooting it in Romania but then ended up pivoting to England,” says Harper. “Warners had stages open. And then we were like,’ You know what, let’s just go to England, because we’re also going to do post there’.”
“It was the right place to make the movie because we ended up building 77 sets and our creature department is also based there. Sometimes, it’s the little things in the movie, that are also hugely important, that tell you where to go. On did Top Gun: Maverick, we shot in L.A., because the jets were there.”
Harper and Burton, who have worked on and off together since an initial collaboration on Big Fish in 2003, have a number of other joint projects bubbling, notably, Burton’s remake of Attack Of The Fifty-Foot Woman.
“That’s something we’ve been developing with a writer for a while for which we’re supposed to get a script soon,” says the producer.
Harper says it is too early to take a decision on whether there will be a third Beetlejuice instalment although he does not rule it out.
“I think with Tim’s love for the title and the characters, the door is open, but we’ll see what happens next,” he says.
In the backdrop, there could also be potential future collaborations with Plan B, which was a producer on the Beetlejuice Beetlejuice.
“We were developing other stuff with them that didn’t get triggered, but had a great partnership with them, so we were like, ‘Come with us on this one’, although it was Tim and I, our companies, which ran point on the project,” says Harper, who says the other projects could still go forward.
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polyamoryprincess · 10 months
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I know people are upset about Izzy being killed (I am too) but the truth is I don’t think it was bad writing or even them diminishing Izzy’s character, I actually think everything about the last episode has to do with production and I think Izzy lovers will feel a little better about it if they see it like that (it helped for me).
Basically, if you look at it like this, I think 2 important things came into play. Budget and how the showrunners assumed this would play out. Which is to say that they probably assume HBO will either renew them for season 3 and cut their budget again or they’re going to be cancelled.
Both are very likely, so assuming they had this in mind, removing Con, who I’d guess is the 3rd highest paycheck after Taika and Rhys was probably their best budgeting move, especially if they’re thinking of having an all out war in the final season that they probably want to be a visual spectacle, so each season feels like it’s getting consistently larger in scope.
On the other hand, if they do get cancelled (which they probably will because the HBO CEO is a weird little conservative goon), they left the ending in a way that could be considered an ENDING while still being prepped for a 3rd season. So in the time they had left (which was 2 episodes less than their first season) they gave Izzy an entire completed character arc.
I 100% understand the sadness and anger, especially after all the shit he went through during the beginning of the season, I felt gut punched when I learned he died and was bitter as hell through my whole first viewing of the season even though I’d had more than a month to process it. But after having thought it through, I genuinely don’t think it’s simply them treating Izzy as just an extension of Ed’s character growth and I sure as shit don’t think it’s because they wanted to conform to Izzy haters.
I think if they had all of the resources and episodes they wanted, had a guaranteed season 3, I think we would have gotten the character growth we got with better pacing and he probably would have at minimum made it to season 3 (I also think he would have had a love interest, but that’s just what I wanted for him tbh).
I think they did the best they could with what they had, allocated a lot of budget and screen time towards his character despite having less of those 2 things than the first season, and at least let Izzy have a completed story and arc, even if the ending was deeply disappointing.
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rainbowpufflez · 7 months
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“So how’s the Kalos region going for you Bo?”
Tumblr media Tumblr media Tumblr media
Oh yknow, great.
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quibbs126 · 2 months
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You know, it really does feel like Evoland 2’s missing a chunk of the game
Like, the way it ends is technically fine; granted it means all our characters are going to end up meeting horrible fates and also that we effectively have changed nothing. If the game was going for an ultimately depressing tone of “no you can’t truly change things, even if you can change a little”, that would work, but that doesn’t feel like that’s what it’s going for
It would work better if that were instead like a Neutral Ending scenario in Undertale, or like OneShot, where it can technically be the end, but there’s actually a True Ending to the story, and by continuing the game, we get that final chunk of the game that wraps up all the loose ends and gives us a happy ending, like the time loop ending and everyone getting a better outcome
It would be nice if the developers gave us that final story in the future, like some sort of update or patch to the game (though tragically I wouldn’t be able to play it, at least not for a while because I play on Switch). Unfortunately, considering the game came out like, 9 years ago and it technically already has a remaster/port with the Ultimate Edition, not to mention the game itself is pretty obscure, I don’t think it could ever get that ending
I can be delusional and dream though
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vogelmeister · 5 months
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been feeling mixed on some of my friends recently
#i love them but im gonna explain#i don’t want this to boil over like the twins did#but one of my friends i feel so cast off sometimes#i get it bc shes full time adult job employed now#in healthcare no less#but im just getting fully annoyed at her lack of availability and it makes me sad#im getting even sadder actually bc she also always seems to have time to hang with her uni friends whuch hurts#like im like okay i know you have this from 6-7 so how about we meet for dinner at 7:30 bc i wanna see you casually and she says no#and i think i really need to talk to her bc it makes me sad and then i feel slapped in the face#even on nights out we always have to go home early. which my friend basically said:#i think in future if you wanna go home you can but others shouldn’t have to too#bc my other friend got so sad she was forced to come back early and i was like yea i would have liked to have sat at manly with yall#bc i feel we don’t do this any more#i honestly think it’s better to just let her figure it out and go#i don’t want me to sweep so much shit under the rug until i despise her#bc i know this isn’t her fault i just wish she would let loose or make an effort#my other situation is my childhood best friend#i love her a lot she’s amazing. but but but. sometimes i feel she can be too protective of me.#it comes from a place of knowing me for so long#and i do trust her opinions on people who i surround myself with bc she fucking hated those twins#but sometimes i feel she has been treating me differently since my neurodivergence diagnosis#even with a certain high school friend she held this dislike even when i said she was not like the twins#bc she was hanging out with the twins at the 21st#like this girl was also having her issues with the twins and was the person in the firing line of the breakup#even when i was in nl she was so worried about me and its nice to have her have my back#bc after that guy kissed me directly on the lips she suddenly became concerned about ppl taking advantage of me#and its like to me great she cares but also i did in fact learn from it#but she gets super defensive when ppl take advantage of me and i just wanna her to step back#i just feel sometimes i don’t need her feeling like she needs to protect me or that i need to hang neurodivergence up like a flag#idk its a lot. thank u for listening
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crpingdeath · 11 months
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i’ve been sick for days (now i know it’s been covid) so i tried getting my shifts at work covered but there wasn’t anyone to cover, so i came in this morning anyway even though i felt like i was dying (didn’t know i had covid at this point) and people were almost more annoyed that i showed up sick instead of calling in leaving them short staffed which i ended up doing anyway bc i had to leave (at which point i found out i have covid) and now i’m annoyed that they’re annoyed and everything is annoying and i feel like death.
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