#I CANT ADD MORE HELP

[starry-bi-sky]

I am loudly pushing the batdad agenda i am loudly pushing the— DPxDC Prompt

“Woah. You look like shit."

Granted, that’s probably not the first thing Danny should be saying to the guy that just bit the curb, but in his defense; he’s not running on 100% right now either.

The man -- tall, towering, and broader than Danny is tall -- whips around on his heel, black frayed cape flaring out impressively. Danny would've whistled in appreciation, but he takes the time instead to wipe the back of his hand across his mouth, smearing the blood running from his nose across his cheek.

"Sorry." He blinks widely, not even flinching as the man with the horns zeroes in on him. "That was rude of me. I have a really bad brain-to-mouth filter; Sam says its what always gets me into trouble."

And she's not wrong either, per say. His smart mouth is what landed him in this situation -- with blood blossom extract running through his veins and cannibalizing the ectoplasm in his bloodstream. Thanks Vlad.

The man grunts at him; a short, curt "hm" that shouldn't make Danny smile, but he does because he's somewhat delirious and probably concussed. The man keeps some kind of distance, sinking towards the shadows of Gotham's alleyway like he dares to melt right into it.

If it's supposed to scare Danny, it doesn't work. Danny's never been afraid of the dark; he's always been able to hide himself in it. He blinks slowly at the mass of shadows.

"You look hurt." The shadows says, blurring together around the edges. Danny squints, and licks his lips to get the blood dripping down his chin off. Ugh, he hates the taste of blood.

"I am." He says, "My godfather poisoned me. M'dying." The agony of the blood blossom eating him from the inside out looped back around to numbing a while ago, so all he feels is half-awake and dazed.

"Hey," Danny stumbles forward towards the man, a bloodied hand reaching out to him. "You-- you're a hero, right? You're not attacking me; which is more than I can say for most costumed people I've met." Maybe it's a poor bar to judge someone at, but he's already established that Danny's not in his right mind.

The man makes no change in expression, but Danny realizes blearily that it's hard to tell with the shadows on his face. He stays still long enough for Danny to latch onto the cape -- stretchy, but almost soft under his fingers.

He looks up blearily into the whites of the man's eyes. "Can you help me? I don't-- I don't wanna die." Again. He doesn't wanna die again. He blinks slow and lizard-like. "I mean- I'll probably get to see mom and dad again, but I told them I'd at least try and make it to adulthood."

There's a clatter down the street, and Danny's ghost sense chills up his spine and leaves a bitter, ashy taste in his mouth. He immediately knows who it belongs to even before the deceptively gentle; "Daniel?" echoes down the way.

"Daniel? Quit your games, badger, Gotham is dangerous for children."

Danny's mouth pulls back, and blood spills against his tongue. "Please." He rasps, and grabs onto the shadow's cape with both hands. "Please. He's going to kill me. Please--"

"Daniel? Is that you?"

His lips part, dragging in air to plead with the darkness again. He doesn't need to, the whites of his eyes narrow, and the cape whirls around him before Danny can blink. Soon swaddled in shadows, the Night lifts him up, and steals him away.

[xxplastic-cubexx]

you open my Super Important Documents and its just pictures of charles xavier

[shiraoyagi]

hot take ??

the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.

it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)

anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.

they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.

for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.

for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.

their insecurities are incredibly similar.

in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.

in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.

just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.

now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.

for mafuyu and tsukasa it's pretty straightforward.

mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.

tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.

and even then, there's some overlap.

tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.

mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.

and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.

mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.

tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.

mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.

tsukasa has not yet cut his.

[cchipollo]

@technicolor-dreamss and i made another au..... romcom au. he has more drawings in his instagram post CHECK IT OUT

um. more explanation below

i was telling mark i reckoned this au was a combination of a modern (late 2000s) au, human q au, college au, lawyer au. um. picard liking q back au.

basic gist is months ago beverly's husband jack dies after a nasty work accident. so shes attempting to press charges or sue or whatever the legal word for that is but the company jack worked at (ferengi stand ins) repeatedly pressures every lawyer she hires.

picard bumps into q one day and spills tea on him and q's like “oi dick watch where you're going i have to go to court” and picard's annoyed but he shrugs it off. then they keep bumping into each other after that

q starts cyberstalking picard on facebook on their 2nd meeting and hands him his business card at like. the 2nd or 3rd meeting

anyway, so the statute of limitation or whatever is running out on the whole case against this company and beverly's like "i wont be able to get justice for jack if i cant find a lawyer who's willing to stick with me" and picard eventually is like wait. hm.

he calls up q and is like i need your help

hilarity ensues ! yahoo !

other than. well literally every other change theres a couple of changes within the characters relationships with each other, like vash has only dated q and only meets picard after q does.

of course jack dying way later. it might be worse for wesley this way now that i think about it. sorry wes

[orange-frog]

heres what i think would’ve happened if phoenix didnt get hospitalized at the beginning of 4-2

[puppyeared]

man

[constantvariations]

I get why people say Wyll/Karlach is enemies-to-lovers but it's missing too many of its signatures for me to agree

By nature, E-t-L's are slow burn. A good chunk of the story waits for one party to discover they're on the wrong side/both parties to realize they have more in common with each other than their factions, then a whole other chunk is dedicated to them learning how to trust each other. The higher the stakes in the story, the slower the burn

Yet everything between Wyll and Karlach is revealed and resolved in a single conversation. There are no lasting consequences of that initial animosity. Both are too good to hold grudges and all the fault lies firmly in hands not their own. Karlach trusts Wyll instantly and he her. Their friendship is so immediate that it's easy to forget that we met Karlach with the intent to kill her

And then there's the source of their quarrel. Wyll was led to believe Karlach's a devil seeking destruction and Karlach was just trying to go home. The thing that sets them against each other isn't their own beliefs or loyalties or anything deep seated and personal, it's the chain of command, something they're both eager to be rid of by the time we meet them. While it gives them something in common, it leaves them with nothing to unpack or overcome together

Compare that to the king of E-t-L's, Zutara of Avatar the Last Airbender. Zuko spent most of the show's runtime trying to capture the Avatar to guarantee the Fire Nation's total conquest, something Katara wants to prevent at all costs. When the two are stuck together by happenstance, they lash out at each other only to bond over their lost mothers. Then Zuko betrays her, something Katara does not forget and does not forgive until he proves himself much, much later. Afterwards, they support each other, watch over the others together, and make a damn good team against Azula. Perfect, should have been canon, fuck Bryke

Honestly, I think Wyllach is just Faerûn's version of a meet-cute

[vivitalks]

more adhd jason grace or die by my sword

[evienyx]

Allow me to present to you: Dead Moon Spirit AU.

"Ninety-five years after the Air Nomad Genocide, the war ends. There is no winner, nor loser. There are simply those who are still alive, and those who are not. 

Ninety-five years after the Air Nomad Genocide, Admiral Zhao of the Fire Nation kills the Moon Spirit, and the Ocean roars. The sun hides away, and the only light is that of the seas, so very blue, and so very angry.

Ninety-seven years after the Air Nomad Genocide, Crown Prince Zuko of the Fire Nation is burned and banished, sent beyond the protected walls of Caldera, told he can only return if he kills the Ocean Spirit and brings the world back into balance.

No one has seen the stars since the night the moon died. 

Ninety-nine years after the Air Nomad Genocide, in a South Pole ruled by darkness and cold, a beam of light shoots into the sky."

If I'm being totally honest with you, though, most of this story is me both testing out a different style, as well as pushing my Zuko-and-Yue-Bestie agenda.

I'm steadily working through it. It's a different writing style from my usual, and will probably only be a few parts, but I love it with all my heart.

I don't know quite when it'll be done, but I'm working through it steadily, in between writing for Fractures and BMaFT, so we'll see.

[indigos-stardust]

Work in progress

@shadylink come and get ur food

[ganondoodle]

struggling again with extreme artblock and general demotivation (as in nothing seems fun or appealing and you sit around staring at nothing doing nothing bc apparently no matter what i do whether drawing or not drawing i end up like this now)

i started to watch skitties totk video (again) and wrote a big post about how much i hate how the gorons are treated there but saved it as a draft like i have been doing with several rants now in order to not spam people with it over and over

but it does end up feeling like talking to a wall and just kinda .. increasing this looming feeling of extreme loneliness i have been fighting with for .... since i left school really..

[coriander-candlesticks]

Weaving progress for Athena's shrine cloth! It's definitely not perfect but I'm enjoying it. All of the weft yarn so far is either undyed (white) or dyed by me. iirc the light tannish yarn was dyed with tea bags and the dark yellow was dried spearmint. I've got some light blue yarn from Aunt Jenny Makes that I felt like I should add prepped and ready to go for the next time I work on it

[rosefires20]

Im-

I just finished the final book of the Earthsea Cycle and oh my god. There are no words to describe that ending or how well it fit. It settled so perfectly and so neatly. It went exactly where it meant to go and no I do not have the words to describe what exactly that intent or path was just that it existed.

Genuinely, the Earthsea Cycle is one of my all time favorite series. It's just so curious and so deep but also not at the same time. The lessons of the series are so fantastic and ones that I believe are impactful no matter your age. The exploration of being a woman in a world dominated by men is incredible in this series as well as the process of finding your place in the world and sometimes acknowledging that it isn't what you thought it'd be.

Each book I love more than the last. The Other Wind is so damn good. I love Alder as a character. I love Irian. I love Azver. I love the Kargish princess and her own character development. Lebannenn's character growth as well. Like just. It's so incredible. It also makes me appreciate Tales from Earthsea more because it's shocking how much each of those short stories truly contribute to the world building and conclusion of the series.

The way the story just slowly built up to the events of The Other Wind is also just incredible considering the time between the books being published especially in the second half of the series. The consistency is incredible and you really don't actually know where it is all going until the end yet everything pays off still.

Just god. I love it so much.

[harmoniouseclipse]

Me and my freaking ship charts for my freaky mind

[devotedlystrangewizard]

the school arc to me is so good because it drags ciel out of his position as a powerful figure and literally places him in the shoes of the person he could have been. the circus arc ALSO drags him out of his position as big bad queens watch dog/head of the phantomhive estate but the school arc feels like a mockery of a future that never was. this is what he could have been had his parents not died. and even then its NOT because he will never be that kid.

he never was.

[spacedlexi]

trying to keep all my clemviminnie thoughts contained until i get to episode 3 but

its hard