#and makes it QUITE known

[evienyx]

Allow me to present to you: Dead Moon Spirit AU.

"Ninety-five years after the Air Nomad Genocide, the war ends. There is no winner, nor loser. There are simply those who are still alive, and those who are not. 

Ninety-five years after the Air Nomad Genocide, Admiral Zhao of the Fire Nation kills the Moon Spirit, and the Ocean roars. The sun hides away, and the only light is that of the seas, so very blue, and so very angry.

Ninety-seven years after the Air Nomad Genocide, Crown Prince Zuko of the Fire Nation is burned and banished, sent beyond the protected walls of Caldera, told he can only return if he kills the Ocean Spirit and brings the world back into balance.

No one has seen the stars since the night the moon died. 

Ninety-nine years after the Air Nomad Genocide, in a South Pole ruled by darkness and cold, a beam of light shoots into the sky."

If I'm being totally honest with you, though, most of this story is me both testing out a different style, as well as pushing my Zuko-and-Yue-Bestie agenda.

I'm steadily working through it. It's a different writing style from my usual, and will probably only be a few parts, but I love it with all my heart.

I don't know quite when it'll be done, but I'm working through it steadily, in between writing for Fractures and BMaFT, so we'll see.

[5mcsinatrenchcoat]

To whomever it may concern: Karlach without make up (and with scars). Bless the modders.

[turtleblogatlast]

One of the earliest examples of Leo’s “I’ll do my own thing to accomplish our goal without discussing it with my team first” is in episode one. It’s super, super quick, and ultimately inconsequential, but it subtly sets up a great precedent that I think is very interesting.

When the boys need to grab the medallion from Splinter without Splinter noticing, Raph, Mikey, and Donnie huddle together with Raph taking the lead in trying to devise a plan to get the mystic device. Meanwhile, Leo slinks away and grabs the device by clocking the situation (by knowing his father well enough to predict his actions - something he does with each family member multiple times in the series) and making a move on his own.

It works out perfectly fine, and is ultimately the best move, and it’s honestly okay that he didn’t consult everyone for something so small when it’s such a non issue to get it, but it nicely sets up how this tends to go in the series, including how it goes in the movie.

To be honest episode one is actually really good at setting up a lot of things for each character in the long run, this is just one example that caught my attention, as small and unassuming as it is.

[bamsara]

So is the reason for Tyren getting more unhinged the side effects of the devotion necklace, or was this a downward spiral he would have gone done regardless of the necklace? I remember you talking about how the necklaces have consequences, and I'm curious if this is one of them.

Yeah!

Tyren would have been an already overly-doting and even jealous character on his own without the loyalty necklace, (and had been due to his crush on the Lamb even before recieving it, and what happens when you reject followers in-game) but his spiral into a unhealthy obsession and idolization was aided by the loyalty necklace.

If it was given to perhaps a regular, less devoted follower, the effects maybe wouldn't have had such severity. But Lamb got the materials/necklace from the mystic seller and isn't fully aware of the effects it might have on their followers yet.

So, dog is unhinged a bit on his own, but amplified by the necklace. He's originally friendly, caring and sweet. But you take good traits, too much of a good thing, and they can turn bad

[alpacalamamama]

‘Birth of The Weave Eater’

This is from my very self-indulgent AU where a fraction of Karsus’ will remains within the Netherese weave, and thus, within Gale.

(Alt version below)

[victorie552]

Ok, so Noldolantë, "The Fall of the Noldor" is a lament composed by Maglor about what happened before, during and after First Kinslaying at Alqualondë. It's such a good song that it's played regularly in Aman and Valar listen to it often (I swear, I swear it was in the Silmarillion I just can't find it now).

It's also a more or less common fanon that Maglor continues writing Noldolante through the whole First Age. Makes sense - it's about fall of the Noldor, and Noldor did a lot of falling back then.

Headcannon time: So my first thought was that Noldolante must a long, long, long epic of a song. So it probably has many parts, right? Iliad has 24 books/parts, somehow I think Noldolante would be at least just as long, and there are longer epics. And again, just like Iliad, unless you're a scholar, in the daily life you don't really listen to/read the whole thing, just reread and repeat the most dramatic fragments. What I'm trying to impress upon you all is that the story would have different segments, or chapters, if you will.

And if Maglor continues to write the story during the FA, there would absolutely be a moment in the lament where the OG Noldolante becomes Noldolante 2, and even Noldolante 3. There may be the same musical motif or something, I decided that Maglor IS that good of a bard to keep it all consistent enough so you know it's all the same story, but the style changes a lot - it's been 400 years in the making, let The Music Elf have fun!

So, Point 1: Many, Many Parts, basically Maglor's FA WIP

My second thought was that, while Feanor invented his alphabet, elves learned their history mostly through oral tradition aka songs and spoken stories. Noldolante is definitely a historical record, where a historical event was archived for future generations.

(It was a also a way to deal with grief, guilt and blame Maglor and all Noldor have faced regarding First Kinslaying - free therapy! But that's not what this post is about)

Archived.

My 2.5 thought was that Noldolante isn't just recallings of how pretty and horrified the beach looked during the murdering or how mad and sorrowful the sea was at everyone during the voyage or even how awesome and charismatic Feanor looked during his speeches that every single Noldo was ready to fight Morgoth barehanded in his name - no, this is a record of who killed who, who got killed by whom, and how.

Noldor and Teleri knew each other (were friends, even!) before the First Kinslaying, so I'm confident that after a lot of interviews, detective work, and cross-referencing, Maglor could and would create a very good... name list. Practically every Noldo and Teler present during First Kinslaying would get a stanza in a song, more if he killed someone, most if he killed many people. Killers and killed would show up twice, first in a fragment listing the killers and their victims, then in a part listing the victims and their murderers. Basically it's the same thing twice, but from different POVs. With when, where and how included.

(It was seen to be in bad taste to compare kills during Maglor's Regency, when most of his interview-part work happened. People did it anyway. There were a Saddest Kill, Funniest Kill, and Weirdest Kill discusions. There was a Tier List. These were weird times to be a Feanorian Noldo.)

(It WAS in Bad Taste, but at least people talked about it. I cannot stress enough how much free therapy this lament provided)

(Little did they know, when Teleri started getting reembodied in Aman, they had very similar discussions, but more in a "I can't believe he killed me like THAT" way. Long, long, long after the First Age. Noldolante is a gift that keeps giving)

So, Maglor had all the historical grith and no common shame to create a "We Killed All These People And We Feel Bad About It" banger of a song, and every Noldo had a very personal reason to at least remember the fragments they are in. It's a hit on a scale never seen before.

(I'm not sure how to tackle the issue of Nolofinweans and Arafinweans learning about Noldolante after crossing the Ice. But there were discussions. There was anger, there was "????", there was controversy. Basically, the song got bigger and bigger rep no matter what your opinion on it was. By the time of Mereth Aderthad it was an important cultural and political piece and at least Fingon's forces were included in the main song. It had parodies.)

Point 2: Archive Function/Kill count storage. Cultural phenomen, every Noldo included

This is where my personal nonsense begins: Main Noldolante was done, there was nothing more to say about First Kinslaying, all killings and deaths were well documented.

But the Siege started. And the Noldor kept dying.

It was less dramatic than it sounded - between the big battles the siege was maintained, but orc raids also happened and sometimes one to few Noldor died in skirmishes. The legal procedure was to document the death of a fellow elf and send a word to king Fingolfin. The cultural procedure, technically started by Feranorians but adapted by many more, was to send the name, common characteristics and cause of death to Maglor's Gap. After few months, King Fingolfin would send reinforcements, short condolences and financial compensation if they had family. After few months, family of an elf would also receive a personal lament for them and a place for them in a Noldolante.

Yes, every lament Maglor created in that time was technically part of the Noldolante. Noldolante 1.5, if you will. Laments make in that time were very customized, and simpler than Noldolante Main, but were still considered a part of the same song. Of course, nobody was expected to know and remember laments for every single Noldo, younger Noldor born in Beleriand could even only know fragments about their family members. Only Maglor would ever know Noldolante in full, but it was understood that everyone had their place in The Song.

The results of Great Battles were harder to document, but Maglor did that. Of course, Dagor Bragollach was hard on him personally, but he worked his way through.

(High King Fingon forbade creating laments for his father. There were no songs for Fingolfin. Apart from in Noldolante, of course. Of course. Maglor did not share the lament with anyone, but he sat long hours and many nights with a blank paper before him, looking at the candle flame and thinking of the past and the future. The song unsung, but there)

Nirnaeth was... Maglor was never more hated and more approached at the same time than then. Still, Noldolante grew and grew, as if people knew the end was near.

It was Second Kinslaying that destroyed the myth of Maglor's song. Feanorians didn't know the Sindar they killed, but surely, they couldn't just left their names unmentioned like they did with orcs? So, Noldor talked, but the battle happened in caves - it wasn't uncommon to find dead bodies in empty rooms, with no witnesses to what happened. Surviving Sindar didn't want to share any names, even when Maglor strong-armed some into talking with him, and good for them. Maglor made a big lament anyway. Maglor, wild, with no shame and dead brothers, with legacy crumbling around him. Noldolante, with holes.

After Third Kinslaying, Noldor didn't want to talk. Lament for Sirion didn't have any names. Clearly, songs weren't a way to go anymore, it was always about live witnesses. And so Maglor raised the twins.

Lament for Maedhros was sung repeatedly. There was no one to hear it.

Point 3: Only Maglor knows Noldolante in full. But that doesn't matter, because everyone knows the important part: the Noldolante is finished. The Star of Hope rises in the West and the story goes on. The Fall has ended.

[gumm1defloor]

Vox can understand Velvette just fine. They don't necessarily need to get along all the time, but they have a mutually beneficial contract that guarantees her support in the most efficient way possible, just how they both like it, short and strict and to the point. Vox does not understand Valentino. It drives him unimaginably, disgustingly insane. He knows how to handle him, make no mistake. Valentino is a never-ending powerhouse that wrangles out content from his employees like there's no tomorrow. He's proven himself to be Vox's most lucrative investment yet. He is resourceful, well-connected and most importantly predictable enough to rein in. Because he listens to you, because he needs you.

He is also, undeniably, out of his goddamn mind. Yet you've already invested too much in the corporate empire you've built together and there is no point turning back now that you have him so close to your side. It's OK however! He couldn't possibly be stupid enough to throw away the best partnership deal he's ever had just for the sake of something petty cause -oh, wait - he genuinely might just be that stupid and you never would've guessed because he's so cocksure of his bullshit that 80% of the time it ends up working in his favor anyway.

Fuck his life indeed. The kicker for this of course is that Valentino, genuinely does believe he has struck gold with Vox. Valentino is a clingy, possessive, immature, perverted, sadistic, egotistical man-child with severe rage issues and zero impulse control. No he is not aware of this at all. No he does not know why nobody is able to tolerate him and why every single person he gets close to hates his guts with every inch of their burning rotting souls. All he knows is that hell has now given him a flat faced prince in shining liquid crystal armour, riding on a cash filled horse with promises of power and luxury, who's practically handing him success on a silver platter. Doesn't mean that Val trusts him, doesn't mean he doesn't enjoy seeing him lose his shit. But at the end of the day vox has his back, and as long as Val keeps calling for him, he'll eventually turn up and make everything better. Cause hey if Vox hasn't left him yet for this long he must be doing something right. Right?

[ssparksflyy]

SHE WORKED HER WAY THROUGH A CHEAP PACK OF CIGARETTES 🎸‧₊ ᵎᵎ

percy jackson x rockstar! reader , requested

━ HARD LIQUOR MIXED WITH A BIT OF INTELLECT

[swordmaid]

i am wide awake thinking about that post canon jb au again when I should be sleeping …!!! such is the nature of the jbrainrot…

[navree]

if it weren't so clearly gearing up towards a desperate tragedy this entire exchange of arthur going "lying bad" and john going "what if lying good" and then getting incredibly fake offended when arthur asks if he has, perchance, been lying would be comedy gold

[fatedroses]

I offer unsundered Meteor and a bit of the strange giant winged man that likes to follow him around.

As per his namesake I plan on incorporating a lot of it into the ancient design, (besides the fact that I purposefully, visually, swapped how some of Dionysus and Apollo's traits are generally depicted). The majority of it is foresight and prophetic vision (and perhaps a bit of apollo's general misfortune), his past inspired by Ardbert to have grown up primarily as a farmer/rancher, the bardic inspirations and maybe a bit more the more I flesh him out.

[fandyjam]

finally got around to drawing my jamsona!!!! this is fandy jam!! inspired by how obsessed i am right now with the jamiverse (amd andy specifically njbjhhftc)

he is silly and very anxious and has no idea how to communicate with others so he tries to learn as much about them as he can to cope. also because knowing things is fun. <3

[pondhue]

thinking about morty's stats and remembering back to when rick talked about "morty waves"

no wonder they "cancel out" because they're both so intelligent it's like trying to link two magnets together. they repel each other. like fucking duh we knew this already, but it's nice to see it confirmed to us in s7ep7

morty isn't dumb, he's just a different kind of intelligent that's on the same unique level as rick. what makes it doubly unique is that rick (or rick's in general) are unable to truly understand it so they brush it off/downplay it

i like to think that both morty and rick are coded to be autistic, and their special interests shown reveal that. rick's special interest is science and engineering, morty's is art. i'd like to think it's art since he loves video games and is naturally very creative. like yeah he's a 14/15 year old boy so obviously he loves video games but i mean it in the sense of how he appreciates them as an art form/story telling thing and not just something to play to pass the time

i love rewatching "rest and ricklaxation" because this is shown so clearly as rick is "creating a new element" and morty is practicing pottery

they're literally two sides of the same coin

[soullessjack]

the jackgirl experience is finding a blog that’s capable of making intelligent thought around jacks character or recognizing him as an autonomous adult and realizing after further inspection that ,8 times out of 10. they’re probably a w*cestie, and then wishing you could take a chemical bath to wash away the interactions

[kickingtheladder]

"Maybe he's OUR fucking demon now."

Crystal I adore you.

(And he really does become their fucking demon <3 <3 <3 )

I love this argument and this whole section of this episode. Crystal and Edwin are both very traumatised and having a bad time and yelling a lot! Charles is having a bad time because his bestest most important person and his new person that he is enamoured with are yelling at each other! No-one is wrong and everyone is hurting!

But they're being honest with one another! I feel like this is part of all three of them realising they can show each other the ugly angry sides of them and they won't be abandoned for it, that they can storm off after an argument and they will all still come back together afterwards (that ultimately they will still be loved). Crystal doesn't have her memories but we learn later she's never had people who really cared about her at all, let alone after she was mean to them and made bad choices. Edwin and Charles are devoted to each other but also because they are all the other has neither of them can face even potentially driving the other away! Charles has kept mum about his dad and his fears of becoming like his dad and not being a good person for thirty years! Edwin hasn't even looked at what his feelings about Charles are or talked to Charles about hell and the fact he maybe thinks he deserves it for thirty years! (He clearly has talked a bit about it, but given Charles has no idea what to expect when he goes to rescue him I really feel like Edwin was very much sugercoating the whole thing.)

All of them go through related arcs this season about being honest despite your fears that that honesty will make someone you care about turn their back on you, and I feel like this whole bit with this argument and Charles showing Crystal his parents and Edwin's "this MATTERS" is the beginning of that. Crystal tells them what happened with David after this! They're all working out letting each other in and I have a lot of emotions about it!

Anyway this got long and incoherent, I don't know where I was going with this originally.

[aalghul]

i saw an account post that, unfortunately, if you are a jason todd fan account then you’ve most definitely gotten an ask along the lines of “if you like fanon jason then you’ll definitely like canon helena/steph/mia” and was wondering if you’ve ever gotten an ask like that

I've gotten a few about Helena specifically, never Steph or Mia so I'm going to talk about Helena rather than generalize what I'm about to say to both of them too (because I was actually thinking about this a few weeks ago!)

Those people are right...in a way. If you want christian guilt (that Jason does not in UTRH and should not ever struggle with) and genuine efforts to be accepted by the Bats? You want Helena. A character whose relationship with killing can be benefited by people bringing her into their light without rendering her previous choices pointlessly antagonistic? that's Helena.

Then there's also the factor of Helena often, in canon, being treated as unstable and untrustworthy, no matter what she does to prove otherwise. and that's seen as a continued failing on her part, even if it's others that refuse to believe in her. Jason constantly being pushed into those situations in fanon and canon is very Helena coded. He's got her good and bad.

But if you like the Jason from UTRH era, arguably the best written Jason post-resurrection (which isn't saying much because...we all know how he's written most of the time), then Helena would never work for you because they're so different. Even with fanon, there's only a certain extent it can apply to. Helena's not Bruce daughter, he didn't raise her, she was never family for him outside the costume (or in it. but that hurts me to say), and she certainly wasn't Dick's sister. So those dynamics should be different inherently, even in fanon where they're altered to resemble something like what Helena has. There's still a history that Jason has here that she naturally doesn't.

I think it's too vague and unhelpful of a thing to say if you're trying to make people interested in Helena or change their portrayal of Jason. But I do see the basis of it.