#I AM NOT FLINCHING

[sistertonin]

IT'S A NEW DAY, YES IT IS. 🦄🧇✨️

[luchorgasm]

Cody Rhodes will dethrone Roman Reigns at Wrestlemania 40’s Night Two Main Event.

SAVE THIS POST

[prlssprfctn]

There is a specific thing that I love the most in Jason Todd centric fics — the slow build-up of the trust between him and his family members once things start fixing.

Not an instant "We talked once and hugged him, all good now", but the "Yeah, we just spoke, and things seem clearer, but I am still guarded and distrusting, so nothing special happens", because, honestly, with the amount of trauma it won't work otherwise.

Give me more Jason, who is not used to hugs and touches — who flinches if his family initiates it or just freezes awkwardly, not really responding back. Give me more Jason, who still carefully picks out what to say to his family — he bothers to filter his thoughts now, since they have a truce, but he still doesn't trust them with everything; especially his feelings. The Batfam, who is happy at changes at first, until they realise that they are not moving anywhere forward, they are just stuck on neutral point — they still don't know much about Jason, and he still feels tense around them. Jason, who is too afraid to move their relationship anywhere further, because he can't risk ruining a fragile peace now. So, he overthinks his actions and what to say (would Bruce be mad if he knew that I got involved with helping juvenile kids, does he still think that I am a bad influence? Will Dick get sad if he finds out I am hanging out with Roy and Kory again? Will Tim and Damian—) and chooses to stay silent. Too quiet. Almost shy.

It is an unfamiliar sight for the others, but Bruce stares at him, seeing the freshly adopted Jason again, too cautious and scared, afraid of being thrown back on the streets.

And he thinks it was easier to deal with it when he wasn't the one to cause these intrusive thoughts.

[howlsnteeth]

call me when you have the time I just need to leave this part of me behind

[turtleblogatlast]

[ cw: death mention / strangulation mention / stabbing mention / blood mention / self-sacrifice / codependency mention in tags / ]

I think a lot about how common it is for Raph to be the one to have direct focus put on him when Leo gets into all his near death experiences.

Like, when Leo is thrown off a building, it’s Raph who’s right there jumping after him, not even thinking about the consequences to himself when he does. When Leo almost gets skewered by the Krang, Raph’s right there to take the blow and send Leo to safety without a second thought. When Leo’s being strangled to near death, it’s a Krangified Raph doing the job, doing exactly what Raph would never, ever want to do. When Leo is telling Casey Jr to close the portal, it’s Raph who tries desperately to convince Leo otherwise.

Likewise, Leo is consistently very single minded when Raph gets forcibly separated from them. Both when in the sewers and by the Krang, Leo is dead set on finding Raph first and foremost.

I also think it’s interesting that during each of Leo’s near death experiences, the lightheartedness of his words during them goes directly hand in hand with both how close Raph is to him physically and how much danger Raph is also in in that moment. From a literal “I told you so” as Leo’s falling away from Raph to a soft joke about how “hero moves” are Raph’s style - both of these are on the more morbidly carefree side and both of these notably take Leo farther away from Raph and, in turn, have Raph not in immediate danger.

On the other side of things is the apology from Leo, heedless of the danger he himself is in as he seriously and genuinely speaks to a Krangified Raph face to face. Then there’s Leo’s freezing and desperation as Raph takes a hit meant for him and sends just Leo to safety, leaving Raph himself behind. Both of these involve much closer proximity and Raph being directly harmed - these together make Leo much more vulnerable in his words and actions, something not even the threat of death can make him.

These two care about each other so much, and they’re way too much alike for their own good.

[aethersea]

I saw a post proposing that the reason the Doctor always ends up on Gallifrey at a time after he last left it but before the next time he'll visit, and other Time Lords similarly are all showing up on Gallifrey in a chronological manner, is that the TARDIS just handles it. and that is great! but I would like to propose that, as well as and alongside this, Time Lords have a biological like-calls-to-like thing going on that means they're extremely unlikely to encounter each other out of order. it's like how birds can sense north. Time Lords can sense each other, and are repelled (like magnets) by other Time Lords who are at a mismatched point in their chronology.

the TARDIS is handling it, but she's doing that partly by avoiding any time & place where the Doctor's spidey sense starts tingling. (the Doctor is not aware of this.) that's why the Doctor and the Master don't run into past/future incarnations of each other: any time one of them aims for a planet the other is already on, if they'd be running into each other out of order, they get the heebie jeebies and turn around.

[woozapooza]

s01e09 "Boca" // s03e04 "Employee of the Month"

[hoofpeet]

The "what career/college should I pursue" thought process is really hard to lock in for right now because it keeps inevitably circling back around to "where would I be most likely to make friends". Which I feel like can't really be a factor in what college I'm going to potentially stake my life on... So I try to keep operating on the assumption that I'll still be pretty isolated as an adult and think about what's most PRACTICAL. But then the issue is that. That seems to be the only desire that motivates anything, and when I take the prospect of making friends off the table, nothing really sounds desirable anymore... which makes it hard to determine how comfortable I would be in any given career. etc etc . So I end up deadlocked & just going around in circles about everything

[sophaeros]

the strokes: in transit - 2001 tour (2004)

transcript:

unknown: oh, here's the gun.

fab, to julian: (dramatic voice) where'd you go, man, where'd you go, motherfucker? where'd you [inaudible], motherfucker?

julian: (crosstalk) kill me!

ryan: (crosstalk) hey guys, [inaudible] hey- rosemary has kids and stuff so she needs to go home.

fab: oh, shit. (to ryan, in a dramatic voice) yo, i don't like that mouth, man, i don't like how you run that mouth.

julian: (crosstalk) [inaudible] what about my kids?

julian: what about my fucking kids, ryan? what about little fabrizio? he hasn't eaten in three hours. (turns and slaps fab) shut up! don't do that (breaks off into laughter)

nick, off-screen: what're you filming, man?

/end transcript

[brainrotcharacters]

tell me I'm wrong

[transgenderprototype]

Trauma is such bullshit like wtf do you mean im traumatised by shit my brain won't even let me remember

[mars-ipan]

Mars, you have a lot more patience than I would at this point gdhfkjgdsfg. If you'll allow me to choose violence for a second:

-

Hi anon! Did you know you can engage with other people without interpreting every word they use in the worst way possible, making a million assumptions about their background and prescribing opinions to them they've explicitly told you they don't have?

I don't even disagree with all of those rebuttals, but if you want people to engage in discussions with you you have to treat them like human beings, not your opposition in a court case. What are you expecting to get back when you act like this? About nonexistent fingers in his ass guy?

You should at least have got off anon and owned what you said- unless you're using anon to block evade, in which case you should consider respecting people's boundaries.

:D waow…. feeling very cared for in this chili’s tonight

[beloved-child-of-the-house]

me, bleeding all over my kitchen floor from a wound in my hand: oh my god this is just like that scene from Modern Love

[lunarharp]

"Found out" set in kind of a made-up chapter where the girls are in trouble, or something.

[eyewyrm]

noel and identity loss...

trying to articulate why it feels wrong to call him charlie, because thats still him but at the same time not.

he's changed and things cant go back to the way they were, noel took up a new name one to remember but also to move on

i don't think noel is a fake name to him more so just a new identity he's taken up as an extension of himself. or at least someone he's rebuilt himself as after the dreamlands. i don't think he's discarded charlie as an identity but that he just has two names that are both very real to him, however just one of them is more in the forefront than the other so he'd be unused to his old name being used.

but i also think that he'd feel extremely disconnected to his old life and name that it would be uncomfortable and feel wrong for him, might feel that his past is catching up to him or maybe he'd be afraid that if he stops using noels name he'd be abandoning him in some way

or just using the name as an escape from the king in yellow who likely would've called him by his original name

i recognise this is like probably nothing at all but it is rotating in my brain and i need to get it out, i love saying shit and being completely incoherent

[imjustavenuxwithaboomerang]

if this 'rocking out/air guitar' move was scripted, there's definitely a take of kyle whacking case in the head by accident, i just feel it in my heart