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#Hurt Javert
fluentisonus · 2 months
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chiens-loups
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leftoverspagehhti · 1 year
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Actual footage of me deciding what to write in my fanfiction
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secretmellowblog · 2 years
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After years of thinking about him, my attitude towards Javert is this: Is Javert a good person? No!
But does he redeem himself and become a good person? Also no!
However he IS very pathetic. Just a horrible self-destructive hideous friendless cube-shaped whiskered Creature. And that counts for a lot.
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stellamusing · 1 month
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Pleased to report that I'm just as insane over the barricade boys as I was in 2012
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incidentalblr · 1 year
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she kissed his scarrrrr,,,, eughhhhh
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kdrama-movies-more · 1 year
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cuntvonkrolock · 1 year
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i'm reading les misérables rn and jesus FUCKING christ i wish valjean would punch javert really hard in the face at least once. maybe hit him with a chair or shovel idk.
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Another Les Mis musical connection that's making me feral: Jean Valjean uses the same melody with which he sings to Cosette, "Believe me, / Were it within my power, / I'd fill each passing hour-- / How quiet it must be, I can see, / With only me for company"...
When he sings "You are free, / And there are no conditions. / No bargains or petitions! / There's nothing that I blame you for. / You've done your duty--nothing more" to Javert.
In my journey to map out the various leitmotifs in the show, this one really flung me for a loop because what does it meannnn?? This is the only time we hear the melody in the show, and it's applied in two very different circumstances, where the relationship Valjean has to the characters involved could not be more opposite. What connects them?? But I think I have it.
It's a reluctant release. Not of the people, but of his own desires regarding them. Let me explain.
Valjean very distinctly wants things from both Cosette and Javert, which he sings about on the rising part of the melody. With Cosette, he wants to be the center of her life: "Were it within my power, I'd fill each passing hour;" on the other hand, he desperately wants Javert to leave him alone. When he has Javert at his mercy, he absolutely does want to trade lives, which is why he sings it on the rising part: "And there are no conditions, no bargains or petitions." He does want these things--but he's letting them go.
And that's where the falling part of the melody comes in. In both situations, Valjean knows he can't have what he wants. So he gives up that desire. He accepts that Cosette wants someone else, and doesn't blame her for it ("How quiet it must be, I can see, with only me for company,"), the same way he accepts the situation between him and Javert ("There's nothing that I blame you for. You've done your duty, nothing more."). That's why immediately afterwards, he tells Javert his address, and why shortly after that, he prays that Marius be brought home to Cosette.
Cosette is his biggest security, and Javert is the biggest threat to his security. But in this little melody, he sets them free (Cosette metaphorically, and Javert literally). He acknowledges what he wants, and accepts that he can't have it, even though it hurts.
And if that ain't the most Jean Valjean thing, I don't know what is.
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“You have been in this particular mood for months,” Holmes stated. “You are in pain, but worse than that, you feel useless. You would clearly be more comfortable – and productive – away from London. Therefore, it seems a permanent relocation is in order.” ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ When Watson is no longer able to keep step with Sherlock Holmes, he expects to be left behind. As it turns out, Holmes has already devised a plan.
Rating: General Audiences
Archive Warning: No Archive Warnings Apply
Category: Gen
Fandoms: Sherlock Holmes - Arthur Conan Doyle, Sherlock Holmes & Related Fandoms, Sherlock Holmes (1984 TV)
Relationship: Sherlock Holmes & John Watson
Characters: John Watson, Sherlock Holmes
Additional Tags: Aging, Retirement, Growing Old Together, Disability, Physical Disability, Depression, Watson has the morbs but he’s going to be fine I promise, Victorian men being Bad At Feelings TM, smoking as a coping-mechanism, Crying, Emotional Hurt/Comfort, Domestic Fluff, Misunderstandings, Friendship, Queerplatonic Relationships, They love each other so much, like they are basically getting platonically married in a in sickness and in health way be warned, Angst with a Happy Ending
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Tagging the same people as in my last story and a few others, but please let me know if you'd be rather taken off this list!
Edit: Aaaaaahhh half of these are broken and I cannot fix it. :,) Well, please share with your friends then!
@amypihcs @tyrannosaurusnacks @friday411 @keirgreeneyes @crowleyholmes @sirensongster @rainbow-person @yamy-brett @itsnotlupus @its-notlupus @jabbage @angryducktimemachine @anmaje @emmahasadhd @sarahthecoat @geeoharee @theantichris @hell-and-pepsi @neverquiteeden @rudbeckiasunflower @weast-of-eden @ohgodwhatwasthat @the-doggo-of-baskervilles @benrybenrybenry-chr @fuckyeahfreeimmortal @loki-lock @holmes-ness @louieclamlent @bestnoncannonship @forever-1895 @loreleilee @helloliriels @somethingintheforest @wohnjatson @crowleyholmes @zouex @wemightliveinasociety @sammalinensiirtolohkare @zouex @wohnjatson @tremendousdetectivetheorist @tremendously-crazy @darkhorse-javert @marta-bee @calculated-waywardness @sirensongster @imlostatau @noisykingdomreview @emmahasadhd @yamy-brett @anmaje @skyriderwednesday @transholmes @53rdcenturyhero @randomwholocker @plaidadder @huamirly @fruitviking
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ueinra · 3 months
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LES MISÉRABLES (1972)
Sometimes I forget that “You annoy me, kill me rather.” is a real line.
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Also I love how Valjean seems careful not to get Javert hurt here.
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tjjamess · 4 months
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Im watching a different Les Mis YouTube bootleg every day for a week (because I’m actually insane) so here is a little dump of my thoughts and little details I liked about each one.
Day 1
12/05/2007 Broadway Production
Https://youtu.be/oLOGOiK3zCM?si=_U2Ry5HBa84OfKxY
This is the one that started this whole things cause I heard that Grantaire played the guitar
One song in an Javert and Valjean Are far closer than they need to be
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Like was it really necessary to get that close (not that I’m complaining obviously)
Also this Javert kinda… *gets sprizted with water*
omg Fantine’s actress was so good I can’t even comprehend
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Like look at that ^
magnificent!
The Thenardiers lean very far into the comedy relief characters
Gary Beach as M. Thenardier!!!
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Gavroche was such an icon this performance
favourite character fr fr
and he had a little red bandanna in his costume and I just love that so much
Grantaire carrys him on his shoulders in one day more and he stands with Enjolras in do you hear the people sing
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Speaking of one day more this performance was really good
but back to Gavroche…
im gonna pull a Javert cause when Gavroche goes to collect the bullets it’s NOT HIS LITTLE PEOPLE SONG AND IS INSTEAD A MUCH SADDER VERSION
im just gonna attach the video cause omg I can’t
Gavroche’s actor was so good man
he sounded so fucking scared I’m crying
On a lighter note I loved cosette so much her actress was actually so gorgeous and so good
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A heart full of love was actually hilarious though
cosette kept turning the other direction every time Marius looked at her to the point she would run after him then turn on her heels in like two seconds flat
AND there was a moment when Marius introduces Eponine and Cosette and they just stare at each other for a long moment I can’t even
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Eponines actress was very very good
she sounded a little like she was trying to sing like Frances Ruffelle but she was good so I’m not complaining
A little fall of rain was so sad in this one man
she tried to give him one last kiss before she died but she DIDNT GET TO AAAA
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Enjolras hugs Marius and Grantaire shares his drink with him after a little fall of rain!!
then of course guitar Grantaire and accordion Jehan are a highlight
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The sillies
Javert soliloquy was a masterpiece but to be fair I say that about every version of Javert’s soliloquy
but you see what I mean when I say Javert kinda…. No! No! Not the spray bottle again!!
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I suspend my hate on Marius for this actor cause he was really good I really like his voice and he was a silly little guy
Empty chairs at empty tables hurt my soul
the wedding was absolutely gorgeous the lighting was so good I can’t
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Like look how pretty that is ^^^^
i cried like 3 times with was a very good cast very nice very nice
the camera quality wasn’t too bad (other than the few times the camera would get hidden but eh what can you do)
very good I would probably rewatch this bootleg again
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javertwenttoheaven · 3 months
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Another thing that will always Hurt me is how every other character gets a white light when they die, but Javert plunges into darkness. I LOVE it from an artistic perspective, but it hearts my Javert-lover heart T_T
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secretmellowblog · 11 months
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Another reason I dislike Les Mis adaptations that make Jean Valjean constantly openly angry/violent is because they miss that Jean Valjean is not allowed to be angry. The fact he is forbidden from expressing anger is, I argue, actually a very important part of his character in the novel!
One of the subtler political messages of the story is that some people are given freedom to express anger, while others are forced to be excessively meek and conciliatory in order to survive.
Wealthy conservatives like Monsieur Gillenormand can “fly into rages” every five minutes and have it treated as an endearing quirk. Poor characters like Fantine or Jean Valjean must be constantly polite and ingratiating to “their superiors” at all times, even in the face of mockery and violence, or else they will be subjected to punishment. If Gillenormand beats his child with a stick, it’s a silly quirk; if Fantine beats a man harassing her, she is sentenced to months in prison.
(Thenardier and Javert are interesting examples of this too. Thenardier acts superficially polite and ingratiating to his wealthy “superiors” while insulting them behind their backs. Javert, meanwhile, is completely earnest in his mindless bootlicking. But I could write an entire other post on this.)
The point is that….Jean Valjean has to be submissive and self-effacing, or he puts himself in danger. He can’t afford to be angry and make scenes, or he will be punished. The only barrier between himself and prison is his ability to be so “courteous” that no one bothers to pry into his past.
Jean Valjean is excessively polite to people, in the way that you’re excessively polite to an armed cop who pulls you over for speeding when you secretly have a few illegal grams of marijuana in the your car trunk. XD It’s politeness built on fear, is what I mean. It’s politeness built on a desperation to make a powerful person avoid looking too closely at you.
It’s politeness at gunpoint.
Jean Valjean has also spent nineteen years living in an environment where any expression of anger could be punished with severe violence. That trauma is reflected in the overly cautious reserved way he often speaks with people (even people who are kind and would never actually hurt him.)
So adaptations that have Jean Valjean boldly having shouting matches with people in public and beating cops half to death without worrying about the repercussions just make go like “???”
Because that’s part of what’s fascinating about Jean Valjean to me? On one hand, he is a genuinely kind compassionate person, who cares deeply about other people and behaves kindly out of altruism. But on the other hand, he was also “beaten into submission” by prison, and forced into adopting conciliatory bootlicking behaviors in order to survive. And it can sometimes be hard to tell when he is being kind vs. when he is being “polite” — when he is speaking and acting out of earnest compassion vs. when he is speaking and acting out of fear.
The TL;DR is that I think it’s important that even though Jean Valjean is very (justifiably) angry about the injustice that was inflicted on him, his anger is harshly policed at all times— by other people, and by himself. He has been told his anger is wrong/selfish so often that he believes it. His anger takes weirder more unhealthy forms because he has no safe outlet for it. His rage at society becomes a possessiveness towards Cosette and silent hatred of Marius, but primarily it becomes useless self-destructive constant hatred of himself. And while I might be phrasing this wrong, I think that’s what’s interesting about Jean Valjean’s relationship with anger— the way his justified fury at his own mistreatment gets warped into more and more unhealthy forms by the way he’s forced to constantly repress it.
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cliozaur · 5 months
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Answering the question: Was a Valvert relationship possible to maintain in canon-era France without legal consequences? The answer is yes and no. It depends.
In contrast to Britain, the German states, and the Habsburg Empire, consensual sexual acts between adult men in France were legally tolerated thanks to the Code Napoléon. Since 1805, as long as men confined their sexual relations to private environments, it was not a criminal offence. However, local authorities made sure to criminalize sexual acts performed in public places, as well as male prostitution. (Because of this partly tolerant attitude towards homosexual relations, France was a suitable place of exile for men like Oscar Wilde.)
So, if your Valjean and Javert do whatever they do behind closed doors at home (and probably even in Madeleine’s office), they can do so without any legal consequences. What is even better, Javert’s feelings won’t be hurt, as he is not transgressing the lawr. But as soon as they move into public territory, they are in trouble, and Javert automatically becomes a criminal—I am sure he won’t like it.
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mostgeckcellent · 5 months
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Intermission thoughts on Toronto Les Mis
Kyle Adams definitely reads enjoltaire fanfiction
I also adore how protective his grantaire is of gavroche from the start - from the second enjolras decided to start the revolution, he was trying to steer Gav away, and when he couldn't, he's kept an arm around the kid to keep him safe in every scene.
He very much stole the red and black scene too. This R is a flamboyant gay.
This is not just an enjoltaire review I prommy it's just that like. Damn.
The tension between Javert and Valjean in this one is delicious.
I love thenardier's actor and the silly voices he does. Great comedy relief. And the touch in master of the house, with the bird feathers going up, very funny.
Cosette helps eponine up when thenardier pushes her down at rue plumet, and I like the idea of them getting a little moment
Anyway I will report back at the end of the show on badly drink with me hurt me.
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