#Hudson Valley art gallery

[ornithologyorthodoxy]

1/5/23

[idliketobeatree]

dead boy detectives characters as art objects and sculptures; extended ---

hello, i remembered i made some subjective explanations and notes on few of my choices for this post, and i thought some folks might enjoy it. soo let's get into it.

1.

monty finch

author: anders krisár

pretty self-explanatory; it's a moulded male torso with visible inprints on its skin.

anders krisár’ artistry explores the themes of loss, separation, and the condition of the psyche through the lens of a human body in duality: perfectionism meets unsettlement, skin meets marble and bronze and polyester, to create sculptures spanning geological time far beyond the living's capabilities.

monty's creation by esther was already stripped of any human agency. "he was made a boy, not a person", small, almost doll-sized, with a singular purpose: to seduce and entice the chosen dead boy into their doom. the naked skin and specifically the position of its arms are mildly erotic, but in a way that makes your skin crawl. the imprints are intimate, placed possesive; notice the thumbs digging close to especially sensitive areas like nipples and the belly button.

the latter seems to connect the "creator" to the subject, the navel here as a symbol of cruel, invasive motherhood. the fact that the torso is cut off in the middle and at the neck furthers the uncanny valley feeling of a young male body, but then again. this is a realistic portrayal. so was it ever a person? what does it have inside to make dents so profound? how deep you can press until it breaks?

--- i'm leaving out crystal and edwin (for now?), but @nicheoverhere brilliantly noticed that it was the same author for both. that was intentional! because glen martin taylor is all about taking kintsugi, which is a beautiful art form of repairing fine china and generally delicate things with veins of precious metals, but with materials like— nails. scissors. barbed wire. all ugly. the repair after a great shattering is seldom pretty after all, they really are similar in this regard. ---

2.

charles rowland

author: robert hudson

okay, strap in. this funky dreamy world belongs to robert hudson, and i picked it for charles rowland because it's all first impressions. the colours? the composition? they give you the 80s vibes, almost; like something a kid would design if you asked them what a time machine would look like. it could probably move in several ways. the pieces seem mismatched, but hold themselves together surprisingly well. or maybe you underestimate it?

it's neither big nor small. you can't tell its size at all. it's a bit overwhelming to look at, at first, and at second, and after a while, but it carries that comfortable familiarity and nostalgia for— well, nothing in particular, because the longer you look, the sadder its past seems. the bold pops of contrasting colour are fighting for your attention. they want you to like it! and yet, the major material seems to be just. rusted steel. made from tools.

and look at that botched up sphere, it wants so badly to be a perfect sphere and it knows it'll never be one. fine!! perhaps it could be a football ball instead! or maybe a head. if you close your eyes, that is. and this facing-up horseshoe? a lucky charm, made to collect good luck and keep it from falling out cause god, it needs it.

---

3.

niko sasaki

author: justin cloud

---

niko sasaki, now how do i describe her? let's start by saying— she's cleary a her. this one is a she. and there's something to be said about blooming, and femininity, and delicacy, because pink is a hopeful girly colour and a surprise and a delight.

what are you doing in a gallery, little flower, shouldn't you be at home? in a field? look how pretty you are! mind you, of course there's something wrong with her as well, but you're not sure if that is because someone messed it up, or because of a different entity alltogether. was it always half-electric? its elegance seems purposeful— the iridescent metal fits all too well with the white-pink petals— but also uncanny. and oh suddenly you can't stop looking at the stigma from which a pollen should release aaany time now.

when i look at her, at her black artificial stem and the small leaves imitating the real ones, i wonder if she doesn't want to lure me into a trap. is it her fault?

the beautiful petals seem like the only thing left real of the flower. whichever way she turns, it will probably mean— death. and flowers are ephemeral. what is a flower mounted to a wall, fortified with steel, connected with cables and enfused with electrical energy, then?

i think she's a self-preserving survivor. ---

4.

the night nurse

author: elizabeth turk

---

now. the night nurse.

of course it's the only piece in the collection where the background needed to be dark. no one here is older than her. there is no inoffensive, fading-into-background white for this absolute pillar of truth. or maybe something like a totem, quite protective in nature. and it's terrifying, 'cause you're immediately hit with the feeling that you're looking at something out of this realm, something you're not supposed to witness. the perspective is all wrong. is it downwards or upwards? why does it seem unstable when the pieces are so perfectly centered and seemingly well-balanced? child, you should calm down, it's not like you will destroy it with a stronger puff of air. will you?

this sculpture is called "tipping point — echoes of extinction", and it's actually a mix of technology and sculpture and sound, with elegant visualizations of the lost voices of birds and sea mammals. the author said it "was conceived in reverence to the astounding lives the species which envelop humans have lived and the mysterious ways they have contributed to our well-being. the shadows of their memory, whether a shape or a sound, have inspired this project." so the piece deals with death. moreover, it deals with murder. it records the harsh reality and makes sure the ones that suffered horribly at the hands of humans are, in a way, celebrated. but also— categorised. like epitaphs. the birdsong, once a living sign, is only visually represented by the lines of varying lenghts in 3D, and you can do nothing about it anymore, right, you can't bring back the dead, you can't help the innocent dying in any way other than— stacking them on top of each other and moving on.

---

so that's for now, i might someday write more if anyone's curious. :")

[artsandculture]

Lake George Reflection (1921–1922) 🎨 Georgia O'Keeffe 🏛️ Private Collection 📍 Somewhere

Painted circa 1921-22, Georgia O’Keeffe’s Lake George Reflection embodies the contradictions inherent in the artist’s best work which came to define her career and cement her legacy as one of the most enduring and intriguing figures in 20th-century American Art. Lake George Reflection, the most ambitious in scale of her works from the 1920s, is a meditation on the sublime, building upon the tradition of the 19th century Hudson River School artists who sought to capture the drama and beauty of the unspoiled landscape surrounding Lake George. Presented alternatively as both a vertical and horizontal composition, the work is an expression of the artist’s experimental thought process as she considered what it meant to be representational in an age of burgeoning abstraction in American Art. Horizontally, the painting exemplifies the boldly colorful landscapes which have become a hallmark of O’Keeffe’s career, foreshadowing the abstracted paintings of the New Mexico hills from her later years. When viewed vertically, as Lake George Reflection was first exhibited in 1923 at the Anderson Galleries, the infinite horizon shifts to a powerful vertical thrust, with the formerly symmetrical reflections of the landscape morphing into the interior folds of a magnified flower or echoing the bold and daring heights of a New York City skyscraper. This ambiguity of orientation results in a painting that is at once highly representational and wholly abstract, carefully constructed and malleable, and which defines the subtle power of O’Keeffe’s most dramatic and admired works. O’Keeffe signified the importance of certain works by including a hand-drawn star on the reverse or backing board; she noted this distinction on the verso of Lake George Reflection.

On June 10th, 1918, Georgia O’Keeffe moved to New York City. That August, she visited Lake George in the Hudson River Valley with Alfred Stieglitz, the influential photographer and art dealer twenty years her senior whom she would marry in 1924. On this first extended trip to the area, the Stieglitz family’s 36-acre retreat provided a welcome respite from the city, and one that afforded creative inspiration and freedom. “Stieglitz, like many urbanites then and now, also had a rural base, at Lake George in upstate New York, and every year he joined other members of the large family at his mother's home there. In August 1918, he was accompanied by O'Keeffe, who was warmly received by the mater familias and the sundry siblings, in-laws, and offspring of the Stieglitz tribe." (Georgia O'Keeffe, New York, 1991, p. 39) Over the next decade, O’Keeffe and Stieglitz frequently visited Lake George, spending most of every summer and early fall on the family compound, first at ‘Oaklawn’ and later at ‘The Hill.’ The landscape and its environs seemed to stimulate her creatively and she often referred to it as ‘perfect.’ The flora and fauna, and the relationship she developed with botanist Donald Davidson, a Stieglitz family cousin, provided veritable fertile ground for artistic discovery.

Just as Lake George exhilarated O’Keeffe, it also ushered in a period of creativity and artistic exploration for Stieglitz, allowing him to view the landscape through new eyes. “Although in earlier summers he had all but overlooked the landscape at his family’s home in Lake George, New York, he now began to photograph it, stimulated both by O’Keeffe’s infectious enthusiasm for the natural world and her own paintings of the area. Citing her ability to put ‘her experiences in paint,’ Stieglitz wrote that he too endeavored to ‘put his feelings into form’ in his photographs of the trees, barns, and buildings, as well as the landscape and clouds that surrounded him.” (B.B. Lynes, Georgia O’Keeffe, 2001, pp. 26-27) Whether sparked by lively competition or simply that O’Keeffe’s admiration of the landscape invigorated Stieglitz, both artists created some of their most bold, dynamic and experimental imagery during this time. Barbara Buhler Lynes notes, “Stieglitz’s investigation of equivalence began in the early 1920s at Lake George. O’Keeffe was involved with a parallel effort, working with color as Stieglitz had worked with light. Both his photograph and her painting suggest grand panoramas and infinite distances, while at the same time that vastness is overridden by patterns of flat, undulating shapes.” (Georgia O’Keeffe, 2001, p. 38)

In addition to the myriad of visual delights that the great view from the property afforded, it would not have been lost on O’Keeffe that she was on hallowed artistic ground. “As any visitor to Lake George, then or now, she would have been more aware of its role as a popular tourist destination reaching back to the early 1800s. In the wake of the French and Indian War (1754-63) and the American Revolution (1775-83), it captivated the hearts and minds of Americans, who were increasingly nostalgic about their history. The 1826 publication of James Fenimore Cooper’s The Last of the Mohicans sealed Lake George’s fate as an American icon.” (Modern Nature: Georgia O’Keeffe and Lake George, p. 23). Many 19th century predecessors captured the autumnal foliage, verdant hills and crystalline lakes, putting forth a vision of the landscape as untouched and unspoiled. These Hudson River School depictions, often dramatized with sunrises and sunsets, emphasized the sublime in nature, a concept that would have no doubt interested O’Keeffe. “Over the past two centuries, the concept of the sublime—with its immediate sensation of awe inspiring infinite space and evocative color and light directly internalized to moments experienced in our own lives—has been substantially redefined by a small number of artists, writers, and critics, for whom it has become a vital source of spiritual values at times of increased secularism.” (Georgia O’Keeffe: Visions of the Sublime, 2004, London, p. vii)

Seen as a landscape, Lake George Reflection is a meditation on the awesomeness of the open countryside of upstate New York found only a short distance from the hectic metropolis. Incorporating the groundbreaking experimentations from her early career, the rolling hills and water are depicted in the undulating forms so prevalent in O’Keeffe’s early abstractions of the previous decade. Similarly, the bulbous forms that line the foreground recall her abstract ‘Special’ series, also executed at Lake George a few years earlier. Taking these elements one step further, all is reflected, creating a virtual mirror image bifurcated by a dramatic horizontal cross-section. With its monumental scale, the resulting image echoes the images of sublimity in 19th-century art, which captured the grandeur of the landscape, an untouched splendor and a vastness seemingly born from the imagination. Lake George Reflection similarly suggests a landscape of infinite scale, confined by but not limited to the expanse of the canvas.

For the exhibition at Anderson Galleries in 1923, the first time Lake George Reflection was exhibited, O’Keeffe dictated that the painting be hung vertically. While the title suggests a certain formal interpretation to her work, the adjustment of orientation altered the viewer’s understanding of it, particularly when viewed in context with other work from the period. The change solely in orientation of Lake George Reflection, not to the painting, forces the viewer to understand the forms in a different manner. Marjorie Balge-Crozier describes this phenomenon in O’Keeffe’s works from this period, writing, “Manipulation of scale, depictions of fragments, precise lines and blurred edges, bold colors—all of these devices are used to create works that are emotional equivalents for her experiences. These are devices that can also elicit feelings of uncertainty, awe, and even terror in the spectator, whether one is looking at a close-up view of a flower or the splitting darkness of the Black Place. Paintings that are extremely minimal can appear at first as objects for calming meditation, then dissolve into uneasy questions of identity, with hills resembling body parts. In the end, the spectator is left with an equivalent sublime experience.” (Georgia O’Keeffe: Visions of the Sublime, p. 103)

Particularly when understood vertically, Lake George Reflection encourages anthropomorphic comparisons. Sharyn Udall explains, “Some of her landscapes do contain forms that—perhaps without any conscious intention on her part—insist on some relationship to the body. At Lake George in 1919 O’Keeffe produced several paintings of bifurcated glowing forms that begin as landscape but become increasingly abstract.” (Georgia O’Keeffe: Visions of the Sublime, p. 118) As a vertical work, the painting most closely relates to her magnified flower imagery, which she was simultaneously exploring. In works such as Flower Abstraction (1924, Whitney Museum of American Art), undulating lines and soft coral tones are quite clearly evocative of the delicate petals of a flower but the cragged vertical white line serves to bisect the image, echoing the compositional format of Lake George Reflection. Other more abstract works from the period, including Music—Pink and Blue No. 1 (1918, Seattle Art Museum) which was also in the Anderson Galleries show of 1923 and Grey Line with Lavender and Yellow (1923, Metropolitan Museum of Art), are similarly suggestive.

While O’Keeffe’s works, such as Lake George Reflection and her iconic flower paintings, seem to inherently suggest comparisons with the human form, something she patently rejected, the evolution of O’Keeffe from daring female Modernist to a sexualized media sensation was undoubtedly fostered, if not masterminded by Stieglitz. Beginning in 1918, he created a series of photographs which depicted O’Keeffe in the nude. “As art critic Henry McBride put it: ‘It made a stir. Mona Lisa got one portrait of herself worth talking about. O’Keeffe got a hundred. It put her on the map. Everybody knew the name. She became what is known as a newspaper personality.’ Moreover these photographs forged the first public image of O’Keeffe. She was seen as a sexually liberated, modern woman, and this idea of her became a visual equivalent of Stieglitz’s ardent and ongoing promotion of O’Keeffe’s art as a direct manifestation of her sexuality.” (B.B. Lynes, Georgia O’Keeffe, 2001)

Regardless of the source of these intimate connotations attributed to her most admired artwork, Lake George Reflection reflects the pictorial strategies that O'Keeffe developed as an avant-garde American Modernist: interest in a type of heightened realism that pushes an image to the edge of abstraction. It is this near abstraction that evokes the mystical and spiritual qualities that O'Keeffe associated with her organic subjects and which are the source of their strength. Hunter Drohojowska-Philp emphasizes the role of Lake George Reflection in pioneering this element of O’Keeffe’s best work, explaining, "In the spring of 1923, O'Keeffe incorporated Stieglitz's cloud motif into a pair of abstractions redolent of her earlier interest in Art Nouveau, Pink Moon and Blue Lines and Red Lines. Pink Moon and Blue Lines returns to a palette of magenta, lemon, and aqua arrayed in vertical waves on either side of a pink moon on a deep blue ground. She knew she was breaking down aesthetic barriers. Later, she said, 'When I entered the art world…you weren't supposed to paint yellow…and pink pictures.' Red Lines shows vertical waves of pale blue and buttressing columns of deep red divided by a think pink line. Both compositions derive from O'Keeffe's bisected canvases of the Lake George horizon, but upended. This technique began in her show with the vertical display of Lake George Reflection, a predictable landscape except that the horizon line runs up and down and is enlivened with pastel bubbles. Collector Peggy Guggenheim admitted that she could not decide which way to hang it. Studying photographs taken from various perspectives was enhancing O'Keeffe's ability to paint pictures that could be interpreted in multiple ways--paintings that could be hung vertically or horizontally." (Full Bloom: The Art and Life of Georgia O’Keeffe, New York, 2004, p. 219) Painted at the height of O’Keeffe’s most courageous and innovative creative output, Lake George Reflection confirms her prowess as a master colorist, daring modernist, avant-garde thinker and provocateur.

[jigawattsims]

Avery Hudson; romantic, overachiever, party animal

introduction under the cut...

Avery Hudson has lived in San Myshuno all his life, raised by his loving mother while occasionally visiting his father in Del Sol Valley. Growing up, Avery struggled with his identity and felt isolated due to his sexuality. Despite his vibrant city life and passion for technology, he longed for genuine connection. Known for his lively social life and unforgettable parties, Avery was also a true romantic. He grew tired of superficial connections on Cupid's Corner and wanted something real. With the support of his close friends, Allison and Mabel, Avery decided to step out and seek love in everyday moments. One evening at a local art gallery, Avery met someone who seemed to genuinely understand him. This chance encounter felt different—real and promising. As Avery embraced this new connection, he hoped it would finally fulfill his longing for a meaningful and lasting relationship. Will it last?

[bluepoodle7]

#PlanetDob #PlanetDobPs1 #ENA #ENAJoelG #CrossoverArt #MyThoughts

I would love a crossover image of Dob from Planet Dob with ENA from Ena.

They both would seem to be good pals since both are pretty weird in a cool way.

Images and videos not mine but links are there.

Planet DOB Wiki | Fandom

ENA (Animated Series) | Heroes Wiki | Fandom

[PS1] Planet Dob - psychedelic adventure from Hudson - YouTube

ENA - Auction Day - YouTube

When I first saw Ena change faces and body she gave me Hexadecimal from Reboot vibes mixed with Zoogs.

I would love a crossover image of John Doe from the John Doe game with ENA from Ena but as a yousona traveling to the uncanny valley.

John Doe could just be Ena's partner character like Moony or just a random character she meets.

I can see Ena fall for Maison Talo's buyer house trick trap.

I can also imagine his character intro being a black silhouette of his house body and his lurebody walking through the door to greet Ena and giving her the business card as a inventory item.

Images not mine but links are there.

Maison Talo's house is from the game Househunted that Mortisfox made.

Uncanny ENA AU

--------------------

I imagine this Ena writing with a penpal to a random person in the uncanny valley then finally decided to visit her penpal.

Ena asking everyone a question while holding the handwritten letter.

Having Realtors lying about the penpal being inside of their housebody.

Have Ena appear in her room writing to her pen pal which is a mystery to her wanting to met up.

Then the episode starts with Ena on a bullet train like bus that takes you to different worlds.

Kind of like the polar express with the bus driver's hand.

Ticket punch - Wikipedia

Then have Ena not having her ticket and freaking out then have the bus driver laugh and punching the ticket with it's ticket puncher hand.

Have ENA interact with the bus patrons to get their stories.

When ENA arrives in the Uncanny Valley I can see her looking around in awe.

While off screen see a male Zable realm jump hitting the top of the bus screaming as a easter egg.

Maybe have one scene where Zable interviews ENA wanting to know where he is and becomes a party member.

Then end up meeting a Realtor trying to lure both of them in but Zable says this fool smells moldy then the Realtor gets too offended by that comment.

Have the Realtor try to trick the both of them to get inside of the house to be eaten.

The Ena in this AU has a hourglass dog as a service animal.

I can see this dog protect her and help her out.

I can see this ENA with her service animal hourglass dog talking to everyone in the Uncanny Valley while avoiding being eaten by anyone with male Zable.

With ENA trying to figure out what her penpal's looks like from the sketch of themself which is a okay sketch of John Doe.

This ENA would think this Uncanny Valley place is weird but interesting in a abstract art kind of way.

I would name the male hourglass dog Nugget.

A song I liked.

Video not mine but link is there.

Radio - My House (youtube.com)

What the song reminds me of.

I Just Died In Your Arms Tonight - Cutting Crew (Lyrics) [HD] (youtube.com)

Scopophobia Studios - itch.io

The Art of ReBoot - Hexadecimal’s final model... - Everything's Gone 8-Bit! | 8 bit, Reboot, 80s cartoons (pinterest.com)

Zoog Disney | Disney Wiki | Fandom

ENA - Extinction Party (youtube.com)

John Doe (John Doe)/Gallery | Villains Wiki | Fandom

[longlistshort]

There’s only a few days left to see Frank Stella’s recent sculptures at Deitch’s New York location. The large colorful works look drastically different depending on the angle with which they are viewed.

Stella sadly passed away at the beginning of this month. Although it is sad that we won’t be able to see what he would have come up with next, these sculptures help demonstrate how inventive he remained throughout his career.

From the gallery’s website-

Double wide flatbed trucks navigated the bridges into Manhattan to transport five monumental works by Frank Stella to Jeffrey Deitch’s SoHo gallery.

They are among the most ambitious and most radical works being made by any artist today. They extend Stella’s forms even further into three dimensions. The works are not painted sculptures or relief paintings. They completely fuse painting and sculpture in a way that has never been achieved before. The sculptures have never been shown in New York City.

Frank Stella said that one of the objectives of his recent artistic approach has been to “build a painting rather than painting a painting.” The new work is a realization of this ambition. Stella combines traditional artists’ techniques with high technology to create his new work. His monumental sculptures begin with computer models that are transformed into a series of small sculptural maquettes through 3-D printing. The artist refines these models in the studio and then sends them to fabricators in the Netherlands and Belgium where they are engineered and constructed using technology derived from shipbuilding. The sections are then shipped to Stella’s studio in the Hudson Valley where they are refined and painted with automotive paint.

The exhibition features works from two series, Scarlatti Sonata Kirkpatrick from 2014, and Atlantic Salmon Rivers from 2021-23. The Scarlatti Sonata Kirkpatrick sculptures are created with high density foam covered in fiberglass. The Grand Cascapedia, inspired by the Canadian river known for salmon fishing, is made from aluminum. As in all of Stella’s work, the forms embody their materials. The materials inspire the forms.

Stella’s work of the 1980s were characterized by its extension of two-dimensional painting into his version of baroque space. These new works extend beyond baroque space into outer space. The forms seem to float in anti-gravity. They ascend, transcending their weight. They do not have front or a back, existing in the round.

Frank Stella has expanded the art discourse for more that six decades. His new work continues to advance art into a place where it has never been before.

If you are able to see the work in person at the gallery, make sure to take the steps to the top where you will find a diorama containing the sculptural models (pictured below).

[wildflowerbaltimore]

Jane Balfus (b. 1998, Los Angeles) lives and works in New York. Balfus is an installation based artist. Much of her recent work, spanning animation, video, drawings, and text, grapples with themes of girlhood and invisible illness. Balfus’s recent exhibition, American Girl Diagnostics, premiered at Mery Gates in 2023. Previous group exhibitions include Public Works Administration (2023), Romance Info (2023), Sara’s (2023), A+E Lab (2022), O'Flaherty's (2022), Mcg21xoxo (2021), Alyssa Davis Gallery (2020), and Lubov (2019).

John Bohl graduated with a BFA in painting from the Maryland Institute College of Art and currently lives and works in Baltimore. Recent exhibitions include "Green" at Headstone Gallery (Kingston, NY) and "Balancing Acts" at the Peale Museum (Baltimore, MD). He has also produced a variety of prints and publications with Beach Press in London and Oso Press in Los Angeles. Escape Room is Bohl’s second presentation with Wild Flower, following his two-person show with anonymous, A Place before A Name, in 2016. 

Michael Bussell received a BFA in Photography from Maryland Institute College of Art. His output has been exhibited internationally over the past decade, including in solo exhibitions at Plague Space, Krasnodar, RU (2022), Deli Gallery, Brooklyn, NY (2015) and group shows at Marvin Gardens, Brooklyn, NY (2024), Triest, Brooklyn, NY (2021), New Scenario, Pripyat, UA and online (2021) and Interstate Projects, Brooklyn, NY (2019). In 2016 he founded the curatorial platform Wild Flower which situates art in Baltimore’s Leakin Park for dissemination online. It has also co-produced the projects Vent Space (2020-2021), My New Bed (2019) and Escape Room (2024). 

Jim Spindle’s works include Little Fellow, a PFP collection on the Solana blockchain, and Pil Goger Bum Dum, an open edition animated GIF presented by Yeche Lange on Lens Protocol.  Previously, Spindle was a Crane Operator for Tojiba CPU Corp, and a hobbyist woodturner.  This is Spindle’s first IRL presentation, a physical extension of the Little Fellow project.

Ian Swanson (b. 1983, Detroit, MI) attended Wayne State University and Pratt Institute. Most recently, his work has been the subject of solo and two-person presentations at Materia Gallery, Detroit, MI (2024), Plague Space, Krasnodar, RU (2023), Catbox Contemporary, Ridgewood, NY (2020); ASHES/ASHES, New York and Los Angeles (2019 and 2016); Hot Wheels Projects, Athens (2019); MX Gallery, New York (2018); As it Stands, Los Angeles (2017); Jack Barrett Gallery, New York (2017); and Simone DeSousa Gallery, Detroit (2016). Swanson has participated in notable group exhibitions, including Chernobyl Papers, Pripyat, UA, and online (2021); Dark Mode, ASHES/ASHES, New York (2019); and Peekskill Project V, Hudson Valley Center for Contemporary Art, Peekskill, NY (2012). In 2022, a review of Swanson’s work appeared in the anthology Human Rights, published by Amphetamine Sulphate. His work has been featured in numerous publications, including i-D, Art Viewer, Coeval, and New American Paintings. Swanson currently lives and works in Brooklyn, NY.

Luhhfella avoids the typical artist's struggle for subject, focusing on Mifella—a derivative of the NFT collection Milady that faced rejection, leading to outsider status and birthing the Fellaverse. His work is about being a Fella, staying seated, painting endless formations of Fellas, and knowing that the very limits of what a Fella can be are still beyond our present understanding. Luhhfella embraces NFTs' derivative nature, trusting an egregoric subject to plot its own course. The Fellaverse is an immersive, slow unfolding—no grand narratives, no explanations, just Fellas. It is what it is. Luhhfella is most active on Twitter @luhhfella, where he consistently posts his video and image-based work. He has released three NFT collections on Solana: Wickz, LFVAD2K24, and Chucks.

Anastasios Karnazes is the author of Rainbow Sonnets 20 (The Song Cave) and the editor of Theaphora.

.

[aalbertolugo]

The Greatest Attractions in Upstate New York: Uncover the Secret Treasures

Upstate New York, known for its charming small towns, picturesque landscapes, and historic landmarks, offers visitors a wide array of experiences that make it a premier destination for those looking to explore the Northeast. Whether you're interested in outdoor adventures, arts and culture, or culinary delights, Upstate New York has something for everyone. Here’s a guide to some of the region’s must-visit attractions, guaranteed to inspire your next trip.

The Finger Lakes: A Wine Lover’s Paradise

The Finger Lakes region is one of the top wine-producing areas in the United States, known for its lush vineyards and scenic lake views. Comprising 11 long, narrow lakes, this area is ideal for a relaxing retreat. The Finger Lakes Wine Trail, which features more than 100 wineries, offers tastings of award-winning wines, including Riesling, the area’s signature varietal.

In addition to wine tours, the Finger Lakes are home to stunning natural landscapes. Watkins Glen State Park, famous for its dramatic waterfalls and scenic hiking trails, is a must-see. For a unique adventure, visitors can take a boat tour on Seneca or Cayuga Lake or enjoy a sunset over Keuka Lake.

The Adirondacks: Outdoor Adventure Awaits

The Adirondack Mountains offer some of the most breathtaking landscapes in New York, with towering peaks, deep forests, and sparkling lakes. The Adirondacks are an outdoor lover’s paradise, perfect for hiking, camping, skiing, and fishing. Lake Placid, which hosted the Winter Olympics twice, is one of the most popular destinations, offering skiing and snowboarding in the winter and boating and swimming in the summer.

Another must-visit is the High Peaks region, home to 46 mountain peaks that challenge hikers with some of the best trails in the state. The area also features the Adirondack Museum, where visitors can learn about the cultural and natural history of the mountains.

Saratoga Springs: Healing Waters and Horse Racing

Saratoga Springs, known for its mineral springs and historic horse racing track, has a timeless charm that attracts visitors year-round. The Saratoga Race Course, one of the oldest sporting venues in the U.S., hosts thoroughbred races every summer, drawing horse racing enthusiasts from around the world. For a more relaxed experience, visitors can enjoy the mineral springs at Saratoga Spa State Park, where natural spring waters are said to have healing properties.

In addition to its famous springs and racetrack, Saratoga Springs has a vibrant downtown with boutiques, art galleries, and gourmet restaurants. The area also boasts a thriving arts scene, highlighted by the Saratoga Performing Arts Center (SPAC), which hosts concerts, ballet performances, and the annual New York City Ballet summer residency.

Niagara Falls: A Natural Wonder of the World

No visit to Upstate New York would be complete without a trip to Niagara Falls. Known for its immense power and beauty, Niagara Falls draws millions of visitors each year. The falls, which straddle the U.S.-Canada border, are composed of three separate waterfalls: American Falls, Bridal Veil Falls, and Horseshoe Falls. Visitors can take in the views from the American side, which features several observation decks, or cross into Canada for a broader perspective.

For an up-close experience, try the Maid of the Mist boat tour, which brings passengers close to the roaring falls. Additionally, Niagara Falls State Park offers hiking trails, picnic areas, and the stunning Cave of the Winds attraction, where visitors can walk along wooden platforms near the Bridal Veil Falls.

Hudson Valley: History and Art Along the River

The Hudson Valley, stretching from Westchester County up to Albany, is rich in history and natural beauty. The region is home to charming riverfront towns, historic estates, and a burgeoning arts scene. One of the area’s highlights is the town of Beacon, home to the Dia Beacon art museum, which features contemporary art installations in a repurposed factory building.

Another must-see in the Hudson Valley is the Vanderbilt Mansion, a grand estate with gardens and river views that tell the story of America’s Gilded Age. Nearby, the Franklin D. Roosevelt Presidential Library and Museum offers a fascinating look at the life and legacy of the former president. For outdoor enthusiasts, the Hudson Highlands State Park and the Walkway Over the Hudson State Historic Park provide excellent hiking trails and scenic vistas.

Cooperstown: Baseball and Beyond

Cooperstown, famous for the National Baseball Hall of Fame and Museum, is a must-visit for baseball fans. This charming town celebrates America’s favorite pastime with exhibits and memorabilia that tell the story of the sport’s history and its legendary players. Each year, the Hall of Fame Induction Ceremony attracts fans from across the country.

Cooperstown is also home to the Farmers’ Museum, where visitors can learn about 19th-century farm life and explore historic buildings. Just outside town, Otsego Lake offers boating, fishing, and beautiful views, making it a great destination for nature lovers.

Lake George: Family Fun and Adventure

Lake George, known as the “Queen of American Lakes,” is a family-friendly destination with activities for all ages. Located in the southern Adirondacks, Lake George offers a variety of water sports, including boating, jet skiing, and parasailing. The village of Lake George is bustling with restaurants, shops, and amusement parks, including the popular Great Escape & Hurricane Harbor, a Six Flags park.

For those interested in history, Fort William Henry Museum provides an interactive experience, offering insight into life during the French and Indian War. Visitors can also take a scenic cruise on the lake, with options ranging from short tours to dinner cruises.

Ithaca: Waterfalls and Ivy League Charm

Home to Cornell University and Ithaca College, Ithaca is a college town with a unique blend of academic atmosphere and natural beauty. Known for its many waterfalls, Ithaca is part of the Finger Lakes region and offers hiking trails and scenic views in parks like Buttermilk Falls State Park and Taughannock Falls State Park, which boasts a waterfall higher than Niagara Falls.

The Ithaca Farmers Market is a local favorite, where visitors can sample fresh produce, crafts, and local cuisine. For a cultural experience, the Herbert F. Johnson Museum of Art at Cornell University has an impressive collection of art and a beautiful setting overlooking Cayuga Lake.

Chautauqua: Cultural Enrichment and Relaxation

The Chautauqua Institution, located on Chautauqua Lake, is a renowned cultural center offering educational programs, concerts, and lectures throughout the summer. Known for its intellectual and artistic offerings, Chautauqua attracts visitors interested in everything from music and theater to religion and social issues. The Chautauqua Lake area is also perfect for boating, fishing, and other water sports, providing a relaxing environment alongside its cultural attractions.

For history enthusiasts, the nearby National Comedy Center in Jamestown celebrates the legacy of comedians, including hometown hero Lucille Ball. The museum offers interactive exhibits that explore the history and art of comedy, making it a fun destination for all ages.

Thousand Islands: An Archipelago Adventure

The Thousand Islands region, located along the St. Lawrence River on the U.S.-Canada border, is a unique area with over 1,800 islands to explore. The islands range from small, private plots to larger, tourist-friendly areas. A boat tour through the Thousand Islands is one of the best ways to experience this beautiful area. Boldt Castle on Heart Island is a must-visit attraction, with its fascinating history and striking architecture.

The Thousand Islands is also a popular destination for water sports, including kayaking, fishing, and scuba diving. Known for its crystal-clear waters, the area is home to a variety of shipwrecks, making it a great spot for underwater exploration.

Plan Your Upstate New York Adventure

From the wine trails of the Finger Lakes to the cultural institutions of Chautauqua, Upstate New York offers something for every traveler. Whether you’re drawn to the natural wonders of Niagara Falls, the historical sites along the Hudson River, or the vibrant arts scenes in small towns, there’s no shortage of things to do and see. So pack your bags and set out to explore the best attractions that Upstate New York has to offer.

[cu1tofdionysus]

TRAVELING DELPHI: Woodstock, NY

(See above link for all pictures)

Schools out for summer and I need a strong drink in the wilderness to recover. Junior year is intense. In the city, there are so many places to go for a breath of fresh air. Just a short car, bus, or train ride and you could be away from the humid hustling and bustling. Some can go to the Hamptons, if they can’t they might get a weekend AirBnb near the Rockaways or something. Some go upstate, some go to the shores of dirty Jerz to gamble or bake to a crisp. I chose to go to Woodstock, New York. In my head, it’s synonymous with the legendary 1969 Woodstock festival. I love a place where something happened. I love a live music venue. 

Most of Woodstock’s whole thing is that it has the bohemian art culture of the city, only in the woods. Bob Dylan owned a house here. I learned about the Hudson River school in history class, landscape painters in the Hudson valley that invented a new art movement in the mid 1800s. In 1903, Ralph Whitehead founded Byrdcliffe colony in Woodstock, intended to be a utopian art colony. My roommate got into their summer residency. Hi Sonia! We missed our exit on the highway. Don't do that, because if you do, you’ll have to spend 30 more minutes driving to the next one.

The decoy main attraction is the Woodstock festival grounds, which are an hour away in Bethel, New York. The real main attraction is Tinker St, the Lower East Side of Woodstock, (main street), nestled at the end of a large hill. It is lined with pinterest board boutiques, cafes, a few restaurants and churches and places to buy incense or expensive tie-dye. After Tinker St it’s green. Ancient trees, winding roads, wildflowers, hidden homes, cottage homes with long and twisting driveways. A sign in someone’s yard says: “KEEP WOODSTOCK WILD. SAY NO TO OVERDEVELOPMENT!” We swerved often, narrowly avoiding mini squirrels darting across the road. I registered a bit later that they were chipmunks. Cute!!!! RIP to the ones we passed, already flattened

PEARL MOON

Our first time stretching our legs from the 3 hr car ride and our first time eating that day. Pearl Moon has a pretty string light patio, can’t miss it from the road. The inside has a stage with gold curtains for live music. The walls are painted with rich teal paint. Our waitress and hostess were both very friendly and attentive in a way that initially threw me— were not in NYC anymore! I got a $30 burger in front of me swiftly. The $30 made it less enjoyable, but it was good, and the hot toddy my boyfriend got was strong. His duck quesadilla was unique. Go there for dinner instead of lunch, when there's music. They have some drag events too. 

TINKER ST SHOPS

We perused in and out of a bookshop, some spiritual shops, gift shops, smoke shops, antique stores, consignment stores, home goods stores. Most of them had the owner behind the register. 

Bookstore- The Golden Notebook

Ice cream- Sweet Dreams Organic Ice Cream

Vintage shop- Rock City Vintage

Record store- Woodstock Music Shop

Antiques- Woodstock Way Hotel – There’s a little shop owned by the same people directly in front of the hotel. 

Free Gallery- Woodstock Artists Association & Museum

AIRBNB

Our lodging was right on Tinker street, perfect location, but hidden behind a bigger house with a garden. But we didn’t read the full description. It turns out our yellow cottage is more like a guest house attached to a main house. Our host runs “authentic writing workshops'' out of her main house. Even though the house was a bit closer for comfort than we were used to— no Midnight drives, headlines too bright— we never saw the host. The place was too sweet — studio sized, sunny, surrounded by wildflowers. Adorable mugs, quilts, a rocking chair, sky light. A nice queen bed to finally fuck where your roommates cant hear. We couldn’t take our trash outside because of the bears. We only had a kitchenette, so no cooking. Sleeping in such a quiet place took a couple nights to get used to, we heard the screaming of a fox and music lofting over from the bar across the street. We were also getting some kind of allergy sickness, ushering in summer, so we had tea in green mugs with fortunes on the tags at 3am. 

LEVON HELM STUDIOS

My boyfriend, a musician, wanted to go to the Levon Helm Studios show for our first night. Levon Helm was a famous drummer, and Levon Studios is a tricked out barn. Its main attraction is their midnight rambles, where Helm's daughter, other extended family and invited guests put on a Midnight tribute. They didn’t have one tonight, so we’re seeing John Moreland, a big guy from Texas with sailor type tattoos and an old soul. 

The stage was a nice red rug laid out over an elevated sector of the floor. Helm Studios Shows are acoustic. The stage  wasn’t much but a few guitars, some harmonicas and vintage looking light bulbs in funky modern industrial stand up lands. But it was beautiful and intimate. 

John Moreland could make anything sound good. His voice is warm and full and raspy. His opening was Ken Pomeroy, a folk singer who was about my age (22.) Her vibrato danced sweetly through our ears as she sang and told stories about what her songs were about. 

The con? The crowd was a double edged sword. Mirroring the town's general population, I was one of very few young people there, one of an even smaller number of people of color. It was a lot of people over 60, music enthusiasts eager to listen, so much that the stillness and quietness dragged after a while. Some people brought their babies and toddlers though it was getting late for a farm town. Another con, Levon Helm doesn’t serve alcohol, and we didn’t know that, so we didn’t bring any. We had to resort to smoking in the car beforehand, which didn’t feel too good around a bunch of old white people. I could hear the couple behind me talking about my tattoos. They didn’t have any, but the man was once thinking about getting a cross. 

It was before midnight, but too late to get food after, something I’m not used to. We had to drive to the McDonalds in the neighboring town, which made me really sick later. 

EUPHORIA YOGA 

Not sure if it was the leftover salad from Pearl Moon or the Mickey D’s but I got super sick from 3-5AM. I took the car out to try and watch the sunrise. Pulled into the parking lot of Euphoria Yoga and The Station bar, just across the street from AirBnb. Euphoria is a yellow two story house turned yoga studio. Station bar is a neighborhood bar housed in the remains of an old train station. I am very dumb and know nothing about terrains and tires. The dirt parking lot turned to mud with the night rain. I got the car stuck. We had to wait for a cleaning lady for one of the stores opening to help us maneuver the tires of my bf’s audi in a crazy way, to get us unstuck. We fell back asleep and slept through our morning level 1 yoga class. I regret missing it. Book a $20 yoga class and get reconnected. 

SWIMMING HOLE

I’m from Texas, where it gets hot in April. In New York it doesn’t get hot until after memorial day. I figured this would be a summer weekend trip, so I ordered a silver bikini for the swimming holes. A lot of them were closed until the aforementioned memorial day. The weather was wet and rainy and foggy and muddy. We drove about 10 minutes away from Tinker St to find a hidden stream safe to swim in, but it was ice cold water. 

TINKER ST TACO

Google reviews lie. I so wanted to like this place. It was an indoor/outdoor situation overlooking a stream, like a lot of the set-ups in this town. The owners' three fluffy adorable dogs were present and available for petting. Both employees were kind, one of them was wearing a bandana around his neck and a boater hat. Go here for drinks and great vibes, not so much for food. The tacos were… not good. Cold and warm at the same time. But the reviews were raving! Perhaps this has something to do with the lack of POC in the area. 

MONASTERY

My streak of bad luck continues. We drove all the way up the hill passing grand lush trees and deer and chipmunks, to the Buddisht Monastery. Lines of Tibetan flags are strung on every tree. People are mountain watching near the parking lot. The monastery is a gorgeous white stone building with bronze roof panels and ornate window panes. A lot of the monks were converts, a lot of them were caucasian. These woodstock hippies are something.  It’s open to the public and even available to tour. I donated three dollars for a candle to be lit in my name, for happiness. I got kicked out for wearing shorts that were not that short with a baggy cardigan, so it felt like I got kicked out for being a harlot. 

CHURCH OF TRANSFIGURATION 

The monastery is at the tip top of the hill, nothing neighboring it, but the nearest plot belongs to the Church of Transfiguration. A black, hand built, wooden, single-room church stands in an overgrown lot, built in 1891. You can’t go in it, but you can smoke weed in front of it sitting in your car, if you get kicked out of the Buddhist Monastery. Come, smoke weed as you are. 

CUCINA

We have reservations at Cucina, a fancy Italian spot inside, yes, an old yellow house. We sit on the veranda, warm bulbs twinkle above our heads. Both pasta dishes were fire, the best meal of the trip. Our waitress was young and cool, which gets me thinking, where do all these hip young people hang out?

TINKER ST TAVERN

There weren’t many 20-somethings at Tinker St Tavern, either, but they were the most I’ve seen in one place. One girl had a leather jacket, “QUESTION AUTHORITY” scrawled across the shoulders. The bar is owned by the same people who own Do or Dive in Bed-Stuy. Both bars have a retro dive meets honky tonk vibe, pool table, repurposed old fluorescent signs. There was a girl band playing, composed of a bunch of rockstar moms who put their own spin on Tom Petty, called The Tom Pettys. They were all wearing tight pants and sunglasses and top hats. Two big dogs were behind the bar. at some point hopped up, leaned on the counter and looked like he was the bartender. 

ALISON

Now, this is a place for lunch/ brunch. Inside an old house. This place, casualish Italian/ American, looks like the set of Practical Magic. Steak and eggs were yummy. Pesto sandwiches were so good we tried to make our own later. Not overpriced. 

SAUGERTIES LIGHTHOUSE

Last stop! If you’re in the area long enough, it might be worth checking out Saugerties, the bigger neighboring town. We stopped by to walk the lighthouse trail, which, yeah, leads to an old lighthouse. Bring shoes you can get muddy and make sure the tide isn’t high. Apparently, you can rent it out for the weekend or tour, but we didn’t do that, and it was still nice to see. A lot of them were…….closed until Memorial Day. Next time :(

[xtruss]

Great Egret In the Desert, 2012 This close up, photographed at J.N. Ding Darling Wildlife Refuge on Sanibel Island in Florida, is juxtaposed against the Mesquite Flat Sand Dunes in Death Valley.

The Art of Birds, Revealed Through an Altered Reality

— By Becky Harlan • Published: June 30, 2015 | Saturday April 27, 2024 | All Images Created By Cheryl Medow

At first glance, these birds wowed me. A few seconds later I started to wonder, Are they real?

Well … Yes. And No.

Grey Crowned Cranes Each crowned crane was photographed on an acacia tree near Richards Camp in Masai Mara, Kenya. Mount Kenya was photographed from a Cessna.

Before attempting to explain what’s going on in these images, the artist, Cheryl Medow, might appreciate you taking a similar approach to experiencing her photography as she does to making it. “I don’t think my pictures through,” she says, “I feel them.”

She described this incident to me: Visitors at one of her gallery shows were asking questions about how she creates her work, and she was answering. But then a guest approached her and said, “No, no, no, don’t say a thing. I just want to enjoy these pictures.” It was then that she realized that she was looking for an emotional reaction, for people to enjoy looking at the work without having all the answers.

So please: Look. Enjoy. Feel.

Roseate Spoonbills Each bird was photographed at St. Augustine’s Farm in Florida. This is where they nest in the spring. The waves were shot in Hanalei Bay, Kauai.

Cattle Egret Portrait ”During mating season the cattle egret colors are like a rainbow,” says Medow. This portrait was photographed in Florida, with the pattern of sand dunes from Death Valley in the background.

White Ibis With Fish This white ibis with his seaweed and fish catch were photographed at J.N. Ding Darling Wildlife Refuge on Sanibel Island, Florida. The background clouds and surf were shot in Hanalei Bay, Kauai.

But if you’re like me, you still want to know the story behind these images. So here goes.

These are real birds, photographed in the wild. They are also pictured in real landscapes. And both parts of the images are photographed by Medow. But they weren’t captured at the same time and often not in the same place.

Why does she go to the trouble of capturing these stunning birds in the wild and then transposing them somewhere else?

Great Blue Heron With Chicks Balancing on a branch, the great blue heron was photographed at the Venice Rookery in Venice, Florida, along with the chicks in a nest. The background was photographed in Bigfork, Montana.

Greater Flamingo I This flamingo was photographed on Isabela Island in the Galápagos in a brackish saltwater lagoon. The clouds were also photographed in the Galápagos on a different day.

It all started because she was photographing birds with a 600mm lens. And when you shoot birds with a lens that long, the rest of the background becomes blurry—the birds wind up being the only thing in the frame that’s in focus. All context is lost. She wanted to put the birds back into an environment, so she began creating composite images.

At first she was just placing the birds into photos of the landscapes where she’d originally shot them. But then she realized she could take it to another level—she could put the birds anywhere and at any scale.

Saddle-Billed Storks This mother and baby were photographed in the Masai Mara Game Reserve. The landscape was shot by plane in the same area, traveling from Sirikoi Lewa Wildlife Conservancy in Laikipia to Richards Camp in Masai Mara.

“I’m an artist first, and photography is a tool that I use to be creative,” she says. “When I picked up the camera and the computer it opened up new possibilities for me. I can make the birds much larger than life. It draws attention to these guys that if you just saw them in the wild with the naked eye you wouldn’t see.”

She draws inspiration from the Hudson River School painters. “They took their sketchpads and went out, as I take my camera and go out, and they got sketches of all these different things. And when they went back to their studios and made their paintings, they combined the different elements that they had seen out in the field. So when the normal person went to the Hudson River and looked for the pictures they couldn’t find some of them. And that’s because they weren’t out there in the real world. Even the painters had manipulated what they had seen and brought it together and combined different elements to make their paintings,” she says. “They’re redoing nature in their mind’s eye, and I guess I’m doing that too.”

Reddish Egret This bird was photographed at Little Estero Lagoon, Fort Myers Beach, Florida. The landscape was also shot in Fort Myers at a different time.

Her subjects come from all over the world. Kenya, Tanzania, Botswana, South Africa, Los Angeles, New Mexico, the Galápagos, Costa Rica, and Brazil are some of the places she’s traveled to photograph birds. She’ll often photograph at a certain place during a certain season to see, for instance, an egret in its mating plumage. “I’ll pick April and May to go to Florida because that’s when they’re in their mating colors,” she says.

Great Egrets, A Starry Night The egrets were photographed in St. Augustine, Florida, and Devereux Lagoon and Slough, Santa Barbara, California. The night sky was photographed in Hanalei Bay, Kauai.

Some might think that because these images involve Photoshop in their final state that the painstaking work of photographing a bird in the wild is somehow less work. But Medow assures me that capturing these creatures in the wild isn’t for the hurried. “When I go out and shoot birds there’s a real Zen, a meditative state. Patience is something that I think is a wonderful asset to have, and I don’t usually use it in my normal life, so when I go out in the field I can almost zone out. I could sit there for hours waiting for birds to come and go,” she says. “They’re wild. They’re really wild. They can fly away. There’s something about that that’s just intriguing to me.”

[sbowen]

Michael Hambouz

gets a mention by Two Coats of Paint in their Hudson Valley (and vicinity) Selected Gallery Guide: March 2024 for “Loves Cats, Hates Catastrophes” at Elijah Wheat Showroom. He likes to play with language and optics and is not always dedicated abstractionist- Hambouz’s delicately crafted works of art, infused with an autobiographical element, break a mold of surface and allow viewers to see…

[jenferguson]

"Last Sighting" at Roxbury Art's "Forgotten Spaces" through April 13, 2024-

I’m pleased to share my contribution to Roxbury Art’s current exhibition “Forgotten Spaces” at the Walter Meade Gallery in Roxbury NY, on view through April 13th, 2024.

The Last Sighting refers to the remembered rural landscapes of my youth. Landscape can be an unspoken part of identity, and I feel deeply connected to those places which now are just part of visual memories which keep changing over time. I grew up in the farmlands of the Mid-Hudson Valley. This work depicts a hillside and stand of trees which were later cleared for development. When I was younger, my siblings and I explored the countryside with the vague sense of ownership over places that children often feel. But the terrain is unrecognizable to me now, and so the last sightings are only in my imagination and paintings.

 In this painting, I kept the aesthetic minimal and contemplative in palette and mood. To echo the vagueness which memories evoke, I left out detail and strived to keep the forms suggestive rather than defined or detailed.

The opening of the show last weekend was spectacular. It was great to meet so many of the participating artists, and the other works in the exhibit were beautiful, intriguing and evocative of the theme, each in its own unique way. I highly recommend visiting the show if you are in the Roxbury/Catskills area. And it was great to meet Ursula Hudak who did an outstanding job putting the show together, as well as Jenny Rosenzweig, who is Roxbury Arts’ Executive Director. I was really impressed by everything about the space and the organizers.

“Last Sighting” is available for sale. It’s framed in a beautiful dark walnut floater frame and available for the very alluring price of $875. If you are interested in this piece or know someone who might be, please contact Ursula Hudak at the gallery: community@roxburyartsgroup.org or call Roxbury Arts during business hours at 607-326-7908.

Here are some pictures and media from the opening- enjoy!

[maryhrbacek]

Exploring the Diverse Art Gallery Scene Near New York: A Journey Through Artistic Expression

Delving deeper, top galleries in NYC specialize in specific artistic movements, offering focused collections and in-depth knowledge. Photography enthusiasts can rejoice at the International Center of Photography, showcasing historical and contemporary works that capture the human experience. For those drawn to modern and contemporary art, Dia: Beacon, nestled amidst the Hudson Valley's scenic beauty, provides a serene setting to contemplate masterpieces by Andy Warhol, Agnes Martin, and others. If your passion lies in African American art, The Studio Museum in Harlem offers a vital platform for established and emerging Black artists, fostering dialogue and celebrating cultural heritage.

[cymlea]

Beyond the Mainstream: Hidden Gems in Florida and New York

As you ponder your decision between Florida and New York, it's worthwhile to explore some hidden gems that might sway your choice. Both states harbor unique attractions that extend beyond the mainstream highlights.

Hidden Gems in Florida:

Everglades National Park: Venture into the vast wilderness of the Everglades, a unique ecosystem teeming with diverse wildlife. Take an airboat ride through the marshes to witness alligators, manatees, and a myriad of bird species.

St. Augustine: Delve into history in St. Augustine, the oldest continuously inhabited European-established settlement in the continental U.S. Explore the charming historic district, visit the Castillo de San Marcos, and stroll along cobblestone streets.

Crystal River: Experience a one-of-a-kind opportunity in Crystal River, where you can swim with gentle manatees in their natural habitat. This heartwarming and educational encounter is a highlight for nature enthusiasts.

Dry Tortugas National Park: For a remote and pristine experience, consider a trip to Dry Tortugas. Accessible only by boat or seaplane, this national park boasts turquoise waters, coral reefs, and the historic Fort Jefferson.

Hidden Gems in New York:

Storm King Art Center: Art aficionados will appreciate Storm King, an open-air museum showcasing large-scale sculptures against the backdrop of rolling hills and woodlands.

Catskill Mountains: Escape the urban hustle to the Catskills, a haven for outdoor enthusiasts. Hike scenic trails, explore waterfalls, and enjoy the serenity of this natural retreat.

Dia Beacon: Art and architecture converge at Dia Beacon, a contemporary art museum housed in a former Nabisco factory. Explore thought-provoking installations and enjoy the spacious galleries.

Hudson Valley Wineries: Embark on a picturesque journey through the Hudson Valley's vineyards and wineries. Sample locally-produced wines while soaking in the region's scenic beauty.

The Final Decision: Crafting Your Perfect Itinerary

In the end, your decision between Florida and New York can be further refined by crafting a personalized itinerary that aligns with your interests. Consider combining the well-known attractions with these hidden gems for a truly enriching experience.

Florida Itinerary:

Start with the excitement of Orlando's theme parks. Explore the natural beauty of the Everglades. Immerse yourself in the history of St. Augustine. Discover the enchanting beaches along the Gulf Coast. Conclude your trip with the unique experience of swimming with manatees in Crystal River.

New York Itinerary:

Begin with the iconic landmarks of New York City. Venture to Storm King Art Center for a cultural escape. Indulge in the tranquility of the Catskill Mountains. Immerse yourself in contemporary art at Dia Beacon. Wrap up your journey with a scenic tour of Hudson Valley wineries. Sealing the Decision: A Perfect Blend

Ultimately, the ideal decision may lie in a blend of both states. Craft an itinerary that encompasses the vibrant energy of New York and the diverse offerings of Florida. Whether you choose to explore the theme parks of Orlando and the streets of Manhattan or the beaches of Miami and the natural wonders of upstate New York, your customized journey is bound to be a harmonious blend of experiences.

As you embark on this adventure, remember that the joy of travel often lies in the unexpected discoveries and the personal connections you forge along the way. So, whether it's the sun-kissed shores of Florida or the iconic skyline of New York, savor every moment of your journey, and let the unique charm of each destination leave an indelible mark on your travel memories. Safe travels on your exploration of the Sunshine State and the Empire State!

[xzoeus]

cv

cv.

zoë a. argires

b. 1996 Birmingham, AL, USA

based in Lancaster, PA, and New York, NY

Solo Exhibitions

2023 

Minor Attractions, gallery Albany: British Fountain 1, London, UK

2021

Spider Gallery, Thong Paintings, Wichita, KS.

Robin Winters’ Key Club, Animal Crossing New Horizons, New York, NY.

2020

Art Death, 2020 Drawings, New York, NY.

Two-Person Exhibitions

2020

New Works, ☀ , Chicago, IL.

2019

OOF Books, ZAA + JLR Drawings on Paper, Los Angeles, CA.

Selected Group Exhibitions

2023

Cornershop and Minor Attractions: Beauty Tech Art Spa, London, UK.

M+B, My Condolences, Los Angeles, CA.

2022

NADA Foreland, JAG projects, Hudson, NY.

White Columns, Annual Benefit Auction, New York, NY.

gallery, Image Unavailable, Albany, NY.

On View, One Sec, New York, NY.

2021

Real Pain Fine Arts, The Frog Show, New York, NY.

Public Access, Devolve, New York, NY.

Nepenthes, Who Me?, New York, NY.

2020

Robin Winters’ Key Club, Friendz, New York, NY.

Serving The People, Self Portrait, New York, NY.

West 121st Street Projects, About the 77 Street Woman, New York, NY.

2019

Go To Heaven, Enduring Violence, Miami, FL.

5-50 Gallery, Not En Vogue, New York, NY.

PSLA, And me/us, Los Angeles, CA.

2018

Gallery MC, 2018 International Young Artist Group Exhibition, New York, NY.

Rema Hort Mann Foundation at Galerie Richard, Buy What You Love, New York, NY.

The Sleepcenter, Growing Pebbles, New York, NY.

2017

Petrie Museum, The Object Habit, London, UK.

The Hole, Got It For Cheap, New York, NY.

Arebyte, WOHS TIHS, London, UK.

Central Saint Martins, We Are Fans, London, UK.

Selected Curatorial Projects

2022

gallery, Image Unavailable, Albany, NY.

2020

Essex Flowers, Amogus, New York, NY.

International Pencil, online exhibition.

Robin Winters’ Key Club, Friendz, New York, NY.

Residency

The Macedonia Institute, September 2023, Hudson Valley, NY.

[taruntravell]

5 Unforgettable Day Trips From New York City You Cannot Miss

New York City is a vibrant and bustling metropolis, but it's also surrounded by a wealth of exciting day trip destinations. Whether you're interested in history, nature, culture, or simply escaping the city for a day, there are plenty of unforgettable day trips you can take from NYC. Here are five you cannot miss:

The Hamptons, Long Island: Located on the eastern tip of Long Island, the Hamptons are famous for their picturesque beaches, upscale restaurants, and charming villages. You can relax on the beautiful beaches of Southampton or East Hampton, explore the art galleries in Sag Harbor, and enjoy some of the freshest seafood at local restaurants. The Hamptons are a great escape from the city's hustle and bustle, especially during the summer.

Storm King Art Center: If you're an art enthusiast or just love the outdoors, a day trip to Storm King Art Center is a must. Located about an hour's drive north of the city in the Hudson Valley, this outdoor sculpture park features massive works of contemporary art set against a stunning backdrop of rolling hills, meadows, and forests. It's a unique blend of art and nature.

Philadelphia, Pennsylvania: Hop on an Amtrak train or take a bus to Philadelphia, just a 90-minute ride from NYC. Explore the birthplace of American democracy by visiting Independence Hall and the Liberty Bell. The city also offers world-class museums like the Philadelphia Museum of Art and delicious Philly cheesesteaks to enjoy.

Bear Mountain State Park: If you're a nature lover, head up to Bear Mountain State Park, located about an hour's drive north of NYC. It's a perfect destination for hiking, picnicking, and taking in scenic views of the Hudson River. You can also visit the Trailside Museum and Zoo or take a boat ride on Hessian Lake.

Princeton, New Jersey: Just an hour's train ride from NYC, Princeton is known for its prestigious university and charming downtown. You can tour the beautiful Princeton University campus, visit the Princeton University Art Museum, and stroll through the picturesque streets lined with boutiques and eateries. Don't forget to stop by the historic Nassau Inn for a meal.

These day trips offer a diverse range of experiences, from relaxation to adventure, and are perfect for a quick escape from the city's hustle and bustle. Whether you're interested in art, history, nature, or simply exploring new places, there's something for everyone within a short distance from New York City.

5 Unforgettable Day Trips From New York City You Cannot Miss